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Sustaining a National Nuclear Security Regime: How to Maintain Effectiveness Over Time. Side Event of the 62nd IAEA General Conference. IAEA Vienna, Austria, 20 September 2018
Interactive Quiz: "What Does it Take to Sustain Nuclear Security?" moderated by Ms Valerie Rouille-Chatelus and Mr James Conner, Division of Nuclear Security.
Photo Credit: Dean Calma / IAEA
Hedgehogs vs. red squirrel: Who's afraid of magpie. Backyard is good place to observe how animals interact and behave. Hyvinkää, Finland.
A year 5 interactive display for science topic "sound" including instruments. I tuned the guitar and discovered it's perfectly playable, and the accoustics in the empty classroom were great.
Interactive Session: Burning Money in Landscapes? – Firefighting the Economic and Ecologic Damages of Bushfires.
Photo by Musah/GLF
news.globallandscapesforum.org
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At Finding Erotica, We have created so many interactive sex stories together, from role plays to fantasy to real deal hardcore phone fucking, I just love all you kinky, perverted sweethearts!
Visit Us Now - findingerotica.com/
21 May 2019 – Interactive Workshop: Alice in wonderland: How policy can learn from fictional futures.
Facilitators: Joshua Polchar, Strategic Foresight Analyst, OECD, Julia Staudt, Strategic Foresight Analyst, OECD.
Discussion leader:Zoltán Cséfalvay, Author, TECHtonic Shifts. OECD Headquarters, Paris.
Photo: OECD / Christian Moutarde
'Dance Like A Dick' Mixtape (Video of the Mixtape cover in action).
Made for Debbie Hill for 'The Mixtape Project', Sept '10
The mix created for this Mixtape can be downloaded here: www.mediafire.com/myfiles.php#1,1
ESO-69-6 is two interacting galaxies in Triangulum. I have processed the Hubble image on the left to accentuate wispy detail and enhance colour, while smaller stars are suppressed. At the top is a structure reminiscent of Hanny's Voorwerp.
There are many colourful galaxies in the field. On the right is a spherical galaxy which seems to have a blue jet from a black hole?
Original image from:
Pretty cool little interactive performance art installation in Waukesha, WI Tuesday night. The artist hung a long row of white streamers from the walls of the gallery. Each streamer consisted of paper tape from a machine that imprinted it with lots of cryptic numbers. It was the task of the participants to take down the numbers on the streamers and try to add them up. The title of the work was "The Indeterminacy of Numbers in Waukesha County." Observers noted this was a reference to the fact that no matter how often the numbers were added up, the total never came out the same.
The work was created by the controversial conceptual artist, Kathy Nickolaus, whose provocative previous works-- always timed to coincide with the election cycle -- have also stirred heated debate. Here's the Milwaukee Journal Sentinel review.
For Paulo Mellett, on his birthday, as he continues the cycle...
Pen on paper, 17.5 x 17.5 cm. And a rather lengthy interpretation of the imagery...
The Triskelle or Triskellion, is a pre-celtic spiral design. It consists of three separate spirals rotating in the same direction around a central, circular point, and themselves forming a circle. The three spirals consist of a single, continuous line. For thousands of years, it has represented the continuum of life and various three-fold elements: life, death, rebirth; past, present, future; spirit, mind, body etc. More than any other meaning, though, it represents the three elements of Air, Water and Earth, and the flow of energy through these.
Because of the inter-connectedness of the three spirals, it is sometimes said to represent three threes, or nines, particularly the nine months of pregnancy that result in life and continue the three-fold cycle of life, death and rebirth. It is observable that the various three-fold natures it represents can interact with each other in this multiplicitous way... ie, the three elements of air, water and earth can all pass through life, death and rebirth, or the way in which our spirit, mind and body are influenced by past, present future. So the significance of the Triskellion is always exponential, growing and expanding within its continuum.
Within this design, all three of the physical elements are present.
Water is represented by waves, bubbles, a ship journeying and three fish. The bubbles show it’s interaction with air, and the ship journeys between two points of land or earth. The waves and journeying represent transience and movement in this malleable element. In Irish mythology, three ancient salmon were said to be the oldest creatures in the world. They lived in a pool under an oak tree. The Oak was older even than the salmon, and contained all wisdom. As the oak dropped its acorns into the pool, the salmon fed on them, and thus they came to hold all wisdom themselves.
Rocks, minerals and fossils represent Earth, rising to high mountains and producing plants and life. Most prominent of these plants is an apple tree, and curling amongst its branches is a snake, the most earthly and earthbound of creatures. This image is usually interpreted in terms of the biblical genesis account as the first moment of ‘sin’. I prefer to see it as an allegory of the moment of awakening of human consciousness... choosing independence to eat of the tree of knowledge. The bible also uses the image of a snake in a tree as a symbol of healing, though this more positive notion of earth and fruitfulness gets forgotten!
The trees roots grow out of the water, and its leaves are blown away by the third element of Air. Here, air is made visible in terms of curling winds, stars, a flock of wild geese and a rainbow. The latter of these is always seen as a promise of good things, light in the rain. Wild geese are often used as a Celtic symbol of the spirit... it is wild, untameable, strong, it travels huge distances. It represents the enduring, eternal nature of that spirit as whilst the goose disappears and is absent for many months of the year, it always returns. Therefore its long journeying represents travel of a spiritual nature. Very loosely, the stars form part of the constellation of Draco, the dragon, the largest constellation. It is suggested that the layout of the many ancient Cambodian temples form a map of the constellation of Draco across the land.
In the centre of all this lies the sun, representing the fourth element of fire. Its rays spread out through the picture, energising the other elements. All four elements are again represented in the corner pieces.
Circling the whole image is a snake swallowing its tale. For millennia, this continuous circle has represented eternity and the cycle of life, death and rebirth.
Interactive pressure-stabilized membrane structures (“Pneus”), suspended from the ceiling, discreetly illuminated from the inside. As visitors pass through the room, through touch and draughts, the objects respond. Attempts to elucidate the objects creates a dialogue of light, sound and movement. In the course of the casual interaction, the visitors become part of a performance. The boundaries between viewer and performer, space and content begin to drift – bubbles wafting in clouds.
Credit: tom mesic
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Edited Hubble Space Telescope image of the interacting galaxies Arp 293.
Original caption: Some galaxies are closer friends than others. While many live their own separate, solitary lives, others stray a little too close to a near neighbour and take their relationship to the next level. The galaxy in this Picture of the Week, named NGC 6286, has done just that! Just out of frame lies its partner, NGC 6285. Together, the duo is named Arp 293 and they are interacting, their mutual gravitational attraction pulling wisps of gas and streams of dust from them, distorting their shapes, and gently smudging and blurring their appearances on the sky — to Earth-based observers, at least. The NASA/ESA Hubble Space Telescope has viewed a number of interacting pairs. These can have distinctive, beautiful, and downright odd shapes, ranging from sheet music to a spaceship entering a sci-fi-esque wormhole, a bouquet of celestial blooms, and a penguin fiercely guarding its precious egg. Arp 293 is located in the constellation of Draco (The Dragon), and lies over 250 million light-years from Earth.
@ my workplace. Ss are so excited about the new thing that they didn't even notice I took this pic. Will it last long?
We've seen this chalkboard van every year at the Fremont Fair. This time, Evan drew tally marks on the front and wrote "TALLY" next to them. I'm not sure what he was tallying.
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Interactive painting n#36.
This painting can be displayed in four positions by turning around. One of words painted - WAR GOD SEX ART - will dominate in each of the positions.
Could be used for religious or political purposes. Also good for bedroom decoration.
Tempera and enamel on canvas,
size - 40x40cm 15.7x15.7inch
For more interactive paintings or other types of artworks:
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
Karolina Sobecka – Sniff - Estados Unidos - United States
Karolina Sobecka – Chase | Estados Unidos - United States
Kurt Hentschläger - ZEE - Kurt Hentschläger
Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil
Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos
Patrick Smith | vectorpark.com – Levers | Estados Unidos
Patrick Smith | vectorpark.com – Park | Estados Unidos
Patrick Smith | vectorpark.com – Spiders | Estados Unidos
Patrick Smith | vectorpark.com – Thomas | Estados Unidos
Patrick Smith | vectorpark.com – Windosill | Estados Unidos
Q-Games - Pixeljunk Eden – Japão | Japan
Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil
Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil
Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil
That Game Company – Flower – Estados Unidos | United States
That Game Company – flOw – Estados Unidos | United States
Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil
VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom
FILE ANIMAÇÃO | FILE ANIMATION
Siggraph
Japan Media Arts Festival
FILE SYMPOSIUM – de 27 a 30/07
27/07
Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil
Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França
Echo & narcissus
Andrew Hieronymi | Estados Unidos
Jogos físicos: Além dos Minigames
Espen Aarseth | Estados Unidos
A Estética do Bottom-up: Histórias, Games e o Metacronotópio
Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil
Economia Criativa, Fomento e Tecnologias
28/07
SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia
Tardigotchi
VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido
Nós Declaramos “O Ato sobre Bens Híbridos!”
Tim Webster | Australia
Terras Maravilhosas: Machu Pichu
Kenneth Hansen | Dinamarca
Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?
Regine Debatty | Itália
Nós fazemos dinheiro, não arte
Jörg Piringer | Áustria
abcdefghijklmnopqrstuvwxyz for iPhone
Anna Barros | Brasil
Acredite ou não nós somos nano
Mathias Kassmannhuber | Áustria
“Reflection Eternal” - medindo o espaço auditivo com som focalizado
Kurt Hentschlager | Áustria
Composição audiovisual e ambientes imersivos
29/07
Agnus Valente | Brasil
Hibridação Interformativa em processos artísticos interativos
Philip Mangione | Brasil
Chameleon Puzzle Runners
Maxuino: Chris Coleman and Ali Momeni | Estados Unidos
Maxuino
Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil
Instantes de Metamorfose 01
Julio Lucio Martin | Brasil
Passeio Sonoro
David Clark | Canadá
Sign after the X
30/07
Vivian Caccuri | Brasil
A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles
Artur Matuck | Brasil
Um Manifesto pela Re-Informação
Edson Zampronha | Espanha e Brasil
Da criação do som à invenção do sentido
Ernesto Klar | Estados Unidos e Venezuela
“Luzes relacionais”, 2009-2010
Rejane Cantoni e Leonardo Crescenti | Brasil
Como, quando e porque desenhar interfaces áudio-tátil-visuais
Pau Waelder Laso | Espanha
Inner voices and data flows
Haley Lussier (10) and Isabella Privitera (10) discuss how they and their small group in Interact club will change the global environment for the better. Every Tuesday during lunch in Mrs. Dhoot's room, they meet together to examine current world issues, and in this smaller group they eventually agree that they want to aid the coastlines and gather litter. "I heard there was a lot of pollution in the ocean and a lot of garbage along the coast, and I want to help he wildlife out there" - Isabella, Interact president.