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I wrote this today. This is not a rant. This post is very long. If you have the patience I think you will like it. If you don't... I understand. I do this shit for me anyway. There will be swearing. Not to much, but a little.
10/17/2023 Pattio’s Birthday
The ballad of Light and Darkness... Written By open your eyes.
A man, an anonymous man, found himself deep, deep, deep in a hole. He had no idea how he had gotten there. He woke up and he was in a hole. There was no obvious way out. He tried climbing the sides… no luck. He could not jump high enough. There was nothing in the hole that would help him get out.
The anonymous man, consumed by his powerlessness, started yelling, hoping someone would hear and help him out of the deep, deep, deep hole of darkness he had found himself in. He yelled and he yelled. When he thought he had no voice he yelled some more.
When he he could yell no more, he blinked, a head could be seen in the light, at the top of the hole. Until that moment he did not know there was light. But there it was. He wanted that light, more than anything. But That light was out of his grasp.
The man, with the head, said he was a doctor and could help him find the light. He doctored and he doctored. No amount of doctorin got the man out of the hole. The doctor got tired and went home to his doctor family.
More yelling… more hopelessness and then another head pops out. This head told the anonymous man that he was a therapist. Therapists knew a lot and could help people out of holes, into the light. He therapized and he therapized until he had no more therapy in him. The anonymous man was still stuck in the darkness. The therapist got tired and went home to his therapist family.
More yelling… more hopelessness and then another head. Could this be the answer? Maybe this talking head had the answer. This feller was a preacherman. We all know that the preacherman help people out of the darkness and into the light every blessed day. He told the anonymous man all he had to do was listen. He would fix his problem and the only thing that would be left, when he was done, was sweet, sweet light. The preacherman prayed, danced, yelled. The preacherman mixed in a little fire and brimstone and petitioned to God to save this anonymous man. NOTHIN! The only thing that happened was that the preacherman told the anonymous man it must be his damn fault, his moral character, was why he was stuck in the hole. Frustrated and tired the preacherman went home to his preacherman family.
The anonymous man found that his hopelessness was unbearable. He did what he always did. There was no hope, only darkness. Some of us that have been in that hole know exactly what the anonymous man always did to get what he always got. Some may say it was insanity. But it was all the anonymous man could remember.
Heads would pop out of the darkness and try to save the anonymous man to no avail. Everyone failed. They all knew what the anonymous man should do except the anonymous man. They were all talking in a language that the anonymous man just could not understand no matter how hard he tried. He wanted to understand, he wanted to live in light but could not take that first step.The anonymous man finally stopped looking up and decided he would live in his darkness because it was comfortable and was all he deserved.
So much time passed that the anonymous man had no idea how long he lived in darkness, in that hole. Time passes fast and slow when you are in the dark. Time makes no sense when time is consumed by darkness. Time needs light to be effective. Hope had been given up a long time ago. The abyss was now familiar and the only home the anonymous man knew. The anonymous man lost all knowledge of light.
Sitting in the darkness, no hope, all alone, the anonymous man thought he might of heard a noise. HMM... It was not that familiar noise of someone offering their own solution to get him out of the hole. None of those solutions worked. Them thar people had good intentions but had no idea how to help the anonymous man out of his hole. They thought they knew better and judged the anonymous man for getting in the hole in the first place. They knew better than to jump in a hole of darkness. The anonymous man was doomed.
WTF… WAS THAT NOISE? This was a new noise. The anonymous man decided that he may want to look up. He tilted his head, it had been years since he looked up. He saw eyes peaking out of light.… He forgot there was light up at the top of his hole. Was this the eyes of a man or a women? What did these eyes want? They seemed kind. It really did not matter anymore. Talking heads were talking heads. The hole was his home.
The person in the light yelled down at the anonymous man in the hole… “For Fucks sake… What are you doing down in that hole”? The anonymous man was positive he had never heard that question before and before the anonymous man could think he heard himself yelling… “I don’t know, I woke up here in darkness and I can’t get out!!!! This is my home. I have tried everything. No one seems to be able to help.”
Then the anonymous man heard a commotion, lots of noise, then blackness for a moment, then the anonymous man was drowning in beautiful light. Light like he had never seen before. The hole had lit up. The anonymous man could see his surroundings. The anonymous man realized next to him there was a shuffling. There in the shadows a person stood up and dusted themselves off. The anonymous man could see a face, a kind face, a face full of empathy. The anonymous man was dazed and confused, having no idea what was happening. All this time no one had come in the hole to join him in the darkness. This was madness.
The anonymous man yelled at this new empathetic person… “WHAT ARE YOU DOING? NOW WE ARE BOTH STUCK IN THIS damn hole!!!!”
The empathetic person looked at him and said “Don’t worry I have been in this hole… I know this darkness. This was my darkness a long time ago. I have been looking for another living in this darkness. I know the way, the way out. I can help you help yourself out of this darkness and into your own personal light. It is your choice. “
Tears streaked the anonymous man’s face… What is happening he thought? Saying to the empathetic person… ”Really? I gave up hope so long ago. I thought I would be here in darkness all my days. Light was something I only remember in old stories. You seem to have brought the light with you?
“Naah… That is my light light. Now it is our light. Together we will find your light. Use my light till you have found your own personal light. My light is hope. Your light is life" the empathetic person responded.
"It is not as hard as it looks. It ain’t easy but it is simple. Do what I do, Put one foot in front of the other and take one step at a time.” Together, The anonymous man and the empathetic person climbed out of darkness.
As a light team these two traveled. They found countless others in the same holes of their own making, the same darkness. They thought at first, they were alone. But four eyes can see much better than two. Together, these two light beings, helped others find their personal light. More and more walked in light and these light beings spent the rest of their days helping others find their own light out of the darkness until everybody consumed by the darkness knew there was a way out, into the light, if they so choose.
To find light you have to choose. Everyone has advice to help you out of your darkness. You will find lots and lots of advice to find a way out from people that are stuck in their own darkness. These well-intentioned individuals believe they know what is best for you. They don’t… They may know what is best for them but not you. They may find their answers through their experiences and then believing they know what is best for you.. Their answers are most likely not your answer out of darkness unless they have had the same experiences you have that gotcha in the darkness in the first place. What works for one is not a blanket answer for all. We are all individuals.
Find someone with experience, experience with your particular form of darkness that now live in the light. They live in the light due to experience and their actions, not the actions or experience of others that have not been there. They know the way out because they have been in the same hole you are in. Advice is cheap with no power that can find true light. Experience, real knowledge is everything.
Thank you, peoples that have helped me, out of my darkness. I love this time of year. At Halloween we remember the darkness. We don’t live there anymore, we live in light. We have a new address. We laugh at the darkness. We stand hand in hand, and We look at the darkness without fear. We spit at the darkness… We say to the darkness never again…. NEVER AGAIN!!!! The monsters only have power when we give it to them. Face the fear and most of the time you are looking at yourself.
In the words of my friend Gandalf… “YOU SHALL NOT PASS!!!.
Simon Billenness, The Buddhist Channel, Sept 26, 2007
As you no doubt have seen, Burma is making world headlines because of
the courageous protests of hundreds of thousands of monks and civilians
in at least 26 cities in Burma over the past few weeks. These are the
biggest protests against the abuses of the authoritarian regime in two
decades.
For those of us who care deeply about Burma, these are exhilarating times, but terrifying too. The military junta has threatened to take action if protests continue, and reports from inside Burma already indicate that the military is getting ready to flex its muscle and
begin attacks on protesters.
From the sidelines, the best that we can do is to keep the momentum of this movement alive. There is a real chance for change in Burma, but we need to keep the pressure on.
I know Burma might not be your issue, but today, please make it yours. There are several easy things you can do. If possible, do them right away.
Please extend your support by joining here and upload Red pics to create awareness
This pic was taken at Chinese garden and i had no intetion of uploading this till i stumbled upon this community trhough my flicker friend Lotte Hjorth's photo titled: barred
My tribute design to a terrible disaster happened to JAPAN on 311/2011.
Wish God's love will protect JAPAN and lend all power of everybody for restoration and revival very soon.
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Please Donate For Japan Earthquake
Japan needs your help. Please donate from the following links. Thank you.
Donate List
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募金先一覧
nanapi.jp/24717/
濱田英明さん（Hideaki Hamada）が立ち上げて下さった
東日本大震災義援金寄付呼びかけのFlickr Groupに賛同いたします。
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【International Medical Corps】
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【主旨説明：まずはこちらをご覧ください】
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White chocolate chip and macadamia nut cookies is what my son pleaded me to bake with him on Sunday. Being creative, he had built himself a play oven/stove with a huge cardboard box I had brought home from work the other day, which was left over from boxes of clothes I had donated last week. His mind was set to baking and already had all the specific ingredients the packaging had itemized to use, out on top of the kitchen counter. Of course we didn't use his imaginary oven; but the idea of him putting in a night light opening on the side of the box, which was to be attached next to the wall and have it lit inside sure made it feel like a real oven. My JB, is such a cool baker kid. ...we made 4 dozen!
The recipe used is from: Ghirardelli White Chocolate Chip Cookies Macadamia and Mauna Loa Dry Roasted Macadamia Nut for Baking.
please let me know if their skin looks yellowish?? I am uploading from a different computer and my colors look different, please help :)
VCAD's Art and Design diploma programs cover the fashion, graphic design, interior design, game development and animation industries.
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A helper set shoves a loaded unit coal train east along the Pittsburgh Line toward the Laurel Highlands and beyond to Allegheny Summit.
Hello every,
Please help us to #provide food and milk for poor people and their children to relieve them from #hunger and to stop #starving #deaths of the poor people and their #children, and to fight against the #coronavirus.
Please any #help, your #contribution will help food and milk for the poor people and their children. No fees on this fundraiser of Indian GoFundMe (Ketto) see for more: bit.ly/394TU99 ❤️
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Image shot with Canon EF 85mm f1.2
See the same review but with more images here drewportfolioblog.blogspot.com/2011/06/testing-canon-ef-8...
I just got the chance to test out the Canon 85mm f1.2 and 50mm f1.2. I also tested out the new Sigma 85mm f1.4 which is another lens I have been very interested in and that has been getting a lot of great praise.
These are two Canon lenses that I have always wanted to add to my kit (not just because of the red ring). The price though is the reason I have not yet decided to jump at them. I have read a lot of different reviews online saying that the 85’s focus is slow, the 50 has some focussing issues and that the sigma gives the same image quality of the canon at £1000 less. The following is just a short review and my thoughts on these lenses. I am not going to focus on the technical specifications or any of that as I really couldn’t care less about charts and numbers, I want to look at the practical uses and if the lenses will work for me and in the situations that I personally shoot. Oh and the camera used was my Canon 5D mark 2.
Canon EF 85mm f1.2
When I tested the Canon 85 I was surprised to find the focus was actually pretty fast, considering the size of glass it has to move, I have used much slower autofocus lenses in the past. I also read that the manual focus is quite annoying to use but I personally really liked it. The manual focus ring is quite loose feeling but I prefer this to a stiff focus ring. I have previously owned the Canon 50mm f1.8, most people hate the manual focus ring on that but I loved it, it was loose and I could move it with one finger, I could always focus much more accurately and quickly, this goes against most people’s views but hey different strokes. I tend to trust my eye more than the autofocus on a machine so being comfortable with the focus ring is very important to me. I took a couple of portraits of my girlfriend at 1.2 and was blown away by the images, the sharpness, the DOF and overall feel was outstanding. The weight actually wasn’t too bad, don’t get me wrong it is pretty heavy but its a nice solid heavy. I think that if you shoot any kind of portraits and can reach the price of the 85 f1.2 then it is simply the best thing out there. It is not an all purpose lens but for portraits it is simply amazing! I still cant get over the sharpness at f1.2. I think I would use this lens for portraits and gigs, I have heard that the focus hunts too much in low light but I am very comfortable with manual focus and actually get more keeper shots using my own eye and hand rather than relying on the camera and mechanisms.
Now the price of this lens is insane at around £1700 but after using it I now know why. I truly believe that this lens is a great investment for your business, providing you shoot at this focal length a lot and are very serious about your images. I’m not just saying this for the amazing creamy background that it produces as I have seen many boring images made with this lens where the photographer has simply relied on the blurred background (Bokeh) to make the image interesting. I think that in the hands of a photographer who can make great images regardless of lens and then incorporate the power and beauty of this 85 into their images it will be a revelation.
Canon EF 50mm f1.2
Through my time with photography I have used the Canon 50mm f1.8 and now for the past year the Canon 50mm f1.4. The 1.8 for the money (I got mine at around £90) is a great lens and an amazing introduction for people wanting to get into prime lenses or low light photography. I used this to shoot a lot of bands and most of my early portraits as I loved the shallow depth of field created at 1.8. The problem with this lens is the construction, when I was a kid I had toys that were made better than this. It really does feel like crap and if you drop it, it will probably break, but then it is only around £100 so you can’t expect the best. The image quality was really nice so I couldn’t really complain. The autofocus was virtually unusable, I shot mostly in low light and it could never find focus so I was on Manual 100% of the time. After a year the autofocus just stopped responding all together and I decided to upgrade to the Canon 50mm f1.4.
The 50 f1.4 was a great upgrade, the ability to shoot at 1.4, the reliable and fast autofocus and the colour was just superior in my experience to the 1.8. It helped so much with shooting bands and shooting in low light in general. My images started to get better and the lens would just respond and render images the way I needed. The build was far superior and I didn’t feel like I had to baby it as much, it just worked and worked very well. The 1.4 is still my workhorse lens and I use it about 70% of the time but I have recently been thinking about upgrading to the 50 f1.2. My reason is that there are a few times I have found the f1.4 not fast enough(aperture) for some lowlight situations in pubs, venues and other places where I had no artificial lighting available. I know that the difference between 1.4 and 1.2 is not much but if you have been in the situation where you could use that little bit of extra light then you know that it would be invaluable. Also for portraits that background at f1.2 would be nice.
When I put the 50mm f1.2 on my camera it felt awesome. It was light, not as light as the other 50’s though, it felt solid and to be honest just looked damn good. The autofocus was quick and accurate, the manual focus ring was nice to use and the construction is really nice. I tested this after the 85 1.2 and I instantly liked the wider view (I am used to the 50 view so thats probably why). Again I shot my girlfriend and the images were incredible. The sharpness on the eye, the background blur (Bokeh), the focus accuracy and the colour. I was amazed at the colour straight out of the camera. This was by far superior to my 50 f1.4 in all aspects. It wasn’t as sharp as the 85 f1.2 but this isn’t a problem for me as they have very different uses. This 50 in my opinion would be a great documentary, wide/group portrait and band/gig lens.
I really wasn’t expectimg this lens to perform as well as it did, so many people online were bashing it but I can say that for me anyway this is the best Canon 50 out there. This lens does cost a lot at around £1250 compared to the £299 of the 50 f1.4 so I think you really have to know you need it before purchasing. Like I said about the 85 I really think that investing in this lens will give you a return as the images will stand out so much more if used correctly and to its full potential.
Sigma 85 f1.4
The last lens I tested was the Sigma 85 f1.4 which is a lens I have seriously been looking at as it is about £1000 less than the Canon 85 f1.2 and people have been saying that it rivals the quality of Canon. I thought I would test it for myself.
The lens felt nice and was quite heavy, It has some big glass in it, I liked the shape and it looked good when mounted to the camera. One thing I instantly noticed is that the AF/Manual switch sticks out quite a lot and could easily be knocked accidentally and looks…..well….quite crap, but I’m looking for image quality and can deal with these niggles if it delivers in the final images. The focus was very fast, I would say faster than the Canon 85 and it was also very accurate. I have heard a lot of focusing problems with the sigma lens line but this one was dead on. The sharpness was good, not as good as the Canon but pretty good and the colours were good. The background blur at 1.4 was also very nice. One big problem for me was the manual focus ring which was very stiff and just didn’t feel good when moved which is kind of a deal breaker for me as I manual focus a lot. I only tested one lens so i’m not sure if this is the same on all or just this one but something did not feel right with the manual focus ring.
The thing I found with this lens is that it was good, not great but good. Well apart from that damn manual focus ring, really disappointed with this but other people may like it. The images came out nice but not as good as the Canon 85, the bokeh was good but again not as nice as the Canon’s and also the colour straight out of camera wasn’t quite as nice as the Canon’s. I have to take into account that there is a £1000 price difference here too which is massive. If there is no way you can afford the Canon then the Sigma would be a great alternative but Canon also do a 85 f1.8 which is highly regarded by many pro’s and is around £320 which is a lot less than the Sigma. You could save the money and buy the Canon 85 f1.8 then save up for the Canon 85 f1.2. I think If I couldn’t get the Canon 85 f1.2 I would go that route as the Sigma is a little pricey for a stop gap lens, I would have to want the Sigma and want to use it for a good few years instead of the Canon 85 f1.2 which just isn’t the case.
I would like to test another copy of the Sigma as I have heard that qaulity can vary from lens to lens and I would like to try the manual focussing ring again to see if it was just that copy that was really stiff. So Sigma if your reading, feel free to send me a copy of the 85 f1.4 and I’ll do another review.
Conclusion
I really enjoyed testing out these three lenses which I have been very interested in buying. I feel it is much better to get your hands on the items and test them for yourself, you might find that one just feels right.
I was secretly hoping that the Sigma was going to blow me away and match the Canon’s quality and at £1000 less but i’m afraid it didn’t. The extra money on the Canon 85 f1.2 in my eye’s at least does give you that something more, that something special in the images. £1000 is a lot of money but sometimes the difference between good and great is very small and the Canon just has that little something extra that I feel is very important It will last you a long time and it’s resale value will stay high if you ever decided to get rid of it for whatever reason.
A surprise though was that the lens I liked best out of all three was the 50mm f1.2. I originally wasn’t going to test this one as I was looking for a 85mm focal length, I just decided on a whim to give it a go. It’s not as sharp as the 85 f1.2, it’s probably on par if not better than the Sigma. I really liked the colours it rendered and the ability to shoot at f1.2 for low light and would be great for 3/4 portraits on location.
I am not stinking rich and can only choose one lens out of the three, I think I will try and get the Canon 85 f1.2 as I need a portrait focal length more than any other at the moment for my business. I already have the Canon 50mm f1.4 which is a great lens and I am happy with its results so buying the 50 1.2 would be more of a luxury than a needed purchase. Although if you are looking for a 50 and are considering the canon 1.2 I say go for it and never look back.
UPDATE!
Since doing these tests and this review I decided to give the Sigma another chance and tried a second copy. True it is not quite as sharp as the Canon 1.2, nearly but not quite, the Sigma does not have 1.2 which would be nice but 1.4 would be fine for most low light situations and for this price you cannot complain. The thing i loved this time round is the focus speed which is very fast, I would say about twice as fast as the Canon 1.2. the focus on this copy is very accurate even in low light. The lens is nice and weighty and looks good on the camera, it looks like a nice Nikon lens to be honest. The manual focus ring is still too stiff for my liking and can be a pain to use but with auto focus this decent I might not need to revert to it nearly as often. Most importantly images that it produces are really really nice. I am very impressed with this lens after spending a bit more time with it. I did a test by putting a few images taken with the Canon 85 1.2 and the Sigma 85 1.4, I processed them as I usually process my images (white balance and contrast adjustments) and put them into a slideshow, I got a few people (including myself) just to watch these images loop around in the slideshow and the results were very interesting. They could not tell any difference in the images, this is after about ten minutes staring at them. When I looked at them closely I also could not see any difference, now that is amazing considering the Sigma is £1000 cheaper. Now I really was going to go for the Canon 85 1.2 but after spending more time with the Sigma I have changed my mind. I would like the Canon purely because of its image quality, good looks and the 1.2 but if I (and a good few others, who are also quality freaks) cannot tell the difference in the images between the Canon and the Sigma, the Sigma has much better autofocus, it is a bit lighter and costs around £1000 less then Its a no brainer in my opinion. I actually now think that overall the Sigma is the better lens, that was not easy to say. I actually liked the Sigma so much that today I purchased one and have been shooting with it all day. and with £1000 extra still in the bank to spend on another lens, maybe the Canon 135 f2. In the end the quality of the images I deliver to clients is the most important thing and you can't go wrong with either the Sigma or the Canon.
I hope this helps anyone that is in the same position as I am at the moment.
andrew@drewportfolio.com
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There are times when you may need credit help. You can talk to organizations and companies that specialize in helping people with their credit problems. In some cases, debts can be refinanced for one monthly payment or forgiven which improves the overall credit score. This is sometimes the only resort for people that have credit problems.
Mary Blair (Animation & Imagineering)
Inducted 1991
An imaginative color stylist and designer, Mary Blair helped introduce modern art to Walt Disney and his Studio, and for nearly 30 years, he touted her inspirational work for his films and theme parks alike. Animator Marc Davis, who put Mary's exciting use of color on a par with Matisse, recalled, "She brought modern art to Walt in a way that no one else did. He was so excited about her work."
Animator Frank Thomas added, "Mary was the first artist I knew of to have different shades of red next to each other. You just didn't do that! But Mary made it work."
Walt connected with Mary's fresh, childlike art style. As Disney Imagineering artist Roland Crump once told animation historian John Canemaker, "The way she (Mary) painted - in a lot of ways she was still a little girl. Walt was like that... You could see he could relate to children - she was the same way."
Born in McAlester, Oklahoma, in 1911, the inherently gifted artist won a scholarship to Chouinard Art Institute in Los Angeles. After graduation in 1933, at the height of the Depression, Mary took a job in the animation unit of Metro-Goldwyn-Mayer (MGM) rather than pursue her dream of a fine arts career.
In 1940, she joined The Walt Disney Studios and worked on a number of projects, including the never-produced "Baby Ballet," part of a proposed second version of "Fantasia." (Walt's original idea was to periodically re-release "Fantasia" with new sequences.)
In 1941, she joined the Disney expedition that toured South America for three months and painted watercolors that so captured the spirit of the Latin countries that she was named art supervisor on "The Three Caballeros" and "Saludos Amigos." Mary's unique color and styling greatly influenced such Disney postwar productions as "Song of the South," "Make Mine Music," "Melody Time," "So Dear to My Heart," "The Adventures of Ichabod and Mr. Toad," "Cinderella," "Alice in Wonderland," and "Peter Pan." She also contributed to special shorts, including "The Little House" and "Susie, the Little Blue Coupe."
Walt asked Mary to assist in the design of the It's a Small World attraction, which is pure Mary Blair in its style and concept, for the 1964-65 New York World's Fair. Over the years, she contributed to the design of many exhibits, attractions, and murals at the theme parks in California and Florida, including the fanciful murals in the Grand Canyon Concourse at the Contemporary Hotel at the Walt Disney World Resort.
Mary Blair died July 26, 1978, in Soquel, California.
The bio comes from the Official Disney Legends Home Page - legends.disney.go.com/legends/index
© 2017 Ryszard Domański, Please do not use without my permission.
Thanks for looking, favourites and comments always appreciated.
Please chek this link and see for urself how brutally the poor dogs at Bangalore,India are being killed........... we need help and we must protest against this.....
www.youtube.com/watch?v=YVLv_Qh4Sdw
If there is anyone out there with even the slightest bit of compassion for these animals, please, I plead to you to join in the ptotest against this "sin" and do what you can to help stop the massacre.
Please mail your concern to the following addresses.
1) Dr. Elly Hiby
Head of Department
Companion Animals
WSPA (World Society for the Protection of Animals)
WSPA 89 Albert Embankment
SE1 7TP
London
United Kingdom
e-mail; wspa@wspa.org.uk
Tel : 00442075875000
2) Call/mail/parecel/fax PETA on the following addresses :
United States
PETA
501 Front St.
Norfolk, VA 23510
757-622- 7382
757-622-0457 (fax)
e-mail- www.animalactivist.com/ideas.asp
e-mail- MediaInfo@peta.org.
United Kingdom
PETA Europe Ltd
PO Box 36668
London
SE1 1WA
England
020 7357 9229
020 7357 0901 (fax)
e-mail - Info@peta.org.uk
3) Write to Michael Hooper (CEO)Commonwealth Games Federation (body responsible for Commonwealth Games),
E-Mail him at = m.hooper@thecgf.com
Call him up at = 0044 2074918801
Courier/Parcel him at =
Commonwealth Games Federation
2nd Floor
138 Piccadily,
London
W1A7NR
United Kingdom
4) Oprah Winfrey
e-mail : www.oprah.com"
5) ACTAsia
e-mail - info@actasia.org
Rosie Red Blythe
Steiff monkeys - Jocko and Mungo
green shirt, striped socks, gray shirt on ironing board - made by me
jeans - Licca
Washing machine/sink - Salvation Army find a few months ago
Bleach bottle, Ivory Snow box- vintage (Sindy??)
Sewing Machine - ornament from the Hallmark store
Basket - Rement
Ironing board - Gloria set, repainted, recovered
Dreft and tide boxes made by me
Vintage Scotch cooler
White table - flea market find
Walls and floor - scrapbook paper