View allAll Photos Tagged Installation
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Zeiss Flektogon 35mm + 7D
Installation of multi-layered thermal insulation on the Jupiter Icy Moons Explorer (Juice). There are around 500 such ‘blankets’ installed, ranging from the single aluminised polyester foil to the external multi-layered insulation, comprising 25 layers of polyimide. The total mass of the thermal insulation alone is 100 kg, several times greater than other ESA spacecraft to account for the extreme environment Juice will experience.
Juice will make detailed observations of Jupiter and its three large ocean-bearing moons – Ganymede, Callisto and Europa – with a suite of remote sensing, geophysical and in situ instruments. The mission will investigate the emergence of habitable worlds around gas giants and the Jupiter system as an archetype for the numerous giant exoplanets now known to orbit other stars.
Credits: ESA / SJM Photography
Part of an art installation in Manchester called The Lanterns of the Terracotta Warriors and are modelled on the famous clay army which guards the tomb of the first emperor of China and dates from 210BC.
Chinese New Year is the most important of the traditional Chinese holidays. In China, it is known as "Spring Festival," the literal translation of the Chinese name 春节 (Pinyin: Chūn Jié), owing to the difference between Western and traditional Chinese methods for computing the seasons. It marks the end of the winter season, analogous to the Western carnival. The festival begins on the first day of the first month (Chinese: 正月; pinyin: Zhēng Yuè) in the traditional Chinese calendar and ends with Lantern Festival which is on the 15th day. Chinese New Year's Eve, a day where Chinese families gather for their annual reunion dinner, is known as Chú Xī (除夕) or "Eve of the Passing Year." Because the Chinese calendar is lunisolar, the Chinese New Year is often referred to as the "Lunar New Year".
I like to feature the contrast (which the artists themselves did very well) between the installation itself with the environment of the installation. I think the contrast is extreme. The art installation can be seen at far right. These photos were described by a tourist magazine as a “Rogue Wheat Paste art installation”. Further, they attribute one of these installations to local photographers Deon and Trish Reynolds. While I cannot say I know this to be their work as well, I have to suspect it is. These installations are located in Eureka, Nevada a few miles out of town at the abandoned Ruby Hill Mine. I am greatly inspired by this work. Kudo’s to the artists.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
machine stitched drawings on textile. detail from upcoming drawing exhibition.
maschinengenähte Akte auf Textil. Detail der Aktausstellung im Alten Gefängnis
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
The photo shows the installation of the James Webb Space Telescope's secondary mirror.
The secondary mirror is gold-coated, round, convex, and sits at the end of 3 long booms. It redirects the light from our primary mirror. Read more about the installation: go.nasa.gov/1paWZ17
(View the path light travels in the JWST telescope here: www.youtube.com/watch?v=y9Z2GbFJWmo)
Image credit: NASA/Chris Gunn
The colours in the photo seems to be far too yellow and there is a shadow at the top and right side. Here is a digital mock up so you can get a better idea.
Installation from the 8 Degrees of Separation show.
The 8 Degrees of Separation show at the York Quay Centre continues until March 2nd; so if you want to see it as an installation go see it in person.
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
This is an installation in BladeRunner City set by BlackMamba
showing an old picture of mine.
I have worn the same clothes and used the same pose just to create a picture in picture effect.
Thank you Mamba! ♡ ♡ ♡
Hanging from the gallery’s ceiling is a mesmerizing ten-foot high installation of richly decorated handmade books, unfolded to reveal deeply personal contents.
has already suffered some minor defacements due to local yahoos with boats. i'm going to relocate this to a higher spot, Kelsea, in hope of protecting it somewhat.
i should add that the few pieces broken off this (for some inexplicable reason) aren't the only damages i found mere days after its installation: someone had also moved the 2 seating stumps to the shore, nailed the Judith Copithorne print to them, then nailed Venus's skunk painting to that & added a brace on the side to make a sort of a shitty benchlike thing, the 3/4s of an hour i'd had left of daylight for garden work spent prying everything apart again. the Berzerker sign had also been taken off its nail in the tower & just left lying on the ground outside. i've not dared look yet but i suspise the hammer & saw have been stolen, too (reserving some hope they've not but not going so far as to have any faith in that hope [good one on me: they're still there!]).
stupid people really suck.
further note of a more constructive nature:
i note that Kelsea has a railing around part of the roof. though i'd intended railings around the balcony & part of the roof on tower 3 [by the way: it fucking sucks that the symbol for "number" can no longer be used without it having the halfassed concept of "hashtag" attached to it, which automatically turns the text of it & whatever's attached to it blue: for instance, "tower #3". fucking stupidity.], neither it nor the first 2 towers ever had railings. however, i've got some nice turned/carved balusters for a fence on this one, just gotta get more done & find out where it'll be going. maybe exactly where Kelsea has it...
How to Live Together and Sharing the Unknown | Koki Tanaka
Koki Tanaka is interested in the idea of temporary communities that arise in post disaster situations.
He states : “These communities exist only for a short period of time. They often integrate a reconstructed idea of community from the pre-disaster period. In a post-disaster situation people respect and help each other. Being very idealistic, this aspect doesn’t last very long. Once normal life is restored, people get tired of taking care of others”.
(From ‘Production Notes: How to Live Together’).
LWL Museum für Kunst und Kultur -
Münster / GER
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FUJI GA645Wi - EBC Fujinon 45mm f/4 - Kodak 400TX
Art installation in Church Alley, Liverpool 2017 in honour of all children with ADHD, they have messages from children with ADHD written on them, very poignant.