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Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner, Ron Windecker, Pastor Candicek and Tess
DSC_4956 2005, Installation View
Ghost Tree. 2005 August, KIAD, Rochester. Installation art featuring 2 sets of Photographs of Hackney and the Circus. Backlit through theatrical fog.
Created from cutting the branches through installing and polishing the floor, concurrently to the Hurricane Katrina and the devastation wrought in New Orleans. Yet I was unaware of the rolling news, busy making this. When I emerged and saw the media I shivered at what I had made as the disaster had happened thousands of miles away.
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner, Ron Windecker, Slightly cloudy and rainy
Documentation of "A Time Machine (for now)" an installation by Tom Hughes at the Metropolitan Block for PAUSE
From Left:
Rhondal McKinney
left to right:
From the Series Illinois Landscape #3787
From the Series Illinois Landscape #3866
Silver Gelatin Prints
2011
Richard Finch
left to right:
Conversation
Five Elements Improvisation III
Duality
Lithographs
2010, 2009, 2011
Opposite Room:
Tyler Lotz
A Cold Ideal
Ceramic, acrylic, foam, steel, and hardwear
2010
Installation photo by Roger Castonguay, Jr. of The Defining Photo, LLC.
Nancy Graves: Inspired Vision
On view at the Joseloff Gallery April 14, 2009 through June 28, 2009
Non-Periodic Growth in Three Dimensions, 2007, Drinking Straws and Thread, 140x80x90 cm
and
Non-Periodic Growth (Wall Painting), 2007, Acrylic on Wall, Variable Dimensions (Installation Approximately 8.5x4.5 m
DSC_4977 2005, Installation View
Ghost Tree. 2005 August, KIAD, Rochester. Installation art featuring 2 sets of Photographs of Hackney and the Circus. Backlit through theatrical fog.
Created from cutting the branches through installing and polishing the floor, concurrently to the Hurricane Katrina and the devastation wrought in New Orleans. Yet I was unaware of the rolling news, busy making this. When I emerged and saw the media I shivered at what I had made as the disaster had happened thousands of miles away.
This group installation was part of a project on the uncanny. Through the use of humanoid objects (the mannequin), traces left behind in paint showing our process of making the piece, and a play on scale , created an interactive installation piece which incited feeling of confusion and cautinary dread
(documentation of an installation in Raffles Gallery in Nottingham.)
themes of voyeurism, story telling and process.
i am really interested in how context alters a piece of art and vice versa. i use the same group of objects within my installations, bringing in others found on site. the expectations and connotations brought to the piece are very different depending on the situation eg: a gallery, shop or outdoors. with this ongoing set of work i am interested in how this affects the reading of the piece.
"sometimes you fall into a story, but sometimes you have to take steps to unravel it." Janet Cardiff.
* placed in a gallery this installation means to challenge the viewers curiosity. the more they investigate the more answers they achieve. with all my pieces, a certain amount of 'stumbling accross' is involved. even in a gallery i try to find a secluded spot to bring the story to.
At the Table is a group exhibition that explores our intimate and communal relationships with food and investigates the many ways these connections were severed or challenged during the 2020-21 lockdown triggered by the COVID-19 pandemic. Through artworks, documentary photography, recorded narratives, and ephemera, this exhibition creates space for reflection on the role food plays in our lives as individuals and in our communities and traces the effects of the pandemic on the ways we interact with and consume food.
Artworks and documentation on view will use food as both subject and material to speak to and create community, examine personal histories and narratives through ingredients and culinary traditions, and respond to social injustices related to food production and distribution.
The artists, projects, and collaborations included in the exhibition are Jackie Amezquita, Champions Feed Champions presented by the Inglewood Community Fridge, domingo presented by The Crenshaw Dairy Mart and The Mistake Room, Yrneh Gabon, Yeu “Q” Nguyen, Francisco Palomares, and alvaro parra.
Organized by Heber Rodriguez, Exhibition Manager / Assistant Curator, Armory Center for the Arts.
Learn more at armoryarts.org/table.
Photo by Ian Byers-Gamber. Courtesy Armory Center for the Arts.