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Praise Song "I Will Have God’s Heart as My Own"
www.holyspiritspeaks.org/videos/hymn-i-will-have-god-hear...
I
I’ve seen God is expecting us to give Him our heart, His eyes full of hope.
God speaks all His heartfelt words to me, and warns and exhorts me in every possible way.
His hope for me can be read between the lines.
Every word is from His heart, every word is from His heart.
His word inspires me and warms my heart, giving me strength, faith, and courage.
I deeply feel that God is venerable, amiable, and lovable;
I cannot love Him enough deep in my heart.
God is my beloved and my only One; His love draws me to follow Him closely.
God is my beloved and my only One; His love draws me to follow Him closely.
II
God’s judgment leads me into the reality of His words; enlightened and illuminated,
I know my deficiencies.
I was so rebellious before and always grieved God; I did not pursue the truth and only sought benefit for myself.
God’s will has been revealed to us; to change and perfect us, He has suffered all hardships.
To satisfy God’s requirement is His will for me, and it’s my bounden duty.
God has such great hope for me, so how could I waste my time as before?
I’ll equip myself with the truth and enter in all aspects, and pursue to have
my disposition changed and live out the reality of God’s words.
I will never again indulge myself in the blessings of position; I will have
God’s heart as my own and care for His will.
I will never again indulge myself in the blessings of position;
I will have God’s heart as my own and care for His will.
O my God, I’m willing to put myself in Your hands completely,
letting You perfect me personally to be fit for Your use,
so that I can be gained by You to be Your expression,
and testify to Your deeds and Your almightiness.
so that I can be gained by You to be Your expression,
and testify to Your deeds and Your almightiness.
from Follow the Lamb and Sing New Songs
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
The entire serie : Les nourritures terrestres on my blog !
Please tell me what you like/dislike in this photo ! I want to improve !
Dites moi ce qui vous plaît/déplaît dans cette photo ! Je veux progresser !
••••••••••••••••••••••••••••••••••••
facebook • blog • formspring
el.kingdomsalvation.org/hymns.html
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Χριστιανικά τραγούδια | Γνωρίζεις την αποστολή σου;
Άραγε, ξέρεις το βάρος,
το καθήκον και την ευθύνη που κουβαλάς;
Της αποστολής σου η ιστορική αντίληψη πού είναι;
Πώς θα γίνεις καλός κύριος την άλλη εποχή;
Έχεις, μήπως, αίσθηση κυριότητας ισχυρή;
Πώς θα εξηγήσεις τον κύριο των πάντων;
Είναι, μήπως, ο κύριος όλων των ζωντανών
ή κύριος όλου του κόσμου του υλικού;
Ποιο το σχέδιό σου για τη συνέχεια;
Πόσοι περιμένουν να τους ποιμάνεις;
Δεν νιώθεις, άραγε, βαρύ το καθήκον σου;
Οι καημένες, αξιολύπητες ψυχές,
τυφλοί που έχουν χαθεί,
θρηνούν μέσα στο σκότος, διέξοδο αναζητούν.
Πώς περιμένουν το φως σαν πεφταστέρι να 'ρθει,
τη δύναμη του σκότους να διαλύσει, την καταπιεστική.
Τη λαχτάρα τους, μέρα και νύχτα, ποιος γνώρισε ποτέ;
Σαν το φως τους αναβοσβήνει - υποφέρουν
οι άθλιοι στο σκότος, δεν θα ελευθερωθούν.
Πότε θα πάψουν να κλαίνε;
Αυτά τα ανήσυχα πνεύματα έχουν τόση κακοτυχία.
Ανελέητα δεσμά, ιστορία ανάλλαχτη,
τους έχουν σφραγίσει γερά.
Ποιος άκουσε το κλάμα τους,
ποιος είδε τη δυστυχία τους;
Σκέφτηκες ποτέ τον Θεό, το άγχος και τη θλίψη Του,
να βλέπει να υποφέρει ο άνθρωπος
που με τα χέρια Του τον έπλασε;
Οι άνθρωποι δηλητηριασμένοι, δυστυχείς.
Aν και επιβίωσαν ως εδώ,
έχουν δηλητηριαστεί απ’ τον πονηρό.
Μήπως ξέχασες ότι είσαι θύμα κι εσύ;
Δεν θες, άραγε, η αγάπη Του να σώσει όσους επιβίωσαν,
να Του ανταποδώσεις όσο μπορείς,
που αγαπά τόσο τον άνθρωπο;
Πώς καταλαβαίνεις τη χρήση από τον Θεό,
για να ζήσεις ζωή ξεχωριστή;
Επιθυμείς και λαχταράς, άραγε,
να ζήσεις ζωή ευσεβή, στην υπηρεσία του Θεού;
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
Χριστιανικοί Ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Wearing Betterdry, Bata boots & yellow PVc raingear (Guy Cotten) in the streets.
bottescaoutchouc.free.fr/galeries2_fr/gal_cires/gal_cires...
•The truth about Yosemite: www.nbcbayarea.com/news/local/Sexual-Harassment-Common-in...
I took the dive and bought a Nikon D600. While waiting for it to arrive; I received an email from a friend of mine, that sent this letter to the US Post Master General. This friend is also a Targeted Individual and a US Army Veteran. I continued to wait for my camera, I kept checking the tracking number for updates, but there were no updates for a whole week. Six days after being shipped and no updated tracking info. Once my camera arrived I took a few of my older lenses, an m42 adapter to the Post Office and this is one that symbolizes many things. When I do have a package or mail to be picked up from my PO Box; one of the local simpletons involved in Community Bases Stalking will be inside waiting, or enter and slam one of the trash containers. These trash containers are heavy metal, bear proof, have very heavy lids on hinges and make a loud slamming noise if someone lets them fall close (this happened again today). The Post Office has a very high ceiling that enhances this. Also, when I have a pickup slip in my box; I will have perps in line stalling. Incidents like these are everyday occurrences for Targeted Individuals. I asked my friend if I could attach his email to this picture and have included it:
My name is Todd Sterling. I live in Lima, Ohio and have been a prior service member. Over the past two years I have become aware of a criminal organization known as organized stalking. Organized stalking is a organized group of citizens empowered by government surveillance technology whose main purpose is to attack a target psychologically and physically. A target is a chosen member of society for any number of socio economic reasons. In some cases a target is placed on the list simply because someone paid to have them placed on the list. This tactic is not new it was discovered that our government was using this weapon against our own people in the 60's. It was dubbed the cointelpro movement and was outlawed by congress. Sadly however it was not dismantled but hidden and redesigned with the progression of technology and cointelpro has now become a domestic terror operation the likes of which have not been seen since Adolf Hitler which is exactly where the program was stolen from. You can learn more about organized stalking at trackastalker.com, trackastalker.net and trackastalker.org and OSI on You Tube. The tactics vary from psychological manipulative attacks to physical home intrusions and property damage that is designed to be carried out over the course of years until the target breaks. One such tactic that we are increasingly becoming aware of is the tampering and interference of a targets mail. We have countless complaints of mail never arriving or arriving days or weeks later. I myself have been a victim of this several times. Although hard to prove, recently we started selling products on line to assist targets families in defense of this hellish nightmare on earth. We sell video cameras, cameras specifically designed to operate inside a targets moving car to gather evidence of organized vehicular stalking while the target is in transit. We went to great pains to video tape the testing and packing and operation of a dual lens car camera to a customer in N Carolina. We paid for priority mail and tracked the package. Something that only should have taken two business days took 6 days to arrive. This is typical of a planned intrusion attempt by infiltrators of the postal system. The package or envelope is rerouted on a delayed route allowing persons unknown to access the package at a variety of locations throughout the US no matter where the target is located so that the item can physically be damaged. I have incidents where utility bills are opened and photocopied we suspect so that the attackers can gain access to the utility holders account information. This is just one example of mail arriving with evidence of it being opened. We suspect that these activities are known to many in the Postal service due to the Patriot Act and permits tampering under terrorism suspicions. Americans are getting tired of being accused of terrorism and having their lives invaded illegally by false allegations permitting people to interfere with our personal lives on a scale not seen since the rise of Adolf Hitler. For this reason, my foundation is conducting an investigation into this complaint and if the camera arrives back in our hands and we investigate it and it is inoperable we will be filing a sf-95 against the US Postal service and suing you in federal court. The number of victims that complain about this act is in the thousands and were tired of being ignored because people in positions of authority simply do not believe us. Something MUST be done to protect our rights and we are going to do everything in our power legally to see this begins to happen. I deeply apologize for the tone of this letter but this foundation was started to begin to defend the rights of these victims and to get our leaders to stand up for us. Simply because a scenario is hard to believe is no reason for it not to be believed. We are giving you a chance to investigate and apprehend those involved in this scenario. Please contact me with any questions.
Warm Regards
R. Todd Sterling CEO/FOUNDER TAPS Foundation
Please take the time to sign these petition links; to help us expose and put a stop to Gang Stalking, Community Based Stalking and Workplace Mobbing:
www.change.org/petitions/attorney-general-kamala-d-harris...
www.change.org/petitions/taps-petition-to-investigate-org...
www.change.org/petitions/u-s-congress-outlaw-organized-ga...
The Itinerant Locals are modern day traveling minstrels, parents, real estate developers and all around fine folks. Their latest album, Songs We Play, has hit Earl's Top 100 in Manigotapi Mississippi. Listen to their rendition of Chicken Dance at the end of this video. Folk polka slam grass punk pop chamber music. A truely unique duo, and two of my favorite musicians to work with. Take a look at Cheryl and Zac's website. Polka Your Eye Out. Their children, Eureka and Zephyr joined us for a Facedown Tuesday shot.
Strobist: AB1600 with gridded 60X30 softbox camera left. AB800 with Softlighter II camera right. Triggered by Cybersync.
Deutsche Medien haben in den Modus der Kriegspropaganda hochgeschaltet
(Autor: U. Gellermann in www.rationalgalerie.de/home/russland-regiert-bald-die-usa..., 22. Mai 2017)
Wer deutsche Medien konsumiert und ihnen glaubt, für den ist eine feindliche Übernahme der USA durch Russland nicht mehr fern. Begonnen hatte die russische Invasion, nimmt man das Medien-Szenario ernst, spätestens im letzten US-Wahlkampf: Die Russen hätten demnach der armen Hillary Clinton ihre E-Mails gestohlen und mit der brutalen Veröffentlichung genau dieser Texte die amerikanische Öffentlichkeit zugunsten ihres Konkurrenten Donald Trump beeinflusst. Wie wir alle wissen ging die perfide Strategie auf. Die amerikanischen Wahlberechtigten – über Jahrzehnte mit Fake-News aller Art gefüttert – mussten nun zum Beispiel die Wahrheit über jene miesen Clinton-Tricks lesen, mit denen die Dame Bernie Sanders, ihren Mitbewerber um die Präsidentschafts-Kandidatur ausgeschaltet hatte. So viel hässliche Wirklichkeit konnten die Wähler einfach nicht ertragen.
Auch die hinterhältigen Aktionen des FBI gegen Hillary Clinton waren sicher von den Russen initiiert: Der US-Geheimdienst hatte gegen sie und ihren Mann ermittelt, weil Bill Clinton am allerletzten Tag seiner Präsidentschaft den Börsenmakler und Steuerbetrüger Marc Rich begnadigte, dessen Frau dann prompt großzügig für Clinton spendete. So bekämpften die Russen unter dem Deckmantel der Steuergerechtigkeit die Millionärin Clinton, fraglos um den Milliardär Trump zum Präsidenten zu machen. Doch den wahren Hintergrund der landesverräterischen Verschwörung fasste der West-Berliner TAGESSPIEGEL, stellvertretend für alle deutschen Medien, in einem Kernsatz zusammen: „Der Präsident (Trump) zeigte im Wahlkampf wiederholt eine betont Russland-freundliche Haltung.“ Jeder gute deutsche Redakteur weiß doch, dass Russland der FEIND ist. Und wer freundlich zum FEIND ist, der ist selbst ein FEIND. So einer will doch nur, dass der Russe die USA übernimmt! Das hat schon der Opa des TAGESSPIEGEL-Redakteurs gesagt, nur dass er den Russen damals Iwan nannte und sein Geld in der Propaganda-Kompanie der Wehrmacht verdient hatte.
Doch der Höhepunkt aller Wühlarbeit des Herrn Trump zugunsten der Russen war ein eindeutig illegales Treffen des US-Präsidenten mit dem russischen Außenminister Sergej Lawrow. Denn in der US-Verfassung, irgendwo im Kleingedruckten, steht ganz sicher: Kein amerikanischer Präsident darf sich jemals mit einem russischen Außenminister treffen! Und dann soll Trump bei diesem Treffen auch noch ein düsteres Geheimnis verraten haben: Terroristen könnten tatsächlich Sprengstoffe aller Art in Laptops verstecken. Drauf wären die Russen natürlich nie von allein gekommen. Schon die ernsten Folgen dieser unglaublichen Nachricht müssten dem sinnfreien Westen schwer zu denken geben. Sind doch mehrere Chefredakteure an Lachanfällen erstickt, als sie diese skurrile Story in feierlichem Ernst als echte Nachricht verkauften. Der Chefredakteur der TAGESSCHAU hat überlebt. Obwohl er diesen Satz zum Laptop-Gate ins Netz stellen ließ: "Es handelt sich um die schwerwiegendste Anschuldigung aller Zeiten gegen einen amtierenden US-Präsidenten. Das darf man nicht unterschätzen", sagt der ehemalige Harvard-Jurist Alan Dershowitz. – Ja, wenn ein „ehemaliger Harvard-Jurist“ das gesagt hat, dann ist Trump schon so gut wie vor Gericht und erledigt.
Schon bald wird auch der letzte deutsche Medienkonsument erkennen, dass in Washington inzwischen russische Außenpolitik gemacht wird. Es könnte zu spät sein wenn die USA in einem feierlichen Akt die Krim zum ewigen Staatsgebiet Russlands erklären und die Japaner zur Anerkennung der Folgen des Zweiten Weltkrieges drängen und damit die Kurilen end-gül-tig den Russen überlassen. Obwohl der Verlust dieser Inseln nun mal der Preis dafür war, dass sich Japan an die Seite des faschistischen Deutschlands gestellt hatte. – Keiner soll sich rausreden können, er sei nicht gewarnt worden. Hatte doch Benjamin Hodges, der Oberkommandierende der US-Landstreitkräfte für Europa und die Nachfolgestaaten der Sowjetunion einschließlich Russlands schon im Jahr 2015 in der TIMES vor einer neuen russischen Invasion in Europa gewarnt. Seit dieser Zeit rüstet die NATO zwar kräftig auf, aber mit einem Putsch zugunsten der Russen durch den gewählten US-Präsidenten hatte man bisher nicht gerechnet. Doch die wachsamen deutschen Medien sehen die drohende Gefahr und sie informieren ihre Kunden.
Zu diesen unbestechlichen Warnern vor der russischen Gefahr gehört nicht zuletzt die ZEIT, eine Zeitung, die ihren höchst gebildeten Lesern jüngst unter der Überschrift „US-Präsident von Putins Gnaden“ ein spannendes Szenario vortrug: Schon 2013 habeTrump „nachweislich in Moskau“ die Wahl der Miss Universe organisiert. So nebenbei habe er den Bau eines Trump Tower in Moskau anvisiert. Da muss sich doch der deutsche Studienrat, also der Durchschnitts-Leser der ZEIT sagen: 1. Die Russen hatten schon zur Sowjet-Zeit einen universellen Anspruch. 2. Die Gewinnerin des Miss Universe-Titels war Gabriela Isler aus Venezuela, eine Frau aus dem Land aus dem auch Hugo Chavez, ein Todfeind der USA, kam. 3. Um die Baugenehmigung für den Moskauer Trump-Tower zu bekommen, hat der Immobilien-Dealer sicher seine Seele an die Russen verkauft. Dass der Turm nie gebaut wurde, ist nur ein Beweis dafür, wie trickreich die Russen ihre Trump-Unterstützung tarnen.
Wer sich nicht vorstellen kann, dass deutsche Medien einen solchen Blödsinn fantasieren wie ihn die ZEIT jüngst zusammenschmierte, muss einfach täglich Fernsehen oder seine Zeitung aufschlagen: Die ZEIT ist nicht die Ausnahme, sie markiert die Regel einer Medienlandschaft, die schon lange in den Modus der Kriegspropaganda hochgeschaltet hat.
DSC_3709
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
¿Cristóbal Colón descubrió América en 1492? ¿O antes que él la descubrieron los vikingos? ¿Y antes que los vikingos? Los que allí vivían, ¿no existían?
Cuenta la historia oficial que Vasco Núñez de Balboa fue el primer hombre que vio, desde una cumbre de Panamá, los dos océanos. Los que allí vivían, ¿eran ciegos?
¿Quiénes pusieron sus primeros nombres al maíz y a la papa y al tomate y al chocolate y a las montañas y a los ríos de América? ¿Hernán Cortés, Francisco Pizarro? Los que allí vivían, ¿eran mudos?
Nos han dicho, y nos siguen diciendo, que los peregrinos del Mayflower fueron a poblar América. ¿América estaba vacía?
Como Colón no entendía lo que decían, creyó que no sabían hablar.
Como andaban desnudos, eran mansos y daban todo a cambio de nada, creyó que no eran gentes de razón.
Y como estaba seguro de haber entrado al Oriente por la puerta de atrás, creyó que eran indios de la India.
Después, durante su segundo viaje, el almirante dictó un acta estableciendo que Cuba era parte del Asia.
El documento del 14 de junio de 1494 dejó constancia de que los tripulantes de sus tres naves lo reconocían así; y a quien dijera lo contrario se le darían cien azotes, se le cobraría una pena de diez mil maravedíes y se le cortaría la lengua.
El notario, Hernán Pérez de Luna, dio fe.
Y al pie firmaron los marinos que sabían firmar.
Los conquistadores exigían que América fuera lo que no era. No veían lo que veían, sino lo que querían ver: la fuente de la juventud, la ciudad del oro, el reino de las esmeraldas, el país de la canela. Y retrataron a los americanos tal como antes habían imaginado a los paganos de Oriente.
Cristóbal Colón vio en las costas de Cuba sirenas con caras de hombre y plumas de gallo, y supo que no lejos de allí los hombres y las mujeres tenían rabos.
En la Guayana, según sir Walter Raleigh, había gente con los ojos en los hombros y la boca en el pecho.
En Venezuela, según fray Pedro Simón, había indios de orejas tan grandes que las arrastraban por los suelos.
En el río Amazonas, según Cristóbal de Acuña, los nativos tenían los pies al revés, con los talones adelante y los dedos atrás, y según Pedro Martín de Anglería las mujeres se mutilaban un seno para el mejor disparo de sus flechas.
Anglería, que escribió la primera historia de América pero nunca estuvo allí, afirmó también que en el Nuevo Mundo había gente con rabos, como había contado Colón, y sus rabos eran tan largos que sólo podían sentarse en asientos con agujeros.
El Código Negro prohibía la tortura de los esclavos en las colonias francesas. Pero no era por torturar, sino por educar, que los amos azotaban a sus negros y cuando huían les cortaban los tendones.
Eran conmovedoras las leyes de Indias, que protegían a los indios en las colonias españolas. Pero más conmovedoras eran la picota y la horca clavadas en el centro de cada Plaza Mayor.
Muy convincente resultaba la lectura del Requerimiento, que en vísperas del asalto a cada aldea explicaba a los indios que Dios había venido al mundo y que había dejado en su lugar a San Pedro y que San Pedro tenía por sucesor al Santo Padre y que el Santo Padre había hecho merced a la reina de Castilla de toda esta tierra y que por eso debían irse de aquí o pagar tributo en oro y que en caso de negativa o demora se les haría la guerra y ellos serían convertidos en esclavos y también sus mujeres y sus hijos. Pero este Requerimiento de obediencia se leía en el monte, en plena noche, en lengua castellana y sin intérprete, en presencia del notario y de ningún indio, porque los indios dormían, a algunas leguas de distancia, y no tenían la menor idea de lo que se les venía encima.
Hasta no hace mucho, el 12 de octubre era el Día de la Raza.
Pero, ¿acaso existe semejante cosa? ¿Qué es la raza, además de una mentira útil para exprimir y exterminar al prójimo?
En el año 1942, cuando Estados Unidos entró en la guerra mundial, la Cruz Roja de ese país decidió que la sangre negra no sería admitida en sus bancos de plasma. Así se evitaba que la mezcla de razas, prohibida en la cama, se hiciera por inyección.
¿Alguien ha visto, alguna vez, sangre negra?
Después, el Día de la Raza pasó a ser el Día del Encuentro.
¿Son encuentros las invasiones coloniales? ¿Las de ayer, y las de hoy, encuentros? ¿No habría que llamarlas, más bien, violaciones?
Quizás el episodio más revelador de la historia de América ocurrió en el año 1563, en Chile. El fortín de Arauco estaba sitiado por los indios, sin agua ni comida, pero el capitán Lorenzo Bernal se negó a rendirse. Desde la empalizada, gritó
¡Nosotros seremos cada vez más!
¿Con qué mujeres? –preguntó el jefe indio.
Con las vuestras. Nosotros les haremos hijos que serán vuestros amos.
Los invasores llamaron caníbales a los antiguos americanos, pero más caníbal era el Cerro Rico de Potosí, cuyas bocas comían carne de indios para alimentar el desarrollo capitalista de Europa.
Y los llamaron idólatras, porque creían que la naturaleza es sagrada y que somos hermanos de todo lo que tiene piernas, patas, alas o raíces.
Y los llamaron salvajes. En eso, al menos, no se equivocaron. Tan brutos eran los indios que ignoraban que debían exigir visa, certificado de buena conducta y permiso de trabajo a Colón, Cabral, Cortés, Alvarado, Pizarro y los peregrinos del Mayflower
Đôi lúc thấy trong lòng thật trống trải như vừa mất đi 1 cái j đó quan trọng
Đôi lúc lại muốn khóc lắm, khóc thật nhiều để ai đó đến bên dỗ dành nhưng mà....
Một mình, em vẫn thường như thế anh àh
Một mình khóc, 1 mình buồn hay chỉ la1 1 mình vu vơ. Quanh em ko có ai
Rồi 1 hôm nào đó......em có anh
Anh xuất hiện, đối với em như 1 điều j đó nhiệm màu lắm
Hay là bà tiên thấy em đáng thương nên mang cho em 1 thiên thần tuyệt vời như anh, anh nhỉ?
Cám ơn tất cả những j anh làm cho em
Cám ơn anh đã chấp nhận 1 ng con gái bình thường như em
Em thật lòng cám ơn anh nhiều lắm
Từng ngày trôi qua, em càng nhận ra 1 sự thật rằng anh quan trọng với em biết mấy
Anh ơi, anh biết không, em yêu anh nhiều lắm, và tình yêu nó em đang gìn giũ và nuôi lớn nó từng ngày qua
Yêu ko phải là nhận mà là cho đi anh nhỉ?
Anh đã cho em rất nhiều đó: Cho e biết vui, biết buồn, biết nhớ nhung và đôi khi là biết hờn ghen
1...2...3...4....5....10000 từ cũng ko thể nói lên hết tất cả những j anh làm cho em nhận ra
Bên cạnh anh cuộc sống thật có ý nghĩa và thật là ấm áp
Em không dám mong anh sẽ bên em và yêu em suốt cuộc đời, thật lòng em chỉ mong anh hạnh phúc mà thôi
Hạnh phúc với em là nhìn thấy anh cười nhìn thấy anh vui
Nên anh ơi, anh đừng buồn nữa nha
Sẽ là trọn vẹn nhất nếu 2 ta ở gần nhau anh nhỉ
Đôi khi em nhớ anh lắm, nhớ nhiều mà ko làm đc j
Chỉ muốn đc chui vào lòng anh, ôm anh thật lâu để mọi ưu phiền tan đi, nhưng sao mà cũng khó quá anh nhỉ
Chỉ muốn đc nhìn thấy anh, đc nghe anh nói vu vơ vài câu thế mà cũng khó thật
Những câu nói, hành động vụng về của em có thể làm anh lo, làm anh giận, nhưng em xin anh đừng ghét bỏ em anh nhé
Bây h thật sự em hạnh phúc lắm, vì em có anh trong trá tim em
Không bao h em thấy lanh giá hay cô đơn như trc kia nữa
Em có anh, và em không phải đối mặt với nỗi buồn 1 mình
Ước j giây phút này là vĩnh cửu
* giallo fly
* 4942 cc V12 midship-runabout flat engine
* 360 CV @ 6200 rpm
* 451 Nm @ 4600 rpm
* 300 km/h / 0-100 km/h: 5 secs
* 929 BB 512 carbs-models were produced (1976-1981)
www.zwischengas.com/de/VC/veranstaltungsberichte/Motorwor...?
The engine shared its internal dimensions with the V12 from the Daytona, but was spread out to 180° as on Ferrari's 1970 Formula One car. Although referred to as a Boxer, the 180° V12 was not a true boxer engine, but rather a flat engine.
MOTORWorld Classics Berlin
ExpoCenter City under the radio-tower
8 to 11 October 2015
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba
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----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Most beautiful coffee house of the world
www.ucityguides.com/cities/top-10-cafes.html
epa.oszk.hu/00000/00003/00011/newyork.htm
The New York Palace is one of Budapest's many must-see sights. The grand building is home to a hotel and its ground floor houses the famous New York Café, a luxurious coffeehouse and restaurant - a great literary coffeehouse in the past.
It was built between 1890 and 1894 for the New York Insurance Company, hence its name. It was designed by the great Hungarian architect Alajos Hauszmann, who was assisted by his compatriots Flóris Korb and Kálmán Giergl.
The New York Café (New York kávéház)
The ground floor of the New York Palace was planned as a coffeehouse. In the nineteenth century coffeehouses were very popular in Budapest; at one point there were about five hundred of them. People visited them to discuss daily affairs, politics and even art - moreover writers, poets, journalists "lived" and worked there...
The New York Café was undoubtedly the most sumptuous of all the coffeehouses in Budapest. It was decorated with ornaments, frescos, chandeliers and spiraled columns, all made from precious materials. As soon as it opened the café was popular with writers and journalists. The legend says that on its opening day, the dramatist Ferenc Molnár threw the keys of the café in the Danube to ensure it would stay open day and night. In its heyday during the Belle Epoque, when many of Hungary's most renowned literary figures were regulars here, the New York Café was a center of intellectual life in Budapest.
The café remained popular throughout the 1920s and 1930s when it became known for its musical scene but after the building was damaged during World War II it closed in 1947. Later a sporting goods store settled here. In 1954 the building was restored and the café reopened as the Hungaria café and restaurant.
After the fall of Communism the building stood empty for a decade until, in 2001, the Italian luxury hotel chain Boscolo purchased the New York Palace and started a thorough renovation that was concluded in 2006, when the New York Café reopened in all its splendor.
el.godfootsteps.org/God-himself-the-unique-ix.html
Αιώνια Ζωή
Ο Θεός λέει:« ...Αφού τα δημιούργησε ο Θεός, βάσει των νόμων που Αυτός καθόρισε, όλα τα πράγματα λειτουργούν και συνεχίζουν να εξελίσσονται κανονικά. Κάτω από το βλέμμα Του, κάτω από τους νόμους Του, τα πάντα εξελίσσονται κανονικά, παράλληλα με την επιβίωση των ανθρώπων. Ούτε ένα πράγμα δεν είναι σε θέση να αλλάξει αυτούς τους νόμους, κι ούτε ένα πράγμα δεν μπορεί να καταστρέψει αυτούς τους νόμους. Χάρη στη διακυβέρνηση του
Θεού μπορούν όλα τα πλάσματα να πολλαπλασιάζονται, και χάρη στη διακυβέρνησή Του και τη διαχείρισή Του όλα τα όντα μπορούν να επιβιώνουν. Αυτό σημαίνει ότι κάτω από τη διακυβέρνηση του Θεού, τα πάντα γεννιούνται, ακμάζουν, εξαφανίζονται και ξαναγεννιούνται με τάξη. Όταν έρχεται η άνοιξη, το ψιλόβροχο φέρνει αυτή την αίσθηση της άνοιξης και υγραίνει τη γη. Το έδαφος αρχίζει να μαλακώνει, το γρασίδι φυτρώνει και βγαίνει προς τα πάνω από το χώμα και τα δένδρα πρασινίζουν σιγά-σιγά. Όλα αυτά τα ζωντανά πλάσματα φέρνουν μια φρέσκια ζωτικότητα στη γη. Αυτή είναι η εικόνα όλων όσα γεννιούνται και ακμάζουν. Επίσης, κάθε είδους ζώα βγαίνουν από τα λαγούμια τους για να νιώσουν τη ζεστασιά της άνοιξης και ξεκινούν μια νέα χρονιά. ... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Εισαγωγή
Ελληνική ταινία | Είσελθε στην Κιβωτό των εσχάτων ημερών «Οι Ημέρες του Νώε Έχει Έρθει»
Ας θυμηθούμε πώς ήταν η ανθρωπότητα την εποχή του Νώε. Οι άνθρωποι έκαναν κάθε λογής κακία, χωρίς να τους περνάει καν από το μυαλό η μετάνοια. Κανένας τους δεν άκουγε τον λόγο του Θεού. Η αδιαλλαξία και η κακία τους προκάλεσαν την οργή του Θεού, και στο τέλος όλοι αφανίστηκαν από την καταστροφή του μεγάλου κατακλυσμού. Μόνο ο Νώε και η οκταμελής οικογένειά του άκουσαν τον λόγο του Θεού και μπόρεσαν να επιβιώσουν. Τώρα, οι έσχατες ημέρες είναι ήδη εδώ. Η διαφθορά της ανθρωπότητας όλο και βαθαίνει. Οι πάντες λατρεύουν το κακό. Ολόκληρος ο θρησκευτικός κόσμος ακολουθεί το ρεύμα του κόσμου. Δεν αγαπούν ούτε στο ελάχιστο την αλήθεια. Οι ημέρες του Νώε είναι ήδη εδώ! Προκειμένου να σώσει την ανθρωπότητα, ο Θεός έχει επιστρέψει και πάλι για να κάνει το έργο της κρίσεως των εσχάτων ημερών ανάμεσα στην ανθρωπότητα. Αυτή είναι η τελευταία φορά που ο Θεός σώζει τον άνθρωπο! Τι θα πρέπει να επιλέξει η ανθρωπότητα; Η ιστορία αυτή είναι αληθινή. Από τότε που οι κάτοικοι του Κινγκπίνγκ στην επαρχία Σετσουάν επανειλημμένα αρνήθηκαν να δεχτούν το Ευαγγέλιο της βασιλείας του Παντοδύναμου Θεού, έχουν υποστεί δύο καταστροφές. Στον Μεγάλο Σεισμό του Σετσουάν, πολλοί αδελφοί και αδελφές που πίστευαν στον Παντοδύναμο Θεό προστατεύτηκαν θαυματουργικά από τον Θεό και επέζησαν. Αυτά τα γεγονότα είναι αφηγήσεις αυτοπτών μαρτύρων: μιλάνε για εκείνους που δέχονται τον Θεό και Τον υπακούν και για εκείνους που Τον αρνούνται και Του αντιστέκονται. Αυτά τα δύο είδη ανθρώπων έχουν πολύ διαφορετική κατάληξη!
Αστραπή της Ανατολής, η Εκκλησία του Παντοδύναμου Θεού δημιουργήθηκε λόγω της εμφάνισης και του έργου του Παντοδύναμου Θεού, της Δευτέρας Παρουσίας του Ιησού Χριστού, του Χριστού των εσχάτων ημερών. Απαρτίζεται από όλους εκείνους που αποδέχονται το έργο του Παντοδύναμου Θεού κατά τις έσχατες ημέρες κι έχουν κυριευτεί και λυτρωθεί από τα λόγια Του. Ιδρύθηκε εξ ολοκλήρου από τον ίδιο τον Παντοδύναμο Θεό και είναι Αυτός ο Ποιμένας της που την καθοδηγεί. Σίγουρα δεν έχει δημιουργηθεί από κάποιο πρόσωπο. Ο Χριστός είναι η αλήθεια, η οδός κι η ζωή. Το ποίμνιο του Θεού ακούει τη φωνή Του. Αρκεί να διαβάσετε τα λόγια του Παντοδύναμου Θεού για να δείτε ότι ο Θεός έχει εμφανιστεί.
Giorgio Armani, one of the world’s leading fashion and lifestyle design companies, and Samsung Electronics, a leading producer of mobile phones and telecommunications systems, today unveiled the new Giorgio Armani-Samsung luxury mobile. Giorgio Armani presented the new mobile phone at a press briefing in his Armani/Teatro in Milan before his Spring Summer 2008 Women’s fashion show.
el.godfootsteps.org/videos/result-achieved-by-knowing-God...
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Χριστιανικά τραγούδια «Το Αποτέλεσμα που Επιτυγχάνεται Γνωρίζοντας τον Θεό» Λατρεύουμε τον Θεό με Πνεύμα και Αλήθεια【Α Καπέλα】
Ύμνος των λόγων του Θεού
Κάποια μέρα,
θα νιώσεις ότι ο Δημιουργός
δεν αποτελεί πλέον γρίφο,
ότι ο Δημιουργός ποτέ δε σου έχει κρυφτεί,
ότι ο Δημιουργός
πότε δεν έχει αποκρύψει το πρόσωπό Του από εσένα,
ότι ο Δημιουργός δεν είναι καθόλου μακριά από εσένα,
ότι ο Δημιουργός δεν είναι πλέον Αυτός που συνεχώς ποθείς στις σκέψεις σου
αλλά δεν μπορείς να αγγίξεις με τα αισθήματά σου,
ότι υπαρκτά και αληθινά στέκει φρουρός εξ αριστερών και εκ δεξιών σου,
τροφοδοτεί τη ζωή σου και ελέγχει το πεπρωμένο σου, ελέγχει το πεπρωμένο σου.
Δε βρίσκεται στον μακρινό ορίζοντα, ούτε έχει κρυφτεί ψηλά στα σύννεφα.
Είναι εκεί στο πλευρό σου και κυριαρχεί στο είναι σου,
Είναι όλα όσα έχεις και Είναι το μόνο που έχεις.
Ένας τέτοιος Θεός
σου επιτρέπει να Τον αγαπάς από καρδίας,
να προσκολληθείς πάνω Του, να Τον κρατάς κοντά σου, να Τον θαυμάζεις,
Να φοβάσαι μη τυχόν Τον χάσεις,
Και να είσαι απρόθυμος πλέον να Τον απαρνηθείς, απρόθυμος να Τον παρακούς άλλο
μήτε άλλο να Τον αποφεύγεις ή να Τον κρατάς σε απόσταση.
Το μόνο που θέλεις είναι να νοιάζεσαι γι’ Αυτόν, να Τον υπακούς,
ν’ ανταποδίδεις όλα όσα σου δίνει και να παραδοθείς στην κυριαρχία Του.
Δεν αρνείσαι άλλο να καθοδηγηθείς,
να τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός,
δεν αρνείσαι πλέον ότι σου επιτάσσει και ορίζει για εσένα,
ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
Τον ένα και μοναδικό Θεό.
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
αρνείσαι να καθοδηγηθείς, τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός.
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
ότι σου επιτάσσει και ορίζει για εσένα, ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου, τον ένα και μοναδικό Θεό σου.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
τον ένα και μοναδικό Θεό σου.
Τραγούδια Χριστιανικά
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
Check out the new dress on my eBay shop :) www.ebay.com/sch/eifeldolldress/m.html?item=261672350654&...
I don't care what things you talk !
mp3.zing.vn/bai-hat/Sau-Anh-Hao-Quang-Ngo-Trac-Linh/ZWZBF...
==========================
•Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy một sớm mai tinh khiết. Anh sẽ yêu em dịu dàng như yêu buổi ban sơ, trẻ trung và mới mẻ.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy những tia nắng sớm mong manh, dịu dàng như sợi tơ trời. Anh sẽ bị lóa mắt bởi những lấp lánh và sẽ yêu em nồng nàn như yêu hơi ấm của nắng.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy một làn gió mát vờn nhẹ bên anh. Anh sẽ thấy êm ái vì được vuốt ve và yêu em nhẹ nhàng như gió.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy những hạt sương nhẹ rơi trên trên mái tóc. Anh sẽ thấy nao lòng vì những giọt trong veo đến yếu đuối. Anh sẽ yêu em tinh khiết như yêu giọt nước mắt lăn dài trên má em.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy bờ cát dài êm ái nơi anh vô tình đi qua. Anh sẽ yêu em như biển yêu bờ cát, nồng nhiệt như con sóng xô bờ.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy một ngày xuân hoa từng bừng nở. Anh sẽ xốn sang vì vẻ rực rỡ của mùa xuân và sẽ yêu em đắm đuối như yêu nàng Xuân tươi trẻ.
Nếu em chỉ là người tình...
Thì anh ạ, anh sẽ chỉ thấy một ngày thu vàng rụng lá. Anh sẽ lao xao vì những thảm lá vàng và sẽ yêu em thiết tha như đám mây trắng yêu bầu trời xanh thẳm.
Nếu em chỉ là người tình...
Nhưng anh ạ, em sẽ vẫn là người vợ,
Là cả một ngày dài sáng trưa chiều tối
Là cả một năm ba trăm sáu mươi nhăm ngày
Là cả bốn mùa Thu Đông Xuân Hạ
Là cả một cuộc đời...
Em không chỉ là ban mai mà còn là hoàng hôn mỏi mệt
Không chỉ là tia sớm mong manh mà còn là nắng trưa gay gắt
Không chỉ là gió mát mà còn có thể là cơn giông chớp giật
Không chỉ là hạt sương mà còn có thể là bão tố
Không chỉ là ngày xuân hoa nở mà còn là những ngày gió bấc mưa phùn
Không chỉ là ngày thu dịu dàng mà còn là ngày hạ chói chang
Không phải là bờ cát vô tình mà là vùng đất nơi bàn chân anh đã đi mòn mỏi
Nhưng anh ạ, dù anh đã đi mòn mỏi
Thì em vẫn là mái ấm nơi anh muốn trở về sau những chuyến đi
Vì em biết người ta không thể xây nhà trên cát
Vì em biết rằng hạnh phúc không chỉ toàn là niềm vui...
---------
•Nếu sau này em là vợ của anh!
Là tối nào anh và em sẽ cùng nhau đi ngủ, sáng nào thức dậy anh cũng được nhìn thấy em. Em sẽ luôn hôn anh đánh thức anh dậy, chuẩn bị bữa sáng thật ngon, em sẽ nấu những món ăn mà anh thích nhất bởi em là người thứ 2 sau mẹ biết những món ăn đó mà!
Nếu sau này em là vợ của anh!
Vợ chồng mình sẽ cùng đi làm, chiều về em lại chờ anh tới đón và mỗi tối em cùng anh dạo phố tay trong tay thật hạnh phúc.
Nếu sau này em là vợ của anh!
Sáng chủ nhật em sẽ để anh ngủ nướng, em sẽ làm việc nhà thật nhẹ tay để anh không thức giấc nhưng em sẽ để dành một phần việc nhà cho anh đấy nhé, anh sẽ hút bụi cho ngôi nhà và những ngày bình thường khác anh sẽ giúp em nhặt rau và rửa bát nữa.
Nếu sau này em là vợ của anh!
Anh cứ đi gặp và ăn uống với ban bè, em sẽ đơi anh về cùng ăn cơm, anh sẽ về ăn cơm cùng em nhé! Đừng để em ăn cơm một mình, anh biết em sẽ ăn ít đi rất nhiều nếu không có anh ăn cùng em mà.
Nếu sau này em là vợ của anh!
Em sẽ làm bác sĩ của riêng anh em sẽ nấu một nồi nước xông nếu anh bị cảm lạnh.
Nếu sau này em là vợ của anh,
Anh sẽ nhìn thấy mọi cảm xúc trên khuôn mặt của em, nhăn nhó, cáu gắt, mếu máo, khóc hay cười thật hiền… Nếu anh biết cách chọc em cười, anh sẽ thấy những điểm đáng yêu của em… và thật may mắn hơn nữa anh sẽ thấy hết những tật xấu của em đó.
Nếu sau này em là vợ của anh,
Em, sẽ giúp anh tìm đường quay về khi anh bị lạc lối. Em tin chỉ tại cơn gió lạ nào đó thổi qua làm anh xao xuyến thôi! Gió đến và gió sẽ đi. Anh sẽ quay về với em, với gia đình of mình . Em sẽ lại là em bao dung và kiên nhẫn như em đã làm với anh
Tình yêu vốn không lời tất cả đều nằm trong những lời không nói …’’
Có một câu nói mà tôi em thích: “Người ta sống trên đời này! Không phải tìm kiếm một người hoàn hảo để yêu mà học cách yêu thương một người không hoàn hảo một cách trọn vẹn nhất!”
Em đã học cách yêu anh như thế đó!
Rue De La Tour, 86490 Beaumont Saint-Cyr France.
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www.chateau-fort-manoir-chateau.eu/chateau-forteresse-man...
506 châteaux, 22 châteaux forts, 44 logis et 179 manoirs dans la Vienne
Châteaux (châteaux-forts etamp; manoirs)
château d'Abain (IMH) (photos)
château de l'Abbaye
château d'Abin (IMH) (photos) ***
maison forte de l'Age
château d'Aigne (IMH) (photos)
château d'Alogny (photos) ***
château d'Anché
château de l'Angellerie
château d'Angliers (IMH) ***
château d'Artiges
château d'Artigny (photos) ***
château d'Artron
château des Aubiers
château de l'Augerie
château d'Aulnay (photos)
château d'Auxances (IMH) ***
château d'Avanton (IMH) ***
château d'Ayron (IMH) (photos) ***
château des Bablinières
château de Badevillain
château du Bagneau
château de Baillant ***
château de la Barbelinière (IMH) (photos)
château des Bariollières (photos)
château de la Barre
château de Baslou
château du Bas Peu (IMH)
château de Bataillé (IMH)
château de la Bâtie (IMH)
château de Baudiment (photos)
château de la Baudinière (IMH)
château de la Baumière
château de Baussay ***
château de Beaufort (photos)
château de Beaumont
château de Beaupuy ***
château de Beauregard ***
château de Beaurepaire
château de Beauvais
château de Bellevue
château de la Bénêterie
château du Bergeault
château de Bernagout
château de Bernay (IMH)
château de Berrie (MH) (photos) ***
château de la Bertandinière
château de la Bertolière
château de Béruges
château de Bierson (IMH) ***
château de Billy
château du Bois
château du Bois Brault
château du Bois Coursier ***
château du Bois Doucet (MH) ***
château de Bois Garnault
château du Bois Goulu (photos)
château du Bois Gourmond (IMH) (photos)
château de Bois Morand (MH) ***
château du Bois Rogue (MH) (photos)
château de Bois Saint Pierre ***
château de la Boissière
château de Boivre ***
château de la Bonnetière (IMH) (photo) ***
château des Bonnetières
château de Bonnevaux
château de Bonnivet (IMH)
château de la Borde (photos)
château des Bords
château du Bost
château du Bouchet
château du Bouchet (photos)
château de la Boujatière
château du Bourg Joli (photo)
château de la Bourgeoisie
château de la Bournalière (IMH)
château de Bournand (photos) ***
château de la Bourrelière (photos)
château la Boussée d'Availles (IMH) (photos)
château de la Boutelaye
château de la Boutière (photos)
château de la Boutinière (photos)
château de Brassioux
château de la Braudière (photos)
château de la Braudière
château de Brault (photos)
château du Breuil
château du Breuil (IMH) ***
château de la Brillère
château de la Briouze ***
château de Brizay (photos)
château de la Brosse
château de la Brosse (IMH) (photo)
château de la Brulonnière ***
château de Busseroux ***
château de la Bussière
château de la Cadrie
château de la Canne
château de la Carrelière (photos)
château du Cèdre
château de Cellevezais
château de Cercigny (IMH)
château des Certeaux
château de Cervolet
château de la Chaise (IMH) (photos)
château de Chalais
château de Chambonneau (IMH) ***
château du Chambord (photos)
château de Chamousseau
château de Champagne
château la Chapelle Bellouin (IMH) (photos) ***
château du Charassé (photos)
château de Charrais
château du Charrault
château du Charreau de Boussec
château de la Chartreuse ***
château de châteauneuf
château de Châtellerault (photos) ***
château de la Chaume (photos)
château de Chaumont
château de Chaumeil
château de la Chauvetière
château de la Chaux
château de Chavenay
château du Ché
château de Chémerault ***
château de Chemouteau (photos)
château du Chêne (photos)
château de Cheneché (IMH) (photos) ***
château de Cherves (MH) ***
château de Chez Ragon
château de la Chèze (IMH)
château des Chezeaux (IMH) (photos)
château de Chincé
château de Chiré en Montreuil (IMH) ***
château des Chirons
château de Chitré (MH) (photos)
château de Chougnes
château de Cibioux (IMH) (photos) ***
château de la Cicardière
château de la Cigogne (IMH)
château de Cissé ***
château de Clairvaux (MH) (photos) ***
château des Clerbaudières
château du Cluzeau (IMH)
château de la Coincardière (IMH)
château de la Combe
château de la Commanderie
château de la Contour ***
château de Corbon (photos)
château de Corsec
château du Coteau
château des Cottets (photos)
château de Coudavid (photos)
château du Coudreau
château de Couhé
château de Coulombier
château de la Cour (IMH)
château de la Cour du Puy (photos)
château de Coussay (MH) (photos) ***
château Couvert (IMH) (photos) ***
château de Crémault (IMH) (photos) ***
château de Cursay ***
château de Curzay sur Vonne (IMH) ***
château de la Dallerie
château de Dissay (MH) (photos) ***
château de la Donalière
château de la Doubtière
château de la Durauderie
château des Eaux Melles
château d'Épanvilliers (IMH) (photos) ***
château de l'Epinay
château de l'Epine ***
château de l'Epine
château des Escorcières
château des Escuries
château de l'Estang
château d'Estrepieds
château d'Etables (IMH)
château de l'Etang
château d'Eternes ***
château de l'Etousière
château de Faljoie
château de Ferrière
château de la Feuilletrie
château de Feydeau
château du Fief Clairet (MH)
château de Fleuré
château de Flins
château de Fonmorond
château de la Fond (photos)
château de Fonsalmois
château de la Font ***
château de Font le Bon (photos)
château de la Font ***
château de la Fontaine
château des Fontaines
château de la Forêt
château de la Forge (MH) ***
château des Forges
château du Fort
château de Forzon
château de Fonsalmois
château du Fou (MH) (photos) ***
château de la Fouchardière
château de la Fougeraie
château de Fougeret (photos) ***
château de Fougerolles
château des Fouinières (photos) ***
château de Foussac (IMH)
château de Fréfoye
château de la Frissonnière
château de Frozes (photos)
château de la Fuye (photos)
château de la Fuye (IMH)
château de la Gabillère (photos)
château de Galmoisin (IMH) ***
château de la Gâtinalière (IMH) (photos) ***
château de la Genauraye
château de Genouillé
château de Genouillé
château de Gilles de Rais (IMH) (photos) ***
château de la Girardière (photos)
château des Graines Valdières
château du Grand Beauvoir ***
château de la Grand Cour (photos)
château de Grandmaison (IMH)
château de Grandmont ***
château du Grand Villiers
château de la Grange (photos) ***
château de la Grelandière (photos)
château de la Grenouillère
château de la Grève (IMH)
château de la Groie (IMH) (photos) ***
château des Groges
château de la Gruzalière
château du Gué
château de la Guérinière (MH)
château de Guignefolle
château de la Guillonnière
château de la Guittière (IMH) (photos)
château de Guron ***
château d'Harcourt (MH) (photos) ***
château du Haut Maulay (IMH)
château de la Haute Payre
château de la Haute Porte (photos) ***
château de l'Hermentin
château de la Jaille (IMH) (photos)
château de Jalnay ***
château de la Jarige
château de Jarrije
château de la Jautrudon
château des Jédeaux
château de Joussé (IMH) ***
château de Jutreau (IMH) (photos)
château de Labarom (IMH) (photos) ***
château de Laleu
château de la Lande ***
château de Lantray
château de la Laudonnière
château de Launay (photos)
château de Lauzon
château de Lavau (IMH)
château de Laverré ***
château de Lavoux Martin
château de Léray (IMH) (photos)
château de Leugny (IMH)
château de Limon
château de Lirec (IMH)
château de la Livraie ***
château du Lizon
château de Loche
château de la Londière
château de Lortet ***
château de Loubressay (IMH) (photos)
château de la Magdeleine (photos) ***
château de la Mailleterie (IMH) (photos) ***
château de la Maillollière (IMH)
château de Maison Neuve
château de la Maison Neuve (IMH) (photos)
château de Maison Neuve
château de Malaguet ***
château du Maraudeau
château de Marçay (IMH) ***
château de Marconnay
château de Marconnay (MH) ***
château de la Mare (photos) ***
château de Mareuil
château de Marieville (IMH) (photos) ***
château de Marit
château de Marmande (photos)
château de Marsugeau
château de Martigny
château des Martins (IMH)
château de la Massardière (MH) (photos)
château de Masseuil (IMH) (photos) ***
château de la Massotière
château de Maugué (photos)
château de Mauprévoir
château de Mauprié ***
château de la Maurinière
château de Mauroc
château de la Mauvinière (photos)
château de la Merveillère (photos) ***
château de la Messelière (IMH) ***
château de Messignac
château de Mezeaux
château de Mézieux
château de la Miléterie
château de la Minauderie (IMH) (photos)
château de Moiseau
château de Molante (photos)
château de Monchandy
château de Moncontour (MH) (photo) ***
château de la Mondie
château de Mondion (IMH) (photos) ***
château de la Montallerie (photos)
château de Montclair
château de Montcorbin
château de Monterban
château de Monthoiron (IMH) (photos)
château de Montigny
château de Montléon
château de Montpensier (photos)
château de Montreuil Bonnin (MH) ***
château du Mont Saint Savin
château de Monts (MH) (photos) ***
château de la Moralière (IMH) (photos)
château de la Morcière
château de Morton (photos)
château de la Mothe
château de la Mothe (IMH)
château de la Mothe (IMH) ***
château de la Mothe Bureau ***
château de la Mothe Chandeniers (photos)
château de la Mothe en Poitou (photos) ***
château de la Motte Chalandray (MH) ***
château de la Motte (IMH) (photos) ***
château de la Motte Comtais
château de la Motte-Messemé (photos)
château de la Motte
château du Moulin
château de Moulins (photos)
château des Moulins
château de Moussais (photos)
château du Murault
château de Naintré (IMH) (photos)
château de Nalliers
château des Niallières ***
château de Nué ***
château d'Oranville
château des Ormeaux (photos)
château des Ormes (MH) ***
château d'Ouzilly
château du Pas
château de Pas de Loup ***
château de la Pasquerie (photos) ***
château de Périgny ***
château de la Périnière
château du Peu
château du Peu bas
château du Peu Gauvin
château de Peuchault
château de la Philippière
château de Picol ***
château de la Pilatière
château des Piliers
château de Piloué ***
château du Pin (IMH) ***
château du Pin
château de Pindray (photos)
château de Piolant (photos) ***
château de la Plaine (photos)
château du Plan
château de la Planche
château de la Planche (IMH) (photos)
château de la Plante (photos) ***
château de Pleumartin
château du Poiron
château de Poiron
château de Poitiers
château du Portail
château du Porteau
château de Pouançay (photos)
château de Poué
château du Pouët (photos)
château de la Poupardière
château de Prémarie
château de Puirajoux (photos)
château de Purnon (IMH) (photos)
château de Puy d'Arçay
château de Puy Ferrier
château de Puychevrier (photo)
château de Puygarreau (IMH) (photos) ***
château de Puygirault ***
château de Puysebert
château des Quatre Vents
château de Rabaté
château de la Raffinière
château de la Ragondillière
château de Ranton ***
château de la Raudière
château de la Réauté (IMH)
château de Regnier
château de Remeneuil (photos)
château de la Reinière ***
château de la Ribaudière (photos) ***
château de Richemont
château de la Rigaudière du Fan (IMH)
château du Ris Chazerat ***
château de la Rivière
château de la Rivière au Chiray
château des Robinières (IMH) (photos) ***
château de la Roche ***
château de la Roche Amenon (IMH) (photos)
château de la Roche de Bran
château de la Roche-Gençay (IMH) (photo) ***
château de la Roche à Gué
château de la Roche du Maine (MH) (photos)
château de la Roche Marteau (IMH) ***
château de la Roche d'Orillac (IMH) (photos)
château de la Roche Vernaize
château de Rochefort (IMH) ***
château de Rochemaux (IMH) (photo)
château de la Rochère
château des Roches
château des Roches
château des Roches (photos) ***
château des Roches (MH)
château de Roquillon
château de Rocreuse
château de la Ronde
château de Rouhet (IMH) (photos)
château des Roussières
château de Rouvraye (IMH) ***
château de Ry (photos)
château de la Sablonnière
château des Sablonnières
château de Saint Benoit
château de Saint Bonnet (photos)
château de Saint Cassien (IMH)
château de Saint Julien l'Ars (IMH)
château de Saint Martin l'Ars
château de Saint Paixent
château de Saint Pierre (photos)
château de Saint Savin ***
château de Saint Sulpice
château de Saint Ustre ***
château de Saires (photos)
château de la Salle
château de Salvert
château de Sarzec
château de Sautonne (IMH) ***
château de Savigny
château de Savigny sous Faye (photos) ***
château de Sceaux
château de la Séguinière
château de Sommière du Clain (IMH) ***
château du Souci (photos)
château des Sources
château de la Talbardière (photos) ***
château de la Tapotière
château de la Taupanne
château de Ternay (IMH) (photos) ***
château du Theil aux Moines (photos)
château du Theil au Servant
château de Thenet
château de Thuré (photos)
château du Tillou (IMH (photos)
château de la Touche
château de la Touche (photos)
château de la Touche (photos)
château de la Touche (photos) ***
château de la Touche (photos)
château de la Touche Barrault
château de la Touche aux Preux
château des Touches (photos) ***
château de Touffou (MH) (photos) ***
château de la Tour du Breuil
château de la Tour Girard
château de la Tour d'Oyré (IMH) (photos) ***
château de la Tour de Ry (MH) (photos)
château de la Tour de Signy (IMH)
château de la Tourette
château de Tournepoële (photos)
château des Tours Mirandes
château de Traineau les Bois
château de Tréguel ***
château de la Troussaye (photos)
château du Turrault
château de Tussac
château d'Usson du Poitou
château de la Vacherie
château de Valcreuse (photos) ***
château de Valdivienne
château de Valence
château de la Valette (IMH)
château de Vangely
château des Varennes
château de Vaucour (IMH) ***
château de Vaumoret (IMH) ***
château de Vaurais
château des Vaux
château de Vayres (MH (photos) ***
château des Velours
château du Verger
château du Verger
château de Verneuil
château de Vernon ***
château de Verrières (IMH) (photos) ***
château de Verrières
château de la Vervolière (MH) (photos) ***
château des Vieilles vignes
châteaux du Vigeant
château de la Vigerie
châteaux du Vigneau
château de la Villa Margueriete (photos)
château de Vilaines (photos) ***
château de Villars
château de Villemort (photos)
château de Villenon (IMH) ***
château de Villiers (photos)
château de Visais
château de Vounant ***
château de la Voux Martin
château d'Yversay (IMH) ***
châteaux-Forts Communes Epoques, précisions et éléments protégés
château fort d'Angles sur l'Anglin (MH) (photos)
château fort de Bourg Archambault (MH) ***
château fort de Champeau
château fort de château Larcher (IMH) (photos)
château fort de Curçay sur Dive
château fort Evêques de Poitiers (MH) (photos)
château fort de Furigny (IMH) (photos) ***
château fort de Gençay (MH) (photos) ***
château fort de Gouzon (MH) (photos) ***
château fort du Haut Clairvaux (MH) (photos) ***
château fort de Lenest
château fort de Loudun (MH) (photos) ***
château fort de Lusignan
château fort de Lussac (IMH) ***
château fort de Montfaucon (IMH) (photos)
château fort de Montmorillon
château fort de Morthemer (IMH) (photos)
château fort de Nouaillé
château fort de Pruniers (IMH) (photos) ***
château fort de La Roche Posay (photos) ***
château fort de Targé (IMH) (photos) ***
château fort de la Tour
château fort de la Tour aux Cognons (IMH)
château fort de la Tour Savary
château fort de Valençay (IMH) (photos)
château fort de Vivonne
commanderie d'Auzon (MH)
commanderie de la Foucaudière (MH)
commanderie Gaillard (IMH)
Commanderie de Lavausseau (IMH) (photo)
ferme fortifiée de Paimparé (photos)
hôtel des Sibylles (MH)
relais de poste des Ormes (MH) (photos)
Tour d'Ardenne (IMH) (photos)
Tour de Beaumont (photos)
Tour dite de Guyenne (IMH) (photos)
Tour de Viliers Boivin
I took this from the Gatwick Express train on our way back home. It was interesting to learn about the redevelopment of Battersea. See below for a description of the project.
From New York Magazine
Written by: Justin Davidson
nymag.com/intelligencer/2019/10/review-of-the-redeveloped...
“If you were going to anoint a single great temple to the deity of fossil fuel, you might choose the Battersea Power Station, just across the Thames from some of the costliest real estate in London. From the 1930s through the ’70s, it sucked up coal and pumped out electricity. Now it’s burning through £9 billion ($11.5 billion) in the hope of generating much, much more, and that process of transformation is an awesome, troubling thing to behold. Bristling with cranes, it hulks over the river like some rough beast, slouching toward Westminster. Londoners know it from a distance — the quartet of chimneys jabbing at clouds, its mountainous brick bulk — but few have been inside. That will soon change, along with everything else about it.
I recently toured the construction site with Sebastien Ricard, an architect at the firm Wilkinson Eyre who is in charge of disemboweling, shoring up, and rebuilding the structure for use as a zone of white-collar lifestyle and work. Even when I stand inside the shell, the great fluted columns of the turbine hall rising toward a distant ceiling, the scale of the place is hard to fathom. One of the two boiler houses is filled with an impenetrable thicket of scaffolding. In the other, fresh armatures of concrete and steel have grown up beneath a new roof. Not long ago, Battersea Power Station was a ruin, left exposed by a developer who went bankrupt before he made good on a plan for an open-air amusement park. For years, only the rain and the odd nocturnal creature penetrated the decaying interiors.
Now, money is flowing again, thanks to a consortium of the Malaysian development group Setia, Sime Darby Property, and Employees Provident Fund. Ricard points out a vast slab of raw concrete that one day will host cocktail parties, with expansive views onto the Thames. Beyond, an undergrowth of apartment blocks is already growing around the outer walls, supplemented by an esplanade, a riverboat stop, and a couple of still-quiet cafés. Leisure is on the move.
There’s something simultaneously exciting, a little sad, and bracingly preposterous about the rehabilitation: exciting because the project brings fresh life to a central city tract that has been forlorn for a couple of generations; sad because that life consists of a narrow and familiar set of ways to make and spend money. Preposterous because the task of converting a huge machine for the postindustrial era means treating it as a precious relic. To satisfy Historic England, the body that oversees “listed” buildings, the developers had to demolish and rebuild four of those graceful but useless smokestacks, match thousands of damaged tiles, and order a million hand-made bricks from the same workshops that furnished the originals. It’s a multibillion-dollar fixer-upper.
The largest brick building in Europe, it inspired awe in the kingdom of energy. The architect was Giles Gilbert Scott, who brought a classicizing finesse to tough utilitarian structures like the Bankside Power Station that later became Tate Modern, and the U.K.’s famous red telephone booth. (The booth has an exquisite architectural pedigree: It’s based on the 19th-century architect Sir John Soane’s mausoleum, which in turn got its characteristic shallow dome from the breakfast room in Soane’s own house.) As if to guard against inevitable obsolescence, Scott encrusted the Battersea colossus with Art Deco flourishes, including the opulent control room with coffered ceilings. (In the next incarnation, that will become an event space.)
The power station burned a million tons of coal a year, hewn from the ground under Northumberland and Wales, hauled by train or loaded on barges, and transferred from a jetty on the Thames. When the facility was first proposed, Londoners objected to the idea of spitting so much coal smoke into the air of their city center. Not to worry, the journal Nature chirped in 1932: Recent technological advances had “proved conclusively that the emission of sulphur fumes can be reduced to a negligible quantity.” That was partly true: An innovative process scrubbed the gases of their most noxious ingredients by “washing” them with water — which was then dumped into the Thames. Keeping the lights on amounted to a choice between visibly poisoning the air and invisibly poisoning the river. Eventually, though, coal did both. In 1952, a thick cloud laden with toxins settled over London, and by the time it dissipated five days later, it had killed 12,000 people. Battersea’s B section was still under construction.
It was the album cover of Pink Floyd’s 1977 album Animals that gave the almost-retired plant a global profile and a reputation for mayhem that continued through rock concerts, festivals, and raves. (Algie, the inflatable pink pig tethered to one of the chimneys for the photo shoot, broke free and soared into the Heathrow Airport flight path; police helicopters chased it for miles until it alighted in a field in Kent.) The powerhouse glowered over the banks of the Thames, but it loomed even more impressively in the lives of commuters, who passed its great brick cliffs on the train just before pulling into Victoria Station. “It looked like a gate, or a castle,” says the aptly named Peter Watts in his book Up in Smoke: the Failed Dreams of Battersea Power Station. “When it came into view, that was the moment you were entering the city, which was always so much more exciting than whatever town in Surrey you were coming from. It looked primal and permanent. I fantasize that at the end of days, everything else will be gone and the power station will remain.”
And yet the apparently eternal hulk was supremely fragile. In 2004, it cropped up on the World Monuments Fund’s endangered list. Dozens of schemes, each more grandly harebrained than the last, were rolled out, threatening various combinations of rescue and destruction. The New York–based architect Rafael Viñoly contributed several idas: A decade ago, a group of Irish developers hired him to design a new ostensibly “clean” power plant tucked below ground and topped with a new 1,000-foot chimney, next to an office park that would have been covered by a plastic “eco-dome.” That dream went the way of so many others in the 2008 financial crisis. Later, the Chelsea Football Club recruited Viñoly to design a soccer stadium there, though what he really wanted was a concert hall. The architect Terry Farrell suggested stripping the carcass down to four chimneys and two walls and enshrining it in parkland as an immense, evocative ruin. That proposal addressed the central conundrum of its redevelopment. Preserving the structure’s mysterious isolation, its sheer brooding strangeness, meant leaving the land around it vacant or, at most, scattering it with low-rise buildings the way a medieval village huddles around its cathedral. But builders don’t make money by not building, and the quantities of cash needed to preserve the thing, never mind reinvigorate the area, were inconceivably enormous. By 2014, the station was back on the WMF’s watch list again.
When Setia and its partners landed the site, Viñoly returned, this time with a plan that wrapped the brick monolith in glass apartment complexes (one designed by Frank Gehry, another by Norman Foster), close-cropped lawns, and fountains with the usual dancing jets of water. A year and a half from now, a new Northern Line Underground stop will stitch a long-inaccessible area back into Central London.
The power station itself will contain an immense indoor shopping center and rentable party spaces, topped by crow’s-nest penthouses. Apple has scooped up most of the offices that will crown the structure. Wilkinson Eyre’s design reclaims the site’s history and smooths it over at the same time, inserting an elegantly generic lattice of black steel, glass walls, and airy voids. Where once generators roared, now milk will be foamed, code written, and brand identities polished.
One detail captures the ethos of spectacular silliness that pervades almost every huge development project these days: a sightseeing elevator that glides up through one of the pristine chimneys and pops out the top, giving passengers a quick 360-degree vista, before dropping back inside. Let’s hope that a metamorphosis on this imperial scale yields something more solid and meaningful than a soap bubble with a view. Still, if this all seems more like a default option than a thrilling destiny, consider the imaginative alternatives that failed because of the site’s sheer scale and the possible squandered fortunes. The current future isn’t ideal, but it’s probably the least bad solution — far better than just letting the whole thing collapse into a disconsolate pile of rubble.”
Source: New York Magazine
Water Fountain and Flowers grace this historic building with Fall Foliage in the background, Aspen, Colorado.
When the Wheeler Opera House first opened its doors to theatergoers on April 23, 1889, the building symbolized prestige, progress and culture for the citizens of Aspen. Only ten years earlier, the first pioneer prospectors had come over the continental divide from Leadville and into the Roaring Fork Valley. Soon Aspen boomed from a muddy camp with three prospectors into a town with brick and stone businesses and an opera house that was among the largest, most-substantial and best-furnished buildings.
From the start of construction in 1888 to the end of World War II, the Wheeler Opera House saw good times, dark times, and quiet times. Construction on the Wheeler Block begun in early June 1888 by Jerome Byron Wheeler. Wheeler had already made his name in Aspen history as the man who finally completed a working smelter for reduction of silver ore, finally making silver mining profitable and realizing the dream of Aspen's many mine-holding interests. Designed as an urban, multi-use building, the Wheeler Opera House was to reflect Aspen's meteoric growth during the 1880s into a full-fledged city. Its basement was to house a barber shop and storage space; the main floor a large clothing store, bank and ticket booth; the second floor six offices; and the third floor, the opera house.
As stone cutters worked at "dressing up the corners" of the building, townspeople noticed that the east wall looked strange, with an apparent concavity. During the rebuilding of that wall, as a swinging scaffold twenty-five feet above the sidewalk gave way, four workmen fell. As a result of this accident, an editorial in the Aspen Daily Times started a campaign to build Aspen's first hospital, which was completed in September 1891.
The opening of the Wheeler on April 23, 1889, was hailed as "one of the most notable events in the history of Aspen's most eventful year." Every seat in the house was sold as first-nighters in full dress took their places. Shortly after eight o'clock the curtain was raised and the big, glamorous, and elegantly costumed Conried Company presented a comic opera, The King's Fool. When the performance ended, celebrations of the theater opening continued through the night.
To reach the auditorium of the Wheeler, patrons used the main entrance on Hyman Avenue. The ticket office was located on the ground floor under the wide stairway, which was finished with a highly-polished wood balustrade. On the third floor at the top of the stairs was the ladies retiring room and cloakroom adjoining the auditorium. Modern and dazzling lighting equipment enhanced the house. The chandelier, a work of art, was suspended for the handsomely frescoed ceiling by a wire rope. This chandelier was the crowning glory of the house, hand-made of hammered brass, trimmed with silver and set with three dozen incandescent lights, each with an opalescent shade, flaring out at the end in the form of a flower. The sloped floor and padded seats permitted visual and physical comfort. The splendid surroundings of fine woodwork, elegant draperies and frescoed walls all superbly lighted by the handsome chandelier created an aesthetic atmosphere to remove patrons for the work-a-day world of the mining town.
The Wheeler stage offered what a modern city theater of the time might have had: eight dressing rooms, the finest obtainable scenery produced by professionals, the very latest lighting equipment and appliances and, finally, a technician to handle the equipment and build any new stage mechanism needed.
The famous "Olio" curtain, a representation of the Brooklyn Bridge, was designed by two New Yorkers, world famous for their scenic art, and painted by no less than Chicago's opera house scene painter Burke. It pictured not only the bridge and the East River, but ships from over the world.
With the opening of the opera house, Aspen became part of what was known as the Silver Circuit - mining towns that drew big-name entertainment. Offerings at the Wheeler from 1889 through early 1894 included traveling companies that brought Shakespeare, minstrels, vaudeville, comic opera, extravaganza, burlesque, melodrama, concerts, lecturers, and even boxers. Home talent performers presented concerts, musical programs, and some plays and operettas.
The glory days of the Wheeler Opera House were short-lived. With the demonetizing of silver in 1893, the Wheeler became a place of town meetings and benefits for a city that was struggling to survive in a world that had deemed silver worthless.
Although the Wheeler didn't close, it made little news until 1912 when two fires ripped through the three-story building in one week, gutting the opera house. The first fire occurred after a moving picture show at 10:30 p.m. on November 12, presumably caused by defective electric wiring.
The second fire, attributed to arson, occurred only nine days after the first. It was devastating. The ¾" headline of the town paper exclaimed, "Fiendish Firebugs Again Rampant in Our City, Wheeler Opera House Partially Destroyed, the Prettiest Little Structure of Its Kind Between Pueblo and Salt Lake City is Sacrificed to the Venom of a Degenerate Unfit to Remain Upon Earth."
The fire was actually started in three places; in or near the box seats; among the scenery on the stage; and in the locked ushers' room, originally the ladies' retiring room. It was discovered a few minutes past 2am and the Fire Department did not have it controlled until 4am. On stage a chimney effect developed due to the unfortunate positioning of a skylight directly above the stage. Flames were pulled upwards through all the sets and scenery and then spread out over the auditorium into the attic between the roof and ceiling. The heavy timber trusses became charred, but remained structurally sound. The auditorium ceiling's wooden lath burned next and the plaster, having lost its support, fell in chunks covering the specially fabricated opera chairs. Heat became so intense that the steel support cable for the beautiful electric chandelier melted and it too came crashing down.
The Wheeler had a special place in the hearts of Aspenites and its destruction was particularly lamented by the town newspapers:
"It makes one almost sick to go through the main entrance, the door through which all of us have passed so many times to be amused and to enjoy a few happy hours. May the Lord help the one who started the fire in this magnificent structure - the people of Aspen won't, that is sure." - November 22, 1912 Aspen Democrat Times
After the fires, the opera house sat vacant. To stop the vandalism and protect the public, the space was closed off from the rest of the building. The street-level spaces, mostly undamaged, continued to be occupied by local businesses. But the laughter and applause of an audience didn't ring through that third floor again until more than 30 years later.
Wheeler 1930'sDuring the Wheeler's dark decades, the children of Aspen used it as their playground. One of Glenn Beck's fondest memories of childhood, was playing in the Wheeler Opera House. The top-floor windows were broken out. And flocks of pigeons lived up in the theater. "We could go up the back stairway of the store and finally crawl out right under the stage. We played cops and robbers. There was a rope from the top of the ceiling. We could get on the balcony and swing clear over the stage. It was a long way across."
In June 1946, the Aspen Company leased the opera house and other unrented portions of the Wheeler building from the City with the required intention to improve and repair the building. It had "fallen into disrepair and (was) rapidly deteriorating due to the financial inability of the City of Aspen."
Lilian Gish 1984Elizabeth Paepcke, often cited as the "matriarch of modern Aspen" and, with her husband Walter, a major force behind the town's renaissance as a cultural center, decided that the opera house must be restored. But this renovation did not even attempt to recapture the grandeur of the original. "The seats were plain wooden benches," says Jim Markalunas, "and you had to watch where you sat because of pigeon droppings."
Over the years, the improvements continued on a piecemeal basis. Around 1960, seats were put in and the walls became a rich red with stenciled gold fleurs de lis. Elizabeth Paepcke bought a crystal chandelier to replace the one lost in the fires of 1912. Through the 1960s and '70s, the Wheeler was used mostly as a movie house. By the late '70s the City of Aspen, which had acquired the building for back taxes during the early part of the century, started to grapple with the question of whether to sell or renovate the theater. The council decided on renovation. A committee was appointed to explore how the job should be done, and finally an election was held and voters were asked to approve a real estate transfer tax that would fund the restoration and pay the theater's maintenance and operating costs. The tax was approved by the voters in 1979. The $4.5 million restoration was completed in 1984.
The Wheeler Opera House reopened with a Gala Public Opening on Friday, May 25, 1984 with a performance of George Bernard Shaw's Arms and the Man. The following night featured a modern dance program by Moses Pendleton, a founder of the Pilobolus Dance Company, who was hailed as one of the country's most innovative choreographers. Sometime-Aspenites James Levine, conductor and director of the Metropolitan Opera, and Lynn Harrell, internationally renowned cellist, played a special concert on Sunday, with Levine on piano and Harrell on cello. The gala concluded with a salute to the silent film, The Wind, which stared Lillian Gish. Miss Gish was on hand for the screening, with Denver ragtime and jazz pianist Hank Troy and violinist Becky Burchfield accompanying the silent film.
Some of the names that have graced the Wheeler's intimate stage since the 1984 opening include: Harry Connick Jr., Lily Tomlin (she workshopped her Broadway show "Signs Of Intelligent Life" over the course of many weeks here!), The Eagles (twice), Lyle Lovett (too many times to count), Jewel, Sugar Ray, INXS, George Carlin, Dave Chappelle, Sheryl Crow, Tony Bennett, Faith Hill, Burt Bacharach, Bernadette Peters, Linda Eder, Art Garfunkel, the PBS shows "A Prairie Home Companion" and "Wait Wait ... Don't Tell Me!", Pat Metheny & Brad Mehldau, Linda Ronstadt, James Taylor, and of course Aspen's own adopted son John Denver (and whose life is still celebrated here every October).
Twenty four years after its latest renovation the Wheeler continues to serve Aspen as a world class theater, performance venue and town meeting place and is still considered not only the crown jewel of the town, but indeed the art and soul of Aspen.
Studio moving sale deal of the day! $100
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DOLLHOLIC 💀💀💀 EVENT (Part II)
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ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.
Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.
Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.
Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.
Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.
----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
www.wolfiewolfgang.com/2011/08/worthings-art-deco-beach-h...
This image has been taken and put on this web site with out my permission
Worthing Pier, West Sussex
Worthing Pier - The pier neck stretches away from the shoreward end pavilion Designed by Sir Robert Rawlinson and commissioned by the Worthing Pier Company, the first pile of Worthing Pier was driven 6ft (1.8m) into the chalk seabed on 4th July 1861. Opening some 10 months later on 12th April 1862 Worthing Pier consisted simply of a 960ft (291m) long by 15ft (4.6m) wide promenade deck, with a landing stage at the seaward end. Although very popular from the start, both with locals and visitors, entertainment wasn't considered until 1874 when a 9-piece orchestra was engaged to play for three hours a day 'weather permitting'. Some years later, in 1881, a German band from the Rhine was contracted to play daily and conditions were improved for the audience and band alike with the construction of two shelters.
In 1888 substantial improvements were made at a cost of £12,000. The pier neck was increased from 15ft (4.6m) to 30ft (9.2m) and the head was increased to 105ft (32m) to facilitate the construction of a 650-seater pavilion. Two new kiosks, one for tolls and one a bazaar, replaced the previous central tollgate. Viscount Hampden duly opened the revitalised Worthing Pier on 1st July 1889. Worthing's popularity grew and soon the resort was playing host to busy steamer traffic. This was not without its problems though, the shallow depth of water at low tide seriously hampering schedules. An extension was proposed, but almost immediately abandoned after engineers reported that even if the length of Worthing Pier were doubled, the depth would only increase a further 6ft (1.8m).
As is often the case with piers, disaster was to strike and on Easter Monday 1913 gale force seas once again proved how vulnerable man's structures can be. A hardy audience of about 30 had braved the weather and settled down to a programme of light music by the McWhirter Quintet in the pavilion. With the storm's ever-increasing ferocity, the audience and band members finally decided that enough was enough. Clutching their possessions, they hastily made their way to the relative safety of the promenade, where a large group of onlookers had started to gather. At around midnight Worthing Pier could not take anymore and in one violent moment the wooden neck of the pier collapsed into the sea leaving the pavilion isolated, later to be affectionately named 'Easter Island'. Over a year later on 29th May 1914 the repaired Worthing Pier was re-opened by the Lord Mayor of London.
The Worthing Corporation purchased the pier for £18,978, in 1920. Several years later improvements were made that included extensive repair work to the existing structure and the construction of a new shoreward end pavilion designed by Adshead & Ramsey. Opening on 26th June 1926, having cost the Corporation £40,000, the 1,000 seat pavilion was to become the permanent home for the Worthing Municipal Orchestra, one of the earliest, full time, all-year-round orchestra's at a seaside resort.
The final remnant of the 1888 Worthing Pier was to disappear on 10th September 1933 when a blaze destroyed the seaward end pavilion. Hundreds of trippers, many still in their bathing costumes, assisted fire crews in trying to stop the blaze spreading along the pier neck, by ripping up the timber decking with crowbars and pickaxes. The pavilion was replaced two years later at a cost of £18,000. In addition a central amusement pavilion was opened midway along the neck in 1937, and windshields were erected down the piers length.
Worthing Pier was sectioned in 1940 for fear of German invasion after the retreat at Dunkirk. The shoreward end pavilion was adapted as a recreation centre for troops, providing concert parties and cinema shows. The pier pavilion re-opened in June 1946 but a shortage of materials meant the remainder of Worthing Pier remained closed until April 1949. In March 1958 the shoreward end pavilion was refurbished and in 1959 the adjacent Denton Lounge was added. In 1963 an information kiosk at the shoreward end caused considerable local controversy as its style was not in keeping with the other buildings. The shoreward end buildings were closed between 1979 and 1982, as major restoration work on the substructure was required.
Worthing Pier is still owned by the Worthing Corporation and several new developments are in the pipeline including a covered walkway and improvements to the seaward end pavilion.
el.kingdomsalvation.org/videos/God-Himself-vii-part-three...
Παντοδύναμος Θεός λέει: «Πρώτον, όταν ο Θεός δημιούργησε τα πάντα, έθεσε όρια για τα βουνά, τις πεδιάδες, τις ερήμους, τους λόφους, τα ποτάμια και τις λίμνες. Στη γη υπάρχουν βουνά, πεδιάδες, έρημοι, λόφοι, καθώς επίσης και διάφοροι υδάτινοι όγκοι. Δεν είναι διαφορετικά εδάφη αυτά; Ο Θεός έθεσε όρια ανάμεσα σε όλα αυτά τα διαφορετικά είδη εδάφους. Όταν μιλάμε για οριοθέτηση, αυτό σημαίνει ότι τα βουνά έχουν τα όριά τους, οι πεδιάδες έχουν τη δική τους οριοθέτηση, οι έρημοι έχουν ένα συγκεκριμένο πεδίο και οι λόφοι έχουν μια συγκεκριμένη έκταση. Υπάρχει επίσης μια συγκεκριμένη ποσότητα υδάτινων όγκων, όπως είναι τα ποτάμια και οι λίμνες. Αυτό σημαίνει ότι όταν ο Θεός δημιούργησε τα πάντα, διαίρεσε τα πάντα ξεκάθαρα. Ο Θεός έχει ήδη καθορίσει πόσα χιλιόμετρα είναι η ακτίνα ενός βουνού και ποιο το πεδίο της. Έχει επίσης καθορίσει πόσα χιλιόμετρα είναι η ακτίνα μιας πεδιάδας και ποιο το πεδίο της. Όταν δημιούργησε τα πάντα, Αυτός επίσης καθόρισε το πεδίο της ερήμου, καθώς και το πεδίο των λόφων και τις διαστάσεις τους, και με τι συνορεύουν. Αυτός τα καθόρισε όλα αυτά. Καθόρισε το πεδίο των ποταμών και των λιμνών όταν τα δημιουργούσε. Όλα έχουν τα όριά τους. Οπότε, τι σημαίνει όταν λέμε «όρια»; Μόλις μιλήσαμε για τον τρόπο που με τη διακυβέρνηση των πάντων από τον Θεό θεσπίζονται νόμοι για όλα τα όντα. Αυτό σημαίνει ότι το πεδίο και τα όρια των βουνών δεν θα επεκταθούν ούτε θα μειωθούν λόγω της περιστροφής της γης ή με το πέρασμα του χρόνου. Αυτό είναι καθορισμένο. Αυτή η έννοια του «καθορισμένου» είναι η διακυβέρνηση του Θεού. Όσον αφορά την έκταση των πεδιάδων, το πεδίο τους, την οριοθέτησή τους, αυτό έχει καθοριστεί από τον Θεό. ...»
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www.kingdomsalvation.org/ru/God-s-love-draws-me-back.html
Христианские свидетельства | Я вижу насквозь ложь КПК, и Божья любовь возвращает меня к Нему
Кэму (Южная Корея)
«Еще раз тебе говорю — больше не рассказывай мне эту чушь о Боге, и отныне тебе запрещено иметь дело с этими верующими. Если я увижу, что ты снова связалась с ними, я тебе телефон разобью!»
«Зачем? Зачем ты препятствуешь мне в моей вере?» — спросила меня жена, во взгляде ее было замешательство.
«Зачем? Да для твоего же блага и для блага нашей семьи. Разве ты не знаешь, что Компартия Китая всерьез развернула наступление на Церковь Всемогущего Бога и пытается запретить ее? Или ты не знаешь о преступлении в уезде Чжаоюань 28 мая 2014 года? В интернете утверждают, что Чжан Лидун, главный обвиняемый в этом деле, был членом Церкви Всемогущего Бога. Если будешь ходить на встречи с этими людьми, ты просто подвергнешь себя серьезной опасности!»
Жена решительно ответила: «Чжан Лидун и те другие не были связаны с Церковью Всемогущего Бога — нельзя же верить всему, что говорят в интернете. Я общаюсь с братьями и сестрами из Церкви Всемогущего Бога в течение двух или трех месяцев и увидела, что все они — порядочные люди, добрые и искренние по отношению к другим. Когда у кого-то бывают проблемы, они помогают друг другу, и это совсем не похоже на то, что говорят в интернете».
…
Рекомендации по теме:
Евангелие царствия | Верить слухам – значит потерять Божье спасение последних дней
Image Source: Церковь Всемогущего Бога
Terms of Use: www.kingdomsalvation.org/ru/disclaimer.html
Εισαγωγή
χριστιανική ταινία «Λαχτάρα» Ο Θεός αποκαλύπτει το μυστήριο της βασιλείας των ουρανών
Πριν από δύο χιλιάδες χρόνια, ο Κύριος Ιησούςυποσχέθηκε στους πιστούς του: «υπάγω να σας ετοιμάσω τόπον· και αφού υπάγω και σας ετοιμάσω τόπον, πάλιν έρχομαι και θέλω σας παραλάβει προς εμαυτόν, διά να είσθε και σεις, όπου είμαι εγώ.» (Κατά Ιωάννην, 14:2-3). Λόγω αυτού, γενιές πιστών επιμένουν πεισματικά να ελπίζουν και να προσεύχονται για την εκπλήρωση της υπόσχεσης του Κυρίου. Ελπίζουν και προσεύχονται ότι θα αρπαγούν στους ουρανούς για να συναντήσουν τον Κύριο και να μπουν στη βασιλεία των ουρανών, όταν έρθει ο Κύριος. Αυτό περιγράφει και τον πρωταγωνιστή της ταινίας, Τσεν Σιάνγκ-Γκουάνγκ. Είναι ενθουσιώδης αναζητών, διαδίδει το Ευαγγέλιο και γίνεται μάρτυρας στον Κύριο, για να υποδεχτεί την έλευση του Κυρίου. Αν και απολύθηκε από τη θέση του σε ένα σχολείο και η οικογένειά του δεν του δείχνει κατανόηση, στην καρδιά του ποτέ δεν απελπίζεται. Μια μέρα, σε κάποια συνάντηση, ο Τσεν Σιάνγκ-Γκουάνγκ συλλαμβάνεται και φυλακίζεται από την κινέζικη κομμουνιστική κυβέρνηση. Κάτω από τη θαυμαστή εξουσία και τα σχέδια του Θεού, γνωρίζει τον Ζάο Ζιμίνγκ, έναν Χριστιανό από την Εκκλησία του Παντοδύναμου Θεού. Ο Ζάο Ζιμίνγκ του δίνει τη μαρτυρία του για την εμφάνιση και το έργο του Θεού τις έσχατες ημέρες, δίνοντας τέλος σε μια σειρά ετών γεμάτα αντιλήψεις και φαντασίες, στα οποία έλπιζε και προσευχόταν για την επιστροφή του Κυρίου. Βγαίνοντας από τη φυλακή, ο Τσεν Σιάνγκ-Γκουάνγκ οδηγεί τους αδελφούς και τις αδελφές του να ερευνήσουν το έργο του Παντοδύναμου Θεού τις έσχατες ημέρες. Τελικά, όλοι καταλαβαίνουν τι σημαίνει η αρπαγή στη Βασιλεία των Ουρανών, αν η βασιλεία είναι στη γη ή στον ουρανό και πώς πρέπει οι άνθρωποι να υποδεχτούν την επιστροφή του Κυρίου...
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
el.kingdomsalvation.org/videos/God-s-essence-truly-exists...
Εισαγωγή
Χριστιανικά τραγούδια | Η ουσία του Θεού υπάρχει πραγματικά
Ιησούς
Ι
Όσα κάνει ο Θεός, τα πολύ μικρά για ν' αναφερθούν,
τα ασήμαντα στα μάτια των ανθρώπων,
που στη σκέψη του ανθρώπου, ο Θεός ποτέ δεν θα έκανε,
αυτά τα πολύ μικρά, είναι που δείχνουν πραγματικά
την αυθεντικότητα και την αγάπη του Θεού.
Δεν κάνει επίδειξη,
η διάθεση κι η ουσία Του δεν έχουν υπερβολή,
μεταμφίεση ή αλαζονεία.
Ποτέ δεν καυχιέται κι αντίθετα με πίστη κι αλήθεια,
αγαπάει, νοιάζεται, καθοδηγεί τους ανθρώπους που έπλασε.
Η ουσία του Θεού δεν είναι ένα προσωπείο,
η αγάπη του Θεού δεν είναι ένα προσωπείο.
Η ουσία του Θεού υπάρχει, δεν έχει επινοηθεί από άλλους
και σίγουρα δεν αλλάζει με τις εποχές, τον τόπο, τον χρόνο.
Ύμνοι Χριστιανικοί
ΙΙ
Δεν έχει σημασία πόσο εκτιμούν,
ούτε πόσα αισθάνονται ή πόσα μπορούν να δουν,
είν' αλήθεια ότι ο Θεός τα κάνει όλα αυτά.
Είναι αλήθεια, ο Θεός τα κάνει όλα αυτά.
Η ουσία του Θεού δεν είναι ένα προσωπείο,
η αγάπη του Θεού δεν είναι ένα προσωπείο.
Η ουσία του Θεού υπάρχει, δεν έχει επινοηθεί από άλλους,
και σίγουρα δεν αλλάζει με τις εποχές, τον χρόνο, τον τόπο.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html
Source: www.autoworldmuseum.com/about.html
Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.
William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.
Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.
After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.
The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.
Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.