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This is what you get when your setting on your camera isn't set correctly. But not that bad at ISO6,400 with a few stops under. xlolx
Rollei Infrared 400 shot at EI 6 with R72 filter
Black and white infrared film in 120 format shot as 6×6
Stack Rollei Infrared 400 shot at EI 6 with R72 filter. Black and white infrared film in 120 format shot as 6×6.
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Large version at: emulsive.org/photography/stack-rollei-infrared-400-120
Filed under: #Mediumformat #Photography #120/MediumFormatFilm #2016April #6X6 #BlackAndWhiteNegativeFilm #EI400 #EMULSIVEDailyPhoto #Filter-InfraredR72 #Infrared-BlackAndWhiteFilm #ISO400 #ISO6 #Rollei #RolleiInfrared400
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
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Shot on @ILFORDphoto SFX 200 at EI 6.
Black and white infrared sensitive film in 120 format shot as 6x6.
Zeiss Distagon CFi 50mm f/4 + R72 IR filter.
Full version at: emulsive.org/photography/medium-format/up-and-to-the-righ...
Filed under: #Mediumformat, #Photography, #120FormatFilm, #2019January, #6X6, #BlackAndWhiteNegativeFilm, #EI200, #EI6, #EMULSIVEDailyPhoto, #FilterInfraredR72, #Infrared, #InfraredBlackAndWhiteFilm, #ISO200, #ISO6
#shootfilmbenice #filmphotography #believeinfilm
Erable du japon hiver
Pont aven janvier 2021
Bush pressman model D 4x5 camera
Symmar s 135mm lens
Gitzo reporter tripod
Pellicule 24x72mm (35mm)
Fuji super hr20 iso 6
Ilfotec lc29 6'30 20°
Imacon flexlight photo
EESAB Quimper
Elouan Cousin tout droits réservés.
A cloudy day for infrared film at McClellan Ranch Preserve in Cupertino. Northern California has good weather but tend to be a bit boring: cloudless blue skies. So I rushed out to take photos when the clouds are becoming more interesting.
Technical info:
- Camera: Hasselblad SMC/M
- Lens: Carl Zeiss Biogon 38mm f/4.5
- Film: Rollei Infrared 400
- Filter: Hoya R72 720nm filter (resulting in ISO 6)
- Development: Clayton F76+, 1+19, 7min @ 70F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Pentax Z-1P
Voigtlaender Nokton 58mm F1.4
Svema Blue Sensitive @ISO6
Developed by HC-110(H), 11min.
Digitalised by Pentax Film Duplicator (Pentax K-3II + DFA Macro 100/2.8, F6.3, Pixel-Shift)
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It’s a great read for those of you who are thinking about dipping your toes in but be warned, it’s a deep, dark...
Large version at: emulsive.org/articles/getting-started-pushing-pulling-fil...
Filed under: #Articles #Experiments #EI100 #EI400 #EI50 #EI6 #EI6400 #Fuji #ILFORD #ILFORDDelta3200Professional #ISO100 #ISO400 #ISO50 #ISO6 #ISO6400 #Kodak #KodakT-MAX400(TMY-2) #KodakTri-X400 #MichaelBitaxi #PolypanF50
Half-plate 1900s camera-paper negative -pre-flashed, ISO6, F64 10s exposure - developed in Photoshop
Intrepid 8x10 MK2
Fujinon W250 f6.7
Kodalith ortho 2556 type3
Iso6 - f16 - 13sec
Dev: Fomadon R09 - 11min
Another from the roll of Kodak 2366 fine grain "yellow" duplicating film with an ISO rating of 6.
I took this one with a polarizing filter. The barn and small building behind it almost look like they are drawn. The film seems pretty sharp, and contrasty, and grain free. I will have to check if the FPP still has more of this film in stock, and if so, pick up some more. I kind of like it!
Taken on 5/30/2014 in southern Mason County Michigan
Nikon F5
Kodak 2366 duplicating film, ISO6
Nikkor AF 28-80mm F3.5-5.6 D lens
f/8
1/2.5
Polarizing filter
Negative scanned with Epson V500
Developed in Kodak D-76, 1+1, 8 1/2 minutes, 68 degrees.
Fleming Creek, 15 sec exposure
See more at randomphoto.blogspot.com/2016/10/the-amazing-mr-brown.html
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
avec SMC 645 FA 80-160mm f/4.5
645N II SPECS as from Pentax official web site :
Type
6x4.5-format autofocus single-lens-reflex camera with multi-modeTTL auto-exposure control.
Film
(1) 120 roll film (15 or 16 exposures); (2) 220 roll film (32 or 33 exposures). Film loaded onto interchangeable film holder.
Image size
56mm x 41.5mm.
Lens mount
PENTAX 645 AF mount (interchangeable with PENTAX 645 A mount). Applicable lenses: (1) smc PENTAX 645-FA lenses; (2) smc PENTAX 645-A lenses (usable in manual-focus mode only).
Exposure Control
Metering system: TTL open-aperture multi-pattern metering.
Metering mode: (1) Dual six-segment metering; (2) Center-weighted metering; (3) Spot metering.
Metering range: EV2 - EV21 (at ISO100 with 75mm F2.8 lens). Electronic timer with holding time of 10 sec.
Exposure mode: (1) Programmed AE; (2) Shutter-Priority AE; (3) Aperture-Priority AE; (4) Metered Manual; (5) Bulb.
AE lock: Activated with AE lock button. Exposure value memorized for approx. 10 sec.
Exposure compensation: ±3.3EV (1/3EV steps) or ±3.5EV (1/2EV steps).
Auto-bracketing: ±1/3EV,±2/3EV,±1EV (1/3EV steps) or ±1/2EV,±1EV,±1.5EV (1/2EV steps)
Depth-of-field preview provided.
Shutter
Type: Electronically controlled vertical-run cloth focal-plane shutter.
Speed: (1) Auto: 1/1000 sec. - 30 sec. stepless; (2) Manual: 1/1000 sec. - 6 sec.; (3) Flash sync: 1/60 sec.; (4) Bulb; (5) Leaf-shutter lens: 1/8 sec. Shutter locked with main switch off.
Viewfinder
Type: Keplerian telescope viewfinder with interchangeable Natural-Bright-Matte focusing screen (AF Center Spot Matte screen as standard)
Field of view: 92% vertical, 93% horizontal.
Magnification: 0.76X (with 75mm lens at infinity with -1 diopter).
Diopter adjustment range: -3.5 - +1.0m-1 (diopters).
Viewfinder LCD Indication
(1) Focus indicator; (2) Shutter speed; (3) Aperture; (4) Flash status; (5) Bar graph; (6) AE lock; (7) Exposure compensation factor; (8) Out-of-exposure coupling range warning; (9) Over- and underexposure indication in Metered Manual.
External LCD Indication
(1) ISO film speed; (2) Exposure count; (3) Film transport status; (4) Battery level; (5) Photographic data imprinting.
Film Handling
Automatic film advance with built-in motor.
Loading: Automatic first frame positioning via shutter release button.
Advance mode: (1) Single-frame advance; (2) Consecutive advance (approx. 2 frames/sec.)
Automatic advance to film end after last frame (Mid-roll advance to film end possible via mid-roll wind-up button).
Autofocus
Type: TTL phase-matching autofocus system with focus lock and predictive autofocus.
Effective illumination range: EV-1-EV18 (at ISO100).
AF frame: (1) 3-point AF; (2) Spot AF.
PCV beep sound for in-focus indication (cancellation possible).
Mirror
Swing-back instant-return mirror with mirror lock-up mechanism.
Flash Synchronization
(1) Hotshoe (X-sync contact and dedicated flash contact); (2) X-sync socket.
X-sync speed via hotshoe: 1/60-sec. automatically set at recharge completion of dedicated flash unit (X-sync speeds slower than 1/60 sec. can be used in Shutter-Priority AE and Metered Manual).
TTL auto flash:
Available with Pentax dedicated-flash units via hotshoe.
PENTAX Function
10 custom-programmable functions
Photographic Data Imprinting
12-segment dot-matrix data imprinting system. Data imprinted out of image area.
Recordable data: (1) Camera body ID; (2)Total number of film rolls; (3)Exposure frame number; (4) Exposure mode; (5) Shutter speed (Exposure time in bulb); (6) Aperture; (7)Exposure compensation value; (8) Use of auto bracketing; (9) Metering mode; (10) Use of AE lock ; (11) Use of flash synchronization; (12) Lens focal length (only with SMC PENTAX-FA lenses; approximate value for zoom lenses); (13) Focusing mode; (14) Auto focus mode; (15) Auto focus frame; (16) Auto focus point.; (17) ISO film speed.
Data imprinting cancellation (blank mode)available.
Self-timer
Electronically controlled self-timer with 12-second delay. Mid-operation cancellation possible.
Film Speed
ISO6 - ISO6400.
Power Source
6 AA-size batteries (alkaline or lithium batteries).
Battery life: Approximately 130 rolls of 120 roll film; approximately 100 rolls of 220 roll film (under in-house test conditions using alkaline batteries).
Multiple-Exposure
Via muilti-exposure switch.
Dimensions
150 (W) x 111 (H) x 117 (D) mm (5.9" x 4.4" x 4.6")
Weight
1,280g (45.2 oz.) without batteries
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
Menacing dangers in a dark alley. Look behind the obvious .... No one wants a Dobie sneaking up on them in the dark....
Kodak 2383 pushed to ISO 6 (2 Stops) shot with Nikon N90s and Sigma EX 17-35 AF Zoom. Taking advantage of 2383's tendency to go dark when pushed. This was actually shot in broad daylight in the afternoon sun in an open yard. Interesting effects. Developed in FUJI RA-4 paper developer 1 to 14 dilution plus 10ml of 30% hydrogen peroxide to bring the developer to pH 10.59 (ECP 2 levels). Dev for 3 minutes at 100 degrees. Acid stop for 40 seconds. Bleached for 1 minute in potassium ferricyanide bleach, 1 minute wash, 40 second bleach in home made ammonium thiosulfate bleach. Difficult to scan because both the scanner and I wanted to make it "daylight" instead of a very dark image as the negative confirms. More to be done here....
Our good friend Lance (from Belgium) is no stranger to FPP podcast listeners! The FPP On-Line Store has teamed up with Lance's Hand-Rolled Labeauratoire Films to bring you the most exciting and rare 35mm films for your favorite camera!
Film canisters are not DX Coded.
Kodak Space Film..What is it!? It's Low Contrast Aerographic
Fine Grain Duplicating Film
Yes - this film is actually bright yellow before it is developed but the negative comes out just like regular B&W when developed normally. Lance uses the Rodinal Stand but you can send the film to your favorite BW lab too!
The only reference Lance found anywhere of use of this film is by NASA and other Space Related agencies to photograph solar flares and other phenomena. - It is called "Aerographic" film which supposedly has some extra red sensitivity, perhaps that is built-in via the yellow base? I tried using a red filter but got NO exposure on the frame so be careful if trying red filters.
Expired in 1991, but many people are enjoying the quirky results from long expired films.
We Love Film!
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
Taken at the same spot as this one - www.flickr.com/photos/landscapepics/8962815049 - but obviously with a wider angle, and a pinhole camera, and Rollei IR400 infrared film with a Hoya R72 filter. So now you know what bluebells look like in infrared.
I shot a test roll of my kodak kodalith through my olympus pen the other day, nothing other than to see what it would look like. It was ok, much as i expected but what amazed me was how much detail there was on those little negatives, look at the crop, its probably less than 25% of the neg and remember that this is half frame! Its actually quite usable in half decent light and has a bit of latitude, shoot it between iso6 and 25 and develop in rodinal 1+50 for 12 minutes, no point in using anything more exotic! Anyway it kind of surprised me:)
My 2nd attempt at shooting a comet and much better results this time round. Taken at Sentosa, Singapore. Took me quite some time to locate it and have to struggle with moving cloud patches and fog on the lens after locating it. But still managed to collect enough subs for this noisy image. After stacking and PS, the tail is faintly visible in the image....what a joy...Lovejoy
10 x 20s stacked by DSS
Pentax K-3 + O-GPS1
Sub-exposure - 300mm, 20s, iso6,400, f/5.8
Shot on a Canon A-1 with 28mm f/2.8 lens using Ektar 25 which was expired approx 25 years so shot at ISO 6!
Black lightning
Rollei Infrared 400 shot at EI 6
Black and white negative in 120 format shot as 6×6
R72 infrared filter
Black lightning Rollei Infrared 400 shot at EI 6. Black and white negative in 120 format shot as 6×6. R72 infrared filter.
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Large version at: emulsive.org/photography/black-lightning-rollei-infrared-400
Filed under: #Mediumformat #Photography #120MediumFormatFilm #2016January #6X6 #BlackAndWhiteNegativeFilm #EI400 #EI6 #EMULSIVEDailyPhoto #FilterInfraredR72 #Hasselblad #Hasselblad2000FCW #HasselbladPlanarF8028 #Infrared #InfraredBlackAndWhiteFilm #ISO400 #ISO6 #Rollei #RolleiInfrared400
10x15cm plate camera
laack extra rapid aplanat 16.5cm f7.7
10x15 ilford multigrade paper negative
10x15 ilfospeed grade2 contact copy
scanned contact
iso6, wide-open after sunset, about 2sec.
Olympus Pen EE-2
Kodak Recordak Dacomatic A 5461 (exp 75)
@Iso 6
D-76 1:1 13min
Metered by eye as the selenium cell seems to be dead on my Pen. Many underexposed, and I think a 40 year old film would like a stronger developer. At least my previous experiments with Dektol and Caffenol seemed with better density.
The First roll from Kodak Super fine grain B&W photographic film. Kodak Eastman Duplicate - Copy film Series 5234. No clue for developing the film with D-76. The film can be processed with ECN-2 Mixture, however, what I have is Kodak D-76 1:1 dilute batch. With the Recommend from Steve who experienced with the rolls, I gave a trial for this roll with D-76 at 68 fahrenheit (20 Celsius) for 71/2 mins, RapidFixer from Ilford for 8mins. The result suprised me a lot, super detail film with very fine grain. Thanks for your bless, Steve, they are all good processed, except few frame are blured coz I took the photos without tripod.
Fuji GW 690 III, Fuji Neopan F expired year 1967, Iso 32 as Iso 3, Fujinon 3.5 f=90 mm, Bulb 15 seconds Aperture 32, Adox-Adonal, daylight.
The photos are shot with Kiev Vega on Kodak HQ 1461 at cc. ISO 6-12-25 and stand developed in R09/Rodinal 1+300 for about an hour.
This extreme dilution of Rodinal is seemingly reducing contrast, but only because it is not fully developing the blacks. I personally like my Xtol 1+1 recipte better.
Just judging from this experiment, I would go with ISO6, but I think that this is more due to underdevelopment. ISO12 is does not look very underexposed when developed in Xtol.