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Back then, artists found inspiration in the world of famous courtesans, geishas and the Yoshiwara pleasure district in ancient Edo. But in the 20th century, the prints were founded on Western academic practices: from now on, they were drawn in the studio from live models.
Title of the work: Woman applying make-up
Author: Hashiguchi Goyo ( 1881-1921)
Editor: in-house publication
Exhibition from 13.10.2022 till 15.01.2023
Royal Museums for Art and History, Brussels.
Website of the museum: www.artandhistory.museum/en/node/61
The story of shin hanga starts here: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
Toenertijd vonden de kunstenaars inspiratie in de wereld van bekende courtisanes, geisha’s en de plezierwijk Yoshiwara in het oude Edo. Maar in de 20ste eeuw zijn de prenten gestoeld op westerse academische werkwijzen: er wordt voortaan getekend in het atelier naar levend model.
auteur: Hashiguchi Goyo ( 1881-1921)
uitgever: Uitgave in eigen beheer
Tentoonstelling van 13.10.2022 tot 15.01.2023
Koninklijke Musea voor Kunst en Geschiedenis, Brussel
Website van het museum: www.artandhistory.museum/nl
Het verhaal over shin hanga start hier: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
À l'époque, les artistes trouvaient leur inspiration dans l'univers des célèbres courtisanes, des geishas et du quartier des plaisirs de Yoshiwara, dans l'ancienne Edo. Mais au XXe siècle, les estampes se fondent sur les pratiques académiques occidentales : les dessins sont réalisés en studio à partir de modèles vivants.
Titre de l'oeuvre: Femme se maquillant
Auteur: Hashiguchi Goyo ( 1881-1921)
Editeur: auto-édition
Exposition du 13.10.2022 au 15.01.2023
Musées royaux d’Art et d’Histoire, Bruxelles
Site web du musée: www.artandhistory.museum/fr
l’Histoire sur shin hanga commence ici: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
right page:
foreword is printed in brown ink.
left page:
a seal made for this book, printed in vermillion.
foreword by the author(a rough translation of the latter half, the second of two pages):
taste/style is the quintessence of writing.
writing without taste/style is like sunshine without warmth. it won't have any value.
i don't care how these pieces would be interpretated by their readers.
but if this book were blamed to have corruptive influence on any of the young reader's taste, it will be a shame for the rest of the author's life.
i didn't take the risk of publishing "Uzurakago" for my fame.
it is because i am convinced that these pieces would never corrupt the young people's tastes at all.
November Meiji39(1906)
NATSUME Soseki
part of Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
序文は茶色のインクで、扉は朱のインクで刷られている。
夏目漱石《鶉籠(うずらかご)》初版復刻版より
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
The unusual long and narrow format emphasises the model's slender figure and her undergarment, accentuated by karazuri printing: the printer creates a relief in the paper without applying colour. A technique often used to render textile patterns.
Title of the work: Woman in long underwear
Author: Hashiguchi Goyo ( 1881-1921)
Editor: in-house publication
Exhibition from 13.10.2022 till 15.01.2023
Royal Museums for Art and History, Brussels.
Website of the museum: www.artandhistory.museum/en/node/61
The story of shin hanga starts here: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
Het ongebruikelijke lange en smalle formaat benadrukt het slanke figuur van het model en haar onderkleed, geaccentueerd door karazuri-druk: de drukker creëert een reliëf in het papier zonder kleur aan te brengen. Een techniek die vaak wordt gebruikt om textielpatronen weer te geven.
auteur: Hashiguchi Goyo ( 1881-1921)
uitgever: Uitgave in eigen beheer
Tentoonstelling van 13.10.2022 tot 15.01.2023
Koninklijke Musea voor Kunst en Geschiedenis, Brussel
Website van het museum: www.artandhistory.museum/nl
Het verhaal over shin hanga start hier: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
Le format inhabituel, long et étroit, met en valeur la silhouette élancée du modèle et ses sous-vêtements, accentués par l'impression karazuri : l'imprimeur crée un relief dans le papier sans appliquer de couleur. Cette technique est souvent utilisée pour reproduire des motifs textiles.
Titre de l'oeuvre: Femme en sous-vêtements longs
Auteur: Hashiguchi Goyo ( 1881-1921)
Editeur: auto-édition
Exposition du 13.10.2022 au 15.01.2023
Musées royaux d’Art et d’Histoire, Bruxelles
Site web du musée: www.artandhistory.museum/fr
l’Histoire sur shin hanga commence ici: www.flickr.com/photos/38700906@N02/52989595849/in/datepos...
Traded to catb95.
Materials: Cardstock from Candyn29** (Thanks!); epoxy sticker from ladychiara (Thanks!); border (yuzen washi scrap); image adapted from Hashiguchi Goyo's "Young Woman in Summer Kimono".
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
もう少し詳しいことはこちらに：
Performance of Rodgers and Hammerstein's "Cinderella" by the Wood Street Theater Company at Cutting Hall in Palatine Illinois.
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
もう少し詳しいことはこちらに：
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
もう少し詳しいことはこちらに：
東京ビックサイト、東館にある『SPORTS IN LIFE with BICYCLE』のサテライトブース！
これにコゼバッグのメッセンジャーバッグと、本ブースへの案内板が置かれて完成となりました！
お香や石けんの香りが漂う中、シュールでアバンギャルドなコーナーになっています。
Graphic：HACHIO
BIKE：CASATI LINER ORO（COMMUTER CUSTOMIZE by Bicycle magazine）
Booth coordination：Kanji Hashiguchi（UNIT）
"Sue", the largest, most complete and most famous T. rex in the world. Sue stands 13 feet high at the hips and is 42 feet long from head to tail. Her skull alone is 5 feet in length.
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
もう少し詳しいことはこちらに：
Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
i was honoured to join this reprinting project as a kind of proof reader.
夏目漱石《鶉籠(うずらかご)》初版復刻版
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
昨年夏、縁あってこの復刻プロジェクトで
校正に近い作業を担当し、
この夏、完成品が送られてきたので撮影しました。
日本語詳細はこちら→
Soseki NATSUME's "Gubijinso"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1908.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《虞美人草(ぐびじんそう)》初版復刻版
装幀：橋口五葉
初版1908年、復刻2005年
gubijinso means poppy in Japanese and its flower is used as a motif for the design.
外側のケースのことを、日本語では「帙(ちつ)」と呼びます。虞美人草とはヒナゲシの別名で、その花が装幀のモチーフとなっています。
edited by Dieter Bechtloff.
Köln (Germany), Verlag Kunstforum, february 1983.
6-1/2 x 9-3/8, 92 sheets white claycoat perfectbound in white chromecoat (both sides) card wrappers, all printed black offset with 3-colour process additions to outside covers & 47 pp.
cover photographer unknown.
114 contributors ID'd:
Futura 2ooo, Cesar Accetta, Aurelio Amendola, Jiri Anderle, Ferruccio Ascari, Enzo Bargiacchi, –?– Barrette, Giuseppe Bartolucci, Jean Michel Basquiat, –?– Borofsky, Daniel Buren, Louisa Chase, Carlfriedrich Claus, Chuck Connelly, Fritz Cremer, Enzo Cucchi, James Dee, Paolo Pellion Di Persano, Michael Erlhoff, Pino Falleni, Stano Filko, Andrea Fiorentino, Wieland Förster, Johannes Gachnang, Xandra Gadda, Fabrizio Garghetti, Albrecht Gehse, Isa Genzken, Walter Grasskamp, C.-A.Haenlein, Blalla W.Hallmann, Joji Hashiguchi, Helmut Heinze, Bernard Heisig, K.H.Hödicke, Gerhard Hoehme, –?– Hogers, Manfred Hulverscheid, L'Altra Immagine, Akiko Ishikawa, Jun Kaneko, Ogata Katsuyoshi, Tadashi Kawamata, Erika Kiffl, Jürgen Klauke, Jochen Krüger, Yayoi Kusama, N.Lang, A.Lechner, J.Lenhart, Françoise Lucchese, Giovanni Marini, Silvia Lelli Masotti, Arnold Mattews, Wolfgang Mattheuer, Paul Michaelis, Satoshi Mikami, Arno Mohr, Hans-Jürgen Müller, Joshitaka Nishino, Michael Nungesser, Sandro Palombi, Giuseppe Penone, Wolfgang Peuker, Judy Pfaff, Uwe Pfeifer, Peter Moritz Pickshaus, Oscar Pietsch, Annelie Pohlen, Sigmar Polke, Vito Paolo Quinto, Arnulf Rainer, Hubertus Reichert, H.P.Reuter, –?– Rifka, Arno Rink, U.Rosenbach, Fried Rosenstock, Sergio Rossi, Dieter Roth, Reiner Ruthenbeck, Shinjo Saito, Horst Sakulowski, Herbert Sandberg, Erzsébet Schaar, Rainer Schade, Christoph Schenker, Andreas Schulze, Antonio Sferlazzo, Susumu Shida, Klaus Simon, G.Sitenziozio, Ney Smyth, Andreas Springer, Erika Steinführer, A.Stoll, Werner Stötzer, Thomas Strauss, Roberto Taroni, Olle Thim, Karin Thomas, Angelo R.Turetta, Lee U-Fan, –?– Versluys, Elizabeth Wagner, Luc Wauman, Andreas Weissberger, Herbert Wentscher, Jürgen Wesseler, Walter Womacka, Troels Wörsel, Heinz Zander, Joe Zucker, Jörg Zutter.
incudes:
i) OKanada – kontrovers Akademie der Künste – West-Berlin, by Michael Nungesser (pp.174-177; exhibition review with passing reference p.176 to "B.P. Nicol" as contributor to Larry Rosnuk's Ein Geschenk project)
___________________________
• a machine-translation of the relevant portion of Nungesser's text:
"Another way to counteract the official spectacle was undertaken by the Canadian artist Larry Rosnuk, who lives alternately in Canada and Chamonix (France). He is a member of the Southern Edge Art Gallery in Port Colborne near Niagara Falls, founded by artists last year. In August 1982, he wrote to around 100 Canadian artists, from Michael Snow and Riopelle to art students, and sent them a Gestetner wax matrix. He asked them to draw something on it and then return it to him. With the help of a contribution of $40 for each artist, the works were to be reproduced and distributed as gifts to the population in both parts of Berlin. Twelve artists responded, including Dennis Lukas, B.P. Nicol, Marc St. Martin, Felix Forte, and Mary Prittie. In December 1982, Rosnuk personally came to West Berlin and had a print run of 1,000 of all the works produced.
On one day, around 50 helium-filled balloons, each containing a set of the works, were sent over the Wall at Kreuzberg's Mariannenplatz as a greeting to the East Berlin population. A large portion of the remaining print run was lowered as a rain of leaves from West Berlin's Europa Center, an office tower next to the Memorial Church. In this way, the Canadian artists addressed a general foreign audience for the first time in a self-determined action, albeit with small participation. This cross-border action is a remarkable step for Canada, where artists readily rely on state aid."
Soseki NATSUME's "Kusa awase"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1908.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
two short novels, "Kofu" and "Nowake" are included.
夏目漱石《草合(くさあわせ)》初版復刻版
装幀：橋口五葉
初版1908年、復刻2005年
『坑夫』『野分』収録
外側のケースのことを、日本語では「帙(ちつ)」と呼びます。
for a bit of further information, please see:
もう少し詳しいことはこちらに：
Soseki NATSUME's "Sorekara"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1910.
designed by Goyo HASHIGUCHI.
facsimile edition was printed in 2005.
夏目漱石《それから》初版復刻版
装幀：橋口五葉
初版1910年、復刻2005年
most of the binding process is done by hands of craftsmen.
多くの工程は職人による手作業。
or a bit of further information, please see:
もう少し詳しいことはこちらに：
Soseki NATSUME's "Uzurakago"
Soseki NATSUME(1867-1916) is a Japanese author.
this is a facsimile of the first edition printed in 1907.
designed by Goyo HASHIGUCHI.
three short stories "Botchan", "Nihyakutoka", "Kusamakura" and foreword by the author are included in this book.
facsimile edition was printed in 2005.
i was honoured to join this reprinting project as a kind of proof reader.
夏目漱石《鶉籠(うずらかご)》初版復刻版
装幀：橋口五葉
『坊つちゃん』『二百十日』『草枕』及び著者序文収録
初版1907年、復刻2005年
昨年夏、縁あってこの復刻プロジェクトで
校正に近い作業を担当し、
この夏、完成品が送られてきたので撮影しました。
Why should a fellow want a girl like her
a frail and fluffy beauty
why can't a fellow ever once prefer a solid girl like me
In my own little corner in my own little chair
I can be whatever I want to be.
On the wings of my fancy I can fly anywhere
And the world will open its arms to me.
Performance of Rodgers and Hammerstein's "Cinderella" by the Wood Street Theater Company at Cutting Hall in Palatine Illinois.
Performance of Rodgers and Hammerstein's "Cinderella" by the Wood Street Theater Company at Cutting Hall in Palatine Illinois.
ギフト・ショーにちなんで、『GEAR』をテーマにして写真をセレクトしてみました。
実は次号（BICYCLE MAGAZINE Vol.21 10月20日発売号）のテーマでもあります。
photographe by Kanji Hashiguchi(UNIT)
The larger of the two elephants, the one with the 2 tusks, was felled by Delia "Mickie" Akeley (1875-1970). As described by Ms Akeley " He was a splendid elephant, standing ten feet ten inches tall at the shoulders and carrying 180 pounds of ivory. In his back was a great festering wound caused by a poisonous spear. The iron blade had worked its way into his flesh to his rib and he must have suffered agonies."