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www.emergencyrooms.org/biennalist.html
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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
CHESTER GOULD
Chester Gould / DICK TRACY (November 20 ,1900 –May 11 ,1985 ) was a U.S. cartoonist and the creator of the Dick Tracy comic strip , which he wrote and drew from 1931 to 1977 . Gould was known for his use of colorful, often monstrous, villains .
Early years
Chester Gould was born and raised in Pawnee, Oklahoma . In 1919 , his family moved to Stillwater, Oklahoma where he attended Oklahoma A & M (now Oklahoma State University ) and was a member of the Lambda Chi Alpha Fraternity, until 1921 . That year, he moved to Chicago where he transferred to Northwestern University . He graduated from Northwestern in 1923. Fascinated by the comics since childhood, Gould quickly found work as a cartoonist and was hired by the William Randolph Hearst 's Chicago Evening American newspaper for whom he produced his first comic strips "Fillum Fables" beginning in 1924 and "The Radio Catts". He also produced a topical strip about Chicago, "Why It's a Windy City." Gould married Edna Gauger in 1926 and their daughter, Jean, was born in 1927.
Dick Tracy
In 1931 , Gould was hired as a cartoonist with the Chicago Tribune and introduced the Dick Tracy cartoon. He drew the comic strip for the next 46 years from his home in Woodstock, Illinois . His work on the strip won him the Reuben Award for 1959 and 1977. He was also given a Special Edgar Award from the Mystery Writers of America in 1980.
Gould's stories were rarely extensively preplanned as he preferred to improvise his stories as he drew them. While fans praised this style as creating exciting stories, it sometimes created awkward plot developments that were difficult to resolve. A notorious case was when Gould had Tracy trapped in an inescapable deathtrap in a caisson . Gould first depicted Tracy addressing Gould personally and having the cartoonist magically extract him. It was a move that his publisher, Joseph Patterson , personally vetoed and ordered a redraw of the sequence.
Gould visited the workshop of an engineer friend named Al Gross who invented the walkie-talkie , a portable two-way radio and the pager . Gross was working on a wrist-watch version of the two-way radio which he showed to Gould. Gould asked Al Gross if he could use this concept in his Dick Tracy comic strip. Gross said yes and in January 1946, Dick Tracy started wearing the wrist radio. [2] Gould created a cartoon character named Brilliant, an engineer who worked for a company run by cartoon character Diet Smith. Brilliant was modeled after Al Gross. Whenever Gould needed a futuristic invention that his cartoon characters could use, Al Gross would give him ideas such as the video security camera, handheld video camera, and wrist video camera.
Late in the period of Gould's control of it, the Tracy strip was widely criticized as too right-wing in character, and as excessively supportive of the police . This commentary argued that Gould was using the strip to push his own right-wing agenda such as attacking the rights of the accused at the expense of storytelling. Additionally, the late 1950s saw a changing newspaper readership that was perhaps less tolerant of Gould's grotesque style. Whereas in the 1940s when Gould introduced an odoriferous, chewing tobacco spitting character, B.O. Plenty, with little significant complaint from readers; the later introduction of the crooked lawyer named "Flyface" and his relatives, all of whom were surrounded by swarming flies at all times, created a negative reader reaction strong enough for papers to drop the strip in large numbers. There was then a dramatic change in the strip's paradigm to feature science fiction plot elements, with regular visits to the moon. This led to an increasingly fantastic procession of enemies and stories that largely abandoned the strip's format of urban crime drama. The Apollo 11 moon landing prompted Gould to abandon this phase. Finally, Dick Tracy was beset by the overall trend in newspaper comics away from strips with continuing story lines and toward those whose stories are largely resolved within one series of panels.
Gould, his characters and improbable plots were satirized in the Fearless Fosdick sequences (supposedly drawn by "Lester Gooch") appearing within Al Capp 's comic strip Li'l Abner ; a notable villain was Bomb Face , a gangster whose head was a bomb.
Gould retired December 25, 1977 and died May 11, 1985 of congestive heart failure. His life and creations are memorialized in the Chester Gould-Dick Tracy Museum in Woodstock, Illinois.
hi.kingdomsalvation.org/videos/no-one-is-aware-of-gods-gr...
कोई न जाने परमेश्वर के आगमन को,
कोई नहीं करता स्वागत परमेश्वर के आगमन का।
यहाँ तक कि, कोई नहीं जानता वह सब जो करेगा परमेश्वर।
कोई नहीं जानता वह सब जो करेगा परमेश्वर।
मानव का जीवन रहता है अपरिवर्तित;
वैसा ही हृदय, जो धड़कता है हर आम दिन।
परमेश्वर रहता है हमारे बीच जैसे हो कोई साधारण मानव,
जैसे हो अनुयायियों का एक सबसे महत्वहीन सदस्य,
जैसे कोई एक साधारण विश्वासी।
उसका है अपना स्वंय का काम, और उसके अपने लक्ष्य।
और उसके पास है दिव्यता जो किसी मनुष्य के पास नहीं, पास नहीं।
किसी ने उसकी दिव्यता के अस्तित्व पर या उसके और मनुष्य के तत्व,
बीच के अंतर पर ध्यान नहीं दिया है, ध्यान नहीं दिया है।
हम रहते हैं साथ उसके, बिना किसी बंधन और भय के,
क्योंकि हम देखते हैं उसे जैसे वो एक महत्वहीन
विश्वासी से अधिक कुछ ना हो।
वह देखता है हमारी हर गति को,
और हमारे सभी विचार और अवधारणाएँ हैं सामने उसके
बिना किसी पर्दे के।
नहीं है किसी को कोई रूचि परमेश्वर के अस्तित्व में,
किसी की नहीं है कोई कल्पना उसके कार्य में,
और यहाँ तक कि, वह कौन है इस बारे में किसी को कोई संदेह भी नहीं है।
हम जुटे रहते हैं अपने कामों में,
जैसे परमेश्वर का हमसे कुछ लेना-देना ही नहीं है,
लेना-देना ही नहीं है, लेना-देना ही नहीं है।
"मेमने का अनुसरण करना और नए गीत गाना" से
स्रोत: सर्वशक्तिमान परमेश्वर की कलीसिया
उपयोग की शर्तें: hi.kingdomsalvation.org/disclaimer.html
आपके लिए अनुशंसित:
यीशु मसीह के प्रेरक गीत——प्रभु यीशु का अनुकरण करो ——परमेश्वर की इच्छा का पालन करो
Jesus Song in Hindi—How to Serve God—Emulate the Lord Jesus
el.godfootsteps.org/videos/close-together.html
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Ύμνος Χριστιανικού Βιώματος | Η Αγάπη του Θεού μας Φέρνει Κοντά
Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,
είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,
με διαφορετικό χρώμα δέρματος
και μιλώντας διαφορετικές γλώσσες.
Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,
εξυψωνόμαστε ενώπιον του θρόνου του Θεού.
I
Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,
είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,
με διαφορετικό χρώμα δέρματος
και μιλώντας διαφορετικές γλώσσες.
Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,
εξυψωνόμαστε ενώπιον του θρόνου του Θεού.
Υπάρχουν οι ηλικιωμένοι, με κάτασπρα μαλλιά
και οι νεαροί, λαμπεροί και ακτινοβόλοι.
Χέρι με χέρι, ώμο με ώμο,
συνεχίζουμε να περπατάμε μαζί μέσα από αέρα και βροχή,
ενθαρρύνοντας ο ένας τον άλλον εν μέσω αντιξοοτήτων.
Με ομόνοια εκπληρώνουμε το καθήκον μας.
Οι καρδιές μας είναι συνδεδεμένες,
γινόμαστε έμπιστοι στην ζωή.
Η αγάπη του Θεού μας φέρνει πιο κοντά.
II
Τα λόγια του Θεού είναι η πηγή του ζωντανού νερού.
Απολαμβάνοντας τα λόγια του Θεού,
οι καρδίες μας γεμίζουν γλυκύτητα.
Η παίδευση των λέξεών Του,
η κρίση των λέξεών Του,
εξαγνίζουν τις διεφθαρμένες διαθέσεις μας.
Μόνο αν κλαδευτούμε και αντιμετωπιστούμε
έχουμε ανθρώπινη ομοιότητα.
Στην αρνητικότητα και αδυναμία,
στηρίζουμε ο ένας τον άλλον.
Είμαστε μαζί στην αντιξοότητα.
Στεκόμαστε μάρτυρες, νικάμε τον Σατανά.
Δραπετεύουμε από το σκοτάδι και ζούμε στο φως.
Πιστοί και υπάκουοι,
είμαστε η εκδήλωση του μεγαλείου του Θεού.
Γνωρίζουμε την δικαιοσύνη και ομορφιά του Θεού.
Βιώνουμε τους αμέτρητους τρόπους που ο Θεός μας αγαπά.
Φωλιασμένοι στην θαλπωρή του Θεού,
οι ζωές μας στην γη είναι όπως στον ουρανό.
Μόνο με τον Θεό υπάρχει αγάπη,
μόνο με την αγάπη υπάρχει οικογένεια.
Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.
Ερχόμαστε κοντά στην αγάπη του Θεού.
Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.
Ζώντας στην όμορφη βασιλεία,
λατρεύουμε τον Παντοδύναμο Θεό για πάντα.
Λα λα λα… Λα λα λα… Λα λα λα…
Λα λα λα… Λα λα λα… Λα λα λα…
Μόνο με τον Θεό υπάρχει αγάπη,
μόνο με την αγάπη υπάρχει οικογένεια.
Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.
Ερχόμαστε κοντά στην αγάπη του Θεού.
Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.
Ζώντας στην όμορφη βασιλεία,
λατρεύουμε τον Παντοδύναμο Θεό.
λατρεύουμε τον Παντοδύναμο Θεό για πάντα.
λατρεύουμε τον Παντοδύναμο Θεό για πάντα.
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
«Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού»
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
"PRAYING FOR JAPAN"
www.jejuweekly.com/news/articleView.html?idxno=1371
I had just finished dinner on Friday, March 11th when a friend called me with the news that Japan had been hit by a massive earthquake. I had been busy all afternoon and hadn't heard the news. I immediately turned on my computer and watched in horror as streamed video from various news networks showed the tsunami racing across Japan's northeastern coastline, washing away everything in its path. It was an incredible sight.
Unfortunately, this was only the beginning as damage to four of Japan's six nuclear reactors caused by the earthquake threatened to create an even grreater disaster. Daily warnings about radiation levels followed. And then, just when it looked like things couldn't get any worse for Japan, it began to snow...
Nearly two weeks have past since Japan suffered its worst crisis since World War II. A stream of photos from the disaster stricken area show the magnitude of the catastrophe. One image shows rescue workers sifting through the rubble of a destroyed factory looking for survivors as snow falls heavily around them. Another shows an old woman staring at empty shelves as she pushes a cart along the aisle of a supermarket. A third picture shows a group of men sitting in dirty lawn chairs around a camp fire, cooking noodles and reading tattered newspapers while another shows a lone aid worker on a bicycle speeding through what was once a bustling city, piles of rubble on either side of the mangled road. Over 7,000 people have died, thousands more are missing, about 450,000 people are now homeless, and more than one million people have no drinking water.
Having lived in Japan for many years in the 1990's, it saddened me to see such a terrible thing happen to such a wonderful country. So, when I heard that Gwaneumsa temple here in Jeju was going to do a special ceremony for the people of Japan on Sunday, March 20th, I jumped at the chance to take part.
I arrived at the parking a lot in front of Ora stadium at 8 am and hopped onto the bus bound for the temple. Nearly every seat was taken. A good sign that Japan is in the hearts of many Korean people. Within 10 minutes we had arrived at Daewonjeongsa temple, the starting point for our aproximately 7 km "meditation" walk to Gwaneumsa temple. As we headed out, rain started falling. It rained... and rained... and rained.
Two rain soaked hours later, we finally arrived at Gwaneumsa. Not wasting any time, the monks shepparded us to a pagoda in the central courtyard area. Around the pagoda we went, a sort of "cleansing" ritual for the soul that removes bad spirits.
Next we headed inside for the main ceremony. It was packed with people. The temple's senior members entered the room and the ceremony quickly began. The next hour was similar to what most Buddhist ceremonies look like in Korea. But, about half way through, the priest began to pray for Japan, calling for health, happiness, and a strong future for the country. Then, near the end of the ceremnony, another priest called out the names of Japanese people and prayed for their strength in the face of such trying times. It was a touching moment.
A blanket of fog had moved in while we were inside, creating a wonderful atmosphere around Gwaneumsa and prompting me take a few extra minutes to walk around the complex and gather my thoughts before heading back to the bus. I rounded a corner and saw a young monk make his way across a courtyard and between two buildings. I took one photo before he disappeared into the foggy unknown.
It brought my thoughts back to Japan, its future also unknown. Rebuilding the tsunami ravaged areas will take time. It will be difficult and there will be a lot of pain. My thoughts go out to the people of Japan and I pray for a speedy recovery for the country.
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
www.decorobra.com/consejos-sencillos-para-decorar-e-ilumi...
Algunas veces se resta importancia a decorar un lugar regularmente pequeño y en el que sólo vamos de paso: “El cuarto de baño”. Sin embargo nos sorprenderá la maravillosa y sofisticada variedad de accesorios que existen para decorar este espacio. El baño ha pasado de ser una habitación meramente utilitaria, a ser un lugar de relax. Diseñar un cuarto de baño debe ser simple y funcional.
No debe detenerse exclusivamente en la estética de la sala sino también en la practicidad, para poder así crear un espacio de distensión y comodidad.
El diseño de un nuevo cuarto de baño en su casa es un reto, y será enormemente gratificante si lo hace bien. Los errores más básicos de diseño se producen por no calcular el espacio con el que se cuenta para instalar los elementos deseados. Por ejemplo, si su sala de baño es demasiado pequeña para instalar una bañadera, puede optar por una cabina de ducha, que es una opción igualmente estética y confortable. Luego tiene que descubrir la combinación de colores más adecuada a sus gustos y tener en cuenta el estilo del resto de los espacios de su vivienda. No será agradable que el diseño de su cuarto de baño sea incongruente con el concepto de diseño de interiores que haya empleado en el resto de las habitaciones.
Otro aspecto de gran importancia será la correcta iluminación de su sala de baño y encontrará una gran variedad formas de hacerlo. Una de ellas es con un ventilador, que además de refrescar el lugar y alejar los malos olores del mismo, dependiendo del modelo de ventilador, también sirven para la iluminación del cuarto de baño. Otra manera es utilizar las lámparas que se colocan encima del lavamanos, una manera de tener una instalación de luz permanente. Hay una gran diversidad de lámparas de formas, tamaños y colores diferentes. También puede recurrir al uso de lámparas de mesa, siempre y cuando no olvide tener en cuenta contar con un lugar apropiado para su ubicación. Además se pueden colocar lámparas de piso, las cuales pueden colocarse en uno de los rincones del cuarto de baño, así no estarán cerca de ninguno de los suministros de agua. Estas lámparas le dan un estilo más sofisticado al baño, además de dar la impresión de maximizar el espacio.[gallery link="file"]
www.zoo.com.sg/exhibits-zones/pygmy-hippo.html#ad-image-0
Pygmy hippos spend a large part of their lives submerged in water, either in a swamp or a river. Hence, their exhibit is designed more like a giant aquarium with two viewing galleries. From the seated comfort of the spacious lower level gallery, you can see these hippos tiptoeing on the riverbed like ballerinas en pointe! Although the hippos spend a lot of time in the water, they can’t swim and their bodies are too dense to stay afloat. Look closely and you’ll notice they close their ears and nostrils when submerged in the water. Unlike the common hippo, whose eyes are at the top of their heads, the eyes of the pygmy hippo are on the sides of their heads. Their toes are also not webbed like their larger cousins.
On hot days, you might want to lean in for a closer look at the skin of the animal. With no sweat glands, these miniature hippos survive the heat by staying cool in the water in the day and their skin secretes mucus that acts as a natural sun block.
Pygmy hippos are herbivores with exceptionally large jaws. They eat grass, roots, fruits and shoots in the wild. See how wide hungry hippos can stretch their mouths during their token feeding session at 2.30pm daily.
Popular Adventure Programs in Nevado AusangateAusanagate Trek 5 DaysAusangate Circuit 6 DaysAusangate Walk and Sibinacocha Lagoon 7 DaysThe snow of Ausangate is the fifth highest in Peru and the most representative of the Andes. It is located in the Vilcanota mountain range, it is one of the most difficult areas to access.The highest peak of this snowfall passes 6,000 meters above sea level, in this place there are large lagoons with blue and green colors, there are also rocks that cause the area to be like a paradise and very modern. This is a very attractive place for people who practice adventure sports, thanks to its geographical accidents it is possible to practice climbing and trekking.
The snowy Ausangate is the representative mountain of Cusco and the Peruvian Andes. It is located in the Vilcanota mountain range and is one of the most difficult areas to visit which makes it a fabulous route to venture. Its main climate is 6,372 meters above sea level, with large green / blue lagoons. In addition there are rocks that make the area like a paradise. Performing the Ausangate trek is an indescribable adventure, and it is impossible not to be impressed by the enormous beauty of eternal snow. Often you will find mountains of a height of more than 5000 meters and also rocks covered with tongues of ice, spreading in magnificent forms forming ice lagoons. The Ausangate walk is one of the tourist destinations in Cusco.In the Inca mythology of this mountain and the nearby lakes - among which Sibinacocha stands out - the masculine energy that fertilizes Mother Earth Pachamama is born, after a long course, the waters are lost in the unknown lands of the Amazon to return, to fill the lakes and glaciers every night turned into the river of stars or Willkamayu known in the West as the Milky Way The Community of Chillca constituted by shepherds of llamas and alpacas is known as the guardian of these pristine places, from where you can do mountain walks spending the night in comfortable hostels or tambos, among which Machuracay Tambo stand out, in a walk called "Path of the Apu Ausangate".Every year on the north side of the Ausangate, the festival of Quyllur Rit'i (Quechua: "star snow") is celebrated before the feast of Corpus Christi, during which thousands of inhabitants make pilgrimages to the Lord of Quyllur Rit'i in the church from Sinakara. The Ausangate snowy usually takes 7 days tours, it is an adventure that no one should miss.
AUSANGATE TREK INFORMATIONThe first attempt to ascend the snow of Ausangate, was at the beginning of the 50's, being the first 2 attempts frustrated. It had to wait until 1953, for a German expedition to reach the top of the Apu, ascending on the south side. Later, new routes were implemented to climb to the top of the mountain. Only in 1983, Peruvian feet reached the top of the snow.LocationIt is located in the district of Ocongate, in the province of Quispicanchi, belonging to the department of Cusco in the Vilcanota mountain range.Climate and temperatureThe predominant climate of the area is cold, at night it reaches temperatures below 5 ° C, by day it can be up to 20 ° C, it also has cold winds during parts of the day. In the area there are also rains and snowfall.AltitudeThe maximum peak of the Ausangate snowfall is 6,372 meters above sea level.How to get to Ausangate SnowyThere are 2 routes to get to the mountain, the first is to go by bus from Cusco to the town of Chilca, from here you can take a walk from 4 to 5 hours to the Base Camp.The other route is a bit longer but cheaper, this is to go from Cusco to the town of Tinki by bus and then take a bus to Pacchanta. From this point along the steel gorge, it is 8 to 10 hours to the Ausangate Base.adventure sportsAusangate TrekClimbingCoyllur Riti partyBetween the snow-capped mountains of Ausangate and Sinakara, is the Coyllur Riti Shrine, popularly known by the inhabitants of the area as Taytacha Coyllur rit’i, whose meaning is Lord of the Shining Snow. Every year here in the months of May or June, the Coyllur Riti festival has been celebrated since ancient times. Celebration during which thousands of Quechua pilgrim to the Lord of Coyllur Riti. This ritual is associated with the fertility of the land and with the worship of the Apus (hills, gods, guardians), one of the largest indigenous nations of America is celebrated.
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
Pre-opening - doesn't it seem strange with no people nearby?
In 1958, there was a window in this Toadstool, tickets were sold at this and other Fantasyland locations: The Lighthouse of Storybookland and the Station of Casey Jr. Circus Train. The windows have been closed since 1984, when passport general admission included all adventures.
en.wikipedia.org/wiki/Alice_in_Wonderland_(Disneyland_attraction)
dsc06308, 2008.06.04 10.32.36, 3D, Disneyland®, Fantasyland, Alice in Wonderland, Marquee and Queue, Ticket Toadstool.jpg
willowgrovedaycamp.com/willows.html
We are two weeks into camp and we must say it has been great! This past week the children have been able to experience all the activities offered at Willow Grove Day Camp including Pony Rides, Tennis and Boating/Fishing. Week 2 of camp's theme was “Celebrate America.” Everyone had fun making Patriotic necklaces which have been sent home. In Ceramics the campers made their hand or foot prints. This week and last, the campers had a special treat at Cooking where they made “dirt” (pudding). Also, each Willows camper continues to master their techniques at swimming and can’t wait to perform their skills on visiting day. Everyone is having a terrific time, and each child has found his/her favorite activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
el.kingdomsalvation.org/videos/seventeen-the-hell-you-are...
«Μικρέ. Δεν ξέρεις πως το Κομμουνιστικό Κόμμα είναι αθεϊστικό; Ενάντια στην πίστη ; Στην Κίνα, ποιος Θεός υπάρχει; Πού είναι ο Θεός σου;» «Μην νομίζεις ότι επειδή είσαι νεαρός θα είμαστε επιεικείς μαζί σου! Αν συνεχίσεις να πιστεύεις στον Θεό, θα καταλήξεις νεκρός!» Με τέιζερ στα χέρια, η κινεζική κομμουνιστική αστυνομία ορμά προς αυτόν τον νεαρό, που είναι γεμάτος με μώλωπες. Το όνομα του νεαρού είναι Γκάο Λιανγκ και τότε ήταν 17 ετών. Γύριζε στο σπίτι του αφού είχε διαδώσει το ευαγγέλιο μαζί με έναν μεγαλύτερο αδελφό, όταν συνελήφθη από την κινεζική κομμουνιστική αστυνομία. Εκείνοι δεν του έδωσαν τίποτα να φάει, ούτε τον άφησαν να κοιμηθεί για τρία μερόνυχτα. Τον ανέκριναν, προσπάθησαν να τον εξαναγκάσουν σε ομολογία και τον υπέβαλαν σε σκληρά βασανιστήρια. …
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Parade
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Aigues-Mortes, Gard (France).
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La reflexión: www.santimb.com/2012/03/pasacalles.html
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CASTELLANO
Aigues-Mortes (en occitano Aigas Mòrtas) es una municipalidad francesa y localidad del Distrito de Nîmes, en Gard, Languedoc-Rosellón, Francia.
Es conocida por ser el primer puerto francés del Mediterráneo y una importante bastida medieval.
La ciudad se encuentra totalmente amurallada, en una obra comenzada por el genovés Guglielmo Boccanegra, y que han llegado intactas hasta nuestros días.
Desde su fundación hasta el año 1481 fue el principal puerto francés del Mediterráneo, siendo primada por el rey Luis IX de Francia y sus sucesores. Por ello, fue el punto de partida de las cruzadas desde Francia, hasta la anexión de Marsella en 1481.
Más info: es.wikipedia.org/wiki/Aigues-Mortes
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ENGLISH
Aigues-Mortes (Occitan: Aigas Mòrtas, i.e. "dead waters") is a commune in the Gard department in southern France. The medieval city walls surrounding the city are well preserved.
The foundation of the city is attributed to Gaius Marius, around 102 BC, but the first document mentioning a place called "Ayga Mortas" (dead waters) dates from the 10th century AD.
Louis IX of France (Saint Louis) rebuilt the port in the 13th century as France's only Mediterranean port at that time. It was the embarkation point of the Seventh Crusade (1248) and the Eighth Crusade (1270).
The 1,650 meters of city walls were built in two phases: the first during the reign of Philippe III the Bold and the second during the reign of Philippe IV the Fair, who had the enclosure completed between 1289 and 1300. The Constance Tower, completed in 1248, is all that remains of the castle built in Louis IX's reign. It was designed to be impregnable with six-meter-thick walls. A spiral staircase leads to the different levels of the tower.
From 1575 to 1622, Aigues-Mortes was one of the eight safe havens granted to the Protestants. The revocation of the Edict of Nantes in 1685 caused severe repression of Protestantism, which was marked in Languedoc and the Cévennes in the early 18th century by the "Camisard War". Like other towers in the town, from 1686 onwards, the Constance Tower was used as a prison for the Huguenots who refused to convert to Roman Catholicism. In 1703, Abraham Mazel, leader of the Camisards, managed to escape with sixteen companions.
In 1893, a conflict erupted between the French and the Italians who worked in the salt evaporation ponds of Peccais. The Massacre of Italians at Aigues-Mortes resulted in nine (maybe many more: 400 victims in Le migrazioni di ieri e di oggi by Giovanni Gozzini)[1] Italian deaths with hundreds injured in the ethnic violence.
More info: en.wikipedia.org/wiki/Aigues-Mortes
Tesoro and Shell Oil Refineries
www.ecy.wa.gov/PROGRAMS/SWFA/industrial/oil_tesoro.html
en.wikipedia.org/wiki/Deception_Pass_Bridge
Lake Campbell, Pass Lake
Similk Bay
i072508 279
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Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports
Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR
www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Aishwarya and Abhishek are so generous people, says Sharon Stone! - www.bolegaindia.com/gossips/Aishwarya_and_Abhishek_are_so...
Prints: daniel-eskridge.pixels.com/featured/woman-with-mountain-l...
A Native American woman stands in the forest with her friend, a large mountain lion. The woman has a painted face, and wears a deer skin dress and a brown fur shawl. The big cat stands next to her with its head just under her hand. Both the woman and the cougar look at you the viewer as if you have disturbed them in their peaceful woods.
This was based on a story I heard as a kid. I've never been able to find the title or a reference to it though. It goes roughly like this:
___
One winter, a Creek Indian village was having a hard time. The harvest was small and the winter was cold. The people were hungry.
Among them was a man named Panther. Panther went out hunting to help feed his people. Unable to find game in the village's usual hunting ground, he decided to trespass in the forest of a sorceress.
In those woods, he came to a river where the sorceress was bathing. He hid behind some rocks and spied upon her. She was beautiful and Panther was smitten by her.
He stayed too long and she caught him. She was angry, and he was afraid that she would use her magic on him in some bad way. So he pleaded with her and told her that he was hunting to help feed his starving village.
The sorceress took pity on Panther and gave him a magic arrow. Whenever he dropped the arrow on the ground, it would point in the direction to go and find game. However, she told him that he had to return the arrow by the next full moon.
Red Panther used the arrow to find many deer over the next few days which he killed and brought back to his village where he was acclaimed a hero. Soon was the day of the next full moon. Panther new he had to take the arrow back to the sorceress, but he did not want to give up the acclaim he had achieved so he decided to keep the arrow.
The next week, he went out hunting but did not return. Other hunters followed his tracks. They headed towards the sorceress's woods. On the way, they changed from the tracks of a man to those of a cat. When they reached the woods, the hunters saw the sorceress. They dared not approach her though, for now she was guarded by a large panther.
Sumo, The Ten
www.davidsaudio.com/html/sumo_line.html
James Bongiorno left GAS and founded SUMO Electric Co. to create a new audio line. What emerged was the four-quadrant full complementary differential balanced power amplifier, "The Power".
Ultimately, the SUMO product line was expanded to include multiple amplifiers, preamps, tuners, and numerous other products. Information on them is hard to find, so I’m missing some details below.
I am always looking for literature, manuals, schematics, etc. for these, so if you have any I’d love to hear from you!
To see a SUMO ad, click here. Product literature (including specifications, spec sheets, etc.) is here...
OUT NOW!!!! The Birds of Ireland: A Field Guide with Jim Wilson
Shorebirds of Ireland with Jim Wilson.
Freshwater Birds of Ireland with Jim Wilson
www.markcarmodyphotography.com
The Song Sparrow (Melospiza melodia) is a medium-sized American sparrow. Among the native sparrows in North America, it is easily one of the most abundant, variable and adaptable species.
Adult Song Sparrows have brown upperparts with dark streaks on the back and are white underneath with dark streaking and a dark brown spot in the middle of the breast. They have a brown cap and a long brown rounded tail. Their face is gray with a streak through the eye. They are highly variable in size across numerous subspecies. The maximum lifespan in the wild is 11.3 years.
In the field, they are most easily confused with its congener the Lincoln's sparrow, and the Savannah Sparrow. The former can be recognized by its shorter, grayer tail and the differently-patterned head, the brown cheeks forming a clear-cut angular patch. The Savannah sparrow has a forked tail and yellowish flecks on the face when seen up close. (wikipedia)
I thought this was a Savannah Sparrow but I was kindly corrected by Don Delaney that it is a Song Sparrow! Thank you for correcting my ID, Don!! Taken in San Diego, California.
Source: www.autoworldmuseum.com/about.html
Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.
William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.
Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.
After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.
The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.
Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.
inspirati☼nal readings: LL☼YD KAHN
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Newsletter: Longest Table - Axis Mundi - Speaking Right Campaign
30 September: The Longest Table ever in Doel
Wednesday 30 September will be the very last day that people who rent a house in Doel are (officially) allowed to stay in the village. After that day, only 13 house owners will be left behind in a village that may fall prey to thiefs, vandals and other crooks.
Doel artist Denise Aerts, however, is not to be discouraged and invites everybody to come to Doel on Wednesday, 30 September to jointly compose the longest table that has ever been in the streets of the village and celebrate a symbolic "Last Supper" in Doel.
One detail: since there are no more facilities in the village, everybody has to bring his or her own (camping) table and a bag with food and beverages.... Denise and her friends will make sure there is music and a nice atmosphere.
The building of the table starts as of 14 hrs and the supper will begin around 18 hrs.
Denise urgently appeals on all sympathizers and people who do not want the village to disappear to join her symbolic Last Supper in Doel
on 30 September
Organiser: Denise Aerts (more info: denise.aerts@hotmail.com, 0485/180990)
17 October, 15 hrs: Installation of Ruigoord/ABG "axis Mundi" in Doel
On Saturday, 17 October, the Amsterdams Balloon Society from Ruigoord (Amsterdam) will come to Doel for the festive inauguration of the local Axis Mundi, a joint project by artists from Doel and Ruigoord.
Everybody is cordially invited to join the Axis Mundi festivities on 17 October 2009 at 15 hrs off the police office in Doel (Pastorijstraat).
Petition for Speaking Right in the Flemish Parliament
After three weeks more than 6,000 people have already signed our plea to obtain the right to speak about the future of Doel in the Flemish Parliament.
More pictures about the launch of this action >>>
Other important data for your agenda:
Poetry events:
15 Oct (Hopsack, Antwerp)
10 Nov (Boekenbeurs, Antwerp)
http://www.kunstdoel.net/nl/newsletter-longest-table-axis-mundi-speaking-right-campaign
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Het is duidelijk dat er plannen zijn voor het dorpje Doel, deelgemeente van Beveren.
Eerst was er sprake van een tweede dok.maar inmiddels heeft de kerncentrale voor de nodige bescherming van dit polderdorp gezorgd.
Dan was er sprake van het dorp op te hogen met 22 meter zand en zou het dienst doen als containerpark, sorry, maar er was geld voor de belgische kassa en véél werkgelegenheid beloofd!
Uiteindelijk werden huizen in puin gelegd is het dorp verlaten op een 100-tal inwoners na, en ……… wat was het plan ook alweer?
Er is géén plan!!!!
Op 1 oktober moeten de laatste huurders hun woningen ontruimd hebben en zullen de laatste 13 eigenaars van privé-woningen netjes achtergelaten worden temidden van een slagveld van dieven, vandalen en rovers.
GROOTS MANIFEST- kunstenproject en FEEST IN DOEL
30 september vanaf 14 uur
DE LANGSTE TAFEL
IN DE STRATEN VAN DOEL
BRENG MEE: TAFEL, STOEL EN GOED GEVULDE FRIGOBOX
OM 14UUR BEGINNEN WE MET HET OPSTELLEN VAN DE TAFELS IN HET MIDDEN VAN DE STRATEN VAN DOEL, OPGEPAST ER ZAL 10.000 MAN ZIJN DUS DAT VERGT WAT ORGANISATIE.
INMIDDELS ZORGEN WIJ VOOR DE AMBIANCE,
OM KLOKSLAG 18UUR GAAN WE SAMEN AAN TAFEL EN VIEREN WIJ SAMEN
“ HET LAATSTE AVONDMAAL”
ZORG DAT OOK JIJ ERBIJ BENT EN KOM DAN NIET ZOZEER OM DOEL TE REDDEN MAAR REDT JE EIGEN HUIS EN TUIN!!
WANT STRAKS ZIJN WIJ DAT LOGISTIEKE CENTRUM VAN EUROPA, DAT STUKJE AUTOSNELWEG TUSSEN AMSTERDAM EN PARIJS !
HOEVEEL LANGE WAPPERS ZAL DE INDUSTRIE NOG ROND ONZE OREN KLETSEN DENK JE? WAAR STAAT DAN JOUW HUIS EN WAAR LIGT DAN JOUW TUIIN?
Bij deze ben jij ook uitgenodigd op de feest!
KUNSTENPROJECT:
ALLE FOTOGRAFEN TER LAND EN IN DE LUCHT, ALLE FILMPLOEGEN, KUNNEN TIJDENS DE HAPPENING HUN HART OPHALEN .
IEDER KAN WERK INSTUREN ,VAN DE BESTE INZENDINGEN WORDT EEN COMPELATIE GEMAAKT VAN FOTO’S EN FILMMATERIAAL.
DEZE WERKEN ZULLEN ALS EEN REIZENDE TENTOONSTELLING DE WERELD RONDREIZEN!!!
Om het project meer kracht bij te zetten zoeken we mensen die op 30/09 vanaf 14 uur muziek willen maken, goochelaars, steltenlopers,… tegen den donkere vuurspuwers, kampvuurmeesters iedereen figurant!!!
Je kan het zo gek niet bedenken, iedereen komt vrijblijvend, zonder verplichtingen. Kom en doe je ding!
PIETJE DE LEUGENAAR?!!!
DE KUNSTENAARS VAN DOEL INSIDE EN DOEL OUTSIDE??
Denise Aerts
zie ☼☼k: schaaflicht.wordpress.com/2009/09/14/denise-aerts-nodigt-...
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latest news: schaaflicht.wordpress.com/category/d%e2%98%bcel
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the neverending story of doebiedoebiedoebieD☼EL on F☼T☼
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Verdrag van Ruigoord en Doel
Wij, vrij scheppende geesten uit Ruigoord en Doel, verbinden ons tot psychonautische samenwerking met als doel: De Verenigde Staten Van De Geest.
-Partijen verlenen gastvrijheid aan elkaars consulaten en afgezanten.
-Partijen streven naar één wereldcentrum als biotoop voor de Gesammtkunst voor reizigers van de geest, door de wereldas in alle mogelijke richtingen zichtbaar te maken.
Getekend op 09-08-2009 te Ruigoord,
Herman J.Claeys, Rudolph Stokvis, Sabine Gillis (Consul van Doel), Fabiola, Frank Vranckx (slö), Gerben Hellinga, Ulrich Van Spitael, Hans Plomp, Willem A. Plugge, Emerson Riel (afgevaardigde Odjibwe-Canada), Lila Cavaleiro, Frans Vlinderman, Roos Nienhuis (namens Montje Joling en de kinderen van Ruigoord), Dirk de Boeck, Eelco Doorn, Paul Vincent, Peter van den Gracht, Erwin van Massenhove, Maarten van der Horst, Jan Bianchi, Carmen de Canne, Harun Wolf Trepte, Erwin Raeves, Herbie, Banks, Britt Marie Lindgren, Frank van den Steen, David Frank, Olga Pederson, Max Perron, Max van de Jool, Paul van Goudoever, Aja Waalwijk
http://schaaflicht.wordpress.com/2009/08/17/verdrag-van-ruigoord-en-doel-09-08-2009
YouTube - ons D☼EL = DOEL ONGEHAVEND*
☼
as captured by Harun Wolf Trepte
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De verenigde actiegroepen Doel moeten 15.000 handtekeningen verzamelen om spreekrecht in het Vlaams Parlement te kunnen afdwingen. Volgens de reglementering moeten deze handtekeningen, om geldig te zijn, op papieren formulieren ingezameld worden. We hebben de 15.000 handtekeningen snel nodig, de stemming over het gewestplan Doel zou nog dit najaar plaatsvinden.
Help ons door de formulieren te verspreiden binnen uw vereniging of kenissenkring. De ingevulde formulieren kunnen teruggestuurd worden naar Doelbewoonster Frie Lauwers, haar adres staat op het formulier.
Download petitieformulier hier >>>
Voor wie onmogelijk op papier kan ondertekenen, hebben we ook een eenvoudige petitie online gezet. Ademloos vzw kreeg "spreekgunst" in het parlement met ongeveer 50/50 electronische en papieren handtekeningen. Wij weten echter uit ervaring dat Doel op niet veel clementie vanwege de overheid kan rekenen...
Doorlinken naar meer info over online petitie >>>
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www.decorobra.com/cortinas-romanas-un-estilo-unico.html
Ya no tendrá que elegir entre el ambiente cálido y lujoso de unas cortinas hermosas o las ventajas prácticas de una persiana. La tela de las cortinas romanas combina ambos beneficios en un formato único. Hecha de pliegues suavemente contorneados de buenas telas, los tejidos de cortinas romanas están diseñados para cubrir la más amplia gama de aplicaciones y preferencias individuales.
Las cortinas romanas incorporan la elegancia de los pliegues de tela, para explicarlo con claridad y sencillez, es una cortina que se pliega sobre sí misma de una manera vertical, pero el resultado es mucho más distinguido y estético que otras coberturas de ventanas. Es innegable que las cortinas romanas crean un ambiente cálido y acogedor, y esa es la razón principal por la cual son cada vez más apreciadas en la decoración interior.
Otra ventaja importante es que la tela se puede quitar y lavar fácilmente.
Este tipo de cortinas son también utilizables en diferentes condiciones. Lugares ideales para las cortinas romanas son las salas de estar, habitaciones familiares y dormitorios. Además de ser muy útiles en los hogares también pueden ser de gran uso en los restaurantes donde proporcionan una decoración funcional. Sin embargo, ya que están fabricadas con tejido no se recomienda para uso en espacios muy húmedos como el baño o la cocina, donde se impregnan de olores.
Dependiendo del tipo de material utilizado las cortinas romanas tienen varias funciones:
-Bloquear o filtrar la luz natural que entra en la sala
-Proporcionar protección contra la luz solar perjudicial para muebles, alfombras y otros artículos
-Proteger la privacidad de las personas en la casa
-Decorar y dar personalidad a la sala
[gallery link="file"]
venice-biennale-biennalists.blogspot.dk/2013/06/national-...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
newspaper pots for seedlings (10 in a box)
wanna give it a try??
www.ehow.com/how_4893495_sturdy-recycled-newspaper-pots.html
4201 Pros1893 Evgenij Kumičić Prosvjeta List za zabavu, znanost i umjetnost. I. Godina Uredio Josip Zoček u Zagrebu 1893. Tisak i naklada Antuna Scholza.
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morton1905.blogspot.hr/2018/05/evgenij-kumicic-prosvjeta-...
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Eugenij Kumičić.
Rodio se je 11. siečnja god. 1850. u gradiću Berseću na istarskoj iztočnoj obali. Normalku je učio u rodnom mjestu, a gimnazijske nauke na Rieci i na talijanskih gimnazijah u Zadru i Kopru. Izpit zrelosti položio je na Rieci. Prvu sveučilištnu godinu bio je u Pragu, a zatim dvie godine u Beču. Učio je poviest, zemljopis i filozofiju. God. 1874. pozva ga u Spljet pokojni Bakotić, gimnazijski ravnatelj, koji je bio Kumičiću učitelj u riečkoj gimnaziji. Pokojni Bakotić, spisatelj prekrasne pripoviesti »Raja«, veoma je ljubio svoga bivšega učenika Kumičića. Nastavni jezik na spljetskoj gimnaziji bio je tada talijanski, pa je Kumičić morao podučavati tim jezikom logiku i psihologiju i hrvatski jezik u viših razredih. Kumičić do svoje 12. godine nije ni razumio ni govorio talijanski. Taj je jezik naučio u školi. Znao je samo hrvatski kao i majka mu, Marija. Otac mu Tomo, pomorac i trgovac, nikada nije sa sinom govorio talijanski. Iz Spljeta, gdje je bio jednu godinu, pošao je Kumičić u Zagreb. Odsluživ kod pukovnije Leopoldove vojničku godinu, otišao je na dulje vremena u Pariz. Zatim. je dulje vremena boravio u Italiji, pa se povratio na bečko sveučilište, gdje je učio franceski i talijanski jezik i književnost kod . prof. Mussafije. U to ga pozvalo pod pušku - u Bosnu. Što je doživio u Bosni, opisao je u svojem djelu »Pod puškom« , Koncem god. 1879. dobio je mjesto u višoj realci u Zagrebu, gdje je predavao hrvatski i francezki jezik i povjest. God. 1884. napustio je svoje učiteljsko zvanje svojevoljno. Htio je da bude posve slobodan kao spisatelj i kao - izbornik. Kasnije ga je dva puta izabrao drugi varaždinski izborni kotar svojim zastupnikom na hrvatskom saboru. Jednu je godinu bio urednik »Hrvatske Vile« , a dvie godine i pol urednik dnevnika »Hrvatske.« Zašto je više puta sjedio na obtuženičkoj klupi, sve to ne spada amo. God. 1885. imenovan je gradjaninom grada Zagreba po slav. gradskom zastupstvu u Zagrebu. Kumičić se je vjenćao 20. rujna god. 1882. u Varaždinu sa Marijom Maršićevom. Ima dva sina: Tomicu i Juricu.
Prvo je svoje djelce napisao u Spljetu pod naslovom: "Spljet i Pariz". Dvie ga je godine prepisivao i popravljao, a napokon, po nagovoru svojih prijatelja, posla ga iz Beča slavnomu Šenoi, koji odgovori nepoznatom početniku u dopisnici uredničtva u »Viencu« od 7. travnja 1877 . Taj je odgovor osokolio Kumičića, pa je izdao svoje prvo djelo dvie godine zatim u političkom listu »Slobodi« , promieniv mu ime u "Slučaj". Kumičić je napisao svoja prva djela pod pseudonimom Jenio Sisolski. On se je rodio na obronku briega Sisol, a u rodnom ga mjestu zovu Jenio, što dolazi od talijanskoga Eugenio.
Kumičić je napisao, svršio, svoje pripoviesti, romane i drame ovim redom:
"Slučaj" u kolovozu 1879. (»Sloboda«).
"Olga i Lina" u siečnju 1881. (»Sloboda«).
"Jelkin Bosiljak" u rujnu 1881. (Posebno izdanje).
"Neobični Ljudi" u ožujku 1882. (»Vienac«) .•
"Primorci" u rujnu 1882. (»Hrvatska Vila« ).
"Začudjeni Svatovi" u veljači 1883. (»Vienac«).
"Gospodja Sabina" u ožujku 1884. („Matica Hrvatska«).
"Ubilo ga Vino" u travnju 1884. (»Naša Sloga«),
"Sirota" u travnju 1885. (»Matica Hrvatska«).
"Pod Puškom" u svibnju 1886. (»Balkan«).
"Preko Mora" u siečnju 1889. (»Dom i Sviet«).
"Teodora" u svibnju 1889. (»Matica Hrvatska«).
"Saveznice" u kolovozu 1889. (»Dom i Sviet»).
"Otrovana Srca" u veljači 1890. (»Dom i Sviet«).
"Sestre" (drama) u ožujku 1890. (Posebno izdanje).
"Mladost-Ludost" u siečnju 189l. (»Dom i Sviet«).
"Obiteljska Tajna" (komedija) u siečnju 1891. (»Matica Hrvatska«).
Osim ovih djela napisao je Kumičić i nekoliko crtica, kao što je "Crn Božić" u »Božićnici« .dnevnika Hrvatske« od god. 1890., pa crtica "Br. 84 i br. 85" u »Božićnici« rečenoga dnevnika od g. 1891. Napisao je mnogo članaka, ponajviše političkih, te preveo za »Hrvatsku« i »Hrvatsku Vilu« nekoliko omanjih crtica iz francezkoga, talijanskoga i španjolskoga. Osim pripoviesti "Primorci" sva su Kumičićeva djela pretiskana iz listova u posebne knjige. Domala izaći će tako "Primorci". Neka su mu djela izašla već u trećem izdanju. Pod naslovom "Tri Mučenice" izdao je god. 1889. u jednoj knjizi svoje tri pripoviesti: »Saveznice«, »Neobični Ljudi« i »Ubilo ga Vino«.
Na česki su jezik prevedena ova njegova djela: "Gospodja Sabina" (»Zlatna Praha«), "Preko Mora" u krasnoj Ottonoj narodnoj biblioteci, pak drama "Sestre" i komedija "Obiteljska Tajna" u kazalištnoj knjižnici, u kojoj su djela najpoznatijih evropskih drarnatskih pisaca. Na njemački prevedene su neke Kurnićićeve crtice, te "Jelkin Bosiljak" i "Sirota'.
"Urota Zrinjsko-Frankopanska", koja izlazi u »Dornu i Svietu« najnovije je djelo gospodina Kumičića.
Iz Prosvjeta 1893. godine str. 22.
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morton1905.blog.hr/oznaka/eugenij-kumii-iz-prosvjeta-1893...
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www.lapaludsurverdon.com/routecretes_verdon.html Venez découvrir la "Route des Crêtes"
Le départ de la D23 se trouve sur la route de Castellane à 800 m du village. Cette route panoramique de 23 km vous ramène au village après avoir parcouru les crêtes du Grand Canyon. Les 14 Belvédères dévoilent les falaises mythiques du Verdon et offrent des points de vue inoubliables du Grand Canyon.
Sur ce circuit routier, en à peu près une heure, vous surplomberez le légendaire Verdon et découvrirez des points de vue incomparables comme la "Carelle","l'Escalès" ,"la Dent d'Aire" ou "Guègues"; jusqu'à 700m de vide sous les pieds...
Vous découvrirez au fil de "votre échapée" la faune locale (vautours, chamois, ...), la flore, ainsi que les grimpeurs qui parcourent les falaises du canyon.
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
www.asahi-net.or.jp/~uw8y-kym/peace/anne00.html
www7b.biglobe.ne.jp/~fukui_kyoukai/annenobara/anne_top.html
en.wikipedia.org/wiki/Anne_Frank
www.flickr.com/groups/master_photos/discuss/7215761599563...
www.flickr.com/groups/master_photos/discuss/7215761599867...
www.flickr.com/groups/master_photos/discuss/7215761599712...
www.flickr.com/groups/master_photos/discuss/7215761618011...
www.flickr.com/groups/master_photos/discuss/7215762411258...
www.flickr.com/groups/master_photos/discuss/7215762442010...
www.flickr.com/groups/master_photos/discuss/7215762408900...
www.flickr.com/groups/master_photos/discuss/7215762524014...
www.flickr.com/groups/master_photos/discuss/7215762532724...
www.flickr.com/groups/master_photos/discuss/7215762574730...
Our Lady of Lourdes & St Joseph, Leigh on Sea, Essex
I passed OLoL&SJ (apologies for the acronym) on my way to St Clement and had to stop. This RC church had fallen off my radar and would have been missed had it not been so arresting.
Built in the 1920's to the design of the parish priest, Fr FW Gilbert, it stands as his personal testament to God. Full of good period glass, a very Catholic reredos, lectern and rood; unusually a SE tower but, to my mind, the most exceptional feature is the Lady Chapel which is a scaled replica of Lourdes.
A rich priest's homage to Gothic architecture with a distinct Catholic twist - I wish this was my parish church!
Neither Pevsner nor Mee covered it (inherent anti Catholicism at work?) so Taking Stock instead:
An idiosyncratic Gothic church of the 1920s, very much a personal work by the parish priest Fr F. W. Gilbert, but closely following the design of Charles Nicholson’s church of St Alban at Westcliff-on-Sea. The church was sympathetically extended in the 1960s. The interior is rich in fittings, some designed by Fr Gilbert.
The original church (now the parish hall) began life as a timber-framed, corrugated iron drill hall, originally built for the Essex Volunteers in 1900 under the supervision of Major Burles and purchased in 1913. The site of the present church was purchased by the Rev. F.W. Gilbert in 1924, using donations and his private money. It appears that Fr Gilbert acted as his own architect, his design borrowing heavily from that of the Anglican church of St Alban the Martyr at Westcliff-on-Sea, built in 1898-1908 from designs by Nicholson & Corlette. The Gilbert family promised £2,000 once building work commenced. The contract price was £12,234. The builders were Messrs Marshall & Smith of Grays but Fr Gilbert acted as his own clerk of works, using local labour, including unemployed men from Grays. The foundation stone was laid on 7 October 1924 and the church opened in September 1925. The presbytery was built in 1925.
The church was sympathetically extended in 1965-66 by Burles, Newton & Partners, in the same style and materials; the west wall was moved twenty feet further out to create a choir gallery, west door and porch and a baptistery with organ chamber above. Proposals to replace the old hall with a new and larger building were prepared in 2007 but have not yet been implemented.
The church is a large and handsome structure in a free Gothic style. The walls are faced with random rubble with stone dressings. Apparently much of the stone was quarried near Glasgow and was originally used as ballast in lighters intended for the Gallipoli campaign, which were later bought by a local ship owner, who donated the stone for the building of the church. The roof is covered in plain tiles. On plan the church comprises a long nave and sanctuary under a continuous roof swept down over north and south aisles, southwest porch, northwest organ chamber, southeast double transept and southeast tower. The gabled west end is Burles & Newton’s work of the 1960s and has a broad straight-headed doorway flanked by small trefoiled windows with a large six-light traceried window above. On the north side is a tall transeptal organ chamber and then the low side wall of the north aisle with three pairs of small trefoiled windows. On the south side is a small projecting porch and then the low side wall of the south aisle, a double transept with three-light traceried windows in the gabled ends and then the bold square south east tower. The tower is of three stages with a traceried two-light window on the south side of the lowest stage and pairs of small openings in the two stages above. The tower has a single large diagonal buttress at the southeast corner, crenellated flint-faced parapets and a tiled spirelet. The east end wall of the sanctuary is articulated with three round-headed blind arches. This wall fronts the garden of the large presbytery which is attached to the northeast corner of the church, and the church and presbytery together form a strong architectural composition.
The interior walls are all plastered and painted with plain flooring of timber. There is a west gallery in the 1960s extension and nave arcades of four bays of simple pointed chamfered arches on square chamfered concrete piers. Above each pier the nave is spanned by the tie beams of the roof and above them is a five-sided timbered ceiling. The aisles have lean-to roofs and are also timbered. The east bay on the south side is a small transept. There is no chancel arch in the usual sense, but the division between nave and sanctuary is marked by pilaster strips on the walls with a rood beam at half- height and a timber rib spanning the roof between them. The sanctuary has a single large open arch on each side and is richly furnished. The east wall in particular is lined to full-height with carved decoration. The floor is black and white marble. On the south side of the sanctuary is a second transept divided from the first by a double arch resting on dwarf double columns with ornamental Gothic capitals. In the east wall of this transept a chamfered pointed arch leads to the base of the tower which contains a Lourdes grotto.
The church is rich in fittings. These include the carved timber reredos filling the whole east wall, the extraordinary pulpit with figures of evangelists supported by cherubs, apparently designed by Fr Gilbert, who also designed the figures of the rood beam, the elaborate oak stalls in the sanctuary and the font at the west end of the nave given in memory of Col. Knight (d.1891) with its stone bowl on clustered columns and a surrounding floor of Cosmati work.
There is some stained glass in the church including the west window by Whitefriars and other windows by Goddard & Gibbs. The scale model of the Lourdes grotto was built by Cyril Psaila (d. 1931).
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2
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www.emergencyrooms.org/sprengelmuseum.html----------Sprengel Museum exhibition Press release ----------
Sprengel Museum Hannover
PHOTOGRAPHY CALLING!
09. October 2011 – 15. January 2012
Sprengel Museum HannoverSprengel Museum Hannover
IN ASSOCIATION WITH THE
LOWER SAXONY SAVINGS BANK FOUNDATION
PHOTOGRAPHY CALLING! is an exhibition of the works of 31 photographers on a floor area of over 2,000 square metres. Since HOW YOU LOOK AT IT in 2000, this exhibition is the first and only one to provide an all-embracing overview of artistic photography from the 1960s to the present day. The exhibition has been organized by the Sprengel Museum Hannover in collaboration with the Lower Saxony Savings Bank Foundation. Starting out from the Foundation’s collection of large groups of works by both American and European photographers, the only collection of its kind in Europe, the exhibition explores the history and perspectives of the ‘documentary style’ of photography.
PHOTOGRAPHY CALLING! constitutes yet a further step towards establishing Hanover as an important centre for artistic photography in the north of Germany.
The starting points of the exhibition are the works of Robert Adams, Diane Arbus, Lewis Baltz, Bernd and Hilla Becher, William Eggleston, Lee Friedlander, John Gossage, Nicholas Nixon, Martin Parr and Michael Schmidt. The artist photographers Rineke Dijkstra, Paul Graham, Thomas Struth and the photographers of the generations that followed, such as Jitka Hanzlová, Stephen Gill, Jochen Lempert, Elisabeth Neudörfl, Heidi Specker and Tobias Zielony, visualize the world with a style of photography that adheres strictly to the medium and yet is highly subjective. Max Baumann, Boris Mikhailov, Rita Ostrowskaja and Helga Paris extend the perspective with experiences of their own confrontations with different political systems, while Laura Bielau, Thomas Demand, Hans-Peter Feldmann, Andreas Gursky, Thomas Ruff, Wolfgang Tillmans and Jeff Wall use the documentary style of photography as a means of exemplifying the phenomena of visual perception. Many of the works are being exhibited for the very first time.
Integrated into the exhibition are three successive Project Rooms organized by three guest curators and each taking place for the duration of one month. They thematize three different methods of collecting and three different ways of using photography.
From 9.10. until 30.10.2011 the artist Thierry Geoffroy will investigate the idea behind the title of the exhibition – PHOTOGRAPHY CALLING! – and ask: Who calls whom and what, and for what purpose, and out of what interests? On 1.11.2011 Markus Schaden will be setting up a study room devoted to the photography book as a ‘storage medium’ and collector’s item. From 6.12.2011 until 15.1.2012 Wilhelm Schürmann will be exposing the obsessions that can be the driving force behind a private collection of photographs, graphics, paintings and sculptures.
In the run-up to the exhibition HOW YOU LOOK AT IT at the Sprengel Museum Hannover, which was curated by Thomas Weski and Heinz Liesbrock on the occasion of EXPO 2000, the Lower Saxony Savings Bank Foundation began to purchase comprehensive groups of works by selected American and European photographers. Since then, the collecting activity of the Foundation has been focused on those works of photography that may be understood to be in the tradition of the ‘documentary style’ (Walker Evans, 1903-1975) and have been exercising a strong influence on photography since the end of the 1960s. Thus it has been possible – thanks not least to the recommendations of a high-calibre advisory board – to build up a photographic collection distinguished by its concentration on groups of works. In this regard the collection is unique in Europe.
The Lower Saxony Savings Bank Foundation’s collection and its perspective are now to be the subject of the present exhibition, which is being mounted jointly with the Sprengel Museum Hannover and also in the context of the Museum’s own well-cultivated photography tradition, which began in 1979 and can boast exhibitions of such great exponents of photography as Karl Blossfeldt, El Lissitzky, Judith Joy Ross and Michael Schmidt, to name only a few of many, or the “SPECTRUM” International Prize for Photography of the Foundation of Lower Saxony. ‘Collecting’ manifests itself here as an open system that operates self-reflexively in the aforementioned Project Rooms and is future-oriented and discussion-friendly in the exhibition’s supplementary events.
PHOTOGRAPHY CALLING! is accompanied by a copious publication (Steidl, Göttingen). Visitors will also be offered a comprehensive information programme.
The exhibition has been curated by Inka Schube, Curator for Photography and Media Art, Sprengel Museum Hannover, and Thomas Weski, Professor of “Curatorial Cultures”, Academy of Visual Arts, Leipzig.
Here is a link to my short tutorial for these on my blog palumbojewelry.blogspot.com/2011/12/silhouette-at-sunset-...
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
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The bar originally known as Jack Potts Tavern opened in 2010 on Main Street in Cincinnati’s Over-the-Rhine (OTR) neighborhood, aiming to be a neighborhood hangout with live music every night. Two of old bands (In Space!!! and Elk Creek) played there over the years, and it even attracted touring artists some weekends.
The original name was a nod to the new casino being built a few blocks away, and the interior had a firefighter theme as one of the co-owners worked as a firefighter for the City of Cincinnati. Over time, the bar transitioned away from being a spot for OTR locals and into a place where 20-somethings come to party on Friday and Saturday nights. The live music was dropped in favor of DJs; the name changed to JP’s and later The Drinkery.
In 2023, the business was sold to 4EG, a group that operates over a dozen bars and restaurants in Cincinnati and a few in other cities. They continued to operate it as The Drinkery but the following year announced a plan to remodel the space as reopen it as a new concept called Nice Life. However, due to “unexpected delays,” the rebranding was pushed back to 2025. As they are no longer allowed to use the name The Drinkery, they will be temporarily rebranding as The Setback for its final few months of operation before the remodel.
Cincinnati, OH. August 28, 2024. Shot on a Mamiya 7II and Kodak Gold 200. Developed and scanned by The Darkroom.
Exhibitions:
"Out of the Blue", Abington Art Center, Jenkintown, PA (Mar-May 2006)
"Prevailing Climate" at Sara Meltzer gallery in Chelsea (NYC): newsgrist.typepad.com/underbelly/2006/06/prevailing_clim....
Reviewed by Holland Cotter in the NYTimes:
www.firstpulseprojects.com/joy-recentpress04.html
Also, here's an excerpt from a recent blog review of the show:
hungryhyaena.blogspot.com/2006/07/gallery-report-07192006...
[...] The rest of "Prevailing Climate" is relatively strong. Works by Joan Linder, Joy Garnett, Jason Middlebrook and Anna von Mertens standout. Attractive - indeed, almost decorative - the two oil paintings included by Garnett are deceptive. Her subject matter, garnered from online news media, is associated with warfare, be it images of prisoners, war machines, military officers or torn landscapes. The two pieces included in "Prevailing Climate" belong to this last group. Calling to mind work by the Romantic painters, Turner and Friedrich, Garnett's burning, red-and-orange vistas are as disturbing as they are beautiful. In this sense, they are sublime, in the traditional sense, inspiring awe and a little fear. Looking at the work, particularly the smaller of the two, "Plume 2 (Strange Weather Series)," I find myself wondering what effect the super abundance of such images in our media has on our moral response. Have we, as a society, learned to cope by abstracting these violent, troubling scenes, ignoring the documented wrongs by treating them as we do a friend's postcard from abroad?
Solo show:
Strange Weather
May 8 - July 30, 2007, National Academy of Sciences, Washington, D.C.
www.firstpulseprojects.net/jg_2006/StrangeWeather-NAS.html
The exhibition, which focuses on the aftermath of Hurricane Katrina, showcases a selection of paintings based on widely distributed news images of a devasted New Orleans. Unreal-seeming images of environmental and social catastrophes are re-cast as paintings where geological, political and social "weather" are inextricably intertwined.
An artist's multiple with essays by Lucy R. Lippard and New York Times science reporter Andrew C. Revkin is available upon request.
APUNTES Y VIAJES
Crónicas: Vacaciones en Cancún, Cancún: Un lugar fuera del tiempo, Trotar en el Caribe y sucumbir en el intento, Un día en Isla Mujeres, En la Ruta de la cultura maya: Tulum y Cobá, Experiencia Coco Bongo.
10 Fotografías: Quintana Roo, Cancún, Isla Mujeres, Tulum, Cobá.
Video: Qué visitar en Cancún
Mi trabajo: Facebook / Flickr / Instagram / Blogger / You Tube
www.francisnaumann.com/EXHIBITIONS/DuchampChess/index.html
“Marcel Duchamp: The Art of Chess” is the first exhibition devoted to exploring the influence of Duchamp’s activities as a chess player on his artistic production. It debuted at the St. Louis University Museum of Art (May 6 – August 16, 2009), and the present gallery exhibition is an expanded version of that show. It will open at Francis M. Naumann Fine Art on September 10, 2009 (and run through October 31, 2009).
The exhibition features the magnificent early cubist drawing Study for Portrait of Chess Players (1911), which renders Duchamp’s two brothers—Raymond Duchamp-Villon and Jacques Villon—intently engaged in a game of chess; a large central “X” in the center of the composition represents the precise point where their minds meet, a cerebral focus common to much of Duchamp’s subsequent production. Among the highlights of the show will be an example of the readymade Trébuchet (1917/64), the coat rack that visitors to Duchamp’s studio were expected to trip over (the chess equivalent of a gambit offered in the opening of a game); the Nice chess poster (1925); regular and deluxe examples of his book on endgame strategy (1932); the Pocket Chess Set (1943); and Cupid (1943), a recently discovered original drawing for the announcement of a show at the Julien Levy Gallery (in which Duchamp seems to have embedded a hidden message). A number of photographs of Duchamp either playing chess or seated before a chessboard will also be displayed. A signed, limited edition photograph by Arnold Rosenberg of Marcel Duchamp moving chess pieces behind glass (1958) was issued to commemorate this exhibition.
Also included in the show will be works by a number of Duchamp’s contemporaries—Man Ray, Georges de Zayas, Max Ernst, Salvador Dalí, Leon Kelly, Beatrice Wood, Arman and Sarah Austin—that relate to Duchamp’s involvement with the game of chess, as well as a selection of works by contemporary artists—Charles Juhàsz Alvardo, Mike Bidlo, Donald Bradford, Russell Connor, Ingrid Evans, Mark Kostabi, Sophie Matisse, Daniel Meirom, James Meyer, Trong Gia Nguyen, Yoko Ono, Jennifer Shahade, Diana Thater, Douglas Vogel—some of whom have made works specially for inclusion in this show.
Accompanying the exhibition will be Marcel Duchamp: The Art of Chess, a book featuring essays by Francis M. Naumann and Bradley Bailey, both of which demonstrate that Duchamp’s identity as a chess player is so thoroughly interfused with his work as an artist that the two activities are aesthetically and conceptually inseparable. The book also includes the analyses of fifteen Duchamp games by Jennifer Shahade (two-time American Women’s Chess Champion). These games will be reenacted in the exhibition on a video monitor, on which visitors will be able to view the movement of the pieces, all laid out in the format of Duchamp’s Pocket Chess Set of 1943.
FRANCIS M. NAUMANN FINE ART
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www.politico.com/news/stories/0611/56941.html
A 'kitchen sink solution' on jobs
By: Chris Frates
June 15, 2011
The center-left Washington think tank Third Way is holding a forum Wednesday to discuss the merits of allowing companies to bring the $1 trillion in profits parked overseas back to the United States at a temporarily reduced tax rate.
The morning forum at Union Station will include Sen. Kay Hagan (D-N.C.); Democratic Reps. Loretta Sanchez of California and Jared Polis of Colorado; former Service Employees International Union President Andy Stern; Duke Energy chief executive Jim Rogers; and George Schink, managing director of Navigant Economics.
Third Way’s vice president of communications, Sean Gibbons, said the forum is designed to determine whether the idea — which is anathema to many liberals — is a viable option for jump-starting U.S. job growth.
“We have unemployment near 9 percent. We’ve basically pulled every single lever we can as a government. … We’ve done almost everything we can to get the economy going. It’s time to throw in the kitchen sink. This is a kitchen sink solution,” Gibbons said. One trillion dollars “is a lot of coin. It’s sitting overseas. If we could bring over a significant portion of that back into the economy, we believe that would stimulate demand, and demand stimulates jobs.”
It’s not a perfect solution, Gibbons said, but one the Republican-controlled House might be willing to entertain.
He acknowledged that analysts don’t yet know how many jobs such a policy might create. But, he said, bringing money back to the U.S. creates demand, which in turn drives hiring.
The forum is the first public event of the think tank’s new corporate tax reform project directed by former Rep. Dan Maffei (D-N.Y.), who’s now a Third Way senior fellow.
Right now there is over a trillion dollars in global profits earned by American businesses sitting overseas. What if we lowered the bar for companies to bring that money back home?
Third Way hosted an Idea Forum that examined the economic and policy implications of a repatriation tax holiday that would allow American multinational companies to bring overseas profits back to the U.S. for investment at a reduced tax rate.
Featuring a distinguished panel of leaders from business, labor, economics and government, the forum offered a fruitful discussion of a repatriation holiday’s impact on hiring and investment, business practices, and future tax policy. Participants include Senator Kay Hagan, (D-NC), Congresswoman Loretta Sanchez (CA-47), Congressman Jared Polis (CO-2), Andy Stern, former President of the Service Employees International Union, Jim Rogers, CEO of Duke Energy and Dr. George Schink, Managing Director and Principal of Navigant Economics.
This Idea Forum is the first public event of Third Way’s new corporate tax reform project, managed by former Congressman (and now Third Way Senior Fellow) Dan Maffei, which will advance ideas to make the code fairer, simpler, and more pro-growth.
Shibu Onsen is a historic and attractive hot spring town in Yamanouchi, which has retained a traditional atmosphere. Nestled in a small valley, Shibu Onsen is spread out on a gentle slope beside the Yokoyugawa River, with Yudanaka Onsen located below and the Jigokudani Monkey Park above.
During its long history, the area has been visited for its hot spring water by a lot of people, including priests, samurai and poets. Some of the ryokan (Japanese style inns) that line Shibu's narrow streets, date back over 400 years, adding greatly to Shibu's atmosphere. Guests of the ryokan are encouraged to take a stroll around town in the traditional onsen clothing of yukata robes and geta sandals.
One incentive to walk around the town is to make use of the public bath houses, of which there are nine. The public baths are locked and, except for one, only accessible to locals and overnight guests, who are provided with a master key by their ryokan. The bath houses are small buildings, divided into a women's side and a men's side, and the baths themselves are quite simple. The bath houses are numbered, but also have special names and cure different ailments. Source: www.japan-guide.com
Catedral de El Burgo de Osma
www.lafronteradelduero.com/Paginas/el_burgo_de_osma.html
La Catedral de El Burgo de Osma, bajo la advocación de Santa María de la Asunción, es el resultado de una sucesión secular de actuaciones constructivas que van desde los primeros años del siglo XII, cuando se levantó el primitivo templo románico, hasta la segunda mitad del siglo XVIII en que se dio remate a la torre barroca. Aunque conserva escasos elementos de la obra románica y luce añadidos renacentistas, barrocos y neoclásicos, lo que predomina en el conjunto catedralicio son las construcciones góticas llevadas a cabo en diversos periodos.
La Catedral burguense fue declarada Monumento Nacional el 3 de junio de 1931, y «entorno de protección» por Decreto 84/99, de 22 de abril, de la Comunidad de Castilla y León. Comparte la sede episcopal desde 1959 con la concatedral de San Pedro de Soria.
Apunte histórico
Osma es sede episcopal al menos desde 597, fecha en la que está documentado que su obispo, Juan, tomó parte en el Concilio doce de Recaredo. De esta época visigoda no se conserva vestigio arqueológico alguno referido al templo catedralicio que se ubicaría en la antigua Uxama. Tras el lapso de tres siglos de ocupación musulmana (s.VIII al X) y otro más de repoblación y consolidación del dominio cristiano, en 1101 se restauró la diócesis bajo los auspicios de la Sede Metropolitana de Toledo. En esa fecha tomó posesión de la silla episcopal el que fue su primer titular en esta segunda y definitiva era diocesana: Pedro de Bourges (San Pedro de Osma).
Por entonces, no sólo se había abandonado la antigua Úxama, emplazada ahora en el llano con el topónimo de Osma, sino que se estaba desarrollando un burgo o barrio al otro lado del río Ucero en el que existía una iglesia benedictina con culto a San Miguel. Ese fue el lugar elegido para levantar la nueva catedral en el estilo arquitectónico imperante en los albores del siglo XII: el románico. No hay noticia cierta de cuándo se comenzó la construcción de este templo pero es de presumir que fuese durante el episcopado de Pedro de Osma, es decir, entre los años 1101 y 1109. En todo caso, los rasgos estilísticos de lo poco que de él ha quedado no dejan lugar a duda de que proceden de principios de dicho siglo. Los obispos sucesores de Pedro que regirían la diócesis a lo largo de la primera mitad del siglo XII -Raimundo, Beltrán y Esteban- debieron ser los continuadores de la obra y quienes la llevaron a término, pues parece que quedó concluida a mediados de siglo.
Corta vida le esperaba a la flamante catedral. En 1231 accedió a la sede episcopal oxomense Juan Díaz de Medina (a quien se nombra con frecuencia como Juan Domínguez), Canciller de Fernando III el Santo. Este prelado, que provenía de la Colegiata de Santa María la Mayor de Valladolid de la que fue abad en los años anteriores (1219-1230) y que él mismo había reconstruido por entero, debió entender que la prematuramente obsoleta iglesia románica no poseía las dimensiones ni la funcionalidad que los nuevos tiempos demandaban y, experimentado como era en la construcción de grandes templos, decidió en 1232, y así lo puso en práctica, derribar la «vieja» catedral y erigir otra ajustada a los cánones góticos, al modo como se estaba haciendo en Burgos, en Cuenca o en Toledo. No obstante, la piqueta demoledora respetó el claustro y la sala capitular.
Las obras del templo gótico se prolongaron durante más de un siglo, siendo el obispo Bernabé quien a mediados del XIV logró darles fin. El resultado fue una iglesia de planta de cruz latina con tres naves de cinco tramos, transepto de cuatro tramos además del crucero, presbiterio de dos tramos, ábside principal y cuatro capillas absidales, dos a cada lado, sobre el muro oriental del transepto de forma parecida a las del monasterio cisterciense de Santa María de Huerta. El conjunto gótico se completó a principios del siglo XVI con la sustitución del claustro románico por el actual gótico tardío adosado al muro de la nave septentrional. El derribo del primero se llevó a cabo en 1505; de él se salvaron algunos capiteles y la arquería del frente de la sala capitular. Algunos años después, durante el mandato del obispo Pedro Álvarez de Acosta (1550-1554), se realizó el retablo mayor, obra de Juan de Juani y Juan Picardo.
El siglo XVIII fue pródigo en obras y reformas. En 1767 se finalizó la torre en su tercer intento, pues dos anteriores habían fracasado por derrumbe. La cabecera de la iglesia sufrió importantes alteraciones, primero por la construcción de la girola y de la capilla mayor, y luego por la incorporación de la sacristía y la capilla del venerable Palafox. La reforma de la capilla mayor se debió a Juan de Villanueva, lo mismo que la construcción de la sacristía (1770) y el proyecto de la capilla de Palafox (1772), si bien la ejecución de esta última obra le cupo a Sabatinni entre los años 1778 y 1783.