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Sulle due parti che convivono in noi...
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Su come agiamo nelle diverse situazioni...
Su cosa riusciamo a essere grazie al nostro alter ego...
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Questo aspetto della psicologia umana mi ha sempre
affascinato e volevo "esplorarlo" fotograficamente.
Con l'aiuto di Laura ho deciso di interpretarlo nel modo più
semplice e quotidiano possibile e le foto che vedrete faranno parte di
questa fase... ma lo studio continuerà ...
One of the many videos from kite festival Aquilone, Cervia, Italy: "29th kite festival 2009" (youtube)
T-Shirt, overlaid transparencies with the daily circles. fallen leaves, dandelion...., I made during the time I had to water my father`s plants (the daily pictures: see comment), fragment of a sunny yellow balloon I found yesterday during a trip to a Viking exhibition.
T-Shirt artevento, übereinandergelegte Folien der Gießtage mit Kreisen,, Blättern, gelbem Löwenzahn, Liste, Instruktionen, Reste eines gelben Luftballons gefunden am gestrigen Ausflug Schallaburg Maria Steinparz. Kreis: Ölpastell silber
Part of: "an apple a day keeps the doctor away - An ENSO (Japanese: circle, Japanisch: Kreis) a day .... " Aktion Kreis Tagebuch A circle diary - Start of the 365-days Project: 1. September
panasonic DMC-GH3 - P1030876 - 2015-05-04 lumix
#dream #traum #fliegen #fly #drachen #ereignis #event #festival #textilkunst #water #wasser #wind #himmel #sky #geplatzt #zerplatzt #luftballon #formation #thema #themenkreis #mythologie #drache
Gaze into her eyes and let the swirls and whirls draw you deep inside.........into your own world of fantasy.......
June xx
And this one actually got on Explore! Amazing!
The cake I did for my son's 1st bday. First time doing this design (inspired by Rouvelee @ Rouvelee's Creations and Dot @ Cupcakes by Design , Pastrychick)
10"x6"x6"H Cake made of dark mud, white mud, dark mud, layered in cookies 'n' cream buttercream, covered in dark choc ganache.
First time doing a Tatty Teddy. Made of fondant and fur piped in RI (my daughter said it looked scary b/c the fur was spikey, thanks to my not-so-good piping skills)
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
St Anthony of Padua (St Antoine de Padoue) inside the church Saint Martin in the village of Montchamp. The church was built in the 16th century with additions in the 19th century.
هدوووء
وأصوات بعيدة .. تنبعث من الأعماق
تختلط بالأنفاس
وتنبثق منها الحقيقة
!!
لولو الجميله مااشاءالله تبارك الله
الصوره عاديه ومامنها هدف بس من الطفش
ولولو زعلانه تريد التصويير ><
الي يقدر يعدل الصوره ملك له وسوف اكون من الشاكرين
قهوتي أنت, حبي أنت,صباحي المشرق لن يبدأ إلا بك أنت. أحبك جدا و أتمنى أن أكون قربك جدا. أن أحضنك بقوة جدا. و أحتويك بقلبي برفق جدا. أحتاجك جدا, تسكنني جدا.تصور و أنا أرتشفك على مهل و أستمتع برائحتك في انفي.دفئك يعبق أنفاسي و طعمك يسري في شراييني. أرتشفك حتى آخر قطرة و بعدها أقرأطالعي فيك. علي أجد نفسي مطبوعة في حناياك. أتابع خطوطها و انحناءاتها على ملامح جسدك و وجهك و قد أعيك تعب القراءة و الارتشاف. أبدأ بخصلات شعرك المبعثرة و أنتهي باطرافك الممددة على جسدي
Change on the outside makes the inside feel better.
I could have shopped this sucker 'till the pixels thought they were squares, but I had the need to do something raw, with little to none except some obvious color change.
I started Guitar lessons and im inspired to think about what cover art I might commission for myself....You never know.....I might want to be a SUPERSTAR....lol
TheFella Photography | Twitter | Facebook | 500px | RedBubble | Website | Getty | Tumblr | Google+
View large on black please!
The first stop on my north Balkan trip was Zagreb. It's a very beautiful city, full of gorgeous women, but unfortunately there's not much to do. I wandered around most of the town in a couple of hours, including going up and down hills. It doesn't really seem to be a tourist city, or a party city.
Some places look great from the outside, but sadly Zagreb's most famous landmark, the cathedral, was covered in scaffolding. I assume for some sort of renovation work. Luckily, most religious buildings, whether in Paris, Budapest or at home in London have fantastic interiors. Zagreb Cathedral was no exception.
I was amazed as soon as I walked in. I sneakily brought out my camera and took a few shots. No-one seemed to mind. I then got out my tripod and reeled off a few more exposures. A nun walked past me, smiled, and carried on. It turns out that 90% of the churches in this part of the world allow non-flash photography inside with no problem whatsoever. Such a change from most countries I've visited.
During my shoot, an elderly Croat woman walked by, smiled and said something to me. Upon telling her I didn't understand, she laughed and walked off. Later on, she returned and spoke to me once more. I repeated that I didn't understand Croatian. Regardless, she spent the next 20 minutes telling me a story. It was very entertaining. She had different voices for different parts or characters in the tale. When she laughed, I laughed and when her tone became sombre, I put on my serious face. I took from her body language and sound effects that part of the story was about something falling over. This could mean that she was giving me information about the cathedral, as it partly collapsed during an earthquake in 1880.
I'd definitely visit Croatia again, but next time will be around the coast to places like Split, Dubrovnik and Hvar. I maybe even add it on to a Bosnia trip.
This shot is massively detailed so please view it in the lightbox. If you want to see a slightly larger version, you can head over to my Smugmug page as well. Also available as a print on RedBubble.
Behind the scenes videos
If you would like to see a video going behind the scenes of my Balkan trip, head over to Vimeo to see how I took my photograph of Lake Bled in Slovenia.
No images in comments please.
Details
Canon EOS 500D / 5D Mark II / ISO 200 / f/16 / 17-40mm @ 17mm
The main hall of Chehel Sotun is a three dome structure, with each dome being flanked by a vaulted arch on either side, to give a total of six vaults. Each vault is filled with a large scale fresco painted on ceramic with the detail of a Persian miniature as used until then only in book illustrations. The decoration and the frescoes of the main hall were finished in 1647, under the auspices of Shah Abbas II to record key events in the Safavid dynasty
The renowned frescoes overpower the beautiful decoration of the domes and the vault surroundings. The decoration is in the Safavid style, similar to that found in the mosques, but instead of blues and yellows the dominant colour here is a warm gold. The richness of colour contributes to the overwhelming experience. The impact of the frescoes is due in a large part due to the very decorations that they are embedded into, and as such form an integral part of.
The internal roof is all the more breathtaking considering this palace was badly damaged when Esfahan was occupied by the Afghans from 1721-1729, who covered the frescoes with thick white paint. The remarkable recovery is being carried out by the Instituto Italiano per Il Medio Oriente. It seems only the dome frescoes are beyond repair, which makes the well preserved dome fresco on the open air rear terrace all the more precious.
The eastern side (shown here on the lower half) shows three frescoes, from left to right:
- Shah Abbas II's party for Nader Mohammad Khan, Emir of Turkistan
- Shah Ismail I's battle in India
- Shah Ismail I's Battle of Taher-Abad against Sheibak Khan the Uzbek
The western side (shown here on the top half) also shows three frescoes, from right to left:
- Shah Tahmasp receiving the Hindu prince Humayun
- Shah Ismail I's Battle of Chaldoran against the Ottoman Turks
- Shah Abbas I's feast in honor of Vali Mohammad Khan, Emir of Turkestan
The lower walls that support the domed and vaulted roof feature an additional twenty small frescoes, placed between the doors, niches and windows. These are conventional frescoes painted on plaster, and somewhat dominated by the six large frescoes in the ceiling vaults. While they have survived less well, they depict daily life at the Safavid court in exquisite detail.
note: There are "Click for detail" links attached to notes over each individual fresco, that load the separate photo of the relative fresco, including the smaller frescoes along the lower walls.
On our first trip to Iran, I took so many photos inside the main hall that upon reviewing the photos, I realised there were enough photos to create this composite image of the entire ceiling, excluding the lower walls. The shadows from the side windows have been reduced, but not removed to retain a sense of depth. The individual photos had to be manipulated considerably to 'flatten' the complex form of the ceiling and join the pieces together - a process which by nature introduces distortions in spatial form as well as technically compromising the resolution of some sections more than others, depending on the level of correction. In addition, with the inevitable 'flip and copy' sections, this image is not 100% accurate.
For over a year, while this image accumulated some 3,000 views, there were dark black shadows where the detail of the lower walls was missing.
On our second trip to Iran I systematically photographed the lower walls, taking first a series of photos of both walls to create a stitched panorama image of each wall, as well as taking individual photos of each of the small frescoes, which were post processed as individual shots (each also individually uploaded to flickr from the individual shots) and then reduced into the wall 'panoramas'. The two composite wall 'panoramas' were subsequently added to the top and bottom of the composite roof image. Finally the combined 'roof and walls composite' was re-equalised to match the roof and the walls, as well as enhancing colour and contrast from the earlier 'roof only' versions.
Unfortunately not a single shot of the small fresco on the right beside the eastern main entrance came out sharp enough, so for time being, there is no large version available of that particular fresco, and accordingly, there is no 'Click for detail' link on this composite.
Instead of uploading the complete version as a new image, I chose to replace this previously incomplete image.
The complete composite measures 10400 x 14941 at 133Mb in JPEG (in PSD it's 2GB and that's in 8bit after the 16bit version ran out of memory...). This scaled down version measures 'only' 2048x1534 at 4Mb. The six main frescoes linked from this page are crops from the high resolution PSD original, while the smaller frescoes from the lower walls are linked to the original size photos, which appear in reduced size on this composite.
The EXIF data originates from a photo from the lower part of the 'Battle in India' fresco, but all photos were taken with identical exposure etc. During both trips to Iran I was still shooting with the Nikon D200, so the Sigma 30mm f1.4 was the perfect lens given its equivalent to the classic normal prime on an APS-C sensor. The hall is remarkably dark, and no flash is allowed. The crowdy environment means setting up a tripod is simply not an option. The Sigma f1.4 allowed the low noise ISO400 to be used while still achieving a speed of 1/45 sec - just fast enough to get a sharp handheld picture...
I am attempting to create similar composites of Vank Cathedral, and the Apadana Stairs...
* This photo is blogged here by 'IntelliBriefs'
* This photo is used by Columbia University
* 26 July '07 - #286 on Flickr's Explore.
Le immagini di donne piangenti col volto tumefatto e gli slogan che ogni anno vediamo nella Giornata Mondiale contro la violenza sulle donne del 25 novembre non bastano a risolvere un problema culturale.
Per un italiano su tre, la violenza domestica sulle donne è un fatto privato da risolvere dentro le mura domestiche, per uno su quattro se una donna resta con il marito che la picchia diventa corresponsabile della violenza. Sono alcuni dei dati desolanti che emergono dalla ricerca Rosa Shocking. Violenza, stereotipi... e altre questioni del genere, realizzata da Intervita con il supporto di Ipsos. Di vero shock si può parlare quando si scopre che il 79% delle intervistate, donne, ritiene che se un uomo viene tradito è normale che possa diventare violento, il 77% che se ogni tanto gli uomini diventano violenti è per il troppo amore e il 78% che per evitare di subire violenza le donne non dovrebbero indossare abiti provocanti. Stereotipi triti, luoghi comuni secolari che sembrano duri a morire, di cui evidentemente non è possibile sbarazzarsi con qualche immagine di donna dal volto tumefatto e con gli slogan – tutti uguali – che dicono no alla violenza sulle donne in occasione della Giornata mondiale del 25 novembre. Ma non deve sorprendere più di tanto. Perché la radice del problema sta nella serie di risposte che riguardano il matrimonio (“il sogno di tutte le donne” per circa un uomo su due), la famiglia (per sette intervistati su dieci è più facile per una donna che per un uomo fare dei sacrifici), la casa e i figli (un intervistato su tre ritiene che la maternità sia l’unica realizzazione per le donne).
Quando si dice che la violenza è un fenomeno culturale si intende proprio questo: il sostrato che la alimenta è fatto di rappresentazioni della disponibilità femminile: affettiva, materiale, sessuale. Disponibile è qualcuno o qualcosa di cui ci si può servire, in vari modi. Ed è così che sono troppo spesso rappresentati e interpretati in Italia i ruoli femminili di moglie, amante, madre. Complici anche le politiche governative, quando per esempio premiano con 80 euro le mamme in quanto mamme, senza una visione che riguardi i nuovi ruoli che possono svolgere i padri nelle famiglie, o il rapporto con il mondo del lavoro e il sistema dei servizi. Se non si coglie questo nodo profondo tra violenza e vita quotidiana, moltiplicare ogni anno gli eventi del mese di novembre contro il femminicidio non serve a granché. Se la violenza sulle donne si riduce alla conta delle uccise, alle immagini di occhi neri e corpi nudi rannicchiati in un angolo buio, e intanto i progetti e i soldi per l’educazione di genere nelle scuole restano nei cassetti, non fa che rinsaldarsi quell’immagine di donna subalterna e fragile, bisognosa di protezione, che è alla radice dello stesso sistema secolare di diseguaglianze.
- Zündapp is a historic German brand of automobiles, motorcycles, lawn mowers, sewing machines, detonators, rolling mines (Goliath), motorcycles and aircraft engines.
- It was founded in 1917 as "Zünder- und Apparatebau G.m.b.H." and re-named in 1919 as "Zündapp Gesellschaft für den Bau von Spezialmaschinen mbH" in Nürnberg, Germany.
- The last re-name was in 1939: "Zündapp-Werke GmbH".
- The name "Zündapp" is a contraction of the company name "ZÜNDer APParatenbau GmbH Nürnberg".
- Zündapp closed its doors in 1984.
High key portrait of a male long legged fly of the genus Neurigona (Dolichopodidae) (prepared/dead specimen).
Magnification: 10X
130 exposures stacked using Zerene stacker.
The subject is placed inside a white ping-pong ball acting as a micro light tent. A single Nikon SB-24 fired from above.
Saint Mark's Basilica is a monument made unique by both its wealth of history and the magnificence of its façade and interior. In essence, it is a splendid workshop, where, through the centuries, worked great Italian and European artists.
Most of the present structures were built during 12th and 13th centuries, although a church was there in the same place from at least 6th century. The church is rich with engravings, sculptures and paintings inside by renowned artists and the outside i decorated by marble columns and picturesque engravings on the facades. It is such a historic beauty of architecture and art blended so ornately..
The Church and St.Marks Square also was very important in the political, social and art history of Venice and so of entire Europe.
The interior is based on a Greek cross, with each arm divided into three naves and emphasized by a dome of its own and one dome above the crossing. The dome above the crossing and the western dome are bigger in size than the other three. This is based on Justinian's Basilica of the Apostles in Constantinople. The marble floor (17th century, but underwent many restorations) is entirely tessellated in geometric patterns and animal designs. The techniques used were opus sectile and opus tessellatum.
The upper order of the interior is completely covered with bright mosaics containing gold, bronze, and the greatest variety of stones. The decorated surface is on the whole about 8000 m2. In the most ancient works, both Byzantine and Gothic influences can be recognized, as for example in the Saints from the 11th century between the windows of the apse. In the vault above is a mosaic with Christ Pantocrator. From the apse towards the entrance (from east to west) one can contemplate the history of Salvation in the domes: the Prophets, the Ascension, and the Pentecost (Whitsun). The domes over the transept are called St John’s (stories of St John the Evangelist) and St Leonard’s (with other saints). In the vaults between the domes are represented episodes of Jesus’ life.
As mentioned above, restorations and replacements were often necessary thereafter, and great painters such as Paolo Uccello, Andrea del Castagno, Paolo Veronese, Jacopo Tintoretto, and his son Domenico took part drawing the cartoons. Titian and the Padovanino prepared the cartoons for the sacristy, built in the late 19th century. Among the mosaicists for Titian's cartoons, was Valerio Zuccati of Treviso, and his brothers.
Source Wikipedia
Ahhh, finally finished! I have been working on this for a few months on and off, waiting for felt from the US to back and frame it.
Each paisley was individually beaded/sequined and then stitched to the blue backing. The blue was then quilted to the cream (bit hard to see in these photos, but the quilting makes each of the paisleys pop up from the background). The circles around the outside were then stitched directly onto the background and then beaded. The entire piece is backed with felt and 'signed' in stitching on the back.
This piece has been wonderful therapy for me. Working on each paisley gave me a chance to play with different colour ways and beading designs. So much fun and so calming all at the same time.
Finished piece measures 51cm square from border to border.
The inside of private car Babbling Brook, parked on Track 17 of Montreal's Central Station. This car was built by Budd for New York Central and is now privately owned.
NEW: I NOW CREATE MUSIC, JOIN ME ON SOUNDCLOUD!
SHOP: www.icanvas.com/canvas-art-prints/artist/ben-heine
This is a full digital painting. The sad teddy bear symbolizes Michael's difficult childhood. I also wanted to express how hesitating Michael was at the end of his amazing life.
Please, don't miss my other MJ portraits:
- M J - Heal the world: www.flickr.com/photos/benheine/3677029800
- M J - INVINCIBLE: www.flickr.com/photos/benheine/3699136453
- M J - Text Portrait: www.flickr.com/photos/benheine/3668777383
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For more information about my art: info@benheine.com
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Childhood
By Michael Jackson
Have you seen my childhood?
I’m searching for the world that I come from
’cause I’ve been looking around
In the lost and found of my heart...
No one understands me
They view it as such strange eccentricities...
’cause I keep kidding around
Like a child, but pardon me...
People say I’m not okay
’cause I love such elementary things...
It’s been my fate to compensate,
For the childhood
I’ve never known...
Have you seen my childhood?
I’m searching for that wonder in my youth
Like pirates in adventurous dreams,
Of conquest and kings on the throne...
Before you judge me, try hard to love me,
Look within your heart then ask,
Have you seen my childhood?
People say I’m strange that way
’cause I love such elementary things,
It’s been my fate to compensate,
For the childhood I’ve never known...
Have you seen my childhood?
I’m searching for that wonder in my youth
Like fantastical stories to share
The dreams I would dare, watch me fly...
Before you judge me, try hard to love me.
The painful youth I’ve had
Have you seen my childhood....
------------
ABC (3 Sonnets)
By Peter S. Quinn
- A - Every Man Is a Child
Every man is a child of his dreams
Searching through each his going and true coming
From the days that have given some their deems
With each their lost and found in their fathoming
Rivers never go dry with understanding
Those that are found in the deep of the heart
Strange weirdness is there constantly demanding
Adventurous thoughts of their counterpart
Lives central things make the world go around
Like a simple smile shining through tomorrow
Where childhood happiness is often found
Even those that once were buried in sorrow
Before you judge any man try to love him
With your compassion in times turmoil's brim
- B - The Inside of Everything
The inside of everything's still glowing
With wonderments you can never be without
In a go to go it’s always there showing
To give you its promises with any doubt
Light of its sweetness that never goes away
In from your true and beautiful that's you
Playing on moments that feelings only play
Something in its times that is here new
The deep secrets from your heart and its beat
Like the rose buds in the thorns of their touch
That in your way of lives each to treat
Giving hope of much or only some of such
Everything that's from inside of the deep
From love and its feelings - for always to keep
- C - Those Times
Those times that is changing from young to old
In searching the world and looking around
The days of the new that no moments can hold
And you in your feeling have some there found
Like understandings of views that come and go
Drip of the times the lost in its looking
Past flowers in moment’s memories heigh-ho
That through your roots onward is on hooking
Playing eccentricities to make you feel good
Keeping you as child in life without reason
Each of its compensate and true brotherhood
Changing in adventurous for each season
The strangeness of the ways that love and give
A childhood of conquest to reinvent and live
--------------
The poems appeared on www.poemhunter.com
My daughter, looking out her bedroom windows into the rain.
Please consider joining my weekly photo sharing community that "gets together" on Thursdays (Today! Now!). The theme for next week is "COLD". You can post the theme or anything that speaks to your artistic self. Please go here: www.flickr.com/groups/re-inspiredthursdays/
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This is a look inside the Hatto (Dharma Hall) of the Kencho-ji Temple in Kamakura, Japan. It was built in 1814 and to this day is still the largest Buddhist wooden temple building in eastern Japan. This hall is home to a statue of the goddess, Kannon, the goddess of compassion and mercy.
Guanyin is an East Asian spiritual figure of mercy, and a bodhisattva associated with compassion as venerated by Mahayana Buddhists. The name Guanyin means "Perceiving the Sounds (or Cries) of the World".
In Japanese, Guanyin is pronounced Kannon. The spelling Kwannon, based on a premodern pronunciation, is sometimes seen. This rendition was used for an earlier spelling of the well-known camera manufacturer Canon Inc., which was named for Guanyin.
Source and more info: en.wikipedia.org/wiki/Guanyin
Sitting below the many armed Kannon is an image of the starving Buddha. The Buddha and his companions tried to find enlightenment through deprivation of worldly goods, including food, practising self-mortification. After nearly starving himself to death by restricting his food intake to around a leaf or nut per day, he collapsed in a river while bathing and almost drowned. Siddhartha was rescued by a village girl named Sujata and she gave him some payasam (a pudding made from milk and jaggery) after which Siddhartha got back some energy and began to reconsider his path. He subsequently discovered what Buddhists call the Middle Way - a path of moderation away from the extremes of self-indulgence and self-mortification
I jhimages.co.uk I
I have really started to fall in love with doing Vetoramas recently I love how they make the room look so much bigger and you also get a lot of detail from the pictures at 100% due to how many shots are merged together.
This is from inside the Chapel in the Maritime Museum which is on Greenwich, London. I took this shot in the same visit to the Painted Hall when i went there a few weeks back.
If you like this picture please feel free to look at my London Set for others from london or my HDR set for all of my HDR shots. I have also created a set which all of my Vertoramas are in as well.
Press (L) to view the image large on black of a better view.
Click here if you would like to purchase this image as a print or as a digital download.
www.evandellphotography.com | Facebook | Twitter | Tumblr Blog
a few days ago i got together with Samantha for a shoot. Samantha is a professional model who has worked for Abercrombie & Fitch, Home Shopping, an a good amount of independent clothing designers. shoot was in the brightest part of the day so i kept it simple and inside. stay tuned for ore as well as more shoots with her.
Strobist
-ab1600 to left not very high
-windows for fill light
5d mrk ii
50mm f1.2 usm L (shot at f2.8)
Tiffen ND .9 filter
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ALL IMAGES ©OPYWRITTEN BY Evan Dell Photography NONE ARE TO BE USED/POSTED?DUPLICATED ETC. WITHOUT OUR PERMISSION
Happy Tuesday! and Texture Tuesday's Challenge at that.
Sorry for a few days absence, but I've been snuggling with mom, cuz she has been under the weather. But what a nice surprise to find out on my return that last Tuesday's Texture photo made Explore. Thanks everybody!
Today's challenge is a picture with words. I combined Kim Klassen's beautiful textures, "Yesteryear" and her latest one, "Subtly Yours." Thanks Kim!
Now, I'm so curious to find out what's inside the Juicy box! But, my pawents say I'll have to wait and see until June 20th to open it!
Have a great day everybody!
Love,
ViVi