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Camera: Rolleicord Va
Lense: Schneider-Kreuznach XENAR, 75mm, F3.5
Film: Kodak Ektachrome 100
Processing: E-6 by PS13, digitized with Epson V850 Pro
Camera: Rolleicord Va
Lense: Schneider-Kreuznach XENAR, 75mm, F3.5
Film: Kodak Ektachrome 100
Processing: E-6 by PS13, digitized with Epson V850 Pro
downstairs section hosts some lovely nightmarish beasts and nudity in motion: a video installation with girl's slender body being snowed under feathers, inside a wooden dome. and a wooden comics of 3 frames in front of it.
Premier élément en béton brut de ma sculpture. La pose effectuée par les services de la mairie de Daugavpils au musée Rothko.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
machine stitched drawings on textile. detail from upcoming drawing exhibition.
maschinengenähte Akte auf Textil. Detail der Aktausstellung im Alten Gefängnis
My photography installation at BETASOM, the submarine base used in the Battle of the Atlantic in Bordeaux, France
The colours in the photo seems to be far too yellow and there is a shadow at the top and right side. Here is a digital mock up so you can get a better idea.
Installation from the 8 Degrees of Separation show.
The 8 Degrees of Separation show at the York Quay Centre continues until March 2nd; so if you want to see it as an installation go see it in person.
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
This is an installation in BladeRunner City set by BlackMamba
showing an old picture of mine.
I have worn the same clothes and used the same pose just to create a picture in picture effect.
Thank you Mamba! ♡ ♡ ♡
Camera: Mamiya 645 PRO TL
Lense: Mamiya-SEKOR 50mm, F4.0 Shift
Film: Fuji Provia 100 F
Processing: PS13, digitized with Epson V370
Hanging from the gallery’s ceiling is a mesmerizing ten-foot high installation of richly decorated handmade books, unfolded to reveal deeply personal contents.
has already suffered some minor defacements due to local yahoos with boats. i'm going to relocate this to a higher spot, Kelsea, in hope of protecting it somewhat.
i should add that the few pieces broken off this (for some inexplicable reason) aren't the only damages i found mere days after its installation: someone had also moved the 2 seating stumps to the shore, nailed the Judith Copithorne print to them, then nailed Venus's skunk painting to that & added a brace on the side to make a sort of a shitty benchlike thing, the 3/4s of an hour i'd had left of daylight for garden work spent prying everything apart again. the Berzerker sign had also been taken off its nail in the tower & just left lying on the ground outside. i've not dared look yet but i suspise the hammer & saw have been stolen, too (reserving some hope they've not but not going so far as to have any faith in that hope [good one on me: they're still there!]).
stupid people really suck.
further note of a more constructive nature:
i note that Kelsea has a railing around part of the roof. though i'd intended railings around the balcony & part of the roof on tower 3 [by the way: it fucking sucks that the symbol for "number" can no longer be used without it having the halfassed concept of "hashtag" attached to it, which automatically turns the text of it & whatever's attached to it blue: for instance, "tower #3". fucking stupidity.], neither it nor the first 2 towers ever had railings. however, i've got some nice turned/carved balusters for a fence on this one, just gotta get more done & find out where it'll be going. maybe exactly where Kelsea has it...