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Rope Access Banner Installation For more info visit www.rigcomaccess.com/ropeaccess/sign-a-banner-installatio...
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Flock to LIVING, a temporary public art installation composed of multiple abstracted bird silhouettes, manifesting as painted and suspended sculptural elements, and acknowledging the pre-existing bird community that inhabit the site
Flock to LIVING is the third public intervention by LIVING company, since the historic world events that initiated its re-emergence on the public sphere; is reinvigorating a Lower Manhattan streetscape, to bring the call for experiential representatives to you!
Join us, Saturday December 19, under the Brooklyn Bridge, a space between two destinations, a journey, with some warm beverages, visual candy, birds, and time among friends & strangers
For more information & map, see: www.alivingcompany.com
Flock to LIVING, is produced by LIVING company in collaboration with Johan Kritzinger, and made possible by the New York City Department of Transportation's Urban Art Program and the Action Arts League
Image Credit - Johan Kritzinger
Jean Woodward, Conservator of Paintings from the Museum of Fine Arts, Boston inspects Gathering wood in the forest of Fontainebleau, c1850-60 by Rousseau for any damage that may have occurred during transit from the previous exhibition venue.
Installation of the new window dedicated to St Pio of Pietrelcina (better known as Padre Pio) fitted on July 2nd 2020. It is the second of five windows I've been asked to design and make to complete the glazing of the north aisle. It also became my primary occupation whilst spending three months self isolating, so will always be the 'lockdown window' to me!
Our Lady of the Angels is Nuneaton's principal Roman Catholic church, and is a distinctive and solid essay in 20th century brick Gothic. The almost industrial-looking square block of the west tower is a major landmark by one of the main roads leading to the town centre.
The church began life as a chapel built in 1838, but most of the present building dates from a major enlargement and remodelling in 1936.
The interior has recently been beautifully redecorated and contains several stained glass windows by Hardman's, Gilbert Sheedy and me.
These images are to be used as a general guide to installing my microphone system. Accordions vary widely in construction so you will have to modify your installation to fit your instrument.
Installation opens
Thursday 14th, July, 2011
www.breaksof10.com/blog/2011/07/12/studio-onethirty3-pres...
Photography: David Bilbrough
Are you looking for Garage Door Installation? So, you're at the right place. At Long Island Garage Door we install, repair and maintain garage doors and openers .You can call us for hiring one of our best technicians for this service.
Borealis Art Installation by Dan Acher. Photographed on North Terrace in Adelaide in Australia during the Fringe Festival.
The ceiling took way longer than I expected. And it used a hell of a lot more insulation than I expected as well.
Matthew Abbott Recent Paintings, March 12, 2010
Courtesy of the Artist and Dunham Place Salon
Photo Credit: Elisabeth Bernstein
To inquire about these works please contact dunhamplacesalon@gmail.com
Matthew Abbott Recent Paintings, March 12, 2010
Courtesy of the Artist and Dunham Place Salon
Photo Credit: Elisabeth Bernstein
To inquire about these works please contact dunhamplacesalon@gmail.com
Im Herbst 2013 widmet die SCHIRN der künstlerischen Installation in Brasilien eine vielfältige Gruppenausstellung. Ein Parcours intensiv erlebbarer Räume und Installationen präsentiert die spezifisch brasilianische Ausprägung dieser in der zeitgenössischen Kunst zum Leitmedium gewordenen Kunstform. Eine äußerst lebendige Künstlerszene setzt sich in den späten 1950er-Jahren zunächst mit den Theorien und modernistischen Tendenzen der westlichen Metropolen auseinander, doch sehr schnell formiert sich daraufhin eine originär brasilianische Kunst. Aus der Synthese von Elementen der unterschiedlichen Kulturen geht eine selbstbestimmte brasilianische Kunst hervor, die charakteristisch, kraftvoll und ausdrucksstark ist und in der das sinnliche, körperliche und intellektuelle Eindringen in die Kunst eine zunehmend zentrale Rolle spielt. Die Transformation des gemalten Bildes in eine lebendige Erfahrung außerhalb des Bildes ist seitdem ein zentrales Anliegen. Brasilianische Künstlerinnen und Künstler produzieren in diesem Geist eine extensive, raumfüllende Kunst, die den Betrachter zur Gänze involviert, ihn umfasst, beschäftigt, einverleibt, ihn körperlich, taktil und visuell herausfordert. Bis heute ist dieser besondere, sinnliche Gehalt der Installationen, die gleichzeitig auch politische, soziale und ethische Fragen thematisieren, lebendig geblieben. Anhand von Installationen der frühen 1960er-Jahre bis hin zu jüngsten künstlerischen Positionen demonstriert die Ausstellung das spezifisch brasilianische Moment dieser „Kunst der Erfahrung“, in die der Betrachter partizipatorisch unmittelbar eingebunden wird.
Künstler: Lygia Clark, Dias & Riedweg, Cildo Meireles, Maria Nepomuceno, Ernesto Neto, Hélio Oiticica/Neville D’Almeida, Henrique Oliveira, Tunga
Kuratorin: Martina Weinhart (SCHIRN)Quelle:schirn.de
Rope Access SIgn installations for more information go to www.rigcomaccess.com/ropeaccess/sign-a-banner-installatio...
Hashimoto Contemporary is pleased to present Homeward Bound the debut solo exhibition of Oakland-based artist Christopher Martin. Utilizing the visual vernacular of traditional American tattooing, Martin interweaves imagery from the African Diaspora, his own mythology and iconic navy tattoos to create bold banners and paintings.
Working across mediums including tattooing, textile and painting, each facet of Christopher Martin’s practice informs the others. Imagery commonly found in traditional sailor tattoos are prevalent influences for the current body of work featured in Homeward Bound. The history and superstition embedded in archetypical nautical motifs such as anchors, mermaids and animals are re-coded to reflect the history and stories of the African American experience.
The reclamation of cotton as a primary medium, applied in the large-scale tapestry works and the fiber based paintings on paper, reflect the Atlantic slave trade and the artist’s North Carolina roots. Steeped in Southern and Black history, Christopher Martin’s work layers the confrontation of contemporary injustice and folkloric storytelling to create a new lexicon for black culture.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
red tape was an installation i set up as part of cms day50 art exhibition. the theme was 'christ plays in 10 000 places'. this was the blurb that went with it...
Red Tape
Mission is a border crossing experience whether geographical or cultural - into new areas, risky spaces, out of the comfort zones onto other peoples turf. In those spaces we are likely to be guests rather than hosts. Someone else is throwing the parties. When we make that journey invariably Christ is already there ahead of us.
Red tape (that great symbol of heavy handed control and stifling beaurocracy seemingly so much loved by religious institutions) explores how easy it is to forget this.
Do we cross borders or create them?
Whilst Christ plays in ten thousand places the church time and again has done her best to keep him wrapped in red tape.
“Plan 10″ is an interactive installation that uses sound, lights and animated video that users control trough a controlboard, where they can sequence and control events in a tactile miniature sciencefiction city."
Part of the exhibition "Intermation" - Marieke Verbiesen, Cassandra C. Jones & Jakob Ciocci.
Robin Parmar improvising with Danny Mc Carthy and Mick O'Shea. Sculpture environment by Irene Murphy.
20 April 2011, Crawford Art Gallery, Cork, Ireland.
Installation of my latest project, a sequence of painted panels to adorn the Altar wall at English Martyrs Catholic church in Hillmorton, Rugby. All credit here to my sister Elspeth for taking these photos which record the moment so well.
The subject is the English Martyrs, since previously there had been no depiction of them in the church. Given the large number of Catholic martyrs during and after the Reformation I chose to portray them in procession descending towards the altar around the already existing Resurrected Christ (which we moved higher up the wall). The two central groups of figures are more recognisable/better known martyrs led by St Thomas More and St John Fisher.
For more on the project see my webpage below:
aidanmcraethomsonstainedglass.weebly.com/english-martyrs-...
Installation opens
Thursday 14th, July, 2011
www.breaksof10.com/blog/2011/07/12/studio-onethirty3-pres...
Photography: David Bilbrough