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Interactive exhibition by CuriousWorks at St Marys Corner Cultural Precint. Support by Penrith City Council's Neighbourhood Renewal Program under the Magnetic Places funding program.
PNNL's STEM ambassadors interact with community members during a Community Science and Technology Seminar Series at Mid-Columbia Library in Kennewick, WA.
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From left to right:
IAF Administrative and Project Support: Martin FEICHTINGER;
IAF Senior Projects Manager: Myriam MORABET;
IAF member: Viktoria FEICHTINGER;
IAF IPC Co-chairs Advisor: Michel ARNAUD;
IAF Projects Manager: Martina FABBIANI;
IAF Creative Services and Projects Manager: Evelina HEDMAN;
IAF Projects Manager: Stefano PASCALI;
IAF Projects Manager and Special Advisor: Elena FEICHTINGER;
IAF Executive Director: Christian FEICHTINGER;
IAF Deputy Executive Director: Giulia Maria BERARDI;
IAF Office Manager: Guilia ANGELETTI;
IAF Projects Manager: Alessandra D’ARGENIO;
IAF Senior Projects Manager: Isabella MARCHISIO;
From left to right:
IAF Administrative and Project Support: Martin FEICHTINGER;
IAF Senior Projects Manager: Myriam MORABET;
IAF member: Viktoria FEICHTINGER;
IAF IPC Co-chairs Advisor: Michel ARNAUD;
IAF Projects Manager: Martina FABBIANI;
IAF Creative Services and Projects Manager: Evelina HEDMAN;
IAF Projects Manager: Stefano PASCALI;
IAF Projects Manager and Special Advisor: Elena FEICHTINGER;
IAF Executive Director: Christian FEICHTINGER;
IAF Deputy Executive Director: Giulia Maria BERARDI;
IAF Office Manager: Guilia ANGELETTI;
IAF Projects Manager: Alessandra D’ARGENIO;
IAF Senior Projects Manager: Isabella MARCHISIO;
exhibition
29 October - 19 November, 2021
Filodrammatica Gallery, Korzo 28/1, Rijeka
Photo: Hrvoje Franjić / Drugo more
#MEMEMANIFESTO is transmedia project that explores the occult meanings and communicative potential of memetic symbology, investigating different aspects of internet meme culture through various media: an art book, an interactive website, a physical installation, and a series of participatory workshops.
Based on the aesthetics of online conspiracy theorists, ancient grimoires, and cutting-edge contemporary digital design, the project strives to be a manual for memetic production, a refined documentation of the contemporary memetic landscape, and an art book about the hidden sides of the internet.
While their online exhibition #MEMEPROPAGANDA explored the potential of memes for political activism, the transmedia project #MEMEMANIFESTO (2020–ongoing) explores different aspects of meme culture through various media: a website installation and a participative archive called “Safari”, the physical installation “Detective Wall”, the book and catalogue to the exhibition “The Detective Wall Guide” and a series of workshops entitled “The Meme Manifesto Protocols” where participants are called on to contribute content, images and discussions to the implementation of #MEMEMANIFESTO.
During its visit to Drugo More, Clusterduck is focussing on the “Detective Wall” installation. Taking inspiration from Aby Warburg’s famous “Bilderatlas Mnemosyne” and with a nod to the so-called “Crazy Wall” shown in the “Pepe Silvia” meme, the ten panels composing “Detective Wall” are an investigation around ten different themes and moments of memecultural history, spanning the period from 2006 to the present day. The visitor is invited to explore the crazy wall – and the research behind it – with the help of “The Detective Wall Guide”, a book co-published by Aksioma and Impakt. By offering a closer look at the digital version of the panels, Clusterduck is inviting visitors to go down an almost infinite series of rabbit holes, navigating through a series of attributions and links. In doing so, Clusterduck recommends caution and to proceed at your own risk.
In our fast and digital times of computers, networking and interactive mobile devices, there is only little room left, for different paces, concentration on quiet things. By utilizing old handcraft techniques such as Macrame – a knotted net using red ribbon wire –, this installation not only aims to preserve the knowledge of traditional artwork, but also the creation processes with time for talk and information exchange. By taking this individual work out of the context of private homes and placing it into public space, this project becomes a beautiful and poetical call for preserving old handwork techniques – also as an inspiring and creative resource for new structures and designs. We definitely enjoyed it !!!
At INTERACTIVE Pavilion we showcased a variety of the newest IT/technology related products from hardware and software to digital arts and sciences. People enjoyed experiencing and seeing the cutting-edge technology coming straight from Japan.
Photo by Kumi Yamauchi
The sign in the U.S. National Arboretum's herb garden urges people to touch the plants, which Sarah is only happy to do.
Other signs promote tasting the plants, too. The strawberries were good!
RPT fuses Integrative Therapeutic Massage, Immersive Video Art, and Shared Perspective Virtual Reality to create a technologically mediated healing modality capable of inducing collective out-of-body experience. Transformative healing is possible ...
Recursion Projection Therapy integrates healing and visual arts. The practitioner creates, controls, and projects visual information, in the form of dynamic mandalas, directly onto the client during the healing session. A camera and projector are mounted above the massage table. The client is the projection screen. The camera captures the entire scene and sends the live image to helmet-mounted video displays worn by both client and practitioner.
GSM-Bristol is the historical reenactment group that not only does all-day presentations at Bristol, they are host to the Janesville Renaissance Faire.
we went to stephan's gallery, and then across the street to an exhibit in an alley and took a ridiculous amount of photos: these are the best of those.
via Sourcing a Interactive Video Creator in Shropham we can help here t.co/c2XgVS6zkF. Covering all of Norfolk, we have helped thousands over the years #InteractiveVideo #Shropham #Norfolk:
via Twitter twitter.com/ukvideopromo
In our fast and digital times of computers, networking and interactive mobile devices, there is only little room left, for different paces, concentration on quiet things. By utilizing old handcraft techniques such as Macrame – a knotted net using red ribbon wire –, this installation not only aims to preserve the knowledge of traditional artwork, but also the creation processes with time for talk and information exchange. By taking this individual work out of the context of private homes and placing it into public space, this project becomes a beautiful and poetical call for preserving old handwork techniques – also as an inspiring and creative resource for new structures and designs. We definitely enjoyed it !!!
Taken the weekend of August 9-11, 2013 at the D23 Expo 2013 at the Anaheim Convention Center (Anaheim, CA)
The interactive installation «Rubinetto» deals with the water crisis and how water is taken for granted in the first world.
Desarrollamos dos estaciones interactivas para el evento Motorola Feeders con tecnología inmersiva de vanguardia.
Una estación contenia una aplicación que sacaba fotos en tiempo real y esas mismas fotos podian verse instantáneamente en formato de polaroid en una pantalla interactiva ubicada en otro salón. Realizamos todo con processing.
La pantalla interactiva reaccionaba a los movimientos del cuerpo de los transeúntes y a la vez funcionaba como vidriera, donde se podian ver los asistentes y personajes del evento con la idea de un photobooth abierto a todos.
TECNOLOGIA> processing.org/
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eng.
We developed two interactive stations with inmersive state of the art technology at Feeders Motorola Venue.
The action was taking real time pictures and those pictures appeared on an interactive screen framed like polaroids.
The interactive wall respond to passer by people body movements and at the same time worked as an open photobooth, showing up all venue attendants.