View allAll Photos Tagged HTML
Source: www.autoworldmuseum.com/about.html
Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.
William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.
Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.
After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.
The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.
Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.
inspirati☼nal readings: LL☼YD KAHN
===============================================
Newsletter: Longest Table - Axis Mundi - Speaking Right Campaign
30 September: The Longest Table ever in Doel
Wednesday 30 September will be the very last day that people who rent a house in Doel are (officially) allowed to stay in the village. After that day, only 13 house owners will be left behind in a village that may fall prey to thiefs, vandals and other crooks.
Doel artist Denise Aerts, however, is not to be discouraged and invites everybody to come to Doel on Wednesday, 30 September to jointly compose the longest table that has ever been in the streets of the village and celebrate a symbolic "Last Supper" in Doel.
One detail: since there are no more facilities in the village, everybody has to bring his or her own (camping) table and a bag with food and beverages.... Denise and her friends will make sure there is music and a nice atmosphere.
The building of the table starts as of 14 hrs and the supper will begin around 18 hrs.
Denise urgently appeals on all sympathizers and people who do not want the village to disappear to join her symbolic Last Supper in Doel
on 30 September
Organiser: Denise Aerts (more info: denise.aerts@hotmail.com, 0485/180990)
17 October, 15 hrs: Installation of Ruigoord/ABG "axis Mundi" in Doel
On Saturday, 17 October, the Amsterdams Balloon Society from Ruigoord (Amsterdam) will come to Doel for the festive inauguration of the local Axis Mundi, a joint project by artists from Doel and Ruigoord.
Everybody is cordially invited to join the Axis Mundi festivities on 17 October 2009 at 15 hrs off the police office in Doel (Pastorijstraat).
Petition for Speaking Right in the Flemish Parliament
After three weeks more than 6,000 people have already signed our plea to obtain the right to speak about the future of Doel in the Flemish Parliament.
More pictures about the launch of this action >>>
Other important data for your agenda:
Poetry events:
15 Oct (Hopsack, Antwerp)
10 Nov (Boekenbeurs, Antwerp)
http://www.kunstdoel.net/nl/newsletter-longest-table-axis-mundi-speaking-right-campaign
===========================================
Het is duidelijk dat er plannen zijn voor het dorpje Doel, deelgemeente van Beveren.
Eerst was er sprake van een tweede dok.maar inmiddels heeft de kerncentrale voor de nodige bescherming van dit polderdorp gezorgd.
Dan was er sprake van het dorp op te hogen met 22 meter zand en zou het dienst doen als containerpark, sorry, maar er was geld voor de belgische kassa en véél werkgelegenheid beloofd!
Uiteindelijk werden huizen in puin gelegd is het dorp verlaten op een 100-tal inwoners na, en ……… wat was het plan ook alweer?
Er is géén plan!!!!
Op 1 oktober moeten de laatste huurders hun woningen ontruimd hebben en zullen de laatste 13 eigenaars van privé-woningen netjes achtergelaten worden temidden van een slagveld van dieven, vandalen en rovers.
GROOTS MANIFEST- kunstenproject en FEEST IN DOEL
30 september vanaf 14 uur
DE LANGSTE TAFEL
IN DE STRATEN VAN DOEL
BRENG MEE: TAFEL, STOEL EN GOED GEVULDE FRIGOBOX
OM 14UUR BEGINNEN WE MET HET OPSTELLEN VAN DE TAFELS IN HET MIDDEN VAN DE STRATEN VAN DOEL, OPGEPAST ER ZAL 10.000 MAN ZIJN DUS DAT VERGT WAT ORGANISATIE.
INMIDDELS ZORGEN WIJ VOOR DE AMBIANCE,
OM KLOKSLAG 18UUR GAAN WE SAMEN AAN TAFEL EN VIEREN WIJ SAMEN
“ HET LAATSTE AVONDMAAL”
ZORG DAT OOK JIJ ERBIJ BENT EN KOM DAN NIET ZOZEER OM DOEL TE REDDEN MAAR REDT JE EIGEN HUIS EN TUIN!!
WANT STRAKS ZIJN WIJ DAT LOGISTIEKE CENTRUM VAN EUROPA, DAT STUKJE AUTOSNELWEG TUSSEN AMSTERDAM EN PARIJS !
HOEVEEL LANGE WAPPERS ZAL DE INDUSTRIE NOG ROND ONZE OREN KLETSEN DENK JE? WAAR STAAT DAN JOUW HUIS EN WAAR LIGT DAN JOUW TUIIN?
Bij deze ben jij ook uitgenodigd op de feest!
KUNSTENPROJECT:
ALLE FOTOGRAFEN TER LAND EN IN DE LUCHT, ALLE FILMPLOEGEN, KUNNEN TIJDENS DE HAPPENING HUN HART OPHALEN .
IEDER KAN WERK INSTUREN ,VAN DE BESTE INZENDINGEN WORDT EEN COMPELATIE GEMAAKT VAN FOTO’S EN FILMMATERIAAL.
DEZE WERKEN ZULLEN ALS EEN REIZENDE TENTOONSTELLING DE WERELD RONDREIZEN!!!
Om het project meer kracht bij te zetten zoeken we mensen die op 30/09 vanaf 14 uur muziek willen maken, goochelaars, steltenlopers,… tegen den donkere vuurspuwers, kampvuurmeesters iedereen figurant!!!
Je kan het zo gek niet bedenken, iedereen komt vrijblijvend, zonder verplichtingen. Kom en doe je ding!
PIETJE DE LEUGENAAR?!!!
DE KUNSTENAARS VAN DOEL INSIDE EN DOEL OUTSIDE??
Denise Aerts
zie ☼☼k: schaaflicht.wordpress.com/2009/09/14/denise-aerts-nodigt-...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
latest news: schaaflicht.wordpress.com/category/d%e2%98%bcel
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
the neverending story of doebiedoebiedoebieD☼EL on F☼T☼
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Verdrag van Ruigoord en Doel
Wij, vrij scheppende geesten uit Ruigoord en Doel, verbinden ons tot psychonautische samenwerking met als doel: De Verenigde Staten Van De Geest.
-Partijen verlenen gastvrijheid aan elkaars consulaten en afgezanten.
-Partijen streven naar één wereldcentrum als biotoop voor de Gesammtkunst voor reizigers van de geest, door de wereldas in alle mogelijke richtingen zichtbaar te maken.
Getekend op 09-08-2009 te Ruigoord,
Herman J.Claeys, Rudolph Stokvis, Sabine Gillis (Consul van Doel), Fabiola, Frank Vranckx (slö), Gerben Hellinga, Ulrich Van Spitael, Hans Plomp, Willem A. Plugge, Emerson Riel (afgevaardigde Odjibwe-Canada), Lila Cavaleiro, Frans Vlinderman, Roos Nienhuis (namens Montje Joling en de kinderen van Ruigoord), Dirk de Boeck, Eelco Doorn, Paul Vincent, Peter van den Gracht, Erwin van Massenhove, Maarten van der Horst, Jan Bianchi, Carmen de Canne, Harun Wolf Trepte, Erwin Raeves, Herbie, Banks, Britt Marie Lindgren, Frank van den Steen, David Frank, Olga Pederson, Max Perron, Max van de Jool, Paul van Goudoever, Aja Waalwijk
http://schaaflicht.wordpress.com/2009/08/17/verdrag-van-ruigoord-en-doel-09-08-2009
YouTube - ons D☼EL = DOEL ONGEHAVEND*
☼
as captured by Harun Wolf Trepte
========================================
De verenigde actiegroepen Doel moeten 15.000 handtekeningen verzamelen om spreekrecht in het Vlaams Parlement te kunnen afdwingen. Volgens de reglementering moeten deze handtekeningen, om geldig te zijn, op papieren formulieren ingezameld worden. We hebben de 15.000 handtekeningen snel nodig, de stemming over het gewestplan Doel zou nog dit najaar plaatsvinden.
Help ons door de formulieren te verspreiden binnen uw vereniging of kenissenkring. De ingevulde formulieren kunnen teruggestuurd worden naar Doelbewoonster Frie Lauwers, haar adres staat op het formulier.
Download petitieformulier hier >>>
Voor wie onmogelijk op papier kan ondertekenen, hebben we ook een eenvoudige petitie online gezet. Ademloos vzw kreeg "spreekgunst" in het parlement met ongeveer 50/50 electronische en papieren handtekeningen. Wij weten echter uit ervaring dat Doel op niet veel clementie vanwege de overheid kan rekenen...
Doorlinken naar meer info over online petitie >>>
----------------------------------------------------
*☼*☼*☼*☼*
Online Dresses - Sidney Mini Dress by Black Halo. 100% silk charmeuse v-neck halter top over a stretch suede mini skirt with center back invisible zipper and slash pocket details. Get this stylish dress at Black Halo's online clothing store, www.blackhalo.com/dresses/
www.decorobra.com/cortinas-romanas-un-estilo-unico.html
Ya no tendrá que elegir entre el ambiente cálido y lujoso de unas cortinas hermosas o las ventajas prácticas de una persiana. La tela de las cortinas romanas combina ambos beneficios en un formato único. Hecha de pliegues suavemente contorneados de buenas telas, los tejidos de cortinas romanas están diseñados para cubrir la más amplia gama de aplicaciones y preferencias individuales.
Las cortinas romanas incorporan la elegancia de los pliegues de tela, para explicarlo con claridad y sencillez, es una cortina que se pliega sobre sí misma de una manera vertical, pero el resultado es mucho más distinguido y estético que otras coberturas de ventanas. Es innegable que las cortinas romanas crean un ambiente cálido y acogedor, y esa es la razón principal por la cual son cada vez más apreciadas en la decoración interior.
Otra ventaja importante es que la tela se puede quitar y lavar fácilmente.
Este tipo de cortinas son también utilizables en diferentes condiciones. Lugares ideales para las cortinas romanas son las salas de estar, habitaciones familiares y dormitorios. Además de ser muy útiles en los hogares también pueden ser de gran uso en los restaurantes donde proporcionan una decoración funcional. Sin embargo, ya que están fabricadas con tejido no se recomienda para uso en espacios muy húmedos como el baño o la cocina, donde se impregnan de olores.
Dependiendo del tipo de material utilizado las cortinas romanas tienen varias funciones:
-Bloquear o filtrar la luz natural que entra en la sala
-Proporcionar protección contra la luz solar perjudicial para muebles, alfombras y otros artículos
-Proteger la privacidad de las personas en la casa
-Decorar y dar personalidad a la sala
[gallery link="file"]
Ce texte de présentation est écrit à partir du catalogue du Musée Egizio (musée d’égyptologie de Turin), en vente sur le site de la boutique (Museo Egizio [Français]) :
shop.museoegizio.it/index.php/libri-e-cataloghi/libri-in-...
Le site du musée montre quelques photos :
dominiqueartis.fr/le-musee-egyptologique-de-turin/
Mon album Flickr sur la collection Égypte du Musée du Louvre est ici :
www.flickr.com/photos/cvalette/albums/72157627371742222
Photos 1_ : Histoire du Musée, Galerie des Rois (salles 1 et 14)
L’histoire du Musée Egizio à Turin commence par l’achat par l’Italie, en 1823 pour la somme exorbitante de 400 000 livres piémontaises, de la collection Drovetti. La France avait renoncé. L’italien Drovetti, d’abord au service de Bonaparte lors de l’expédition d’Egypte en 1718, entre en contact avec Méhémet Ali et rassemble une très riche et scientifiquement très intéressante collection de grandes statues, de sarcophages, de stèles, de papyrus etc. L’intérêt pour ce sujet s’est considérablement renforcé avec la publication de la “Description de l’Égypte” par l’équipe scientifique de Bonaparte. Champollion, qui vient de déchiffrer les hiéroglyphes de la Pierre de Rosette, rejoint Turin en 1824 pour étudier et traduire les nombreuses inscriptions réunies au musée. Il déchiffre le Canon Royal, papyrus qui établit dans l'ordre chronologique la liste des souverains égyptiens (photos 1_45 à 1_48). Il restaure une magnifique statue de Ramsès II (photos 1_07 à 1_14) et prend la défense de la qualité artistique de cet art face aux canons culturels dominants, qui ne jurent que par les statues grecques. Champollion souligne la virtuosité du rendu fluide du tissu (photo 1_07), et explique que l’aspect statique et conventionnel des attitudes tient à une méprise sur la fonction de cet art, qui doit se comprendre comme un discours, et non pas comme une représentation. La stylisation qui fonde le discours peut distordre la représentation, comme le montre cette statue du dieu Ptah dont la position assise conduit à plier le sceptre en trois (photo 1_35, comparée à 1_34). Le martelage, assez souvent pratiqué, se remarque sur la grande statue de Séthi II (5m de haut) : l'inscription est martelée (photo 1_19) pour effacer le hiéroglyphe du Dieu Seth, souvent considéré comme hostile (1er caractère du cartouche de droite, lecture de gauche à droite). Le Livre des Morts d’Iuefankh (photos 1_27 à 1_29), paryrus de l’Époque Ptolémaïque retrouvé complet, permet de découvrir la quasi-totalité des rites de sépulture. Y sont illustrées la scène de la pesée du cœur, qui se doit d’être plus léger que la plume de Maat (photo 1_27) et les scènes des travaux des champs (registre médian de droite à gauche : labourage, semailles, moisson des épis, fabrication des pains, photo 1_28). Le musée grossit avec une seconde collection Drovetti, encore plus intéressante que la première, puis avec les remarquables apports de Schiaparelli à partir de 1894 : fouilles d’Héliopolis (entre1903 et 1906), de Giza (1903), d’Assiout (entre 1906 et 1913), de la Vallée des Reines (entre 1903 et 1905), de Deir el-Médina (entre 1905 et 1908), de Gebelein (entre 1910 et 1920), d’Assouan (1914). Deux tombes inviolées sont découvertes à Gebelein, celle d’Iti et Neferu comprenant une chapelle décorée de fresques en bon état. Le ratissage méthodique des restes du village des artisans à Deir el-Médina conduit finalement à la découverte de la tombe inviolé de Kha et Merit : la profusion de leurs objets familiers, dont certains intimes comme le linge de corps (photo 4_12) ou une perruque (photo 4_06) nous permet d’entrer dans la vie des Égyptiens.
Photos 2_ : de la Période Prédynastique au Moyen Empire, tombe d’Iti et Néférou (salles 2 à 5)
De l’époque Nagada date le corps d’un homme adulte momifié de façon naturelle dans le sable (photo 2_01 de la reconstitution de sa tombe), ainsi qu’un morceau de toile trouvé à Gebelein montrant une procession de barques (2_10). Une houe et une faucille datent de l’Ancien Empire (photos 2_11 et 2_12), l’Égypte du sud et celle du nord étant désormais réunies sous la direction d’un seul souverain. La Princesse Redji (photos 2_18 à 2_20) est la fille d’un roi de la IIIe dynastie. Une autre statue montre le Surintendant des travaux royaux Iteti (photos 2_28 à 2_30). On remarque deux tuniques plissées (très rares, photos 2_23 et 2_24). Passant de la salle 2 à la salle 3 on découvre la Tombe des inconnus à Gebelein : une momie dans une tombe inviolée (photo 2_31) et la reconstitution de la tombe (photos 2_32 à 2_39). On admire ensuite les peintures a tempera (fresques utilisant du jaune d’œuf comme liant) de la tombe d’Iti (“Chef des troupes” et “Trésorier du roi”) et de son épouse Néférou (squelette d’une femme, probablement Néférou, photo 2_40). Ces fresques ornaient une série de salles semi-rupestres et un couloir. On voit charger un bateau (photo 2_41), remplir des silos pendant que des gazelles mangent dans des bacs (photo 6470), abattre un bovidé (photos 2_43 à 2_45). Dans la salle 4, les fouilles livrent un abondant mobilier (photos 2_32 à 2_57), notamment des barques funéraires miniatures (photos 2_37 et 2_56) et des petits personnages préparant des pains (photos 2_53 à 2_55). Il faut noter que l’œil oudjat sur la paroi extérieure de la cuve (photo 2_50) est toujours situé du côté tête de la momie (photos 2_49 et 2_35 à 2_36). La stèle funéraire d’Iti a été retrouvée lors des fouilles (photo 2_59). L’hippopotame, animal dangereux, est neutralisé au moyen de figurines en faïence bleue (photo 2_65). Dans la salle 5, le vizir Iymérou (XIIIe dynastie) est représenté (photo 2_67) les bras en attitude de prière, avec le collier shenpou emblématique de sa fonction. Il semble que sa tête, ici, aurait été rajoutée sur une statue empruntée. La statue colossale du Gouverneur Ouahka (photo 2_68) a été retrouvée au fond d’un puits.
Photos 3_ : Nouvel Empire, Deir el-Médina (salles 5 et 6)
Toujours salle 5, Âanen, deuxième Prêtre d’Amon, beau-frère d’Amenotep III, est représenté, selon la coutume, par cette statue légèrement moins grande que la taille réelle. Il porte une peau de léopard décorée d’étoiles, tête de la bête en évidence : c’est le signe d’appartenance à un haut rang (photo 3_01). Hapou était 3e Prêtre Lecteur d’Amon sous Thoutmosis II. Sa statue (photo 3_02) est ici adossée à une stèle. La statue de la Dame Hel (dame littéralement “femme de maison”, photo 3_04), collection Drovetti, illustre bien ce qu’est une statue de chapelle d’une tombe de dignitaire. La coutume était d’enfouir le corps et d’ériger en surface une chapelle destinée à recueillir les offrandes faites au défunt. On admire le cercueil de Pouia (Thèbes, XVIIIe dynastie, photo 3_10), on note un oushebti (serviteur miniature à l’effigie du défunt) de Usehat, scribe d’Amon (photo 3_11), des pots à onguent en albâtre de Djehouti (règne de Toutmosis III, photo 3_12), la couverture du sarcophage de Djehoutym et une vasque votive à têtes d’Hathor (photos 3_14 et 3_15).
Salle 6, on remarque une statue en bois d’un Porte-étendard provenant de Deir el-Médina (photo 3_16), et le naos de l’artisan Kasa (photo 3_17), trouvé dans sa tombe : au premier registre, Kasa et son épouse apportent des offrandes à Khnoum, Satet et Ânouqet (triade d’Éléphantine), au second registre, Kasa et son épouse reçoivent des offrandes, chaque pilier porte une tête d’Hathor. Pour mémoire, le naos d’un temple est la pièce ultime, au fond du temple, qui contient la statue du dieu. Les artisans du village de Deir el-Médina, réalisateurs des tombes royales de la Vallée des Rois et de la Vallée des Reines, nous ont laissé d’abondants témoignages de leur travail : des papyrus (Plan de la Tombe de Ramsès IV, Papyrus de la Mine, Papyrus satyrico-érotique, photos 3_21 à 3_25) des ostraca (photos 3_36 à 3_41). Ils nous ont aussi laissé leurs tombes (Pyramidion du scribe Ramosé à l’entrée de la chapelle de sa sépulture, photos 3_26 à 3_29) et leurs objets de culte (Déesse Metseger photos 3_32 à 3_36). La sculpture d’Amenhotep Ier divinisé (photos 3_54 et 3_55) est reconnue comme un chef-d’œuvre du musée. La statue théophore de Penmernabou dédiée au culte d’Amon-Rê (bélier, photos 3_50 à 3_53) est également remarquable. Après avoir laissé la Chapelle de Maia et de son épouse (photos 3_60 à 3_63) et quitté la salle 6, on arrive dans la salle 7 consacrée à la tombe de Kha et Merit.
Photos 4_ : Nouvel Empire, tombe de Kha et Merit (salle 7)
On a retrouvé dans une jarre (photo 4_09) le papyrus du Livre des morts de Kha, en parfait état, avec une superbe image de couverture (photo 4_07), et une touchante image du ba de Kha (la partie mobile de son être, capable de franchir les murs après la mort, photo 4_08). Les fouilles de la tombe de Kha et Merit ont livré la stèle funéraire de Kha (photo 4_01), les cercueils emboîtés de Kha (photos 4_02 à 4_04) et le masque funéraire de Merit (photo 4_05), complétés par le lit de Kha (photo 4_14) et celui de Merit, un siège pliant de Kha (photo 4_15, modèle très apprécié pour la facilité de son transport), une chaise avec une statuette de Kha (photos 4_16 et 4_17), des bâtons de marche (photo 4_19), des vases de Merit (photos 4_20 à 4_24), deux coudées royales données à Kha par Amenhotep II (photos 4_24 et 4_26). Deux coffres en bois magnifiquement peints ont livré du linge de corps et une tunique (photos 4_10 à 4_13). Ces traces très personnelles sont complétées par la perruque de Merit (photo 4_06).
Photos 5_ : Sarcophages de la 3e Période Intermédiaire, de la Période Ptolémaïque à la Période Romaine (salles 8 à 13)
Les cercueils du musée Egizio, trouvés dans deux cachettes de Deir el-Bahari, datent principalement de la 3e Période Intermédiaire. L’agencement comprend (photo 5_01) la cuve, qui accueille la momie, le couvercle interne, recouvert lui-même par le couvercle externe. Rappelons que l’art égyptien, selon Champollion, est un récit et remarquons que, sur le couvercle du cercueil selon la convention du récit, les hommes ont les mains fermées et les oreilles apparentes (photos 5_02 et 5_05 à 5_08), alors que les femmes ont les mains ouvertes posées à plat et les oreilles cachées (photos 5_03 et 5_04). Sur les couvercles, la déesse Nout déploie ses ailes protectrices (photos 5_02 à 5_04). Nout, déesse du ciel, est présente sur les flancs de la cuve (photos 5_10 et 5_11) ou sur la face interne du couvercle (photo 5_08). La momie regarde parfois une évocation du ciel étoilé (cercueil de Méréou avec une horloge stellaire en texte, photo 2_64, Moyen Empire). La déesse du Sycomore, vénérée à Thèbe, nourrit et désaltère le défunt (photo 5_12).
Une bande centrale de texte caractérise les cercueils de la Basse Époque (photo 5_16, photos 5_23 et 5_24). Un papyrus illustre de façon précise l’emploi de la houe de labourage à la Basse Époque (photo 5_30), outil que l’on a vu dès l’Ancien Empire (photo 2_11).
De l’Époque Ptolémaïque date un cartonnage de cercueil représentant la scène de la momification (photo 5_34). Plusieurs Livres des Morts (photos 5_35 à 5_39) datent aussi de cette époque. Le thème d’Isis tenant l’enfant Horus (photo 5_44) semble avoir été largement repris dans la culture chrétienne (thème de la Vierge et l’enfant). Isis, à l’Époque Ptolémaïque, devient Aphrodite (photos 5_45 à 5_48).
À l’Époque Romaine peu de choses subsistent de la culture de l’Égypte antique, hormis quelques momies de chat (photos 5_59 et 5_60). Un pied votif (photo 5_52) est dédié à Isis et Sérapis serpentiformes et à Harpocrate enfant.
Boîtier EOS 7D MarkII (ou EOS 7D), zoom Sigma 17-70mm stabilisé. Travail sous Gimp.
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
www.roosenindustries.com/cnc-draaien.html
Are you looking for cnc draaien? In Roosen Industries you are at the right place for cnc turning.
Unlike the normal straight legs
garden raised beds, this gardening raised bed is inverse victor legs, the benefit of the legs is that it takes less space and performs very stable character. Container is deep design that is very suitable for deep rooted greens. The garden bed seems very unique than normal design ones.
Size of the bed is 122x80x80cm. All the planting area of bed is in reach of hands thus you do not need to walk around to plant, just stand or seat in one side is ok. Planting works of raised vegetable planting beds are very easy than that of normal land planting, no digging work at all.
They free you from heavy tools, you can seed, cultivate and harvest with lightweight hand tools.
Garden raised bed makes full use of small and spare rooms, you can place it within reach on the patio or by the back door, on a balcony or deck.
With vegetable beds, growing season extended. They promote a higher yield.
Source: www.gardenfurniturenow.com/v-leg-garden-raised-beds.html
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
www.asahi-net.or.jp/~uw8y-kym/peace/anne00.html
www7b.biglobe.ne.jp/~fukui_kyoukai/annenobara/anne_top.html
en.wikipedia.org/wiki/Anne_Frank
www.flickr.com/groups/master_photos/discuss/7215761599563...
www.flickr.com/groups/master_photos/discuss/7215761599867...
www.flickr.com/groups/master_photos/discuss/7215761599712...
www.flickr.com/groups/master_photos/discuss/7215761618011...
www.flickr.com/groups/master_photos/discuss/7215762411258...
www.flickr.com/groups/master_photos/discuss/7215762442010...
www.flickr.com/groups/master_photos/discuss/7215762408900...
www.flickr.com/groups/master_photos/discuss/7215762524014...
www.flickr.com/groups/master_photos/discuss/7215762532724...
www.flickr.com/groups/master_photos/discuss/7215762574730...
Well done reportage for the austrian TV where Thierry Geoffroy / Colonel present it s format Biennalist www.emergencyrooms.org/biennalist.html , the film show with his students , part of a critical run and a slow dance
at the Maldives pavilion : "Can we rank emergencies ? "
see the TV video
--------------------------------------------------------------------------------------------------------------------------------------------
lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
-------------------------------------
-------------------------------------------------------------
other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial
-----------------------------------------------------------------------
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
FaceBook｜Blogger ｜Instagram ｜500PX
You can licence images through My Getty image
All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
CHUJA ISLAND FESTIVAL: AN EDUCATIONAL EXPERIENCE
www.jejuweekly.com/news/articleView.html?idxno=1857
As I drove to the Jeju ferry terminal at 6 am on Saturday morning, one of the best sun rises I have ever seen began to develop above me. Incredible swirls of cloud reflected the brilliant yellow and orange colors of the sky. It was an amazing scene. Unfortunately it was the last sunshine I would see that day. An hour later I was on a ferry bound for Chuja Island and the Yellow Corvina Fish Festival, menacing storm clouds hanging overhead.
Rough seas bounced the ferry (and my stomach) up and down as high winds and sheets of rain hammered the windows. It wasn't much better when I arrived at the island an hour later. Rain was still falling and the festival booths sat empty. By 12 pm I was ready to return to Jeju. But, just as I was about to give up, there was a break in the weather and the festival resumed.
Within minutes of the rain stopping, several local men and women sat down near the pier and began to make nets for the crowd of people that had quickly gathered around them. The women were particularly fascinating as they wrapped colorful string around ropes and nets with jaw-dropping speed. Net making is a popular job among the women of Chuja as they can earn between 50-70,000 won per day.
The nets are designed specifically to catch Yellow Corvina, a species of fish once plentiful all over the southern waters of Korea but now mainly limited to the area around Chuja. Each 24 meter net is tied together to form one long 16 km net. The massive net is spread out over 650 meters of water near the island and, weighted down by circular stone blocks, allowed to sink into the sea. Then the fisherman wait for the tide to come in. Over the next few hours, the fish, unable to see the thin white fibres of the net, get trapped inside as the current brings them closer to shore.
A few meters away a woman demonstrated to a throng of visitors how to properly tie several Yellow Corvina together so that the fish dry properly. Deftly moving her hands back and forth, she expertly braided a pair of ropes around a bunch of fish. A man beside her proudly held them up in the air as I took a photo, an iconic image of Chuja Island and a symbol of its economy.
Later that afternoon, as I was preparing to leave the island and as the rain began to fall again, a large pool was filled with fish and dozens of people, young and old, jumped into the water to to try to catch them with their bare hands. It was quite the sight and the blur of motion a symbol of the turbulent weather we've had in Korea this summer.
*********************************************************************************************************
Please view my stream LARGE on black:
DMac 5D Mark II's photos on Flickriver
Follow me on Twitter @ twitter.com/#!/dmac5dmark2
*********************************************************************************************************
www.emergencyrooms.org/sprengelmuseum.html----------Sprengel Museum exhibition Press release ----------
Sprengel Museum Hannover
PHOTOGRAPHY CALLING!
09. October 2011 – 15. January 2012
Sprengel Museum HannoverSprengel Museum Hannover
IN ASSOCIATION WITH THE
LOWER SAXONY SAVINGS BANK FOUNDATION
PHOTOGRAPHY CALLING! is an exhibition of the works of 31 photographers on a floor area of over 2,000 square metres. Since HOW YOU LOOK AT IT in 2000, this exhibition is the first and only one to provide an all-embracing overview of artistic photography from the 1960s to the present day. The exhibition has been organized by the Sprengel Museum Hannover in collaboration with the Lower Saxony Savings Bank Foundation. Starting out from the Foundation’s collection of large groups of works by both American and European photographers, the only collection of its kind in Europe, the exhibition explores the history and perspectives of the ‘documentary style’ of photography.
PHOTOGRAPHY CALLING! constitutes yet a further step towards establishing Hanover as an important centre for artistic photography in the north of Germany.
The starting points of the exhibition are the works of Robert Adams, Diane Arbus, Lewis Baltz, Bernd and Hilla Becher, William Eggleston, Lee Friedlander, John Gossage, Nicholas Nixon, Martin Parr and Michael Schmidt. The artist photographers Rineke Dijkstra, Paul Graham, Thomas Struth and the photographers of the generations that followed, such as Jitka Hanzlová, Stephen Gill, Jochen Lempert, Elisabeth Neudörfl, Heidi Specker and Tobias Zielony, visualize the world with a style of photography that adheres strictly to the medium and yet is highly subjective. Max Baumann, Boris Mikhailov, Rita Ostrowskaja and Helga Paris extend the perspective with experiences of their own confrontations with different political systems, while Laura Bielau, Thomas Demand, Hans-Peter Feldmann, Andreas Gursky, Thomas Ruff, Wolfgang Tillmans and Jeff Wall use the documentary style of photography as a means of exemplifying the phenomena of visual perception. Many of the works are being exhibited for the very first time.
Integrated into the exhibition are three successive Project Rooms organized by three guest curators and each taking place for the duration of one month. They thematize three different methods of collecting and three different ways of using photography.
From 9.10. until 30.10.2011 the artist Thierry Geoffroy will investigate the idea behind the title of the exhibition – PHOTOGRAPHY CALLING! – and ask: Who calls whom and what, and for what purpose, and out of what interests? On 1.11.2011 Markus Schaden will be setting up a study room devoted to the photography book as a ‘storage medium’ and collector’s item. From 6.12.2011 until 15.1.2012 Wilhelm Schürmann will be exposing the obsessions that can be the driving force behind a private collection of photographs, graphics, paintings and sculptures.
In the run-up to the exhibition HOW YOU LOOK AT IT at the Sprengel Museum Hannover, which was curated by Thomas Weski and Heinz Liesbrock on the occasion of EXPO 2000, the Lower Saxony Savings Bank Foundation began to purchase comprehensive groups of works by selected American and European photographers. Since then, the collecting activity of the Foundation has been focused on those works of photography that may be understood to be in the tradition of the ‘documentary style’ (Walker Evans, 1903-1975) and have been exercising a strong influence on photography since the end of the 1960s. Thus it has been possible – thanks not least to the recommendations of a high-calibre advisory board – to build up a photographic collection distinguished by its concentration on groups of works. In this regard the collection is unique in Europe.
The Lower Saxony Savings Bank Foundation’s collection and its perspective are now to be the subject of the present exhibition, which is being mounted jointly with the Sprengel Museum Hannover and also in the context of the Museum’s own well-cultivated photography tradition, which began in 1979 and can boast exhibitions of such great exponents of photography as Karl Blossfeldt, El Lissitzky, Judith Joy Ross and Michael Schmidt, to name only a few of many, or the “SPECTRUM” International Prize for Photography of the Foundation of Lower Saxony. ‘Collecting’ manifests itself here as an open system that operates self-reflexively in the aforementioned Project Rooms and is future-oriented and discussion-friendly in the exhibition’s supplementary events.
PHOTOGRAPHY CALLING! is accompanied by a copious publication (Steidl, Göttingen). Visitors will also be offered a comprehensive information programme.
The exhibition has been curated by Inka Schube, Curator for Photography and Media Art, Sprengel Museum Hannover, and Thomas Weski, Professor of “Curatorial Cultures”, Academy of Visual Arts, Leipzig.
Here is a link to my short tutorial for these on my blog palumbojewelry.blogspot.com/2011/12/silhouette-at-sunset-...
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
APUNTES Y VIAJES
Crónicas: Vacaciones en Cancún, Cancún: Un lugar fuera del tiempo, Trotar en el Caribe y sucumbir en el intento, Un día en Isla Mujeres, En la Ruta de la cultura maya: Tulum y Cobá, Experiencia Coco Bongo.
10 Fotografías: Quintana Roo, Cancún, Isla Mujeres, Tulum, Cobá.
Video: Qué visitar en Cancún
Mi trabajo: Facebook / Flickr / Instagram / Blogger / You Tube
www.politico.com/news/stories/0611/56941.html
A 'kitchen sink solution' on jobs
By: Chris Frates
June 15, 2011
The center-left Washington think tank Third Way is holding a forum Wednesday to discuss the merits of allowing companies to bring the $1 trillion in profits parked overseas back to the United States at a temporarily reduced tax rate.
The morning forum at Union Station will include Sen. Kay Hagan (D-N.C.); Democratic Reps. Loretta Sanchez of California and Jared Polis of Colorado; former Service Employees International Union President Andy Stern; Duke Energy chief executive Jim Rogers; and George Schink, managing director of Navigant Economics.
Third Way’s vice president of communications, Sean Gibbons, said the forum is designed to determine whether the idea — which is anathema to many liberals — is a viable option for jump-starting U.S. job growth.
“We have unemployment near 9 percent. We’ve basically pulled every single lever we can as a government. … We’ve done almost everything we can to get the economy going. It’s time to throw in the kitchen sink. This is a kitchen sink solution,” Gibbons said. One trillion dollars “is a lot of coin. It’s sitting overseas. If we could bring over a significant portion of that back into the economy, we believe that would stimulate demand, and demand stimulates jobs.”
It’s not a perfect solution, Gibbons said, but one the Republican-controlled House might be willing to entertain.
He acknowledged that analysts don’t yet know how many jobs such a policy might create. But, he said, bringing money back to the U.S. creates demand, which in turn drives hiring.
The forum is the first public event of the think tank’s new corporate tax reform project directed by former Rep. Dan Maffei (D-N.Y.), who’s now a Third Way senior fellow.
Right now there is over a trillion dollars in global profits earned by American businesses sitting overseas. What if we lowered the bar for companies to bring that money back home?
Third Way hosted an Idea Forum that examined the economic and policy implications of a repatriation tax holiday that would allow American multinational companies to bring overseas profits back to the U.S. for investment at a reduced tax rate.
Featuring a distinguished panel of leaders from business, labor, economics and government, the forum offered a fruitful discussion of a repatriation holiday’s impact on hiring and investment, business practices, and future tax policy. Participants include Senator Kay Hagan, (D-NC), Congresswoman Loretta Sanchez (CA-47), Congressman Jared Polis (CO-2), Andy Stern, former President of the Service Employees International Union, Jim Rogers, CEO of Duke Energy and Dr. George Schink, Managing Director and Principal of Navigant Economics.
This Idea Forum is the first public event of Third Way’s new corporate tax reform project, managed by former Congressman (and now Third Way Senior Fellow) Dan Maffei, which will advance ideas to make the code fairer, simpler, and more pro-growth.
Catedral de El Burgo de Osma
www.lafronteradelduero.com/Paginas/el_burgo_de_osma.html
La Catedral de El Burgo de Osma, bajo la advocación de Santa María de la Asunción, es el resultado de una sucesión secular de actuaciones constructivas que van desde los primeros años del siglo XII, cuando se levantó el primitivo templo románico, hasta la segunda mitad del siglo XVIII en que se dio remate a la torre barroca. Aunque conserva escasos elementos de la obra románica y luce añadidos renacentistas, barrocos y neoclásicos, lo que predomina en el conjunto catedralicio son las construcciones góticas llevadas a cabo en diversos periodos.
La Catedral burguense fue declarada Monumento Nacional el 3 de junio de 1931, y «entorno de protección» por Decreto 84/99, de 22 de abril, de la Comunidad de Castilla y León. Comparte la sede episcopal desde 1959 con la concatedral de San Pedro de Soria.
Apunte histórico
Osma es sede episcopal al menos desde 597, fecha en la que está documentado que su obispo, Juan, tomó parte en el Concilio doce de Recaredo. De esta época visigoda no se conserva vestigio arqueológico alguno referido al templo catedralicio que se ubicaría en la antigua Uxama. Tras el lapso de tres siglos de ocupación musulmana (s.VIII al X) y otro más de repoblación y consolidación del dominio cristiano, en 1101 se restauró la diócesis bajo los auspicios de la Sede Metropolitana de Toledo. En esa fecha tomó posesión de la silla episcopal el que fue su primer titular en esta segunda y definitiva era diocesana: Pedro de Bourges (San Pedro de Osma).
Por entonces, no sólo se había abandonado la antigua Úxama, emplazada ahora en el llano con el topónimo de Osma, sino que se estaba desarrollando un burgo o barrio al otro lado del río Ucero en el que existía una iglesia benedictina con culto a San Miguel. Ese fue el lugar elegido para levantar la nueva catedral en el estilo arquitectónico imperante en los albores del siglo XII: el románico. No hay noticia cierta de cuándo se comenzó la construcción de este templo pero es de presumir que fuese durante el episcopado de Pedro de Osma, es decir, entre los años 1101 y 1109. En todo caso, los rasgos estilísticos de lo poco que de él ha quedado no dejan lugar a duda de que proceden de principios de dicho siglo. Los obispos sucesores de Pedro que regirían la diócesis a lo largo de la primera mitad del siglo XII -Raimundo, Beltrán y Esteban- debieron ser los continuadores de la obra y quienes la llevaron a término, pues parece que quedó concluida a mediados de siglo.
Corta vida le esperaba a la flamante catedral. En 1231 accedió a la sede episcopal oxomense Juan Díaz de Medina (a quien se nombra con frecuencia como Juan Domínguez), Canciller de Fernando III el Santo. Este prelado, que provenía de la Colegiata de Santa María la Mayor de Valladolid de la que fue abad en los años anteriores (1219-1230) y que él mismo había reconstruido por entero, debió entender que la prematuramente obsoleta iglesia románica no poseía las dimensiones ni la funcionalidad que los nuevos tiempos demandaban y, experimentado como era en la construcción de grandes templos, decidió en 1232, y así lo puso en práctica, derribar la «vieja» catedral y erigir otra ajustada a los cánones góticos, al modo como se estaba haciendo en Burgos, en Cuenca o en Toledo. No obstante, la piqueta demoledora respetó el claustro y la sala capitular.
Las obras del templo gótico se prolongaron durante más de un siglo, siendo el obispo Bernabé quien a mediados del XIV logró darles fin. El resultado fue una iglesia de planta de cruz latina con tres naves de cinco tramos, transepto de cuatro tramos además del crucero, presbiterio de dos tramos, ábside principal y cuatro capillas absidales, dos a cada lado, sobre el muro oriental del transepto de forma parecida a las del monasterio cisterciense de Santa María de Huerta. El conjunto gótico se completó a principios del siglo XVI con la sustitución del claustro románico por el actual gótico tardío adosado al muro de la nave septentrional. El derribo del primero se llevó a cabo en 1505; de él se salvaron algunos capiteles y la arquería del frente de la sala capitular. Algunos años después, durante el mandato del obispo Pedro Álvarez de Acosta (1550-1554), se realizó el retablo mayor, obra de Juan de Juani y Juan Picardo.
El siglo XVIII fue pródigo en obras y reformas. En 1767 se finalizó la torre en su tercer intento, pues dos anteriores habían fracasado por derrumbe. La cabecera de la iglesia sufrió importantes alteraciones, primero por la construcción de la girola y de la capilla mayor, y luego por la incorporación de la sacristía y la capilla del venerable Palafox. La reforma de la capilla mayor se debió a Juan de Villanueva, lo mismo que la construcción de la sacristía (1770) y el proyecto de la capilla de Palafox (1772), si bien la ejecución de esta última obra le cupo a Sabatinni entre los años 1778 y 1783.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
.
visite en photos de la guadeloupe, des saintes, de la désirade et de Marie Galante
photo de Guadeloupe voyage, travel photographer Guadeloupe, photo Guadeloupe FRANCE
guadeloupe, désirade, plage, beach, island, rhp, antilles, gwada, vacances, soleil, mer, Deshaies, guadeloupe, gite, location, blue, Marie Galante, Saintes, caraibe, caribbean, domtom, papillon, karukera, ka, ile, les saintes, archipel, caribbe, sun, guadeloupe sunset, bleu, sunrise guadeloupe, location guadeloupe, guadeloupe écotourisme, tourisme guadeloupe, gites guadeloupe, Rhum
Beautiful Frock
suit is another
experiment of
Designer Salwar Kameez
which
depicts Desi culture with modern fusion. Here Deepika Padukone is wearing nice
fusion attire in movie Love Aaj Kal. This is a multi color frock suit tights. It
is modern fusion attire which is ideal for any occasion.
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
There is only one phone booth, cross your eyes to see the true 3D image and the lonely sitter.
This "FunPhone" payphone has been removed and is now "Not In Service".
Disneyland'®s Indiana Jones™ Adventure — Temple of the Forbidden Eye was neither built with, nor did it open in 1995, with this "FunPhone." The sponsor was AT&T and many features were adapted or adopted to accommodate the communications company for this Disneyland attraction. Among them was this "FunPhone," a unique and one of a kind simulation of a Radio Telephone. It used a dial, which was converted to DTMF. It accepted U.S. Currency .05, .10 & .25 as well as calling cards and credit cards. When the handset was lifted or replaced, the speaker in the top right of the phone would sound like a female radio operator squelching in and out and thanking us for our patronage. The three buttons to the right of the dial, on the lower right, could be pressed during the call to provide funny jungle sounds.
bcwap.org/bootcamp_sacramento_california_2.html
For the Month of June the charity Elite Fitness and Performance (http://www.efitnessperformance.net) is supporting The March of Dimes. Elite Fitness and Performance next charity event will be Saturday June 18th, 2011. The charity event will be held at 1770 36th street Sacramento, Ca 95630 or at a park in area.
Please Join Elite Fitness and Performance for their Bootcamps With A Purpose (http://www.bcwap.org) event Saturday June 18th. They will hold 3 separate events based on level of ability. The times will be from 7am-8:30am and 9am - 10:30 am for intermediate and from 10:30 am - 12:00 noon for the Advanced. It will be a great workout. Come Sweat for a Cause.
About the March of Dimes
This organization strives to help mothers reach full-term in their pregnancies and conducts research about problems that can threaten the health of babies.
The March of Dimes is a charitable organization committed to preventing birth defects and infant death. The organization works toward its mission through education, advocacy and research aimed at prenatal health, genetics and birth defects. The March of Dimes began in 1939 as an organization that focused on polio and operated as the National Foundation for Infantile Paralysis. The name was later changed to the March of Dimes as a play on the term march on time.
Throughout the years, the March of Dimes has launched various campaigns to promote the importance of prenatal care. An example is the organization's folic acid campaign that urged women to take folic acid not only while they are pregnant but before they plan on conceiving. The research behind the campaign proved that folic acid reduces the risk of birth defects and is important for all women of childbearing age to take.
About Elite Fitness and Performance
Elite Fitness and Performance will inspire you to exercise with determination and maintain motivation. Breaking bad habits is one of the most challenging things that one can face. Together, Elite Fitness and Performance will replace bad habits with good ones. You will develop habits that uplift your spirit and bring you happiness through fitness, good health, and mental clarity.
Elite Fitness and Performance will help you set goals and reach them. We don’t just show you how to do an exercise. Instead, they educate you in the areas of strength-training, cardiovascular endurance, and proper nutrition.
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
Bakersfield Track Club Half Marathon and 5K
November 15, 2008
Half Marathon
www.andynoise.com/fallbtchalf08.html
Place Name Time Pace Div/Tot Sex/Tot Div
1 GALVIN GONZALEZ 1:11:30 5:28 1/8 1/98 M3034
2 David Bacus 1:14:52 5:43 1/4 2/98 M2024
3 ZACHARY HOLT 1:21:52 6:15 1/10 3/98 M1319
4 JORDAN PERRY 1:23:34 6:23 1/8 4/98 M2529
5 Rudy Montoya 1:23:49 6:24 1/11 5/98 M4044
6 Jose Salcedo 1:25:28 6:32 2/4 6/98 M2024
7 Timothy Anderson 1:25:33 6:32 1/18 7/98 M5054
8 Chris Anderson 1:26:31 6:37 2/10 8/98 M1319
9 Diego Diaz 1:26:58 6:39 1/14 9/98 M3539
10 JOHN PURCELL 1:28:22 6:45 3/10 10/98 M1319
11 SHAWNA ROUNTREE 1:29:00 6:48 1/8 1/73 F2529
12 CREGG WEINMANN 1:29:53 6:52 2/18 11/98 M5054
13 Craig Gardner 1:30:40 6:56 3/18 12/98 M5054
14 Javier Cruz 1:31:16 6:58 1/11 13/98 M4549
15 Steve Dirkse 1:31:23 6:59 2/14 14/98 M3539
16 WALTER PAVLAKOVICH 1:31:36 7:00 4/18 15/98 M5054
17 David Little 1:32:46 7:05 4/10 16/98 M1319
18 Ezequiel Gonzalez 1:32:47 7:05 5/10 17/98 M1319
19 Alec Briones 1:33:03 7:07 1/9 18/98 M5559
20 Damon Wilstead 1:33:55 7:11 2/8 19/98 M3034
21 BART VANDERWAL 1:35:35 7:18 2/11 20/98 M4044
22 John Lee 1:35:55 7:20 5/18 21/98 M5054
23 Roehl Caragao 1:36:29 7:22 2/11 22/98 M4549
24 MARK OGILVIE 1:37:25 7:27 3/11 23/98 M4044
25 Dave Hoglund 1:37:26 7:27 2/9 24/98 M5559
26 JEFF GIUMARRA 1:37:29 7:27 3/8 25/98 M3034
27 Jacob Scott 1:37:32 7:27 6/10 26/98 M1319
28 JAMES BELL 1:37:32 7:27 6/18 27/98 M5054
29 Charolette Cholometes 1:37:40 7:28 1/9 2/73 F3034
30 DAVE MEEK 1:38:36 7:32 3/14 28/98 M3539
31 Daniel Ramirez 1:39:18 7:35 3/9 29/98 M5559
32 AARON ALBAY 1:39:25 7:36 7/10 30/98 M1319
33 COURTNEY MOORE 1:40:16 7:40 1/1 3/73 F1319
34 Richard Black 1:40:35 7:41 7/18 31/98 M5054
35 JOSE MONTELONGO 1:40:44 7:42 4/14 32/98 M3539
36 Klaus Benamy-Hackel 1:41:14 7:44 4/9 33/98 M5559
37 MICHAEL RAMIREZ 1:41:20 7:45 2/8 34/98 M2529
38 Raul Gonzalez 1:41:31 7:45 5/14 35/98 M3539
39 Freddie Bingham 1:42:33 7:50 4/8 36/98 M3034
40 Mike Gonzalez 1:42:47 7:51 3/11 37/98 M4549
41 Gerry Saba 1:43:55 7:56 4/11 38/98 M4044
42 DAVE PEGLER 1:44:04 7:57 5/11 39/98 M4044
43 DEBBIE WALLACE 1:45:03 8:02 1/12 4/73 F4549
44 EDDIE PAULSEN 1:45:25 8:03 6/14 40/98 M3539
45 Gary Enns 1:45:33 8:04 7/14 41/98 M3539
46 GREG FONTES 1:45:33 8:04 4/11 42/98 M4549
47 JOE SWEET 1:45:35 8:04 5/8 43/98 M3034
48 Sara Bradford 1:45:52 8:05 2/9 5/73 F3034
49 Daniel Tavarez 1:46:31 8:08 8/14 44/98 M3539
50 Connie Tavarez 1:46:35 8:09 1/5 6/73 F3539
Bakersfield Track Club Half Marathon and 5K
November 15, 2008
Half Marathon
Place Name Time Pace Div/Tot Sex/Tot Div
51 Todd Witwer 1:47:12 8:11 8/18 45/98 M5054
52 MARK WITCHER 1:48:41 8:18 9/18 46/98 M5054
53 Roy Walford 1:50:02 8:24 1/3 47/98 M6064
54 HAYLEY TOBIN 1:50:13 8:25 1/14 7/73 F4044
55 Amy Fredericks 1:50:33 8:27 1/2 8/73 F6064
56 KELLY LOPEZ 1:50:45 8:28 2/14 9/73 F4044
57 ROBERT JOHNSON 1:50:48 8:28 5/9 48/98 M5559
58 JOSHUA GARZA 1:50:50 8:28 6/11 49/98 M4044
59 Eric Wolf 1:50:52 8:28 3/4 50/98 M2024
60 Derek Jeffery 1:51:02 8:29 3/8 51/98 M2529
61 BROOKS RICHARDSON 1:51:25 8:31 10/18 52/98 M5054
62 Tony Jeffery 1:52:52 8:37 7/11 53/98 M4044
63 Mike Moore 1:53:34 8:41 5/11 54/98 M4549
64 DAVE COWLES 1:54:34 8:45 8/11 55/98 M4044
65 Brian Cisneros 1:55:06 8:48 8/10 56/98 M1319
66 John Wilson 1:55:22 8:49 2/3 57/98 M6064
67 Mike Barella 1:55:26 8:49 9/11 58/98 M4044
68 FRANCISCO RAMIREZ 1:55:29 8:49 9/14 59/98 M3539
69 Jose Torres 1:56:33 8:54 9/10 60/98 M1319
70 Yolanda Hughes 1:56:38 8:55 3/14 10/73 F4044
71 Keith Stearmon 1:56:40 8:55 4/8 61/98 M2529
72 BOB BARTON 1:57:15 8:57 6/11 62/98 M4549
73 JOHN OPHEIM 1:57:22 8:58 3/3 63/98 M6064
74 Margaret Patterson 1:57:26 8:58 2/12 11/73 F4549
75 Jim Cowles 1:57:28 8:58 1/2 64/98 M6569
76 PHILIPPE IGOA 1:58:11 9:02 7/11 65/98 M4549
77 KATE QUINN 1:58:11 9:02 1/7 12/73 F5559
78 Ken Berckes 1:58:18 9:02 11/18 66/98 M5054
79 CARMEN ALBANES 1:58:25 9:03 1/11 13/73 F5054
80 KATHRYN JOSLIN 1:58:28 9:03 3/9 14/73 F3034
81 Darlene Savage 1:59:12 9:06 3/12 15/73 F4549
82 CHRIS DANFORTH 1:59:57 9:10 8/11 67/98 M4549
83 JUAN CERVANTES 2:00:23 9:12 4/4 68/98 M2024
84 JOSIE MARTIN 2:00:31 9:12 2/11 16/73 F5054
85 TAMMY GARCIA 2:01:31 9:17 4/14 17/73 F4044
86 Carol Weston 2:01:47 9:18 2/2 18/73 F6064
87 Esther Ray 2:02:16 9:20 2/7 19/73 F5559
88 Bob Ziemet 2:02:25 9:21 2/2 69/98 M6569
89 TRACY HUBBELL 2:02:40 9:22 5/14 20/73 F4044
90 ERIC BERLIN 2:03:45 9:27 12/18 70/98 M5054
91 craig smith 2:04:15 9:30 9/11 71/98 M4549
92 Jialan Su 2:04:21 9:30 4/9 21/73 F3034
93 DANIEL RODRIGUEZ 2:04:29 9:31 13/18 72/98 M5054
94 Greg Adkins 2:04:32 9:31 10/14 73/98 M3539
95 Tawnie McCaa 2:04:55 9:33 1/2 22/73 F2024
96 ROY PIERUCCI 2:04:56 9:33 6/9 74/98 M5559
97 ALICIA BROWN 2:05:39 9:36 2/5 23/73 F3539
98 Kevin Higgins 2:05:49 9:37 14/18 75/98 M5054
99 Guido Climer 2:06:11 9:38 11/14 76/98 M3539
100 Lonnie Stockton 2:06:16 9:39 6/14 24/73 F4044
Bakersfield Track Club Half Marathon and 5K
November 15, 2008
Half Marathon
Place Name Time Pace Div/Tot Sex/Tot Div
101 CHARLES MATHER 2:06:55 9:42 5/8 77/98 M2529
102 Meg Reimers 2:07:10 9:43 7/14 25/73 F4044
103 Barb Johnston 2:07:27 9:44 3/11 26/73 F5054
104 Katie Nickell 2:07:27 9:44 8/14 27/73 F4044
105 HOPE ROE 2:07:39 9:45 4/12 28/73 F4549
106 RODERICK MARCIA 2:07:45 9:46 6/8 78/98 M3034
107 Connie Taylor 2:07:46 9:46 5/9 29/73 F3034
108 Nicole Panero 2:07:50 9:46 2/8 30/73 F2529
109 Cory Bringman 2:08:26 9:49 3/5 31/73 F3539
110 LONDO WHITNEY 2:09:11 9:52 12/14 79/98 M3539
111 Odette Hudson 2:09:27 9:53 3/7 32/73 F5559
112 Clarissa Wilstead 2:09:49 9:55 3/8 33/73 F2529
113 JEFF COOMBER 2:09:58 9:56 15/18 80/98 M5054
114 Susan James 2:10:43 9:59 4/11 34/73 F5054
115 JOAN COLLIN S 2:11:42 10:04 5/11 35/73 F5054
116 Denise Haynes 2:11:43 10:04 5/12 36/73 F4549
117 Peg Baird 2:13:42 10:13 6/11 37/73 F5054
118 REBECCA WALKER 2:15:22 10:20 4/8 38/73 F2529
119 Troy Wells 2:15:29 10:21 10/11 81/98 M4044
120 Fred Little 2:15:29 10:21 16/18 82/98 M5054
121 Brock Sheela 2:16:35 10:26 7/8 83/98 M3034
122 Pedro Segura 2:16:59 10:28 7/9 84/98 M5559
123 DELORES CORTEZ 2:17:12 10:29 1/2 39/73 F7099
124 Jennifer Fendrick 2:17:26 10:30 4/5 40/73 F3539
125 Rachel Taylor 2:17:48 10:32 5/8 41/73 F2529
126 DANIEL J. RAMIREZ 2:17:49 10:32 13/14 85/98 M3539
127 Angelica Rogers 2:18:22 10:34 7/11 42/73 F5054
128 Jason Gutierrez 2:19:10 10:38 6/8 86/98 M2529
129 Maria Steele 2:19:13 10:38 8/11 43/73 F5054
130 Janice Horcasitas 2:19:16 10:38 4/7 44/73 F5559
131 DALE VAN SCHAACK 2:20:54 10:46 5/7 45/73 F5559
132 MARILYN JOHNSON 2:20:56 10:46 6/7 46/73 F5559
133 Deanna Koelewyn 2:23:11 10:56 6/12 47/73 F4549
134 Karen Briltz 2:23:15 10:57 9/14 48/73 F4044
135 PEGGY SCHUH 2:23:29 10:58 9/11 49/73 F5054
136 RICHARD GARRETT 2:23:30 10:58 10/11 87/98 M4549
137 JOSHUA ST. CLAIR 2:24:23 11:02 10/10 88/98 M1319
138 DAVID CHAPIN 2:25:02 11:05 7/8 89/98 M2529
139 JOANNA THOMAS 2:25:03 11:05 6/8 50/73 F2529
140 Paula Badasci 2:25:14 11:06 10/14 51/73 F4044
141 Joe Saldana 2:26:19 11:11 17/18 90/98 M5054
142 carol montez 2:29:10 11:24 7/12 52/73 F4549
143 Lynda Ernst 2:30:26 11:29 8/12 53/73 F4549
144 Maria Mendoza 2:31:06 11:33 7/8 54/73 F2529
145 Christine Gibson 2:34:12 11:47 8/8 55/73 F2529
146 Cheryl Scott 2:35:09 11:51 11/11 91/98 M4044
147 Renee Candelaria 2:35:46 11:54 9/12 56/73 F4549
148 Becky Whitehead 2:37:09 12:00 2/2 57/73 F7099
149 David Martino-Carr 2:38:34 12:07 8/9 92/98 M5559
150 Cheryl Wahl 2:39:43 12:12 10/12 58/73 F4549
Bakersfield Track Club Half Marathon and 5K
November 15, 2008
Half Marathon
Place Name Time Pace Div/Tot Sex/Tot Div
151 Brad Wahl 2:39:43 12:12 11/11 93/98 M4549
152 CAROL MONJE 2:41:13 12:19 10/11 59/73 F5054
153 SHELLEY JOHNSON 2:41:41 12:21 11/14 60/73 F4044
154 MICHAEL GARCIA 2:41:42 12:21 9/9 94/98 M5559
155 Yiota Harrelson 2:43:32 12:29 6/9 61/73 F3034
156 Kim Aviles 2:44:28 12:34 12/14 62/73 F4044
157 JULIE LEE 2:47:44 12:49 13/14 63/73 F4044
158 Eva Ramirez 2:47:48 12:49 7/9 64/73 F3034
159 Melanie Reed 2:47:53 12:49 14/14 65/73 F4044
160 GEOFF MCAVOY 2:49:14 12:56 8/8 95/98 M2529
161 SUSAN ORMEROD 2:54:42 13:21 11/12 66/73 F4549
162 Kenadee Mishler 2:58:06 13:36 2/2 67/73 F2024
163 Phyllis Martino-Carr 3:00:00 13:45 7/7 68/73 F5559
164 Kathy Berckes 3:00:04 13:45 11/11 69/73 F5054
165 Rafaela Cisneros 3:01:09 13:50 5/5 70/73 F3539
166 Dwayne Mishler 3:02:07 13:55 18/18 96/98 M5054
167 Elizabeth Luckhardt 3:03:22 14:00 12/12 71/73 F4549
168 Ana Arreola 3:03:54 14:03 8/9 72/73 F3034
169 IAN BYERS 3:06:51 14:16 8/8 97/98 M3034
170 Gisela Gomez 3:08:08 14:22 9/9 73/73 F3034
171 Robert Sandoval 3:08:08 14:22 14/14 98/98 M3539
©2008 Bakersfield Track Club
reycubaphotos.blogspot.com/2010/10/campina-cubana-pasado-...
One of the five scenes i show as part of the end of integral photography conferences......
Una de las cinco escenas que entregue como parte del trabajo final del curso de fotografía integral.
mp3.zing.vn/mp3/nghe-bai-hat/Say-OK-Vanessa-Hudgens.IWZC6...
You are fine
You are sweet
But I'm still a bit naive with my heart
When you're close I don't breathe
I can't find the words to speak
I feel sparks
But I don't wanna be into you
If you're not looking for true love, oh oh
No I don't wanna start seeing you
If I can't be your only one
So tell me when it's not alright
When it's not ok
Will you try to make me feel better?
Will you say alright? (say alright)
Will you say ok? (Say ok)
Will you stick with me through whatever?
Or run away
(Say that it's gonna be alright. That it's gonna be ok)
Say Ok.
When you call I don't know if I should pick up the phone every time
I'm not like all my friends who keep calling up the boys, I'm so shy
But I don't wanna be into you
If you don't treat me the right way
See I can only start seeing you
If you can make my heart feel safe (feel safe)
When it's not alright
When it's not ok
Will you try to make me feel better?
Will you say alright? (say alright)
Will you say ok? (Say ok)
Will you stick with me through whatever?
Or run away
(Say that it's gonna be alright. That it's gonna be ok
Don't run away, don't run away)
Let me know if it's gonna be you
Boy, you've got some things to prove
Let me know that you'll keep me safe
I don't want you to run away so
Let me know that you'll call on time
Let me know that you won't be shy
Will you wipe my tears away
Will you hold me closer
When it's not alright
When it's not ok
Will you try to make me feel better
Will you say alright? (say alright)
Will you say ok? (Say ok)
Will you stick with me through whatever?
Or run away
(Say that it's gonna be alright. That it's gonna be ok)
Say OK
(Don't run away, don't run away)
(Say that it's gonna be alright. That it's gonna be ok, don't run away)
Will you say OK
(Say that it's gonna be alright. That it's gonna be ok)
Lời việt :
Anh rất tốt và rất dễ thương
Nhưng trái tim này vẫn còn ngây thơ lắm
Khi anh kề bên, em như ngừng thở lại
Không tìm ra được lời nói nào
Chỉ cảm nhận những tia lửa yêu thương
Nhưng em khong muốn chỉ chú tâm đến mình anh
Nếu như anh không thật muốn kiếm một tình yêu chung thực
Em không muốn bắt đầu quen anh
Nếu như em không thể là người yêu duy nhất của anh
DK
Vậy thì khi có chuyện không êm xuôi thì nói với em nhé
Khi có chuyện không vui
Anh có sẽ cố làm cho em vui lên không?
Anh rồi sẽ nói mọi chuyện sẽ tốt chứ?
Anh sẽ nói là mọi chuyện sẽ ok?
Anh có thể cùng em đi qua mọi chông gai hay anh sẽ trốn chạy?
Nói với em là được nhé
Cứ nói ok nhé
Những khi anh gọi em không biết có nên bắt máy không
Em không giống mấy đứa bạn chỉ biết suốt ngày gọi cho bạn trai
Em mắt cỡ lắm
Em không muốn quá đam mê anh
Khi anh không đối xử với em đàqng hoàng
Thì là em chỉ có thể quen anh
Nếu anh cho em một cảm giác bình yên
DK
Hãy cho em biết người đó sẽ là anh
Anh có nhiều điều cần phải chứng minh cho em thấy
Hãy cho em biết rằng anh sẽ bảo vệ cho em
Em không muốn lẩn tránh anh đâu
Vậy thì cho em biết là anh sẽ gọi đúng giờ
Và nói em nghe rằng anh sẽ không ngại ngùng nhé
Rồi anh sẽ lau khô cho em giọt nước mắt?
Rồi anh sẽ ôm em thật chắt mỗi ngày?
Khi trời không yên gió
Khi mọi chuyện không bình yên?
Anh có sẽ cố làm cho em vui lên không?
Anh rồi sẽ nói mọi chuyện sẽ tốt chứ?
Anh sẽ nói là mọi chuyện sẽ ok?
Anh có thể cùng em đi qua mọi chông gai hay anh sẽ trốn chạy?
Nói với em là được nhé
Cứ nói ok nhé
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Mark Robertson, a graduate student at Boise State University, checks the depth of the snow pack just after GROVER passes. The pole has graduated markings along its length. Mark is checking the depth of the ice layer formed after the big melt of summer 2012. For more information: www.nasa.gov/topics/earth/features/grover.html
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Our Lady of Lourdes & St Joseph, Leigh on Sea, Essex
I passed OLoL&SJ (apologies for the acronym) on my way to St Clement and had to stop. This RC church had fallen off my radar and would have been missed had it not been so arresting.
Built in the 1920's to the design of the parish priest, Fr FW Gilbert, it stands as his personal testament to God. Full of good period glass, a very Catholic reredos, lectern and rood; unusually a SE tower but, to my mind, the most exceptional feature is the Lady Chapel which is a scaled replica of Lourdes.
A rich priest's homage to Gothic architecture with a distinct Catholic twist - I wish this was my parish church!
Neither Pevsner nor Mee covered it (inherent anti Catholicism at work?) so Taking Stock instead:
An idiosyncratic Gothic church of the 1920s, very much a personal work by the parish priest Fr F. W. Gilbert, but closely following the design of Charles Nicholson’s church of St Alban at Westcliff-on-Sea. The church was sympathetically extended in the 1960s. The interior is rich in fittings, some designed by Fr Gilbert.
The original church (now the parish hall) began life as a timber-framed, corrugated iron drill hall, originally built for the Essex Volunteers in 1900 under the supervision of Major Burles and purchased in 1913. The site of the present church was purchased by the Rev. F.W. Gilbert in 1924, using donations and his private money. It appears that Fr Gilbert acted as his own architect, his design borrowing heavily from that of the Anglican church of St Alban the Martyr at Westcliff-on-Sea, built in 1898-1908 from designs by Nicholson & Corlette. The Gilbert family promised £2,000 once building work commenced. The contract price was £12,234. The builders were Messrs Marshall & Smith of Grays but Fr Gilbert acted as his own clerk of works, using local labour, including unemployed men from Grays. The foundation stone was laid on 7 October 1924 and the church opened in September 1925. The presbytery was built in 1925.
The church was sympathetically extended in 1965-66 by Burles, Newton & Partners, in the same style and materials; the west wall was moved twenty feet further out to create a choir gallery, west door and porch and a baptistery with organ chamber above. Proposals to replace the old hall with a new and larger building were prepared in 2007 but have not yet been implemented.
The church is a large and handsome structure in a free Gothic style. The walls are faced with random rubble with stone dressings. Apparently much of the stone was quarried near Glasgow and was originally used as ballast in lighters intended for the Gallipoli campaign, which were later bought by a local ship owner, who donated the stone for the building of the church. The roof is covered in plain tiles. On plan the church comprises a long nave and sanctuary under a continuous roof swept down over north and south aisles, southwest porch, northwest organ chamber, southeast double transept and southeast tower. The gabled west end is Burles & Newton’s work of the 1960s and has a broad straight-headed doorway flanked by small trefoiled windows with a large six-light traceried window above. On the north side is a tall transeptal organ chamber and then the low side wall of the north aisle with three pairs of small trefoiled windows. On the south side is a small projecting porch and then the low side wall of the south aisle, a double transept with three-light traceried windows in the gabled ends and then the bold square south east tower. The tower is of three stages with a traceried two-light window on the south side of the lowest stage and pairs of small openings in the two stages above. The tower has a single large diagonal buttress at the southeast corner, crenellated flint-faced parapets and a tiled spirelet. The east end wall of the sanctuary is articulated with three round-headed blind arches. This wall fronts the garden of the large presbytery which is attached to the northeast corner of the church, and the church and presbytery together form a strong architectural composition.
The interior walls are all plastered and painted with plain flooring of timber. There is a west gallery in the 1960s extension and nave arcades of four bays of simple pointed chamfered arches on square chamfered concrete piers. Above each pier the nave is spanned by the tie beams of the roof and above them is a five-sided timbered ceiling. The aisles have lean-to roofs and are also timbered. The east bay on the south side is a small transept. There is no chancel arch in the usual sense, but the division between nave and sanctuary is marked by pilaster strips on the walls with a rood beam at half- height and a timber rib spanning the roof between them. The sanctuary has a single large open arch on each side and is richly furnished. The east wall in particular is lined to full-height with carved decoration. The floor is black and white marble. On the south side of the sanctuary is a second transept divided from the first by a double arch resting on dwarf double columns with ornamental Gothic capitals. In the east wall of this transept a chamfered pointed arch leads to the base of the tower which contains a Lourdes grotto.
The church is rich in fittings. These include the carved timber reredos filling the whole east wall, the extraordinary pulpit with figures of evangelists supported by cherubs, apparently designed by Fr Gilbert, who also designed the figures of the rood beam, the elaborate oak stalls in the sanctuary and the font at the west end of the nave given in memory of Col. Knight (d.1891) with its stone bowl on clustered columns and a surrounding floor of Cosmati work.
There is some stained glass in the church including the west window by Whitefriars and other windows by Goddard & Gibbs. The scale model of the Lourdes grotto was built by Cyril Psaila (d. 1931).
Since 2001 we have been trying to find Digiscope solutions, from the perfect camera, adapters, lenses, eyepieces, scopes and mounting systems. Now we have great camera, lenses, eyepieces Super Scopes and mounting systems. To my way of thinking Adapters have always been a challenge and the weakest link in Digiscoping. The Manufactures of the adapters have been camera brand specific, over engineered, or have depended on the filter threads of a camera or camera lens to support totally the weight of the camera. No Good, I promise that no lens manufacture would recommend that. Referring to the term “over engineered” I am referring to adapters like the swing models. Personally I believe that they lack support for the camera and seem to be easily damaged while in the field. The new ATX/STX Swarovski seems to have corrected the major concern of camera support, not depending of the filter threads to support the camera system unlike the DCA or the DA-10 from Kowa what I currently use. I have broken in half 4 lenses in the past years using those systems before I tried Support Brackets like the TSN-DA3. Support brackets are great; the scope, eyepiece, adapter and camera are now one secure solid piece if one can remember to lock everything down. I have to confess that due to my negligence of not checking to see if everything was tightened I have send a Scope in for repair and ruined an expensive DSLR when it smashed on the asphalt road. Weight is another issue. The Kowa TSN-DA3 Digiscope Support Bracket weighs 2.58 pounds. The one I own went to a machine shop and all none structural Aluminum was milled away cutting the weight to just over 2 pounds. Some of my days in the field carry me 8 or more miles walking. So like a back packer every pound counts. Up until now the TSN-DA3 was very important to keep my kit functioning and secure. So I carried that 2 + additional pounds.
At the Space Coast Festival two different people showed me a new Adapter. Angie “just a birder” bought one she is excited and bragging about hers. It was of high quality machined Aluminum that will work with 4/3 camera as well as some DSLR and P&S cameras. A minor sleeve change (inner ring) and it will adapt to any spotting scope eyepiece. It is not expensive and best of all the weight of the camera stresses the scope not the filter threads of the lens. There for a support bracket is not necessary, cutting my carry weight 2+ pounds. I ordered one.
Yesterday I received my Digidapter. I watched the video on www.youtube.com/watch?v=KVGfQTd8UPQl for quick assembly instructions. I inspected it for deficits like over engineering or a key feature not considered. I could not any faults. It was designed for quality, for the speed and smoothness in mounting the camera on a scope coming back to same position each time without adjustment or alignment.
•The fasteners are of the highest quality, brass and stainless.
•The screw design for mounting the camera in the tripod mount is superior.
•The brass stop screws on the mounting plate are designed for finger tightening, no fear of stripping the brass parts from over tightening. The camera comes back to the same spot every time.
•The elevation plate has milled slots so only the provided Allen key is necessary to lock the camera in place.
•The camera does not have to be removed from the Digidapter to replace batteries and flash cards. .
• Coupling the camera to the eyepiece is a breeze. Close tolerance machining and the highest quality anodizing is why it is smooth and easy.
•To change from one scope manufacture to another or if the eyepiece is different in size all that is needed is a different inner ring, all of the other parts will remain the same. This means for those scope owners that would like a functional adapter for a Pentax, Celestron, Vortex or Vanguard scope it is now available at a reasonable price.
•Overall, it is solid and functional, easy to use, returns to the same position with each mounting. No binding, pieces glide together, no effort. Precision and effortless in use, protecting the camera and eyepiece from stress damage. No adapter that I have seen mounts the camera and has it ready to shoot faster, safer and with more precision.
•The Digidapter is the best I have seen.
The big question at the Space Coast Festival was would the new 20mm f/1.7 ll ASPH Lumix lens works with this adapter. That lens is short like a Pancake lens but it is about 2 inches in diameter. I phoned my order to Paul Sayegh the owner and designer of the Digidapter. We spent hours on the phone discussing the 4/3s and some of the unique lenses that this system is creating. I had the lens in hand with a pair of dial calipers. I measured and re-measured the key points of the lens and measurement in relation to the camera. I took and then emailed to Paul the photos of the GX 7 and lens and added the measurement to the photos. After receiving the photos we talked again and at Paul’s request I re-measured everything once more. In three days I received my Digidapter and it was perfect.
Paul is an engineer, a designer, a communicator and a great machinist with an advanced knowledge of stress and tolerances. Paul is a big lens photographer that found Digiscoping and knows the importance of Digiscoping as a tool in photography. Digidapter and Paul Sayegh deserve our support.
Go to digiscopeadapter.com/home.html to see and learn more.
Roy Halpin
台灣婚紗攝影推薦
www.etonwedding.com/contact.html
伊頓自助婚紗提供台灣婚紗攝影：
自助婚紗｜婚紗攝影｜結婚包套｜禮服出租｜婚紗租借
結婚當天：婚禮攝影(婚攝-平面)｜婚禮紀錄(錄影-動態)｜新娘秘書、婚禮主持人、婚禮遊戲、場地佈置、新娘捧花
婚禮顧問：海外婚禮籌畫｜海外婚紗｜海島婚禮、
攝影教學：攝影課程｜數位課程｜人像攝影、
孕婦寫真：孕婦照｜孕媽咪攝影｜孕婦攝影｜孕婦全家福、
寶寶攝影：寶寶照｜寶寶寫真｜寶寶百天攝影｜抓週照、
兒童攝影：兒童照｜兒童寫真｜親子攝影、
情侶寫真：情侶照｜情侶攝影｜情侶私房照、
商業攝影：形象照｜影像創作｜美食攝影｜證件照；
加LINE跟小編預約
⇩⇩下載APP看更多⇩⇩
最多新人推薦、最專業的攝影團隊；
聯絡信箱：service@eton.tw
【 伊頓自助婚紗 】
●台北店：(02) 2311-5721
台北市中華路1段59號7樓 (西門捷運站２號出口)
●士林店：(02) 2836-0066
台北市士林區中正路122號2樓 (全聯士林中正店對面)
●松山店：(02) 2765-7666
台北市松山區八德路4段678號12樓 (近松山車站)
●新北店：(02) 8964-5999
新北市板橋區重慶路1號5樓 (府中捷運站1號出口,仁愛眼鏡/特香齋樓上)
●桃園店：(03) 283-0776
桃園市中壢區中北路2段483號 (中壢大潤發斜對面)
●新竹店：(03) 523-1188
新竹市經國路2段100號5樓 (「中正市場」停車場對面,步行約1分鐘)
●台中店：(04) 2202-0066
台中市西區台灣大道一段728號3樓 (合作金庫樓上)
●台南店：(06) 267-0086
台南市東區崇學路20巷2號 (崇學路、崇明路交叉路口,「榮譽公有停車場」,步行約3分鐘)
●高雄店：(07) 322-2592
高雄市三民區博愛一路30號6樓 (合作金庫三民分行樓上)台灣婚紗攝影推薦
Blog in English: ontario-nature.blogspot.com/2010/06/french-river-trip-sep...
Blog in Polish: ontario-nature-polish.blogspot.com/2010/06/in-polish-fren...
Day One, September 04, 2008. Paddling time: 3 hours 05 minutes. Trip Length: 13.7 km.
We left Toronto at 7:20 am and stopped only once for coffee. Arrived at 11:00 am at the Hungry Bear Restaurant; Mike and Morgan had already been there waiting for us. After a traditional lunch (excellent flame-grilled burger), we drove for about 25 minutes to Hartley Bay House and Marina, where we rented the canoes and purchase park permits. As planned, we were on the water on 01:00 pm. Our goal was to reach a campsite just before the Dalles Rapids. We headed south on Wanapitei Bay, passed the entrance to the Western Channel and took the Main Channel. At the Elbow we turned right and soon began looking for a campsite. All campsites were vacant, we checked out campsite #624 and the next one (which did not even appear on the map)—they were quite nice, yet we could not find space to set up even one tent. Eventually, we selected campsite # 625, (N45 58 16.2 W80 52 10.3) which had a beach, plenty of space for many tents and enough trees for hammocks. Not far from the campsite were rusty remnants of old machinery, apparently an alligator. Alligators were shallow draft boats, with side-mounted paddle wheels, powered by a 20 horsepower steam engine and provided with a cable winch and large anchor. By using the winch they could pull themselves over land, around portages and up as much as a 20 degree incline at the rate of 1 to 2 1/2 miles per day. And they could haul a boom of some 60,000 logs across water against all but the strongest winds. They were heavily but simply built, making rebuilding and repair easy. We would see several of old shells of such alligators from now on—once they must have been a very popular sight in this area.
In the evening I went paddling solo and caught one pike and one bass, which we promptly grilled over the fire (I might add right now that these were the only fish I caught during the whole trip). In the evening it started to rain, then we saw lighting and eventually had to sit under a tarp to finish our supper.
www.agglo-plainecentrale94.fr/missions-et-actions/product...
Une démarche de développement durable
Le centre de production horticole, c'est 13 300 m2 de serres qui figurent sans doute parmi les plus modernes et performantes du pays. "Nous n'avons pas voulu nous contenter de remplacer les vieilles serres de Créteil et Limeil-Brévannes, explique Thierry
Deman, responsable de la production florale et arboricole de Plaine centrale. Notre objectif, c'était de créer un site de production qui garantisse un haut rendement, respecte l'environnement et offre au personnel de bonnes conditions de travail. C'est
pourquoi nous nous sommes inscrits dans une démarche HQE (haute qualité environnementale) de développement durable."
C'est ainsi que les constructions ont été intégrées dans leur environnement, que les serres ont été travaillées et disposées pour limiter au maximum l'impact visuel, que les arbres et les haies existants ont été préservés et que les matériaux choisis (bois,
verre, aluminium, acier inoxydable, linoléum, peintures sans solvant) l'ont été pour leurs faibles nuisances environnementales.
À l'intérieur, la plupart des réseaux ont été enterrés et l'éclairage a été réalisé avec des luminaires basse luminancepour améliorer le confort visuel.
Les équipements bruyants ont été mis dans des lieux isolés pour limiter les nuisances sonores, des siphons ont été placés régulièrement sur les dallages pour faciliter le nettoyage du sol, des ouvrants de pignons et de toiture ont été installés pour permettre
le brassage et le renouvellement de l'air.
Des économies d'eau et d'énergie
Mais le respect de la démarche HQE est surtout sensible dans la gestion économique et écologique de l'énergie et de l'eau.
De nombreuses dispositions ont ainsi été prises pour réaliser des économies de chauffage et améliorer le confort de travail du personnel (énergie humaine) : orientation des serres dans l'axe nord-sud pour un ensoleillement maximum, utilisation d'un verre spécial pour une filtration positive des rayons solaires (rétention
des UVA), régulation informatisée du climat et installation d'une chaudière à grand volume d'eau, mise en place de chaînes de production pour diminuer les déplacements, les efforts et contraintes physiques, concentration des aires de culture
autour de la galerie de travail.
Par ailleurs, tout a été conçu pour limiter les prélèvements d'eau et supprimer les rejets. C'est ainsi qu'un bassin de récupération des eaux de toiture a été réalisé et qu'un système d'arrosage, fondé sur le drainage et le recyclage des eaux de sol
a été mis en œuvre (voir encadré).
Ce sont bien, ainsi, des serres du XXIe siècle qui ont ouvert à Mandres-les-Roses. Un univers de fleurs et de plantes vertes certes, mais aussi de tapis de convoyage, de ponts roulants et de chariots mécaniques, car l'automatisation est omniprésente et a
permis à chaque étape de la production (rempotage, fertilisation ...) et de la manutention (transport du terreau, des plaques de culture ...) d'éliminer la plupart des tâches pénibles. Quant aux ordinateurs dont la présence peut également surprendre, ils
gèrent, ni plus ni moins que le chauffage, l'arrosage et le climat.
Un système d'arrosage innovant
En matière de développement durable et de protection de l'environnement, les serres communautaires se situent à la pointe de la technologie. Alors que les dégâts causés aux nappes phréatiques par les engrais et traitements divers sont depuis longtemps avérés et que l'eau devient un bien de plus en plus précieux, les serres communautaires ne polluent pas et permettent de réaliser des économies. Elles le doivent à l'installation d'un système d'arrosage qui met en œuvre le recyclage des eaux d'arrosage et la récupération des eaux de pluie (ou eaux de toiture). Comme le montre le schéma ci-dessous, le recyclage des eaux d'arrosage s'effectue par filtration à travers une toile perméable et une couche de roche volcanique au pouvoir tampon, disposées sous les plantes. Les eaux de pluie, elles, sont récupérées dans un bassin de 500 m3. Après mélange et fertilisation dans une station de pompage, eaux de pluie et d'arrosage sont dirigées sur les rampes d'arrosage.
Here is the amazing The Village Cave Hotel i stayed in Cappadocia. I would highly recommend The Village Cave Hotel for all backpackers, like me :). You can even book your hostel online from Turkey Hostels. Cheers !
FaceBook｜Blogger ｜Instagram ｜500PX
You can licence images through My Getty image
All of My Reviews｜心得文：
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
www.sacbee.com/2012/09/24/4850028/savannah-ocean-exchange...
sites.google.com/a/opensailing.net/protei/news/proteiwins...
By Savannah Ocean Exchange
Published: Monday, Sep. 24, 2012 - 11:25 am
SAVANNAH, Ga., Sept. 24, 2012 -- /PRNewswire/ -- The Savannah Ocean Exchange (SOE) Global Review Panel has selected the winners of the 2012 Solutions Exchange awards. Each award includes a $100,000 prize from Worldwide Sponsors Gulfstream Aerospace Corp. and Wallenius Wilhelmsen Logistics (WWL).
This year's $100,000 Gulfstream Navigator Award was given to Protei: Ocean Cleaning Sailing Robots presented by Gabriella Levine. Protei is a seafaring surface vessel, constructed to carry research instruments and environmental clean-up equipment autonomously over long distances on the ocean via wind power. The project was conceived in response to inefficiencies in oil spill relief efforts, and frustration with the unsustainable research and design costs of current robotic oceanic drones. Protei's mission is to provide a locally accessible, economically efficient platform for the development of ocean-cleaning data collecting robotic drones. Their goal is to harness human innovation, technological ingenuity, and creative design to preserve the integrity of natural resources.
This solution best reflects the goals of The Gulfstream Navigator Award: applicability across multiple industries to generate a positive impact on the economy and the environment. "We congratulate Protei, winner of this year's award," said Joe Lombardo, executive vice president, Aerospace Group, General Dynamics, parent company of Gulfstream Aerospace. "They demonstrated what can be done when diverse groups work together. Everyone who presented a solution this week deserves to be recognized for embracing the spirit of collaboration and cooperation and for their commitment to make a positive difference in the world."
Advancing a shipping and logistics solution for increased sustainability through zero-emissions, transport on land and at sea, the WWL Orcelle® Grant of 2012 and $100,000 has been awarded to Nonox: Emulsion Combustion Systems presented by Wes Pence.
Fossil fuel emissions contribute to global warming and are the root cause of many health problems. A proven method of cleaning up these emissions is on the inlet side of the engine/boiler through the use of water in oil-emulsified fuels.
The Nonox emulsion combustion unit (ECU) is a complete emulsion fuel system containing the mixing chamber and fuel/water proportioning controls. The ECU can be switched back and forth between emulsion and straight fuel at the flick of a switch. The Nonox Fuel Emulsions System is easy to install with little or no down time for the customer, the return on the investment is typically less than a year, and on larger installations much less than that. This system is most attractive in today's market due to ever increasing fuel costs and more stringent emissions regulations.
Christopher Connor, Deputy CEO and CCO of Wallenius Wilhelmsen Logistics of Norway, congratulated the winners saying, "the Nonox Emulsion Combustion System is an innovative solution that can decrease emissions of harmful substances to the air considerably, both at sea and on land. The team has done an impressive job in developing this promising technology. We hope that the Orcelle Grant will make it possible for them to bring this product to market, and look forward to supporting the laureate on this journey."
These LEAP TO ZERO+ Solutions all reduce the use of natural resources or waste generation as they increase productivity or economic well-being. This year's winners once again have solutions that address the environmental stewardship, new technology development, and support for developing countries.
About the Savannah Ocean Exchange
Founded in 2010, Savannah Ocean Exchange unites international organizations across multiple disciplines and boundaries to distribute and adopt solutions that positively impact the Ocean, economies and health. The 2012 Board of Governors includes 31 thought leaders from around the world who represent diverse backgrounds and expertise; share a commitment to innovation and to the protection of our ocean, and the enhancement and advancement of solutions that will create new industries, expand job opportunities and recharge economies.
For more information, please visit www.savannahoceanexchange.org.
SOURCE Savannah Ocean Exchange
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
.........
innisfreegarden.org/garden.html
We arrived at Innisfree as soon as it opened at 10AM one mid-August morning when the entire Northeastern US was in the middle of a record heatwave. Despite the heat and humidity, we were able to make a quick 1.5 mile circle on the path around the deep glacial lake at the heart of this 150 acre garden before we wilted and had to return to our air conditioned car. The harsh mid-day light made photography challenging, as you can see. We learned that Innisfree, said by some to be one of the world's Ten Great Gardens, opens at sunrise on three occasions each year, and we are already planning another trip to the Hudson River Valley in the future when we hope we can see and photograph this amazing place under better conditions.
"Like the pyramids of Egypt or the Great Wall of China, Innisfree helps us to define what we mean by ‘civilization’. It’s one of the few places in this world that lived up to — nay, exceeded — my expectations."
David Wheeler, Editor, Hortus (2013)
"In the late 1920s, Walter Beck and his wife, avid gardener and heiress Marion Burt Beck, began work on Innisfree, their country residence in Millbrook, New York. Walter Beck’s fascination with Asian art influenced his painting, the collecting he and his wife pursued, and their ideas on garden design. In the 1930s, Beck discovered the work of 8th-century Chinese poet, painter and garden maker Wang Wei. Studying scroll paintings of his famed garden, the Wangchuan Villa, Beck observed that Wang created carefully defined, inwardly focused gardens and garden vignettes within a larger, naturalistic landscape. Wang’s place-making technique — christened “cup gardens,” by Beck — influenced centuries of Chinese and Japanese garden design. It is also the principal design motif in the Innisfree landscape. Like his Chinese predecessor, Beck created three-dimensional pictures in the garden, incorporating both rocks from the site and horticultural advice from his wife. Unlike Wang Wei, or perhaps more familiar figures like Lawrence Johnston, who used his cup-like rooms at Hidcote in England to draw one through a sequence of events and create an overall sense of place, Beck focused more on individual compositions. Relating these to each other and to the landscape as a whole was the genius of Lester Collins."
The genius of this place lies not so much in the ideas which the designers formulated for the cup gardens, many of which are disarmingly simple, but in the way they have been maintained over the years. Essentially, everything is allowed to settle into the prevailing spirit of the place; if it does not, it is removed. It is this sensitivity, care and attention to the qualities of landscape, natural and made, that make Innisfree such a memorable success.
Tim Richardson, Great Gardens of America (2000)
Western gardens are usually designed to embrace a view of the whole. Little is hidden. The garden, like a stage set, is there in its entirety, its overall design revealed in a glance. The traditional Chinese garden is usually designed so that a view of the whole is impossible. [It] requires a stroll over serpentine, seemingly aimless arteries. The observer walks into a series of episodes, like Alice through the looking glass." .
Lester Collins, Innisfree: An American Garden (1994)
Manufactured by Héard & Mallinjod, Lyon, France for Plavic firm in Lyon.
Model: c.1930, serie 00, Without identification
This camera is a rare Hémax folder plate camera and Hémax folders produced 1923 to 1930s, according to
Sylvain Halgand and
Folder bed plate film camera, film size: plate 9x12cm
Lens: Plavic - Anastigmat 135mm f/6.3, filter slip-on, serial no.11135
Aperture: f/6.3-f/32 setting: lever and scale on front of the lens-shutter barrel
Focusing: bellows focusing, by a thumb wheel on the right of the front cover,
index and scale on the left-inside of the front cover,
Focus range: 1-10m +inf
Shutter: Gitzo leaf shutter type B1, speeds: 1/25, 1/50, 1/100 +T & B,
setting : lever and scale on the shutter
Cocking and Shutter release: by the same lever, on front of the lens-shutter barrel,
Manuel shutter cocking and releasing on the same time, for the speed settings, by pressing once the lever, the diaphragm opens and closes, (like old box cameras !)
Cable release socket: on the lens-shutter barrel
View finder: 1) Waist level Brilliant Finder on top of the lens and bellows mount plate, turnable 90 degrees left upon its own axis for landscape pictures
2) Sports finder: A big wire sports finder, hinged on the lens standard and used with a folding rear peep sight part, on the left side of the camera
Bellows single-extension, can bend over with a sliding part on the lens standard
Flash PC socket: none
Self-timer: none
Front plate and bellows opening: front plate opens by a knob on the top side of the camera,
it is unvisible cause it is under the leatherette cover, then pull the bellows forward by engaging its rails to the front cover mounted rails, then press the two jagged, knob like chrome handles on front of the lens rails to inwards simultaneously, then pull out the bellows as far as reaching to the focus scale,
Closing: simply pull in the bellows as far as it goes, than push to inward the struts
Back cover: as a plate film holder, removable by sliding upwards
Engraving inside of the front cover: PLAVIC
Tripod sockets: Old 3/8'' type, two, on the bottom and left sides of the camera
Lugs for leather Hand grip
Body: metalic, Weight: 850g
serial no.1788
Plavic It was believed that Plavic was a French brand of camera bodies as well for the lens and shutters, but this is not exactly true:
As to Sylvain Halgand
"The traces of Plavic are in the catalog of Photo-Plait 1919. The actual name of the manufacturer is Planchon Cellulose Corporation in Lyon. Their production is limited to the cellulose films and maybe printing papers and photographic chemicals.
The problem with Plavic is that this brand has never made cameras.
The cameras named Plavic made by another manufacturer and Plavic completed its offers by including devices to their catalog.
They seem few and have been circulated before or around the 1930.
The shutters in Plavic cameras were named Plavicos but it was made by Gitzo".
I found no information about the manufacturers of the Plavic lenses.
Plavic marked cameras were Pliant 127 and 6x9 folders, Le Plavico 6x9, and Box etc. All of them were the same cameras of other brands.
So, here, this Plavic camera is exactly the same camera as much as in very fine details and lens with Hémax folder plate serie 00. It is clear that this camera was made by Héard & Mallinjod for Plavic.
I couldn't find any information about 9x12 plate camera labelled as Plavic in the internet sources but in McKeown's.
As to McKeown's Cameras 2006: in the Planchon section, p.786
The company was founded by Victor Planchon, Boulogne & Lyon, France.
Hirlemann & Moreau (later Héard & Mallinjod) made a 6x9cm and 9x12cm folding plate cameras in c.1920-28 under the Hemax label. After those dates some Hemax cameras are found under the PLAVIC label (PLAnchon VICtor). Victor Planchon collaborated with the Lumiere brothers in fabricating the first films for the Cinematographe in Boulogne-sur-mer and later in Lyon. He became director of the Lumiere factory in the Lyon suburb of Feysin where he made and distributed films with Lumiere emulsions under the name Plavic. For some time, he also sold Plavic cameras in 9x12cm, 6x9cm sizes, before these became Lumiere cameras".
Gitzo is a French company, founded in 1917. Its name was derived from the founder's name Arsène Gitzhoven. Gitzo was a name given to an early shutter and later adopted for all products manufactured by the company. Initially Gitzo made camera equipment and precision accessories, especially shutters. After World War II it concentrated on the manufacture of tripods and tripod heads, for which it is renowned today.
Camera importers and manufacturers offered their camera models with a range of shutter and lens combinations. A good example for this are the Héard & Mallinjod Hemax models, which were offered with a range of lenses manufactured by Berthiot, Boyer, Darlot, Hermagis, Itier and Roussel, and for which Gitzo, Vario and Compur shutters were available. as to Camerapedia
and Gitzo Shutters