Camera: Pentacon Six TL

Lense: Carl Zeiss, Flektogon, 50mm, F4.0

Film: Fuji PROVIA 100 F

Processing: E-6 by PS13, digitized with Epson V850 Pro

Project 34 It's in the can ILYA KABAKOV

On April 9th, I premiered my installation at Dominion Art Gallery, titled "Inspiration". This installation was created via visual cues taken from the wardrobe styling, album art, performance photos, music videos, and promotional imagery put forth by these artists. I'll be releasing all 8 images, one at a time, and today is the third.

This interactive installation can be seen at Dominion Art Gallery, which includes a 3D interactive build corresponding with the images, in addition to some fun gifts at the entrance (in the treasure chest). Check it out here:

maps.secondlife.com/secondlife/The%20Dominion/112/37/801

This third image is my somewhat modern (mostly due to the dress length) interpretation of Karen Carpenter, inspired by the album cover for the Carpenters' album titled "Close To You".

For this image, I styled my av, created the pose, created an EEP for environemental lighting and lights for the set, photographed, and did the editing after.

Here's what I'm wearing:

Head: Lelutka Simone

Body: Maitreya Lara

Hair: TRUTH - Meadow - No Hat (tinted in editing)

Bangs: Magika - Bangs - Midnight (tinted in editing)

Dress/sleeves: ISON - sienna dress - white

Shoes: S@BBiA - Gladiator Wedge Sandal (color changed from ivory to white in editing, to match the dress)

Choker: RAMA - Shine Away Velvet Choker Black

Light Dome

zoobudapest.com/en/lightdome

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

'Blackpool Rock' is part of an installation by Jason Wisher-Mills at the Grundy Art Gallery. housed in the Blackpool library building.

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Altona - Hamburg

Melbourne street art

installation

Dear friends and sundry viewers .... no matter how you are feeling over the holidays .... whether it be happy, sad, lonely, angry, elated, worried, isolated, healthy, ill, joyous, ticked off .... I wish you well. I hope you survive it, and that it is a peaceful time for you, one and all.

Cheers,

Janette :o)

(Photos of an installation at Kelvingrove Museum, Glasgow.)

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 50mm Shift, F4.0

Film: Fuji Velvia RVP 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Mamiya C33, Sekor 65mm F3.5, Fuji Provia 100 F

E6 by PS13, digitized with Epson V850 Pro

Osnabrück

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

E-6 by pixelgrain

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

When I approached this tarpaper shack I did not expect to encounter an art installation. I have made every effort to capture the context of the installation. It was so unexpected upon my approach because of the condition of this building. This is purported to be the work of photographers Deon and Trish Reynolds who resided in Eureka, Nevada. The subjects in the photo and the building are of a similar vintage- 1880-1910. These are the ruins of the Ruby Hill Mine, a short distance outside Eureka, Nevada

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 50mm Shift, F4.0

Film: Fuji VELVIA 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Installation on Switzerland's colonial heritage

installation made of cut-out paintings

Camera: Voigtländer BESSA L

Lense: Voigtländer HELIAR 15mm, F4.5

Film: Kodak PORTRA 160

Processing: C41 by PS13,

digitized with Epson V850 Pro

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 50mm Shift, F4.0

Film: Fuji VELVIA 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

This was a test run of an installation I did as part of my Fine Art degree.

The concept was that as a way of showing my dedication and love of Japan, I folded a thousand origami cranes, which in Japanese legend will grant the folder one wish.

I had some stuck to the wall, referencing the The Wave by Hokusai.

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Camera: Minolta X-700

Lense: Zeiss Flektogon 35mm,

F 2.4

Film: Rollei Superpan 200

Processing: Adox FX-39, 1+9,

13:30 min, 20°, digitized with Epson V370, Hybrid -> digital texture layering

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Enchant is the world’s largest holiday light event experience encompassing over 10 acres, featuring a dazzling installation of over 4 million sparkling multicolored lights creating a one-of-a-kind, story-themed walk-thru maze with holiday trees over 100 feet tall. Produced on the playing fields of major league sports stadiums and iconic outdoor spaces, the event offers an ice-skating trail, live entertainment, interactive games, Santa visits and a charming holiday marketplace featuring local artisans, along with holiday foods and festive drinks.

www.nashville.com/event/enchant-holiday-lights-first-hori...

Christmas Lights, 12/17/2022, Nashville, TN

Canon EOS-1DS

Photex 35mm f/2.8 S&T Lens

f/2.8 35mm 1/200 800

Instagram in B&W Only | Instagram in Color | Lens Wide-Open

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 210mm, F4.0

Film: Fuji Velvia RVP 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Well framed automotive art looking a little like "The Nighthawks". London, like so many cities is a place of contrasts with rich and poor. This window is located in one of the more prestigious postcodes.

Thank you for any and all views, faves, invites to groups, comments and constructive critique. I’m not keen on: invitations to post 1 award 3; copy and paste comments (you know who you are); or links to your work. If you like my images there is a good chance I will like yours and I tend to reciprocate views as a matter of courtesy and personal interest. All my images are my own original work, under my copyright, with all rights reserved. This means asking the owner's permission, and obtaining it, before using the image for ANY purpose.

Copyright infringement is theft.

Pentacon 6 TL, Arsat PCS Shift 55mm, Kodak Portra 160

Processed with VSCO with hb2 preset

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

E-6 by pixelgrain

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

E-6 by pixelgrain

Camera: Pentacon Six TL

Lense: Carl Zeiss, Flektogon, 50mm, F4.0

Film: Kodak Portra 160

Processing: C-41 by PS13, digitized with Epson V850 Pro

Camera: YASHICA MAT 124 G

Lense: Yashinon 80mm, F3.5

Film: Fuji Pro 160NS

Processing: C41 by PS13, digitized with Epson V370

A model of lit stone columns on a hieroglyphic base in the Ramses II exhibit, with two glowing pillars standing out against the dark. The carved base gives the piece a tidy architectural look.

Camera: Voigtländer BESSA L

Lense: Voigtländer SKOPAR 25mm, F4.0

Film: Agfa CT Precisa 100

Processing: E6 by PS13,

digitized with Epson V850 Pro