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Art Installation: !!! Vinyl !!!
Photographer: Janice Marie Foote
Location: DIG Music (inside WAL Public Market) in Sacramento, CA - www.instagram.com/walpublicmarket
at the exhibition [KUL] u nastajanju
@ galerija DAGMAR, Krk
instalation
materials: silver plated copper wire, wood
Luminous Field is a light and sound installation by Luftwerk being shown at Cloud Gate (aka The Bean) in Millennium Park, Chicago.
Installation of lanterns themed display at the Gardens by the Bay for the Mid-Autumn Festival official light-up on 22 September 2017.
I made the video, 'Goodbye Sorrow' by creating many small drawings and watercolor paintings, scanning them into the computer, and animating them in Flash.
For the show, the animation was projected into the corner of the gallery. I also chose to display all of the drawings by kind of collaging them on the gallery wall next to the projection.
The full animation can be seen on my blog! katiearmstrong.com/blogger.html
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Once the copper is glued, use the J-roller working from side to side, and top to bottom with reasonable pressure to ensure good contact between the pieces
Once the copper is cut to approx. size with the scissors or razor knife, gently turn the copper over for glueing.
Use small spacers between the copper and project to avoid sticking while aligning the copper. Once aligned, start slowly applying the copper using the j-roller working from one side to the other. Work in small sections at a time to avoid air bubbles or pockets.
Master your craft! Katz roadshow in action at JLC Live in Providence. On a mission to teach builders proper installation techniques, learn more at www.katzroadshow.com/
My installation at PERMALESQUE, a gallery show held in our own CO Exhibitions, January 22 - February 18, 2011 in Northeast Minneapolis.
This is a collection of LP and CD covers, hand-painted wooden toys, prints, stickers, flyers, custom food packaging, patterns, and other designs I've created over the last several years. It's basically my brain on shelves.
latest stage...
installation of paint cans in downtown phoenix warehouse, the duce. grand opening of the space, including the launch of two new lines of clothing is happening this saturday, dec. 20th, 2008 from 1pm-5pm.
Dragonfly shaped lanterns installations at the Supertrees for the Mid-Autumn @ Gardens by the Bay for the official opening light-up from 22 September 2017.
Construction crew members work together to compete the installation of two new overhead electronic traveler information signs near Evergreen Point Road during the Feb. 1-3, 2013 closure of SR 520.
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
www.triennale.org/en/mostra/la-terra-inquieta/
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
Participants:
Adel Abdessemed, John Akomfrah, Pawel Althamer, Francis Alÿs, El Anatsui, Ziad Antar, Kader Attia, Brendan Bannon, Yto Barrada, John Berger and Jean Mohr, Alighiero Boetti, Anna Boghiguian, Andrea Bowers, Tania Bruguera, Banu Cennetoğlu and Nihan Somay in collaboration with UNITED for Intercultural Action, Phil Collins, Comitato 3 Ottobre, Constant, Thierry De Cordier, La Domenica del Corriere, Forensic Oceanography / Charles Heller and Lorenzo Pezzani, Meschac Gaba, Charles Gaines and Ashley Hunt for Gulf Labor Artist Coalition, Giuseppe “Pinot” Gallizio, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Manaf Halbouni, Mona Hatoum, Lewis Wickes Hine, Thomas Hirschhorn, Wafa Hourani, Pravdoliub Ivanov, Khaled Jarrar, Isaac Julien, Hiwa K, Yasmine Kabir, Šejla Kamerić, Bouchra Khalili, Runo Lagomarsino, Dorothea Lange, Zoe Leonard, Glenn Ligon, Liu Xiaodong, Ahmed Mater, Steve McQueen, Aris Messinis, multiplicity, Paulo Nazareth, Adrian Paci, Maria Papadimitriou, 2016 Pulitzer Prize for Breaking News Photography (Daniel Etter, Tyler Hicks, Mauricio Lima, Sergey Ponomarev), Marwan Rechmaoui, Hrair Sarkissian, Thomas Schütte, Hassan Sharif, Augustus Sherman, Xaviera Simmons, Mounira Al Solh, Hamid Sulaiman, Rayyane Tabet, Pascale Marthine Tayou, Wolfgang Tillmans, Andra Ursuta, Danh Võ, Henk Wildschut, Zarina.
Credits
An exhibition curated by Massimiliano Gioni
The 25m high chandelier OLED lights installation by French artist Thierry Gaugain in the airwell at Robinsons Orchard.
A window installation produced for display in a Schuh store (Location TBD). Created for Converse Shoes/Converse Music to showcase their latest releases. Made with foam board and Posca pens.
An artists (MO. Raudies / Bewahrung) installation at an exhibition.
No digital manipulation but intentional unclean darkroom handling, incomplete fixation and paper decay. Additional sulfur toning.
This installation occupied two spaces; an upstairs space and outside downstairs space. Upstairs contained a lawn chair, fake grass, and three small bunny television sets, that each played network television. The upstairs space looked out on to the downstairs space, which consisted of five full size bunny television sets placed on fake grass, that played static.