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At the Table is a group exhibition that explores our intimate and communal relationships with food and investigates the many ways these connections were severed or challenged during the 2020-21 lockdown triggered by the COVID-19 pandemic. Through artworks, documentary photography, recorded narratives, and ephemera, this exhibition creates space for reflection on the role food plays in our lives as individuals and in our communities and traces the effects of the pandemic on the ways we interact with and consume food.
Artworks and documentation on view will use food as both subject and material to speak to and create community, examine personal histories and narratives through ingredients and culinary traditions, and respond to social injustices related to food production and distribution.
The artists, projects, and collaborations included in the exhibition are Jackie Amezquita, Champions Feed Champions presented by the Inglewood Community Fridge, domingo presented by The Crenshaw Dairy Mart and The Mistake Room, Yrneh Gabon, Yeu “Q” Nguyen, Francisco Palomares, and alvaro parra.
Organized by Heber Rodriguez, Exhibition Manager / Assistant Curator, Armory Center for the Arts.
Learn more at armoryarts.org/table.
Photo by Ian Byers-Gamber. Courtesy Armory Center for the Arts.
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner, Ron Windecker, Pastor Candicek and Tess
Client:
Gordon
Vehicle:
2015 Tesla P85D Xpel Clear Bra Vancouver
Location:
Vancouver BC Canada
Concerns:
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Installation View of Anna Valdez, "Objects of Affection", Hashimoto Contemporary, San Francisco. 6-27 June, 2020
Installation by H. GEN KOZURU at Uminonakamichi Park, Higashi-ku, Fukuoka, Japan
作：高鶴元 インスタレーション（海の中道公園西口広場、福岡市東区西戸崎）
撮影：河野利彦（2008/4）
DSC_4956 2005, Installation View
Ghost Tree. 2005 August, KIAD, Rochester. Installation art featuring 2 sets of Photographs of Hackney and the Circus. Backlit through theatrical fog.
Created from cutting the branches through installing and polishing the floor, concurrently to the Hurricane Katrina and the devastation wrought in New Orleans. Yet I was unaware of the rolling news, busy making this. When I emerged and saw the media I shivered at what I had made as the disaster had happened thousands of miles away.
Plein Air is a group exhibition that explores shifting ideas of western landscape, painting, and fieldwork. Traditional plein air painting, which typically involves painting outdoors in a single sitting to capture a vista in a certain quality of light, is taken as a point of departure to consider the ways in which humans use, observe, record, and commune with the land. In this exhibition, the practice of plein air painting is considered in the context of land surveying and settling, public and private space, multidisciplinary onsite research, art history, and the embodied experience of being there. Outdoor painting from observation is approached as ground truth—as bearing witness—a way to experience, process, and understand a range of physical landscapes, and our relationship to them.
The exhibition includes work by Susanna Battin, Esteban Cabeza de Baca, iris yirei hu, KB Jones, Hillary Mushkin, Sterling Wells, and Paula Wilson. The exhibition was organized by guest curator Aurora Tang for the Museum of Contemporary Art, Tucson. An expanded version will be on view in the Armory’s Caldwell Gallery from July 21 to December 10, 2023.
Learn more at armoryarts.org/exhibitions/2023/plein-air/
Photo by Jackie Castillo. Courtesy Armory Center for the Arts.
I Lost my health insurance for 6 months and had to go back on shots. Was taking up to 10 a day to mimic what my insulin pump does. This is around 600 syringes.
Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner, Ron Windecker, Slightly cloudy and rainy
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Installation of Pastor Candice Combs at New Life Lutheran, May 23, 2021 Preaching: Bishop Sue Briner
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The installation went off without a hitch. Well, aside from me forgetting to pack the mac mini, the print company forgetting to send one of the prints and the other 7 prints were the wrong size so they needed to be reprinted and reshipped, and us getting the installation (finally) working 6 minutes before the opening. Scary! But fantastic.
This is a photo of an installation I did in the Maine College of Art Merit Competition. The project is made of 163 unique design/collages created in an envelope shape, then installed in a giant grid. The artist statement is below:
"I have been avidly collecting a number of things for about three years now. This has ranged from books of old diagrams and illustrations, random interesting objects, and even colors.
This installation is a reinterpretation of that collection. Allowing myself to be a curator, artist and composer for this personal image bank, I question how to try and explain my own interest to the material to the viewer of this installation
The envelope shape, a universally known vessel for containing information, became a method for holding these collages of collected ephemera. Each envelope contains a truly unique composition that has its own interesting interactions and moments, and as a whole these individual pieces make a painterly “giant collage” that begins to take on an objective and textural quality.
I encourage you to look at this body of work in whatever way is interesting to you. From afar, close up, even shifting flaps to try out new combinations (please be gentle if you do move any of the letter flaps). I hope you find pleasure in making your own discoveries in these forms, patterns,colors, and imagery."
Installation photo by Roger Castonguay, Jr. of The Defining Photo, LLC.
Nancy Graves: Inspired Vision
On view at the Joseloff Gallery April 14, 2009 through June 28, 2009