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Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
HY EISMAN
Horace and Dotty Dripple 32
Hy Eisman (b. March 27, 1927) is an American cartoonist who wrote and drew the Sunday strips The Katzenjammer Kids and Popeye. Eisman was the first to introduce the character of Bluto to the Popeye Sunday page. Bluto has continued to appear as the twin brother of Brutus.
He entered the comic strip field in 1950 and worked on several strips, including Kerry Drake, Little Iodine and Bunny. In comic books he was the last artist doing Little Lulu before it was cancelled in 1984. He took over The Katzenjammer Kids in 1986 and the Popeye Sunday strip in 1994. An extensive interview with Eisman on his career appeared in Hogan's Alley #15 (2007).
In 1976, Eisman, who lives in Glen Rock, New Jersey, became a teacher at the Joe Kubert School of Cartoon and Graphic Art.
Eisman won the 1975 National Cartoonists Society's Award for Best Humor Comic Book Cartoonist (for Gold Key's Nancy comic books). In 1984, he received an Award for his work on the Little Lulu comic book.
Hy Eisman started as a greeting card artist and quickly went to creating his own newspaper cartoon feature 'It Happened in New Jersey'. In the late 1950s he became an assistant to comic artists like Alfred Andriola ('Kerry Drake') and Vernon Greene ('Bringing up Father'). At the same time, he drew for comic books by Charlton (romance), ACG ('Adventures into the Unknown', 'Forbidden Worlds'), Marvel (romance), Harvey ('Blondie') and Western Publishing ('Nancy', 'Twilight Zone', 'Smokey Stover'). From 1967 to 1983 he illustrated the 'Little Iodine' series, which was originally created by Jimmy Hatlo. In 1986 he took over 'The Katzenjammer Kids', the world's oldest continuing comic strip. In 1994, Eisman added another comic legend to his repertoire when he started drawing the Sunday 'Popeye' strip.
Eisman at KingFeatures.com
Hy Eisman
Illustrator & Cartoonist
Hy Eisman started as a greeting card artist and quickly went to creating his own newspaper cartoon feature 'It Happened in New Jersey'. In 1986 he took over 'The Katzenjammer Kids', the world's oldest continuing comic strip. In 1994, Eisman started drawing the legendary Sunday 'Popeye' strip. Eisman has been a teacher at The Kubert School since 1976.
Clients ACG, Charlton, Marvel, Harvey, Western Publishing
Characters Popeye, The Katzenjammer Kids', Blondie, Nancy, Twilight Zone, Smokey Stover
Hy Eisman - THE KUBERT SCHOOL -- Faculty
HY EISMAN
Private Secretary
Hy Eisman (b. March 27, 1927) is an American cartoonist who wrote and drew the Sunday strips The Katzenjammer Kids and Popeye. Eisman was the first to introduce the character of Bluto to the Popeye Sunday page. Bluto has continued to appear as the twin brother of Brutus.
He entered the comic strip field in 1950 and worked on several strips, including Kerry Drake, Little Iodine and Bunny. In comic books he was the last artist doing Little Lulu before it was cancelled in 1984. He took over The Katzenjammer Kids in 1986 and the Popeye Sunday strip in 1994. An extensive interview with Eisman on his career appeared in Hogan's Alley #15 (2007).
In 1976, Eisman, who lives in Glen Rock, New Jersey, became a teacher at the Joe Kubert School of Cartoon and Graphic Art.
Eisman won the 1975 National Cartoonists Society's Award for Best Humor Comic Book Cartoonist (for Gold Key's Nancy comic books). In 1984, he received an Award for his work on the Little Lulu comic book.
Hy Eisman started as a greeting card artist and quickly went to creating his own newspaper cartoon feature 'It Happened in New Jersey'. In the late 1950s he became an assistant to comic artists like Alfred Andriola ('Kerry Drake') and Vernon Greene ('Bringing up Father'). At the same time, he drew for comic books by Charlton (romance), ACG ('Adventures into the Unknown', 'Forbidden Worlds'), Marvel (romance), Harvey ('Blondie') and Western Publishing ('Nancy', 'Twilight Zone', 'Smokey Stover'). From 1967 to 1983 he illustrated the 'Little Iodine' series, which was originally created by Jimmy Hatlo. In 1986 he took over 'The Katzenjammer Kids', the world's oldest continuing comic strip. In 1994, Eisman added another comic legend to his repertoire when he started drawing the Sunday 'Popeye' strip.
Eisman at KingFeatures.com
Hy Eisman
Illustrator & Cartoonist
Hy Eisman started as a greeting card artist and quickly went to creating his own newspaper cartoon feature 'It Happened in New Jersey'. In 1986 he took over 'The Katzenjammer Kids', the world's oldest continuing comic strip. In 1994, Eisman started drawing the legendary Sunday 'Popeye' strip. Eisman has been a teacher at The Kubert School since 1976.
Clients ACG, Charlton, Marvel, Harvey, Western Publishing
Characters Popeye, The Katzenjammer Kids', Blondie, Nancy, Twilight Zone, Smokey Stover
Hy Eisman - THE KUBERT SCHOOL -- Faculty
Choshuenco significa "aguas amarillas" en mapudungun.
Crónicas: Vacaciones en Pucura, Volver a Lican Ray, Trotar bajo la lluvia, Día de lluvia en las termas, La ruta a Huilo Huilo.
Fotografías: Los árboles y el Lago Calafquén, Playa Pucura, Lago Calafquén, Playa Chica de Lican Ray, El catamarán en Lican Ray, Quesería en Lican Ray, Camino a Coñaripe, Las moras y el árbol, El lago, El bote y el Lago Calafquén, Viento en Coñaripe, Té, sopaipillay pebre para capear la lluvia, Orilla del Lago Panguipulli, Salto del Huilo Huilo, Dos botes en el Lago Panguipulli.
Video: Vacaciones en el sur de Chile: Pucura, Lican Ray y Panguipulli.
Apuntes y Viajes en las redes sociales: Flickr, You Tube, Facebook y Twitter.
نحتاج لـ :
عجينة المطبق
حشوة دجاج مضاف لها طماطم ، بصل أخضر ، كراث ، بيضتين .
نحط الحشوة عالرقائق ونطبقها
وع الصاج ..
Tras unos días de parón por asuntos profesionales, continúo con las fotos de mi trayecto por las tierras de A Peneda - Gerês.
Esto que vemos aquí es la bajada de la carretera que va desde Brufe hasta el embalse de Vilarinho das Furnas.
Es una carretera que tiene un poco de mala leche, porque esa piedra tan quebrada es fuente inagotable de pequeños desprendimientos, y las curvas no tienen demasiada visibilidad.
Lo que significa que tienes que cogerlas con calma, sin hacer demasiado ruido (nada de pitar) y rezando para que no te caiga un pedrusco.
Una ruta por A Peneda - Gerês:
(I) lugaresadescubrir.blogspot.com.es/2011/01/parque-nacional...
(II) lugaresadescubrir.blogspot.com.es/2011/02/parque-nacional...
en.godfootsteps.org/testimonies/the-never-quenching-life-...
Christian Testimonies | The Life Force That Can Never Be Extinguished
I am an ordinary person who lived a run-of-the-mill life. Like many who yearn for the light, I tried lots of ways to search for the true meaning of human existence, so that my life could have more meaning. In the end, all my efforts were in vain. But after I was fortunate enough to accept Almighty God’s work of the last days, miraculous changes occurred in my life. It brought more color to my life, and I came to understand that only God is the true Provider of people’s spirits and lives, and only God’s words contain the true meaning of human life. I was glad that I had finally found the right path in life. However, whilst performing my duty one day, I was illegally arrested and brutally tortured by the CCP government. Thereafter, I underwent a life experience that will forever be etched into my life’s journey …
One day in December 2011 at around 7 a.m., another church leader and I were carrying out inventory on church assets when more than ten police officers suddenly burst through the door. One of these evil police rushed up to us and shouted, “Don’t move!” Seeing what was happening, my head reeled. In my mind I thought, “This is bad—the church is going to lose a lot of assets.” Next, the evil police searched us like bandits carrying out a robbery. They also ransacked each room, turning them upside down in short order. In the end, they found some property belonging to the church, three bank cards, deposit receipts, computers, mobile phones, and so on. They confiscated all of them, then took me, the other church leader and two others to the police station.
…
During the ten days and nights in the hotel, they kept the handcuffs on me, making me squat on the ground holding my legs. Looking back on the time I spent under arrest, I spent nineteen days and nights in the police station and the hotel, and it was the protection of God’s love that had allowed me to nap a little. Besides that tiny nap, the evil police hadn’t let me sleep at all in all that time; I had only to shut my eyes for a moment and they’d do anything it took to keep me awake—whacking the table, fiercely kicking me, screaming at me, ordering me to run about, and so on. Each time I’d be startled, my heart would hammer in my chest, and my nerves would be shot. What with being kept awake in this way and the evil police’s frequent torture as well, my strength ended up severely depleted, my whole body was swollen and uncomfortable, and I started seeing everything in double vision. I’d know there were people in front of me talking, but the sound of their voices would seem as if it were coming from somewhere far away. What’s more, my reactions were becoming very slow. For me to have somehow made it through this was all thanks to God’s great power! As God said: “He causes man to be reborn, and enables him to tenaciously live out his every role. Thanks to His power and His inextinguishable life force, man has lived for generation after generation, throughout which the power of God’s life has been the mainstay of man’s existence, and for which God has paid a price that no ordinary man has ever paid. God’s life force can prevail over any power; moreover, it exceeds any power. His life is eternal, His power extraordinary, and His life force is not easily overwhelmed by any created being or enemy force” (“Only Christ of the Last Days Can Give Man the Way of Eternal Life” in The Word Appears in the Flesh). In my heart, I gave sincere thanks and praise to God: “O God! You rule all things, Your deeds are inestimable, only You are almighty, You are the inextinguishable life force, and You are the wellspring of the living water for my life. In this special environment, I have beheld Your unique power and authority.” In the end, the evil police got no answers to their questions from me, and they sent me to the detention house.
On the way to the detention house, two policemen said to me, “You’ve done really well. You guys might be in the detention house, but you’re good people. There are all sorts there: drug dealers, murderers, prostitutes—you’ll see when you arrive.” “Since you know we’re good people, why do you arrest us? Doesn’t the government talk of freedom of religion?” I asked. “That’s the Communist Party lying to you. The Party gives us our livelihood, so we have to do what it says. We don’t hate you or have anything against you. We just arrested you because you believe in God,” one of the policemen said. Hearing this, I thought back over everything I’d experienced. I couldn’t help but recall the words of God: “Religious freedom? The legitimate rights and interests of citizens? They are all tricks for covering up sin!” (“Work and Entry (8)” in The Word Appears in the Flesh). God’s words cut right to the heart of the matter, allowing me to truly see the true face of the CCP government and how it tries to gain kudos it does not deserve: On the surface, it flies the flag of religious freedom, but in secret it arrests, oppresses, and cruelly hurts those who believe in God up and down the country, in the vain hope of banning God’s work, and it even shamelessly plunders the church’s money, all of which lays bare its demonic substance that hates God and hates the truth.
Whilst in the detention house, there were times when I was weak and in pain. But God’s words kept inspiring me, giving me strength and faith, allowing me to understand that, although Satan had stripped me of the freedom of the flesh, my suffering had edified me, and had taught me to rely on God during the torture of these evil demons, allowed me to understand the true meaning of many truths and to see the preciousness of the truth, and it had increased my resolve and motivation to pursue the truth. I became willing to keep obeying God, and to experience all that God had arranged for me. As a result, when working in the detention house, I sang hymns and quietly thought of God’s love. I felt that my heart had come closer to God, and I no longer found the days so painful and distressing.
During this time, the evil police interrogated me many more times. I thanked God for guiding me in overcoming their torture time and time again. Afterward the evil police withdrew all the money from my three bank cards. Helplessly watching the church’s money being taken by the evil police broke my heart. My heart was filled with hate for this greedy, evil gang of demons, and I yearned for the kingdom of Christ to arrive soon. In the end, despite not having any proof, they sentenced me to a year and three months of reeducation through labor for “disrupting the public order.”
Through being brutally persecuted by the CCP government, I have truly tasted God’s love and salvation for me, I have come to appreciate God’s almightiness and sovereignty and His miraculous deeds, and I have beheld the authority and power of God’s words. Moreover, I have come to truly despise Satan. During that time of persecution, God’s words accompanied me through the distressing days and nights, they allowed me to see through Satan’s cunning schemes and they provided timely protection. God’s words made me strong and courageous, allowing me to overcome that savage torture time and time again. God’s words gave me strength and faith, and they gave me the courage to fight with Satan to the very end…. Thanks be to God! Almighty God is the truth, the way, and the life! I shall forever follow Almighty God to the very end!
Recommended: More Why Does God Put Us Through Trials - Learn God's will and find the path to gain salvation and enter the heavenly kingdom.
Image Source: The Church of Almighty God
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расчет сайдинга и комплектующих sotdel.ru/calculator-sajdinga.html Расчет сайдинга (#сайдинг #sotdel) подразумевает вычисление необходимого количества панелей сайдинга и ряд комплектующих, предназначенных к использованию в разных местах архитектурных элементах зданий. www.facebook.com/110372909302943/photos/a.198861097120790...
Продажа стройматериалов для внешней и внутренней отделки. Прайс-листы. Возможность онлайн-заказа продукции. Сведения о скидках и акциях.
Сухие смеси для ремонта www.sotdel.ru/suhie-stroitelnye-smesi/
Кухонный фартук www.sotdel.ru/fartuk-dlya-kuhni.html
Пиломатериалы для дома www.sotdel.ru/fartuk-dlya-kuhni.html
Кровельные материалы www.sotdel.ru/krovelnye_materialy.html
Москва ул. Верхние Поля, 48а
пн–пт 09:00–18:00; сб 09:00–15:00
+7 (495) 258-62-08
This roll drop curtain was painted 1930-35 by Granite State Studios in Plymouth NH. We have no record of where it hung, but it was a backdrop on a stage the size of Contois Auditorium. We know this because the height of the curtain is exactly right for Contois. The width is narrower because the curtain has been cut/torn on the sides. It is now 15ft wide, instead of the approximately 20ft it should be.
The scene shows an imaginary street, which is how all the advertising street scenes were constructed. There is, for instance, no statue of Joan of Arc at the foot of Church Street! Many of the businesses are gone; others changed their name but are still around. For instance, Burlington Mattress became Vermont Mattress. Burlington Paint & Wallpaper became Vermont Paint & Wallpaper. Lippa’s is obviously still there. The blimp has Shepard & Hamell, which many people will remember. A few businesses are from St. Albans and even Newport – this happened when travelling salesman would promise stores a spot on a second curtain other than their own, or because some of the slots might not have found Burlington buyers. We’ll never know. (by Chris Hadsel, www.curtainswithoutborders.org/index.html)
artbeadscene.blogspot.com/2011/12/december-monthly-challe... Blogging about the ART Bead Scene challenge here - palumbojewelry.blogspot.com/2011/12/los-abalorios-arte-un... TADA 365, Nov. 4, #316 More than a month behind on TADA 365. I'll be claying this weekend for certain :) !
shoestringonline.co.uk/html/klansmen#.Up37xMRdXh7
Visitors to the Current show at the Serpentine Sackler Gallery, Hyde Park were directed by the Chapman Brothers with this message.
GET RID OF MEANING. YOUR MIND IS A NIGHTMARE.
Easier said than done when it comes to this art by the Chapman Brothers which features the familiar mutilated bodies and scenes of horrific torture and gruesome ritualised decapitations that do not necessarily contrive to horrify, as this sentence would appear to suggest.
The Chapman brothers are inclined to provide enough comforting context. We Monks were after all invited to enter a brand new swanky art gallery and no art lover as far as we are aware has thus far been harmed or traumatised by a Chapman image.
We entered cautiously and discovered the familiar grim images, scary in a "ghost train" kind of way. The Chapman Klansmen are comedy Klansmen with rainbow socks and comedy smiley faces. The Chapman crucified martyrs are nothing more than harmless corporate Ronald MacDonald effigies, and so very many of them as in the real world.
I found myself failing to "get rid of meaning" by comparing the Chapman Brothers to Richard Dadd, whose "Fairy Feller's" is arguably more horrific, given Dadd's state of mind, but far less horrifically explicit than the Chapman Brothers.
As far as we know the Chapman Brothers are not actually psychotic. They are more inclined to toy with the visitors most visitors go along with the toying. I could not fail to notice two American ladies failing to "get rid of the meaning" They provided me with an in-depth commentary on each particular scene of horror and mutilation as if Ronald MacDonald were a real person and these were scenes from a soap opera, a warped Nazi soap opera.
The miniature horror model show might also appeal to the model makers within all of us boys, seeking the same thrill you might get when you view an architect's model of a new airport or a shopping centre complete with little trees to provide context and scale.
For this reason I did wonder why The Chapman Brothers had not provided a model Hornby Nazi train-set to circulate about the corpses. Yes, I do believe that there is a train spotting model maker and dark grim humour within us all.
We Monks saw "Hell", the earlier Chapman Brothers work which featured similar miniature grotesque models in glass cases. These works which took years of endeavour to construct were destroyed in the cataclysmic MOMART fire in the 2004. They have now been recreated and re-imagined somewhat in the same spirit.
I discussed this with a young "curator" in the gallery. I discovered that the new Serpentine Sackler Gallery was in fact an 1805 listed building and formerly a depositary for gunpowder and such. I again found myself failing to "get rid of the meaning", so I changed the subject and I told her that I was a little scared to go into the central section behind the black curtain, from where I could hear the sounds of horror. She said that I should not be scared and that all would be well if I were to enter..
Beyond the black curtain masked members of the KKK were sitting amongst the visitors watching a Chapman movie. There I observed Mrs Monk sitting next to a KKK pointy hat both of them watching the horror movie as if it were the most natural thing in the world.
There was a Chapmanesque resonance in the movie but no fearful reaction from the visitors. Just the occasional knowing laugh.
Happy Tuesday collectors! Jen is out and about again on some very important business, so it's Sara here, with the honor of introducing today's edition from our beloved Jane Mount. Jane created Ideal Bookshelf 1, JMM just for 20x200, choosing her favorite—and most influential—childhood tomes.
I have a theory about this. Most impressionable when we're young, books and other sources of great ideas are given more weight. These books have also, often, been given to us by adults who regard these gifts as important and inspirational in their own lives. The Little Engine That Could, Goodnight Moon and The Little Prince are all titles that have passed the test of time.
How often—recently or long ago—were you able to accomplish a great task while chanting in your head, "I think I can, I think I can, I think I can!"? Am I the only one who still nods off some nights with sweet thoughts for the moon and all the other good things in life? And really, where would we all be if we hadn't learned from the young prince to listen to our hearts as often as we listen to our heads? Generations of us owe these books thanks! And so it is fitting that Jane has memorialized them here in Ideal Bookshelf 1, JMM.
While Jane's previous literary editions, Bookshelf 20 and Bookshelf 29 tell us a little bit about the owners of these collections, the ideal bookshelves of this new series tell us more about the books themselves, and their roles as cultural and physical objects.
The significance of books and their various roles in our lives are thoroughly explored in Summer Reading, currently on view at Jen Bekman Gallery. Jane is joined by Lizzie Buckmaster Dove, Nina Katchadourian, Michael Mandiberg, Victor Schrager and Mickey Smith in her exploration of the book as an object. In particular, several of these artists examine the spines of books and the details that help us identify books for what they are, even though, as Jane writes, "It's such a small place for a lot of information, with very little room for distinct characteristics". Each artist makes more or less of these characteristics in their work.
Have you seen the show yet? If not, hurry on over before we close this chapter in JBG history. It'll be worth your while, I promise. NY Art Beat critic Laura Meli writes, "Just as a summer read should be, the exhibition is intriguing, short, and fast-paced, with a few welcome surprises buried within." If you don't want to take our words for it, see what Elle and Artlog have to say. Also, find regular updates about the show and all of the Summer Reading artists on the JBG blog.
Summer Reading at JBG won't last and I have a hunch that Jane's edition won't either—both of her paintings in the show have sold—so it'd be wise to pick up a print while they're available! The exhibition closes in just a few short weeks, on August 22nd.
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
Lockheed A-12 via Wikipedia.
Lockheed A-12 via YouTube.
dsc09988
www.cressina.com/Crescent-Wire-Chair-by-sohoConcept.html
Crescent Collection is a unique design which has a comfortable upholstered seat with variety of different base options. Crescent Tower is built on chrome
plated steel wires. Crescent Star's seat is built on black powder steel tubes and also available in natural and wenge veneer as well as stainless steel.
Crescent MW Dining and Crescent MW Stools are built on black steel tubes with chrome wires and natural and black steel with black steel wires; stainless steel and
swivel may be applied to MW chair and Stools Crescent Wire Chair and Crescent Wire Stools are built on chrome, black and white steel wires. Crescent Round's base is
chrome plated swivel and stainless steel is an option if requested. Crescent Office is built on chrome plated steel and tilt is an option if desired. Crescent
seat is upholstered with a removable zipper enclosed fabric, Organic fabric, Leatherette, Genuine Leather, PPM slipcover which has a 5 year guarantee
against wear through. Crescent collection is suitable for both residential and commercial use.
Lettera di protesta al ministro Danese
www.whales.org.au/alert/filetter.html
Di immagini crude che documentino la ferocia e la barbarie di cui è capace l’uomo contro le altre specie viventi ne abbiamo diffuse molte: dal massacro delle foche che si perpetua ogni anno in Canada, alla strage degli elefanti in Africa, alla mattanza delle tigri appese come maiali a testa in giù per rifornire il mercato alimentare esotico dei cinesi ricchi.
Oggi vogliamo denunciare un’altra efferata e insensata usanza che si ripete annualmente nelle isole Far Oer, in Danimarca: l’uccisione di centinaia di balene, arpionate e accoltellate in massa da decine di persone, accorse come per un rito, a quello che per loro è un giorno di festa, per i poveri mammiferi un giorno rosso di sangue, un eccidio brutale ed inspiegabile.
L’uomo nasce cacciatore, diranno alcuni, ed è normale che si pratichi la pesca, che si vada a caccia e che si cibi di altre specie viventi. Fin qua ci siamo. Ma come insegnavano gli indiani d’America, i primi veri ecologisti, non bisogna prendere più del necessario da Madre Natura, rispettando ogni animale, ogni pianta come fosse sacra, perché necessaria alla nostra sopravvivenza.
Uccidere gli elefanti per farne bacchette d’avorio, assassinare le tigri per servirle ad un nababbo in camera con la sua amante, massacrare tenerissimi cuccioli di foca per ricavarne pellicce per signore facoltose non è lo stesso che uccidere un orso, come facevano anticamente gli indiani, per ricavarne un cappotto per ripararsi dal gelido inverno.
Così come c’è un’enorme differenza tra pescare per la sussistenza di una popolazione e compiere un massacro scellerato per perpetuare una stupida tradizione.
Così come è diversa la modalità con cui potrebbero essere soppressi questi poveri e stupendi animali marini, senza farne un giorno di festa, senza compiacersi e ridere alla vista delle balene sgozzate. Questo non è istinto di sopravvivenza, questa è crudeltà, pura, spietata, senza paragoni in nessun’altra specie vivente.
Le balene sono animali sensibili e socievoli e hanno, particolare non trascurabile, un sistema nervoso molto sviluppato che le porta a soffrire il dolore, il terrore e le sofferenze in maniera molto accentuata.
Ogni anno nelle Far Oer, i grossi mammiferi vengono attirati nelle baie, disorientando un intero gruppo con la cattura della balena pilota, vengono guidati e disorientati dai motoscafi (condotti solitamente da islandesi), costretti ad arenarsi sulla riva. Qui ha inizio il bagno di sangue. Martelli del peso di 2,2 chilogrammi percuotono ripetutamente gli animali ancora vivi, per far penetrare nella carne fresca uncini perforanti. Successivamente coltelli di 15 centimetri vengono impiegati per trapassare le carni e spaccare letteralmente la spina dorsale. La baia si riempie di sangue stagnante e di balene sofferenti e morenti tra i più atroci dolori. Il tanfo di morte è insopportabile
Gli abitanti delle Far Oer celebrano il massacro delle loro vittime in un’atmosfera carnevalesca di intrattenimento. Spesso ai più piccoli viene concesso un giorno di festa a scuola per assistere all’evento e godere dello spettacolo. Decine di bambini corrono sulla spiaggia, nella baia, e saltano e giocano e gioiscono sulle carcasse sanguinanti delle balene. Ogni anno trovano la morte nelle Far Oer circa 2.000 balene.
Le Far Oer, a metà strada tra le isole Shetland e l’Islanda, malgrado siano un protettorato della Danimarca, hanno un loro governo indipendente che regola anche questa stupida mattanza annuale.
Le balene del Nord Atlantico sono considerate una specie protetta dalla Convention on the Conservation of European Wildlife and Natural Habitats.
Uccidendo anche più di cento balene per volta interi gruppi vengono disorientati, sconvolgendo gli equilibri, i cicli riproduttivi, dividendo intere famiglie e condannando a morte i piccoli della specie.
Gli abitanti delle Far Oer, dato ancora più sconcertante, non vivono del ricavato della vendita di carne di balena, perché non può essere esportata negli altri Paesi Europei, dal momento che viene ad essere inquinata da tossine e metalli pesanti e non è pertanto conforme agli standard dell’Unione sugli alimenti destinati al consumo umano.
La mattanza delle balene è dunque un atto totalmente gratuito, crudele e assurdo.
L’unica cosa che possiamo fare per fermare lo scempio è diffondere quanto più possibile questi dati e queste terribili immagini.
Pubblicatele sui vostri siti, sui blog, sugli spaces, inviatele via mail ai vostri amici. Se i network di informazione nazionali perdono pagine e servizi interi per intenerire con la storia di una balena che ha scambiato una barca per la mamma, cosa dovremmo fare con queste immagini, ben più terribili e scioccanti?
E’ necessario rendersi testimoni e diffondere questa vergogna, per arrivare a fermarla e a condannarla senza scusanti.
Mi auguro che queste immagini scuotano la sensibilità di più coscienze e che vorrete unirvi al nostro grido di protesta e di ferma condanna
FAROE ISLANDS:
Whales are sensitive, social animals with highly developed nervous systems. They have a profound capacity to suffer distress, terror and pain. Each year, the Faroese kill over 1500 pilot whales. The scenes of medieval cruelty are too shocking to be shown here.
Whole families of whales - including pregnant mothers, lactating females, youngsters and foetuses - are butchered by the islanders. The whales die slow deaths, screaming in agony. Their killers are often drunk.
Islanders in motorboats first drive the whales into a bay. The chase may be lengthy. The exhausted, terrified and confused whales are eventually driven into the shallows. Here the bloodbath begins. The islanders repeatedly hammer 2.2 kg metal gaffs into the living flesh of each whale until the hooks hold. A 15 cm knife is then used to slash through the blubber and flesh to the spinal column. Next the main blood vessels are severed. The blood-stained bay is soon filled with horribly mutilated and dying whales.
The Faroese celebrate the butchery of their victims in an carnival atmosphere of entertainment. Indoctinated from an early age, children are often given a day off school to watch the fun. They run down to the bay and clamber over the carcasses of slaughtered whales.
Is the suffering inflicted by Faroese whaling ethically justified? Or is whale-killing an atrocity that has no place in any civilised society?
Please get involved
www.agglo-plainecentrale94.fr/missions-et-actions/product...
Une démarche de développement durable
Le centre de production horticole, c'est 13 300 m2 de serres qui figurent sans doute parmi les plus modernes et performantes du pays. "Nous n'avons pas voulu nous contenter de remplacer les vieilles serres de Créteil et Limeil-Brévannes, explique Thierry
Deman, responsable de la production florale et arboricole de Plaine centrale. Notre objectif, c'était de créer un site de production qui garantisse un haut rendement, respecte l'environnement et offre au personnel de bonnes conditions de travail. C'est
pourquoi nous nous sommes inscrits dans une démarche HQE (haute qualité environnementale) de développement durable."
C'est ainsi que les constructions ont été intégrées dans leur environnement, que les serres ont été travaillées et disposées pour limiter au maximum l'impact visuel, que les arbres et les haies existants ont été préservés et que les matériaux choisis (bois,
verre, aluminium, acier inoxydable, linoléum, peintures sans solvant) l'ont été pour leurs faibles nuisances environnementales.
À l'intérieur, la plupart des réseaux ont été enterrés et l'éclairage a été réalisé avec des luminaires basse luminancepour améliorer le confort visuel.
Les équipements bruyants ont été mis dans des lieux isolés pour limiter les nuisances sonores, des siphons ont été placés régulièrement sur les dallages pour faciliter le nettoyage du sol, des ouvrants de pignons et de toiture ont été installés pour permettre
le brassage et le renouvellement de l'air.
Des économies d'eau et d'énergie
Mais le respect de la démarche HQE est surtout sensible dans la gestion économique et écologique de l'énergie et de l'eau.
De nombreuses dispositions ont ainsi été prises pour réaliser des économies de chauffage et améliorer le confort de travail du personnel (énergie humaine) : orientation des serres dans l'axe nord-sud pour un ensoleillement maximum, utilisation d'un verre spécial pour une filtration positive des rayons solaires (rétention
des UVA), régulation informatisée du climat et installation d'une chaudière à grand volume d'eau, mise en place de chaînes de production pour diminuer les déplacements, les efforts et contraintes physiques, concentration des aires de culture
autour de la galerie de travail.
Par ailleurs, tout a été conçu pour limiter les prélèvements d'eau et supprimer les rejets. C'est ainsi qu'un bassin de récupération des eaux de toiture a été réalisé et qu'un système d'arrosage, fondé sur le drainage et le recyclage des eaux de sol
a été mis en œuvre (voir encadré).
Ce sont bien, ainsi, des serres du XXIe siècle qui ont ouvert à Mandres-les-Roses. Un univers de fleurs et de plantes vertes certes, mais aussi de tapis de convoyage, de ponts roulants et de chariots mécaniques, car l'automatisation est omniprésente et a
permis à chaque étape de la production (rempotage, fertilisation ...) et de la manutention (transport du terreau, des plaques de culture ...) d'éliminer la plupart des tâches pénibles. Quant aux ordinateurs dont la présence peut également surprendre, ils
gèrent, ni plus ni moins que le chauffage, l'arrosage et le climat.
Un système d'arrosage innovant
En matière de développement durable et de protection de l'environnement, les serres communautaires se situent à la pointe de la technologie. Alors que les dégâts causés aux nappes phréatiques par les engrais et traitements divers sont depuis longtemps avérés et que l'eau devient un bien de plus en plus précieux, les serres communautaires ne polluent pas et permettent de réaliser des économies. Elles le doivent à l'installation d'un système d'arrosage qui met en œuvre le recyclage des eaux d'arrosage et la récupération des eaux de pluie (ou eaux de toiture). Comme le montre le schéma ci-dessous, le recyclage des eaux d'arrosage s'effectue par filtration à travers une toile perméable et une couche de roche volcanique au pouvoir tampon, disposées sous les plantes. Les eaux de pluie, elles, sont récupérées dans un bassin de 500 m3. Après mélange et fertilisation dans une station de pompage, eaux de pluie et d'arrosage sont dirigées sur les rampes d'arrosage.
Lee mis Crónicas de Lima en Apuntes y Viajes:
Lima precolombina: Pachacámac y museos antropológicos
Procesión por el Malecón hasta los Pescados Capitales
Visita mis álbumes con fotos de Lima en Flickr:
Más fotos de Lima en Pinterest:
Mi trabajo: Flickr / Instagram / Blogger
Mi trabajo + Lo que me gusta: Twitter / Tumblr / Pinterest / Facebook / Google +
The Hazlet Township 9/11 Memorial honors twelve residents or former residents of Hazlet who perished in the terrorist attacks on the World Trade Center.
The memorial is a 9-foot, 11-inch-tall monument with names of the victims and etchings of their faces. It is surrounded by a circle of benches. This 9/11 Memorial also includes a piece of steel recovered from Ground Zero. Joseph Uras Monuments designed and created the monument. The Hazlet 9/11 Memorial was dedicated in September 2003.
Hazlet 9/11 Memorial - Hazlet Veteran's Park - 1776 Union Avenue in Hazlet, New Jersey Google Map -
miles to Ground Zero: 40
My second drawing of American R&B recording artist, actress and fashion designer. Beyoncé Knowles
Medium: Graphite pencils on sketching paper.
Pencil brand - Faber-Castell
Paper type - Acid Free Cartridge paper 13 x 17 inches
Evolution: kelvinokaforart.blogspot.com/2011/08/beyonce-knowles-evol...
Youtube video evolution clip: www.youtube.com/watch?v=tGdwna9NioM
Spiny cocklebur is a common herbaceous plant as a weed, 50-90 cm high, with rich branched stems with thorns yellow, 2-3 cm, very sharp, placed at armpit of each leaf.
Parties used: is used the air, and generally leaves.
It is found mainly in the plains and hills, grows near human settlements, along roads and railways, in the uncultivated places.
Spiny cocklebur - natural treatments
It has anti-inflammatory and anticongestiv, disinfectant, healing.
Spiny cocklebur is recommended in cases of prostate adenoma (preventive and curative, including postoperative) and other inflammatory conditions of the prostate.
Herb is also used when cistopielitei, renal lithiasis (up to the size of a grain of pepper).
It is administered as a decoction (one gram per cup) to be drunk before meals half an hour, two cups per day in the first six months of cure, then each one cup a day.
The treatment lasts 6-18 months prostate ailments, and cures cistopielitei 3-5 months in lifetime maintenance in
kidney stones.
During the cure Studded avoid eating spices, sour fruits, dairy products, alcohol ... read more ...
Here is the amazing Hotel Dort Mevsim i stayed in Pamukkale. I would highly recommend Hotel Dort Mevsim for all backpackers, like me :). You can even book your hostel online from Turkey Hostels. Cheers !
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
كِتَابٌ أَنزَلْنَاهُ إِلَيْكَ مُبَارَكٌ لِّيَدَّبَّرُوا آيَاتِهِ وَلِيَتَذَكَّرَ أُولُو الْأَلْبَابِ (ص:29)
نقدم لكم المصحف المجود بصوت الشيخ خالد الجليل للاستماع و التحميل قم باختيار سورة من القائمة
1- الفاتحة 2- البقرة 3- آل عمران 4- النساء5- المائدة 6- الأنعام 7- الأعراف 8- الأنفال9- التوبة 10- يونس 11- هود 12- يوسف13- الرعد 14- إبراهيم 15- الحجر 16- النحل17- الإسراء 18- الكهف 19- مريم 20- طه21- الأنبياء 22- الحج 23- المؤمنون 24- النور25- الفرقان 26- الشعراء 27- النمل 28- القصص29- العنكبوت 30- الروم 31- لقمان 32- السجدة33- الأحزاب 34- سبأ 35- فاطر 36- يس37- الصافات 38- ص 39- الزمر 40- غافر41- فصلت 42- الشورى 43- الزخرف 44- الدخان45- الجاثية 46- الأحقاف 47- محمد 48- الفتح49- الحجرات 50- ق 51- الذاريات 52- الطور53- النجم 54- القمر 55- الرحمن 56- الواقعة57- الحديد 58- المجادلة 59- الحشر 60- الممتحنة61- الصف 62- الجمعة 63- المنافقون 64- التغابن65- الطلاق 66- التحريم 67- الملك 68- القلم69- الحاقة 70- المعارج 71- نوح 72- الجن73- المزمل 74- المدثر 75- القيامة 76- الإنسان77- المرسلات 78- النبأ 79- النازعات 80- عبس81- التكوير 82- الإنفطار 83- المطففين 84- الإنشقاق85- البروج 86- الطارق 87- الأعلى 88- الغاشية89- الفجر 90 البلد 91- الشمس 92- الليل93- الضحى 94- الشرح 95- التين 96- العلق97- القدر 98- البينة 99- الزلزلة 100 العاديات101 القارعة 102 التكاثر 103 العصر 104 الهمزة105 الفيل 106 قريش 107 الماعون 108 الكوثر109 الكافرون 110 النصر 111 المسد 112 الإخلاص113 الفلق 114 الناس دعاء ختم القرآن الرسم العثماني
المصدر : http://www.alhamdlilah.com/quran/mp3/aljalil/#ixzz52Nm4wyEy
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: www.loc.gov/rr/print/res/rights.html
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Public Domain. Additional source description and credit info from the Library of Congress:
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
SUBJECTS:
United States--New York (State)--New York.
FORMAT:
Nitrate negatives.
PART OF: Farm Security Administration - Office of War Information Photograph Collection
REPOSITORY: Library of Congress Prints and Photographs Division Washington, DC 20540 USA
DIGITAL ID: (intermediary roll film) fsa 8b31169
CARD #: fsa1998024181/PP
TITLE: 125th Street. Uptown New York City
CALL NUMBER: LC-USF34- 014525-D [P&P]
REPRODUCTION NUMBER: LC-USF34-014525-D (b&w film nitrate neg.)
MEDIUM: 1 negative : nitrate ; 3 1/4 x 4 1/4 inches or smaller.
Location: Delaware Art Museum
The Work of:
Dante Gabriel Rossetti
English Pre-Raphaelite Artist
This picture may have been designed simply as a toilette scene. Probably in 1866, Rossetti began to associate it with Lilith, the legendary first wife of Adam who deceived him before he met Eve.
The sonnet he wrote for the picture combines the two ideas by emphasizing the allure of Lilith's hair. Later this sonnet was called 'Body's Beauty', in opposition to 'Soul's Beauty', the sonnet associated with 'Sibylla Palmifera'.
Lady Lilith - Body's Beauty
Of Adam's first wife, Lilith, it is told
(The witch he loved before the gift of Eve,)
That, ere the snake's, her sweet tongue could deceive,
And her enchanted hair was the first gold.
And still she sits, young while the earth is old,
And, subtly of herself contemplative,
Draws men to watch the bright web she can weave,
Till heart and body and life are in its hold.
The rose and poppy are her flowers; for where
Is he not found, O Lilith, whom shed scent
And soft-shed kisses and soft sleep shall snare?
Lo! as that youth's eyes burned at thine, so went
Thy spell through him, and left his straight neck bent
And round his heart one strangling golden hair.
~ D. G. Rossetti
Quoted From: Liverpool Museums - 'Lady Lilith', Dante Gabriel Rossetti
kokomoperspective.com/local_sports/intercollegiate-athlet...
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I've been meaning to check out the food trucks by the Red Hook Ball Fields for the past 2 years or so. Finally got the chance this past weekend. I wish I had a bigger stomach so I could try more stuff because all I had was the mixed ceviche and spicy pork huarache. But the 2 things I tried was pretty good.
Spicy Pork Huarache So this pic doesn't highlight the best part of this dish which is the meat hiding under all that guac and salsa. I know, I could have moved it and focused on the bits hanging out on the side. But I was in too much of a hurry to dig in. Plus, my friend was hungry too. We joked about having a support group for People With Friends Who Won't Let Them Eat Until Food Porn Has Been Properly Aquired. There needs to be pics of people on the sidelines with forks in their hands drooling and anxiously waiting when it comes to food porn.
Mixto Ceviche I had my reservations about getting ceviche off a tiny food cart especially on a hot summer day (there was a heat advisory the day I went) but it was pretty good. In fact, it's better than some ceviche I've had in restaurants.
The only con about getting food at the Red Hook Ball Fields is that there's not much else nearby (unless you want to take a stroll to IKEA or walk further up for the shops on Smith and Court). My friend mentioned the last time she was here, she met some folks who made a trek all the way from Queens via subway just for the food. I don't know, food was good. Just not sure it was THAT good. But you always gotta try it once I guess.
There was one more thing we really wanted to try which was the papusa. But the line for that truck was pretty long and we were already stuffed from the other food we got. Think I will have to make another trip back just for that. Although I heard you might be able to get it at the Brooklyn Flea as well. Anybody tried the papusa? Is it worth the wait in line?
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Striped Skunk (Mephitis mephitis), Estero Bluffs, Cayucos, CA (Jack)
www.ipm.ucdavis.edu/PMG/PESTNOTES/pn74118.html
Two species of skunk are found in California, the spotted skunk (Spilogale gracilis) and the striped skunk (Mephitis mephitis), which is the species most commonly found around homes.
Although originally considered members of the weasel family, recent genetic research has placed skunks into their own family Mephitidae. Both skunk species produce an oily, yellow sulfur-alcohol compound that contains sulfuric acid. This pungent liquid is stored in two separate scent glands located on each side of the anus and can be squirted accurately at targets as far as 6 to 10 feet away as a self-defense mechanism. The secretion is acrid enough to cause nausea and can produce severe burning and temporary blindness if it strikes the eyes.
Striped skunks are primarily active at dawn, dusk, and at night but can be active during the daytime, particularly in human-use areas. Spotted skunks rarely venture out during the daytime. Both skunk species consume a highly-varied diet including insects, grubs, earthworms, small rodents, snakes, lizards, frogs, mushrooms, berries and fruit, pet food, and garbage. Skunks will also opportunistically feed on bird eggs, which can result in substantial losses to ground-nesting birds when skunk densities are high. Food items found in their diet will vary seasonally depending on availability.
The average life span of skunks is around 2 to 3.5 years, although they can occasionally live up to 7 years in the wild.
Skunks often den in burrows. They will often use abandoned burrows dug by ground squirrels, foxes, or coyotes and will enlarge them if necessary. If dens are scarce, they will readily use brush piles, hollow logs, and culverts. In urban settings, they den under decks, porches, or beneath buildings. If other suitable dens are unavailable, skunks will dig their own dens. Skunks do not hibernate; but in regions with colder weather, they may congregate in communal dens during the winter.
Skunks are attracted to residential areas by the availability of food, water, and shelter. They become a nuisance when they live under porches, decks, garden tool sheds, or homes. Their scent is usually not welcome around homes, and they often spray dogs that bark and approach rapidly. They like to feed on ripening berries and fallen fruit and cause other garden problems by digging while in search of grubs and other insects. They often search for food in lawns by digging small pits or cone-shaped depressions that range from 3 to 5 inches across. Like raccoons, they may also damage lawns by rolling back sections of sod in search of insects.
Skunks have an excellent sense of smell and good hearing, but they have very poor vision. This poor vision explains why they are often hit by cars when crossing roads. A skunk may not react if a person more than 10 feet away is quiet and standing still or moving slowly.
Healthy skunks are mild-tempered animals. They are not aggressive and, given the opportunity, prefer to flee rather than fight. They usually only defend themselves when suddenly frightened, cornered, or harmed. Skunks usually provide a warning before discharging their scent by stamping their forefeet rapidly, hissing, and arching their tail over their back. Skunks prefer not to spray given the time required to replenish their spray supply. Therefore, using caution around skunks should substantially reduce the possibility of being sprayed.
Disease concerns occur when skunks take up residence in an urban or suburban setting. In California, skunks are one of the most common carriers of rabies, a viral disease transmitted by the bite of an infected animal. Skunks can also be carriers of other diseases including leptospirosis, listeriosis, canine distemper, canine hepatitis, Q-fever, and tularemia.
photo by Aline Gwose & Michael Herling / Fotowerkstatt Sprengel Museum Hannover
www.emergencyrooms.org/sprengelmuseum.html
photo by Aline Gwose & Michael Herling / Fotowerkstatt Sprengel Museum Hannover
----------Sprengel Museum exhibition Press release ----------
Sprengel Museum Hannover
PHOTOGRAPHY CALLING!
09. October 2011 – 15. January 2012
Sprengel Museum HannoverSprengel Museum Hannover
IN ASSOCIATION WITH THE
LOWER SAXONY SAVINGS BANK FOUNDATION
PHOTOGRAPHY CALLING! is an exhibition of the works of 31 photographers on a floor area of over 2,000 square metres. Since HOW YOU LOOK AT IT in 2000, this exhibition is the first and only one to provide an all-embracing overview of artistic photography from the 1960s to the present day. The exhibition has been organized by the Sprengel Museum Hannover in collaboration with the Lower Saxony Savings Bank Foundation. Starting out from the Foundation’s collection of large groups of works by both American and European photographers, the only collection of its kind in Europe, the exhibition explores the history and perspectives of the ‘documentary style’ of photography.
PHOTOGRAPHY CALLING! constitutes yet a further step towards establishing Hanover as an important centre for artistic photography in the north of Germany.
The starting points of the exhibition are the works of Robert Adams, Diane Arbus, Lewis Baltz, Bernd and Hilla Becher, William Eggleston, Lee Friedlander, John Gossage, Nicholas Nixon, Martin Parr and Michael Schmidt. The artist photographers Rineke Dijkstra, Paul Graham, Thomas Struth and the photographers of the generations that followed, such as Jitka Hanzlová, Stephen Gill, Jochen Lempert, Elisabeth Neudörfl, Heidi Specker and Tobias Zielony, visualize the world with a style of photography that adheres strictly to the medium and yet is highly subjective. Max Baumann, Boris Mikhailov, Rita Ostrowskaja and Helga Paris extend the perspective with experiences of their own confrontations with different political systems, while Laura Bielau, Thomas Demand, Hans-Peter Feldmann, Andreas Gursky, Thomas Ruff, Wolfgang Tillmans and Jeff Wall use the documentary style of photography as a means of exemplifying the phenomena of visual perception. Many of the works are being exhibited for the very first time.
Integrated into the exhibition are three successive Project Rooms organized by three guest curators and each taking place for the duration of one month. They thematize three different methods of collecting and three different ways of using photography.
From 9.10. until 30.10.2011 the artist Thierry Geoffroy will investigate the idea behind the title of the exhibition – PHOTOGRAPHY CALLING! – and ask: Who calls whom and what, and for what purpose, and out of what interests? On 1.11.2011 Markus Schaden will be setting up a study room devoted to the photography book as a ‘storage medium’ and collector’s item. From 6.12.2011 until 15.1.2012 Wilhelm Schürmann will be exposing the obsessions that can be the driving force behind a private collection of photographs, graphics, paintings and sculptures.
In the run-up to the exhibition HOW YOU LOOK AT IT at the Sprengel Museum Hannover, which was curated by Thomas Weski and Heinz Liesbrock on the occasion of EXPO 2000, the Lower Saxony Savings Bank Foundation began to purchase comprehensive groups of works by selected American and European photographers. Since then, the collecting activity of the Foundation has been focused on those works of photography that may be understood to be in the tradition of the ‘documentary style’ (Walker Evans, 1903-1975) and have been exercising a strong influence on photography since the end of the 1960s. Thus it has been possible – thanks not least to the recommendations of a high-calibre advisory board – to build up a photographic collection distinguished by its concentration on groups of works. In this regard the collection is unique in Europe.
The Lower Saxony Savings Bank Foundation’s collection and its perspective are now to be the subject of the present exhibition, which is being mounted jointly with the Sprengel Museum Hannover and also in the context of the Museum’s own well-cultivated photography tradition, which began in 1979 and can boast exhibitions of such great exponents of photography as Karl Blossfeldt, El Lissitzky, Judith Joy Ross and Michael Schmidt, to name only a few of many, or the “SPECTRUM” International Prize for Photography of the Foundation of Lower Saxony. ‘Collecting’ manifests itself here as an open system that operates self-reflexively in the aforementioned Project Rooms and is future-oriented and discussion-friendly in the exhibition’s supplementary events.
PHOTOGRAPHY CALLING! is accompanied by a copious publication (Steidl, Göttingen). Visitors will also be offered a comprehensive information programme.
The exhibition has been curated by Inka Schube, Curator for Photography and Media Art, Sprengel Museum Hannover, and Thomas Weski, Professor of “Curatorial Cultures”, Academy of Visual Arts, Leipzig.
clickeventonline.com/event/politica/131024-ConceptoyAplic...
¿Qué es la democracia? ¿Cómo la identificamos? ¿Qué grado de participación deseamos en su aplicación? Son algunas de las preguntas que deseamos someter al análisis de un panel que examina sus perspectivas desde la óptica de quienes viven en Cuba y la de los cubanos que viven en el exterior, con el propósito de despertar un intercambio de ideas e identificar vías de solución en el proyecto de promover una transformación democrática en Cuba.
INVITADA: Ing. Ofelia Acevedo, esposa de Oswaldo Payá, Miembro del Consejo Coordinador y co-fundadora del Movimiento Cristiano Liberación.
BIENVENIDA: Marta Menor, Presidenta, Cultivamos Una Rosa Blanca
PRESENTADOR DEL TEMA: Gerardo Martínez-Solanas, Director, Democracia Participativa net. Economista y Politólogo con maestría en ambas disciplinas (CUNY). Autor de Gobierno del Pueblo: Opción para un Nuevo Siglo.*
MODERADOR: Dr. José Azel Investigador Asociado, ICCAS, Universidad de Miami. Licenciatura y maestría en administración de negocios, doctorado en estudios Internacionales de la Universidad de Miami. Autor del libro Mañana in Cuba.*
PANELISTAS:
Julio M. Shiling: Director del foro político y la publicación digital Patria de Martí, politólogo y articulista. Maestría en ciencias políticas de la Universidad Internacional de la Florida (FIU) autor del libro Dictaduras y sus Paradigmas ¿Por quė algunas dictaduras se caen y otras no?"
Gustavo Pardo: Ex Presidente de la Academia Cubana de Altos Estudios Masónicos (2005-2011), autor del libro Martí Mason, Nuevos Elementos y de los ensayos Gabinete de Reflexiones o la Llave Dorada del Simbolismo Masónico
Pedro Pablo Álvarez: Expulsado de la Universidad cursando 5to año de Construcción de Maquinarias; Secretario general del Consejo Unitario de Trabajadores Cubanos, encarcelado en 2003 sentenciado a 25 años, desterrado a España en 2008 con el grupo de los 75. Uno de los principales gestores de los Comité Ciudadanos por el Proyecto Varela.
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Golden West Invitational
@ Cutler Park in Visalia
www.andynoise.com/goldenwestxc08.html
Varsity Girls
Team Scores:
1. Clovis East 51 2. Reseda (LA) 75 3. North 182 4. Bakersfield 193 5. Highland 199 6. El Diamante 231 7. Golden West 235 8. Yosemite 245 9. Exeter 247 10. Firebaugh 300 11. Monache 309 12. McFarland 317 13. Central Valley Christian 329 14. Redwood 336 15. Tulare Western 336 16. Sanger 375 17. Hoover 421 18. Cesar Chavez 438 19. Woodlake 448 20. Wasco 461 21. Delano 522 22. Porterville 558 23. Sierra 737 24. Fowler 737 24. Fowler 777 25. Parlier 779 26. Farmersville 785 27. Hanford 791 28. Orosi 818
Team Scores by Divisions:
Extra Large Schools: 1. Clovis East 37 2. Reseda 53 3. Bakersfield 104 4. North 106 5. Highland 114 6. Tulare Western 166 7. Sanger 178 8. Hoover 201 9. Delano 227
Large Schools: 1. Golden West 46 2. El Diamante 49 3. Monache 75 4. Redwood 80 5. Cesar Chavez 106 6. Porterville 138 7. Hanford 205
Medium Schools: 1. Yosemite 42 2. Exeter 52 3. McFarland 61 4. Woodlake 91 5. Wasco 100 6. Parlier 188 7. Orosi 201
Small Schools: 1. Firebaugh 27 2. Central Valley Christian 29 3. Fowler 99 4. Sierra 101 5. Farmersville 110
Individual Results (3.0 miles): 1. Katie Fry (Exeter) 19:23.7 2. Ashley Katchadourian (Clovis East) 19:53.0 3. Celcilia Lopez (North) 20:10.2 4. Jetzabel Velazquez (Reseda) 20:12.2 5. Kacy Kurushima (Clovis East) 20:24.7 6. Courtney Sharar (Clovis East) 20:28.7 7. Colleen Warmerdam (Yosemite) 20:37.7 8. Sarah Baker (Bakersfield) 20:38.7 9. Shelby Sutton (Exeter) 20:39.7 10. Chandler Feigel (Sanger) 20:41.5 11. Michelle Vasquez (Reseda) 20:53.3 12. Sarah Tomamichel (Clovis East) 20:58.0 13. Linda Ramos (Firebaugh) 20:59.7 14. Nichole Berry (Highland) 21:02.3 15. Yanet Uranga (Reseda) 21:04.5 16. Gabby Lerma (Bakersfield) 21:06.2 17. Molly Pahkamaa (El Diamante) 21:06.9 18. Kacie Van Hofwegen (Central Valley Christian) 21:09.3 19. Cebriana Avina (Tulare Western) 21:10.4 20. Alejandra Gutierrez (Wasco) 21:14.1 21. Dennise Mercado (Highland) 21:14.8 22. Nato Germano Zashuili (Reseda) 21:24.4 23. Andrea Monzon (Reseda) 21:31.5 24. Corina Garcia (McFarland) 21:34.6
Varsity Boys
Team Scores:
1. McFarland 30 2. Clovis East 74 3. Avenal 125 4. Tulare Western 172 5. Highland 198 6. Parlier 204 7. Golden West 206 8. Wasco 216 9. Reseda (LA) 10. Redwood 303 11. Woodlake 310 12. Cesar Chavez 392 13. Yosemite 411 14. Bakersfield 440 15. North 472 16. El Diamante 476 17. Farmersville 481 18. Monache 502 19. Sanger 510 20. Delano 526 21. Orosi 529 22. Firebaugh 533 23. Tranquillity 545 24. Exeter 568 25. Porterville 677 26. Sierra 758 27. Central Valley Christian 794 28. Kingsburg 815 29. Hanford 818 30. Strathmore 904
Team Scores by Divisions:
Extra Large Schools: 1. Clovis East 20 2. Tulare Western 56 3. Highland 65 4. Reseda 92 5. Bakersfield 158 6. North 167 7. Sanger 175 8. Delano
Large Schools: 1. Golden West 37 2. Redwood 58 3. Cesar Chavez 76 4. El Diamante 96 5. Monache 96 6. Porterville 146 7. Hanford 192
Medium Schools: 1. McFarland 15 2. Parlier 79 3. Wasco 82 4. Woodlake 5. Yosemite 136 6. Orosi 165 7. Exeter 167 8. Kingsburg 227
Small Schools: 1. Avenal 15 2. Farmersville 74 3. Firebaugh 84 4. Tranquillity 90 5. Sierra 141 6. Central Valley Christian 148 7. Strathmore 187
Individual Results (3.0 miles): 1. Justin Vilhauer (Redwood) 15:40.9 2. Germay Tesfai (Hoover) 16:02.2 3. Alfonso Cisneros (McFarland) 16:14.0 4. Jesus Chavez (Golden West) 16:21.1 5. Marco Camaigo (McFarland) 16:21.6 6. Marco Perez (McFarland) 16:23.4 7. Noe Cruz (Clovis East) 16:25.5 8. Jason Freeman (Clovis East) 16:26.9 9. Zach Segouia (Clovis East) 16:32.0 10. Eddie Garcia (McFarland) 16:34.9 11. Edward Bautista (McFarland) 16:35.7 12. Francisco Nava (McFarland) 16:37.0 13. Matt Morris (Golden West) 16:37.7 14. Martin Rios (Cesar Chavez) 16:40.3 15. Jonathan Garcia (Parlier) 16:41.5 16. Gerardo Alcala (McFarland) 16:51.6 17. Ramon Guzman (Woodlake) 16:52.8 18. Jose Ramirez (Avenal) 16:53.7 19. Christian Gonzales (Exeter) 16:55.7 20. Jose Perez (Parlier) 16:56.4 21. Julio Martinez (Avenal) 16:57.6 22. Roberto Rodriguez (Tulare Western) 17:00.1 23. Joseph Rosales (Clovis East) 17:01.4 24. Brandon Croft (El Diamante) 17:04.0 25. Roberto Lopez (Avenal) 17:05.3
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Week 40/52 - Weekly Photography Challenge - Technology
Technology is an amazing thing, this is my interpretation for week 40. The camera is able to fire the flashes remotely, no need for wires from camera to flashes.
How the image was taken
> Camera: Nikon D300
> Tripod
> Aperture:f8
>Lens: AF-S Zoom-Nikkor 24-70mm f/2.8G ED
You can view the previous weeks entries here
The first known European creation myth (the Pelasgian Creation Story) tells how Our Mother God Eurynome danced upon the waters and divided the sea from the sky, how She became a dove and laid the World-Egg, how She defeated the Dark Serpent, Ophion, crushing its head with Her foot, and how She created the seven Powers that rule the seven different streams of creation.
Many of the elements of this first Creation are found in other creation myths, including the well-known Biblical story. Naturally the patriarchal versions have progressively re-edited them, removing, demoting or distorting the primary Feminine figure of Our Mother God.
The image of Our Lady treading the Serpent is clearly connected with Creation. We have also noted that a majority of Virgin Mary statues with the serpent have Our Lady standing on a hemisphere. This is sometimes interpreted (not wrongly, but rather incompletely) as the world.
Iconographically, this hemisphere is in fact one half of the Ovum Mundi or world-egg. The two halves of the World-Egg are known as Heaven and Earth or the Essence and Substance that are required for the manifestation of any being, or of an entire universe. These two halves may be represented by the double-spiral, often depicted as two snakes or as a two-headed snake. In Chinese cosmology, the same concept is represented by the yin-yang symbol. Interestingly the hemisphere is occasionally painted with the features of a world-globe, but more often with stars, clouds and "Heavenly" symbols, as is proper to the upper hemisphere.
The Mother-Creatrix defeats the Snake of formless, pre-material substance in order to bring forth a Cosmos. She separates the Heaven from the Waters below (that which is "above" manifestation from that which is "below" manifestation) to make a "space" in which manifestation can take place - and that space She "measures" with Her own Being and illuminates with Her supernal Grace.
Thus the traditional statue or picture of Our Lady, standing on a hemisphere with the serpent beneath Her foot, often distributing Grace from Her open hands, is iconographically a perfect and exact depiction of the original Truth that lies behind all creation myths.
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Open Trip Green Canyon Pangandaran 2018, selama 3 hari 2 malam Anda akan bersama-sama untuk Explore Kawasan Pangandaran dan sekitarnya hingga Green Canyon. Paket wisata Pangandaran dan Green Canyon murah menginap satu malam di homestay di Batu Karas.
Destinasi:Kawasan Pangandaran - Batu Karas - Batu Hiu - Penangkaran Penyu dan Green Canyon | Durasi: 3 hari 2 malam (berangkat Jumat pulang Minggu) | Pick up Point: Jakarta dan Bandung | Transport: Transportasi wisata, Elf/Medium Bus, Perahu Wisata Green Canyon | Fasilitas: Standar Backpacker | Kategori: Wisata Pantai, Wisata Alam, Lansekap Tropis, Satwa Liar | Level: Petualangan Sedang | Aktivitas: Wisata Pantai, Penangkaran Penyu, Sunsite dan Sunrise & Body Rafting
Harga Open Trip Green Canyon Pangandaran
IDR 650K/orang
● installment 1: IDR 300K
● pelunasan 2: IDR 350K
Jadwal Open Trip Green Canyon Pangandaran 2018
● 16-18 November 2018
● 14-16 Desember 2018
● Transportasi Pariwisata AC, LCD TV, Reclining Seat
● Driver, Tips, Tol dan Parkir
● Menginap 1 malam di pantai Batu Karas (Home Stay sharing 3-4 orang/room)
● Tiket masuk Batu Hiu, Penangkaran Penyu, Batu Karas dan Green Canyon.
● Tour Leader dan Tour Guide lokal.
● Sewa Perahu Wisata untuk penjemputan di Green Canyon
+ Dry Bag, untuk menampung peralatan tidak tahan air
● Pengaman pelampung (life jacket, helm, pelampung dan sandal) saat Body Rafting di Green Canyon
● Makan 4 kali selama aktivitas wisata berlangsung.
● Obat-obatan umum (P3K)
● Asuransi wisata dibayar dari tiket masuk wisata
● Pengeluaran pribadi untuk sewa sepeda/ATV. sewa papan surfing
● Asuransi Perjalanan
● sarapan hari ke pertama di Green Canyon
● makan siang setelah Body Rafting Green Canyon
● makan malam di Batu Karas
● sarapan pagi di Batu Karas
1 malam Menginap di Homestay Batu Karas
Homestay di Batu Karas cukup bersih dan nyaman, satu rumah dibagi beberapa kamar dan ruangan. Fasilitas kamar mandi dalam, AC dan layanan kekeluargaan.
Kami akan membantu anda jika anda berkeinginan untuk menyewa kamar sendiri selama satu malam di Batu Karas di Villa Pondok Cowet dengan fasilitas AC, kamar mandi.
● 1 kamar sharing 2 orang (tambahan per-orang Rp.175.000)
● 1 kamar sharing 4 orang (tambahan per-orang Rp.100.000)
Cakra: 082-386-300-500
Irwan: 082-189-300-500
Uconk: 081-222-300-500
Imam: 083-878-300-500
www.gogreencanyon.com | info@gogreencanyon.com
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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases hidding their aims and motivations . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
Rainbow Serpent
The following has been sourced from www.barry.warmkessel.com/AUSTR1-3.html
The Rainbow Serpent Shelter is an enormous painting of a Serpent. It has a length of 6.1 metres (20 feet), the longest serpent drawing in Australia. Its big head resembles that of a dragon, with rows of fearsome teeth in the jaws. The distance between the tips of the distended jaws is almost a metre. The spine and rib structure of the beast are carefully indicated. The whole composition is beautifully painted, with fine lines of red ochre on a white background.
The serpent plays an important role in all major religions, but also in the myths of the region. To Aborigines, they are among the most potent and profound of all rock paintings. In its various guises, the Rainbow Serpents of western Arnhem Land originated from the sea. The scholar Mr. G. Chaloupka believes this Serpent is called 'Aburga' painted within the last 1,500 years by the now extinct Amurdak-speaking Malakiri clan.
Authors Roberts and Parker write in their book "Ancient Ochres, the Aboriginal Paintings of Mount Borradaile": "This is a dry, accessible shelter with no signs of habitation, indicating that it was strictly a ceremonial site. There are various habitation shelters in the immediate vicinity. In this particular shelter there is very little art other than the main image, and there have been no images superimposed over any part of it. Clearly, this is testimony to the importance of this painting."
More Western Arnhem Land images in Album Arnhem Land
Without doubt the "Catacombs" at Mount Borradaile in Arnhem Land would be the most memorable place that Australia has to offer. Difficult of access, Davidson's Lodge at Mount Borradaile has a lease over 700 sq km of wilderness and is only available to a limited number of visitors.
The "Catacombs" - located nearby - have been formed in Pre-Cambrian sandstone rocks that have essentially lain unchanged for around 600 million years. The sandstone has been eroded by wind and water creating a massive cave system that is peppered with unbelievable Aboriginal art. Evidence suggests that aboriginal people inhabited these areas 40,000 years ago. The artwork appears to been made after the end of the the last ice age - around 10,000 years ago.
For information on Burg Lahneck, please visit my blog:
romanticrhine.blogspot.com/2009/06/burg-lahneck_12.html
Imagekind link:
www.imagekind.com/showartwork.aspx?IMID=9ac55803-1624-450...
This image is also available for licensing.
In October, 2007, my wife, Karen, and I took a cruise along the Rhine-Main-Danube Waterway. We commenced at Amsterdam and ended at Budapest. One afternoon we travelled the Romantic Rhine (also known as the Middle Rhine, Heroic Rhine, Rhine Gorge and Rhine Valley). The day was dull and misty, so it was hard to obtain crisp photos. To further aggravate the situation, I was taking photos on a moving boat with a hand-held Fuji Finepix Z1. When I arrived home and examined the images, I found them to be somewhat uninspiring. Using my experience with PhotoShop, I post-processed the pictures and uploaded them to flickr. They looked a lot better. Over the past six months, I’ve also worked on them with a number of other filters to give them a painterly feel.
They have been posted for sale on Imagekind, and I currently have a blog at Blogger.com that plays into my Imagekind page. I have also created accounts at Facebook, MySpace, Twitter, Travelocity, Expedia, IGOUGO, Amazon, Chapters/Indigo, Shelfari, Dopplr, TripAdvisor, VirtualTourist, Driftr, TripSay, LonelyPlanet, Tripwolf, Gather, Simpy, Delicious, and some others I can’t remember. As time goes on, I will link everything to flickr, Imagekind and Blogger. In addition, I am going to take the marketing advice provided by Imagekind. Here’s the link:
www.imagekind.com/member/marketing/tips.aspx
I have a lot more of my German photos to post, and I also have a lot of abstracts to flog. About seven months ago, I mentioned that I was going to do more research on my Uncle Bill Watson. To do so, I will have to visit Archives Canada in Ottawa, The Canadian Warplane Heritage Museum in Mount Hope and various sites in England and Wales. The results of this work will go to Blogger.
There will be other ventures as well. I am semi-retired, and I don’t want to sit around. My projects and the grandkids should keep me busy.
The interferon and rebetol are leaving Meg pretty exhausted. She had her first blood text since starting therapy for Hepatitis C, and the results are not what the doctor had hoped. Her white blood cell count is low as well. She is currently undergoing a twenty-four week course of chemo, but may be pushed into a forty-eight week course. Still, her spirits are high and she’s keeping busy.
Jess will deliver baby Will in about a month, so we’re gearing up for that.
I hope to visit you all some time next week. I don’t like to post pictures and not visit.
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