Camera: Voigtländer BESSA L

Lense: Voigtländer HELIAR 15mm, F4.5

Film: Kodak PORTRA 160

Processing: C41 by PS13,

digitized with Epson V850 Pro

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Installation on Switzerland's colonial heritage

Sambre Next Move - Orléans 2014

Récupération de bois avant installation, à suivre jusqu'à mi juillet.

Les infos ci dessous

www.clodelle45autrement.fr/2014/05/exposition-sambre-a-la...

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 50mm Shift, F4.0

Film: Fuji VELVIA 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Camera: Mamiya 645 PRO TL

Lense: Mamiya-SEKOR 45mm, F2.8

Film: Fuji Provia 100 F

Processing: PS13, digitized with Epson V370

Ghargul, Malta

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

There is a portion of the nature center that is largely undeveloped forest land. There resides a whimsical fairy land where woodsy folk art is quite spontaneous. This is one such installation. This is Boxerwood Nature Center near Lexington, Virginia.

This was a test run of an installation I did as part of my Fine Art degree.

The concept was that as a way of showing my dedication and love of Japan, I folded a thousand origami cranes, which in Japanese legend will grant the folder one wish.

I had some stuck to the wall, referencing the The Wave by Hokusai.

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 210mm, F4.0

Film: Fuji Velvia RVP 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

E-6 by pixelgrain

yashica mat 124g

kodak portra 160VC (expired)

I was really surprised when I saw this scan - I thought that there was no way this shot would come out. To take it I put my Yashica on my bag as I had no tripod and exposed for about a minute during a loud concert with everything vibrating from the powerful bass and also the wooden floor shaking from the movement of people. Still it looks quite sharp. The framing is almost completly random, I couldn't see much on the focusing screen and I couldn't really point the camera in the desired direction on my bag-tripod...

Camera: Mamiya 645 1000 S

Lense: Mamiya-SEKOR 50mm Shift, F4.0

Film: Fuji Velvia RVP 50

Processing:

E-6 by PS13, digitized with Epson V850Pro

Processed with VSCO with hb2 preset

Camera: Pentacon Six TL

Lense: Carl Zeiss, Flektogon, 50mm, F4.0

Film: Kodak Portra 160

Processing: C-41 by PS13, digitized with Epson V850 Pro

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Tous mes vœux--------SL

Saw this ceiling light installation at the lobby area of the new wing of SM City Cebu.

Pentacon 6 - Arsat PCS Shift 55mm, Fuji Provia 100 F

E-6 by pixelgrain

Camera: Voigtländer BESSA L

Lense: Voigtländer HELIAR 15mm, F4.5

Film: Agfa CT Precisa 100

Processing: E6 by PS13,

digitized with Epson V850 Pro

Camera: Mamiya C33

Lense: Mamiya-Sekor 180 mm, F4.5

Film: Fuji Velvia RVP 50

Processing: E6 by PS13, digitized with Epson V850 Pro

Paper & Print installation shown at the "HEADSPACE" show, Chicago Art Department, September 12, 2014

www.chicagoartdepartment.org/headspace/

Printed at Depression Press w/ the assistance of Lead Technical Production Mgr., Jesse Biondo

St Martha's Hill, Surrey

Grand Palais, Paris

Camera: Voigtländer BESSA L

Lense: Voigtländer SKOPAR 25mm, F4.0

Film: Agfa CT Precisa 100

Processing: E6 by PS13,

digitized with Epson V850 Pro

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

Camera: Mamiya C330

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V370

Mamiya 645 1000 S, Mamiya Sekor Shift 50mm F4.0, Fuji Provia 100 F, E-6 by pixelgrain

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V850 Pro

www.instagram.com/sasha_india/

OLYMPUS PLAYGROUND

Camera: Mamiya C330

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Provia 100 F

Processing: E6 by PS13, digitized with Epson V370

Karolinenviertel - Hamburg

downstairs section hosts some lovely nightmarish beasts and nudity in motion: a video installation with girl's slender body being snowed under feathers, inside a wooden dome. and a wooden comics of 3 frames in front of it.

Barry McGee visited SFMOMA to install his Untitled work. Photo by Winni Wintermeyer

Premier élément en béton brut de ma sculpture. La pose effectuée par les services de la mairie de Daugavpils au musée Rothko.

Camera: YASHICA MAT 124 G

Lense: Yashinon 80mm, F3.5

Film: Fuji Pro 160NS

Processing: C41 by PS13, digitized with Epson V370

Installation

Palma de Mallorca

Camera: Mamiya C33

Lense: Mamiya-Sekor 65mm, F3.5

Film: Fuji Velvia 100

Processing: E6 by PS13, digitized with Epson V850 Pro