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so where are we with what is important.. for *tomorrow* in nsa cia whore and MURDERER jami rose's day in time?
:) www.timeanddate.com/date/durationresult.html?m1=4&d1=...
From and including: Friday, April 4, 1980
To, but not including Thursday, January 23, 2014
Result: 12,347 days
It is 12,347 days from the start date to the end date, but not including the end date
Or 33 years, 9 months, 19 days excluding the end date
Alternative time units
12,347 days can be converted to one of these units:
1,066,780,800 seconds
17,779,680 minutes
296,328 hours
12,347 days
1763 weeks (rounded down)
and :)
scores.espn.go.com/ncb/conversation?gameId=400509996
Illinois
(13-6, 2-4 Big Ten)
(17) Ohio State
(15-4, 2-4 Big Ten)
and, :)
her 'forward' yearly placement :);
www.timeanddate.com/date/durationresult.html?m1=4&d1=...
From and including: Friday, April 4, 1980
To, but not including Sunday, January 25, 2015
Result: 12,714 days
It is 12,714 days from the start date to the end date, but not including the end date
Or 34 years, 9 months, 21 days excluding the end date
Alternative time units
12,714 days can be converted to one of these units:
1,098,489,600 seconds
18,308,160 minutes
305,136 hours
12,714 days
1816 weeks (rounded down)
and :)
scores.espn.go.com/ncb/conversation?gameId=400506386
LSU
(12-5, 3-2 SEC)
Alabama
(8-9, 2-2 SEC)
not hard to read between the lines, huh?
and how about :)?
what i *love* about this,
is evverybody knows..
who she is now.
and she cowars and hides..
how about that? :))))))))))
how much *longer* before daughter jaytlyn finds out in school that mommy was a prostitute that worked for intelligence?
how much *longer* before daughter jaytlyn finds out mommy sold drugs out of her place in colorado..
how much longer?
can't hide from that,
can you,
nsa cia whore and MURDERER jami rose.. :))))))
~peace
thomas :))))))))
CIA and NSA Whore and MURDERER Jami Rose KILLED Alisa Ferraro and Paul Gagnon 4 months before their wedding 6
you created the channel at 1831 Salcedo / Guyaso Zip 70119, and placed Alisa inside of you and never even asked me if you could what do you think is going to happen to you CIA and NSA Whore and MURDERER Jami Rose
8635445544 CIA and NSA Whore and MURDERER Jami Rose KILLED Alisa Ferraro and Paul Gagnon on 07021995 isn't that right?
You murdered Alisa Ferraro and Paul Gagnon in time by me channeling your ill will and associations unknowingly didn't you CIA and NSA Whore and MURDERER Jami Rose your time will come i promise on my last dying breath your You created the channel and placed Alisa inside of you..
You murdered Alisa Ferraro and Paul Gagnon in time by me channeling your ill will and associations unknowingly didn't you CIA and NSA Whore and MURDERER Jami Rose your time will come i promise on my last dying breath your going to face judgement,
whether you like it or not :)
You created the channel and placed Alisa inside of you and never even asked me if you could what do you think is going to happen to you CIA and NSA Whore and MURDERER Jami Rose?
343 in time, huh? CIA and NSA Whore and MURDERER Jami Rose?
Jami 15/33 Alisa 242,
Still creating that "natural order" and ordinance of time of yours on a daily monthly weekly yearly basis and killing people in time, CIA and NSA Whore and MURDERER Jami Rose? :)
how much longer do you think before it ends up, on *your* end :)
you set up the channel without even asking me jami, and then you did what you wanted to, in 2005 and 2006. you chose murder jami, you chose
who supported you jami.. and why did you accept $$,$$$ to contain 176 and power contain 176 :) at 1831 salecdo/guyaso, and let those people die.. without even asking
me, if you could could create that channel, if you contain me. you chose jami. you chose murder. who supported you?
your CIA and NSA Whore Jami Rose MURDERED all of those people, DESTROYED all of those lives, what should her punishment be?
CIA Whore and MURDERER, Jami Rose. her photo, right here :)
www.flickr.com/photos/89268704@N08/8123854555/in/photostream
JamiRoseCIAandNSAWhore
jami rose cia and NSA whore all those people that she killed all that damage that she caused
JamiRoseCIAandNSAWhore
jami rose cia and nsa whore all those people that she killed all that damage that she caused
1)hurricane katrina
2)bp oil spill
3)japan tsunami
and many others in time.
raped. robed. murdered. dismembered.
never punished for her crimes
born on april 4 1980.
here you go :)
by entering in her information from date of birth here:
www.timeanddate.com/date/duration.html
you can monitor her information that is used by the world markets on a daily basis, not only that, but control for what is in numerical belief, thru out the us and the rest of the world.
She creates a natural order in time with her existance and by her date of birth, on a daily basis, weekly basis, yearly basis and in forward motion time placement. :)
Its also an Ordinance in time,
(but she's KILLING people in time. THOUSANDS of people,
and *thats* accepted. :) not anymore, huh, CIA and NSA Whore and MURDERER Jami Rose. :) not anymore :)
also,
www.timeanddate.com/date/durationresult.html?m1=01&d1...
(The stasis of origin should show in the above link, like what is just listed below. why not tell people? :)
From and including: Saturday, January 1, 0001 (Julian calendar)
To, but not including : Friday, April 4, 1980 (Gregorian calendar)
It is 722,910 days from the start date to the end date, but not including the end date
Or 1979 years, 3 months, 3 days excluding the end date
Note:The From date is a Julian calendar date. The current Gregorian calendar was adopted in United States where Thursday, September 3, 1752 was the first of 11 days that were skipped. This has been accounted for in this calculation. Read more about the Julian and Gregorian calendars
Alternative time units
722,910 days can be converted to one of these units:
62,459,424,000 seconds
1,040,990,400 minutes
17,349,840 hours
103,272 weeks (rounded down)
if you need a little help to her "stasis of orgin" here you go. if you're not smart enough to know what a birthday does in time, its an active measure for which you create throught your life span. there, i said it. don't like that intelligent secret? millions people living, and not knowing that. how could anyone not know? :)
and all those people she killed. never punished
thomas warn varnas will make sure that happens, won't he?
you attempted two murders on his life at 143 Rue Esplanade and Villa Du Lac,
by channeling his dreams with tenants and parking cars outside of his residence, capturing him..
how does it feel now Jami, to know the same is happening
to you :)
:)
there you go :)
btw, did i channel her ill will and associations unknowingly, and did it kill alisa ferraro and paul gagnon in time, to?
to me, that warrants enough to blow her head off.
sorry. but thats the way i feel, at the moment
~peace
thomas :) (not smiling) (but its about to get better :)
NOTE: ADDITION: DON'T FORGET TO CHECK OUT HER '45' FROM HER DOB, ON A DAILY BASIS, NEXT DAY BASIS, AND *YEARLY* BASIS.. THE FORMATION SHE HAS DOES MANY THINGS, *INCLUDING* 575.. just fyi.. :)
(and don't forget to check out one of CIA and NSA Whore and MURDERER Jami Rose's Habitat's.. 225 Area Code Baton Rouge.. you'll find her there :)
(Don't forget that she is being 'channeled' (still, after all those people she killed and all of that destruction) into sales and control for 'wins' :)
LSU and The New Orleans Saints..)
(504 319 0813 nsa cia whore and murderer jami rose's phone from 1831 Salcedo / Guyaso, Zip 70119
you can find out *everything* you need to know from Baton Rouge on nsa cia whore and murderer jami rose.
i did. :)
(oh yea, am i supposed to be mentioning anything on NSA itself on NSA CIA WHORE AND MURDERER JAMI ROSE'S *NEXT* BIRTH YEAR, THAT IS HAPPENING YEAR TO DAY.. 34.. initial 38/74 NSA 16/34.. alot of things are "happening" with that currently in time now, no? :) good info. pats self on back, check her out and what's going on in the markets.. :)
~peace
thomas :)
(*that's good* oh i know it is mrs alisa who is with mr paul in heaven, *i know it is* ty friend :)!
Lagu Rohani Kristen Terbaru 2019 - Mereka yang Akan Diselamatkan Tuhan adalah yang Terpenting Di Hati-Nya
🎦 id.easternlightning.org/videos/those-God-will-save-are-eo...
Betapa penting karya penyelamatan,
lebih penting dari apa pun 'tuk Tuhan.
Dengan perencanaan, tak hanya firman,
Dia buat semua 'tuk manusia.
O betapa penting karya penyelamatan 'tuk Tuhan dan manusia.
Tuhan sibuk, Dia berusaha.
Dia atur karya-Nya, memerintah segalanya.
Tuhan telah bayar harga yang mahal.
Tuhan ungkap sedikit sedikit dalam karya-Nya,
yang Dia punya, harga yang Dia bayar,
hikmat, kuasa, semua watak-Nya.
Agar di s'luruh semesta,
selain orang yang ingin diselamatkan-Nya,
tiada makhluk yang sangat dekat dengan Tuhan,
yang punya hubungan sangat erat dengan-Nya.
Tak peduli kesukaran, tak peduli rintangan,
betapa lemah dan membangkang manusia,
tiada yang dapat hentikan Tuhan, tiada yang sulit.
Tuhan dekat, betapa erat
bagi yang Dia pilih 'tuk dis'lamatkan.
Di semesta ini, siapa pernah punya
hubungan sangat erat dengan Tuhan?
Di hati-Nya, mereka paling penting, Dia sungguh hargai m'reka.
Mereka lukai, tak taat Tuhan.
Walau Dia bayar harga besar untuk mereka,
tak lelah Tuhan berkarya, tanpa sesal,
tahu manusia 'kan digerakkan firman-Nya,
kan sadari panggilan-Nya,
mengenal Dia Tuhan, kembali ke sisi-Nya.
Tak peduli kesukaran, tak peduli rintangan,
betapa lemah dan membangkang manusia,
tiada yang dapat hentikan Tuhan, tiada yang sulit.
Wow … wow … wow … wow …
Tuhan telah bayar harga yang mahal.
Wow … wow … wow … wow …
Mereka lukai, tak taat Tuhan.
Wow … wow … wow … wow…
Tiada yang sulit.
dari "Ikuti Anak Domba dan Nyanyikan Lagu Baru"
Rekomendasi：
konten yang lebih menarik, mohon perhatikan "Kilat dari Timur"
www.lapressegratuite.com/2014/02/expo-in-the-city-le-prem...
Expo in the City est le premier magazine gratuit dédié aux expositions parisiennes ; l’occasion nous a été donnée de poser quelques questions à Fleur Baudon, directrice de la publication et Arnaud Chedal-Anglay, fondateur et rédacteur en chef du magazine.
Bonjour à tous les deux, racontez-nous l’idée de départ, sa concrétisation et parlez-nous de l’équipe !
L’idée de départ : rendre un peu « sexy » les expos, dépoussiérer tout ça. Créer un magazine urbain, sympathique, résolument moderne, qui donne envie de sortir pour aller voir une expo avec ses amis, son amour, ses parents ou ses enfants.
Un magazine convivial, qui se partage, tout comme ses bons plans.
Un magazine pratique qui tient dans la poche.
Un magazine gratuit, pour une vraie promotion de l’Art à Paris, sans clivage.
Pour la première fois, un classement des expos en ligne avec les envies et les attentes des parisiens. Pas d’expo ‘’beaux arts’’ ou ‘’ sciences et techniques’’, mais les expos à faire le soir après le boulot, les expos gratuites, celles à faire en amoureux ou en famille. Les expos pour frimer le lundi matin au bureau, ou pour occuper les beaux parents qui débarquent !
Expo in the City souhaite faire de chaque sortie expo un vrai bon moment, sympa et inoubliable. Pour cela, nous avons créé les premiers « duos expos », de bonnes petites adresses parisiennes avec les meilleures expositions. Cela permet de prolonger le plaisir de la sortie avec un petit brunch, un resto, un apéro, ou un jardin caché, une boutique insolite…
La concrétisation de cette idée a mis 2 ans, 2 ans pendant lesquels nous avons fait et refait des maquettes de magazines, en interrogeant des parisiens pour vraiment comprendre leurs attentes et leurs envies, et leur offrir le meilleur des expos, dans une version colorée et joyeuse.
L’équipe : Fleur et Arnaud, aidés par nos proches, amis, et familles. Nous avons créé une association qui a pour but de promouvoir l’Art à Paris, de manière accessible et sympa. Nous sommes des indépendants, loin des grands groupes de presse. Des idéalistes ? Des ‘’fous’’ peut-être ? Des passionnés évidemment !
En octobre de cette année, vous avez rassemblé des fonds sur le site de financement participatif KissKissBankBank, comment cela s’est-il passé ?
La démarche nous a permis de récolter 5 000 euros ! Cela nous a permis de nous lancer, en finançant l’impression du premier numéro, et une partie du site web. C’était fou de voir comme ce projet a pu mobiliser des soutiens, nous appuyant dans cette démarche audacieuse.
Présentez-nous la ligne éditoriale de Expo in the City, le positionnement du mag.
Expo in the City est un magazine bimestriel, format poche extrêmement qualitatif, 100 pages en couleur, distribué gratuitement à 20 000 exemplaires dans le cœur de Paris, aux métros, entrées des cinémas, théâtres et musées.
Le ‘’petit livre’’ des expos toujours sur soi !
Nous souhaitons toucher tous les gens passionnés par l’art, mais pas seulement ! L’idée est vraiment d’ouvrir l’art à tous, en faisant re-découvrir les expos de Paris et la richesse culturelle de la capitale, par un classement inédit des expos, pour que chacun puisse trouver l’expo qui lui ressemble, ou l’expo qui convient à chaque occasion.
Nous avons voulu créer le 1er magazine qui ne se jette pas, avec sa sélection d’expos, ses bons plans, ses actus, son format poche ultra-pratique. Nous avons créé un magazine pour chacun et pour tous.
Où peut-on trouver le magazine aujourd’hui ? Peut-on s’abonner ?
Tous les 2 mois, Expo in the City est distribué pendant 2 semaines dans le centre de Paris et en région Parisienne. Aux stations de Métro, dans les files de musées, de cinés, de théâtre, en 20 000 exemplaires. Expo in the City est aussi accessible sur le web www.expointhecity.com/, avec des actus inédites et complémentaires, et des avis d’internautes. Pour ceux qui souhaitent recevoir leur magazine chez eux, nous proposons une formule d’abonnement à 24 euros par an (magazine gratuit + frais de gestion et d’envois), offrant en plus un pass pour Pompidou.
Vous êtes également présent sur le web, pourquoi éditer un magazine papier et un site web ?
Pour nous les deux supports sont complémentaires. L’un se consulte en se feuilletant, dans le métro, dans son salon, dans un café, il se lit. Nous étions très attachés au support papier car nous aimons personnellement lire, et garder nos livres et guides pour les reconsulter à l’envi.
Le site internet est un support complémentaire qui nous permet de suivre l’actualité à la semaine, voire chaque jour. Nous donnons la parole à nos internautes pour nous donner leur avis sur les expos et aider les autres internautes à faire leur choix d’expos. Internet est très vivant, évolue chaque jour. Le magazine est une valeur sûre qui se garde sur soi.
Des projets de développement ? L’envie de décliner le magazine dans une autre ville ?
Nous avons plein d’idées de développement !
Notre premier souhait est de faire grandir Expo in the City, en restant libres et indépendants, ce qui est assez difficile car nos moyens ne sont pas ceux des grands groupes. Nous souhaitons étendre les services que nous proposons à nos lecteurs, toujours dans un esprit de convivialité, par exemple en créant une carte Club permettant d’inviter gratuitement une personne avec soi dans les musées, en organisant des soirées vernissages, des discussions sur des sujets d’expos... Tout en restant sur Paris, peut-être étendrons nous le magazine à la rentrée, a une version sur l’Art en général (musique, théâtre, cinéma, écriture…).
Merci et longue vie à Expo in the City !
Collaboration beetween Biennalist and Ultracontemporay
Art Format
www.emergencyrooms.org/formats.html
Documenta From Wikipedia,
The Fridericianum during documenta (13)
documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time.[1] It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.
Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.
Etymology of documenta
The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]
Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]
History
Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7
Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.
Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, documenta (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]
Criticism
documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At documenta (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the documenta (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]
Directors
The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]
TitleDateDirectorExhibitorsExhibitsVisitors
documenta16 July – 18 September 1955Arnold Bode148670130,000
II. documenta11 July – 11 October 1959Arnold Bode, Werner Haftmann3381770134,000
documenta III27 June – 5 October 1964Arnold Bode, Werner Haftmann3611450200,000
4. documenta27 June – 6 October 196824-strong documenta council1511000220,000
documenta 530 June – 8 October 1972Harald Szeemann218820228,621
documenta 624 June – 2 October 1977Manfred Schneckenburger6222700343,410
documenta 719 June – 28 September 1982Rudi Fuchs1821000378,691
documenta 812 June – 20 September 1987Manfred Schneckenburger150600474,417
documenta IX12 June – 20 September 1992Jan Hoet1891000603,456
documenta X21 June – 28 September 1997Catherine David120700628,776
documenta118 June – 15 September 2002Okwui Enwezor118450650,924
documenta 1216 June – 23 September 2007Roger M. Buergel/Ruth Noack[19]114over 500754,301
documenta (13)9 June – 16 September 2012Carolyn Christov-Bakargiev187[20]904,992[21]
documenta 148 April – 16 July 2017 in Athens, Greece;
10 June – 17 September 2017 in KasselAdam Szymczykmore than 1601500339.000 in Athens
891.500 in Kassel
documenta fifteen18 June 2022 – 25 September 2022 in Kasselruangrupa[22]
2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[23]
Venues
documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for documenta IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. documenta 12 occupied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon", or meadow pavilion, designed by French firm Lacaton et Vassal.[24] At documenta (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]
There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at documenta IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[25] For documenta (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.
Rahmenbau (1977) by Haus Rucker und Co.
A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).
documenta archive
The extensive volume of material that is regularly generated on the occasion of this exhibition prompted Arnold Bode to create an archive in 1961. The heart of the archive’s collection comes from the files and materials of the documenta organization. A continually expanding video and image archive is also part of the collection as are the independently organized bequests of Arnold Bode and artist Harry Kramer.
Management
Visitors
In 1992, on the occasion of documenta IX, for the first time in the history of the documenta, more than half a million people traveled to Kassel.[26] The 2002 edition of documenta attracted 650,000 visitors, more than triple Kassel's population.[27] In 2007, documenta 12 drew 754,000 paying visitors, with more than one-third of the visitors coming from abroad and guests from neighboring Netherlands, France, Belgium and Austria among the most numerous.[28] In 2012, documenta (13) had 904,992 visitors.[21]
References
Adrian Searle (June 11, 2012), "Documenta 13: Mysteries in the mountain of mud", The Guardian.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX
Kimpel, Harald: documenta, Mythos und Wirklichkeit. Köln 1997, ISBN 3-7701-4182-2
Alice Rawsthorn (June 3, 2012), A Symbol Is Born The New York Times.
The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).
Helen Chang (June 22, 2007), "Catching the Next Wave In Art at Documenta", The Wall Street Journal.
Roberta Smith (September 7, 2007), "Documenta 5" The New York Times.
Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3).
dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale The New York Times.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Kelly Crow (June 8, 2012), A Party, Every Five Years, for 750,000 Guests The Wall Street Journal.
Jerry Saltz (June 15, 2012), Jerry Saltz: "Eleven Things That Struck, Irked, or Awed Me at Documenta 13" New York Magazine.
Michael Brenson (June 15, 1987), "Documenta 8, Exhibition In West Germany", The New York Times.
Michael Kimmelman (July 5, 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.
Jackie Wullschlager (May 19, 2012) Vertiginous doubt Financial Times.
Julia Halperin, Gareth Harris (July 18, 2014) How much are curators really paid? Archived July 20, 2014, at the Wayback Machine The Art Newspaper.
Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 2014-08-29.
Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.
"904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.
Russeth, Andrew (2019-02-22). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 2020-01-05.
"In Germany, Disguising Documentary As Art". The Huffington Post. Retrieved 2015-09-28.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.
Roberta Smith (June 22, 1992), A Small Show Within an Enormous One The New York Times.
d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.
Adrian Searle (June 19, 2007), 100 days of ineptitude The Guardian.
Catherine Hickley (September 24, 2007), "Documenta Contemporary Art Show Draws Record 754,000 to Kassel", Bloomberg.
Carly Berwick (May 17, 2007), "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles", Bloomberg.
Rachel Donado (April 5, 2017), German Art Exhibition Documenta Expands Into Athens, The New York Times.
Catherine Hickley (November 27, 2017), Documenta manager to leave post after budget overruns The Art Newspaper.
Further reading
Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.
Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.
other biennales :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
lumbung
Short concept by ruangrupa for documenta 15
"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."
ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.
Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.
The main principles of the process are:
• Providing space to gather and explore ideas
• Collective decision making
• Non-centralization
• Playing between formalities and informalities
• Practicing assembly and meeting points
• Architectural awareness
• Being spatially active to promote conversation
• A melting pot for and from everyone’s thoughts, energies, and ideas
#documentakassel
#documenta
#documenta15
#artformat
#formatart
#rundebate
#thierrygeoffroy
#Colonel
#CriticalRun
#venicebiennale
#documentafifteen
#formatart
#documentacritic
#biennalist
#ultracontemporary art
protestart
片名：King Kong
译名：金刚
杰克·布莱克Jack Black
杰米·贝尔Jamie Bell
类型：动作/冒险/剧情/奇幻/科幻/惊悚
片长：--
发行：环球
上映日期：2005年12月14日(美国)
官方网站：http://www.kingkongmovie.com/
剧情简介 第一次世界大战的欧洲战场。“关键时刻”参战的美国空军在法国的上空正忙着与德国人周旋。在这场空战中让观众认识了才华横溢的美国飞行员杰克。时间瞬息转到十五年后，早已在空军退役的杰克已经来到了位于东南亚的苏门达腊到打工。
一支来自英国的考古队在队长罗德的带领下已经来到这片神奇的热带丛林很久了，队中还包括队长的千金，美丽的安。南太平洋阴郁、神秘的岛屿地貌和茂密森林同样吸引着这位性感的金发女郎。
来自美国本土电影之都好莱坞的导演卡尔·丹姆带着他的摄制组也不远万里、漂洋过海地来到这里寻找着他新片的灵感和最佳拍摄地。
然而，就是这三方看起来毫不相干的人们逐渐地被这荒蛮之地吸引到了一起。当这些人“团结”到一起组成全新的拍摄考察队伍，美丽的安成为卡尔导演最新的女一号的同时，在一座全新的岛屿上，这个似乎预谋已久的传奇故事便慢慢拉开了无法再次还原的序幕。数十米高的巨型黑猩猩、凶残的史前恐龙、无人踏及的原始森林、虔诚愚昧的土著人……都令这队来自文明世界的现代人始料不及。但利欲熏心的导演发现并导演了一场惊世骇俗的“人猩恋”。将美女安以土著人独特的“艺术形式”许配给了那个叫“刚”的大黑猩猩。然而，这一荒诞的行为却早就了一场惊心动魄的“人猩大战”……
幕后花絮 1933年版的《金刚》在影迷们当中有着很高的人气。因为它不仅仅是代表一部单纯的电影作品，它甚至带动了电影艺术的一个潮流。自七十二年前那只威猛的大黑猩猩首次登上帝国大厦，就已经在数不胜数的影视剧中亮相，就连近日横扫北美票房的迪斯尼动画片《四眼天鸡》中也可以看到那再熟悉不过的经典桥段。
还记得1976年，约翰?吉尔勒明耗费相当于当今6500万美元巨资翻拍的《金刚》，除了将金刚大战战机的场景从帝国大厦搬到在“9?11”中被覆灭的“世贸双子”外，其它故事发展和场景设置几乎与原版相同，但是，这部使用了当时最为先进的电影特技的《金刚》被观众斥为“简单的幻想片”，与原版的《金刚》完全没可比之处，这或许是观众对原版《金刚》爱护有加的表现之一吧。想当初梅里安?库珀仅消耗了68万美元拍出那部传世的黑白经典《金刚》，银幕上的大猩猩实际仅有十几米高，而用来拍摄握住安的近镜却由一只8米长的“巨臂”完成，那强壮的躯体也只由塑料加上兔毛粘制而成，可想而知这只大怪物有多“简陋”。然而，在观众心目中，这只金刚好得无可比拟。实在佩服大半个世纪前威利斯?布里恩为该片做出的有史以来第一个振奋人心的视觉特效。可惜当初奥斯卡还没有最佳视觉特效奖，凭1933版《金刚》天马行空的想法和特效，丝毫不比当今的好莱坞CG电影差多少……
影片简评 早在七十二年前的1933年，一只巨大的猩猩就已经一只手握着一位性感女郎，令一只手攀在纽约帝国大厦的尖顶上，像世人宣誓着自己对爱情的忠贞不渝和永往无前了。而野蛮的人们却用他们高傲的姿态、嘲笑的声音和他们引以为傲的战机，欲征服这只来自原始部落的强悍动物……
《金刚》影片的诞生可以说是电影史上的必然，亦是偶然。先说必然，在电影这类特殊的艺术表现形式发展到那个年代的时候，已经有越来越纷繁的表现形式和另类题材被聪明的电影人引入大银幕。曾风靡一时的巨大怪物哥斯拉，《捉鬼队》中巨大的棉花糖人等已经越来越受到影迷们的关注和喜爱。因此像金刚这样来自我们人类平行世界中的近亲便不期而至地走上了大银幕。另外，电影制作技术的不断创新也使得此类电影特技日臻成熟地运用在了实际的电影作品当中，从而能越来越带动人们对此类电影的兴趣
曲目及下载：
· Something Monstrous... Neither Beast Nor Man
· Captured
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
news.yahoo.com/virus-surge-sends-ripples-alarm-185635604....
Virus surge sends ripples of alarm through Democrats
The resurgence of the coronavirus has reshaped the early contours of the midterm elections, with some Democrats beginning to distance themselves from the Biden administration and more directly blame Republicans, reflecting their growing alarm on an issue that long played to their political advantage.
Democrats had hoped to pivot from Biden's success on the pandemic to pitch the party's economic agenda, including sweeping proposals on infrastructure and social programs. But the rise in covid-19 cases is suddenly complicating that strategy.
North Carolina state Sen. Jeff Jackson, who is running for U.S. Senate, said the virus - after all but vanishing from the conversation - now overwhelms all other subjects on the campaign trail.
"You can see it in the comments section on social media, frankly," Jackson said. "This disappeared as something that people were commenting on, and then it reappeared marginally - and now massively. So no matter what subject we post on, what you're going to see in the comments section is people asking us to talk about this."
Jackson also said pointedly that he does not approve of the Biden administration's response, singling out the Centers for Disease Control and Prevention, which has become a favorite target of Republicans. "We really need crystal clear messaging from the CDC, and I don't think we've had that," Jackson said.
Democrats have also begun saying more directly that it's Republicans who are prolonging the pandemic, while they are urgently trying to end it. President Joe Biden and his aides are criticizing Florida Gov. Ron DeSantis, for example, for opposing mask mandates in schools, a switch from their previous reluctance to stoke fights with Republicans over the coronavirus. The House Democrats' campaign arm is encouraging candidates to call out Republicans for making false or misleading statements about vaccines and masking.
Meanwhile, Republicans, after largely avoiding the subject of the pandemic for much of this year, have begun going after Biden's handling of it, saying he "spiked the football" prematurely and asserting, with little evidence, that a surge of migrants at the border is fueling the spread of the virus.
"I think the American people are tired of masks," said Rep. Carlos Gimenez, R-Fla., who is gearing up for reelection in a swing area after capturing a Democratic seat in 2020. He argued that the CDC's recently revised guidance - urging even vaccinated people to wear masks in public indoor places, if they are in a high-transmission area - could dissuade vaccine skeptics from getting shots.
Gimenez said his own message on covid-19 is simple - "Get vaccinated" - but, like other GOP candidates, he said the virus is only one among many issues he intends to discuss. Many Republicans are continuing to focus mostly on inflation, immigration, and violent crime as they seek to depict a country descending into chaos under Biden.
"Economic fears driven by inflation and anxiety about rising crime are top of mind for voters, and voters blame Democrat policies as the root of the problem," asserts a previously unreported memo from the Congressional Leadership Fund, a PAC dedicated to helping Republicans recapture the House.
Yet Republicans are hardly invulnerable to criticism on the pandemic. Biden is trying urgently to get Americans to embrace the masks and vaccines that public health experts say are necessary to defeat the coronavirus, while many Republicans often dismiss those efforts, mock them or in some cases spread falsehoods about them.
It is GOP-led areas that generally have the highest proportion of unvaccinated people and are suffering most from the new surge; Florida is an epicenter, potentially posing political dangers for both DeSantis and Republican Sen. Marco Rubio, who face reelection next year.
One of the central questions looming over the midterms is whether Democrats can retain their grip over moderate swing voters, particularly in the suburbs, or whether Republicans will win them back. If these voters lose confidence in Biden's handling of the pandemic, it could dash Democrats' hopes of keeping their majorities. But if Republicans are seen as impeding the recovery, their pitch on other issues may not resonate with these voters.
The president and his aides, recognizing the stakes, have begun more aggressively emphasizing how much of latest outbreak is unfolding in Texas and Florida, both led by Republicans who have frequently boasted of disregarding federal health guidance.
Biden, in comments Friday, appeared to be test-driving a new message - that the country had soundly defeated the original coronavirus and will now do the same with the delta variant. It was a subtle but unmistakable reframing of the notion that the country simply failed to conquer the virus in the first place.
Strategists in both parties caution that the election is still 15 months away and that current developments could well be overshadowed later on. But for the moment, Democratic operatives are more worried than their GOP counterparts about the delta surge, since history shows that the party controlling Washington gets the credit or blame for what's happening in the country.
Beyond that, the president's party almost always gets walloped in the midterms, and a GOP advantage on redistricting has increased those odds further. Most Democrats, defending a tiny three-seat majority in the House and a 50-50 Senate, are bracing for a gloomy 2022.
But most of all, they know their fortunes are tied to Biden's success, and a central promise of his presidency has been a return to routine after the turbulence of the Trump era. "I heard someone say the other day that the three best words in the English language are 'back to normal,' " said Sen. Richard Blumenthal, D-Conn., who is up for reelection next year. "There is a real hunger for it."
For months, Americans gave Biden high marks for his handling of the pandemic, as shots went into arms at a fast clip, infections fell sharply and mask mandates and lockdowns were lifted. That helped boost his overall image, even as he received less-than-stellar marks on issues such as immigration and crime.
But now, the cornerstone of Biden's popularity is starting to erode. A recent Gallup poll showed his approval rating dropping to 50%, the lowest of his presidency. Gallup also found a stark shift in views on the pandemic, with the percentage of Americans saying it was getting worse rising and those saying it was getting better falling.
A Quinnipiac University survey showed Biden's approval rating on the pandemic, while still positive, dropping by double digits, and an Economist/YouGov poll showed a smaller dip.
The first six months of Biden's coronavirus strategy culminated in an in Independence Day celebration at the White House. "Today, we're closer than ever to declaring our independence from a deadly virus," the president declared that day, even as he warned that the virus had not been fully vanquished.
Republicans intend to use those words against Democrats in the midterms. "Part of the political challenge is the way that they spiked the football over the last few months," said Chris Hartline, communications director for the National Republican Senatorial Committee. "I think that will come back to bite them."
Biden began taking a more triumphal tone after allies urged him to emphasize that vaccinations and other health measures were producing real benefits. But it is not just Republicans who are taking issue with the administration's messages: A House Democrat, speaking on the condition of anonymity to be candid, used a profane term to describe the CDC as messed up and accused the White House of sending confusing signals by having to clarify some comments.
Jackson, the Senate candidate from North Carolina, agreed that communications were problematic. "We just need to make sure that everyone in the federal government is on the exact same sheet of music, because we know we're up against a whole lot of misinformation on the other side - and what that misinformation likes to do is find discrepancies," he said.
CDC spokeswoman Kristen Nordlund said the agency bases its public messaging solely on the best data.
"CDC makes decisions based on science, and we communicate the latest evidence and recommendations to the public as swiftly as possible to save lives and keep Americans safe," Nordlund said. "That's our focus and will continue to be, as we fight this historic and evolving pandemic."
White House officials said they have opened numerous lines of communication in an effort to provide coherent, current information on the pandemic, including biweekly calls with Capitol Hill, regular calls with governors and repeated efforts to educate the public and urge people to get vaccinated.
Tim Persico, executive director of the Democratic Congressional Campaign Committee, said Democratic candidates need to be more explicit in laying blame at the feet of Republicans.
"They should remind people or point out, like, 'Hey, Tennessee,'" said Persico, referring to a state where Republican legislators have been particularly aggressive in opposing vaccination campaigns. Perisco said the DCCC has conducted polling suggesting such a strategy could work in battleground areas.
But many Democrats fear that the worst of the resurgence - and the blame that could come their way - is yet to come. Some incumbents said they hear frequently from constituents about the need to get children back in schools without any unforeseen disruptions.
"I personally have a lot of concerns about where we're going to be this fall. I think it's imperative that we open schools," said Rep. Susan Wild, D-Pa., who might face a competitive reelection race.
She said she hopes children will not have to wear masks in school. But the CDC, in recently revised guidance, is now urging all students and teachers to mask up inside school buildings, regardless of their vaccination status.
White House officials have been underscoring the steps the government is taking to enable students to return safely. Education Secretary Miguel Cardona, speaking to reporters at the White House this past week, promoted a "Return to School Roadmap" and voiced confidence that schools could safely open this fall for in-person learning.
In some ways the debate is about who is acting to restore normalcy - and who is thwarting those efforts.
Biden recently urged Republican governors not to block school mask mandates and other precautions designed to minimize infections. "Please help," he said Tuesday. "But if you aren't going to help, at least get out of the way of the people who are trying to do the right thing."
DeSantis, a potential 2024 presidential candidate, hit back, warning the president to stay out of his state. He and other Republicans have stepped up their efforts to blame the covid-19 surge on the increase in migrants at the border, wagering that unhappiness with Biden's immigration policies will give such attacks more potency.
Some House Republicans are also now running on promises to curtail the CDC. "House GOP needs to make reforming and reining in the powers of the CDC one of our top priorities when we win back the majority next year," Rep. Jim Banks (R-Ind.) said in a recent tweet.
Operatives from both parties said voter attitudes will be determined most of all by the course of the outbreak in the months ahead, and whether the current spike feels like a speed bump on the road to recovery - or something worse.
On Friday, Biden said this surge does not detract from a victory that has already been won. "America can beat the delta variant," he said. "Just as we beat the original covid-19."
“Evangelio”significa “las buenas noticias”. Como dice Isaías capítulo 61 versículo 1: “EL espíritu del Señor Jehová es sobre mí, porque me ungió Jehová; hame enviado á predicar buenas nuevas á los abatidos, á vendar á los quebrantados de corazón, á publicar libertad á los cautivos, y á los presos abertura de la cárcel;” (Isaías 61:1).
Cuando menciona el Evangelio, podemos recordar 2 Corintios capítulo 1 versículo 10: “El cual nos libró y libra de tanta muerte; en el cual esperamos que aun nos librará;”(2 Corintios 1:10). De esta escritura, podemos ver que Dios ha salvado a la humanidad de la muerte tres veces. El Antiguo Testamento de la Biblia tiene registrado que la humanidad se enfrentó a la muerte después de ser corrompido por Satanás desde que Adán y Eva comieron el fruto del árbol del conocimiento del bien y del mal. Entonces Dios comenzó a hacer una obra para salvar a la humanidad, fue traído por Dios Jehová, la primera salvación para la humanidad. En aquel momento, los israelitas sólo podían hacerse cargo de las necesidades básicas de la vida, no sabían el conocimiento básico para la vida ni tampoco sabían qué clase de Dios era Jehová, y mucho menos cómo debían adorar a Dios. Si Dios no guiaba a la humanidad y todo el hombre habría adorado ídolos pero no adoraba a Dios y habria vivido en la promiscuidad y la corrupción pero no entendía la vida de la humanidad normal, así pues habría sido pisoteada por Satanás y castigado por Dios y toda la humanidad habría regresado a la nada. Así que después de que Dios usó a Moisés para guiar a los israelitas saliendo de Egipto, había promulgado Sus mandamientos y leyes a través de Moisés para guiar a la recién nacida raza humana viviendo en la tierra. Exigiendo que el hombre obedeciera estrictamente la ley y aprendiera cómo adorar y exaltar a Dios. Si Dios no hubiese promulgado Sus leyes y los mandamientos, el hombre no habría entendido cómo vivir. Los que obedecían la ley de Jehová tenían la bendición acompañada de Dios, si alguien violó a Dios, lo apedreaban a muerte y el fuego de Jehová lo golpeaba a uno. Por lo tanto, bajo la ley de los israelitas cumplieron estrictamente la ley y el santificado era el nombre de Jehová. Así que recibieron la bendición de Dios Jehová. Los israelitas también predicaron el evangelio de Dios Jehová a todas las naciones fuera de Israel, los que aceptaban el evangelio recibirán las bendiciones de Dios Jehová y los demás que no reciben el evangelio no las recibirán.
…
Fuente del artículo : https : / / www.jesucristo-es.org/sabes-que-es-el-evangelio.html
Recomendación :Caminando con Jesucristo
27 June 2014
Imago Anatopism
LEA10
Second Life
lindenarts.blogspot.com/2014/05/transitt-imago-anatopism....
Mimesis Monday
(Heidi Dahlsveen)
historieforteller.wordpress.com/tag/imago-anatopism/
Alpha Auer
(Elif Ayiter)
www.flickr.com/photos/alpha_auer/sets/72157644047392579
zikiquesti.blogspot.com/2014/05/transitt-imago-anatopism....
From the notecards:
“”
About Imago Anatopism:
The project tells the tale of Volund, a nordic, elf, a symbol following Joseph Campbell's "Hero with a Thousand Faces." Volund undergoes many persona changes during his travels in which he encounters several others that shape and transform him.
Stage 1: At the start of the tale Volund, a Norsk elf who is probably born on the edge of the world between Midgaard – the home of humans, and Utgaard – the home home of giants, is still a young boy who is taken by his father to a mountian where a tribe of dwarfs are to teach him the craft of blacksmithing.
At this early stage all Volund gets are the basics: Skin, shape, eyes and a pair of shoes.
Stage 2: This is the stage in which Volund is refuses the call to the adventure. He is still a timid boy who does not hear, or misinterprets the call or may even misuse the call since he is not yet mature enough to make his own decisions and only follows the decisions of others. All this leads to the murder of his father which makes Volund realise life's dangers and the magnitude of his task.
Symbolizing this blindness, at stage 2 Volund only gets a mask as an attachment.
Stage 3: Setting out on his adventure, Volund goes back to the mountain in order to learn further secrets of forging and the creation of magic tools from the dwarf. Such supernatural aids are both good and bad and once Volund puts on his magic belt and helmet he realizes that it is the dwarfs that killed his father. This makes them his enemy and he has a narrow escape as he leaves the mountain.
Thus, at stage 3 Volund gets a magic belt and helmet as two new attachments.
Stage 4: The idea of the entering another world is often symbolized by the belly of the whale. Volund is no different in this regard, and he throws himself into the ocean to float away to the unknown.
Thus, at stage 4 Volund gets a harpoon as a new attachment.
Stage 5: It is at this stage that Volund starts discovering his strength and power. He now has the ability to forge magic objects, such as life-like statues and wonderful weapons. It is at this stage that Volund meets a valkyrie (in this instance, a symbol for the concept of "goddess"), whom he first sees as a swan who is taking off her feathers in order to bathe in lake. Volund hides her feathers and makes her his first wife. However she leaves him at the end of 7 years when she finally finds her feathers and flees away.
"She is the mother, sister, mistress, bride," Campbell writes of the goddess. But she is also the death of of everything that dies. Campbell continues: "Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know."
At stage 5 Volund gets a big present that he gives to the goddess as an offering as a new attachment.
Stage 6: Volund gets 9 rings from the valkyrie, which is a symbol of union. However these ring are also things that he can measure his own forging up against.
Stage 7: Volund is now supposed to start his journey back home, with newly gained wisdom. However, he faces yet another obstacle through the king who tries to hinder Volund from leaving by crippling him.
Thus, unsurprisingly, at this stage Volund gets a cane. There are several versions of this with different poses.
Stage 8: Volund gets his revenge upon the king by raping his daughter.
To quote Campbell again: "And always, after the first thrills of getting under way, the adventure develops into a journey of darkness, horror, disgust and phantasmagoric fears."
And so, at this stage Volund gets a caged bird with which he can seduce the king's daughter.
Stage 9: Volund has now made the king's daughter pregnant. However, in order to ensure that his own son inherits the throne, Volund also takes the precaution of killing the king's two sons.
Thus, at this stage the new attachment that Volund gets is a sword.
Stage 10: We are now nearing the end of the story and Volund sits bird-like on a roof, and tells the king what has happend and what the future will be.
Stage 11: While Volund started his journey in the ocean his return home is through the sky. He forges himself a huge pair of wings with which he flies back home.
Stage 12: We have come to the end of the tale and Volund has finally returned home as a wiser, older man who now deserves to put on the shiled and mantle of the hero.
Campbell writes: ”The hero is the champion of things becoming, not of things become, because he is.” And later ”Having died to his personal ego, he arose again established in the Self”.
© Álbum 2487
By Catedrales e Iglesias
Arquidiócesis Primada de México
Parroquia de Nuestra Señora de Guadalupe
Sitio Oficial de la Parroquia
www.laguadalupita.org.mx/menu.html
Párroco: P. Ricardo Junius Sander
Vicaría: II Decanato; 3
Joaquín García No. 39
Col. San Rafael
Del. Cuauhtémoc
Tel. 5546-6974 y
Tel. 55359788
La Guadalupita,un templo que respira vida
Escrito por Mauricio Carmona R.
Parroquia de Nuestra Señora de Guadalupe
La Guadalupita, un templo que respira vida
La mancha urbana ocultó el templo, pero no el ánimo de los fieles.
El testimonio de los sacerdotes hace que la feligresía tenga “hambre de Dios”.
Mauricio Carmona R.
Entre las calles de la Colonia San Rafael, plagada de teatros y centros nocturnos, subsiste la iglesia de la “Guadalupita”, como lo llaman los vecinos. Y a pesar de que pareciera una zona cerrada a la Palabra de Dios, los sacerdotes y la comunidad han hecho ver lo contrario.
El templo
Image
Narra la historia que donde hoy se levanta el Palacio de Bellas Artes, vivió la familia Aguilar Reyes, católicos nobles y buenos, cuya vivienda desapareció luego de un terrible incendio. La madre había quedado atrapada en el interior de la casa, por lo que se encomendó a una imagen de la Guadalupana que se hallaba en la recámara; a cambio de salir con vida de esa catástrofe, le prometió a la Virgen un oratorio.
La Reina de los Cielos escuchó las súplicas, pues pronto un vecino tendió una escalera y otros más le ayudaron a descender hasta quedar a salvo. El fuego consumió todo, excepto el cuadro milagroso de la Santísima Virgen de Guadalupe.
Pasados algunos meses, la familia se dio a la tarea de construir una capilla a la Morenita en una propiedad de la naciente Colonia San Rafael. Viendo la devoción que los vecinos tenían a la imagen, pidieron permiso a la Sagrada Mitra para celebrar Misa todos los domingos en el pequeño recinto.
El Arzobispo de México, entonces Mons. Luis María Martínez, viendo la cantidad de fieles que acudían, decretó que la capilla fuera elevada a rango de parroquia, delegando el cuidado pastoral a los sacerdotes Misioneros Oblatos de María Inmaculada. Con grandes esfuerzos, el amplio y hermoso templo fue concluido y dedicado el 12 de octubre de 1954, con el nombre de “Iglesia de la Guadalupita”, convirtiéndose además en la casa madre de la orden.
La comunidad
A pesar del gran tamaño del templo, tanto en profundidad como en altura, la mancha urbana no cedió terreno y dejó casi invisible el recinto. Ni los enormes puentes del Circuito Interior ni los numerosos teatros y locales de la zona dejan ver con facilidad la iglesia.
Pese a ello, la comunidad no cede ante cualquier dificultad, y en verdad que las tiene. Las distintas calles que rodean el templo se han visto plagadas por centros nocturnos y pequeños “antros”, que han hecho de aquellos parajes una zona roja; incluso, parecía retador el hecho de que justo a las puertas de la parroquia se encontrara uno de estos bares. La comunión y solidaridad de los vecinos de la Guadalupita no se hizo esperar para resolver la situación y, después de largos acuerdos, se logró el cierre del establecimiento. El P. Ricardo Junius, párroco del lugar, nos comenta la satisfacción que siente por encontrarse en medio de una comunidad actuante.
“Pienso que somos una comunidad muy unida y con ganas de compartir nuestra fe”, explicó el sacerdote de origen estadounidense. “Estamos ansiosos de propagar con más devoción el Evangelio, sobre todo con los vecinos que llegan a los nuevos departamentos que han construido”. Y es que en los últimos años, la zona ha quedado repleta de condominios, generando con ello, más dificultades para transmitir el mensaje de Cristo.
La Pastoral
La iglesia de la Guadalupita ha quedado oculta por la mancha urbana, pero no ha sucedido lo mismo con el espíritu de trabajo de los fieles, el cual deja entrever el esfuerzo que han hecho los padres Oblatos en la actividad pastoral que se destaca.
“Muchas personas se han mudado a otras partes de la ciudad y algo que nos entusiasma es ver sus rostros cada domingo en Misa o en nuestros grupos parroquiales. Vienen desde lejos a su parroquia”, confesó el P. Ricardo.
El trabajo que han realizado los sacerdotes ha hecho eco en la comunidad. “Nos llena mucho ver a los padres trabajar desde muy temprano y hasta avanzada hora la noche”, comentó la señora Felicita, quien además explicó que “los sacerdotes nos han hecho sentir hambre de Dios y de Su Palabra ¿Y cómo no sentirlo al ver el testimonio y ejemplo de nuestros padres?”
Por ello, y a solicitud de la comunidad, iniciará un Curso de Evangelización a partir del 5 de febrero, fiesta de san Felipe de Jesús. “Será un curso muy completo donde se descubrirá a Cristo, paz y alegría permanente, y que logrará nuestro objetivo principal que es ser representantes vivos del Evangelio”.
Entre los proyectos de esta comunidad, cabe destacar también la creación de nuevos grupos parroquiales como son los ministros extraordinarios, equipo litúrgico, renovación carismática y un foro de debates sobre temas fuertes de interés para la Iglesia Católica”.
Finalmente, los fieles, como don Ramiro, no pierden la esperanza de que este hermoso templo pueda llegar a ser una basílica menor, puesto que el número de asistentes es grande y “tal vez a nuestra Madre le gustaría que esta casita suya también se considerara santuario de oración”
twitter.com/Memoire2citeil existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Catedrales e Iglesias
© Álbum S003
By Catedrales e Iglesias
Arquidiócesis de Xalapa
QUIERO AGRADECER AL PROFESOR ANDRÉS GUZMÁN OLMOS
causasdelossantos@live.com
DE LA OFICINA DE PROMOCIÓN PARA LAS CAUSAS DE LOS SANTOS DEL ARZOBISPADO DE XALAPA
LAS ATENCIÓNES RECIBIDAS EN MI VISITA
www.rafaelguizar.org/martindelcampo-html
San Rafael Guizar
Infancia y Educación
Rafael Guízar y Valencia nació en Cotija (Michoacán) el 26 de abril de 1878. Aprendió sus primeras letras en la escuela parroquial de su tierra natal y más tarde en un colegio jesuita en la Hacienda de San Simón de Cotija. Inició sus estudios eclesiásticos en el seminario de la diócesis de Zamora en 1894 y en junio de 1901 fue ordenado sacerdote en la catedral de Zamora.
Vida sacerdotal
Al poco tiempo de ser ordenado presbítero, acompañó al entonces obispo de Zamora, Mons. José María Cázares en las visitas pastorales a las poblaciones de su diócesis.
Durante las batallas de la Revolución mexicana, disfrazado de vendedor, actuó, de manera oculta, como sacerdote ayudando a los soldados moribundos y dándoles los auxilios espirituales de la Iglesia.
Luego de ser Director Espiritual y catedrático del Seminario de Zamora y canónigo de la Catedral, sufrió varios destierros por causa de la persecución religiosa que había en esos tiempos, y entre 1913 y 1919 viajó misionando a Cuba, Guatemala, Colombia y el Sur de los Estados Unidos.
Episcopado
Estando desterrado en Cuba, en agosto de 1919 fue preconizado 5º obispo de Veracruz por el Papa Benedicto XV, y el 30 de noviembre del mismo año recibió en la Habana, Cuba, la consagración episcopal.
Tomó posesión de su diócesis el 9 de enero de 1920 en la ciudad de Xalapa.
Durante su episcopado realizó varias misiones a prácticamente todas las parroquias de su territorio y luchó por su seminario, el cual mantuvo abierto, aún en contra de las leyes persecutorias.
Debido a dichas leyes, sufrío persecución y destierro ya siendo obispo, particularmente durante el conflicto de 1926 a 1929
Enfermedad y muerte
Afectado por diversas enfermedades (diabetes, flebitis, insuficiencia cardiaca y otros padecimientos) y estando desterrado de su diócesis, el 6 de junio de 1938 murió en la ciudad de México y su cuerpo trasladado a Xalapa, Veracruz, donde recibió sepultura. Al ser exhumado en 1950 se encontró su cadáver incorrupto y fue conducido a la Catedral de esa ciudad.
Beatificación
Beatificado en 1995 por el Papa Juan Pablo II, en sus imágenes figura con vestimenta e insignias episcopales.
En Roma, el padre Rafael González, vicepostulador de la causa, y los padres de Rafael de Jesús Barroso, el niño del milagro, asistieron a su beatificación.
Canonización
El domingo 15 de octubre del 2006 en la Ciudad del Vaticano fue canonizado por el papa Benedicto XVI el beato Rafael Guízar y Valencia, quien ha sido el primer obispo mexicano en ser declarado santo.
El Sumo Pontífice encabezó el rito mediante el cual se declaró nuevo santo al quinto obispo del estado de Veracruz, México, quien se convirtió en el santo número 30 de México, el país de hispanohablante con más católicos en Latinoamérica y que cuenta con 25 beatos (Beatos de México).
Rafael Guízar, junto a otros tres beatos, fueron elevados al honor de los altares
Se trata de Filippo Smaldone (1848-1923), presbítero y fundador de la Congregación de las Hermanas Salesianas de los Sagrados Corazones y Rosa Venerini (1656-1728), fundadora de la Congregación de las Maestras Pías Venerinas.
También la francesa Theodore Guérin (1798-1856), virgen y fundadora de la Congregación de las Hermanas de la Providencia de Santa María de los Bosques en Indiana, Estados Unidos, donde pasó gran parte de su vida.
El milagro por el cual fue canonizado Rafaél Guízar y Valencia ocurrió en el año 2002, cuando a la señora Valentina Santiago se le detectó, a través de un ultrasonido, una malformación en su embarazo.
Al conocer la noticia, la mujer pidió la intervención del santo mexicano. Tiempo después, el niño Rafael de Jesús Barroso nació sano y sin ninguna complicación.
La Comisión Médica, el 18 de mayo de 2005, comprobó la cura milagrosa del labio leporino que padecía el feto desde el seno materno a las 31 semanas de su gestación, y que no apareció en el niño recién nacido.
El congreso de los Teólogos Consultores, aprobó el milagro el 15 de noviembre de 2005, por lo que concedió el juicio resolutivo de curación completa y milagrosa, inexplicable científicamente.
Durante la ceremonia litúrgica 10 peregrinos mexicanos recibieron la comunión de manos del Papa Benedicto XVI. En la canonización también estuvieron presentes algunos obispos mexicanos, entre ellos los cardenales Norberto Rivera Carrera y Juan Sandoval Iñiguez. Y en la Ciudad de México, en la Basilica de Guadalupe Amelia Cristina Guízar sobrina nieta, asistió con el Coro Suizo de la Ciudad de México a compañar la misa. La noche del sábado 14 de octubre de 2006, en el zócalo de Xalapa y frente a la catedral donde yacieron los restos del santo, comenzó una vigilia de oración y verbena popular esperando la transmisión directa de la ceremonia desde Ciudad del Vaticano, que fue dada el domingo 15 de octubre de 2006.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
www.wga.hu/frames-e.html?/html/s/signorel/brizio/1/
www.youtube.com/watch?v=AdLjE0oMuDk
video.mail.ru/mail/richev42/3962/7279.html
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docs.google.com/file/d/0B5WZMlc4xl-8c3FTc1Qwc3pReWc/edit
en.wikipedia.org/wiki/Spiritual_materialism
en.wikipedia.org/wiki/German_idealism
en.wikipedia.org/wiki/World_view
en.wikipedia.org/wiki/Aleksey_Khomyakov
en.wikipedia.org/wiki/Vladimir_Solovyov_%28philosopher%29
archive.org/details/warprogressendof00solouoft
commons.wikimedia.org/wiki/File:Apocalypse_vasnetsov.jpg
en.wikipedia.org/wiki/The_Mysterious_Stranger
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en.wikipedia.org/wiki/Oedipus_Rex_%28film%29
www.youtube.com/watch?v=INpmVDj8uic
Oedipus, the King of Thebes: “Tiresias, I have sent for you. You are here! From you I’ll know all!”
Tiresias, the blind prophet: “How terrible is knowledge when knowing is useless to him who knows. I knew … but I preferred to forget. Otherwise I would not have let myself be brought here.”
Oedipus, the King of Thebes: “What frightens you?”
Tiresias, the blind prophet: “Let me go home. I beg you, hear me. The burden will be lighter for us both.”
Oedipus, the King of Thebes: “No. To speak to the city is your duty.”
Tiresias, the blind prophet: “Your words are of no use even to yourself.”
Oedipus, the King of Thebes: “Stay! You know. We all beseech you, my citizens and I.”
Tiresias, the blind prophet: “You’re mad. I won’t speak. I won’t reveal your ills.”
Oedipus, the King of Thebes: “You know and are silent? You want to ruin the city? You’re stone!”
Tiresias, the blind prophet: “You reproach me … you blame my nature … and you would not know the nature that is in you.”
Oedipus, the King of Thebes: “Those words are an offense … to King and city.”
Tiresias, the blind prophet: “Facts will speak even if I say nothing.”
Oedipus, the King of Thebes: “Therefore you must speak.”
Tiresias, the blind prophet: “I’ve said even too much … and be angry as you like.”
Oedipus, the King of Thebes: “Then I think this: you plotted the crime! Were you not … blind, you would have done it, with your hands! ”
Tiresias, the blind prophet: “This is what you think? Then I say: Obey your own ban, and beware … of remaining here in our midst. You’re the guilty one who infects … our land. You are the murderer you are seeking. And you do not know of your wicked bond … with the persons most dear. And you refuse to see the evil in yourself.”
Oedipus, the King of Thebes: “You will not escape your words unharmed.”
Tiresias, the blind prophet: “I am already safe. I have the truth on my side.”
Oedipus, the King of Thebes: “The truth for everyone but you with blind eyes, and mind!”
Tiresias, the blind prophet: “Unhappy man … You insult me … as everybody, in a short time, will insult you.”
Oedipus, the King of Thebes to a messenger/news-bringer who brought Tiresias: “Who’s responsible for these inventions, you or Creon? Oh, riches … Oh, power … what envy you arouse in this life! Thanks to the power I received as a gift … unasked for even the faithful Creon … wants to overthrow me. Creon, Yes, to take my place … sending this charlatan. This beggar, who sees if something is to be gained but is blind artfully.”
Tiresias, the blind prophet: “Even if you are the King … I can reply with your same frankness … if I wish. I am subject only to God. And since … before all, and in God’s presence you have mocked blindness and my old age here I say to you: You look … and do not see the shame and evil in which you are. Do you know … who gave you life? … that your kin, living and dead, curse you? One day you will see only darkness. How you’ll cry out then! … the day when you finally understand … how, and with whom, you were married, Son of Fortune!”
Oedipus, the King of Thebes: “So you address me? Go away. What are you waiting for? I won’t see you anymore! Or hear you!”
Tiresias, the blind prophet: “I’m here as you called me.”
Oedipus, the King of Thebes: “I’d never had done it! … if I had thought to hear such madness.”
Tiresias, the blind prophet: “This, you see, is our lot. We are mad, for you. We are wise, for those who begot you.”
Oedipus, the King of Thebes: “What do you mean? Who begot me?”
Tiresias, the blind prophet to a messenger/news-bringer who brought him: “Let us go … lead me.”
Oedipus, the King of Thebes: “Yes, get out and disappear …with my torment.”
Tiresias, the blind prophet: “I shall leave but when I have finished saying to you everything I have to say to you. Listen, listen … That man you are seeking with threats and orders is here, a foreigner as all believe … yet he is from Thebes. But he will not rejoice in this discovery because, having become a blind beggar he will go among foreign lands like me, wretched flute-player. It will be known … that he is at once brother and father of his children, son and husband of his mother. That he has lain … with the women who was his father’s. And that he … he alone, is his father’s murderer.
docs.google.com/file/d/0B5WZMlc4xl-8bXp4aXZyRjJCVVk/edit
Jesus Christ: I tell you the truth, it is hard for a rich man to enter the kingdom of heaven. Again I tell you, it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of heaven.
en.wikipedia.org/wiki/Rockefeller_Chapel
en.wikipedia.org/wiki/Steven_Clark_Rockefeller
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en.wikipedia.org/wiki/Edoardo_Agnelli
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en.wikipedia.org/wiki/David_Mayer_de_Rothschild
www.youtube.com/watch?v=BPwgOiNOSZs
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www.youtube.com/watch?v=VafZic-UM_Q
www.youtube.com/watch?v=OWgO9-AIROI
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en.wikipedia.org/wiki/Leszek_Ko%C5%82akowski
www.unz.org/Pub/Encounter-1981jan-00009
books.google.rs/books/about/Religion_if_there_is_no_God.h...
www.economist.com/node/14120114
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en.wikipedia.org/wiki/Deal_with_the_Devil
en.wikipedia.org/wiki/Sycophancy
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en.wikipedia.org/wiki/Ba%C5%A1_%C4%8Celik
en.wikipedia.org/wiki/The_Scarlet_Letter
en.wikipedia.org/wiki/Moby-Dick
en.wikipedia.org/wiki/Kali_%28demon%29
en.wikipedia.org/wiki/Mara_%28demon%29
en.wikipedia.org/wiki/Temptation_of_Christ
en.wikipedia.org/wiki/Frankenstein
en.wikipedia.org/wiki/The_Double_%28Fyodor_Dostoyevsky_no...
en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray
en.wikipedia.org/wiki/Strange_Case_of_Dr_Jekyll_and_Mr_Hyde
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en.wikipedia.org/wiki/Sam_Vaknin#Background
topdocumentaryfilms.com/i-psychopath/
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biblehub.com/john/7-7.htm: "The world cannot hate you, but it hates me because I testify that its works are evil."
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willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
www.decorobra.com/jardin-de-interior-vida-en-el-hogar.html
Decorar el interior de su hogar con zonas verdes, le dará a éste un aspecto deslumbrante. Las plantas siempre van a embellecer el espacio tanto interior como exterior. Las opciones para un jardín interno incluyen diferentes plantas disponibles, varios colores, tamaños, formas y flores.
Así como los árboles son fundamentales para la calidad del aire exterior, las plantas pueden ofrecer el mismo servicio para usted dentro de su casa. Al tomar el dióxido de carbono de la respiración humana, las plantas purificarán el ambiente. El embellecimiento de su espacio de vida y el cuidado de las plantas vivas lo llenará de paz y le otorgará notables beneficios a su salud.
Adornar tu hogar con plantas se puede hacer fácilmente con sólo unos pocos brotes que puede colocar en su living, su habitación y hasta en su cuarto de baño. Los costos de contenedores para jardín no tienen por qué ser exorbitantes y se puede aun así mantener el encanto con esta creativa forma de decorar. Incluso puede cultivar hortalizas o hierbas en contenedores para luego usarlos diariamente en sus recetas de cocina.
El error más común es invertir en ollas y recipientes caros para realzar la belleza de las plantas y la zona. Primero debe experimentar con accesorios mas sencillos hasta saber si sus plantas sobrevivirán o no.
Es bien sabido que la jardinería es un pasatiempo extraordinariamente relajante. Tener un jardín interior le dará el beneficio de calidez cuando ya haga demasiado frío afuera. La jardinería en el interior sólo está limitada por la cantidad de espacio que desee dedicar a ella en su casa. Otra ventaja de este recurso decorativo para interior es que usted puede decidir cuánto tiempo usted tiene o quiere dedicar al cuidado de las plantas. Si desea una planta que no le requiera tanto tiempo de regado y otros cuidados puede recurrir a variedades de cactus, o si desea el desafío de persuadir un árbol en flor, podría usted elegir una camelia.
Un jardín interior hace que su hogar sea sano, verde, hermoso y artístico.
Colocar luces interiores de jardinería en este espacio le brindará un aspecto más brillante y llamativo. De hecho, la luz interior de jardinería es una de los principales requerimientos para este tipo de espacios interiores. Así que debe seleccionar el tipo correcto de luces de jardín de acuerdo con lo que sus plantas requieran.
Si el espacio que usted posee es grande puede combinar una gran cantidad de especies así como otros importantes elementos tales como piedras, un farol, una fuente, arena, bancos, peceras y hasta alguna estatua, al más puro estilo zen.
[gallery link="file"]
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No hay nada más hermoso que tener un amor bonito, un amor del bueno que está contigo de manera incondicional. Y para esa persona que tanto amas hoy tenemos para ti una colección de imágenes de amor preciosas, precisas para dedicarle a la persona que te hace feliz. ¡Que las disfrutes!
Amor… Sé que siempre que lo necesite estarás para mí, que si estoy en problemas siempre estarás ahí. Cariño mío, siento que te debo tanto… tengo toda la vida para demostrarte que siempre estaré para ti, que tienes mi amor por siempre.
Amor… La gratitud que siento hacia ti es infinita como nuestro amor. Eres la persona que me motiva a luchar cada día por mis sueños y que me alienta cada vez que siento que ya no puedo más.
Amor mío… Siempre logras sorprenderme. Cuando siento que has hecho demasiado por mí siempre logras encontrar otra forma de demostrarme que me amas. Gracias, mi amor, le agradezco a Dios por haber puesto en mi vida a un hombre tan bueno como tú.
Amor… Quiero olvidarme del pasado y solo verte a ti, que eres mi presente y espero que también mi futuro. Cada día logras hacerme un poco más feliz y ese es motivo suficiente para amarte como te amo. Gracias por todos los momentos que hemos pasado juntos, espero con ansias vivir muchos más a tu lado.
Amor… Tú completas mi círculo de felicidad, contigo a mi lado no me falta nada más. Solo una persona especial faltaba en mi vida y esa persona eres tú. Gracias por todo el amor que tienes para mí, por demostrarme que la vida puede ser bella. Te amo.
Amor… Estoy completamente convencido de que nunca encontraré a alguien como tú, eres único y te agradezco por el amor maravilloso que me das.
Mi vida… Tú eres la persona que me hace sentir muy feliz y estoy muy agradecida porque en los momentos más difíciles de mi vida has estado a mi lado apoyándome en todo.
Amor… El día en que te conocí, mi vida cambió porque mi tristeza terminó porque con cada uno de tus detalles me haces sentir muy feliz.
Amor… De todo corazón te agradezco porque eres un hombre muy especial que ha llegado a mi vida en el momento exacto para enseñarme a ver el mundo de una manera distinta.
Mi vida… Estoy muy agradecida con la vida por haberte puesto en mi camino y contigo porque siempre me demuestras que tu corazón solo es mío.
Amor… Me alegra pensar que cada día que pasa, nuestro amor se hace más profundo y se fortalece con esos detalles lindos que siempre tienes conmigo.
Que cada una de las palabras de amor dichas en estas imágenes románticas sean para ti y tu pareja, o a esa persona que tienes al lado, el mejor motivo para sonreír. ¡Sigan adelante! y luchen siempre por su relación, porque al final, el amor siempre triunfa. ¡Hasta pronto!
El post 11 Imágenes románticas con frases para un amor bonito aparece primero en Imágenes de Amor.
11 Imágenes románticas con frases para un amor bonito | Mensajes de Amor, frases de amor para mi novio, imágenes bonitas de amor, imágenes con frases de amor, imágenes de amor, palabras de amor bonitas
Art for the Soul by Richard Lazzara
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www.tagworld.com/profile/RichardLazzara
www.meetup.com/members/7130906/
Vertical Artist Sites:
en.artoffer.com/richardlazzara
www.creativeshake.com/richardlazzara
shankargallery.deviantart.com/
www.humblevoice.com/richardlazzara
richardlazzara.artfaceoff.com/
community.ovationtv.com/shankargallery
www.behance.net/shankargallery
www.myartplot.com/users/richardlazzara/plot.mhtml
www.saatchi-gallery.co.uk/yourgallery/artist_profile/a/50...
www.myartspace.com/artistInfo.do?populatinglist=home&...
www.visionarygallery.com/artists/shankargallery/index.php/
dart.fine-art.com/dGallery.asp?i=10164
dart.fine-art.com/userprofile.asp?i=11582
www.etsy.com/profile.php?user_id=5050729
www.babelearte.it/tipoartista.asp?arid=357&lid=ita
www.mirolcentre.com/mirol/art/exhibition_richard_lazzara.htm
neemkarolibaba.com/component/option,com_weblinks/catid,61...
www.asianart.com/links/index.php?Temp=Search&IDs=35,2...
allartonline.com/A55A04/Painting-Gallery-Org.nsf/AW?Open&...
www.hometownartgallery.com/Gallery/ArtistView.aspx?Artist...
artlog.com/people/shankargallery
richardlazzara.artlogsites.com/
www.artlimited.net/member-profile.php?id=5477&lg=en
www.stylehive.com/person/shankargallery
www.subvertr.com/people/shankargallery/
www.subvertr.com/photos/shankargallery
Glass Bead Jewelry:
www.designshow.co.uk/shankargallery/302/
www.designshow.co.uk/shankargallery/307
Hire Me Painting Contractor:
www.contractors.com/profile/4941165
Bookmarking Sites:
clipmarks.com/clipper/shankargallery/
digg.com/users/richardlazzara/profile
www.platial.com/shankargallery
reddit.com/user/shankargallery/
shankargallery.stumbleupon.com/
www.blinklist.com/shankargallery/
technorati.com/profile/shankargallery
www.simpy.com/user/shankargallery
www.furl.net/members/shankargallery
www.shankargallery.pageflakes.com/shankar0
ma.gnolia.com/people/shankargallery/bookmarks
www.addthis.com/bookmark.php?pub=shankargallery&url=h...
www.itaggit.com/user/shankargallery
bzzster.com/users/shankargallery
Media Sites:
www.current.tv/community/people/shankargallery
www.youtube.com/profile?user=richardlazzara
www.youtube.com/richardlazzara
www.dailymotion.com/shankargallery
www.metacafe.com/f/channels/shankargallery/private/
www.pond5.com/artist/shankargallery
www.flixster.com/user/shankar11
www.veoh.com/users/shankargallery
www.flixya.com/user/shankargallery
www.flektor.com/user/view/shankargallery
Music Sites:
www.last.fm/user/shankargallery/
www.pandora.com/people/shankar
www.purevolume.com/listeners/shankargallery
odeo.com/profile/ShankarGalleryRichardLazzara
www.bittorrent.com/users/shankargallery
www.ilike.com/user/Richard_L199
www.reverbnation.com/venue/shankargallery
Books:
www.librarything.com/profile/shankargallery
www.librarything.com/catalog/shankargallery
www.shelfari.com/shankargallery
File Sharing:
My Page links @ shankar-gallery.com:
www.shankar-gallery.com/key_kover.html
www.shankar-gallery.com/key_kover_reg.html
www.shankar-gallery.com/key_kover_bulk.html
www.shankar-gallery.com/key_kover_leather.html
www.shankar-gallery.com/key_kover_wallets.html
www.shankar-gallery.com/yog.html
www.shankar-gallery.com/advaita.html
www.shankar-gallery.com/yantra.html
www.shankar-gallery.com/nada.html
www.shankar-gallery.com/kala.html
www.shankar-gallery.com/sumi-e.html
www.shankar-gallery.com/mandala.html
www.shankar-gallery.com/yatra.html
www.shankar-gallery.com/maha.html
www.shankar-gallery.com/lingam.html
www.shankar-gallery.com/link.html
www.shankar-gallery.com/contact.html
www.shankar-gallery.com/about.html
This work is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License
Entire contents copyright Shankar Gallery © 2009
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
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July 7, 2014 - Kearney Nebraska US
Prints Available...Click Here
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stock photography & non exclusive licensing...
Always good storm chasing stories to tell about my weather adventures in 2014.
Days right after my knee replacement... Home from the hospital & I definitely wasn't supposed to be out and about. Knee was almost in a cast and I wasn't supposed to be doing anything to aggravate the situation. Though my quest for severe weather never ends and I wasn't going to miss another possible chase especially when its in my backyard. This storm was going to be a photogenic monster... Decision was made & off I went.
Personal Note *** On the original set Back in 2014 I had use the free Avery photo editor here Flickr and it wasn't the best but I had no prior knowledge of editing them back then. Only shot in .jpg format and I didn't do the best by over coloring and over saturation. Was very under experienced in photo editing back then.
Another epic set of thunderstorm captures from South Central Nebraska remastered through Lightroom and Photoshop. Though I paid for it with my knee just being replaced. I was super sore and the swelling was unreal a few days after this event. All worth it when it comes to what epic views I caught storm chasing on that particular day!
#ForeverChasing
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A little HTML email piece that was just completed for an upcoming internal event here at Simmons. Mad props to Shaun for a good part of the inspiration on this. I'm loving that folded paper banner look.
Best viewed at the original size
Any thoughts, suggestions and such are, as always, welcome and much appreciated.
General Election, Benjasiri Park Polling Station, Khlong Toei.
Bloke eyes up the election official....
- - - - -
Thais Must Be Allowed To Vote Thailand Risks Becoming a Third Rate Democracy
Editorial. Financial Times.
February 3, 2014.
www.ft.com/intl/cms/s/0/f04779ea-8cce-11e3-ad57-00144feab...
The way things normally work in a second-rate democracy is that, come election time, the incumbent administration prevents a free and fair election. In Thailand, which is fast sinking from second to third rate status, it is the opposition that has done its utmost to scupper the democratic process.
Sadly, the elections held last weekend will do little, if anything, to end the debilitating impasse into which Thai politics has fallen. Not only did the opposition, led by former deputy prime minister Suthep Thaugsuban, boycott the polls – which was just about its right. It also prevented many other people from voting – which was not. As a result, the poll was disrupted in 11 per cent of electoral districts. Voters were prevented from exercising their right with the threat of violence. Such are the thuggish tactics normally employed by dictatorships, not by self-professed representatives of the people.
In the northeast, stronghold of self-exiled Thaksin Shinawatra, the former prime minister, voting went on as normal. The disruption, though, makes it impossible to tally the votes without holding further by-elections. It also means the government will not be able to convene parliament since fewer than the 95 per cent of seats required by Thai law have been filled.
This is not only bad for Thai democracy, it is also bad for the economy. Thai investors have been pulling money out of equities for several months. Tourist numbers have suffered. Consumer and business sentiment have plummeted. The power vacuum could persist for months, meaning it will be impossible for the government to implement a coherent fiscal policy. That puts all the onus on the central bank, which may be forced to cut rates. In an period of Fed tapering, that could leave the currency vulnerable. The economy, originally predicted to grow at 4.5 per cent this year, may struggle to hit 3 per cent.
A succession of governments loyal to Mr Thaksin, who is now resident mainly in Dubai, are far from blameless. The government of Yingluck Shinawatra blundered badly when it tried to enact legislation that would have exonerated her brother of past crimes and paved the way for his return. Its rice-subsidy programme was ill-conceived, too.
Still, if we are apportioning blame, the opposition is much more at fault. Having failed to win an election in more than 20 years, it seems determined to tear up democracy itself. It accuses Ms Yingluck’s government of bribing the electorate. If by that it means paying people to vote on polling day, it should prove those allegations in court. If, rather, it means using the levers of government to reward supporters with rice subsidies or cheap health plans then this is to misunderstand the nature of democracy. Winners of elections reward their supporters. If the policies are bad for the nation, the opposition should contest them in parliament – not in the streets. That is how democracy is supposed to work.
The election commission has been rightly perceived as too keen to declare the elections impossible to hold. Given the forceful turnout in districts where the opposition could not prevent a vote, it is now incumbent on the commission to conclude the poll as swiftly as possible. The courts should not politicise the electoral process and the army should stay in its barracks.
The opposition should also drop its unworkable demands for an unelected council to run the country. If it persists in blocking the democratic process, all that remains is a military coup or a legal putsch. That, one suspects, is precisely what it is hoping for. If that happened, government loyalists, who have mostly shown restraint during the latest crisis, would likely take to the streets themselves. That way lies ruin.
Feb. 6, 2009. Published at Urban Sketchers dot com.
Fred Lynch —flickr name: DrawingViterbo— is the chair of the Illustration Department at Montserrat College of Art in Beverly, Mass., just outside Boston. He also teaches at Rhode Island School of Design and is an accomplished oil painter. Gabi Campanario asked him about his sketches and the summer program for students he conducts in Viterbo, an Italian city about 60 miles north of Rome.
How did the idea of drawing and documenting Viterbo come about?
Montserrat has been taking art students and enthusiasts to Viterbo, Italy, for many years to study landscape painting and photography as well as art history and journal writing. The director of the summer program asked if I'd like to create a drawing course … and I jumped at the chance. That's when I came up with the course "Journalistic Drawing in Italy."
Throughout history artists were valued correspondents for every publication that featured visuals. They recorded visions of wars, foreign lands and historic events. Paul Hogarth, the great British illustrator, wrote well of the history of this genre in his book, The Artist as Reporter. But, until recently, it seemed that the value of on-site, journalistic drawing had been decreasing, losing prominence in the editorial world to photography.
Now I see that eyewitness drawing appears to be enjoying a renaissance, particularly online with blogs, websites and image sharing sites such as Flickr. Urban Sketchers is certainly a great example. My class in Italy aims to discuss the history and contemporary trends of sketchbooks and visual journalism and to use Viterbo as the subject (and inspiration) for visual essays and observational sketches.
How is Viterbo like? How is it like to sketch there with your students?
Viterbo is a small ancient city, with a population of about 60,000. The old part of the city is contained in walls that were constructed in the 11th and 12th centuries. The city is both old (with a wonderfully preserved Medieval Quarter) and new, with modern shopping, fashions and lifestyle. What makes Viterbo particularly great for us is that it is off the beaten path of tourism. As visitors, we get a pure Italian experience and have no competition for interesting sites.
Students draw constantly throughout the month long trip, both in and out of class. They are encouraged to act as sponges soaking up everything and wringing it out in their sketchbooks! They visit Rome, the Mediterranean and Florence with their sketchbooks. In a foreign place, one’s senses are heightened and almost everything is interesting to draw. We talk about how we need to take that quality of seeing back home to our own ordinary lives.
Tell us about your process and technique. How long do you spend on each drawing. Why is it important to caption them with exact time and date?
Ordinarily, I'm an oil painter, working slowly and making many corrections and changes. But when I sketch, the focus is on the moment and on the place.
Because light changes as the sun crosses the sky, I work as quickly as I can (shadows move quickly in the city). I want very much to finish the work on-sight in one sitting. Each drawing ends up taking about an hour to complete. At the end of the drawing, I write the time and the address of the spot where I am. I don't revisit the works later. The work represents its point in time, an eyewitness account.
I currently sketch with either ink (Windsor Newton, nut brown) or black ballpoint pen. The ink drawings are washes and are created with brushes and ink watered down to start and darkened as I go. From time to time, I'll paint with watercolors from a small Windsor Newton travel kit. I work in a Moleskine watercolor sketchbook or on a small, 7x10" Arches watercolor block (hot pressed). Pencils, erasers, a quill pen, a rag, a big water bottle and sunblock are essential supplies too!
Each sketch starts with a 10-minute inspirational light pencil drawing to interpret the scene, followed by 50 minutes of perspiration. I work the entire surface from the general to the specific and from the light to the dark. While I strive to capture the scene as I see it (to get it "right"), I'm not all afraid to impose my personality to the works and to be comfortable with the work’s overall lack of finish. Each and every time I sit and draw I wonder if it will work out in the end. Happily it almost always does and I usually feel satisfied in the end. That said, I don't love all of my drawings and I wish to push myself further each time I work, which is easier said than done! I’m never comfortable. I'm drawn to the difficult, I guess.
• Drawing Viterbo on Flickr.
• Drawing Viterbo students' blog.
• Fred Lynch's website.
Missed Vidya Balan in Dedh Ishqiya, confesses Arshad Warsi! - www.bolegaindia.com/gossips/Missed_Vidya_Balan_in_Dedh_Is...
This was shot for the Strobist Lighting 102 homework 3.3: balancing flash with ambient exposure indoors.
Lighting information in the image.
-----
Often, when indoors, a room will be lit relatively dimly. For that reason, using a strobe to illuminate your subject with the desired quality and quantity of light will often leave your background much darker than you want if you shoot anywhere near your camera's maximum sync speed.
Of course, you often won't want a background this heavily underexposed.
An elegant solution in many cases is simply to raise your exposure time. The background exposure will increase; but the subject exposure will stay pretty constant, it being mostly from the flash, which fires for only a small fraction of a second. That's especially true, as in the above composite image, where the ambient light in the room is coming from behind your subject.
The above image is a simple demonstration of the principle in question, rather than an attempt to make an interesting photo. (If I get time...)
This is all great for still objects. One obvious problem, though, is the risk of subject motion blur as you increase your exposure time, which leads to an obvious question: Why not just light the background with more strobes?
That's fine in a studio, but there are various instances where this might not work. For example:
1) When you don't have the time to set a bunch of equipment up.
2) When your subject is in a large space that would require an enormous amount of equipment and preparation to illuminate.
3) When an unplanned photo opportunity comes up, so you have to make do with the minimum of equipment.
Needless to say, this technique might not work for restless children and the like. It's not going to freeze motion like 1/1250s will. But remember that if your background is receiving sufficiently more ambient than your subject, or if your subject is pretty much still, the firing of the strobe can freeze a small amount of subject motion.
Conveniently, this ties in with a recent Strobist post about the most powerful light in your bag: your tripod. The point is that with a firm base for your camera, you can increase your exposure time sufficiently to let in all the ambient light you need for your background.
This also reminds me of perhaps my favorite Strobist post (I need to start reading more than one lighting website!), which warns you not to use your strobes just because you can, since there are plenty of situations when ambient light would do an equally good or even a better job.
Picking a Winner: How to Make the U.S. a Leader in the Clean Energy Economy
To watch the video, click here: www.americanprogress.org/events/2010/03/apollo.html
Thursday, March 4, 2010
In his State of the Union speech, President Obama said, "I do not accept second place for the United States of America." But the truth is that when it comes to the clean energy economy, the United States isn’t even coming in second. Amidst growing concerns about clean-energy jobs going overseas, this conference will discuss what it will take for the U.S. to regain its competitiveness in the global clean energy economy.
The Apollo Alliance and Center for American Progress will bring together policymakers, academics, business and labor leaders, and other experts to discuss what policies will support the United States in becoming not only a consumer of clean-energy technologies but also a leading producer of them.
9:00 - 10:00 a.m.: Opening Remarks:
Phil Angelides, Chairman, Apollo Alliance
John Podesta, President and Chief Executive Officer, Center for American Progress
For a transcript click here.
10:00 - 11:15 a.m.: The American Clean Energy Economy in 2020: What Should It Look Like and How Can We Get There?
Rob Atkinson, President, Information Technology and Innovation Foundation
Bob Borosage, President, Institute for America's Future
Peter Brehm, Vice President of Business Development and Government Relations, Infinia Corporation
Kathleen McGinty, Former Secretary, Pennsylvania Department of Environmental Protection
Moderated by:
Susan McGinnis, Managing Editor and Anchor, Clean Skies News
For a transcript click here.
11:30 - 12:15 p.m.: Keynote Speeches: Perspectives from House and Senate Champions on How to Grow a Thriving and Globally Competitive Clean Energy Economy
Senator Debbie Stabenow (D-MI)
For a transcript click here.
Congressman Jay Inslee (D-WA)
For a transcript click here.
Introduced by:
Cathy Calfo, Executive Director, Apollo Alliance
1:00 - 2:30 p.m.: The U.S. and the World: What Are Other Countries Doing and What Could the U.S. Do?
Thea Lee, Deputy Chief of Staff, AFL-CIO
Leo Hindery, Chair of the U.S. Economy/Smart Globalization Initiative, New America Foundation
Julian Wong, Senior Policy Analyst, Center for American Progress
Joan Fitzgerald, author of Emerald Cities: Urban Sustainability and Economic Development
Moderated by:
Bracken Hendricks, Senior Fellow, Center for American Progress
For a transcript click here.
2:45 - 4:15 p.m.: Educating the Clean Energy Workforce of the Future
Keynote speach:
William Spriggs, Assistent Secretary for Policy, US Department of Labor
For a transcript click here.
Andy Levin, Chief Workforce Officer, State of Michigan
Louis Soares, Director of the Postsecondary Education Program, Center for American Progress
Van Jones, Senior Fellow, Center for American Progress; Founder, Green For All
Joel Rogers, Director, Center on Wisconsin Strategy
Moderated by:
Kate Gordon, Vice President for Energy Policy, Center for American Progress
For a transcript click here.
4:15 - 5:00 p.m.: Making America A Winner in the Clean Energy Economy
Jared Bernstein, Chief Economist and Economic Policy Advisor to Vice President Joseph Biden
Phil Angelides, Chairman, Apollo Alliance
For a transcript click here.
el.kingdomsalvation.org/age-of-kingdom-age-of-word.html
Ο Θεός λέει:«Στην Εποχή της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να αναγγείλει μια νέα εποχή, να αλλάξει τα μέσα του έργου Του και να επιτελέσει το έργο όλης της εποχής. Αυτή είναι η θεμελιώδης αρχή, σύμφωνα με την οποία ο Θεός εργάζεται στην Εποχή του Λόγου. Ενσαρκώθηκε για να μιλήσει από διαφορετικές οπτικές γωνίες, επιτρέποντας στον άνθρωπο να δει αληθινά τον Θεό, ο οποίος είναι ο Λόγος που εμφανίζεται στη σάρκα, και η σοφία και το θαύμα Του. Αυτό το έργο επιτελείται ώστε να επιτύχει πιο καλύτερα τους στόχους της κατάκτησης του ανθρώπου, της τελείωσης του ανθρώπου και της εξόντωσης του ανθρώπου. Αυτό είναι το πραγματικό νόημα της χρήσης του λόγου για την επιτέλεση του έργου στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος καταφέρνει να γνωρίσει το έργο του Θεού, τη διάθεση του Θεού, την ουσία του ανθρώπου και σε τι οφείλει να εισέλθει ο άνθρωπος. Μέσω του λόγου, ολοκληρώνεται το σύνολο του έργου που ο Θεός επιθυμεί να επιτελέσει στην Εποχή του Λόγου. Μέσω του λόγου, ο άνθρωπος αποκαλύπτεται, αποκλείεται και δοκιμάζεται. Ο άνθρωπος έχει δει τον λόγο, έχει ακούσει τον λόγο και έχει επίγνωση της ύπαρξης του λόγου. Ως αποτέλεσμα, ο άνθρωπος πιστεύει στην ύπαρξη του Θεού. Ο άνθρωπος πιστεύει στην παντοδυναμία και τη σοφία του Θεού, καθώς και στην καρδιά του Θεού που είναι γεμάτη αγάπη για τον άνθρωπο, και στην επιθυμία Του να σώσει τον άνθρωπο. Μολονότι η λέξη «λόγος» είναι απλή και συνηθισμένη, ο λόγος που προέρχεται από το στόμα του ενσαρκωμένου Θεού συγκλονίζει ολόκληρο το σύμπαν. Ο λόγος Του μεταμορφώνει την καρδιά του ανθρώπου, τις αντιλήψεις και την παλαιά διάθεση του ανθρώπου, καθώς και την παλαιά εμφάνιση ολόκληρου του κόσμου. Μέσα από τις διάφορες εποχές, μόνο ο Θεός της σημερινής εποχής εργάζεται κατ’ αυτόν τον τρόπο, και μόνο Αυτός μιλά και σώζει τον άνθρωπο κατ’ αυτόν τον τρόπο. Εφεξής, ο άνθρωπος ζει υπό την καθοδήγηση του λόγου, ποιμαίνεται και εφοδιάζεται από τον λόγο. Ζει στον κόσμο του λόγου, ζει μέσα στο ανάθεμα και τις ευλογίες του λόγου του Θεού και υπάρχουν ακόμα περισσότεροι άνθρωποι που ζουν υπό την κρίση και την παίδευση του λόγου. Αυτός ο λόγος και αυτό το έργο είναι όλα χάριν της σωτηρίας του ανθρώπου, την επίτευξη του θελήματος του Θεού και την αλλαγή της αρχικής εμφάνισης του κόσμου της παλαιάς δημιουργίας. Ο Θεός δημιούργησε τον κόσμο με τον λόγο, οδηγεί τους ανθρώπους σε όλο το σύμπαν με τον λόγο, κατακτά και τους σώζει με τον λόγο. Εν τέλει, θα χρησιμοποιήσει τον λόγο για να θέσει τέλος σε ολόκληρο τον παλαιό κόσμο. Μόνο τότε θα ολοκληρωθεί πλήρως το σχέδιο διαχείρισης. Καθ’ όλη τη διάρκεια της Εποχής της Βασιλείας, ο Θεός χρησιμοποιεί τον λόγο για να επιτελέσει το έργο Του και να επιτύχει τα αποτελέσματα του έργου Του. Δεν κάνει τερατουργίες ούτε κάνει θαύματα. Απλώς επιτελεί το έργο Του μέσω του λόγου. Εξαιτίας του λόγου, ο άνθρωπος τρέφεται και εφοδιάζεται. Εξαιτίας του λόγου, ο άνθρωπος κερδίζει τη γνώση και την αληθινή εμπειρία. Ο άνθρωπος στην Εποχή του Λόγου έχει πράγματι λάβει εξαιρετικές ευλογίες. Ο άνθρωπος δεν υποφέρει από πόνους της σάρκας και απλώς απολαμβάνει την πλούσια προσφορά του λόγου του Θεού. Δεν χρειάζεται να αναζητήσει ή να ταξιδέψει, και βλέπει με άνεση την εμφάνιση του Θεού, Τον ακούει να μιλάει προσωπικά, λαμβάνει την προσφορά Του και να Τον βλέπει προσωπικά να επιτελεί το έργο Του. Ο άνθρωπος στο παρελθόν δεν ήταν σε θέση να τα απολαύσει αυτά, και δεν θα μπορούσε ποτέ να λάβει αυτές τις ευλογίες....»
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Εισαγωγή
σύσταση：Αγία Γραφή
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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www.adi-munandar.blogspot.com/2012/02/solusi-desain-arsit.... Tiap orang mengharapkan kelegaan pada tiap rumahnya. kelegaan berupa pandangan visual pada suatu ruang sehingga terasa tidak sumpek. Pemisahan antar ruang dengan dinding yang masif membuat ruang jadi kecil.
Devider aquarium ini sangat tepat dirasakan untuk ruang yang luas namun perlu ada pemisahan ruang. Pemisah ruangan pada ruang tamu & ruang keluarga dengan menghadirkan aquarium yg terbungkus dalam mebel & kombinasi kolom kayu, batu & kaca
Temukanlah solusi desain arsitek pada pembatas ruang tamu & Living room pada rumah di Graha Family Surabaya ini. Hubungan ruang yang diharapkan pemilik rumah mengharapkan hubungan ruang yang intim. Jadi antara ruang tamu dan ruang keluarga tetap terjalin hubungan visual yang nyaman. Pada interior ruang tamu kali ini mengangkat elemen hobi atau kesukaan memelihara hewan untuk dijadikan media sebagai pembatas ruang.
Hobi pemilik rumah menjadi tema interior ruang tamu. Hobi memelihara hewan berupa ikan dapat menjadi elemen pembatas ruang. Elemen interior yang dapat ditampilkan pada Solusi desain arsitek pada pembatas ruang tamu & Living room kali ini berupa aquarium. Aquarium dijadikan vocal point pada desain ruang tamu.
Sedangkan desain Aquarium yang akan disajikan juga didesain khusus sehingga dapat menunjang keindahan interior ruang. Aquarium dikemas dengan desain khusus berupa furniture. Furniture aquarium didominasi penggunaan material furniture berupa kayu berfinishing PU / melamin. Aquarium berbahan dasar kaca sebagai elemen transparant di interior ruang tamu ini. Penggunaan material kaca juga diulangi yang diletakkan diantara deretan kolom kayu.
Hadirnya unsur alam berupa furniture aquarium pada ruangan dapat melembutkan dan menetralkan beragam elemen yang ditampilkan di pembatas ruang ini. Unsur alam berupa finishing batu melengkapi tema hobi memelihara hewan dari pemilik rumah. Dapatkan Solusi Arsitek untuk rumah tinggal & interior rumah anda di 031-70433570 / 0852-30308464. Adi Munandar & Associate | Konsultan Arsitek Surabaya.
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.Description
This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]
This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :
A name of Color
A name of most soothing weather
A name of flowery days
and Most Interesting season here in Bangladesh ]
This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,
The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,
The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,
Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]
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Here is the amazing Keyif Pension i stayed in Antalya. I would highly recommend Keyif Pension for all backpackers, like me :). You can even book your hostel online from Turkey Hostels. Cheers !
CRITICAL RUN IS A DEBATING FORMAT
www.emergencyrooms.org/criticalrun.html
THE 28/03/2012 we debate
IS NAVIGATION A TREAT ?
CAN ART BE CURATED BY A PHONE ?
"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH
The App store has taken over state institutions like staten museum for kunst
Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .
but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts
is forgetting an active state
is beeing guided a state of apathy .
( i heard once at a DR- news conference that people need to be guided because they are stupid )
should we debate those issues together before to jump
Is the role of the national museum to promotte compagnies that some would also consider as global threat ?
the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )
we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )
every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win
The Critical Run is in collaboration with BAZART and Critical Run
www.emergencyrooms.org/criticalrun.html
this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .
if you like to be one of the global critical run organisateur please contact : 1@colonel.dk
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and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )
library.nothingness.org/articles/SI/en/display/2
CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk
A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .
HOW IT WORKS .
A DIFFICULT QUESTION INDEED ....
the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions
.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)
THE DELEGATION :
Saied Masoudian
Neringa Abrutyte
Rene Victor Valqui Vidal
Marina Testa Pedersen
Diallo Ibrahima Sory
Pero Pivas
Branka Pivas Onofri
Faranak Sohi
Marcelo Lerer
Maher Khatib
Shohreh Shahrzad
Antonieta Medeiros Urioste
Maia Hauser
Åsmund Boye Kverneland
Thomas Fleurquin
Victor Monchamp
Ada Ortega Camara
Tijana Miskovic
Ginka Rinkova
Thierry Geoffroy
Elizabeth Löwe Hunter
Maja Spangsberg Jakobsen
Juan Fernando Lope
thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy
I have not invited Katrina personally for Jackpot's premiere, says Kaizad Gustad! - www.bolegaindia.com/gossips/I_have_not_invited_Katrina_pe...
Believed to be in Public Domain. From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Public Domain. Additional source description and credit info from the Library of Congress:
TITLE: Hennessy Leroyle's Other people's money from Hoyt's Theater, New York : by E.O. Towne.
CALL NUMBER: POS - TH - 1900 .O85, no. 1 (C size) [P&P]
REPRODUCTION NUMBER: _ _ _ _ _
RIGHTS INFORMATION: No known restrictions on publication.
MEDIUM: 1 print (poster) : lithograph, b&w ; 70 x 106 cm.
CREATED/PUBLISHED: Cincinnati ; New York : U.S. Printing Co., c1900.
CREATOR:
U.S. Printing Co.
RELATED NAMES:
Leroyle, Hennessy.
Towne, E. O. (Edward Owings), b. 1869.
Russell-Morgan Print.
NOTES:
Created and "copyright, 1900, by The U.S. Printing Co, Russell-Morgan Print, Cincinnati & New York."
Caption: Excitement on the "Board of Trade" "Hopper" proclaimed "King of the Wheat Pit."
No. 3290.
SUBJECTS:
Stock exchanges.
Commodity exchanges.
Crowds.
Excitement.
Comedies.
FORMAT:
Theatrical posters American.
Lithographs.
OTHER TITLE:
Other people's money.
PART OF: Theatrical Poster Collection (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
DIGITAL ID: (digital file from intermediary roll copy film) var 1343 hdl.loc.gov/loc.pnp/var.1343
CONTROL #: var1994001355/PP
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
PAKET WISATA BANDUNG DARI Bekasi, Jawa Barat KE TRANS STUDIO BANDUNG KLIK DISINI lembangtour.com/paket-wisata-bandung-bekasi-jawa-barat-ke...
Paket Wisata TRANS STUDIO BANDUNG Dari Bekasi, Jawa Barat
Paket Wisata TRANS STUDIO BANDUNG Bekasi, Jawa Barat ke TRANS STUDIO BANDUNG adalah program liburan , rekreasi, wisata dan tour traveling ke TRANS STUDIO BANDUNG dari Ibu kota Bekasi, Jawa Barat
Paket Wisata TRANS STUDIO BANDUNG dari Bekasi, Jawa Barat ini butuh waktu sekitar 2 hari. Dimana start pemberangkatan dari Bekasi, Jawa Barat pada malam hari. Tiba di TRANS STUDIO BANDUNG pada pagi hari
Harga Tiket Masuk TRANS STUDIO BANDUNG Terbaru 2016
Berikut Ini Adalah Daftar HARGA TRANS STUDIO BANDUNG.
Berlaku untuk Siswa, Mahasiswa, Guru, Dosen, dan praktisi pendidikan serta pendamping siswa
CATATAN:
mahasiswa diwajibkan untuk mengenakan jas almamater atau memperlihatkan ID /KTM yang masih berlaku.
Gathering guru /dosen melampirkan Srt Keterangan dari pihak instansi.
HTM Rp. 145.000,-/orang (min. 100 pax/group) Berlaku di weekdays
Sudah termasuk :
Tiket masuk Trans Studio Bandung
1 (satu) Paket Edutainment (hanya untuk group min. 100 pax)
Sertifikat per group (berdasarkan modul yg diambil)
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Pilihan Modul Edutainment : Fun with Science – Get into Broadcast – How to build a Spectaculer Show (Behind The Stage) – Go with My Team (Team Building) – What will I be (various professions in the theme park)
*)Fun Science Report (bagi yang mengambil modul Science) dapat dibeli seharga Rp. 10.000,00 /buku
Pilihan Ekskursi (Bidang) : Information Technology – Theme Park Business Management – Marketing Communication – HSE (Health Safety Environment) – Engineering (Rides Maintenance)
HTM Dan PROMO TRANS STUDIO BANDUNG Terbaru 2016
tahun 2016 Trans Studio Bandung :
HTM Publish Weekdays (Senin-Jumat)
Rp. 170.000,-
HTM Publish Weekends (Sabtu – Minggu & Public Holiday Long Weekend)
Rp. 270.000,-
HTM Rp. 270.000,-/orang (min. 100 pax/group) Berlaku di weekend /holiday season
Sudah termasuk :
Tiket masuk Trans Studio Bandung
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Serang, Banten 19. Samarinda, Kalimantan Timur 18. Denpasar, Bali 17. Padang, Sumatera Barat 16. Malang, Jawa Timur 15. Bandar Lampung, Lampung 14. Pekanbaru, Riau 13. Batam, Kepulauan Riau 12. Bogor, Jawa Barat 11. Tangerang Selatan, Banten 10. Makassar, Sulawesi Selatan 9. Palembang, Sumatera Selatan 8. Semarang, Jawa Tengah 7. Depok, Jawa Barat 6. Tangerang, Banten 5. Medan, Sumatera Utara 4. Bekasi, Jawa Barat 3. Bandung, Jawa Barat 2. Surabaya, Jawa Timur 1. Jakarta, DKI JakartaS
Alamat dan Tiket Masuk Trans Studio Bandung – Sudah tahu tentang Trans Studio Bandung dan apakah anda sedang berencana pergi kesini dalam waktu dekat ? Apakah anda merasa kesulitan dalam mencari informasi dan mengetikannya di google ‘Trans Studio bandung alamat ‘ ? Buat anda yang masih ragu daripada kesasar menuju trans studio bandung lebih baik anda menggunakan jasa Lembang Tour yang memberikan berbagai paket wisata murah, selain itu anda juga akan diceritakan mengenai sejarah dan asal usul seputar trans studio bandung oleh guide.
Hal itu sangat mudah dan tidak perlu lagi susah payah mencarinya di berbagai sumber. Dimanakah tempat TRANS STUDIO BANDUNG ini ? dan berapa harga tiket masuk Trans Studio Bandung ? Serahkan semua urusan anda kepada Lembang Tour dan duduklah dengan rapih. Jika sekarang anda sedang berada di luar Bandung, segera beranjaklah dan pesan tiket masuk ke TRANS STUDIO BANDUNG melalui Lembang Tour sekarang juga dan berbelanjalah dengan puas disana. Jangan sampai anda kehabisan tiket dan kecewa dengan rencana yang sudah anda siapkan
Paket Wisata Ke Trans Studio Bandung – Tak salah lagi memang Bandung merupakan kota yang difavoritkan banyak keluarga untuk menghabiskan liburan karena Bandung mempunyai banyak tempat asik untuk dijadikan sarana pelepas penat dan stress yang melanda. Salah satu tempat wisata menarik untuk dikunjungi adalah wisata ke trans studio bandung yang tentunya sudah dikenal masyarakat Indonesia secara luas. Untuk anda yang ingin praktis dan tak perlu repot merencakan liburan ke Trans Studio Bandung maka ada baiknya anda menghubungi Lembang Tour untuk dibuatkan paket wisata trans studio bandung, terutama bagi anda yang berasal dari luar kota maka Lembang Tour dapat mengatur segala fasilitas yang anda butuhkan selama berlibur di Bandung mulai dari penginapan, tempat makan, dll.
Yang tentu saja bisa disesuaikan dengan keinginan anda. Tahukah anda bahwa Trans Studio Bandung menyajikan banyak wahana spektakuler dan menantang, berani ?. Wahana permainan disini patut anda coba, terutama untuk anak-anak sangat senang bila diajak kesini. Segera luangkan waktu anda untuk pergi ke wisata trans studio bandung. Banyak yang bisa dilakukan disini, selain bermain, keluargapun bisa belajar dari segala apapun yang ada di tempat wisata ini. jadi segeralah ajak keluarga anda untuk bermain dan belajar disana.
Lembang Tour. Merupakan layanan reservasi online paket wisata di TRANS STUDIO BANDUNG. Menyediakan paket wisata TRANS STUDIO BANDUNG, Paket Wisata Kota BANDUNG ,Paket Wisata BANDUNG ATAU TRANS STUDIO BANDUNG, Wisata Kawah PUTIH, Wisata BANDUNG, Paket Arung Jeram Rafting BANDUNG, wisata Pulau BATU CINTA, wisata alam, wisata pendidikan, wisata sejarah, trekking Adventure, wisata out bond BANDUNG, eco tourism, event organizer, paket meeting dan sebagainya.
Wisata TRANS STUDIO BANDUNG telah di dukung dengan Staf yang profesional dan berpengalaman di bidangnya. Keramahan dan rasa kekeluargaan kami junjung tinggi dan Lembang Tour utamakan dalam melayani setiap client kami. Maka Lembang Tour dengan percaya diri bisa memberikan pelayanan yang memuaskan dan terbaik untuk liburan wisata anda di TRANS STUDIO BANDUNG
Wisata TRANS STUDIO BANDUNG, merupakan layanan informasi dan penginapan sekitar Kota BANDUNG, Hotel di BANDUNG, Hotel di LEMBANG, BANDUNG Hotel, Hotel DI BANDUNG. Lembang Tour juga melayani reservasi booking Hotel di atas dan menyediakan voucher kamar Hotel sesuai permintaan anda.
Selain melayani Paket wisata BANDUNG dan Jawa BARAT Wisata BANDUNG UTARA BANDUNG SELATAN juga menyediakan sewa berbagai macam jenis kendaraan mobil, Elf dan Bus wisata serta transportasi lainnya untuk kenyamanan perjalanan wisata Anda.Dan tentunya dengan transportasi terbaru, aman dan terawat.
TRANS STUDIO BANDUNG Indoor Theme Park adalah yang terbesar kedua di Indonesia setelah Makassar. TRANS STUDIO BANDUNG lebih spektakuler dan lebih kuat daripada yang ada Trans Studio Makassar membuat TRANS STUDIO BANDUNG, tidak hanya di Indonesia tetapi juga di dunia.
TRANS STUDIO BANDUNG beroperasi 20 pertandingan hiburan dan berbagai bentuk hiburan yang tersedia di 3 daerah dengan tema yang berbeda dan unik. Para pengunjung dapat merasakan bagaimana menjadi seorang bintang di depan kamera serta orang – orang di belakang layar dari acara – TRANS acara TV favorit dan TRANS 7, seperti yang lain, Roaming. Si Bolang, dan banyak wahana seru lainnya.
Bandung TRANS STUDIO BANDUNG Theme Park
Selamat datang di dunia penuh keajaiban yang khusus diciptakan untuk Anda. Membawa impian Anda menjadi kenyataan, dan Anda bias untuk bertemu langsung dengan karakter idola. Nikmati 20 wahana permainan menawarkan hiburan menantang dan menarik dengan gaya Broadway yang terkenal.
Studio Central
Hollywood terkenal! Kawasan Hollywood di depan mata Anda. Pergi melalui daerah dan tanah liat ini artis yang di Walk of Fame? Anda akan dimanjakan dengan gaya Hollywood arsitektur 60-an. Anda sebagai negara melangkah di pusat hiburan. Cari bintang favorit Anda juga seperti Merlyn Monroe, Elvis Presley, Michael Jackson, dll
Lost City
Mempersiapkan diri untuk sebuah petualangan! Di daerah ini Anda akan bepergian besar. Simpan kru Trans TV di ekspedisi, memasuki safari jejak hutan. Semua petualangan menarik menjadi bagian dari eksplorasi Anda. Jelajahi Lost City!
Magic Corner
Wonders dimulai dari sini. Sentuhan magis yang akan memukau perjalanan Anda. Anda akan hanyut dalam arti sihir di zona ini. Suasana magis akan mempesona Anda segera dan membuat Anda begitu yakin hal-hal ajaib yang terjadi di sini. Satu – satunya tempat yang penuh keajaiban dan petualangan menarik dan menakjubkan
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visite en photos de la guadeloupe, des saintes, de la désirade et de Marie Galante
photo de Guadeloupe voyage, travel photographer Guadeloupe, photo Guadeloupe FRANCE
guadeloupe, désirade, plage, beach, island, rhp, antilles, gwada, vacances, soleil, mer, Deshaies, guadeloupe, gite, location, blue, Marie Galante, Saintes, caraibe, caribbean, domtom, papillon, karukera, ka, ile, les saintes, archipel, caribbe, sun, guadeloupe sunset, bleu, sunrise guadeloupe, location guadeloupe, guadeloupe écotourisme, tourisme guadeloupe, gites guadeloupe, Rhum
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visite en photos de la guadeloupe, des saintes, de la désirade et de Marie Galante
"Photos antilles" "photo antilles" "photos guadeloupe" Guadeloupe rhp0.perso.neuf.fr/ www.voyage-antilles-guadeloupe.com/ marie-galante désirade "ilet caret" "visite caret" "les saintes" deshaies "marie galante" "location guadeloupe" "voyage guadeloupe" rhp0.perso.neuf.fr/diapomariegalante.html rhp0.perso.neuf.fr/diapograndeterre.html rhp0.perso.neuf.fr/diapobasseterre.html rhp0.perso.neuf.fr/diapodesirade.html rhp0.perso.neuf.fr/diapocaret.html rhp0.perso.neuf.fr/diapolessaintes.html "voyages guadeloupe" "voyages antilles" "voyage antilles" "guadeloupe travel" "plongée guadeloupe" "plongée deshaies" "plongée les saintes" "sec paté" "plongée sous marine" "petite-terre" "visite petite terre" "excursion petite terre" "rhum guadeloupe" "visite mangrove" lezarde guadeloupe rhp0.perso.neuf.fr/ deshaies désirade plage beach island rhp antilles gwada vacances soleil mer gite location MarieGalante Saintes caraibe caribean domtom papillon karukera ka ile lessaintes archipel caribbe sun
photo de Guadeloupe voyage, travel photographer Guadeloupe, photo Guadeloupe FRANCE
guadeloupe, désirade, plage, beach, island, rhp, antilles, gwada, vacances, soleil, mer, Deshaies, guadeloupe, gite, location, blue, Marie Galante, Saintes, caraibe, caribbean, domtom, papillon, karukera, ka, ile, les saintes, archipel, caribbe, sun, guadeloupe sunset, bleu, sunrise guadeloupe, location guadeloupe, guadeloupe écotourisme, tourisme guadeloupe, gites guadeloupe, Rhum
The last few days have been a flurry of activity with building on the river and wet lands. But, in between I have gone to a bunch of new places and back to some of my favorite venues.
Xavier & I love to salsa. So we did a search and wham, we found >Latin Palace Dance Club. Couples were dancing in dressy attire to wonderful salsa music. Wearing a tuxedo without a shirt and me in a short cocktail dress, it so reminded Xavier & me of Miami clubs.
A stopover at Organica to catch the last hour of DJ Qee's set woke us up with a nice psy jolt! So good to hear Qee's dynamic sounds and see old friends.
A brand new club called Fear FM sent me a tp. I got to meet owner/builder Cypher Webb. Beautifully built by Cypher, he was also spinning an awesome set of hardstyle and goth rock. I had a blast there. Cypher is also recruiting DJ's so peeps, give him a shout!
It was so late on Thursday night (Fri morn?) that I just had to stop off and say hi to DJ Xavi at The Cave. Owner Tasty Hax was there, too. I run into her at every party!
Friday afternoon, I got a tp from one of the builders. I ended up at Blackhearts 80's club. I love the funkiness of this club. So simple. It feels like a rock n roll club. Halloween was coming and the Pillsbury Dough Boy showed up! LOL!
Late night, and Xavier & I headed for DJ Nebulae's set at Piranha. Xavi loves this club. He set his JMD Effects hud on and we were in psy heaven. We always have fun at Shad's club!
In between all the craziness, I hit New Berlin's Electro Smog. Gee... I can't seem to get enough of this place. Zap Hax was hosting and DJ djleftydc Denja was spinning a sweet set of tunes.
Another new place I landed upon was Le Ghetto Hype. This is a fun club of alternative and eclectic tunes. Owner DJ Frederick Neberle & partner ARNAUD Mureaux have built a wonderful place to hang.
Off to Divaz Lounge! DJ 8wall Wrigglesworth just sent me a tp! OMG, 8wall is spinning at Divaz.
I met 8wall at Dance Island last year and then over at Nutrie. He spins a very chill set of house and minimal tunes.
But, the highlight of my night was at Old Factory listening to DJ Jeangilles Anthony. This frenchman is an artist. Beautiful industrial noise layered with a hardstyle beat... then transcending into experimental music... psychedelic experimental noise. LOL! and I fell asleep there... just couldn't leave!
Late night on Friday, Xavier and I ended up at DJ Digital Francis' Le Pardis de Digital Nation. It was an after party and Digi was spinning. Xavi & Digi started a "stump me" game. I think Digital was very impressed with Xavier's musical knowledge. They bro-downed the entire night leaving me and DJ Snowkitty dumbfounded... 'cause neither of us knew any of the tunes. LOL! I think Xavier has a new favorite dj now!
See more:
www.launchphotography.com/GRAIL.html
For the final time from historic Complex 17, the oldest active pad at Cape Canaveral, a Delta 2 rocket, itself the last one from Florida and next-to-last planned Delta 2 overall, sends NASA's twin GRAIL spacecraft on a mission to orbit the moon. The rocket flew in the Heavy configuration with slightly larger solid rocket boosters than a normal Delta 2, for the sixth time. Once arriving on New Years Eve, 2011, after a long low-energy spiral outward from Earth, the GRAIL probes will spend three months studying the moon's gravity, thermal properties and the makeup of its interior.
It was the final launch from Complex 17, which saw is first launch in January 1957 with the Thor IRBM, the predecessor to Delta. Then in 1960, on the first Delta mission, Echo 1, the world's first communications satellite, was launched. And in the six decades since, countless scientific probes such as Mars Pathfinder, Spirit & Opportunity, Phoenix, Genesis, Stardust and many more, plus dozens of GPS satellites and others, all launched from these twin launch pads, A & B.