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Our Lady & The English Martyrs, Cambridge

 

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Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.

 

At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).

 

The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.

 

Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].

 

Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.

 

Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.

 

The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.

 

The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.

 

The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.

 

The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.

 

Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.

 

The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.

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El color tiene un efecto psicológico en tu estado de ánimo, dependiendo de ello las tonalidades y la intensidad de los colores. Si deseas alcanzar un estado de ánimo y una sensación especial para tu habitación, deja que la teoría del color que sea tu guía al elegir el diseño de tus ambientes.

   

El rojo simboliza el fuego, se asocia con la pasión y la fuerza o actividad. Este color estimula la conversación en una habitación, que es ideal para una sala de estar o comedor. Si deseas crear un ambiente un poco más romántico en el dormitorio, coloca algún accesorio rojo al lugar. Eso sí, sin ir demasiado al extremo con este color en la habitación, ya que será difícil relajarse y dormir.

   

El azul es apacible y tranquilo, es perfecto para un dormitorio o cuarto de baño. Los estudios demuestran que el color azul en realidad reduce la presión arterial y disminuye la frecuencia cardíaca.

   

Para dinamizar y elevar el estado de ánimo, añade un toque de amarillo a tu habitación. Amarillo brillante simboliza alegría, felicidad, energía y optimismo. Sin embargo, se aconseja no hacer del amarillo el color dominante, porque en demasía, este color puede tener el efecto contrario, de la pereza y o extrema cautela.

   

El naranja, alegre y divertido, sin duda agrega el entusiasmo a cualquier habitación. Estimula la naturaleza infantil o juvenil vivaz y entusiasta, se convierte en el color ideal para salas de juegos, habitaciones familiares, cocinas y espacios creativos.

   

El verde es el color de la vida, la naturaleza y la armonía. Este color tiende a tener cualidades curativas y relajantes, ideal para baños y dormitorios. El verde simboliza abundancia y la prosperidad de modo que no viene mal añadir algo de vegetación alrededor de su casa, especialmente en una oficina.

   

El púrpura es el color del lujo, riqueza y sofisticación. Los tonos claros, apagados, generan un estado de ánimo suave, relajado, perfecto para dormitorio principal. Tonos brillantes de púrpura, con una chispa de creatividad, puede ser ideal para las habitaciones de los niños, salas de arte, y oficinas.

   

Sí, el negro también es un color. Representa potencia, sofisticación y elegancia. El negro está mejor utilizado para estudios, bibliotecas, oficinas, salas de estar, dormitorio principal y comedor.

   

El blanco es símbolo de pureza, inocencia y tranquilidad. Agregar color blanco a un dormitorio, salón, cocina o crea una sensación de limpieza y suave elegancia.

 

Vía Day Design & Decor

 

 

         

 

[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]

 

Southern Pacific Railway Post Office #12, Travel Town, Griffith Park, Los Angeles, California

 

This narrowgauge truck set, cast in Sacramento, CA by Southern Pacific, is one of two designs of 're-gauge-able' trucks on display inside the Travel Town Museum building. The wheels can be detatched from the replaceable axle by four bolts within the inside face, and a new beam can be cut from wood for the bolster support and kingpin. The sliding bearings on the end of each axle predated roller or ball bearings, and could generate a great deal of heat from friction. Hopefully the grease packed under the hinged covers was warm enough to liquify and penetrate the bearing gap. One of the primary reasons a caboose had bay windows or a coupula above, and it's placement at the end of the train, was to keep a vigilant watch for the "hotbox" - an improperly lubricated bearing would cause excessive wear, or start a fire!

Notice that there are no springs in this design, any spring action is from the steel and wood supports.

 

The axles and crossblocks on this Southern Pacific Railway Post Office #12 bogie truck are fabricated of wood a design to facilitate re-gauging this 3' narrow-gauge truck to standard gauge 4'8½". The trucks are unsprung, which is to say the design does not incorporate springs, and there is a very narrow bolster around the kingpin. So, in addition to feeling every gap in the uneven and wavy rail, swaying and rocking was magnified at speeds above 12 miles per hour - working to precisely sort mail along the route was a very uncomfortable occupation.

 

SOUTHERN PACIFIC RAILWAY POST OFFICE #12

 

BUILT: c.1880 BY CARTER BROTHERS

WEIGHT: 13 TONS

LENGTH: 43'

DONATED: 1960 BY SOUTHERN PACIFIC RAILROAD

 

This pre-20th Century, wooden car was put to a variety of uses by its owners: caboose, baggage car, railway postal car, and most notably, a baggage-mail combination. Mail transportation by rail had existed as long as the railroads themselves. In Britain, mail was already being sorted within rail cars in the late 1830's. This practice was imitated on a few American railroads, but came into widespread use only after the Civil War. Perhaps no more efficient mail system could have existed than that of the railway postal system. Both local and long-distance trains included a car equipped with pigeonholes, sorting bags and tables, cancellation stamps, and one or more frenzied clerks trying to sort a bag of mail picked up at one station, before arriving at the next station each would be only ten or twenty minutes down the road. Early in their history, these railway postal cars (RPO's) shared space with express baggage service. Later, as the system grew more elaborate, entire 60- or 80-foot RPO cars were specially built for that purpose, and resembled small versions of a post office.

 

As with other aspects of railroading, RPO cars and their clerks have a lore all their own. The metal arms which swung out from the side of the car to catch a hanging mail bag when the train was not scheduled to stop at a station are collectors items, as are any existing cancellation stamps. Clerks carried guns for protection against outlaws wanting to steal the mail. In the first decades, clerks worked on cars furnished either with fire-causing wood stoves or without any heat at all. Doors could not be left open for security reasons, so the cars were barely ventilated in the summer heat. If they

had toilet facilities at all, they were crude and rarely private. Sometimes a lone clerk, sometimes a handful of men tripping over and stepping on each other, slaved at sorting and canceling mail, catching a new bag every twenty minutes, and simultaneously kicking off a bag sorted for that stop.

 

By the 1960's, railway mail, like railway passenger service and some railway freight service, was failing in favor of air transport of mail. The last RPO ran between Washington D. C. and New York in June 30, 1977.

 

dsc04445, 2008:04:27 14:37:30, 3D, Travel Town, RPO, Railway Post Office #12

willowgrovedaycamp.com/willows.html

 

We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.

 

The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove

water boats and joined in other great water activities. A terrific time was had by all!

 

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html

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This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]

   

This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :

A name of Color

A name of most soothing weather

A name of flowery days

and Most Interesting season here in Bangladesh ]

 

This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,

 

The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,

 

The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,

Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]

 

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Persecución Religiosa: Interrogatorio en clase

 

Era un día soleado, y en el aula resonó la voz alta de la docente china. Boqian y sus compañeros de clase escuchaban a la maestra con atención. De repente, se abrió la puerta y entró el subdirector de la sección educativa. Le susurró algo al maestro chino, luego el profesor chino dejó de dar una conferencia y se hizo a un lado. El subdirector tomó el puntero, golpeó dos veces en la pizarra y luego preguntó con voz severa: "¡Todos! ¿Hay algún creyente de Dios en tu familia"? Los estudiantes negaron con la cabeza y respondieron: "No". Boqian, que se estaba sentado en el medio de la tercera fila, comentó ligeramente, que sus padres eran creyentes en Dios. Recordó que su madre una vez le había dicho, "China es un estado autoritario sin libertad religiosa. El PCCh no permite que las personas adoren al Dios verdadero, sino que se resisten fanáticamente a Él y a Su obra. Los creyentes en China corren el peligro de ser arrestados en cualquier momento o lugar y sufrir la cruel persecución del PCCh". Boqian sabía que nunca les diría a los maestros que él y sus padres creían en Dios, de lo contrario las consecuencias serían inimaginables.

 

El subdirector parecía insatisfecho con las respuestas de los estudiantes, y luego sacó del bolsillo un reproductor MP5 negro, lo levantó y les dijo a los estudiantes: "¿Quién ha visto alguna vez a un jugador así? ¿De quién es la familia que tiene ese jugador"? Muchos estudiantes se miraron el uno al otro y no sabían qué tenía que ver el reproductor del MP5 con la investigación de si había algún creyente en sus familias. Pero Boqian sabía claramente en su corazón que los hermanos y hermanas de la iglesia, incluyendo a sus padres, solían usar este tipo de reproductor para leer la palabra de Dios, escuchar himnos y ver películas del evangelio, pero no se atrevió a decir una palabra. Temió que le daría algo a la maestra. Luego, el subdirector miró a cada estudiante y dijo con dureza: "Quien sea que hable es un buen estudiante y será citado. Si descubro que alguien sabía algo y no lo dice, será disciplinado y nunca podrá graduarse sin problemas". Después de escuchar eso, Boqian se sintió nervioso nuevamente. Una vez más, pensó en las palabras de su madre: "El gobierno del PCCh está lleno de astutos trucos. Instalan cámaras en las calles para monitorear a los creyentes; además, van de puerta en puerta realizando inspecciones para buscar a los creyentes a fin de verificar las tarjetas de residencia, y también utilizan unidades de trabajo y escuelas para investigar si hay algún creyente en la familia de alguien. Una vez que encuentran a un creyente de Dios, lo arrestarán y perseguirán, y sus incrédulos miembros de la familia se verán implicados y perderán sus trabajos, y sus hijos perderán las oportunidades de seguir estudiando. El gobierno del PCCh realiza investigaciones tan fanáticamente solo por el deseo delirante de capturar a todos los cristianos y establecer un país sin Dios en China". Boqian sabía que la razón por la que el líder de la escuela actuó de esa manera ese día fue porque ellos eran dirigidos por el PCCh. Para encontrar a los creyentes de Dios, obligaron a los estudiantes a hablar sobre si había creyentes en sus familias a través de engaños y amenazas. El PCCh fue de hecho demasiado insidioso y malvado. Pensando en eso, Boqian se dio cuenta de que el truco de Satanás se escondía detrás de este acontecimiento. Si él era tímido y temeroso, los maestros verían los agujeros, lo que pondría en peligro a su familia y a los hermanos y hermanas. Decidió que, en cualquier caso, no vendería a sus hermanos y hermanas, y mucho menos traicionaría a Dios, y que oraría a Dios y confiaría en Él para vencer la tentación repentina de Satanás.

 

Leer más:Reflexiones Cristianas

 

CIF CENTRAL SECTION CHAMPIONSHIP

 

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Girls track

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

www.lapressegratuite.com/2014/02/expo-in-the-city-le-prem...

Expo in the City est le premier magazine gratuit dédié aux expositions parisiennes ; l’occasion nous a été donnée de poser quelques questions à Fleur Baudon, directrice de la publication et Arnaud Chedal-Anglay, fondateur et rédacteur en chef du magazine.

 

Bonjour à tous les deux, racontez-nous l’idée de départ, sa concrétisation et parlez-nous de l’équipe !

L’idée de départ : rendre un peu « sexy » les expos, dépoussiérer tout ça. Créer un magazine urbain, sympathique, résolument moderne, qui donne envie de sortir pour aller voir une expo avec ses amis, son amour, ses parents ou ses enfants.

  

Un magazine convivial, qui se partage, tout comme ses bons plans.

Un magazine pratique qui tient dans la poche.

Un magazine gratuit, pour une vraie promotion de l’Art à Paris, sans clivage.

 

Pour la première fois, un classement des expos en ligne avec les envies et les attentes des parisiens. Pas d’expo ‘’beaux arts’’ ou ‘’ sciences et techniques’’, mais les expos à faire le soir après le boulot, les expos gratuites, celles à faire en amoureux ou en famille. Les expos pour frimer le lundi matin au bureau, ou pour occuper les beaux parents qui débarquent !

Expo in the City souhaite faire de chaque sortie expo un vrai bon moment, sympa et inoubliable. Pour cela, nous avons créé les premiers « duos expos », de bonnes petites adresses parisiennes avec les meilleures expositions. Cela permet de prolonger le plaisir de la sortie avec un petit brunch, un resto, un apéro, ou un jardin caché, une boutique insolite…

La concrétisation de cette idée a mis 2 ans, 2 ans pendant lesquels nous avons fait et refait des maquettes de magazines, en interrogeant des parisiens pour vraiment comprendre leurs attentes et leurs envies, et leur offrir le meilleur des expos, dans une version colorée et joyeuse.

L’équipe : Fleur et Arnaud, aidés par nos proches, amis, et familles. Nous avons créé une association qui a pour but de promouvoir l’Art à Paris, de manière accessible et sympa. Nous sommes des indépendants, loin des grands groupes de presse. Des idéalistes ? Des ‘’fous’’ peut-être ? Des passionnés évidemment !

 

En octobre de cette année, vous avez rassemblé des fonds sur le site de financement participatif KissKissBankBank, comment cela s’est-il passé ?

La démarche nous a permis de récolter 5 000 euros ! Cela nous a permis de nous lancer, en finançant l’impression du premier numéro, et une partie du site web. C’était fou de voir comme ce projet a pu mobiliser des soutiens, nous appuyant dans cette démarche audacieuse.

 

Présentez-nous la ligne éditoriale de Expo in the City, le positionnement du mag.

Expo in the City est un magazine bimestriel, format poche extrêmement qualitatif, 100 pages en couleur, distribué gratuitement à 20 000 exemplaires dans le cœur de Paris, aux métros, entrées des cinémas, théâtres et musées.

Le ‘’petit livre’’ des expos toujours sur soi !

Nous souhaitons toucher tous les gens passionnés par l’art, mais pas seulement ! L’idée est vraiment d’ouvrir l’art à tous, en faisant re-découvrir les expos de Paris et la richesse culturelle de la capitale, par un classement inédit des expos, pour que chacun puisse trouver l’expo qui lui ressemble, ou l’expo qui convient à chaque occasion.

Nous avons voulu créer le 1er magazine qui ne se jette pas, avec sa sélection d’expos, ses bons plans, ses actus, son format poche ultra-pratique. Nous avons créé un magazine pour chacun et pour tous.

 

Où peut-on trouver le magazine aujourd’hui ? Peut-on s’abonner ?

Tous les 2 mois, Expo in the City est distribué pendant 2 semaines dans le centre de Paris et en région Parisienne. Aux stations de Métro, dans les files de musées, de cinés, de théâtre, en 20 000 exemplaires. Expo in the City est aussi accessible sur le web www.expointhecity.com/, avec des actus inédites et complémentaires, et des avis d’internautes. Pour ceux qui souhaitent recevoir leur magazine chez eux, nous proposons une formule d’abonnement à 24 euros par an (magazine gratuit + frais de gestion et d’envois), offrant en plus un pass pour Pompidou.

 

Vous êtes également présent sur le web, pourquoi éditer un magazine papier et un site web ?

Pour nous les deux supports sont complémentaires. L’un se consulte en se feuilletant, dans le métro, dans son salon, dans un café, il se lit. Nous étions très attachés au support papier car nous aimons personnellement lire, et garder nos livres et guides pour les reconsulter à l’envi.

Le site internet est un support complémentaire qui nous permet de suivre l’actualité à la semaine, voire chaque jour. Nous donnons la parole à nos internautes pour nous donner leur avis sur les expos et aider les autres internautes à faire leur choix d’expos. Internet est très vivant, évolue chaque jour. Le magazine est une valeur sûre qui se garde sur soi.

 

Des projets de développement ? L’envie de décliner le magazine dans une autre ville ?

Nous avons plein d’idées de développement !

Notre premier souhait est de faire grandir Expo in the City, en restant libres et indépendants, ce qui est assez difficile car nos moyens ne sont pas ceux des grands groupes. Nous souhaitons étendre les services que nous proposons à nos lecteurs, toujours dans un esprit de convivialité, par exemple en créant une carte Club permettant d’inviter gratuitement une personne avec soi dans les musées, en organisant des soirées vernissages, des discussions sur des sujets d’expos... Tout en restant sur Paris, peut-être étendrons nous le magazine à la rentrée, a une version sur l’Art en général (musique, théâtre, cinéma, écriture…).

 

Merci et longue vie à Expo in the City !

Le site web Expo in the City

Pour s'abonner

La page Facebook

So, here it is, the reason I drove across Norfolk: Trunch in all it's glory And it is glorious.

 

It has so many fascinating details, each one alone would be reason enough to visit, but together, in a fine village, next to the village pub, and with that font canopy, one of only four such in all of England, and one of two in the county.

 

-------------------------------------------

 

The oldest building in Trunch is St. Botolph's Church. It is mainly 14th. and 15th. Century but there are some fragments of stone in the walls which are believed to have been reused from an earlier Saxon church, which was recorded in the Domesday Book. There is much of interest in the church including a Rood Screen, a hammer beam roof and a rare Font Canopy.

 

trunchhistory.weebly.com/buildings.html

 

--------------------------------------------

 

The large village of Trunch is located about 5 miles from the north Norfolk coast. In the centre of the village, surrounded by a lovely collection of cottages and the more modern Crossroads Inn, is St Botolph's church. Much of what you see of the church is early 15th century, built upon earlier foundations.

Upon entering the church the first feature you will see is the font, which dates to the mid 14th century. Though the font is attractive, it is the carved and painted font canopy that really makes a visit to Trunch worthwhile.

 

This is a quite remarkable piece of woodwork, one of only four such canopies surviving in the entire country (the others are at St Peter Mancroft in Norwich, Durham Cathedral, and Luton). The canopy is supported on six beautifully carved legs. The carving detail is exquisite; with fanciful animal figures and foliage and a bit of political commentary, in the shape of a pig wearing a bishop's mitre.

In addition to the font canopy, Trunch features a superb 15th century hammer beam roof, a feature of many churches in Norfolk and Suffolk. Here the carvings of angels are beautifully performed. It is worth bringing along a pair of binoculars or a telescope in order to see the carvings properly.

Much easier to see are the medieval misericords (mercy seats) in the chancel. Each carving is unique; some represent angels, and others are more grotesque in nature. In addition there are some beautifully carved pew ends and a painted medieval rood screen that rivals many more famous churches in detail and colour.

 

There are 12 niches in the screen, each painted with a depiction of a single figure - 11 disciples plus St Paul. Much of the costume detail is well preserved, but the faces of the figures were destroyed during the upheavals of the Protestant Reformation in the 16th century.

 

www.britainexpress.com/counties/norfolk/churches/Trunch.htm

 

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William Earl Warren had the lordship of this town, (fn. 1) of which 3 freemen were deprived; one of them belonged to Herold, late King of England, another to Ralph Stalre, and the 3d to Ketel, who held 90 acres of land, and 14 borderers belonged to it, with 5 carucates among them; there was a church endowed with 10 acres, &c. 3 acres of meadow always valued at 30s. and there were also 5 freemen of Edric in King Edward's time, who had 34 acres of land, with 2 carucates, 2 acres and an half of meadow, always valued at 7s. 4d. (fn. 2)

 

This town also belonged to the Earl Warren's capital manor of Gimmingham, and paid suit and service to it. In the 34th of Henry III. Maud de Norwich granted by fine, to Richer, son of Nicholas, a messuage, 48 acres of land, a mill, and the sixth part of another in this town, Swathefeld and Bradfeld. In the 15th of Edward I. the Earl Warren claimed a weekly mercate, on Saturday, in this manor; and on the death of John Earl Warren, in the 21st of Edward III. the mercate was valued at 10s. per ann. the manor came after to the Earl of Lancaster, (as is before observed,) and so to John of Gaunt Duke of Lancaster, and King Henry IV. and is still in the Crown, as part of the dutchy of Lancaster.

 

The tenths were 4l. 10s. deducted 15s.

 

The Church is dedicated to St. Botolph, and is a regular pile, with a nave, 2 isles, and a chancel covered with lead, and has a tower with 4 bells.

 

In the chancel, on a little monument,

 

Lancelotus Thexton cappellanus Regis Edw. VI. sacre theologie baccalaureus, et rector de Trunch obt. 25. Febr. 1588, and this shield of arms, quarterly, in the first and fourth a cross between four lions heads erased, gules, in the 2d and 3d, ermine, fretty, azure.

 

In a window here, argent, a fess between two chevrons, sable.

 

On a gravestone

 

Hic jacet Magr. Robt. Cantell, quo'd. rector isti. ecclie, qui. obt. 1 Sept. Ao. Dni. 1480.

 

Gravestones

 

In memory of Thomas Worts, gent. who died November 13, 1693, aged 45, with his arms, three lions rampant, - - - — William Worts. gent. who married Elizabeth, daughter of Riches Brown of Fulmodeston, Esq. died August 25, 1694, aged 60, with the arms of Worts impaling Brown; two bars, between three spears heads, - - -

 

¶The patronage of the church was granted to the priory of Castleacre, by William Earl Warren, the first on his founding that priory. In the reign of Edward I. the rector had a manse, and 13 acres of land valued at 16 marks, Peter-pence 13d. and the prior of Castleacre had a pension or portion of tithe valued at 40s. the present valor is 10l. 13s. 4d. and pays first fruits, &c. the Norwich registers say that William, the second Earl Warren, granted the patronage, and Eborard Bishop of Norwich, confirmed it; and that Simon the Bishop confirmed the pension in 1268.

 

www.british-history.ac.uk/topographical-hist-norfolk/vol8...

 

-----------------------------------------

 

Trunch is the largest of the villages between North Walsham and the sea; but as all the industrialisation and tawdry caravan sites are hard against the coast, and Trunch is several miles inland, it has avoided these excesses and retains a great rural charm. It has a magnificent church with lots of fascinating treasures, as well as a shop, a green, a pub run by an ex-professional footballer, and generally all the typical features you expect to find in a large village in deepest rural Norfolk.

 

The church is perhaps the most interesting of all round about; and, while the large village lends it an urban quality that lacks the charm of, say, the churches of neighbouring Edingthorpe and Crostwight, it has by no means the Victorianised sterility of those at Bacton or Happisburgh.

 

St Botolph is a big church, and its tight graveyard makes it rather hard to photograph. The whole piece seems to have been rebuilt in the early 15th century, although the chancel may be a little later, and there is a hint of Decorated about the nave. The tower is quite simple, even slight. It builds boldly enough, but at the top of the second stage fades into a simple bell stage, understated, elegant and probably intended. This is not a building that shouts at you. A curiosity is the massive priest porch surrounding the door in the chancel. These are very unusual, although there is another, smaller one at neighbouring Knapton.

 

The great treasure, of course, is the marvellous font canopy. It is particularly fascinating because of its date, coming in the early 16th century right on the eve of the English protestant reformation. Like all church furnishings at this time - the tombs at Oxborough, for instance - it gives us a hint of what the English renaissance might have been like if it had been allowed to flower. Here, the massive structure tumbles with intricacy; fruit and flowers, leopards and lions peep around the silvery oak of the six octagonal columns which are fluted with interlocking chains of detail. The glory is the massive crown of canopied niches, with the haunting ghosts of crucifixion groups still apparent on three of the faces. The whole thing is at once in perfect harmony with the west end of the church, but exists because it was believed to be beautiful rather than known to be useful.There is only one other font canopy in Norfolk, at St Peter Mancroft in Norwich; Outside of the county there is another at Durham Cathedral, and a fourth at the parish church in Luton - but that is it.

 

Above the canopy is a rich 15th century hammerbeam roof, by no means as dramatic as that at nearby Knapton, but more beautiful, I think. In the space beneath the tower there is what appears to be a gallery like the plough guild gallery at Cawston. This is not as elaborate, but its oak has silvered and it is painted beautifully with trailing rose foliage.

 

The benching, unfortunately, is pretty much all 19th century, but along with the font canopy and roof the medieval screen survives. Like the canopy, this is richly ornamented in relief, including a bold dedicatory inscription in diagonal ribbons across the top part of the dado. The twelve figures (11 disciples and St Paul) are boldly placed and coloured, but their faces have been completely vandalised by the 16th century reformers. Low down on the north side of the doorway is a rare surviving carved consecration cross, suggesting that this screen was already installed in the newly built church of the 15th century. The screen had detached buttressing running vertically at intervals in front of it, as at Ludham. They have been almost entirely destroyed, but you can still see the fixings between the panels. It must have been magnificent.

 

The return stalls in the chancel are pretty much all Victorian, but they retain medieval misericords, and also you can see quatrefoil holes set into a sounding chamber to amplify the singing. There is a very curious memorial above the priest door, featuring the instruments of the passion. I have no idea how old it is.

 

All of these features would be enough, but part of the attraction of St Botolph is the sense of harmony, the way everything works together. You can add to these the sedilia, the magnificent organ, and the modern design of the glass in the east window. It is a peaceful, inspiring space.

 

Cottages and houses hem in the graveyard, and in the corner is the modern pub. Incidentally, I don't really know if the bloke who runs it is an ex-professional footballer. But, like many rural Norfolk landlords, he seems to be a cheerful 40-something cockney who serves a decent pint and cheap food - a recommended stop for churchcrawlers.

 

Simon Knott, April 2005

 

www.norfolkchurches.co.uk/trunch/trunch.htm

 

------------------------------------------

 

And the pub is still good.

HotelsHot www.hotelshot.ru/2016/07/blog-post_15.html

 

ЗАБРОНИРОВАТЬ

 

Этот 5-звездочный отель расположен в 2 минутах ходьбы от Исаакиевского собора. К услугам гостей номера с кондиционером, бесплатным Wi-Fi и принадлежностями для чая/кофе. Стойка регистрации работает круглосуточно.

 

Все комфортабельные номера отеля Domina оформлены в необычном стиле. В каждом номере имеются рабочий стол, сейф, а также телевизор с плоским экраном и спутниковыми каналами. Ванная комната укомплектована тапочками и халатами.

 

В ресторан Arcobaleno можно зайти через отдельный вход с улицы. Здесь подают блюда итальянской кухни, а также фирменные кушанья от шеф-повара в стиле фьюжн. Гости могут отдохнуть или организовать встречу в коктейль-баре Nove, в котором проводятся различные мероприятия, включая фортепианные вечера, кинопоказы, тематические вечерники и эногастрономические мастер-классы.

 

Отель Domina находится в 2 минутах ходьбы от автобусной остановки «Исаакиевская площадь», от которой можно без пересадок доехать до Московского вокзала. Расстояние до Эрмитажа составляет всего 1 км, а поездка до аэропорта Пулково занимает 30 минут.

 

Адмиралтейский район — отличный выбор, если вам интересны история,архитектура и музеи.

 

Это любимая часть города Санкт-Петербург среди наших гостей согласно независимым отзывам.

 

Здесь лучшее соотношение цены и качества в Санкт-Петербурге! По сравнению с другими вариантами в этом городе, гости получают больше за те же деньги.

 

Номеров в отеле: 108, Сеть отелей: Domina Hotels & Resorts

 

Shop Here: teampieslmarathon.blogspot.com/p/blog-page.html

Shopping for Pie

 

A Shopping ‘Marathon’

To Help Raise funds for

Kelpie Snowbear's Brain Surgery

 

Pie's Story

Kelpie Snowbear, Also known as "Pie"

Is a Sl Blogger and store owner.

She recently found out she has a brain invader

in the middle of her brain. Her

Doctor is concerned it May be a Pineocytoma

which is a rare type of brain Tumor, of the pineal Region of

the brain. Do to Kelpies every growing symptoms her Doctor recommends surgery.

Do to where it is Located, and its Rarity she must

go out of state for surgery, Her current insurance will not cover

anything out of state. The cost is VERY high. 167,000USD.

Kelpie was able to find another insurance that will drop the

OUT OF POCKET of 167,000 to between 28-70 K USD.

She can not enroll on this insurance until Nov. So right now her

surgery is postponed until the insurance kicks in and until we have the

out of pocket. As ALL of the Out of pocket must be paid A MONTH before surgery.

  

About Event

This is a Store to Store type of event. It is free to join. You must make at least one item to sell in your in world store or even your marketplace if you do not have a in world store at this time. You must have between 20-100% of each sale go to the fundraiser.

If you would like to know more Or be a part of this 'Marathon' Contact Kelpie Snowbear

via Im or Notecard. She will send you a welcome folder.

  

** New stores can join in at anytime, also you can leave the event and pick up your items at anytime,

just give me a heads up, as I like to keep the list of items for sale, up to date on the blog.

  

If you would like to know more of Kelpie's story:

Go Fund Me: www.gofundme.com/tumorsurgery4april

Local News: www.youtube.com/watch?v=VnaFggISy_I

  

The last few days have been a flurry of activity with building on the river and wet lands. But, in between I have gone to a bunch of new places and back to some of my favorite venues.

 

Xavier & I love to salsa. So we did a search and wham, we found >Latin Palace Dance Club. Couples were dancing in dressy attire to wonderful salsa music. Wearing a tuxedo without a shirt and me in a short cocktail dress, it so reminded Xavier & me of Miami clubs.

 

A stopover at Organica to catch the last hour of DJ Qee's set woke us up with a nice psy jolt! So good to hear Qee's dynamic sounds and see old friends.

 

A brand new club called Fear FM sent me a tp. I got to meet owner/builder Cypher Webb. Beautifully built by Cypher, he was also spinning an awesome set of hardstyle and goth rock. I had a blast there. Cypher is also recruiting DJ's so peeps, give him a shout!

 

It was so late on Thursday night (Fri morn?) that I just had to stop off and say hi to DJ Xavi at The Cave. Owner Tasty Hax was there, too. I run into her at every party!

 

Friday afternoon, I got a tp from one of the builders. I ended up at Blackhearts 80's club. I love the funkiness of this club. So simple. It feels like a rock n roll club. Halloween was coming and the Pillsbury Dough Boy showed up! LOL!

 

Late night, and Xavier & I headed for DJ Nebulae's set at Piranha. Xavi loves this club. He set his JMD Effects hud on and we were in psy heaven. We always have fun at Shad's club!

 

In between all the craziness, I hit New Berlin's Electro Smog. Gee... I can't seem to get enough of this place. Zap Hax was hosting and DJ djleftydc Denja was spinning a sweet set of tunes.

 

Another new place I landed upon was Le Ghetto Hype. This is a fun club of alternative and eclectic tunes. Owner DJ Frederick Neberle & partner ARNAUD Mureaux have built a wonderful place to hang.

 

Off to Divaz Lounge! DJ 8wall Wrigglesworth just sent me a tp! OMG, 8wall is spinning at Divaz.

I met 8wall at Dance Island last year and then over at Nutrie. He spins a very chill set of house and minimal tunes.

 

But, the highlight of my night was at Old Factory listening to DJ Jeangilles Anthony. This frenchman is an artist. Beautiful industrial noise layered with a hardstyle beat... then transcending into experimental music... psychedelic experimental noise. LOL! and I fell asleep there... just couldn't leave!

 

Late night on Friday, Xavier and I ended up at DJ Digital Francis' Le Pardis de Digital Nation. It was an after party and Digi was spinning. Xavi & Digi started a "stump me" game. I think Digital was very impressed with Xavier's musical knowledge. They bro-downed the entire night leaving me and DJ Snowkitty dumbfounded... 'cause neither of us knew any of the tunes. LOL! I think Xavier has a new favorite dj now!

My photo was used for the cover of this quarter's California Kayaker magazine!!

 

You can read (and download) the entire magazine online here: www.calkayakermag.com/magazine.html Even if you're not a kayaker, there's usually interesting articles on nature and wildlife, too.

therainbowfashionista.blogspot.com/2012/11/i-mustache-you...

 

Skin: cStar Limited - Sayuri - Satin

Hair: /Wasabi Pills/ - Claire Mesh Hair - Vanilla Pudding (Fifty Linden Friday Special Edition Color - No Longer Available)

Ear Piercings: :Zombie Suicide: - Deception Ear Piercings

Lashes: .ploom. - Lashes 1

Eyes: cStar Limited- Unique Eyes - Pink Spectrum

Septum Piercing: :Zombie Suicide: - Septum Mustache piercing

Cheek Piercings: :Zombie Suicide: - Cheek dimples with piercings V2

Chest Piercings: :Zombie Suicide: - Chest Piercing V1 (I custom colored them to match the other piercings because the preset color was not a perfect match due to updates)

Harness: Kyoot - Addicted to Dopamine Harness - Black)

Bra: [ SAKIDE ] - Rock Me Out Bra Black (part of a past Perfect Wardrobe Outfit)

Corset: Schadenfreude - Skull Electro-Cute Corset

Skirt: Happy Undead - Mini Skirt - Vinyl Black

Nails: Sn@tch - Nail Candy - Baby Pink

Shoes: --[Pins and Needles]-- - Cutie Pop Shoes - Bubblegum (Coming Soon!)

Pose Prop: Schadenfreude Elephant Store Build

Click here to view the blog posting on these vehicles which includes a walkthrough video on my processing!

 

Elvis' First Limo! This car has a TON of history behind it. The first car purchased by Elvis once he exploded on the scene in the early 1950's, This Cadillac speaks for itself.

 

Taken from a website I found on the topic:

 

This Cadillac was on display at the Elvis Presley Museum during the 1990s. Kruse International had it listed as lot No. 3329 for sale at Auburn Fall '99 auction, September 1-7. This vehicle however was not actually at the auction. It was then permanently exhibited at an Elvis Museum in Las Vegas called Elvis-A-Rama.

 

RM Auctions sold this vehicle at Monterey on August 18 2007. Expecting to fetch $100,000 - $150,000 it realised $275,000! RM Auctions stated:

 

"Elvis Presley himself purchased chassis no. 557547481. The Cadillac was originally painted in a light blue, but Elvis quickly had it repainted a more appropriate black. Elvis used it to tour throughout the south with his original band members, Scotty Moore, Bill Black and D.J. Fontana. Reportedly, Elvis and his band would strap their instruments to the roof of the car and drive through the night to make it to the next town where they were going to perform.

 

There is absolutely no question as to the documentation of the sale of the Cadillac Fleetwood to the illustrious Elvis Presley. There are several photos of Elvis with the vehicle, one outside his home in the summer of 1956, as well as another outside the CBS Studios in Los Angeles moments before his first appearance on the Ed Sullivan Show. Also included are the original conditional sales contract and the original 1955 Cadillac Owner’s Manual stating, “Elvis Presley 1034 Audobon Ave. Memphis, Tenn.;” which, it should be noted, is handwritten on the inside back cover".

 

www.theo-graphics.com

 

My Photo blog - Latest info & strobist details!

 

Please "Like" me on Facebook!

PIPO M7Pro Tablet PC Android 4.2 RK3188 Quad Core 8.9 Inch 2GB RAM 16GB Bluetooth GPS

 

PIPO Tablet PC is a famous brand in China. PIPO main products are MP3/MP4 players, Digital Photo Frame and Tablet PCs.Through years of development, it has become one of the leading companies in Tablet PC business. It concerns much on product quality: it tests for ROHS Directive compliance by itself, and most of its products pass CE/FCC test by request. Private designs and strong support from suppliers all offer it a good opportunity to gain a better tomorrow.

 

Model:PIPO M7Pro Quad Core Tablet PC

CPU:Rockchip RK3188, Cortex A9 quad core, 1.8GHz

GPU: Mali 400 MP4

Operation System:Android 4.2.2

RAM:2GB (DDR 3)

ROM(Memory):16GB Nand Flash

Shell Material:Aluminum shell

 

PIPO M7Pro Screen:

Size:8.9 Inch

Type:Capacitive Screen, PLS

Display:LCD

Resolution:1920 x 1200px

Visible Angle:180°

 

Extend Card:Support TF card up to 32GB extended

Camera:Dual camera, front is 2.0 megapixels, back is 5.0 megapixels with a flashlight, AF

Gravity Sensor:Yes

Multi-Touch:Yes, 10 points touch

Play Store:Yes, built in

Bluetooth:Yes, bluetooth 4.0

GPS:Yes

 

Video:1080P, AVI/MOV/MP4/RMVB/FLV/MKV…

Music:MP3/WMA/WAV/APE/AAC/FLAC/OGG

Ebook:UMD, TXT, PDF, HTML, RTF, FB2…

OTG:Yes

WIFI:Yes, 802.11 b/g/n

3G:Not built in, support external 3G dongle: E1916, ZTE AC2736, HUAWEI E1750, HUAWEI EC122, HUAWEI EM770W

Earphone Interface:3.5mm

Work Time:Up to 6-7 hours

Battery:6300 MAh

 

Language:Czech, Dansk, German, English, Spanish, Russian, French, Italian, Dutch, Norwegian, Polski, Greek, Thai, Hebrew, Portuguese, Svenska, Turkey, Korean, Suomi, Tagalog, Magyar, Japanese, Arabic, Indonesian, Romanian, Bahasa Melayu, Simplified Chinese, Traditional Chinese

Other Applications:File Manager, OfficeSuite, Google Search, Task Manager, Browser, Gallery, Android Webkit, Clock, Calculator, Calendar, iReader, Gmail…

Product Size:218 x 161 x 10mm

Product Weight:470g

PIPO M7Pro Extend Port:

1 x TF card slot

1 x MINI HDMI port

1 x Micro USB port

1 x Micro USB host

1 x 3.5mm Earphone port

 

PIPO M7Pro Package including:

1 x Charger

1 x USB cable

1 x English User Manual

UPDATE - May 25, 2010: Letter from Polo Fields Homeowners Association regarding Sunrise Valley Park:

reston2020.blogspot.com/2010/05/sunrise-valley-wetlands-n...

  

Listen to the spring peepers...

www.flickr.com/photos/reston2020/4646592590/in/set-721576...

 

Photo courtesy of Dusty Asbury, Reston, Virginia

 

Delegate Ken Plum describes a visit to Sunrise Valley Park as a "mini vacation":

  

The Sunrise Valley Wetlands Natural Area is within the ¼ mile circle around the future Herndon-Monroe Metro Station slated for high density development (Reston, Virginia). This beautiful wetlands is a federally mandated mitigation site developed to offset previous destruction of natural areas in Reston. There exists, within its relatively small 15.75-acre area, multiple ecosystems of open water, marsh and upland forest that attract a wide range of wildlife, including birds, turtles, frogs, dragonflies, butterflies and small and large mammals. The site is used regularly by Reston Association naturalists for public outreach and education programs.

 

Excerpt from the FAIRFAX COUNTY COMPREHENSIVE PLAN, 2007 Edition

POLICY PLAN -- ENVIRONMENT

Amended through 2-25-2008:

 

...BOARD OF SUPERVISORS GOALS

Fairfax County has adopted two goals, “Environmental Protection” and “Open Space” that relate to conservation of the natural environment. These Goals read as follows:

 

Environmental Protection - The amount and distribution of population density and land uses in Fairfax County should be consistent with environmental constraints inherent in the need to preserve natural resources and to meet or exceed federal, state and local standards for water quality, ambient air quality and other environmental standards. Development in Fairfax County should be sensitive to the natural setting, in order to prevent degradation of the County’s natural environment.

 

Open Space - Fairfax County should support the conservation of appropriate land areas in a natural state to preserve, protect and enhance stream valleys, meadows, woodlands, wetlands, farmland, and plant and animal life. Small areas of open space should also be preserved in already congested and developed areas for passive neighborhood uses, visual relief, scenic value, and screening and buffering purposes.

 

In addition, three other goals, “Quality of Life,” “Land Use” and “Transportation,” cite the need to protect the environment. The Fairfax County Goals reflect the belief of the community that environmental protection and preservation are overarching components of the quality of life. The Goals demonstrate an understanding of the interdependence of decisions regarding private development, transportation, and public works with the environment. Decisions made about the scale, location, and type of human activity on the landscape affect, and are affected by the natural environment....

www.fairfaxcounty.gov/dpz/projects/reston/environment_pol...

 

AREA RESIDENTS SEEK PROTECTION FOR A SANCTUARY

Proximity of Reston’s only wetlands to future Metro stop raises concerns about marsh’s fate.

 

By Mike DiCicco | Thursday, April 08, 2010

 

Carol Hadlock spent 4 1/2 years monitoring wildlife at Sunrise Valley Nature Park, during which she documented 122 species of birds, 33 of which nested there. "Right there, that says to me this is a very special place," she told the group of about two-dozen Reston leaders and nature enthusiasts who took a tour of the park on Wednesday, March 31. As more of the surrounding area has been developed, some of the larger species have moved on, but about 22 species still nest there, which is remarkable for such a small property, she said.

 

The park comprises naturally occurring wetlands, manmade wetlands, a restored farm pond and uplands buffers. The manmade portion of the marsh, which was created under a mandate from the Army Corps of Engineers to offset damage to wetlands elsewhere in Reston, makes up about 3.3 of the park’s nearly 16 acres.

 

For the rest of the article, click here:

   

Map to Sunrise Valley Park Wetlands:

  

Shorebirds of Ireland and Freshwater Birds of Ireland with Jim Wilson.

www.markcarmodyphotography.com

 

The Common Chaffinch (Fringilla coelebs), also called by a wide variety of other names, is a small passerine bird in the finch family Fringillidae.

 

The name chaffinch comes from Old English ceaffinc, literally "chaff finch", and is the source of the nickname chaffy or chaffie. This bird is widespread and very familiar throughout Europe. It is the most common finch in western Europe, and the second most common bird in the British Isles. Its range extends into western Asia, northwestern Africa, and Macaronesia, where it has many distinctive island forms. In the Canary Islands of Tenerife and Gran Canaria, the Common Chaffinch has colonised twice, giving rise to the endemic species known as the Blue Chaffinch and a distinctive subspecies. In each of the Azores, in Madeira, and in the rest of the Canaries there is a single species on each island. (wikipedia)

 

The background here was formed by the autumn leaves of the trees. This is a male bird. WIth thanks to Colin for allowing us access to this fabulous garden.

Η αληθινή ιστορία πίσω από το έργο στην Εποχή της Λύτρωσης

Ολόκληρο το σχέδιο της διαχείρισής Μου, ένα σχέδιο που εκτείνεται σε διάστημα έξι χιλιάδων ετών, αποτελείται από τρία στάδια ή τρεις εποχές: στην αρχή η Εποχή του Νόμου, η Εποχή της Χάριτος (που είναι επίσης και η Εποχή της Λύτρωσης) και τις έσχατες ημέρες η Εποχή της Βασιλείας. Το έργο Μου στις τρεις αυτές εποχές διαφέρει σε περιεχόμενο σύμφωνα με την φύση της κάθε εποχής, αλλά σε κάθε στάδιο είναι σε συμφωνία με τις ανάγκες του ανθρώπου – ή, για να είμαστε πιο ακριβείς, γίνεται σύμφωνα με τα κόλπα που ο Σατανάς εφαρμόζει στον πόλεμο που διεξάγω εναντίον του. Ο σκοπός του έργου Μου είναι να νικήσω τον Σατανά, να εκδηλώσω την σοφία Μου και την παντοδυναμία Μου, να αποκαλύψω όλα τα κόλπα του Σατανά και μ’ αυτόν τον τρόπο να σώσω ολόκληρο το ανθρώπινο γένος το οποίο ζει υπό τη σφαίρα επιρροής του. Είναι για να δείξω τη σοφία Μου και την παντοδυναμία Μου ενώ ταυτόχρονα ν’ αποκαλύψω την αβάσταχτη αποκρουστικότητα του Σατανά. Ακόμη περισσότερο είναι για να διδάξω στα πλάσματά Μου να διακρίνουν μεταξύ του καλού και του κακού, να γνωρίζουν ότι εγώ είμαι ο Κυβερνήτης όλων των πραγμάτων, να δουν ξεκάθαρα ότι ο Σατανάς είναι εχθρός της ανθρωπότητας, ο πιο χαμηλός των χαμηλών, ο σατανικός, και να διακρίνουν με απόλυτη βεβαιότητα τη διαφορά μεταξύ καλού και κακού, αλήθειας και ψεύδους, αγιότητας και βρομιάς και τι είναι σημαντικό και τι ποταπό. Μ’ αυτόν τον τρόπο, η αδαής ανθρωπότητα θα μπορεί να γίνει μάρτυρας για Μένα, ότι δεν είμαι εγώ που διαφθείρω την ανθρωπότητα και μόνο εγώ – ο Κύριος της δημιουργίας – μπορώ να σώσω την ανθρωπότητα, μπορώ να δώσω στον άνθρωπο πράγματα για την απόλαυσή του. Και θα γνωρίσει ότι Εγώ είμαι ο Κυβερνήτης όλων των πραγμάτων και ο Σατανάς είναι απλώς ένα από τα όντα που δημιούργησα και αργότερα στράφηκε εναντίον Μου. Το σχέδιο διαχείρισης Μου των έξι χιλιάδων ετών χωρίζεται σε τρία στάδια για να επιτευχθεί το παρακάτω αποτέλεσμα: να μπορέσουν οι δημιουργίες Μου να γίνουν μάρτυρές Μου, να κατανοήσουν το θέλημά Μου και να γνωρίζουν ότι εγώ είμαι η αλήθεια. Έτσι, κατά τη διάρκεια της αρχικής φάσης του έργου στο σχέδιο διαχείρισής Μου των έξι χιλιάδων ετών, έκανα το έργο του νόμου που ήταν το έργο στο οποίο ο Ιεχωβά οδήγησε τους ανθρώπους Του. Το δεύτερο στάδιο ξεκίνησε το έργο της Εποχής της Χάριτος στα χωριά της Ιουδαίας. Ο Ιησούς αντιπροσωπεύει όλο το έργο της Εποχής της Χάριτος. Ενσαρκώθηκε και σταυρώθηκε στον σταυρό κι επίσης εγκαινίασε την Εποχή της Χάριτος. Σταυρώθηκε για να ολοκληρώσει το έργο της λύτρωσης, να τελειώσει την Εποχή του Νόμου και να ξεκινήσει την Εποχή της Χάριτος κι έτσι ονομάστηκε ο «Υπέρτατος Αρχηγός», η «Προσφορά για την αμαρτία», ο «Λυτρωτής». Έτσι, το έργο του Ιησού διέφερε σε περιεχόμενο από το έργο του Ιεχωβά, παρόλο που ήταν τα ίδια στις αρχές τους. Ο Ιεχωβά ξεκίνησε την Εποχή του Νόμου, εδραίωσε τη βάση του οίκου, δηλαδή το σημείο της αρχής του έργου Του στην γη και εξέδωσε τις εντολές. Αυτά ήταν δύο από τα κατορθώματά Του, τα οποία αντιπροσωπεύουν την Εποχή του Νόμου. Το έργο που έκανε ο Ιησούς την Εποχή της Χάριτος δεν ήταν για να εκδώσει εντολές αλλά για να εκπληρώσει τις εντολές και μ’ αυτόν τον τρόπο να οδηγήσει στην Εποχή της Χάριτος και να καταλήξει με την Εποχή του Νόμου που είχε διαρκέσει δύο χιλιάδες χρόνια. Ήταν ο πρωτοπόρος που ήρθε για να ξεκινήσει την Εποχή της Χάριτος, ωστόσο το κύριο μέρος του έργου Του ήταν για τη λύτρωση. Οπότε τα κατορθώματά Του ήταν επίσης διπλά: ξεκίνησε μια νέα εποχή και ολοκλήρωσε το έργο της λύτρωσης μέσω της σταύρωσής Του. Στη συνέχεια αναχώρησε. Στο σημείο αυτό, η Εποχή του Νόμου έφτασε στο τέλος της και η ανθρωπότητα εισήλθε στην Εποχή της Χάριτος.

……

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html

Here is the amazing In Pension i stayed in Cappadocia. I would highly recommend In Pension for all backpackers, like me :). You can even book your hostel online from Turkey Hostels. Cheers !

Our Lady & The English Martyrs, Cambridge

 

stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...

 

Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.

 

At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).

 

The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.

 

Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].

 

Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.

 

Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.

 

The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.

 

The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.

 

The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.

 

The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.

 

Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.

 

The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.

www.dailymail.co.uk/health/article-11228101/Why-mild-Covi...

 

Why even MILD Covid is now being linked to long-term heart trouble: Millions of us have had the infection - and recovered in days. Now worrying research suggests there could be a nasty sting in the tail

 

Two weeks after falling ill with Covid TV doctor Xand van Tulleken thought he was on the mend, when he suddenly took a turn for the worse.

 

‘I woke at 3am with my heart rate rushing at 170 beats per minute [it should have been about 60] and in a chaotic rhythm. I felt bad: faint, sweaty, breathless, panicky,’ he says.

 

This was March 2020, at the start of the pandemic, when little was known about the typical course of the infection.

 

But Xand’s training as a public health doctor left him in little doubt that he had developed atrial fibrillation, a dangerous heart rhythm disorder where abnormal electrical impulses cause an irregular and often racing heartbeat. It can lead to stroke and, in extreme cases, heart failure.

 

‘I believed that my heart-rhythm problem arose most likely as a result of the virus inflaming my heart,’ he says. Realising the seriousness of the situation he raced by taxi to University College Hospital in London.

 

‘The emergency doctors shocked my heart to stop it temporarily, allowing it to restart in a normal rhythm, a process called cardioversion,’ he adds.

 

With his heart beating more normally, Xand was prescribed bisoprolol, a type of beta-blocker — medication that alters the heart’s response to nerve impulses, slowing its rate to reduce the risk of further heart-rhythm problems. But it didn’t.

 

‘My heart went into atrial fibrillation several times after that, meaning I had to go through the cardioversion process repeatedly,’ he says.

 

A year after his original infection, in 2021 Xand had to return to hospital for an ablation, a procedure that uses freezing liquid nitrogen to ‘burn’ heart tissue, creating scarring that disrupts the electrical signals that cause irregular heartbeats.

 

‘Surgery took about 90 minutes and I was awake throughout,’ he recalls. ‘It wasn’t painful but it definitely wasn’t enjoyable. When it got to the bit where they froze the heart tissue with liquid nitrogen in a balloon threaded through my artery, I was gripped by a sense of impending doom.’

 

Xand now feels recovered, mercifully. But millions of fellow Britons have been left facing similarly dangerous and debilitating heart problems in the wake of Covid.

 

Some 23 million Covid infections have been recorded in the UK, although it’s estimated that many more cases have gone unrecorded because those affected weren’t tested.

 

Two million people in the UK are living with long Covid, data from the Office for National Statistics (ONS) revealed in June. It classified long Covid as experiencing symptoms more than four weeks after a coronavirus infection.

 

Fatigue is the most common, followed by shortness of breath, loss of sense of smell and difficulty concentrating, according to the ONS, but more worryingly there are also significant reports of long-term heart-related problems.

 

In March, the potential scale of such problems was revealed by a paper in the BMJ. The study of more than 47,000 people who’d been hospitalised with Covid-19 showed that they were about three times more likely than uninfected people to face major cardiovascular problems within eight months of being taken to hospital.

 

It’s not only people who were hospitalised who have been affected. A study in March of 150,000 Americans found serious heart complications can occur in people who seem to have recovered from a mild infection. The report in the journal Nature Medicine, led by Dr Ziyad Al-Aly, an epidemiologist at Washington University, St Louis, in the U.S., found that people who’d had Covid faced substantially increased risks for 20 conditions, including heart attacks and strokes, in the following 12 months.

 

In patients who’d been admitted to intensive care the risk of conditions, such as myocarditis (inflammation of the heart that reduces its pumping ability) and blood clots in the lungs, was at least 20 times higher than in uninfected people. But even those who had not been hospitalised had increased risks of many conditions, ranging from an 8 per cent increase in heart attacks to a 247 per cent increase in myocarditis.

 

Scientists have long known that respiratory infections such as flu can trigger heart disease. This is because they cause inflammation, which plays a major role in cardiovascular illnesses.

 

However, a Covid infection seems to cause a much higher incidence of problems, and following much milder levels of initial illness.

 

‘It is not only surprising but also profoundly consequential that the risk is evident even in those [who had mild infections],’ says Dr Al-Aly. ‘That’s what makes this likely a serious public health problem.’

 

But why? One possibility is that the virus’s spike protein — which it uses to invade human cells — can cause an outbreak of localised inflammation in heart tissue that is so intense that it damages the muscle. Dr Zhiqiang Lin, an assistant professor of cardiology at the Masonic Medical Research Institute in New York, exposed human heart tissue in the lab to spike proteins from Covid-19 and HCoV-NL63, a coronavirus that infects the respiratory system without harming hearts.

 

He found Covid-19 sparks an immune response in heart cells whereas the other coronavirus did not. He believes that causes excessive inflammation which damages heart cells and causes myocarditis.

 

But Covid may also harm cardiovascular health in another way, according to a study by Houston Methodist Academic Medical Centre, Texas, published in August. This found that patients with long Covid heart symptoms may have double the normal risk of having unhealthy endothelial cells, which line the inside of the heart and blood vessels.

 

Endothelial cells play a key role in dilating the arteries and helping to get blood to the heart when we do physically strenuous activities. Patients with unhealthy endothelial cells, a condition known as microvascular dysfunction, are at higher risk of heart failure and death.

 

Dr Mouaz Al-Mallah, a cardiologist who co-authored the paper, explains in the journal JACC: Cardiovascular Imaging: ‘When a patient exercises they need more blood delivered to the heart to be able to provide blood to the entire body ... But in some patients with Covid, we noted it’s not increasing to the degree it should be.’

 

Dr Al-Mallah’s team scanned the hearts of nearly 400 patients with long Covid. The scans showed they were twice as likely to have unhealthy endothelial cells inside the heart and blood vessels. ‘This may potentially explain why some patients are having chest pain and shortness of breath because their heart is not getting that extra blood,’ Dr Al-Mallah wrote.

 

Not everyone is convinced that the dangers are widespread, however. In a small study of 52 people, Professor Gerry McCann, a cardiac-imaging specialist at the University of Leicester, found that people who had recovered after being hospitalised with Covid-19 had no greater rate of heart disease than people who had similar underlying cardiovascular conditions such as high blood pressure, but who had remained uninfected by the virus.

 

He is working on a larger study with around 1,200 participants. ‘The more data we’re acquiring, the less impressed we are with the degree of myocardial injury,’ he told Good Health.

 

‘There is no doubt Covid is associated with heart problems in hospitalised patients, although it is relatively uncommon. Those who are hospitalised tend to have other risk factors such as older age, obesity and pre-existing cardiovascular disease.’

 

He adds: ‘There are mixed reports on the extent of heart problems from researchers using imaging techniques. Some of the abnormal findings are of uncertain clinical significance and we are not sure how much of the changes are related to pre-existing conditions.’

 

Other British researchers disagree that the extent of cardiovascular dangers are exaggerated.

 

Colin Berry, a professor of cardiology and imaging at the University of Glasgow, said: ‘Professor McCann’s study has serious limitations because it only studied 52 patients. I would concentrate on much larger studies that have greater statistical power such as the American ones, which do show widescale problems.’

 

Professor’s Berry’s own study, published in Nature Medicine in May, covered 1,306 former Covid patients. It found that one in eight people who had been hospitalised with the virus between May 2020 and March 2021 were later diagnosed with myocarditis.

 

‘Prior to Covid they had been fit and healthy,’ he says. ‘I think that the damage is more than just to these patients’ hearts but to their wider cardiovascular systems.

 

‘It may also involve their blood vessels, which helps to explain why such long Covid patients are showing physical problems and loss of quality of life.’

 

Dr David Strain, a senior clinical lecturer at the University of Exeter who specialises in viral infections, also believes Professor McCann’s results may not represent the whole picture.

 

‘The patients he studied are generally being followed up after they have left hospital, when the main danger period has passed,’ he says. ‘Beyond three months there seems to be a negligible risk of bad cardiovascular things happening.’

 

Dr Strain argues instead that the majority of heart problems emerge in a period that lasts from six to eight weeks after Covid infection. ‘This is the period when we see rates of heart attacks, strokes and blood clots going up,’ he says. ‘During this post-infection danger period, Covid picks on your weakest parts, such as your heart and arteries.’ Over the longer term Dr Strain says worrying evidence is mounting to suggest that the virus can hide dormant in our bodies for months or even years.

 

‘If the virus can hide in the body then anything that weakens a person’s immune defences — such as physical stress, infection or reinfection with another strain of Covid — may allow the virus to re-emerge,’ he says. ‘There is evidence to suggest long Covid can be caused by the virus persisting, and having surges subsequently may cause cardiovascular disease.’

 

This, Dr Strain says, is why it is crucial people getting over Covid take things very easy when recuperating from the virus. ‘From what we see, people who return to work early are more likely to get post-Covid problems,’ he warns.

 

Professor Berry agrees. ‘I advise long Covid patients to keep active, but to stay within their own limit,’ he explains. ‘Go for short leisurely walks and if you can do that well, try brisk walks — but don’t overdo it.’

 

Xand van Tulleken wishes he had taken things more slowly two years ago in the wake of his Covid infection. ‘I did not try to take it easy,’ he says. ‘Even on the day I suffered the first bout of atrial fibrillation, I went straight into work.’

 

As a result, ‘I went into a downward spiral. Being post-Covid and with heart worries, I felt depressive, miserable,’ he says.

 

‘Lots of people have gone through this stuff. Fortunately I had the support of my parents, who encouraged me to exercise gently and cooked for me. My twin brother Chris has been hugely helpful with recovering my health by getting me to eat well, not eating junk food and ultraprocessed foods to aid my general health.’

 

He adds: ‘Professor Toby Hillman was my doctor at the clinic for people with Covid complications. He said his best advice for anyone with long Covid is to rest.’

 

Thanks to a combination of Xand taking this on board, and having the successful cardioversion op, he says: ‘I now feel amazing.

 

‘I can go for a run every morning and feel healthy.

 

‘Convalescence is what we all need after Covid. It sounds such an old-fashioned word, but as a nation we have lost the concept of convalescence. We need to get it back.’

 

fortune.com/well/2022/09/20/bf-7-new-covid-subvariant-ris...

 

Just in time for fall, there’s a brand-new COVID variant making headway in the U.S.

 

A new COVID strain started to create waves among virus trackers this week, outpacing nearly all other variants of interest scientists are tracking in the U.S. this autumn.

 

The variant, which scientists have named BF.7—short for BA.5.2.1.7—comprised 1.7% of sequenced infections last week in the U.S., according to new data from the U.S. Centers for Disease Control and Prevention. Other variants jockeying for the top spot right now—held by BA.5, at 85%—include BA.4.6, which comprised 10.3% of infections, and BA.2.75, which comprised 1.3%.

 

Scientists are taking notice of BF.7 because it’s making headway in an increasingly crowded field of Omicron subvariants. For months they’ve watched BA.2.75—dubbed Centaurus by the Twitterverse—as a variant of interest with potential to surge this fall. But this week, BF.7 surpassed it.

 

Potentially more transmissible than BA.5

 

BF.7 is only beginning to grow off in the U.S., but it’s already taken off in other countries.

 

So far Belgium has seen the lion’s share of BF.7 cases identified globally: 25%. Denmark, Germany, and France have each seen 10% of the world’s identified cases so far, according to cov-lineages.org, a COVID data repository updated daily by contributors from universities in England, Scotland, and Australia, among others.

 

The new subvariant was first reported by the CDC as part of cases of BA.5, which rose to prominence this summer. But the CDC recently broke it out into its own category when cases topped 1%, Dr. Stuart Ray, vice chair of medicine for data integrity and analytics at Johns Hopkins Department of Medicine, told Fortune.

 

“The same growth advantage in multiple countries makes it reasonable to think that BF.7 is gaining a foothold,” and that it’s potentially more transmissible than parent BA.5, Ray said. Children of variants “don’t grow relative to their parent unless they have an advantage.”

 

While nothing is known about the severity of disease BF.7 might cause, so far all Omicron subvariants have had similar severity, he added.

 

The new subvariant has a change in the spike protein—a feature that allows it to enter cells—seen in other Omicron strains making headway. It also has a change in the nucleotide sequence—sometimes referred to as the blueprint of an organism—that could cause it to behave differently than other subvariants. But the extent to which it will diverge, if it does at all, is currently unknown, Ray said.

 

COVID is continually evolving to become more immune evasive, according to Ray, and Omicron is spawning exponentially. He added he wouldn’t be surprised to see a new variant altogether this fall.

 

“It’s been a while since we went from Alpha to Beta to Gamma to Delta, then to Omicron,” he said. “We may be complacent. This may be feeding into the notion that this is behind us.”

 

The tangle of Omicron spawns—with or without a new parent variant—could make for a rough fall and winter, Ray said.

 

His advice? Continue to mask and get your booster. And remember that the pandemic isn’t over.

 

“There are people who predicted COVID would be over by Easter of last year,” he said.

  

As covered in the Huffington Post, research in to computational genomics carried out by Alan Kwan based primarily upon how faces have changed in the past, lead to the prediction of how faces will look 100,000 years in the future (created by Nickolay Lamm, a Pittsburgh-based artist).

 

To anyone familiar with Japanese culture, these faces of the future are reminiscent of the faces portrayed in manga, the faces of recent Japanese clothes store mannequins, the downward angle and automatic post-processing of "purikura" (Japanese photo-me?) booths which automatically increase the size of the eyes (as can be seen especially in the photo of the non-Japanese lady whose right eye has been enlarged to protrude from the side of her face), and even the faces of "GAL" style models (gyaru, ギャル)to be seen on the covers of Japanese magazines and even walking the streets.

 

The hypothesis that humans will tend towards the GAL shape of face suggests that the Japanese have not merely been influenced by Western culture, but have taken the best bits of both cultures to create an amalgam that is objectively superior combining those features that will (Kwan argues) go on to be genetically preferred, and created by generations of humans to come. In Japan the future face is now.

  

Top Image Copyright Nickolay Lamm, a Pittsburgh-based artist

 

Bottom row of Images

Left: Detail from a Manga by Miho Fujimura

Centre Left: A mannequin in a local store in Yamaguchi Japan.

Centre: 重体ことり プリクラ #dream5 by Myfavouriteblogs

Centre right: プリクラ渋谷 by Toshi Kanda

Right: Google image search thumbnails for the keyword "ポップティーン" a popular magazine of GAL fashion.

El Templo de Viracocha ( Cultura incaica - Imperio incaico )

.

 

Templo de Viracocha

 

www.inkaexpress.com.pe/eng/raqchi.php

.

 

Raqchi es un sitio arqueológico de los Incas en la región Cusco en Perú también conocido como el Templo de Wiracocha. Un pueblo cercano tiene el mismo nombre. Ambos se encuentran alo lado del Río Vilcanota ( Rio Urubamba ). El sitio ha experimentado un reciente aumento en el turismo en los últimos años, con 83.334 visitantes al sitio en 2006, frente a 8.183 en 2000 y 452 en 1996.

 

A 117 km ( 2 horas ) desde la ciudad Cusco se encuentra una de las construcciones mas grandes de los Incas. El templo fue destruido en la conquista, pero lo que hoy queda es suficiente para encender la imaginacion y ver cuan grandioso fue 92 metros ( 302 ft ) de largo y 25.5 metros ( 84 ft ) de ancho. El templo es de paredes de adobe y la base de piedras volcanicas ( el Andesita ) en el estilo tipico de los Incas. Esto Templo se compone de un muro de adobe central de la altura entre 18 y 20 metros. Está flanqueada a cada lado por una hilera de once columnas. Antes de su destrucción por los españoles, el templo tenía el mayor techo en el tiempo de Imperio Inca, que tiene su pico en la pared central ( 18 y 20 metros ), a continuación, se extiende sobre las columnas en anchura de 25 metros ( 82 ft ) más allá de cada lado. El templo solo para ser el edificio más grande en el Imperio Inca.

 

El complejo tambien incluye areas residenciales y graneros, donde se guardaban alimentos. Junto al templo al norte son doce viviendas, que habría albergado a los sacerdotes y los administradores locales. El salón está dividido en lotes separados cuadrado mayor de los cuales es aproximadamente 4x6m. Todos tienen nichos en las paredes que podrían haber sido utilizados para el almacenamiento. Para el lado oriental del templo son unos 100 qolqas (.almacenes rondas.) en líneas paralelas, cada uno mide unos 10 metros ( 33 ft ) de diámetro. Estos almacenes se utiliza para mantener los granos, como el maíz y quinoa. Los depósitos también son únicos ya que a diferencia de otras estructuras en todo el imperio que no son cuadrados acorralado. La razón de esto es desconocido. Un empleo ritual de los productos alimenticios y una economía de campo perfecta se consideran como probable. las hambrunas eran desconocidas antes de la llegada de los españoles en el imperio de los Incas.

 

Al oeste del templo es un gran campo, ahora se utilizan por los lugareños para la agricultura,

que podría haber sido un parque de atracciones o mantener desbordamiento de fieles desde el mismo templo. En el extremo occidental de este campo es un conjunto de baños como en los sitios importantes a lo largo del imperio.

 

en.wikipedia.org/wiki/Raqchi

________________________________________________________________

 

Viracocha - Lugar de la adoración del Creador Grandes - Viracocha - por los Incas

 

Viracocha también llamado el dios de la varas es el

más destacado entre los dioses del ámbito andino.

________________________________________________________________

 

Viracocha

una deidad de creador pre-andina

 

otras versiones de nombre Viracocha

Huiracocha y Huiraccocha, Ticci, Tiqsi o Tiksi.

 

p.ej. - - - en quechua

Qun Tiqsi Wiraqucha

Kon Titi Wiracocha

 

antes de la conquista por los españoles ( Conquista )

de todos los pueblos del espacio cultural de los Andes adüera

 

Viracocha es puesto a menudo ( sin embargo por las incas )

inmediatamente con el creador mundial Pachakamaq ( Pachacámac ),

esporádicamente también el nombre compuesto Pachakamaq-Wiraqucha en.

 

En la mitología de inca "Qun Tiksi Wiraqucha" es el creador de la civilización

y una de las deidades más importantes en la mitología la inca.

 

En una leyenda es contado,

él tenía con su mujer mamá Qucha ( la madre el mar )

un hijo, Inti ( el sol ) y una hija, la mamá Killa ( la luna )

 

Los cronistas señalan que Viracocha vino de Tiahuanaco.

.

www.agglo-plainecentrale94.fr/missions-et-actions/product...

Une démarche de développement durable

Le centre de production horticole, c'est 13 300 m2 de serres qui figurent sans doute parmi les plus modernes et performantes du pays. "Nous n'avons pas voulu nous contenter de remplacer les vieilles serres de Créteil et Limeil-Brévannes, explique Thierry

Deman, responsable de la production florale et arboricole de Plaine centrale. Notre objectif, c'était de créer un site de production qui garantisse un haut rendement, respecte l'environnement et offre au personnel de bonnes conditions de travail. C'est

pourquoi nous nous sommes inscrits dans une démarche HQE (haute qualité environnementale) de développement durable."

C'est ainsi que les constructions ont été intégrées dans leur environnement, que les serres ont été travaillées et disposées pour limiter au maximum l'impact visuel, que les arbres et les haies existants ont été préservés et que les matériaux choisis (bois,

verre, aluminium, acier inoxydable, linoléum, peintures sans solvant) l'ont été pour leurs faibles nuisances environnementales.

À l'intérieur, la plupart des réseaux ont été enterrés et l'éclairage a été réalisé avec des luminaires basse luminancepour améliorer le confort visuel.

Les équipements bruyants ont été mis dans des lieux isolés pour limiter les nuisances sonores, des siphons ont été placés régulièrement sur les dallages pour faciliter le nettoyage du sol, des ouvrants de pignons et de toiture ont été installés pour permettre

le brassage et le renouvellement de l'air.

Des économies d'eau et d'énergie

Mais le respect de la démarche HQE est surtout sensible dans la gestion économique et écologique de l'énergie et de l'eau.

De nombreuses dispositions ont ainsi été prises pour réaliser des économies de chauffage et améliorer le confort de travail du personnel (énergie humaine) : orientation des serres dans l'axe nord-sud pour un ensoleillement maximum, utilisation d'un verre spécial pour une filtration positive des rayons solaires (rétention

des UVA), régulation informatisée du climat et installation d'une chaudière à grand volume d'eau, mise en place de chaînes de production pour diminuer les déplacements, les efforts et contraintes physiques, concentration des aires de culture

autour de la galerie de travail.

Par ailleurs, tout a été conçu pour limiter les prélèvements d'eau et supprimer les rejets. C'est ainsi qu'un bassin de récupération des eaux de toiture a été réalisé et qu'un système d'arrosage, fondé sur le drainage et le recyclage des eaux de sol

a été mis en œuvre (voir encadré).

Ce sont bien, ainsi, des serres du XXIe siècle qui ont ouvert à Mandres-les-Roses. Un univers de fleurs et de plantes vertes certes, mais aussi de tapis de convoyage, de ponts roulants et de chariots mécaniques, car l'automatisation est omniprésente et a

permis à chaque étape de la production (rempotage, fertilisation ...) et de la manutention (transport du terreau, des plaques de culture ...) d'éliminer la plupart des tâches pénibles. Quant aux ordinateurs dont la présence peut également surprendre, ils

gèrent, ni plus ni moins que le chauffage, l'arrosage et le climat.

Un système d'arrosage innovant

En matière de développement durable et de protection de l'environnement, les serres communautaires se situent à la pointe de la technologie. Alors que les dégâts causés aux nappes phréatiques par les engrais et traitements divers sont depuis longtemps avérés et que l'eau devient un bien de plus en plus précieux, les serres communautaires ne polluent pas et permettent de réaliser des économies. Elles le doivent à l'installation d'un système d'arrosage qui met en œuvre le recyclage des eaux d'arrosage et la récupération des eaux de pluie (ou eaux de toiture). Comme le montre le schéma ci-dessous, le recyclage des eaux d'arrosage s'effectue par filtration à travers une toile perméable et une couche de roche volcanique au pouvoir tampon, disposées sous les plantes. Les eaux de pluie, elles, sont récupérées dans un bassin de 500 m3. Après mélange et fertilisation dans une station de pompage, eaux de pluie et d'arrosage sont dirigées sur les rampes d'arrosage.

Golden West Invitational

@ Cutler Park in Visalia

 

www.andynoise.com/goldenwestxc08.html

 

Varsity Girls

 

Team Scores:

 

1. Clovis East 51 2. Reseda (LA) 75 3. North 182 4. Bakersfield 193 5. Highland 199 6. El Diamante 231 7. Golden West 235 8. Yosemite 245 9. Exeter 247 10. Firebaugh 300 11. Monache 309 12. McFarland 317 13. Central Valley Christian 329 14. Redwood 336 15. Tulare Western 336 16. Sanger 375 17. Hoover 421 18. Cesar Chavez 438 19. Woodlake 448 20. Wasco 461 21. Delano 522 22. Porterville 558 23. Sierra 737 24. Fowler 737 24. Fowler 777 25. Parlier 779 26. Farmersville 785 27. Hanford 791 28. Orosi 818

 

Team Scores by Divisions:

 

Extra Large Schools: 1. Clovis East 37 2. Reseda 53 3. Bakersfield 104 4. North 106 5. Highland 114 6. Tulare Western 166 7. Sanger 178 8. Hoover 201 9. Delano 227

 

Large Schools: 1. Golden West 46 2. El Diamante 49 3. Monache 75 4. Redwood 80 5. Cesar Chavez 106 6. Porterville 138 7. Hanford 205

 

Medium Schools: 1. Yosemite 42 2. Exeter 52 3. McFarland 61 4. Woodlake 91 5. Wasco 100 6. Parlier 188 7. Orosi 201

 

Small Schools: 1. Firebaugh 27 2. Central Valley Christian 29 3. Fowler 99 4. Sierra 101 5. Farmersville 110

 

Individual Results (3.0 miles): 1. Katie Fry (Exeter) 19:23.7 2. Ashley Katchadourian (Clovis East) 19:53.0 3. Celcilia Lopez (North) 20:10.2 4. Jetzabel Velazquez (Reseda) 20:12.2 5. Kacy Kurushima (Clovis East) 20:24.7 6. Courtney Sharar (Clovis East) 20:28.7 7. Colleen Warmerdam (Yosemite) 20:37.7 8. Sarah Baker (Bakersfield) 20:38.7 9. Shelby Sutton (Exeter) 20:39.7 10. Chandler Feigel (Sanger) 20:41.5 11. Michelle Vasquez (Reseda) 20:53.3 12. Sarah Tomamichel (Clovis East) 20:58.0 13. Linda Ramos (Firebaugh) 20:59.7 14. Nichole Berry (Highland) 21:02.3 15. Yanet Uranga (Reseda) 21:04.5 16. Gabby Lerma (Bakersfield) 21:06.2 17. Molly Pahkamaa (El Diamante) 21:06.9 18. Kacie Van Hofwegen (Central Valley Christian) 21:09.3 19. Cebriana Avina (Tulare Western) 21:10.4 20. Alejandra Gutierrez (Wasco) 21:14.1 21. Dennise Mercado (Highland) 21:14.8 22. Nato Germano Zashuili (Reseda) 21:24.4 23. Andrea Monzon (Reseda) 21:31.5 24. Corina Garcia (McFarland) 21:34.6

  

Varsity Boys

 

Team Scores:

 

1. McFarland 30 2. Clovis East 74 3. Avenal 125 4. Tulare Western 172 5. Highland 198 6. Parlier 204 7. Golden West 206 8. Wasco 216 9. Reseda (LA) 10. Redwood 303 11. Woodlake 310 12. Cesar Chavez 392 13. Yosemite 411 14. Bakersfield 440 15. North 472 16. El Diamante 476 17. Farmersville 481 18. Monache 502 19. Sanger 510 20. Delano 526 21. Orosi 529 22. Firebaugh 533 23. Tranquillity 545 24. Exeter 568 25. Porterville 677 26. Sierra 758 27. Central Valley Christian 794 28. Kingsburg 815 29. Hanford 818 30. Strathmore 904

 

Team Scores by Divisions:

 

Extra Large Schools: 1. Clovis East 20 2. Tulare Western 56 3. Highland 65 4. Reseda 92 5. Bakersfield 158 6. North 167 7. Sanger 175 8. Delano

 

Large Schools: 1. Golden West 37 2. Redwood 58 3. Cesar Chavez 76 4. El Diamante 96 5. Monache 96 6. Porterville 146 7. Hanford 192

 

Medium Schools: 1. McFarland 15 2. Parlier 79 3. Wasco 82 4. Woodlake 5. Yosemite 136 6. Orosi 165 7. Exeter 167 8. Kingsburg 227

 

Small Schools: 1. Avenal 15 2. Farmersville 74 3. Firebaugh 84 4. Tranquillity 90 5. Sierra 141 6. Central Valley Christian 148 7. Strathmore 187

 

Individual Results (3.0 miles): 1. Justin Vilhauer (Redwood) 15:40.9 2. Germay Tesfai (Hoover) 16:02.2 3. Alfonso Cisneros (McFarland) 16:14.0 4. Jesus Chavez (Golden West) 16:21.1 5. Marco Camaigo (McFarland) 16:21.6 6. Marco Perez (McFarland) 16:23.4 7. Noe Cruz (Clovis East) 16:25.5 8. Jason Freeman (Clovis East) 16:26.9 9. Zach Segouia (Clovis East) 16:32.0 10. Eddie Garcia (McFarland) 16:34.9 11. Edward Bautista (McFarland) 16:35.7 12. Francisco Nava (McFarland) 16:37.0 13. Matt Morris (Golden West) 16:37.7 14. Martin Rios (Cesar Chavez) 16:40.3 15. Jonathan Garcia (Parlier) 16:41.5 16. Gerardo Alcala (McFarland) 16:51.6 17. Ramon Guzman (Woodlake) 16:52.8 18. Jose Ramirez (Avenal) 16:53.7 19. Christian Gonzales (Exeter) 16:55.7 20. Jose Perez (Parlier) 16:56.4 21. Julio Martinez (Avenal) 16:57.6 22. Roberto Rodriguez (Tulare Western) 17:00.1 23. Joseph Rosales (Clovis East) 17:01.4 24. Brandon Croft (El Diamante) 17:04.0 25. Roberto Lopez (Avenal) 17:05.3

faizakhalida.blogspot.com.br/2008/08/blog-post_31.html

 

A questão do preconceito que eu passava no meu trabalho como professora da rede pública municipal não era relatada pela Procuradoria Municipal de Belford Roxo e pela Secretaria de Educação (SEMED). Ao contrário, a prática da Secretaria Municipal de Educação foi o de abafar o problema do preconceito, da discriminação e do bullying quando por exemplo eu fui chamada na Secretaria de Educação pela funcionária Ivani (Maria Ivani Daher de Oliveira Mattos - mat. 46960) para reescrever o processo em 2006 onde eu relatava que sofria constrangimentos na Escola Municipal Jorge Ayres de Lima porque a Secretária de Educação Maíses Rangel Suhett não gostou do que eu escrevi. A funcionária Ivani me disse que caso eu não retirasse os relatos que informavam que eu sofria preconceito em um novo processo, eu não receberia o meu pagamento.

  

PROCESSO 04/3977/06 - PREFEITURA MUNICIPAL DE BELFORD ROXO - Data: 20/10/2006 - Requerente: Faiza Khálida Fagundes Coutinho (relatei inúmeros constrangimentos, brincadeiras ridículas debochando da minha sexualidade) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

ESTADO DO RIO DE JANEIRO

 

PREFEITURA MUNICIPAL DE BELFORD ROXO

 

NÚMERO DO PROCESSO: 04/0003977

 

Ano: 2006

 

Data Entrada: 23/10/2006

 

Requerente: FAIZA KHALIDA FAGUNDES COUTINHO

 

Assunto: Abono de faltas

 

SubAssunto: Abono de faltas

 

Rota: 1 Abono de faltas

  

Data: 23/10/2006 - PROCESSO 04/3977/06 - Proibição de usar saia ou vestido na escola municipal Jorge Ayres de Lima dez meses após "cirurgia de mudança de sexo" e 3 meses após decisão judicial retificando sexo da professora transexual Faiza Khálida from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 05 - PROCESSO 04/3977/06

  

Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED. Preciso ser respeitada em meus direitos como pessoa e funcionária pública.

  

Faiza Khálida Fagundes Coutinho

 

Professora - Escola Municipal Jorge Ayres de Lima

 

Matrícula 5508

 

Identidade 09089680-4

 

CPF 024114147-81

  

Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

A Secretária de Educação Maíses Rangel Suhett se negava a tomar alguma providência frente a um relato que dizia que eu era discriminada na escola municipal Jorge Ayres de Lima (EMJAL). As atitudes da Secretária de Educação Maíses foram mandar me dizer que ela não gostou do que eu escrevi e mandar arquivar o processo. Ela não apenas se recusava a tomar conhecimento de que eu era discriminada, como também acobertava e não tomava nenhuma atitude.

  

"A luta contra o preconceito depois da mudança de sexo

 

Após uma operação bem-sucedida na Tailândia, Faiza Khálida ainda enfrenta dificuldades em escola municipal". (Jornal Extra, 2008)

  

FOTO: Escola Municipal Jorge Ayres de Lima

  

FOTO: SECRETÁRIA MUNICIPAL DE EDUCAÇÃO DE BELFORD ROXO

 

MAÍSES RANGEL SUHETT

  

Na Secretaria Municipal de Educação, além de eu ter que refazer o processo, escrevendo apenas o que a funcionária Ivani me ditava, eu era tratada como sendo um homem pela funcionária Ivani de religião católica. Ela me dizia a todo instante "professor, o senhor professor, eu não me acostumo, nem nunca vou me acostumar com isso, não adianta fazer mudança de sexo", esses fatos e situações constrangedoras me abalavam ainda mais.

    

FOTO: Funcionária da secretaria de educação de Belford Roxo Maria Ivani Daher Oliveira Mattos (mat. 46960)

  

Nos computadores da Secretaria Municipal de Educação de Belford Roxo em 2009 havia 21 processos meus para consulta geral com nome de homem e sexo masculinos. Isso ocorria mesmo com a Procuradoria Municipal de Belford Roxo e a Secretaria Municipal de Educação sabendo que havia sido expedida uma decisão judicial em 2005, 4 anos antes, determinando a retificação de nome e sexo em todos os meus registros civis.

  

Na Secretaria Municipal de Educação ainda havia o meu assentamento individual que registrava os meus dados pessoais e trazia uma foto masculina. As pessoas faziam referência a essa foto que se encontrava nos meus assentamentos na secretaria de educação com desdém. Esta situação me deixava em uma situação de muito desconforto e constrangimento sendo alvo de piadas, deboches e chacotas na própria escola por parte de professores e, principalmente, do diretor José Carlos Neto Filho ( mat. 11/05236 - PMBR ).

  

Um dos conhecidos do diretor Neto, Marcelino Santos de Araujo, funcionário municipal de Belford Roxo que transitava dentro da Secretaria de Educação me chamava publicamente de galinha, traveco, bichona. Dizia que eu era a sodomita número 1 de Belford Roxo, entre outras ofensas e transfobia.

  

Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOTO: Marcelino Santos de Araújo

 

(funcionário público da Prefeitura Municipal de Belford Roxo no cargo de eletricista de baixa tensão mat. 17994)

  

A questão do preconceito nunca chegou a ser reconhecida pela Secretaria Municipal de Educação e pela Procuradoria Municipal de Belford Roxo mesmo com a publicação deste fato em 2008 na capa e no interior de um jornal conceituado de grande circulação no estado do Rio de Janeiro.

  

Em 2008 o Jornal Extra fez uma abordagem sobre o preconceito que eu enfrentava no meu trabalho como professora de língua estrangeira na rede municipal de Belford Roxo.

  

A matéria repercutiu de forma ampla. Todas as pessoas que trabalhavam na Prefeitura Municipal de Belford Roxo na época ficaram sabendo ou leram esta reportagem, apesar do jornal ter se esgotado rapidamente, principalmente nos locais onde eu interagia. A matéria trouxe a foto do meu rosto dentro e fora do jornal, mais precisamente na capa.

  

Apesar de o jornal relatar sobre a questão do preconceito que eu enfrentava e a questão da minha transexualidade que se tornou pública e exigia no meu caso a necessidade de acompanhamento endocrinológico ininterrupto, o uso de hormônios femininos em dosagem individualizada e adequada para o resto da vida, o acompanhamento psicológico e psiquiátrico especializados e o acompanhamento de uma assistente social, a Secretaria de Educação e a Procuradoria Geral do Município de Belford Roxo fechou os olhos para essas questões que ocorriam comigo durante o processo transexualizador.

  

Sempre que foram realizados inquéritos administrativos determinados pela Procuradoria Municipal de Belford Roxo ou eram enviados documentos fundamentando esses inquéritos, esses fatos eram omitidos, não eram mencionados. Era do conhecimento público que eu quatro anos após me submeter a uma cirurgia para reassentamento genital ainda sofria preconceito na escola que eu lecionava inglês em Belford Roxo. O Jornal Extra em 2008 trouxe uma declaração em que eu dizia "Já sofri muito. Todo dia é uma luta". O título na capa do jornal era discriminação na Baixada. E embaixo da foto na capa do jornal havia outra legenda: A professora de inglês Faiza Khálida ... vítima do preconceito.

  

Eram muitos os traumas, as vivências traumáticas e isso fragilizava o meu estado emocional e psíquico. Eu já havia passado o fantasma de ser ameaçada de morte antes pela Secretária de Educação Rosângela em 2002 na própria Secretaria de Educação (SEMED). Eu já havia sido perseguida com o uso de relatório mentiroso antes com orientadora pedagógica me prejudicando dando falso testemunho. Eu já havia chegado a um estado que eu passei a escrever no próprio diário de classe em 2007 cujas cópias foram enviadas para a Procuradoria Municipal que eu não aguentava mais o preconceito, o assédio moral e trabalhava chorando muito, sentindo dores de cabeça e outros sintomas psicológicos preocupantes.

  

Eu já havia sido condenada também por causa de Igreja cristã e da Bíblia. Um desses casos constou em um processo administrativo onde um procurador municipal de Belford Roxo chegou até a autorizar que a professora Leila Bonine de história e religião católica da Escola Municipal São Bento tomasse conhecimento da lei que pune o crime de preconceito contra homossexuais no estado do Rio de Janeiro porque esta professora dizia na escola para alunos que a Igreja Católica me condenava, que eu devia ser condenada e permanecer fora da escola por ser homossexual.

  

Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Não era necessário que a situação fosse publicada no Jornal Extra para que os órgãos da Prefeitura tomassem conhecimento de que eu sofria preconceito.

  

Desde 2003, havia processos administrativos em que eu trazia essa questão ao conhecimento da Prefeitura Municipal de Belford Roxo.

  

Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Em muitas ocasiões eu escrevia sobre isso movida pela pressão social, sem estar mais aguentando esta situação, como um pedido de socorro, de ajuda, para instâncias superiores, ou para o conhecimento das instâncias superiores de que eu havia chegado ao meu limite e não tinha mais condições de continuar suportando tamanha carga de preconceito.

  

FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Em 2007, após ter escrito no ano anterior em processo administrativo sem sucesso e não conseguindo mais desempenhar as minhas funções adequadamente, cheguei ao desespero e ao desequilíbrio psíquico e emocional de registrar o fato de que eu não estava bem nos diários de classe das turmas em que eu lecionava, na parte das observações, para o conhecimento das autoridades responsáveis, porque isso atingia não somente a mim e a minha saúde, mas também o trabalho que era realizado, o meu desempenho profissional e o resultado daquilo que era ou não era realmente feito em sala de aula.

  

Eu não conseguia auxiliar aos alunos em suas necessidades e dificuldades porque eu estava doente. O meu trabalho e o resultado do meu trabalhado estavam comprometidos por aquele contexto.

  

DECLARAÇÃO MÉDICA (20/08/2007)

 

A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos, insônia, ansiedade, cefaleias frequentes e dificuldades para cumprir suas tarefas no trabalho.

  

20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Eu precisava que a Prefeitura, a Secretaria de Educação e a Procuradoria Municipal de Belford Roxo enxergassem uma situação que eles não queriam ver.

  

Foram feitas manifestações nos diários de classe das turmas 601, 602, 604, 605 e 701 da Escola Municipal Jorge Ayres de Lima na parte destinada as observações no ano de 2007.

  

No diário da turma 605, por exemplo, eu declarei que tinha fortes dores de cabeça na escola e que a escola era para mim um lugar de traumas profissionais e emocionais.

  

A atitude da Procuradoria Municipal foi apenas me punir e silenciar por ter feito esses registros nos diários de classe sem sequer averiguar a questão do preconceito e da minha saúde mental.

  

A Secretaria Municipal de Educação e a Procuradoria Municipal de Belford Roxo desconsideraram as questões relativas ao meu estado emocional, ao preconceito que eu passava e até a obrigatoriedade da correção de todos os meus registros com nome e sexo femininos. Fatos que eram tão importantes foram abafados, omitidos, ignorados, desconsiderados e não fizeram parte de relatórios, relatos, ocorrências, procedimentos e inquéritos administrativos referentes a mim que foram utilizados para me prejudicar ainda mais.

  

(Professora Faiza Khálida Fagundes Coutinho - Prefeitura Municipal de Belford Roxo, matrículas 5508 e 14725, Identidade 09089680-4, CPF 024114147-81)

  

Bendito é o preciosíssimo sangue do Senhor Jesus Cristo.

  

Jesus é o caminho.

  

Louvado seja o Senhor Jesus Cristo para sempre.

  

1- Em 2009, o subsecretário municipal de Educação de Belford Roxo Miguel de Sousa Ramiro que prometeu mandar a minha frequência pelo período coberto pelo LAUDO MÉDICO PSIQUIÁTRICO, 2 semanas depois disse para mim que havia esquecido de tudo inclusive do MEU LAUDO MÉDICO mediante a pressão do supervisor educacional, consultor e assessor jurídico Jorge Silva (mat. 54368). OFÍCIOS REFERENTES A MIM FORAM EXTRAVIADOS NA SEMED (secretaria municipal de educação de Belford Roxo).

  

2- A PREFEITURA MUNICIPAL DE BELFORD ROXO, A PROCURADORIA MUNICIPAL E A SECRETARIA DE EDUCAÇÃO NUNCA ADMITIAM EM PUNIÇÃO, OCORRÊNCIA, RELATOS, RELATÓRIOS, PROCEDIMENTOS ADMINISTRATIVOS E INQUÉRITOS, INCLUSIVE OS QUE ME DEMITIRAM DEFINITIVAMENTE DO FUNCIONALISMO PÚBLICO MUNICIPAL, QUE EU ATRAVESSAVA TANTO UM PROCESSO BIOQUÍMICO DIÁRIO QUE AFETAVA TODA A MINHA MENTE E TODO O MEU CORPO COMO TAMBÉM ATRAVESSAVA UMA REALIDADE QUE ME CAUSAVA SOFRIMENTO.

  

3- Procurador de Belford Roxo LORIVAL ALMEIDA DE OLIVEIRA mentiu dizendo que eu havia recebido cópia de processo para ter como me defender. Na ESCOLA MUNICIPAL JORGE AYRES DE LIMA não me deram cópia de nada e de nenhum processo. Não me deixaram ler o processo ou tirar cópia dele.

  

4- Em processo administrativo de 2003 eu pedi para que a Prefeitura Municipal de Belford Roxo custeasse um tratamento Psicológico e Psiquiátrico para mim alegando que eu não me encontrava mais depois de tudo que havia passado no serviço público da rede de educação em condições de desempenhar minhas funções equilibradamente, mas eu não fui atendida. No mesmo parágrafo do processo de 2003 arquivado pela Procuradoria do Município, eu registrei " que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo um vazio muito grande e outros sintomas psiquiátricos que não conseguia explicar pedindo em nome do Senhor Jesus Cristo ajuda médica ".

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

5- Procuradores de Belford Roxo e Agentes de Inquérito Administrativo ignoravam o preconceito, o processo transexualizador, o uso de medicações psicotrópicas, hormônios e alterações bioquímas e hormonais.

    

6- Relatório técnico de conhecimento de supervisores educacionais de Belford Roxo que posteriormente sumiu e foi anunciado como inexistente foi usado para me ameaçar e impedir que eu acessasse, permanecesse e trabalhasse em escola que lecionava a 8 anos.

  

7- Os danos ocasionados pelo relatório técnico e procedimento administrativo decorrente nunca foram resolvidos.

  

8- Continuação dos danos ocasionados pelo relatório técnico de 2002 e procedimento administrativo decorrente.

  

9- Minha doença profissional começou em 2002 quando inclusive fui ameaçada de morte. Em 2003 após conseguir procurar ajuda médica passei a fazer uso de remédios psicotrópicos para conseguir exercer minhas funções como professora da rede municipal de Belford Roxo.

  

Data 10 de julho de 2003 registro dos sintomas psiquiátricos no trabalho da rede municipal de educação de Belford Roxo. (Doença do trabalho na Prefeitura Municipal de Belford Roxo e sintomas depressivos). Relatos de discriminação em processos de 2003. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

10- Após ser novamente ameaçada de morte em 2007 pela orientadora pedagógica que disse que eu tinha que sair da escola por ser transexual e que me perseguia voltei a ter agravamento de quadro psicológico e emocional.

  

11- Em meio ao contexto de perseguição meus 2 aparelhos de som que eu utilizava para dar aulas foram roubados ao mesmo tempo nas 2 escolas municipais de Belford Roxo em que eu lecionava e minha câmera digital danificada propositamente.

  

12- Era mostrado nas escolas que segundo a Bíblia e Igrejas católicas e evangélicas eu era uma pessoa pecadora, condenada. Que a minha existência era contra a vontade de Deus. Que eu não poderia ser amada pelos alunos.

  

13- Em maio de 2008 a médica psiquiátrica verificou que dificilmente haveria SOLUÇÃO do meu QUADRO DE DEPRESSÃO porque NÃO HAVIA RESOLUÇÃO DOS PROBLEMAS SOCIAIS referentes ao meu trabalho que me estressavam.

  

14- Orientadora se mobilizava para me tirar de escola municipal de Belford Roxo e me prejudicava. Experiência de exclusão e de isolamento.

  

15- Mais um evento traumático comigo ficou impune devido ao meu estado de abatimento, apatia e inércia. Eu fui retirada à força de dentro do banheiro feminino da Prefeitura e jogada no chão da escada por aproximadamente 8 guardas-municipais a mando do subsecretário Paulo Allevato.

  

Registro de ocorrência na Delegacia de Polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da prefeitura municipal. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Segunda parte do registro de ocorrência na delegacia de polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da Prefeitura Municipal de Duque de Caxias. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

16- O RELATÓRIO SOBRE O II CONSELHO DE CLASSE DE 2007 NA ESCOLA MUNICIPAL JORGE AYRES DE LIMA FEITO PELA ORIENTADORA PEDAGÓGICA CONCEIÇÃO COM O OBJETIVO discriminatório DE ME PREJUDICAR.

  

17- Procuradora de Belford Roxo DÉBORA FERNANDES CORDEIRO PINTO (matrícula 80/28.585) também ligada a igreja evangélica recusou por 2 vezes o meu pedido de readmissão. FOI CURTA E GROSSA. NÃO COMENTOU SOBRE O LAUDO MÉDICO APRESENTADO. NÃO SE INTERESSOU EM AVERIGUAR O QUADRO PSIQUIÁTRICO. NÃO FEZ REFERÊNCIA AOS PROBLEMAS SOCIAIS E AO PRECONCEITO NO TRABALHO. IGNOROU TUDO SIMPLESMENTE.

  

18- Não condene alguém com transtorno bipolar com sintomas psicóticos no mundo do trabalho. É o que eu posso ensinar às pessoas para que o mundo seja um pouco melhor diante do quadro em que eu vivi no meu emprego de professora concursada e efetiva da Prefeitura Municipal de Belford Roxo.

  

19- Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento.

  

Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

20- O RELATÓRIO TÉCNICO APARECEU para ME chantagear e PARA ME AFASTAR DA ESCOLA MUNICIPAL. 8 supervisores da Secretaria de Educação de Belford Roxo analisaram o relatório. Depois, O RELATÓRIO SUMIU. Depois, O RELATÓRIO nunca EXISTIU na Secretaria de Educação de Belford Roxo. (processo 04/3149/03)

  

21- Em processo administrativo de 2003 arquivado pela PROCURADORIA eu pedi socorro e registrei "que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo sintomas psiquiátricos pedindo em nome do Senhor Jesus Cristo ajuda médica e psicológica ".

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

22- O PROCESSO ADMINISTRATIVO DA PREFEITURA MUNICIPAL DE BELFORD ROXO NÚMERO 04/002743/03 - Assunto: PROVIDÊNCIAS POR DISCRIMINAÇÃO - Data: 07/10/2003 - Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade.

  

Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

23- Processo Administrativo 04/001497/03 - Data 04/06/2003 - HOMOFOBIA - " Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. É um ambiente doentio. Eu sendo professora não aguentei. Fui humilhada muitas vezes. Me disseram que eu teria de ser perfeita se quisesse continuar a ser professora ".

  

Fui humilhada muitas vezes. Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. Eu sendo professora não aguentei. É um ambiente doentio. (Professora em processo transexualizador Faiza Khálida) - 04 de junho de 2003 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

24- A falta de aceitação social, intolerância, maldade e preconceito me causavam sofrimento.

  

REGISTRO DO CENTRO DE ATENÇÃO PSICOSSOCIAL LESLIE CHAVIN 17/07/2003 - DEPRESSÃO diagnóstico sindrômico PROBLEMAS NO TRABALHO DE PROFESSOR EM BELFORD ROXO Histórico de adoecimento psíquico MEDICAÇÃO ENCAMINHAMENTO - professora municipal Faiza Khálida. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

25- Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 - Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED.

  

FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

26- Meu estado psicológico e mental era ignorado como se me ver mal e transtornada fosse justamente o que se desejasse.

  

20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

27- Funcionários públicos municipais de Belford Roxo desrespeitavam a identidade de gênero de transgêneros, travestis e transexuais.

  

Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

28- Em 1/10/2005 o Jornal O DIA informava na sua reportagem que eu havia começado a tomar hormônios em 2002 e a fazer procedimentos como o laser, que eu enfrentava um processo transexualizador e que eu necessitava inclusive da adequação burocrática e administrativa. O jornal O DIA também informava que eu fazia acompanhamento com psicólogos e tomava remédios como calmantes e antidepressivos por determinação médica.

  

Ninguém precisa ser trans para lutar contra a transfobia.

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

Sony NEX-C3 Voigtlander 28mm f/2 Ultron

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

soundimageplus.blogspot.com/2011/08/sony-nex-c3-review-an...

 

Please respect copyright! All images are protected under UK copyright law and the Berne international copyright convention and are visibly and/or invisibly watermarked. No images are within the public domain. images may not be reproduced, copied, used or altered in any way, by any method, without written permission

 

soundimageplus.blogspot.com/

 

www.flickr.com/groups/1705334@N24/

  

Inspired by justaddwater.dk/2007/01/05/more-visual-html-jokes/

 

Image from www.flickr.com/photos/macten/133944332/

 

Coincidentally, this might be the only semantically proper use of the tt tag...

Sample: Arrrrgh! I'm you! You're me!

 

Somewhere in Konami, there is a box where all Really Stupid Ideas go. It may be an orange crate, a novelty cookie tin, or just a sturdy cardboard box that looked too useful to toss. I am convinced that the box exists, and that it was opened sometime in 1998, because no other facts will adequately explain Hybrid Heaven.

 

Let's take a deep breath and get started...

 

Aliens exist. Some of the aliens are nice, and others are evil. Evil but wily. They want to take over Earth, which just goes to show how desperate the galactic real estate situation is getting. So one of the evil aliens infiltrates the mothership of a nice alien race on its way to peacefully explore the planet Earth. The ship arrives at its landing site under New York City (apparently, the Manhattan bedrock is a myth), evil alien enslaves good aliens, and starts creating an unholy hybrid (of what, is not explained) clone army to take over the planet. All this multitasking leaves him little time; hence he has no name other than 'The Master'. He also makes hybrid clones that look exactly like certain people (like the American president) so he can pull switcheroos. The technology for sucking out people's memories comes in real handy whenever a swap takes place. Luckily, a lone Secret Service Agent has nothing better to do than get in The Master's way...

 

Is there even a point in criticizing a video game for having an appalling plot, terrible dialogue, and barely cardboard characters?

 

My answer is yes. There's 'pretty bad' like Metal Gear Solid, which wants to marry Clancy-style political-military-adventure thriller to the Japanese giant-robot anime tradition (some traditions should be dumped, and widow burning and giant robots are two of them), then there's bad like a rotten egg. Metal Gear's bad writing doesn't get in the way of much that is good about the game, while Hybrid Heaven's stinks to—well, high heaven. Hell, given a team of good disciplined writers with a sense of humor, it would still be possible to write a decent Metal Gear game. Outrageous villains, great gadgets, cool hero, hot babes, lots of suspension of disbelief -- this is stuff of James Bond after all. Can't say the same for Hybrid Heaven.

 

The hard truth is, the game industry is indifferent to decent writing overall, and particularly deluded when it comes to action games. The culture of the latter is that of teenage boys who aren't particularly interested in anything except what mainstream pop culture dishes out to them, and it shows. Having translated and played a fair number of plot-intensive video games, I can say with confidence that most of these writers do not have a clue what they are doing. They wouldn't last a day in even TV or film, yet they're allowed to put out crap like "You are Nick Vrenna. It is the year 2009. You have been falsely incarcerated inside a high security underground prison where illegal genetic experiments are taking place" without anybody batting an eyelash. Good thing too. Blinking might get in the way of shooting, causing you to lose precious, precious points.

 

So what if a game has great playability, beautiful graphics and all the works? If you're playing a game and the hero's girlfriend/communication officer (note to Hideo Kojima: you don't know a lot of women, do you?) is bugging him about commitment issues while he's hiding from recon inside an enemy installation, point at the so-called writers and laugh at them really loudly. In public. So these game producers think you're that stupid? Swallow it, give it good reviews, fail to call them on the idiocy and you've proven that yes, you are that stupid. Bring on the sequels, feed me more of that non-nourishing, vaguely headache-inducing stuff. I wouldn't recognize quality if it came up and bit me on my numb-from-too-much-sitting ass!

 

Demand better. It's no coincidence that there's nothing but sequels and formulas coming out of this relatively new, multibillion-dollar industry.

 

"Hybrid Heaven"™ and its characters and images are the property of Konami Corporation. This low-resolution image is solely used to identify the game in question. No free equivalent of this image exists. This image does not allow users to make illegal copies of the software, and does not diminish the copyright holder Konami's ability to market the software.

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Εισαγωγή

Εκκλησιαστικοί ύμνοι

Ύμνος Χριστιανικού Βιώματος | Η Αγάπη του Θεού μας Φέρνει Κοντά

 

Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,

 

είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,

 

με διαφορετικό χρώμα δέρματος

 

και μιλώντας διαφορετικές γλώσσες.

 

Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,

 

εξυψωνόμαστε ενώπιον του θρόνου του Θεού.

 

I

 

Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,

 

είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,

 

με διαφορετικό χρώμα δέρματος

 

και μιλώντας διαφορετικές γλώσσες.

 

Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,

 

εξυψωνόμαστε ενώπιον του θρόνου του Θεού.

 

Υπάρχουν οι ηλικιωμένοι, με κάτασπρα μαλλιά

 

και οι νεαροί, λαμπεροί και ακτινοβόλοι.

 

Χέρι με χέρι, ώμο με ώμο,

 

συνεχίζουμε να περπατάμε μαζί μέσα από αέρα και βροχή,

 

ενθαρρύνοντας ο ένας τον άλλον εν μέσω αντιξοοτήτων.

 

Με ομόνοια εκπληρώνουμε το καθήκον μας.

 

Οι καρδιές μας είναι συνδεδεμένες,

 

γινόμαστε έμπιστοι στην ζωή.

 

Η αγάπη του Θεού μας φέρνει πιο κοντά.

 

II

 

Τα λόγια του Θεού είναι η πηγή του ζωντανού νερού.

 

Απολαμβάνοντας τα λόγια του Θεού,

 

οι καρδίες μας γεμίζουν γλυκύτητα.

 

Η παίδευση των λέξεών Του,

 

η κρίση των λέξεών Του,

 

εξαγνίζουν τις διεφθαρμένες διαθέσεις μας.

 

Μόνο αν κλαδευτούμε και αντιμετωπιστούμε

 

έχουμε ανθρώπινη ομοιότητα.

 

Στην αρνητικότητα και αδυναμία,

 

στηρίζουμε ο ένας τον άλλον.

 

Είμαστε μαζί στην αντιξοότητα.

 

Στεκόμαστε μάρτυρες, νικάμε τον Σατανά.

 

Δραπετεύουμε από το σκοτάδι και ζούμε στο φως.

 

Πιστοί και υπάκουοι,

 

είμαστε η εκδήλωση του μεγαλείου του Θεού.

 

Γνωρίζουμε την δικαιοσύνη και ομορφιά του Θεού.

 

Βιώνουμε τους αμέτρητους τρόπους που ο Θεός μας αγαπά.

 

Φωλιασμένοι στην θαλπωρή του Θεού,

 

οι ζωές μας στην γη είναι όπως στον ουρανό.

 

Μόνο με τον Θεό υπάρχει αγάπη,

 

μόνο με την αγάπη υπάρχει οικογένεια.

 

Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.

 

Ερχόμαστε κοντά στην αγάπη του Θεού.

 

Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.

 

Ζώντας στην όμορφη βασιλεία,

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

Λα λα λα… Λα λα λα… Λα λα λα…

 

Λα λα λα… Λα λα λα… Λα λα λα…

 

Μόνο με τον Θεό υπάρχει αγάπη,

 

μόνο με την αγάπη υπάρχει οικογένεια.

 

Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.

 

Ερχόμαστε κοντά στην αγάπη του Θεού.

 

Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.

 

Ζώντας στην όμορφη βασιλεία,

 

λατρεύουμε τον Παντοδύναμο Θεό.

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»

 

«Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού»

Όροι Χρήσης: el.godfootsteps.org/disclaimer.html

 

On Isola Bella in Lake Maggiore.

  

A look around the Borromeo Palace and it's amazing gardens.

  

Isola Bella (Lago Maggiore)

 

Isola Bella (lit. 'beautiful island') is one of the Borromean Islands of Lago Maggiore in north Italy. The island is situated in the Borromean Gulf 400 metres from the lakeside town of Stresa. Isola Bella is 320 metres long by 400 metres wide and is divided between the Palace, its Italianate garden, and a small fishing village.

 

Until 1632 the island—known only as l’isola inferiore or isola di sotto—was a rocky crag occupied by a tiny fishing village: but that year Carlo III of the influential House of Borromeo began the construction of a palazzo dedicated to his wife, Isabella D'Adda, from whom the island takes its name. He entrusted the works to the Milanese Angelo Crivelli, who was also to be responsible for the planning the gardens. The works were interrupted around middle of the century when the Duchy of Milan was struck by a devastating outbreak of the plague.

 

Construction resumed when the island passed to Carlo’s sons, Cardinal Giberto III (1615–1672) and Vitaliano VI (1620–1690); the latter in particular, with the financial backing of his elder brother, entrusted the completion of the works to the Milanese architect Carlo Fontana and turned the villa into a place of sumptuous parties and theatrical events for the nobility of Europe.

 

The completion of the gardens, however, was left to his nephew Carlo IV (1657–1734). They were inaugurated in 1671.

 

The island achieved its highest level of social success during the period of Giberto V Borromeo (1751–1837) when guests included Edward Gibbon, Napoleon and his wife Joséphine de Beauharnais, and Caroline of Brunswick, the Princess of Wales. It is said that Caroline, having fallen in love with the place, did her best to convince the Borromeo family to sell her Isola Madre or the Castelli di Cannero islands; her request being turned down, she established herself on the banks of Lake Como at Cernobbio in the Villa d’Este.

  

Interior photos are not to be published anywhere else.

  

ceiling

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkUwww.youtube.com/watch?v=xCKF0HEsWWo

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

www.kingdomsalvation.org/ru/gospel/what-truly-are-the-wis...

 

Кто же на самом деле Мудрые девы?

 

Библейские стихи для справки:

 

«Тогда подобно будет Царство Небесное десяти девам, которые, взяв светильники свои, вышли навстречу жениху. …Мудрые же, вместе со светильниками своими, взяли масла в сосудах своих. …Но в полночь раздался крик: вот, жених идет, выходите навстречу ему. Тогда встали все девы те и поправили светильники свои. …и готовые вошли с ним на брачный пир, и двери затворились» (Мф. 25: 1,4, 6-7, 10).

 

«Овцы Мои слушаются голоса Моего, и Я знаю их; и они идут за Мною» (Ин. 10:27).

 

«Это те, которые следуют за Агнцем, куда бы Он ни пошел» (Откр. 14:4).

 

«Ибо Агнец, Который среди престола, будет пасти их и водить их на живые источники вод; и отрет Бог всякую слезу с очей их» (Откр. 7:17).

 

«Просите, и дано будет вам; ищите, и найдете; стучите, и отворят вам» (Мф. 7:7).

 

Классические слова Бога:

 

«Пять мудрых дев означает число людей… Вот причина, по которой их попросили приготовить масло в последние дни. (Творение не обладает Моим качеством; если сотворенные желают быть отнесенными к мудрым, тогда им необходимо приготовить масло, и поэтому им нужно оснастить себя Моими словами.) Пять мудрых дев олицетворяют Моих сыновей и Мой народ среди сотворенных Мною людей. Они именуются «девами», поскольку, хотя они и рождены на земле, но, тем не менее, они обретены Мной; можно сказать, что они стали святыми, поэтому они именуются «девами»».

из «Слова и свидетельства Христа в начале эпохи»

...

 

Сопутствующий контент

Евангелие царствия | Как мудрые девы слышат голос Бога и приветствуют Господа?

 

Image Source: Церковь Всемогущего Бога

 

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Strolling in my city, Király Street.

Archiect: Brein Ferenc, 1847 Romantic Gothic revival style.

www.bestofbudapest.com/budapest/news/the-noble-and-elegan...

 

hu.wikipedia.org/wiki/Kir%C3%A1ly_utca_%28Budapest%29

Pekáry-ház.

'Részlet Sárközy Mátyás (Molnár Ferenc író unokája, Sárközy György költő fia) írásából:

Krúdy írja: „a Terézvárosi templomtól húsvétkor elgördítik a csúf koldusokat”. Meg azt is, hogy itt maguktól állnak meg a sárga omnibusz lovai, pedig nem valami kellemes hely ez. Öreg kéregetők sorjáznak a templomfal mellett, „rongyokból összevarrt asszonyok és ócska csizmaszárban támaszkodó vén férfiak”.

Kisregényében a nagymama a Pekáry-házba, színésztanárhoz viszi színpadra vágyó unokáját, Gyöngyvirágot (Molnár Gál Péter szerint Solymosi Elek színitanodája volt itt), és amikor lekászálódnak az omnibuszról, odamutat a koldusokra: „Lásd, így jár az, aki nem gondoskodik fiatalságában öregségéről…” S azt is mondja elmerengve: „Az apád zsidó ember volt, azért olyan a szemed, mint itt a lányoké.”

Az omnibusz a Széna térről indult, a mai Kálvin térről, a Két Pisztoly kávéméréstől, ennek jeleként volt a kocsikra festve két pisztoly ábrája, s eldöcögött a macskaköveken a Ligetig. Nem is olyan régen a tízes villamos kanyarodott be épp itt a templomnál, annak a helyére jött a troli.

A Pekáry-ház. A Krúdy házaspár hajdani lakóhelye. Szól erről emléktábla. S arról is, hogy a cicomás, de nem szép épület műemlék, tervezte Pollack Ágoston. Szintén ezt állítja az 1970-es Budapest Enciklopédia. De a tudomány jelenlegi állása szerint a tervező Brein Ferenc lehetett, akinek életrajzi adatai a szakmunkákban meglehetősen hézagosak. Hogy mikor született, mikor halt meg, úgy látszik, nehezen deríthető ki. Olyasmit is olvashatunk róla, hogy nem volt tervező, csak építőmester. Dehogynem, mondják mások. Az apja volt pallér, Brein Ignác. A Pekáry-házat, ami Pekáry volt városi rendőralkapitány (előbb terézvárosi főrendőr) számára épült, 1847–48-ra datálják. Az ifjabb Brein pedig a szabadságharc alatt elment Pestről, csak az osztrák győzelem után jött vissza. Mégsem ő volt a tervező? Miért ne? 1847-ben már folyt az építkezés. Annyi bizonyos, hogy csuda cifrára sikerült a ház külleme. Túl cifrára. 1891-ig a Pekáry-palotát főként zsidók lakták, itt volt a Zsidó Legényegylet központja, s még imaterem is működött az emeleten. De 1899 legvégétől néhány évig lakást bérelt benne Krúdy Gyula ifjú hitvesével, az éles nyelvű Kosztolányiné szerint a „csöppecske, gömbölyű” Satanellával, akit nem sokkal előbb Báttaszékiné népszerű irodalmi szalonjában ismert meg Krúdy, s akinek igazi neve Spiegler Bella volt, a Satanellát tárcaíróként használta. Mire a Körútra hurcolkodtak, már elromlófélben volt a házasság. Az író persze alaposan felderítette a Pekáry-ház környékét, beszéltette a hordárokat, a házmestereket, az öregebbektől hallott a walesi herceg Király utcai kalandjairól. Itt írta az Aranybánya két kötetét, de abban nincs szó a Terézvárosról, viszont húsz-huszonöt évvel későbbi írásaiban olykor feltűnik ez a vidék. Az Aranytükrös kávéházban (1926) egyik fejezete említi például, hogy „nyáridőben a Király utcának sajtszaga van”. S Bukfenc című regényének alakja Lauberné, „akinek trafikja van a Király utcában, de titokban a színi pályára készült”. (Mikszáth is ismert errefelé egy boltost, s azon vidult, hogy a cégtáblán ez a felirat állt: „Divatnőkereskedés”.) 1926-ban, a terézvárosi búcsú leírása kapcsán, visszaszállt Krúdy emlékezete a Pekáry-házhoz, melynek kapujánál cukrokat, sült tököt, citromot árult egy fiatal nő. Azt írja, hogy a búcsú idején lezuhant az épület homlokzatáról egy félmázsás sárkányfő, ami „száz évig őrizte ezt a házat”. A száz év persze sehogy sem stimmel, s a sárkányfőt a palotáról készült 1895-ös metszeten hiába keressük nagyítóval. Tény viszont, hogy a faragványokhoz ugyanazt a túl puha mészkövet használták, mint amelyek a Parlament falain is elporladtak. Ám Budapest e műemléke napjainkban újból kopott, odabent pedig nyomorult állapotban van.

Egyvelege a Pekáry-ház romantikus díszítése mindenféle motívumnak. A sarki négy nyolcszögletű, keleties erkélytartó pillér mindegyikén mógendóvid csillag látható, viszont a kapu fölötti erkély két oldalán, alig három méterrel feljebb, fagylalttölcsér talapzatukon, baldachin alatt kardos-pajzsos „ősmagyar” vitézek állanak. Az ablakkereteket újra kellene faragni. Úgy hírlik, erre nemrég megszavazott a műemlékvédelem öt és fél milliót.

A palota hosszan benyúlik a Csányi utcába, s ottani falán emléktáblát találunk:

„Ebben a házban működött a Vanczik lakatosüzem, ahol 1944-ben Vanczik Béla és felesége, Enczig Margit, valamint családjuk közel száz üldözött embert bújtatott és mentett meg. Emlékükre: Ariadne csoport 2002.” Manapság nem könnyű bejutni Budapest épületeibe, de valaki éppen kijön a Pekáry-palotából, és nem kattintja be maga után a nagykaput. Ragadjuk meg tehát a rézkilincset, menjünk be, nézzük meg, megette-e a rozsda a vaskorlátokon Pekáry alkapitány monogramját, a GP-t. Ezek állítólag a General Pekáry kezdőbetűi. A betűk kissé megviselten, de ott díszelegnek mindhárom emeleten.

A rusztikus márványkövezettől hűvös a lépcsőház nyáridőben is. A tágas udvarban sudár vadgesztenye veti árnyékát a csupa zöld kertecskére. A poroló sem hiányzik. S pincelejárat riaszt vérfagyasztó feliratával: „Itt véralvadásgátló rágcsálóirtószer kihelyezése történt!”

Hát itt lakott Krúdy és Satanella.'

Aaah - an Easter 'Bubbly Shnooks' shop update has just been put up, full of lots of new handmade goodies!

 

Please see my profile for more info. :)

 

Blogged: michelleclement.typepad.com/blog/2011/04/bunny-love.html

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkUwww.youtube.com/watch?v=xCKF0HEsWWo

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports

Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

Peter Mikhael Reel - 2009

 

The Mind Of The Green Apple

petermikhael.com/previews/htmls/rich_v_1

Okay.. Let’s make some flash stuff. Depends on the green apple of the original website design. I’ll explain every page individually in further steps.

 

The Mind Of The Green Apple Game

petermikhael.com/previews/htmls/green_apple_game

Continue with my project the mind of the green apple. I start to make a new flash game. Eating apples is my idea. Actually I got the idea when I’m driving. It has 3 frames long.

 

CHA International Website

www.cha-international.info

Go back to CHA-International as a freelancer XHTML/CSS designer. The website design by me. Developed by Ahmed Abdel-Aliem.

 

Tarek Nour Communications – Intranet 5.0

go.tareknour.tv/

Video – Demo Reel - www.youtube.com/watch?v=La0Z-l6mIN8

Unlike the internet, which is a public network of computers, an intranet is a private network of computers that functions only within the boundaries of Tarek Nour Communications.

 

Yahya Al Bishri Website

yahyacouture.com

Yahya Al Bishri website one of the most interesting project I worked in. under management of RUBICS Business Solutions.

 

Tarek Nour TV Website

tareknour.tv

tareknour.tv/chicken_news/

tareknour.tv/tony_khalifa/

Video POINTNOUR’s campaign for TNTV - www.youtube.com/watch?v=R_1F8h4cvpE

Al Kahera Wal Nas is a new Channel by TNTV a company under Tarek Nour Comunications.

 

RUBICS Business Solutions Website

www.rubics.net/

Video RUBICS website design – Behind The Scenes - www.youtube.com/watch?v=Q4-0raXuDKA

RUBICS Business Solutions website a full 2d/3d website design from scratch.

 

OLYMPIA Health Club Website

www.olympia-center.com/

OLYMPIA Health Club website. Released under management of RUBICS Business Solutions.

 

Tarek Nour Advertising Website

tna.tareknour.com/

TNA has been a pioneer in advertising since its inception as the first Egyptian private sector Advertising Agency in 1978. Through three decades of listening to local consumers.

 

--------------------------------------

AIM: Peter Mikhael

Mobile: 20122786770

Current Town: cairo, Egypt 12346

Website: www.petermikhael.com/

Mail : peter@petermikhael.com

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