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Completed exterior of "For Dimensionalies", installation at Southport College.
End of year degree show.
Installation View - Liz West. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Photo: René Schmalschläger | www.schmalschlaeger.nl
Click here for Closup video of the moving inside of the installation
L: Jerry Spagnoli
R: Loretta Lux, Abe Morell, Adam Fuss
Images courtesy of David Stansbury Photograpy
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
installation detail: looking into the mini gallery within a gallery space. the photos are pinned to the wall with Tpins. they are digital prints (photographed with a Holga in a studio onto film, then scanned, then printed) sewn onto hand dyed arches cover. these hand sculpted ceramic hearts are each hand sculpted from a brooklyn red clay body, fired at ^9, and suspended from aluminum chain from the ceiling of the gallery in the center of an 8x8 foot room made from temporary walls. the interior is painted blood red.
from my BFA thesis show, Transgression, which was installed in the Main Gallery (3rd floor) of Northern Kentucky University's Fine Arts Building in April 2005.
Art of the Native Americans: The Thaw Collection
Coming Soon!
Sunday, October 24, 2010—Sunday, January 9, 2011
Target Gallery
Ticketed Exhibition (FREE for members!)
Installation by H. GEN KOZURU at Uminonakamichi Park, Higashi-ku, Fukuoka, Japan
作：高鶴元 インスタレーション（海の中道公園西口広場、福岡市東区西戸崎）
撮影：河野利彦（2008/4）
"Your Garden (Nicole Jowett, Janna Barkman, and Nick Turnbull)
A pop-up community garden that is open to all to experience the potential for fresh and affordable produce in the neighbourhood"
Each of these installations was part of the Urban Idea Creative Placemaking Challenge, with the goal of making spaces into places. Art installations were in place for one day, August 14, 2014.
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner
Installation view from "Vessel" a group exhibition curated by Dasha Matsuura at Hashimoto Contemporary
The installation of Michael Parekowhai's spectacular Venice Biennale installation "On first looking into Chapman's Homer".
File reference: CCL-2012-06-26IMG_4547
From the collection of Christchurch City Libraries.
After a fire in a bar, gostly presences seize the abandoned and destroyed place, observing the curious intruders’ steps. The intent was to creat a similar trailer/teaser structure. It was filmed during an Arte Às Tantas Collective photographic ride. The installation is the video’s supplement, and works as its physical support too. The ex-bar TimeOut had an unusual decoration, where bikes and cars were one of the main attractions, being the element “tire” common to both. Thus, the tires installation Spiritus represents a memory of the decoration of TimeOut, the motards and lovers of classic cars and motorcycles that were frequent customers of the bar.
Work included in Arte às Tantas Collective exhibition “TimeOut, Burned Out”
Exhibitions: Paralelo 38 (Furadouro-Ovar, Portugal)
Materials: tires, acrylic, wood (interior structure made of wood), tissue, metal rings, headphones, lcd, dvd player
Video: Experimental, fantasy, horror. Directed, produced, edited and pos-produced by Susana Andrez
Dimensions: 53,7 x 20,9 - diameter also 20,9 (136,5 x 53 cm - diameter also 53 cm)
2009
(left foreground) Tom Waldron, Clasp, 1990, steel, 6.25 x 11.75 x 3 in. collection of Ray Graham
(left background) Jaune Quick-to-See Smith, Earth People (left) Sky People (right) both 2011, 4 color lithograph, 36 x 22 in. courtesy Tamarind Insitiute; Sandhill North, 1982, lithograph, 15.5 x 45.25 in. collection of Ray Graham
(right foreground) Steve Barry, Atmosphere, 2018, bronze, 17 x 17 x 9 in; (on wall) 5th Horseman, 1990, pencil on paper, 5 x 7 in. collection of Ray Graham
Installation View - Liz West. Four (26 January - 24 February 2013). Cornerhouse, Manchester. Photo credit We Are Tape
Title: Martin Jischke, Installation
Date: 1992
Description: President Jischke speaking at his installation, 1992.
ID: 2-13-A.Jischke.75-01-01-20
Copyright 2012, Iowa State University Library, University Archives for Reproductions: www.lib.iastate.edu/spcl/services/photfees.html