View allAll Photos Tagged ISO6
Film Photography Podcast's Mr. Brown Low ISO film. This was not an easy film to shoot with or develop. ISO 6, and I couldn't find any recipes, so I winged it. And got it a bit wrong.
Maternity portrait.
18x24 paper negative
Fomaspeed 311 at ISO6 and 11 sec exposure
Intrepid 8x10
Fujinon 250mm f6.3 W
📍Pla de Trullàs, Monistrol de Calders
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Aquesta no és una gran foto, però em fa molta molta il·lusió perquè és una foto de KM 0 ja que és al meu poble, Monistrol de Calders.
Tot i que si mirem al nord tenim un molt bon cel, cap al sud tenim tot la CL de Sabadell, Terrassa i la gran Barcelona, motiu pel qual em fa encara més il·liusió, haver estat capaç de captar la VL amb tanta CL. No és la foto són els moments i el que signifiquen.
I tu, has probat a fer VL de KM 0?
Et llegeixo
📷 Nikon Z6II
🔭 Nikor 17-28mm
☢ F 2.8
🔎 17mm
⏰ 10seg
ISO6 400
📑 Apilat 30 fotos pel cel i 10 pel terra
💻Revelat i edición LR i PS. Plugin DBP Tools d'en David Boixo
Més fotos a instagram: tespero_sotala_pluja i a la web https://www.tesperosotalapluja.eu/
#yovoyporlaviafacil
#notecompliqueslavia
#milkywaypics
#milkyway
#milkywayflow
#milkywayshooters
#milky
#night
#nits
#noches
#estrellas
#stars
#estels
A Maiko in all her finery, in particular her gorgeous long Darari obi (だらり帯 ie "dangling" obi) at the back. This long obi is even more spectacular at night when the shiny embossed patterns shimmer as she walks by.
Soft warm light from the interiors seeps out through thin gaps in the wooden lattices, a common characteristic of the night scene in Gion.
A real Maiko in historical Gion, Kyoto. Not those fake ones playing dress-ups in the daytime.
Handheld shot at ISO6,400 and f1.4 as it was rather dark plus shot was taken at a higher shutter-speed to freeze motion at close distance, no noise reduction.
An old shot. I've gotten a lot more proficient with post-processing such shots these days. ISO6,400 without the colors appearing thin and washed out, quite happy with this.
Learning to post-process more competently has a much greater impact on better image quality than blindly chasing after new gear or being inanely obsessed with lens sharpness.
Handheld night shots are challenging, those involving moving subjects even more so hence more fun.
FE 85mm f1.4 GM on the ancient Sony A7R2.
3 months ago I spoke about a possible OM-5 here; www.flickr.com/photos/86145600@N07/51890597694/
It appears that OM Solutions (OMS) is indeed going to announce the OM-5. This should be a non-sports oriented body, probably with the same BSI sensor as the OM-1 but without the additional stacked layer and sophisticated AF. This unstacked BSI sensor should marginally outperform the existing E-M1 Mkiii or E-M5iii non-BSI sensor in real terms without resorting to software trickery. This is plausible as Nikon likely did the same in reverse by adding a stacked layer to their 45mp sensor derived from their D850 and Z7 bodies to produce the Z9.
Nikon went from 12mp (D700 in 2008) to 36mp (D800 in 2012). Will OM-5 be 40mp when the prevailing OM/Olympus cameras have been at 20mp since the E-M1 Mkii launched in 2016?
Nikon F100
50mm Nikkor f/1.4
Kodak Eastman 5234 ISO 6
Rodinal Stand Developed (1:100 for 60 mins)
Boynton Beach, FL
Her looks are laughable but very much photographable.
(Even when I load ISO 6 film and it turns out to be a cloudy day.)
Fire escape of Majestic Theater, Eastland, Texas, USA.
Film: Eastman 5234 fine-grain duplicating film, ISO 6.
Camera: 1957 Argus C-44 rangefinder.
Aviphot Pan 200
(250ft roll, exp 2014)
Hoya R72 filter
ISO6, D76 1:1
Ilex Acugon 90mm f8
cropped from 5x7
This picture was taken somewhere in downtown Chicago near the Willis Tower on ISO 6 Black and White film. Camera = Nikon F5 - Film = FPP/Kodak Low ISO B&W Film shot at the box speed of 6. Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
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Nikon F-801s
Nikkor Ai-S 105mm ƒ2.5
ORWO PF2@ISO6
Kodak CD4-LC_stock_21ºC_8:30min_gentle agitation
2-panel stitch
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Nikon FM2n
Nikkor-S.C Auto 55mm ƒ1.2 - Ai'd
Kodak 2366_Fine Grain Duplicating Positive Film
D96_21ºC_stock_8:15min_constant gentle agitation
2-panel stitch
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Nikon FM2n
Micro-NIkkor 55mm/ƒ2.8
Orwo DP31
Kodak D96_stock_22ºC=>21ºC_6.5min_constant+gentle agitation
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A small neighborhood store in the historic section of South Norfolk in Chesapeake, VA. Still using a vintage Coke sign. - Camera = Nikon F100 - Film = Kodak - FPP - Fine Grain Six B&W ISO (6) - Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
Picture taken last December in evening light. Its a very contrasty neg (grade 1 print). Might go back again and retake the picture... Its a nice location
Mamiya RZ67II, 50mm, 715 filter, Rollei IR400 iso6, rodinal. Paper is ilford MGWT devd in Moersch ECO 4812, Moersch MT3 , gold
Rollei400IR@ISO6
Rodinal 1+100 59.75 minutes
Bottom of frame crop due to overexposure 1.5-2 over 0 on meter
I could enjoy imaging of the comet, C/2022 E3 ZTF in the weekend, though weather forecast was not fair. There were thin clouds almost anytime at the night, and autoguiding stopped working frequently.
The comet was drifting fast toward north northwest in Bootes. Dust coma was bright. I could recognize it easily as relatively big white blob through my binoculars, Canon 10x42 L IS WP. I could not find tails in the view. Dust tail was very wide fan-shaped toward north. Bluish green ion halo was round and beautiful. The diameter looked a bit wider toward east. Ion tail was faint and long showing several stream lines toward northwest. North is up, and east is to the left.
This frame is a preliminary version only with longer exposure set.
Sun Distance: 1.113AU
Earth Distance:0.648AU
equipment: AstroPhysics 130GTX "Granturismo," Field Flattener at f/6.7 focal length 873mm, 22.1mm Spacer, EOS Adapter, Kipon EOS-EOS R adapter, and Canon EOS R-SP4II, modified by Seo-san on Takahashi EM-200FG-Temma2Z equatorial mount, autoguided at a star nearby with Fujinon 1:2.8/75mm C-Mount Lens, Pentax x2 Extender, ZWO ASI 120MM-mini Autoguider, GPUSB, and PHD2 with comet tracking on
exposure: 28 times x 240 seconds at ISO6,400 and f/6.7 focal length 873mm
The first exposure started at 18:26:13UTC January 14, 2023.
site: 1,498m above sea level at lat. 36 32 19 North and long. 139 11 06 East near Volcano Akagiyama in Gunma, Japan 群馬県赤城山
SQM-L read as 20.38 at the night. Bright moon was near. Ambient temperature was around 1 degree Celsius or 34 degrees Fahrenheit.
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Nikon F-801s
Vivitar Auto Macro 55mm ƒ2.8
ORWO PF2@ISO6
Kodak CD4-LC_stock_21ºC_8:30min_gentle agitation
3 x 2-panel stitches
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Nikon F-801s
Nikon Series E 100mm ƒ2.8
Kodak 2366_Fine Grain Duplicating Positive Film
D96_21ºC_stock_8:15min_constant gentle agitation
2-panel stitch
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Vivitar v2000
SMC Pentax-M 50mm ƒ2
Kodak 2366_Fine Grain Duplicating Positive Film
D96_22ºC_stock_8:15min_constant gentle agitation
4-panel stitch
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Leon Bridges & Khruangbin - Mariella
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Nikon F-801s
Soligor C/D Zoom+Macro 28mm-55mm ƒ3.3
Kodak 2366_Fine Grain Duplicating Positive Film
D96_21ºC_stock_8:15min_constant gentle agitation
2-panel stitch
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Vivitar v2000
SMC Pentax-M 50mm ƒ2
Kodak 2366_Fine Grain Duplicating Positive Film
D96_22ºC_stock_8:15min_constant gentle agitation
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Found a rose to finish off the last few frames of the roll.
EOS 3
100 f2.8 Macro IS
FPP Sverma Blue Sensitive
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Vivitar v2000
SMC Pentax-M 50mm ƒ2
Kodak 2366_Fine Grain Duplicating Positive Film
D96_22ºC_stock_8:15min_constant gentle agitation
2-panel stitch
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A.D. German Warehouse by Frank Lloyd Wright in Richland Center, WI USA. wrightinwisconsin.org/ad-german-warehouse
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Nikon F-801s
Nikkor Ai-S 105mm ƒ2.5
ORWO PF2@ISO6
Kodak CD4-LC_stock_21ºC_8:30min_gentle agitation
2-panel stitch
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Kodak E-4 color slide dupe finally getting great results at ISO 6! E-4 slides crossed as negatives in C-22 chemistry. 45 year old color film of dubious heritage and this is by far the best I've been able to get in 5 or 6 attempts. Some loss of detail due to no first developer I think, but great 1970s colors and consistently developed frames. C-22 developer for 16 minutes (up from 13), 20 second rinse, 4 minute stop, 20 second rinse, 4 minute hardener, 4 minute wash, 10 minute bleach (up from 6), 4 minute wash, 8 minute ammonium thiosulfate fix (up from 6 minutes). 8 minute final rinse/wash a long night to dry. All of this was under CONSTANT agitation instead of the usual regime and I think that really helped thin the negative and even-out the development. Temperatures mostly held at 75 degrees F. This has been a bit of an adventure to get decent color out of this film and it's pretty cool to bring some life back to this film, esp slide dupe that has no business seeing the light of day!
The Roys sign from a different angle. Experimenting with a mirror lens and slow film.
EOS 3
500mm f8 (mirror)
FPP Svema Blue Sensitive
Chamonix 45N2
Pinhole
Exposure time 240 secs
FPP x-ray BW ISO6 negative film
HC-110 dilution H
Epson Perfection V800
I could enjoy imaging of the comet, C/2022 E3 ZTF in the weekend, though weather forecast was not fair. There were thin clouds almost anytime at the night, and autoguiding stopped working frequently.
The comet was drifting fast toward north northwest in Bootes. Dust coma was bright. I could recognize it easily as relatively big white blob through my binoculars, Canon 10x42 L IS WP. I could not find tails in the view. Dust tail was very wide fan-shaped toward north. It looked wider toward west near the core. Bluish green ion halo was round and beautiful. Ion tail was faint and long showing several stream lines toward northwest. North is up, and east is to the left.
Sun Distance: 1.113AU
Earth Distance:0.648AU
equipment: AstroPhysics 130GTX "Granturismo," Field Flattener at f/6.7 focal length 873mm, 22.1mm Spacer, EOS Adapter, Kipon EOS-EOS R adapter, and Canon EOS R-SP4II, modified by Seo-san on Takahashi EM-200FG-Temma2Z equatorial mount, autoguided at a star nearby with Fujinon 1:2.8/75mm C-Mount Lens, Pentax x2 Extender, ZWO ASI 120MM-mini Autoguider, GPUSB, and PHD2 with comet tracking on
exposure: 28 times x 240 seconds, 7 x 120 sec, 8 x 60 sec, and 13 x 15 seconds at ISO6,400 and f/6.7 focal length 873mm
The first exposure started at 18:26:13UTC January 14, 2023. Shorter exposure sets were taken during twilight.
site: 1,498m above sea level at lat. 36 32 19 North and long. 139 11 06 East near Volcano Akagiyama in Gunma, Japan 群馬県赤城山
SQM-L read as 20.38 at the night. Bright moon was near. Ambient temperature was around 1 degree Celsius or 34 degrees Fahrenheit.
Early Showing - Starlite 14 Drive-In Theater Richland Center, WI - Camera = Nikon F5 - Film = Kodak/FPP Fine Gran Six B&W Shot at ISO 6 - Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
This film expired in May 1991. It's Kodak internegative film which is designed for making colour negatives from slides. It's tungsten balanced and is very low contrast. I exposed these at ISO6 and I think they are underexposed but the slowest shutter speed on my Speed Graphic is 1/30.
Speed Graphic 5x4
Aero Ektar lens
Home processed in a Rollei digibase C41 kit.
1910 Sanderson full plate camera. Vintage Kodak Process Plates (hard) exposed as ISO6 and developed in strong x ray film developer to develop quickly minimising base fog from the aged plates.
1915 Rodenstock Eurynar Lens f4.5 21 cm on F25 for 3 s
I could enjoy imaging of the comet twelve days after the perihelion passage on April 21, 2024.
This frame was composited with many frames.
Here is one shot frame: www.flickr.com/photos/hiroc/53712706316
It was low in the west before the end of twilight, and imaging session was during twilight. Thanks to the location in southern hemisphere and dry atmosphere, imaging was not difficult.
The site was near Paranal Observatory, and there came yellow laser beams from the observatory in the frame as you see. Satellites were nuisance as always.
The comet was drifting toward southeast in Taurus. It was still bright. Dust coma was round and small, though it was saturated on this frame. Dust tail was wide toward northeast. Greenish ion halo was not dominant. Bluish ion tail was long with kinks toward east southeast beyond the edge of the frame. Ion tail looked yellowish with swirls partly, indicating it including sodium ion. It means that the temperature around the area was higher than 3,000K at the date.
"Comet McNaught C/2006 P1: observation of the sodium emission by the solar telescope THEMIS" by Leblanc F et al 2008:
www.aanda.org/articles/aa/pdf/2008/16/aa8795-07.pdf
North is up, and east is to the left on the frame.
Sun Distance: 0.818 AU
Earth Distance: 1.589 AU
equipment: Takahashi FSQ-106ED, 645 Reducer QE 0.72x, EOS 5Dmark3-SP4, modified by Seo-san on ZWO AM5 Mount, autoguided at a star nearby with Fujinon 1:2.8/75mm C-Mount Lens, Pentax x2 Extender, ZWO ASI 120MM-mini, and PHD2 Guiding with comet tracking on
Exposure: 15 times x 60 seconds and 2 x 15 seconds at ISO6,400 and f/3.6. It started at 23:27:25 UTC May 3, 2024.
site: 2,430m above sea level at lat. 24 38 55 South and long. 70 16 52 West near Cerro Armazones Chile
SQML was 21.55 at the night. Ambient temperature was around 6 degrees Celsius or 43 degrees Fahrenheit.