View allAll Photos Tagged Halogen
The skylight that was cut into the ceiling is lit at night from above by two halogen lamps, thus casting light similar to the diffused daytime light.
While taking photos of Betsy's ear ring-type creations, I grabbed a quick shot of the vase we were using as a prop. I think it came out rather nicely.
I'm all artist-y and junk.
This was lit with a halogen desk lamp, by the way. If you were interested. We ended up using an SB-26 through a white silk umbrella for the earrings.
And wow, I don't know how I missed this, but this is upload number 1,000.
Using Halogen based non projector headlights, we painted all pieces black, including the high beam housing since it is no longer needed. The new projector does low and high beam function. RGB Angel Eyes are controlled via RF Remote, and DRL Strip is wiring into the parking lights.
Nikon FM3A | Nikon AF-S Nikkor 17-35mm f/2.8 D | CineStill 400D 400
Digitized with Nikon Z7 | Halogen Bulb
Negative Lab Pro v2.4.1 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | LUT: Frontier
INCLUYE HALÓGENOS PEQUEÑOS, BASE PARA WINCHA, PORTA HALÓGENOS EN LA PARTE ALTA, ESTRUCTURA PARA GRILLETES, Y PROTECTOR PARA EL CARTER. INF: 09527-4044
This I quite like. This was one of the first images I took with the macro feature on my camera. It's a halogen heater.
Uses around 833 m/A each bulb, times two is around 1.6 Amps. A few of these burning would soon run your battery down. It's interesting to see the light overspill on the ceiling around the light fitting, the overspill between the ceiling and fitting is eliminated with the SMD bulbs (leds) fitted, as the light is concentrated downwards, but defuses well - as in link www.flickr.com/photos/datacard/5198530158/in/set-72157623...
Single overhead halogen light is lighting the painting, Paul is lit by a snooted SB-26 at 1/8 on camera left. White balancing and auto-levels.
This is my friend, painter Paul Ziakin. We had a great session because Paul really got into it and had some great ideas when I bumped into lighting corners.
Outtakes here
Continuing this month's general theme of diecast models, this is a Cararama Land Rover – Police in 1:43 scale.
As the photographer in the family, I have been given the job of photographing items to be sold on the family business website www.thegeniescave.co.uk or tinyurl.com/jmjs4j6 on eBay. There is quite a bit of variety (if you think about what might be found in a cave belonging to a genie!) and I quite enjoy doing it.
This image was taken using a small light tent illuminated by a pair of halogen lamps of the type commonly found in bathroom or kitchen ceilings.
Sony Cyber-shot DSC-HX9V digital compact camera.
Using Halogen based non projector headlights, we painted all pieces black, including the high beam housing since it is no longer needed. The new projector does low and high beam function. RGB Angel Eyes are controlled via RF Remote, and DRL Strip is wiring into the parking lights.
Your chance of finding a replacement halogen bulb is close to zero even with the help of Google and the Internet.
Using Halogen based non projector headlights, we painted all pieces black, including the high beam housing since it is no longer needed. The new projector does low and high beam function. RGB Angel Eyes are controlled via RF Remote, and DRL Strip is wiring into the parking lights.
Using Halogen based non projector headlights, we painted all pieces black, including the high beam housing since it is no longer needed. The new projector does low and high beam function. RGB Angel Eyes are controlled via RF Remote, and DRL Strip is wiring into the parking lights.
Triumph Stag at the local town classic (old timer) car show.
The headlights were actually fitted a bit squinty, so I fixed that in PP. I also decided I didn't like my original framing so I've added a slither left and right from two other frames.
Taken at a recent wedding shoot in India. Rajputs from the Indian state of Rajasthan wear distinctive turbans. Rajputs traditionally wear coloured turbans. The Marwaris wear light coloured turbans. It is said that the style of the turban changes with every 15 km you travel. In some areas, especially in Rajasthan the turban's size may indicate the position of the person.
Canon 5D Mark II
EF 70-200mm F2.8L IS
Strobist: A halogen light used by the videographer behind the groom
For full resolution image go to my site
Shots taken with black backdrop, halogen work lamps (hard light--no diffuser), makeshift cardboard gobo and flags, and foam-core reflector.
Using Halogen based non projector headlights, we painted all pieces black, including the high beam housing since it is no longer needed. The new projector does low and high beam function. RGB Angel Eyes are controlled via RF Remote, and DRL Strip is wiring into the parking lights.
INCLUYE HALÓGENOS PEQUEÑOS, BASE PARA WINCHA, PORTA HALÓGENOS EN LA PARTE ALTA, ESTRUCTURA PARA GRILLETES, Y PROTECTOR PARA EL CARTER. INF: 09527-4044
Microscopic shot of a live halogen filament.
See inset for scale.
Equipment Used:
1x Halogen Lamp
1x Canon 5DMk2
1x 7cm Extension tubes
1x 2x Tamron Teleconverter
1x Sigma 70-300mm
1x 58mm Reverse Ring
1x Canon 50mm f1.4 (Reversed)
2x Tripod
4x Hours of Trial and Error
1x Pair of Burnt out retinas
Amazing little oven. Works good and is a life saver when the big ones are busy with traditional tasks. This will slow roast this cut to juicy perfection.
The thermostat is dead on will hold 212°F for the six hours necessary. Sweet mustard and orange marmalade for the crust is seared at 450°F for about five minutes and then set it and forget it.
Film at eleven [[;-)
Love cooking all kinds of food in this. Makes the best baked potatoes I've ever had. Includes 2 wire racks and I'll throw in a circular pan. 400 baht.
Canister lids for TSD lights. Using no less than 3 o-rings, and a normal rocker switch activated by a rotating shaft
Close-up of a tiny 12V halogen lamp.
Experimenting with a 20 mm Canon macro lens, aperture f/22.0, exposure 0.00125 sec (1/800). Still waiting for my adapter to connect the FD lenses properly.
My wife, posing in window light, with a halogen work light on a ladder, used as a hair light (camera right). Breaking with my usual multi-strobe approach here. Background is gray seamless paper.
She has no patience for this sort of thing, especially a portrait session that yields six shots in a 1/2 period. And sit still for three seconds at a time without even blinking? Outrage! Which is why the composition is a little tight...I didn't dare ask for another couple of minutes while I moved either her or the camera. :)
The lens is a single-element achromat, 300mm in a pvc pipe tube, mounted to my packard shutter. This shot was with an f/11 stop placed in front (made from black poster board). I then cut out wedges around the circular opening to form a three-pointed star. Which looks kind of cool with out-of-focus specular highlights. However I don't really have any in this picture. It's surprisingly sharp though...almost disappointing in its sharpness. I was expecting more wiggles around the edges.
I have yet to try it wide open, as this was the first test of the landscape lens. I also need to build a shorter lens, as this had me racked out almost to max on my Toyo. A shorter lens would also bring the artifacts into play more, as the image circle would be smaller.
Đèn pha Halogen Projector công nghệ bóng chiếu trên nền mạ kim loại trắng bạc cho ánh sáng chiếu tập trung, sắc nét, đảm bảo hiệu quả chiếu sáng tối ưu nhất.
Strobist: Halogen work light on the floor pointing upward at the backdrop. SB600 on 1/16 shot into a soft silver umbrella pointing towards the subject. AF540FGZ was placed camera right, but was recharging and didn't fire.
Lightroom preset adjustments applied: punch, sharpen, aged photo
Flickr Explore #332, February 21, 2008
Mug: The Marilyn.
Photographed for the family business website using an Olympus PEN E-PL1 and a light tent illuminated by two halogen lamps commonly found in domestic ceilings.
Amazing things can be done in the digital darkroom. Like turning a yellow/white light blue so you can actually see the reflection of the filament on the back of the bulb. Sweet, eh?
Bronica ETRSi w/ 150mm MC 3.5 lens @ f/3.5 and Green Tiffen #11 filter. Halogen and Tungsten lighting.
Kodak Professional Tri-X 400 @ 320
Developed 8¼ minutes in HC-110 Dilution E (1:47) at 24ºC / 75ºF; No initial agitation and 4 inversions every 30 seconds. Scanned using Epson Perfection V500 Photo scanner.
The negatives have somewhat high contrast. Under these conditions, I recommend 1 gentle agitation every 30 seconds, vice 4.