View allAll Photos Tagged ISO6
Event: Midland Regional Rally
Location: Quorn Station, Leicestershire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Kodacolor-X (C-22 - expired mid 70s)
Shot ISO: 6
Light Meter: Camera
Lighting: Natural
Mounting: Hand Held
Developer: Digibase C-41
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Kodak Eastman ISO6 Fine Grain Blue Sensitive B/W Film 2366 + Kodak Positive Microfilm ISO0.8 B/W Film 2468 (Rare)
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
The comet got small, but the shape was beautiful as before. North is up.
The frame 1,809 x 2,583 pixel was cropped of the full frame 3,744 x 5,616 pixel, comparable to focal length 800mm.
equipment: FSQ-106ED, reducer QE 0.73X, and EOS 5Dmk2, modified by Seo-san on EM-200 temma 2 jr, autoguided with hiro-design off-axis guider, Starlightxpress autoguider, and PHD guiding
exposure: 9 times 8 minutes at ISO6,400 First frame started at 7:48:56 August 9, 2013UTC (21:48:56 August 8, 2013HST)
site: 11,000 feet above sea level near MLO, Mauna Loa Observatory on the shoulder of Mauna Loa
Nikon FE2 Ais Nikkor 35mm f1.4. Adox CMS20 @ISO6 with formula from Giolotto: 1.6 g/0.33l Sodium Carbonate, 0.33 g/0.33l Phenidone, 100mg/0.33l VitC, 22centigrade. 8min, invert continuously 30sec. then 2x at 60sec, 2min, 4min, 6min. Fuji variograde paper.
Taken with a Mamiya RB67 Pro-S on Kodacolor-X film expired in 1974! Shot at ISO 6 and processed in C-41 chemistry for 20 minutes at 20 degrees. Scanned using an Epson V800
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
Kodak Vision Color Imtermediate Iso1 Color Negative Film (5242) / Kodak Vision Color Imtermediate Iso1 Color Negative Film With Estar Base (5244) / Kodak EXR 100T Color Print Film (5248) / Kodak EXR 200T Color Print Film (5293) / Kodak EXR 500T Color Print Film (5298) / Kodak Pan Fine Grain Duplicating Iso6 5234 B&W Film / Kodak Panchromatic Separation Iso5-50 B&W Film 2238 / Kodak Ektachrome 50T Color Reversal Film
The center and four corners. Conditions from left to right as below:
Zeiss S-orthoplanar 60mmF4 at F5.6 and EOS 5Dmk2 at ISO6,400 60seconds in Nagano
Apo-EL-Nikkor 105mmF5.6N at F5.6 and EOS 5Dmk2 at ISO6,400 60seconds in Nagano
Zeiss Makro Planar 50mmF2 at F5.6 and EOS 5Dmk2 at ISO6,400 60seconds in Hawaii
Takahashi FSQ-106ED f5 and EOS 5Dmk2 at ISO6,400 60seconds in Nagano
Zeiss Distagon 21mmF2.8 at F5.6 and EOS 5Dmk2 at ISO6,400 60seconds in Hawaii
Leica Apo-Elmarit-R 180mmF2.8 at F4 and EOS 5Dmk2 at ISO6,400 in Hawaii, focused at the center
Leica Apo-Elmarit-R 180mmF2.8 at F2.8 and EOS 5Dmk2 at ISO6,400 in Hawaii, focused near the corners
Canon EF85mmF1.2 at F3.5 and EOS 5D at ISO1,600 75seconds in Hawaii
fotokor-1
wollensak optar 135/f4.7
10x15 ilfospeed grade2
scanned contact
1972 exp. soviet 9x12 orthochromatic glass plate
fomatol LQN 1+7 6min.
iso6 (?)
1sec@f4.7 flash
selline kodukootud glamuur
Paper negative experiments
Graflex Crown Graphic
90/6.8 Optar lens
Ilford Multigrade paper
ISO 6
Developed in ID11 1+1 (used) 2-3 mins
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
Zenit 3m dated 1966. Mikrat300 soviet microfilm expired in 1985. Obsidian Aqua dev diluted 1:1000 18 minutes. Exposed at ISO6
Event: Midland Regional Rally
Location: Quorn Station, Leicestershire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4
Film: Kodacolor-X (C-22 - expired mid 70s)
Shot ISO: 6
Light Meter: Camera
Lighting: Natural
Mounting: Hand Held
Developer: Digibase C-41
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
foto realizada con una cámara estenopéica.
Los datos de la foto son: f300, tiempo de exposición 27 min, el papel era de iso6 y el diámetro del estenopo era de 0,3mm y sobre todo mucha paciencia
Camera: Pentax SFXn + FA50mm/1.4
Testing New Heisenberg 6 (ISO 6) film.
Film is very slow Rated ISO 6,but using fast lens(50/1.4) there is no problem at all using this gem.
It is rated ISO 6 but I changed iso speed up to 50. Dark result were taken with iso 25~50. All the images came out good to my eyes.
Film Photogtaphy Project (FPP) Infrachrome 400 Color Infrared Film / Svema MZ-3 Iso3 BW Film / Svema Blue Sensitive Iso6 BW Film / Svema Super Positive Iso0.8 BW Film / Tasma NK-II 100 BW Film / Svema 125 Color Negative Film / Svema FN64 Iso64 BW Film / Fujifilm Fujicolor Superia Premium 400 / Fujifilm Fujicolor Super HG 1600 / Konica SR-G 400 / Kodak Professional Ektachrome E100GX
A cloudy day for infrared film at McClellan Ranch Preserve in Cupertino. Northern California has good weather but tend to be a bit boring: cloudless blue skies. So I rushed out to take photos when the clouds are becoming more interesting.
Technical info:
- Camera: Hasselblad SMC/M
- Lens: Carl Zeiss Biogon 38mm f/4.5
- Film: Rollei Infrared 400
- Filter: Hoya R72 720nm filter (resulting in ISO 6)
- Development: Clayton F76+, 1+19, 7min @ 70F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
I really can not believe that lock is doing much,.
Here we go with the magical Diafine developer, I pushed the ISO 1.5 to 6, now we're talking. I think it will take a bit more, maybe even ISO 10. Hey 10 worked for the original Kodachrome.
Film: Svema Blue Sensitive, ISO 6, 35mm
Hand rolled and available at www.filmphotographyproject.com/store
Processed in Diafine, Part A, 4 minutes, Part B, 4 minutes, no temperature taken, no need to,
Camera: Canon FTb, Canon 50mm f1.4,
exposure: f4 1/30 second
Image by: Leslie Lazenby
Downtown FIndlay, April 15, 2015
Fuji GW 690 III, Fuji Neopan F expired year 1967, Iso 32 as Iso 3, Fujinon 3.5 f=90 mm, Bulb 15 seconds Aperture 32, Adox-Adonal, daylight.
Half-plate, 1900s "Hora" mahogany & brass, bellows camera, Pre-flashed paper negative treated as ISO6, F64, 3 seconds
Pentax ProgramA + Sears 1:2.0 50mm
type 135 film TASMA Mikrat Isopan exposed as ISO6
Scan @ maximum optical definition (only 1200 DPI :( )
Microtek ScanMaker 8700
has a pentax FG battery unit attached so it able to use four "AA' batteries.
TTL autofocus, auto-exposure multi-mode 35mm SLR with built-in retractable TTL Auto Flash (Smart Flash).
Film:
35mm perforated cartridge film.
Image Size:
24mm x 36mm (normal frame). Approx. 13mm x 36mm (panorama frame).
Lens Mount:
Pentax KAF2 bayonet mount compatible with KAF, KA and K mounts.
Usable Lenses:
Pentax KAF2-, KAF-, KA- and K-mount lenses.
Power Zoom System:
With Pentax FA power zoom lenses:
Type: Motor-driven zoom with motor built-in lens.
Zooming: 3 speeds, adjustable using zoom ring.
Mode: (1) Power Zoom; (2) Manual Zoom.
Auto lens retraction with main switch at "OFF" position.
Focusing System:
Type: TTL phase-matching autofocus system.
AF frame: Selectable using AF mode lever. (1) 3-Point AF; (2) Spot AF.
Usable illumination range: EV-1 ~ EV18 (at ISO 100/m with 50m f/1.4 lens).
Mode: (1) AF (focus lock and predictive AF available); (2) Manual.
Exposure Control:
Metering system: TTL open-aperture 6-segment metering by SPD cell (coupled with lens and AF information).
Metering mode: Selectable using metering mode dial. (1) 6-segment multi-pattern metering; (2) Center-Weighted Metering; (3) Spot Metering.
Metering range: EV0 ~ EV21 (at ISO 100/m with 50mm f/1.4 lens).
Exposure mode: (1) Programmed AE; (2) Aperture-Priority AE; (3) Shutter-Priority AE; (4) Metered Manual; (5) Bulb.
TTL Programmed Auto Flash available.
Automatic exposure compensation in auto-exposure mode with multi-pattern metering.
Automatic bracketing: 3 frames in 1EV or 1/2EV steps.
Exposure compensation °3EV (1/2EV steps).
Shutter:
Type: Electronically controlled vertical-run focal-plane shutter.
Speed: (1) Auto: 1/2000 ~ 30 sec. (stepless); (2) Manual: 1/2000 ~ 2 sec. and bulb; (3) Flash sync: 1/100 ~ 30 sec. and bulb.
Shutter lock: Main switch at "OFF" position.
Diaphragm Control:
Aperture-coupled mechanism (with Pentax FA, F and A lenses).
Viewfinder:
Type: Fixed pentaprism type.
Focusing screen: Natural-Bright-Matte focusing screen.
Field of view: 92% vertically/horizontally.
Magnification: 0.8X (with 50mm f/1.4 lens at infinity).
Diopter: -2.5 ~ +1.5 (adjustable).
Eye-point: high eye-point design.
Panorama frame: mechanical black-out type.
Preview: electronic type. Possible in all exposure modes using preview button.
Viewfinder LCD Indication:
With automatic brightness level adjustment:
(1) In-focus; (2) Smart Flash status (flash-use indication, recharge completion and non-applicable lens warning); (3) External flash status; (4) Shutter speed, aperture, exposure compensation, and out-of-exposure coupling range warning; (5) Exposure compensation factor; (6) Bar-graph; (7) Over- and underexposure indication in Metered Manual; (8) Memory lock; (9) Automatic bracketing.
LCD Panel Indication:
(1) Film loading, film advance/rewind, loading error, rewind completion; (2) Exposure frame number; (3) Programmed AE, Aperture-Priority AE, Shutter-Priority AE, and Metered Manual; (4) Manual-set ISO film speed; (5) Audible PCV signals; (6) Flash use recommendation and recharge completion/incompletion; (7) Red-eye reduction flash; (8) Non-applicable lens warning; (9) Battery exhaustion warning; (10) Automatic flash function.
Film Handling:
Loading: Quick auto loading (automatic film advance to first frame).
Advance/rewind: Automatic (mid-roll rewind possible).
Advance mode: (1) Single; (2) Consecutive (approx. 2 frames/sec.).
ISO Film Speed Setting:
(1) Automatic with DX-coded film (ISO25 ~ 5000).
(2) Manual (ISO6 ~ 6400).
Built-In Smart Flash:
Type: Series-control retractable TTL auto flash.
Guide number: 11 (ISO 100/m).
Angle-of-view coverage: 28mm wide-angle lens.
Daylight sync/slow-shutter sync: Discharge level auto-matically adjusted.
Flash Synchronization:
With built-in Smart Flash and via hot shoe.
Sync speed: 1/100 sec. automatically set with Smart Flash and/or Pentax dedicated flash unit at recharge completion.
Self-Timer:
Electronically controlled type with 12-second delay (Mid-operation cancellation possible).
Drive Mode Dial:
(1) Single advance; (2) Consecutive advance; (3) Self-timer; (4) Automatic bracketing 1/2EV; (5) Automatic bracketing 1EV.
Data Imprinting:
Available using the optional Pentax Data Back FG.
Power Source:
Two 3V lithium batteries (CR2 type).
Dimensions:
135.0 (W) x 90.0 (H) x 61.5 (D) mm (5.3" x 3.5" x 2.4")
Weight:
410g (14.5 oz.) without batteries.
Fuji GW 690 III, Fuji Neopan F expired year 1967, Iso 32 as Iso 3, Fujinon 3.5 f=90 mm, Bulb 15 seconds Aperture 32, Adox-Adonal, daylight.
A cloudy day for infrared film at McClellan Ranch Preserve in Cupertino. Northern California has good weather but tend to be a bit boring: cloudless blue skies. So I rushed out to take photos when the clouds are becoming more interesting.
Technical info:
- Camera: Hasselblad SMC/M
- Lens: Carl Zeiss Biogon 38mm f/4.5
- Film: Rollei Infrared 400
- Filter: Hoya R72 720nm filter (resulting in ISO 6)
- Development: Clayton F76+, 1+19, 7min @ 70F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Iwamizawa, Hokkaido.
Canon AE-1, Sigma macro 50mm F2.8, Kodak Microfilm Imagelink HQ developed with D-23 4 minute, scanned with Nikon ED 4000 at 4000dpi.
I changed developer and fixer from the previous one of microfilm, but there are tiny dots remaining. Next, I will change the washing and drying process.
Black-capped Lory.
Sony FE 100-400mm f4.5-5.6 GM OSS + SEL14TC on a7Rii.
Handheld at 475mm, f9.0, 1/200s, ISO6,400.
Basic edits with C1 Express.
Loved the quality of the files coming out from this combo!
Can the new Nikon D85O get this level of pixel crispness HANDHELD with the mirror slap, ineffective EFC implementation and without IBIS, OSPDAF in Live-view etc.....? Doubtful but I'll be happy to be proven wrong.
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Rollei Infrared 400 shot at EI 6.
Black and white infrared negative film in 4x5 format.
Graflex Speed Graphic 1957 and Kodak Anastigmat 161mm f/4.5
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Large version at: emulsive.org/photography/large-format/bodie-infrared-roll...
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Filed under: #Largeformat #Photography #EI400 #EI6 #Filter-InfraredR72 #GraflexPacemakerSpeedGraphic #Infrared-BlackAndWhiteFilm #ISO400 #ISO6 #Kodak #KodakAnastigmat161/4.5 #LargeFormatFilm #Rollei #RolleiInfrared
Double exposure taken with a Coronet Viscount camera in week 230 of my 52 film cameras in 52 weeks project:
52cameras.blogspot.com/
www.flickr.com/photos/tony_kemplen/collections/7215762311...
This camera uses the obsolete 828 format, which is unperforated 35mm film with a backing paper. I re-spooled an old reel with some "Poe" film from Six Gates Films of Milan. This is a black and white microfilm stock and is very slow, with an ISO rating of 3. Developed in Ilfosol 3 1:14 for 15 minutes at 20 deg. C.