HTML photos on Flickr

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

curatorialprojects.brooklynrail.org

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

gabbyjaws.blogspot.com/2025/01/im-collectiondesigner-show...

Xanadu

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Dream Amsterdam Foundation

www.dreamamsterdam.nl

www.nikunja.org/xanadu

Universities and Associations that have joined the project

Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna

Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena

Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale

Bice Curiger Massimiliano Gioni

A Parliament for a Biennale

Paolo Baratta, President of la Biennale di Venezia

Okwui Enwezor the ARENA Karl Marx’s Das Kapital

Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara

Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

I.M COLLECTION@DESIGNER SHOWCASE ENDS JANUARY 20, 2025 by gabby.jaws

19 2

I.M. Collection Aspyn Coat

Fuzzy fur coat with coordinating scarf.

20 furry coat textures/20 scarf textures.

Fits: Maitreya/LaraX/Legacy/Perky/Reborn

I.M. Collection Fiona Boots

I.M. Collection Tindra Gown and Dress

Satin gown and short dress in celebration of Designer Showcase's 🎉14th🎉Anniversary.

25% off during the event.

20 satin textures for both the gown and the dress.

Fits:

Maitreya/LaraX/Legacy/Perky/Reborn

I.M. Collection Sindre Gown and Dress

Sparkle gown and dress for Designer Showcase's 🎉14th🎉Anniversay.

25% off at event.

20 sparkle textures for both the gown and the dress.

Fits: Maitreya/LaraX/Legacy/Perky/Reborn

Designer Showcase:

Taxi: maps.secondlife.com/secondlife/Whispering%20Angels/193/53...

Lel EvoX Avalon

LaraX

WINGS DG EF0403

ORSINI Jewel Care SANA earrings

Lyrium poses

NASA Visualization Explorer Now Available For All iOS Devices by NASA Goddard Space Flight Center

14

NASAViz Story Antarctica Exposed on the iPhone

Download the video here:

svs.gsfc.nasa.gov/vis/a010000/a011200/a011274/index.html

NASA Visualization Explorer Now Available For All iOS Devices

The popular NASA Visualization Explorer app, first launched for the iPad in July 2011, is now available for the iPhone and all devices running iOS 5.1+

A new universal version of the app is now available for download in the iTunes app store. Click here: svs.gsfc.nasa.gov/nasaviz/ to download the app

The app, which features the data visualization work of NASA's Scientific Visualization Studio, Earth Observatory and others, publishes two stories per week about the full range of NASA's astrophysics, planetary, heliophysics and Earth science missions.

Read more:

1.usa.gov/1h9Bkf0

Join the NASAViz Community on Facebook: www.facebook.com/NasaViz

Follow us @NASAViz: twitter.com/#!/nasaviz

NASA's Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

Credit: NASA/Goddard

NASA image use policy.

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

Follow us on Twitter

Like us on Facebook

Find us on Instagram

Cleveland Free Stamp by teacherholly

20 21

Information From: www.city.cleveland.oh.us/around_town/city_highlights/land...

One of the most controversial works of art displayed in the City of Cleveland is Oldenburg and van Bruggen’s Free Stamp. Located in Willard Park to the East of City Hall, this massive aluminum and planted steel sculpture is difficult to miss with its large red handle sprawling across the lawn and metal base sinking into the ground displaying the word “FREE” in backwards letters to passersby on Lakeside Avenue. Some people see the Free Stamp as an inspiring work of Pop Art that represents our liberty as American citizens and reflects our City’s industrial progress. Others view it as an eyesore that is inappropriate for a location at the heart of the City’s Civic Center. This debate has been going on since the piece was first commissioned in 1982 and still echoes throughout the City today.

Artists Claes Oldenburg and Coosje van Bruggen designed the Free Stamp at the request of Standard Oil and admit that it was one of the most difficult works of art they have ever created. The controversy began soon after Standard Oil was awarded permission to tear down the old Standard Oil of Ohio (SOHIO) building located on Public Square. As construction of the new building began, SOHIO decided that it wanted a fresh work of art to display outside its doors, directly across from one of the City’s historical landmarks, the Soldiers and Sailors Monument. After seeing the “pad” of land with which they had to work, Oldenburg and van Bruggen, who are famous for making large replicas of common objects such as spoons, ice cream cones, and bowling pins, proposed the idea of creating an enormous stamp.

The original design for the sculpture was an upright, self-inking stamp, with a red handle which looked like a giant exclamation point. The first design allowed access so that people could actually walk around inside the stamp, but management at SOHIO soon agreed that such a structure would require a lot of maintenance. The design was then restructured to look like a hand stamp on an ink pad. The question was then raised as to what word would be placed on the stamp. The artists wanted a word that would serve as a statement, like a one-word poem, but could also be found on a real office stamp. The physical dimension of the work was also a consideration as the diameters of the Free Stamp left room for only 4 letters. Van Bruggen suggested the word “Free” to represent liberty and independence and to make a positive statement in the heart of the City.

Just as construction on a revised design began, SOHIO underwent a change in management. The new managers did not like the idea of placing a massive piece of pop art on Public Square, especially a 50-foot stamp. Several opponents of the Free Stamp feared that the message conveyed by the work would invite jokes about the condition of Downtown Cleveland, which during the 1980s was in need of revitalization. SOHIO gave Oldenburg and van Bruggen the opportunity to relocate the stamp, but the artists did not want to move it. The location at Public Square added to the artistic expression of the work in a way other locations could not.

Production of the Stamp was halted for several years and pieces of it were placed in storage in Indiana. As BP America assumed management of SOHIO, executives wondered why the company was paying so much to house a huge stamp. Interest was renewed in the work of art and Mayor George Voinovich invited Oldenburg and van Bruggen to Cleveland in hopes of selecting another site to display their work. Although the Cleveland Museum of Art was considered, the artists wanted their work to be seen in the heart of Downtown and set their sights on Willard Park for its proximity to Public Square and because of its location to Cleveland’s government offices.

Placing the Free Stamp in Willard Park immediately drew opposition from Council President, George Forbes, who did not support the idea of the City of Cleveland accepting a rejected work of art and displaying it right outside of City Hall. Once again, the artists had chosen their location as part of their artistic statement and were unwilling to compromise their artistic integrity. This time, they threatened to destroy the work entirely if the City did not want to display it.

Before the artists could act on their threat, Election Day 1989 had passed and newly elected Mayor, Michael R. White, and Council President, Jay Westbrook, expressed their interest in this unique work. BP America finally decided that it would donate the Free Stamp as a gift to the City and offered to maintain it in its new location. City Council accepted this generous gift and the Free Stamp was brought out of storage and redesigned to accommodate its new space.

The lawn at Willard Park inspired Oldenburg and van Bruggen to alter the position of the Free Stamp so that it would lie on its side, as if it had toppled over on someone’s desk. Van Bruggen felt that the new design reflected the Free Stamp’s history as it was “flung” from Public Square only to “land” in Willard Park. Production on the Free Stamp resumed and it was brought to Cleveland in pieces to be assembled in its current spot.

The Free Stamp was officially inaugurated on November 15, 1991. The Dedication reads:

Free Stamp

Claes Oldenburg and Coosje Van Bruggen

1991- Planted Steel and Aluminum

Gift of BP America

To the City of Cleveland

Michael R. White- Mayor

Jay Westbrook- City Council President

Dedicated 11-15-1991

#004 Paris by night with Suzuki Ignis . Ultimate Specs. Modern Powertrain by Suzuki and Toyota optimated by eagle1effi

3 17

by Alan Parker Photos

Paris by night

#

I wish I was there

j'aimerais être là

ich wünschte ich wäre dort

Хотел бы я быть там

Vorrei essere lì

Me gustaría estar allí

#

www.ultimatespecs.com/de

Suzuki Ignis 2020 1.2 Smart Hybrid Technische Daten

(2020 - ) - Jahre 2020, 2021, 2022...

Leistungsgewicht : 10.1 kg/hp

Fuel System :

Multipoint Injection *

16V

●

Tempo 80: 3,2 Liter Verbrauch

Tempo 100: 4.3 Liter Verbrauch

TEMPO 120: 5,8 Liter Verbrauch
TEMPO 140: 7,2 LITER VERBRAUCH
TEMPO 160: 9,4 LITER VERBRAUCH
●

Verbrauch - Verbrauch nach WLTP sehr schnell:

6 L/100km

#

Verbrauch - Verbrauch nach WLTP langsam:

5.1 L/100km

Verbrauch - Verbrauch nach WLTP

kombiniert:

5.1 L/100km

Bauart : 16 Ventile

Turbo : Nein

Verdichtung : 13.0 zu 1

de.wikipedia.org/wiki/Verdichtungsverh%C3%A4ltnis

Das Verdichtungsverhältnis wurde im Laufe der Entwicklung von Verbrennungsmotoren immer weiter gesteigert.

Die allmähliche Steigerung der Verdichtung lag lange vor allem an der Kraftstoffrezeptur.

Heute sind Oktanzahlen bis 102 ROZ an der Tankstelle verfügbar.

Ältere Motoren haben tendenziell niedrigere Anforderungen an die Kraftstoffqualität, da die Kraftstoffqualität noch nicht so hoch war, als sie entwickelt wurden.

Auch die Gestalt des Brennraums und des Ansaugtrakts trägt zum Oktanzahlbedarf bei.

#

Multipoint Injection *

16V :

*Eine Bedingung für heutige hohe Verdichtungsverhältnisse ist die Direkteinspritzung und die Verwendung von Klopfsensoren.

Der Zeitpunkt und die Menge der Treibstoffzugabe wird hier exakt gesteuert, womit eine vorzeitige Zündung – und somit ein Klopfen – verhindert werden kann.

Moderne Motoren haben Klopfsensoren, die aufkommendes Klopfen erkennen. Sie können den Zündzeitpunkt an die Benzinqualität und an die Motoreigenschaften anpassen.

Bei höherem Verdichtungsverhältnis (genauer: Expansionsverhältnis) ist auch der thermische Wirkungsgrad höher.

ROZ 91 Normal Benzin

ROZ 95 - ROZ 100 - ROZ 102

de.wikipedia.org/wiki/Oktanzahl#ROZ

wirkt sich erst bei Vollgas (Volllast) positiv aus!

Beispiel würde eine Oktanzahl von ROZ = 95 (umgangssprachlich: 95 Oktan) eines Benzins bedeuten, dass dessen Klopffestigkeit einem Gemisch aus 95 Vol.-% Iso-oktan und 5 Vol.-% n-Heptan entspricht.

Iso-oktan ist klopffest und kann stark verdichtet werden, ohne dass es zur Selbstzündung kommt.

Beispielsweise kann der Oktanzahlbedarf eines Motors

bei Vollgas um 10 Oktanzahlen höher

liegen als im Leerlauf.

Man kann hier auch von einem Volllastbereich sprechen, vergleichbar mit einer sehr schnellen Autobahnfahrt.

Die Verwendung von oberhalb der Motorspezifikation liegenden Oktanzahlen bringt im Regelfall keine Vorteile.

Moderne Motoren mit elektronischer Kennfeldzündung

in Kombination mit Klopfsensoren können mit verschiedenen Oktanzahlen bei reduzierter Leistung gefahren werden.

#

SUZUKI Motorleistung : Powertrain optimiert by Toyota

Moderner Motore mit elektronischer Kennfeldzündung

83 PS or 82 bhp or 61 kW @ 6000 rpm

Drehmoment :

107 Nm or 78 lb.ft @ 2800 rpm

35 Nm Hybrid Antrieb: E-Boost

Verbrenner plus Hybrid E-Boost

Im kurzzeitigen E-Boost-Modus leistet das Suziki Ignis Topmodell 85 PS Systemleistung bei 142 Nm.

2020-er Modelle:
53 mpg: 5,33 l Verbrauch.

10 % better.
But much more expensive.

Leistungssteigerung durch Mild Hybrid
leistungsfähigerer Akku (Lithium Batterie), 3-fach stärker

plus verbesserter E-Boost: Fahrpedal-Kickdown
um mehr Leistung zu fordern.

"Performance"

Das Hybrid-System von Suzuki besteht aus zwei Komponenten: dem integrierten Startgenerator (ISG) und einer extrem effizienten 12-Volt Lithium-Ionen-Batterie. Beim Anfahren und Beschleunigen versorgt der ISG den Benzinmotor mit Energie aus der angeschlossenen Batterie.

Fazit Hybrid:
nichts vom Fahrspaß geht verloren, ist aber sparsamer geworden.

E-Boost wirkt nur zwischen etwa 2000 bis 3.900 Umdrehungen !!
Beim Mild-Hybrid unterstützt der Elektromotor in nahezu allen Fahrsituationen die Verbrennungsmaschine, so z.B. beim Starten, Anfahren, Beschleunigen.

10 Ah - hilft 3 bis 4 km bergauf

der Verbrauch bleibt fast auf Niveau wie zuvor
(plus 0,2 l / 100km mehr)

entspricht 3.2 hp
35 Nm
peak at

50 Nm

Lithium Batterie rekuperiert sehr schnell.

Drivetrain Architecture

The Internal combustion engine (ICE) and electric motor drive the front wheels of the car with the ability to work only in mixed mode.

2020 Suzuki Ignis II (facelift 2020) 1.2 Dualjet (83 Hp)

MHEV | Technical specs, data, fuel consumption, Dimensions: www.auto-data.net/en/suzuki-ignis-ii-facelift-2020-1.2-du...

Bergab geht es sehr schnell.

etwa 2 km bis Batterie voll ist!

Der Ladestrom ist

sicher sehr hoch.

Mild-Hybrid-System

Electric motor Torque 50 Nm @ 1000 rpm.

36.88 lb.-ft. @ 1000 rpm.

Weight-to-power ratio 9.8 kg/Hp, 102.2 Hp/tonne

Weight-to-torque ratio 7.5 kg/Nm, 132.6 Nm/tonne

2020 Suzuki Ignis II (facelift 2020) 1.2 (91 Hp) MHEV 4WD CVT | Technical specs, data, fuel consumption, Dimensions: www.auto-data.net/en/suzuki-ignis-ii-facelift-2020-1.2-91...

Mehrpreis: 1.160 Euro - 1.500 € beim Vorgänger Modell

für eine weitaus schwächere Leistung (30%)

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2019,2020, 2021, 2022,2023,2024

Deadly Ignorance by qianxun lee

4

Deadly Ignorance

Zheng Muen is a co-worker at a Chinese Christian church in the United States. He has believed in the Lord for many years, and has worked for the Lord with unwavering enthusiasm. One day, his aunt witnessed to him that the Lord Jesus has returned and expressed the truth, and that He is performing the judgment and cleansing work of the last days. Hearing this news, Zheng Muen was very excited. Through reading Almighty God's words and watching the movies and videos of The Church of Almighty God, Zheng Muen confirmed from his heart that the words of Almighty God are the truth, and that Almighty God is quite possibly the second coming of Lord Jesus. Therefore, he and several brothers and sisters began investigating God's work of the last days. Unexpectedly, when Pastor Ma of his church learned this, he tried to disrupt and hinder Zheng Muen over and over. In order to make Zheng Muen give up examining the true way, Pastor Ma let him watch videos that the Chinese Communist government used to discredit and condemn Eastern Lightning. Zheng Muen was puzzled and couldn't understand why religious pastors and elders condemn Almighty God when it's clear that Almighty God's words are the truth and the voice of God, and why they not only do not seek and investigate the true way themselves but block other believers from accepting it. Why is this? … Afraid of being deceived and taking the wrong path, and at the same time afraid of missing the opportunity to be raptured at the Lord's return, Zheng Muen felt conflicted and confused. Just at that time, Pastor Ma sent him some negative propaganda of the Chinese Communist Party and the religious world. After reading it, Zheng Muen became doubtful. He believed the pastor's words and gave up investigating the true way. Later on, the witnesses of The Church of Almighty God fellowshiped about the truth with him, which allowed Zheng Muen to understand that the fundamental principle of investigating the true way is to see whether it has the truth and whether what is expressed is the voice of God. Only the appearance and work of Christ can express many truths, because no corrupt humans can express the truth. This is a manifold fact. If one does not pay attention to hearing the voice of God and only rely on their imagination to wait for the Lord Jesus to descend on a cloud, they will never be able to welcome God's appearance. Zheng Muen finally understood the mystery of the wise virgins hearing the voice of God that the Lord Jesus spoke of. He no longer believed the lies and fallacies of the Chinese Communist government and the religious world, and broke away from the control and bondage of the religious pastor. Zheng Muen deeply felt that it's not simple to investigate the true way, and that if one cannot discern things and does not seek the truth, they will never hear the voice of God or be brought before God's throne, and they will only die ensnared in Satan's net, which will fulfill these words in the Bible: "My people are destroyed for lack of knowledge" (Hos 4:6), and "Fools die for want of wisdom" (Pro 10:21).

Terms of use

Sanctae Mariae Salome, Matris apostolorum Jacobi et Joannis by Tereso Raymundo García y Guevarra

22 9

SAINT MARY SALOME, Mother of the Apostles James and John

Patroness of the Diocese of Frosinone-Veroli-Ferentino in Italy

Sono venerati quali patroni della Chiesa diocesana Santa Maria Salome, discepola del Signore e madre degli apostoli Giacomo e Giovanni...

Source:

www.diocesifrosinone.com/struttura/diocesi/chi-siamo.html

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From the Roman Martyrology:

OCTOBER 22:
At Jerusalem, St. Mary Salome, the mother of the apostles James and John, who is referred to in the Gospel as having cared for the burial of our Lord.

Hierosólymis sanctæ MARÍÆ SALÓME, matris sanctórum Jacóbi et Joánnis Apostolórum, quæ in Evangelio légitur circa Dómini sepultúram sollícita.

MAY 25:
At Veroli in Campania, the translation of St. Mary, the mother of James, whose revered body is noted for many miracles.

Vérulis, in Hérnicis, Translátio sanctæ MARÍÆ JACÓBI; cujus sacrum corpus plúrimis miráculis illustrátur.

Source:

breviary.net/martyrology/martcal.htm

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translated from the original Italian:

St. Salome, according to the tradition of the See of Frosinone-Veroli-Ferentino

After the Ascension of the Lord, the apostles set out to bring the Gospel to other nations.
Saint Salome, after a long peregrination, in the company of St. Blaise and S.Demetrio reached Veroli. The Saint who was tired after the trip, asked for shelter in the house of a pagan (later to be christened Mauro), the house was short distance from the city walls. Her companions entered the city and were martyred.

Saint Salome remained in the house of Mauro, taught him the faith and converted him to Christianity. Saint Salome died after living six months in the house of the convert.
With reverence, Mauro prepared the mortal remains of the Saint for burial, and enclosed them in a stone sepulcher, on which written were the words: “Hae sunt reliquiae B. Mariae Matris apostolorum Jacobi et Joannis (These are the Relics of Blessed Mary, Mother of the Apostles James and John.) For fear of being martyred by the pagans, Mauro hid in the Cave of Paterno, and died three days after.

After a long time, some pagans found the sepulcher containing the relics of the Saint and informed the authorities, who, believing there was a hidden treasure, ordered that the urn be brought before them. After opening, they found the remains of Saint Mary; and after reading the inscriptions, the pagan authorities said with regret: “These are the bones of some Christian: throw them on the square.”

Meanwhile, a Greek, who practiced his Christian faith in secret, after having read the inscription in the sepulcher decided to bring home the casket. And when night came, he returned to the square and secretly gathered all the bones, wrapped them in a cloth and took them outside the city near the walls. The Greek transferred the precious relics to a new urn and wrote the words: “Maria Mater Joannis Apostoli et Jacobi ene ista”. He finally hid the sacred relics in a cliff; and bring them home after his trip to Rome(John Martello, 1553)

The Greek was not able to carry out his plans. Subsequently, the body was found in 1209, by a certain Thomas, to whom Saint Peter and Saint Salome appeared in a dream and revealed the history and the place of burial of the body.

In fact the body was found MAY 25 as indicated by Thomas.
Three days later they were presented to the bishop of Penne, the abbots of Casamari and of St. Anastasia in Rome together with some of his monks.

While the bishops lifted up the relics to a crowd nearly five thousand men, blood gushed forth from a tibia bone, fresh blood flowed from dry bones . Seeing this, all the people gave thanks to God "(John Martello, 1553)

The head and arms were bound and preserved in caskets of silver in the treasury of the cathedral, while the other bones were placed in a small urn which was kept under the altar of the little chapel that was built right on the place of discovery. Later he built the chapel above the present church.

During the earthquake of 1350 the church suffered serious damage and relic were translocated in the Cathedral, to return back to the basilica in 1742.

Sources:

www.menteantica.it/santasalome.htm

www.madonnadellaneve.frosinone.it/santa_salome.htm

www.palazzofilonardi.it/veroli/personaggi-storici/santa-m...

www.angolohermes.com/Luoghi/Lazio/Veroli/S_Maria_Salome.html

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Celebrations in honor of SAINT MARY SALOME
Veroli (Frosinone) / May 21-25

The festivities in honor of Santa Maria Salome in Veroli , are held every MAY 25 and the days prior. The event is celebrated with great enthusiasm by the population because the Saint is the patron saint of the town and of the Diocese of Frosinone-Veroli-Ferentino.
On this occasion, religious and civic activities happen.

As for the religious aspect, in addition to the many Holy Masses, there is a procession with the relics of the Saint, to solemnly commemorate the "TRASLAZIONE DEL CORPO" (Translation of the Body) and a pilgrimage on foot.

For the civic program, in addition to the usual musical performances and fireworks, there is the traditional Fair on the morning of May 25th.

Source:

www.eventiesagre.it/Eventi_Feste/7965_Festa+di+Santa+Mari...

Daisy by cafe noHut

12

blogged on cafenoHut

gravity by Bruners

9 2

New blog post - 'Made by gravity'

dungenessstudios.blogspot.co.uk/2015/06/gravity-construct...

Crookid Stiks 'n' $tones | P. H.

162 by Ana Belchí

15 7

Blogged: anabelchi.blogspot.com.es/2013/02/textura.html

by Shadow Rothmanay

6 1

modeatoutprix.blogspot.fr/2013/10/443-hors-du-temps.html

Danza cristiana de adoración 2019 | Unidos por el amor by Conocer la Iglesia de Dios Todopoderoso

4

Música cristiana de adoración | Unidos por el amor

I

Venimos de lejos para reunirnos en la casa de Dios,

donde comemos y bebemos Sus palabras y vivimos la vida de iglesia a diario.

Practicamos y experimentamos las palabras de Dios

mientras disfrutamos realmente de la comprensión de la verdad.

El vacío, el dolor y la confusión son cosas del pasado.

Las palabras de Dios nos han congregado;

qué bonito es disfrutar de estas palabras en nuestro corazón.

¡Amándonos unos a otros, rebosando de gozo y risas,

comprendiendo la verdad y alabando a Dios se libera nuestro corazón!

II

Nos reunimos ante Dios; todos y cada uno lo amamos de corazón.

Al leer las palabras de Dios, tenemos luz en el corazón

y una senda de práctica para todas las cosas.

Al ayudarnos y apoyarnos unos a otros, vivimos en el amor de Dios.

Despojándonos de la falsedad y la mentira nos preparamos para ser honestos.

Las palabras de Dios nos unen,

nuestros corazones se conectan y nos amamos estrechamente los unos a los otros.

Al comprobar lo hermoso que es Dios, se exaltan nuestros corazones;

amamos y alabamos a Dios, ¡qué bendecidos estamos!

III

Al recordar los momentos juntos, tenemos una sensación agridulce,

se han convertido en recuerdos inolvidables.

Dios nos ha traído hasta hoy y hemos experimentado mucho de Su amor.

Tras experimentar las pruebas y el refinamiento, se transforma nuestro carácter de vida.

Al emprender la misión de dar testimonio de Dios, vamos por caminos distintos.

Las palabras de Dios nos guían siempre hacia delante, difundimos Su buena nueva en la tierra.

Hermanos y hermanas, levantaos con un solo corazón y una sola alma;

amar a Dios implica tener presente Su voluntad.

Por muy grande que sea el sufrimiento, jamás retrocederemos;

siempre amaremos a Dios y daremos testimonio de Él, ¡le seremos fieles hasta el fin!

Hermanos y hermanas, levantaos con un solo corazón y una sola alma;

difundid el evangelio del reino y seguid la voluntad de Dios.

Anhelamos el día de la gloria de Dios, cuando podamos volver a reunirnos,

en compañía de Dios, ¡nunca separados!

De “Seguir al Cordero y cantar nuevos cánticos”

Fuente de la imagen: Iglesia de Dios Todopoderoso

Términos de uso: es.godfootsteps.org/disclaimer.html

Escuchar más música cristiana

June 01, 2016 at 03:16AM by Компания Сотдел

отделка фасадов sotdel.ru/otdelka_fasadov.html #sotdel #сайдинг #фасад Отделка фасадов зданий планируется еще на этапе строительства или, как реконструкционные работы, когда старое «лицо» дома нуждается в некотором обновлении. Отделка фасадов частных домов выполняет не только декоративную роль, но и несёт определённую функцию. Поэтому ещё на этапе проектирования нужно обдумывать сочетаемость способов и материалов отделки с самой конструкцией здания, его утеплением. И ещё одно непременное условие для наружной отделки зданий – это её гармоничное сочетание с окружающим ландшафтом и приусадебной территорией. Компания «Сотдел» делает качественную декоративную отделку фасадов коттеджей. Работы проводятся как в Москве, так и в Московской области. отделка фасадов www.sotdel.ru/otdelka_fasadov.html www.facebook.com/110372909302943/photos/a.274679919538907...

www.sotdel.ru

Первое тюнинг-ателье по загородным домам - отделка фасадов, кровельные работы. Монтаж сайдинга под ключ. Гарантия 5 лет на монтаж сайдинга

Строительные блоки WOODBE из древесины www.sotdel.ru/stroitelnye-bloki-woodbe.html

Панели ДВП (Древесно Волокнистая Плита) www.sotdel.ru/paneli-dvp-drevesno-voloknistaya-plita/

ПАНЕЛИ KMEW fasadnye-panely.sotdel.ru/

Фартук для кухни (Кухонный фартук) www.sotdel.ru/fartuk-dlya-kuhni.html

Москва ул. Верхние Поля, 48а

пн–пт 09:00–18:00; сб 09:00–15:00

+7 (495) 258-62-08

Gregory by Nichol Brinkman

10 1

blogged:

pinkcheeksstudio.blogspot.com/2009/05/gregory.html

احصلي على شعر طويل مع قناع الحناء في أسبوع واحد by Arab Lady

احصلي على شعر طويل مع قناع الحناء في أسبوع واحد

www.arab-lady.com/43794.html

cerulean warbler by Profiles of Nature

15 41

www.profilesofnature.com/springmigration2010.html

Matt Cvetas a very talented local birder spotted this rare beauty Sunday AM in Evanston IL

Cool Facts

* On the wintering grounds in South America the Cerulean Warbler usually is found in mixed-species foraging flocks, associating with tropical tanagers and other resident species.

* When renesting after a failed first nest, the female often uses spider web from the old nest to start construction on the new nest. Fresh lining is gathered for the new nest, but spider web may be too valuable and time-consuming to waste.

* The female Cerulean Warbler has an unusual way of leaving a nest after sitting on it a while. Some people call it "bungee-jumping." She drops from the side of the nest, keeping her wings folded to her sides, and opens her wings to fly only when she is well below the nest.

Cornell Labs

2009 Nissan Skyline GT-R at the 2008 Los Angeles Auto Show photo 125 by Candid Photos

7 1

NISSAN GT-R

Specifications

Engine

• VR-series twin-turbocharged 3.8-liter V6.

• 480 hp @ 6,800 rpm. 430 lb-ft torque @ 3,200–5,200 rpm.

• Dual overhead camshafts with variable intake-valve timing.

• Cast aluminum cylinder block with high-endurance/low-friction plasma-sprayed bores.

• IHI twin turbochargers, one per cylinder bank.

• Pressurized lubrication system with thermostatically controlled cooling.

Drivetrain

• ATTESA ET-S All-Wheel Drive (AWD) with independent rear-mounted transaxle integrating transmission, differential and AWD transfer case.

• Rigid, lightweight carbon-composite driveshaft between engine and transaxle.

• Electronic traction control plus 1.5-way mechanically locking rear differential.

• Vehicle Dynamics Control (VDC-R) with three driver-selectable settings: Normal (for daily driving, controls brakes and engine output), R-Mode (for ultimate performance, utilizes AWD torque distribution for additional vehicle stability) and Off (driver does not want the help of the system).

• Hill Start Assist prevents rollback when starting on an incline.

DisclaimerVDC-R cannot prevent accidents due to abrupt steering, carelessness, or dangerous driving techniques. Always drive safely.

Transmission

• 6-speed Dual Clutch Transmission with three driver-selectable modes: Normal (for maximum smoothness and efficiency), Snow (for gentler starting and shifting on slippery surfaces), and R mode (for maximum performance with fastest shifts).

• Fully automatic shifting or full sequential manual control via gearshift or steering wheel-mounted paddle shifters.

• Dual clutch design changes gears in less than 0.5 second (0.2 second in R mode).

• Downshift Rev Matching (DRM).

• Predictive pre-shift control (in R mode) based on throttle position, vehicle speed, braking and other information.

Wheels and Tires

• 20 x 9.5" (front) and 20 x 10.5" (rear) super-lightweight forged-aluminum wheels with Gunmetal Gray finish.

• Exclusively developed nitrogen-filled Bridgestone® RE070A high-capacity run-flat summer tires, 255/40R20 front and 285/35R20 rear.

• Tire Pressure Monitoring System (TPMS).

• Optional exclusively developed nitrogen-filled Dunlop® run-flat all-season tires, 255/40R20 front and 285/35R20 rear (includes Bright Silver wheels).

Brakes

• Brembo® 4-wheel disc brakes with 4-wheel Antilock Braking System (ABS), Brake Assist, Electronic Brakeforce Distribution and Preview Braking.

• Two-piece floating-rotor 15-inch front and rear discs with diamond-pattern internal ventilation.

• 6-piston front/4-piston rear monoblock calipers.

Steering

• Rack-and-pinion steering with vehicle-speed-sensitive power assist.

• 2.6 steering-wheel turns lock-to-lock.

Suspension

• 4-wheel independent suspension with Bilstein® DampTronic system with three driver-selectable modes: Normal/Sport (for automatic electronic control of damping), Comfort (for maximum ride comfort), and R mode (engages maximum damping rate for high-performance cornering).

• Electronically controlled variable-rate shock absorbers. High-accuracy progressive-rate coil springs.

• Front double-wishbone/rear multi-link configuration with aluminum members and rigid aluminum subframes.

• Hollow front and rear stabilizer bars.

Body/Chassis

• Exclusive Premium Midship platform with jig-welded hybrid unibody.

• Aluminum hood, trunk and door skins. Die-cast aluminum door structures.

• Carbon-reinforced front crossmember/radiator support.

Back to Top

Standard Features

Exterior

• Wide-beam headlights with High Intensity Discharge (HID) low beams.

• LED taillights and brake lights.

• Dual heated power mirrors.

• Flush-mounted aluminum door handles.

• Body-color rear spoiler with integrated center high-mounted stop light.

• UV-reducing tinted glass.

Audio/Navigation/Performance Monitor

• Digital Bose® audio system with AM/FM/in-dash 6-CD changer and 11 speakers including dual subwoofers.

• HDD Music Box system, including hard drive with 9.4 GB for audio storage.

• MP3, WMA and DVD audio capable. In-dash Compact Flash card reader.

• HDD-based GPS navigation with touch screen.

• Driver-configurable performance monitor, developed with Sony® Polyphony, with graphical readouts of vehicle data and driving data displayed on a total of 11 screens.

• 7-inch WVGA high-resolution color-LCD display for audio, navigation and performance monitor.

Interior

• Automatic Temperature Control (ATC).

• Electronic analog instrument cluster with multi-function trip computer and digital gear indicator.

• Power front windows with one-touch auto-up/down feature.

• Intelligent Key system with pushbutton start. Power door locks.

• Cruise control.

• Tilt/telescoping steering column.

• Bluetooth® Hands-free phone system with voice recognition.

Seating/Appointments

• Leather upholstered front seats with perforated Alcantara inserts.

• 8-way power front seats with entry/exit switch for rear-seat passengers.

• Driver-shaped bucket seat.

• Dual individual rear seats.

• Heated front seats.

• Leather-wrapped steering wheel and shift knob.

• Drilled aluminum pedals.

Safety/Security

• Nissan Advanced Air Bag System (AABS) with dual-stage supplemental front air bags, seat belt sensors and occupant-classification sensor.

• Driver and front-passenger side-impact supplemental air bags and roof-mounted curtain supplemental air bags.

• Front seat belts with pretensioners and load limiters.

• Nissan Vehicle Immobilizer System.

• Vehicle Security System.

I.M COLLECTION@DESIGNER SHOWCASE ENDS JANUARY 20, 2025 by gabby.jaws

35 2

gabbyjaws.blogspot.com/2025/01/im-collectiondesigner-show...

I.M. Collection Aspyn Coat

Fuzzy fur coat with coordinating scarf.

20 furry coat textures/20 scarf textures.

Fits: Maitreya/LaraX/Legacy/Perky/Reborn

I.M. Collection Fiona Boots

I.M. Collection Tindra Gown and Dress

Satin gown and short dress in celebration of Designer Showcase's 🎉14th🎉Anniversary.

25% off during the event.

20 satin textures for both the gown and the dress.

Fits:

Maitreya/LaraX/Legacy/Perky/Reborn

I.M. Collection Sindre Gown and Dress

Sparkle gown and dress for Designer Showcase's 🎉14th🎉Anniversay.

25% off at event.

20 sparkle textures for both the gown and the dress.

Fits: Maitreya/LaraX/Legacy/Perky/Reborn

Designer Showcase:

Taxi: maps.secondlife.com/secondlife/Whispering%20Angels/193/53...

Lel EvoX Avalon

LaraX

WINGS DG EF0403

ORSINI Jewel Care SANA earrings

Lyrium poses

Macho de Periquito, Tuim, Tuim-de-asa-azul - Male of Blue-winged Parrotlet (Forpus xanthopterygius) 15 19-05-07 149 by Flávio Cruvinel Brandão

20 24

Thank you very much, again, my friend Rasmus Boegh, to give me the correct identification of this beautiful bird.

Um macho do Periquito Tuim - A female of Blue-winged Parrotlet (Forpus xanthopterygius).

A text, in english, from www.arthurgrosset.com/sabirds/blue-wingedparrotlet.html :

Brazil

The Blue-winged Parrotlet is the smallest Brazilian parrot weighing in at 26 g compared to the largest, the Hyacinth Macaw at 1500 g.

Male of Blue-winged Parrotlet, Brasília-DF, Brazil, april 2007. It is found from eastern Ecuador to Brazil south of the river Amazon and into Paraguay and northern Argentina. There is also a disjunct population near Santa Marta, Colombia. It likes a variety of habitats ranging from gallery forest and riverine thickets to savannah and semi-arid scrub.

The Forpus genus is one of the few groups of parrots where females differ markedly from males. The male Blue-winged Parrotlet shows blue along the edge of the wing and on the rump while the female is all green apart from a yellowish tinge on the head and flanks.

They nest in holes in trees and fence posts as well as using Rufous Hornero nests.

Food consists of fruit and seeds including grass seeds and they are particularly fond of Cecropia catkins.

There are illustrations in HBW, Volume 4, Page 449; Sick, Plate 17 ; Hilty & Brown, Plate 10; and Ridgely & Greenfield, Plate 31.

Um texto em português:

Um dos menores representantes da família dos psitacídeos, que inclui as araras, papagaios, maritacas e periquitos. Difícil de serem vistos quando no meio da vegetação, por sua cor toda verde. Gostam de aproveitar os ninhos desocupados de joão-de-barro para fazerem seus seus próprios ninhos.

É um dos menores periquitos do mundo. O corpo apresenta uma coloração que varia do verde ao amarelo. A cauda é muito curta, o que o faz lembrar um Agapornis africano. O macho apresenta uma mancha azul na asa, enquanto a fêmea é totalmente verde. O nome tuim é uma alusão à sua vocalização, que quando emitida pelo bando todo, que pode ter dezenas de indivíduos produz um som bem típico destes pequenos periquitos. Tais bandos são geralmente encontrados próximos a árvores com pequenos frutos como as embaúbas e figueiras, que são algumas de suas frutas favoritas. Geralmente os grupos são constituídos por vários casais, que constroem seus ninhos separadamente. Usam ocos de árvores, ninhos de joão-de- barro abandonados e até mesmos ninhos artificiais de madeira para nidificar. A fêmea bota e incuba de 3 a 7 ovos e os pais se revezam na alimentação dos filhotes.

No estado selvagem estas aves alimentam-se das sementes disponíveis, bagas e frutos. Gostam também de mastigar erva como complemento vegetal. Na natureza, estas aves aproveitam muitas cavidades naturais para ninhos. As posturas podem ir de 3 a 8 ovos e são incubados pela fêmea, apesar de o macho também ficar longos períodos dentro do ninho. No habitat natural o período de incubação ronda os 17 dias. As crias têm um desenvolvimento muito rápido. Com 20 dias estão cobertos de penas e deixam o ninho pela quarta ou quinta semana de vida.

St Saviour - The Great War Roll of Honour by Moominpappa06

6 6

This memorial has been researched by the Roll of Honour team, and where information has been used from that site it is identified as (RoH).

www.roll-of-honour.com/Norfolk/NorwichStSaviour.html

W H Ager

William Henry AGER (RoH)

Private 328231, 1st Battalion, Cambridgeshire Regiment. Killed in action 28th August 1918. Aged 19. Born and enlisted Norwich. Son of Mr. and Mrs. C. Ager, of 15, Golden Dog Lane, St. George's, Norwich. Buried in PERONNE ROAD CEMETERY, MARICOURT, Somme, France. Plot III. Row I. Grave 3.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=310602

There is a picture of William Henry on Norlink

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

The accompanying notes read

Ager, Private William Henry, 3/4 Norfolk Regiment

Resident at 15 Golden Dog Lane, Norwich; enlisted 7 November 1915; killed in action in France, 26 August 1918.

The 2 year William , born Norwich, can be found on the 1901 Census at 15 Golden Dog Lane in the parish of St Saviour, This is the household of his parents, Charles, (aged 42 and a Carpenter from Norwich) and Caroline, (also aged 42 and from Norwich). Their other children are:-

Annie…….aged 18.….born Norwich…..Yarn Picker

Edith………aged 15.…born Norwich…..Yarn Twister

Sidney……aged 12.….born Norwich

Charles…..aged 8.……born Norwich

Alice…….aged 4.……born Norwich

However, while Charles senior still appears to be in Norwich for the 1911 census, his wife, William, Charles and Alice appear to be completely absent.

The Battalion would have been involved in the general advance following the Third Battle of Albert, which is one of the divisional Battle Honours.

Battle of Albert (1918) (August 21 - 22, 1918) was the third battle by that name fought during World War I, following the First Battle of Albert, and the Second Battle of Albert, with each of the series of three being fought roughly two years apart. This smaller third battle was significant in that it was the opening push that would lead to the Second Battle of the Somme, and heavily involved the New Zealand Division, formed after the disastrous Gallipoli campaign. This attack opened the advance, with the main attack being launched by the British Third Army, with the United States II Corps attached.

The attacks developed into an advance, which pushed the German 2nd Army back along a 50-mile (80 km) front line. On August 22, the New Zealand Division took Albert, with the British and Americans advancing on Arras. On August 29, Bapaume fell into British and American hands, which resulted in an advance by the Australian Corps, who crossed the Somme River on August 31 and broke the German lines during the Battle of Mont St. Quentin. Ultimately, the overall battle resulted in the German Army being pushed back to the Hindenburg Line, from which they had launched their spring offensive.

en.wikipedia.org/wiki/Battle_of_Albert_(1918)

www.cwgc.org/victory1918/content.asp?menuid=35&submen...

A Barber

Arthur BARBER (RoH)

Private 267239, 13th (Service) Battalion (Forest of Dean)(Pioneers), Gloucestershire Regiment. Died 26th April 1918. Born St Saviour, Norwich, enlisted Norwich. No known grave. Commemorated on TYNE COT MEMORIAL, Zonnebeke, West-Vlaanderen, Belgium. Panel 72 to 75.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=847003

(No personal details on CWGC).

We have a 2 year old Arthur A, born Norwich, and living at Tarrells Yard, which appears to be in the Cowgate \ Bull Close area in the neighbouring parish of St Pauls, as well as a 4 year old Arthur and his 26 year old father of the same name living in nearby St Augustines. There are then a further 5 Arthur \ Alfred’s of the right sort of age to have fought in WW1 in the ranks, i.e. born after 1875 and with a Norwich connection.

The division of which Arthur’s unit was part lists amongst its battle honours for 1918

Second Battle of Kemmel. 25-26 Apr.

As part of the German assault there was a heavy bombardment of the Artillery and rear areas with both conventional shell and gas.

www.webmatters.net/belgium/ww1_lys_4.htm

W Barber

William BARBER (RoH)

Private 6692, Depot, Norfolk Regiment. Died 9th July 1917. Aged 33. Husband of Ellen Barber, of 2, Mischief Yard, Peacock St., Norwich. Buried in NORWICH CEMETERY, Norfolk. Plot/Row/Section V. Grave 547.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=2803041

No match on Norlink

The 17 year old William,(born Norwich and employed as a Shoe Finisher), can be found on the 1901 census at 176 St George Street, in the parish of St Augustines. This is the household of his widower father, James, (aged 59 and a Publican from Norwich), Also resident is William’s brother, Walter, aged 19 and a shoe finisher from Norwich.

Wm A. Bassett

William A BASSETT (RoH)

Private 250620, 1st/6th Battalion, Durham Light Infantry. Killed in action 28th July 1918. Aged 23. Born and enlisted Norwich. Son of Mrs. L. E. Bassett, of 2, Ling's Court, Stump Goss, Magdalen St., Norwich. Formerly 5565, Norfolk Regiment. Buried in THELUS MILITARY CEMETERY, Pas de Calais, France. Plot V. Row C. Section 1.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=296709

CWGC only lists this soldier as W Bassett.

Brother of Walter Albert listed below.

No match on Norlink

The 1901 Census has the 4 year old Willie, born Norwich, recorded at 18, Gildencroft in the Parish of St Augustines. This is the household of his parents, George, (aged 45 and a sweep, no place of birth recorded), and Lottie, (aged 39 and from Norwich). The rest of their children are:-

Richard…………..aged 16.……born Norwich……Printers apprentice

Ethel………………aged 15.…..born Norwich

George……………aged 11.…..born Norwich

Walter…………….aged 10.….born Norwich

Lillian…………….aged 6.……born Norwich

Hilda…………..aged 2.……….born Norwich

The 1st/6th had been reduced to a cadre by the end of June, with surplus men being released to other units. As the Thelus Military Cemetery was used for battlefield casualties, I suspect Private Bassett was one of those surplus men, and he died while serving with another unit.

Wr.A.Bassett

Walter Albert BASSETT (RoH)

Private 12784, 7th Battalion, Norfolk Regiment. Died 13th October 1915. Aged 24. Born St Saviour, Norwich, enlisted Norwich. Son of Mrs. L. Bassett, of 2, Ling's Court, Magdalen St., Norwich; husband of Laura V. Watling (formerly Bassett), of 2, St. Saviour's Alley, Magdalen St., Norwich. Commemorated on LOOS MEMORIAL, Pas de Calais, France. Panel 30 and 31.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=727290

Brother of William above.

No match on Norlink

See William above for 1901 Census details.

On 12th October 1915 the Battalion moved from billets to a line in front of the St Elie Quarries, taking over from the Coldstream Guards. The attack was planned to go ahead the following day under a smoke cloud with the Norfolks closing on the German trenches from both ends of their position thus straightening their line, their own trenches being in a semi-circle. The left side of the Battalion was also tasked with bombing a German communications trench. A bright sunny day with an ideal wind for moving the smoke towards the enemy positions, the artillery bombardment began at 12:00 and was intensive by 13:45. 54 heavy and 86 field howitzers and 286 field guns fired on enemy trenches in the area of the Hohenzollern Redoubt, Fosse 8, the Quarries, Gun Trench and the positions south to Chalk Pit Wood. It failed to cause sufficient damage to the enemy positions. The smoke barrage went wrong and ceased by 13:40, twenty minutes before the attack was launched at 14:00 and was thus very thin. German machine gun fire from in front and from the direction of Slag Alley, opposite the Norfolks right flank, enfiladed their attack. Whilst they gained a foothold in the Quarries and consolidated the position they were unable to advance further. In the battalions first serious engagement they lost 5 Officers killed or died of wounds and 6 wounded, and 66 other ranks killed, 196 wounded and 160 missing.

Source: 1914-1918.invisionzone.com/forums/index.php?showtopic=42270

W G Brown

William George BROWN (RoH)

Driver T/326178, Royal Army Service Corps. Died in India 6th October 1918. Born, resident and enlisted Norwich. Buried in Bangalore (Hosur Road) Cemetery and commemorated on MADRAS 1914-1918 WAR MEMORIAL, CHENNAI, India. Face 26.

Note: The MADRAS 1914-1918 MEMORIAL is situated at the rear of the Madras War Cemetery. It bears the names of more than 1,000 servicemen who died during the First World War who lie in many civil and cantonment cemeteries in various parts of India where it is not possible to maintain their graves in perpetuity.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1465419

No match on Norlink.

The 1911 Census high level search contains two individuals with the first names William George with a Norwich, (although there are also two George Williams). There are of course many William Browns who may be the man we are looking for. The details available are:

Circa 1901 born Norwich resident Norwich

Circa 1880 born Norwich resident Norwich

On the 1901 census the 1901 born individual doesn’t even appear, and therefore as its likely he was born after March 1901 its very unlikely he was serving overseas in the British Army in 1918.

There are two William Brown’s that match the 1880 individual and neither are listed with any middle names. Therefore any further information I add here would simply be mis-leading.

E D Brundish

Edgar Donald BRUNDISH (RoH)

Private 3/8042, 1st Battalion, Norfolk Regiment. Died 7th October 1915. Aged 39. Son of Edgar John and Ruth Brundish, of Norwich. Buried in POINT 110 OLD MILITARY CEMETERY, FRICOURT, Somme, France. Plot/Row/Section G. Grave 8.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=571013

There is a picture of Private Brundish on Norlink

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

The accompanying notes read

Born at St. James's, Norwich on 22nd December 1879, Private Brundish was educated at Silver Road School. He enlisted 25th August 1914 and was killed in action in France on 7th November 1915

(NB, the Norlink date is different to the CWGC\Roll of Honour Date.)

The 21 year old Edgar, (born Norwich and a Boot and Shoe Maker by trade), is recorded at 12 Mousehold Street in the Parish of St James with Pockthorpe on the 1901 census. He is married to Edith , aged 21 and a Boot Machinist, also from Norwich. Edgar is the head of household.

On the 1891 Census the 11 year old Edgar D. is recorded at The Paddocks, Silver Road in the Parish of St James. He is already employed as a Domestic Servant - a House Boy. Unfortunately, Edgar’s name is at the top of the page, with his parents, (and any elder siblings) on the previous page. He has 5 younger siblings:-

Ronald N………..aged 9.…..born Norwich

Patricia R……….aged 7.…..born Norwich….recorded as deaf and dumb

Rupert Jn……….aged 5.…..born Norwich

Maud M………..aged 3.……born Norwich

Percy Ed……….aged 1.……born Norwich.

Fortunately Edgar is just old enough to make the 1881 census. There his parents are listed as John, (aged 34?, and possibly a Brewers Serv.?, from Horning) and Ruth, aged 24 and also from Horning. There are no older siblings listed.

Interestingly, a family history web-site gives some slightly difference information. Edgar’s father John married Ruth Thompson in Norwich in 1879. Their children are listed as

Beatrice R. Brundish, b. 1884, Norwich, England, d. 1896, Aged 12 London.

Edgar Donald Brundish, b. 1880, Norwich, England, d. 07 Oct 1915, World War 1 France.

Percy Edward Brundish, b. 1890, Norwich, England, d. 1937, Wisbech.

Reginald Victor Brundish, b. 1882, Norwich, England, d. 1916, World War 1.

Rupert John Brundish, b. 1886, Norwich, England, d. date unknown, Australia. +Maud Maria Brundish, b. 04 Oct 1887, Norwich, England, d. 1981, Norwich, England.

Hilda R. Brundish, b. 1897, Norwich, England, d. date unknown.

familytreemaker.genealogy.com/users/t/h/o/Donald-J-Thorpe...

Name: BRUNDISH, REGINALD V.

Rank: Bombardier Regiment/Service: Royal Field Artillery Unit Text: 35th Div. Ammunition Col. Age: 35 Date of Death: 17/07/1916 Service No: 6942

Grave/Memorial Reference: 27. 242. Cemetery: NORWICH CEMETERY, Norfolk

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2803070

The 1st Battalion were on rotation in and out of the front-line trenches at Fricourt at this time, in what was then a comparatively quiet sector. Sniping and the occasional artillery \ mortar barrage would take their toll. For a glimpse of this, take a look at the War Diary of the 1st Battalion Bedfordshire Regiment who were in the same Brigade as the 1st Norfolks and frequently fought together.

www.bedfordregiment.org.uk/1stbn/1stbtn1915diary.html

F B Edwards

Benjamin Frederick EDWARDS (RoH)

[Listed as F B on memorial and CWGC] Private 3673, 1st/4th Battalion, Norfolk Regiment. Killed in action 4th October 1915. Enlisted Norwich. Buried in 7th FIELD AMBULANCE CEMETERY, Turkey. Special Memorial Plot/Row/Section A. Grave 64.

Note: There are now 640 Commonwealth servicemen of the First World War buried or commemorated in this cemetery. 276 of the burials are unidentified but special memorials commemorate 207 casualties known or believed to be buried among them.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=605477

No match on Norlink

There is no Frederick Benjamin or Benjamin Frederick with a Norfolk connection listed on the 1911 Census. There are numerous Frederick Edwards on the 1901 Census including one aged 6, born Norwich and currently resident at 30 Silver Road, Norwich in the neighbouring parish of St.Pauls, while there is also a 19 year old Benjamin Edwards, a Boot and Shoe Operator from Norwich who was currently residing at 43 Barracks Street, in the neighbouring parish of St James.

Fortunately the baptism records for some of these parish’s are on line. There is a Frederick Benjamin listed who was born 12th January 1895 and baptised the 24th September 1896 at the church of St.James, Pockthorpe. His parents are listed as Ellis William and Ellen Elizabeth. His fathers occupation is given as drayman. Going back to the census, this ties in with the 6 year old at Silver Road.

At the time of the 1901 census, Ellis was aged 34 and a Drayman from Long Stratton. Ellen was 36 and probably also from Long Stratton. As well as Frederick, their other children are:-

Alfred…….aged 14.…born Norwich……occupation undecipherable

Charles……aged 13.…born Norwich

Gertie…….aged 10.…born Norwich

Florence….aged 4.….born Norwich

After the fighting in the middle of August, the struggle was more against disease and hardship than against Turkish guns and rifles. Dysentery caused havoc in all ranks, and in the middle of October there remained of the 1/4th Battalion only sixteen officers and 242 men fit for duty.

user.online.be/~snelders/sand.htm

H E Fitt

Frank Herbert FITT (RoH) - but see my notes.

[Listed as H F on memorial and CWGC] Private 235096, 1st/5th Battalion, The King's (Liverpool Regiment). Killed in action 31st July 1917. Aged 27. Born Norwich, enlisted and resident Lowestoft. Son of Harry and Sally Fitt, of Eden Villa, 2, Eden St., Lowestoft; husband of Hilda Pearl Fitt, of 146, Raglan St., Lowestoft. No known grave. Commemorated on YPRES (MENIN GATE) MEMORIAL, Ieper, West-Vlaanderen, Belgium. Panel 4 and 6.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=1612459

I’ve looked at all the shots I took and its definitely an E, not an F. There is no H E Fitt listed on CWGC but there is a possible H Fitt.

Name: FITT Initials: H

Rank: Lance Corporal Regiment/Service: Norfolk Regiment Unit Text: 1st Bn.

Date of Death: 25/04/1917 Service No: 9672

Grave/Memorial Reference: VI. H. 22. Cemetery: CABARET-ROUGE BRITISH CEMETERY, SOUCHEZ

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=585647

However, the 1901 Census throws up a new possibility - the 3 year old Harrold Fitt, born Norwich and living at 2, Cat & Fiddle Yard in the parish of St,Saviour. This is the household of his parents, Walter, (aged 40 and a Shoemaker from Norwich), and Emma, (aged 36 and from Norwich). Their other children are:-

Alice…………..aged 14.……………born Norwich

Walter…………aged 11.……………born Norwich

Sidney…………aged 9.…………….born Norwich

Maude…………aged 8.…………….born Norwich

May……………aged 5.……………born Norwich

Hilda…………..aged 1.……………born Norwich

As the 1st Battalion man is the only one of the four H. Fitt listed on the CWGC database who doesn’t have parents shown, and as the other three have parents who are not a Walter and Emma, the guesswork for now is that he is our man.

And indeed Lance Corporal H Fitt,9672, is down on the Great War Roll of Honour as a “Harold” Fitt.

Lance Corporal Fitt probably died as a result of wounds received in the attack of the 23/24th April.

From the War Diary of the 1st Bedfords

Report on action at La Coulotte.. Lt. Colonel P.B. Worrall M.C. Commanding 1st Battalion, Bedfordshire Regiment.

Sir, I have the honour to report that I received orders to attack LA COULOTTE from T.1.d.1/9 to T.1.a.3/9. and attach a copy of my Operation Orders which I personally explained in detail to all Officers and NCO’s. Briefly, I had to make:

(a) a frontal attack to the N.

(b) a flank attack East on WATER TOWER TRENCH.

AND (c) attack on triangle south of WATER TRENCH from the south, including a large part of CYRIL TRENCH held by the Germans.

The whole undertaking seemed to be most hazardous.

I considered the WATER TOWER TRENCH to be key to the situation and so attacked it frontally and in enfilade. Had I not got this footing, my Battalion must haave been wiped out by WATER TOWER TRENCH if we were held up by wire.

NARRATIVE.

4.40am. For half an hour previous to this I heard no M.G. fire and this proved a successful deployment.

5.15am. Two wounded reported that left company had reached 1st line German trench. It proved afterwards to be correct but with regard to extreme left only.

6.15am. 24 prisoners marched in from DEVONS and BEDFORDS captured at the junction of these two Battalions. 6.5am O.C. right assault company reported wounded but right company going through gaps. This Officer in charge and many others afterwards reported that it took at least five minutes to get through the wire, that there were few gaps, and a double belt (the first one 15 yards thick) in front of the first line.

7.05am. Touch with NORFOLKS reported.

7.55amj. Right 2nd wave (“C” Coy.) report they had passed through first objective (second German line) met with strong resistance, machine gun fire from houses and minerwerfer, but captured 9 prisoners (sent back), and 2 machine guns which they later smashed, and parties actually reached buildings T.1.b.5/9 and made a great attempt to rush LA COULOTTE from there, patrols were also sent out from there to try and get touch with the NORFOLKS , and companies on the left.

9.50am. NCO’s from “B” and “D” (left companies) reported that their right was held up, they had been surrounded and several prisoners had been taken. I have satisfied myself that these men were between two belts of wire with wire and a communication trench on the right from which they were enfiladed, and the gaps through which they had advanced were covered, and that they were bombed from the front and like rats in a trap.

Lt. Hunter from the right and who was on the other side of the road witnessed it and stated they were absolutely powerless.

10.00am. I sent orders to “A” and “C” to hang on and throw a defensive flank from junction of LENS-ARRAS ROAD and 1st German line and make strenuous efforts to get in touch with “B” and “D” .

11.05am. Lt. Woodford wounded, reported that “B” and “D” took the German 2nd line and were at once driven out of it with the exception of extreme left (communication trench T.1.a.30/95). Capt. C.A.S. Morris O.C. B Company was killed in rallying his men to make a gallant attack on machine guns, holding up their advance from 2nd line. At the same time I received a message that the remnants of A and C Companies were under 100 in WATER TOWER TRENCH and TRIANGLE, and that there were some NORFOLKS fighting with them and that they could not hold out much longer. They asked for reinforcements and bombs.

1.30pm. I applied at once for permission to conduct retirement in person but on this being refused I despatched Lt.H.J.EVERERTT MC with all available men from headquarters with 700 bombs and detailed orders for retirement if forced back, and I considered it imperative:

1. To hold the strong point in CYRIL TRENCH and not save the OUTPOST LINE

2. To evacuate my wounded (some 30) in the TUNNEL before evacuation.

My orders were more than carried out, the bombs were taken up under heavy fire, though some sent up by another Regiment failed to arrive, a splendid attack was led by a Sergeant of the NORFOLKS before the withdrawal, all the wounded were got away, and barricade strengthened before withdrawal.

[Cannot read time]. Verbal message received that A and C Companies had withdrawn to our original OUTPOST LINE and that Lt. H.J.EVERETT MC again sent up with a further supply of ammunition and bombs for strong point in CYRIL TRENCH.

[Cannot read time]. My position at the time of this withdrawal was:

1. About 60 men of “A” and “C”, all me effective rifles and some NORFOLKS from about T.1.a.6/7 to T.1.a.9/0 (German Front Line).

2. On my left from T.1.a.5/6 to T.1.a.1/8 the remnants of “B” and “D” lying out in front of German Wire till dusk, being continually bombed, grenaded and minenwerfened.

[Cannot read time]. A proportion of “B” and “D” Companies withdrew under the smoke of a protective barrage on German 2nd Line trench, to left of OLD OUTPOST LINE.

Copy of orders of my forced retirement attached.

I consider that my Officers, NCO’s and men showed great devotion to duty against untold odds, particularly wire and machine guns and I am forwarding under separate cover a list of recommendations.

I have the honour to be, Sir, your obedient servant

P.R.WORRALL, Lt.Colonel commanding 1st Battalion, Bedfordshire Regiment www.bedfordregiment.org.uk/1stbtn/1stbtn1917appendices.html

F Futter

F FUTTER (RoH) - but see my notes

Either Frank Charles FUTTER, Private 10554, 3rd Battalion, Coldstream Guards. Killed in action 11th May 1915. Aged 20. Born Burnham Thorpe, enlisted Norwich, resident Wells, Norfolk. Son of Charles and Elizabeth Futter, of Graver's Cottage, Burnham Thorpe, King's Lynn. Buried in CUINCHY COMMUNAL CEMETERY, Pas de Calais, France. Plot II. Row A. Grave 1.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=594134

Or Frederick FUTTER, Private G/10190. 1st Battalion, Duke of Cambridge's Own (Middlesex Regiment). Killed in action 25th September 1915. Born St Bartholomew's. Norfolk, enlisted Norwich. Formerly 13023, Norfolk Regiment. Buried in CAMBRIN CHURCHYARD EXTENSION, Pas de Calais, France. Plot/Row/Section H. Grave 25.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=170678

The 1911 census has a Frederick Futter, born Norwich circa 1896 and still recorded in the district. There are no Futters recorded living in Norwich on the 1901 census, and no Norwich baptisms on the transcribed records available for the period 1881 to 1901. Frank is up at Burnham Thorpe, along with his nephew Walter Frederick who also died in the Great War.

The register of births doesn’t appear to have anything for 1896, but in 1895 in the April June quarter there is a Frederick John H recorded at Yarmouth.

The Great War Roll of Honour has Frederick down as Fred., and Frank Charles down as Charles F.

Therefore the balance is looking more like Frederick rather than Frank.

25th September-30th September 1915.

When dawn broke on the morning of 25th it seemed as if the elements had again conspired to make the attack abortive, for heavy rain fell and the wind, what there was of it, shifted almost continually; it was a bad day for the projection of gas. Indeed, one Brigade of the 2nd Division (6th) notified Divisional Headquarters that the wind was unfavourable, but was ordered to proceed with the projection. So, at 5.50 a.m., the cylinders were opened and great clouds of asphyxiating gas were projected into the air, whilst the smoke candles were lighted. But instead of the gas floating across No Man's Land and settling down over the German trenches, it hung lifeless in the air or blew back upon the British trenches from which it had been projected, in many places with disastrous effects.

The left Battalion (the Highlanders) of the 19th Brigade fared worse than the right-the Middlesex-for the ground in front of the former was much cut up by craters, and in these the gas hung about with exasperating stillness.

Across No Man's Land the Germans could be seen donning gas masks and using sprays-in order to dispel the gas-whilst all along their parapets, at intervals of about 20-30 yards, they lighted fires for the same purpose, and by their activities they appeared quite unaffected by the noxious fumes. For forty minutes the gas projection lasted and then, at 6.30 a.m., the signal was given for the assault.

"A", "B" and "C" Companies of the 1st Middlesex, awaiting the order to go forward, at once began their advance; "D" Company was in reserve. But the men had not gone more than a few yards ere a storm of rifle and machine-gun bullets tore their ranks to shreds and No Man's Land was soon littered with killed and wounded. Undeterred by the gas fumes the Germans stood up in their trenches, in many places upon the parapets, and poured a deadly accurate fire upon the advancing British troops. For not alone from in front of the gallant Die-Hards did fierce resistance take place, but all up and down the line. Unable to make further progress, the Middlesex men laid down. By this time the German trenches, which when the advance began had been lightly held, were packed with men and the volume of fire increased. With orders to reinforce the three forward companies, "D" Company now "went over the top," only to share a similar fate, and survivors lay close to the ground with a rain of bullets pouring overhead. The Battalion Diary records the action in the following and all too brief words: "At 5.50 a.m. a gas attack was opened on the German trenches for 40 minutes. This was not, however, very successful, and did not have much effect. At 6.30 the Battalion attacked with three Companies in the front line and one Company ("D") in reserve. The Battalion was all flung into the line, but failed to get further forward than 100 yards and were then hung up. Gunners again shelled the hostile line, but no further advance was made. At 12 noon the Battalion was ordered to withdraw into Brigade Reserve, having lost very heavily in both officers and men. A large proportion of N.C.Os. were casualties."

The 19th Brigade Diary throws but little further light on the action, though the position of the Brigade at 7.30 a.m. is given thus: "1st Middlesex about 100 yards in front of our front-line trenches; 2nd A. and S. Highlanders being under cover of the German parapet by the wire " (a terrible position). Then a little later the narrative states: "2nd A. and S. Highlanders withdrawn to their original trenches, leaving many men behind, including two complete platoons who reached the German front trenches. 1st Middlesex, trying to get on, are a hundred yards in front. Artillery shell the German front line very heavily. A bombardment under 2nd Divisional orders was arranged to start at 9a.m., after which infantry were to advance. 2nd Royal Welch Fusiliers now put out two companies to support the Middlesex, but they were met with fierce opposition and lose heavily. Bombers of 1st Middlesex reach the craters at "D," but are heavily fired on by our own artillery." At 9.45a.m. orders were received at Brigade Headquarters stating that as the attack on the right of the 2nd Division was progressing favourably, no further attack was to be made for the present by the 19th Brigade and the 6th Brigade ( the latter was on the left of the former).

Amongst the appendices to the Diary of the 19th Infantry Brigade, however, are several field messages of special interest to the Middlesex Regiment, and although there are gaps in the story it is possible to follow the course of the Battle from a battalion point of view.

The first message, timed 6.57 a.m., is from Brigade Headquarters to Battalion Headquarters Middlesex and reads: "Any news aaa How far have you advanced aaa Is gas returning you aaa Keep me well informed so that artillery barrage may be altered to suit if you want it." In reply to this message there follow several, one after the other, from the O.C. Middlesex, and they are given in their correct order, though the first was evidently despatched while the Brigade message was on its way to Battalion Headquarters: (i) "6.50 a.m. Much opposition to our front. Please ask guns to shell Les Briques trench." (ii) "7 a.m. Reserve company has got on, but we are being very heavily fired at." (iii) "7.16 a.m. Line held up. Very heavy fire aaa Have " (here the message is overwritten and is unreadable. (iv) "7.20 a.m. Ask guns to shell German front-line trench aaa Railway trench I mean." (v) "7.26 a.m. Don't think gas is affecting us or Germans. They are holding their front-line trench aaa Our Battalion is all out in area between their front trench and ours aaa 2nd Royal Welch Fusiliers are now up aaa It is essential to now shell hostile front trench." (vi) "7.30 a.m. Reported casualties probably 400, but impossible to tell aaa Have observed an enormous number fall." ( vii) "7.55 a.m. Must shell German first line aaa Our men are all out in front aaa Almost all must be killed or wounded aaa Please shell first line aaa Welch Fusiliers are now advancing." And, at 8 a.m. the Commanding Officer asks for men for the attack on his left: "Is there any news re Argylls and Sutherlands ?"

It is apparent from the last message that no news had reached the Commanding Officer of the Middlesex from his own front line of the situation on his left flank. About 8 a.m., however, Colonel Rowley received the following message from Lieut. A. D. Hill ( commanding "C" Company): "Enemy very strong in front with machine-guns and rifles. "C" Company strength only about 30 or 35 men. Impossible to advance on account of machine guns. Mr. Henry and 3 men alone remain out of two platoons. Can we have reinforcements ? We are in Square 27B in crater S.E. of road and about 60 yards south Point 79." To which, at 8.12 a.m., Colonel Rowley replied: "Hang on where you are until reinforced." The next message is written on a small muddy and blood-stained piece of paper: "8.30 a.m. "B" Company attack held up 100 yards out of own trench. Major Swainson wounded. "B" Company knocked out, few men stand fast." It is signed "P. Choate, 2nd Lieutenant."

The only other information received by Colonel Rowley from No Man's Land was a second message from Lieut. Choate, timed 10.50 a.m.: "So far as can ascertain "B" Company nearly wiped out. A few men are lying near me 100 yards in front of our front trench to left of wrecked aeroplane and facing Les Briques Farm. I have not enough men to advance further. Can you reinforce or give orders ?" There is no reply in the Diaries to this message.

The one bright spot in the attack was an assault from the left flank carried out by the Grenade Reserve platoon, assisted by a platoon of the Reserve Company ("D"). These gallant fellows attacked a large crater (at D) and actually captured it.

There is little more to tell ! At 1.15 p.m. the Battalion- all that was left of it-was ordered into reserve at Siding No. 3 and Braddell Trench. When this movement had been carried out, but a handful of men-84 other ranks-were mustered, though when darkness had fallen over the battlefield on the night of 25th other men, who had been lying out all day in No 2 Man's Land, were able to withdraw. The little party of "D" Company who had hung on to the crater they had captured were also withdrawn. During the day they had actually pushed beyond the crater, but were held up by very thick hostile wire entanglements, and the grenade officer was killed whilst trying to force a way through. A machine gun had also been pushed forward into the crater and did great execution, but the machinegun officer being wounded, the gun had to be withdrawn. Throughout the morning the Battalion stretcher-bearers performed many gallant deeds and worked heroically

Ten officers killed (Captains N. Y. L. Welman, F. V. A. Dyer, L. G. Coward and R. J. Deighton; 2nd Lieuts. C. A. J. Mackinnon, C. Pery, B. U. Hare, A. L. Hill, R. C. Mellish, J. H. Linsell; Lieut. A. W. R. Carless died of wounds on 27th September.) and 7 wounded; 73 other ranks killed, 285 wounded, 66 missing, 7 gassed and 2 suffering from shell concussion-a total of 455-were the casualties suffered by the 1st Middlesex throughout the day. Well indeed might the Brigadier-General (P. R. Robertson) commanding 28th Brigade write in a letter to Colonel Rowley, dated 26th September: "Please convey to all ranks my very high appreciation of the splendid behaviour of all ranks in yesterday's action. They did all that it was possible to do under such circumstances; their conduct was most gallant and fully upheld the fine reputation of the Die-Hards."

Source freespace.virgin.net/howard.anderson/loos.htm

S Guyett

Sidney GUYETT (RoH)

Private 241797, 1st/5th Battalion, Northumberland Fusiliers. Died 14th November 1916. Born Norwich, enlisted Norwich. Formerly 3165, Norfolk Regiment. Buried in THIEPVAL MEMORIAL, Somme, France. Pier and Face 10 B 11 B and 12 B.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=788145

No match on Norlink

No match on either the 1911 or 1901 Census, although there are plenty of Guyett’s in Norfolk,

The attack on Hook Sap 14th November 1916

Captain Francis Buckley wrote, in Q6a and Other Places:

The position in front was now as follows. The 1st Division had pushed the enemy back to a line running along the top of a ridge running from the Butte of Warlencourt practically due east. This ridge prevented our seeing the enemy's approaches and support positions in Le Barque. On the other hand from Loupart Wood the whole of our approaches and support trenches were in full view of the enemy, as far back as High Wood. Across those two miles no one could move in daylight without being seen by the enemy, and there was practically no position to put our field guns forward of High Wood. The enemy's front line consisted of two trenches - Gird Line and Gird support - with a forward trench on the top of the ridge, called on the left 'Butte Trench' and on the right 'Hook Sap.' Our front line Snag Trench and Maxwell Trench lay this side of the ridge and about two hundred yards away from the German forward trench.

The Butte of Warlencourt, an old Gallic burial place, was a round chalk hill, rising about 100 feet above ground level; and had been mined with deep dugouts and made into a formidable strong point. From the Butte, machine guns defended the approaches to Hook Sap, and from Hook Sap and the Gird Line, machine guns defended the approaches to the Butte. The ground between and around the opposing trenches had been ploughed up with innumerable shells, some of huge calibre, and it was now a spongy morass, difficult to cross at a walk and impossible at a run. As events proved, unless both the Butte and the Gird Line could be taken at the same time, the one would render the other impossible to hold. This then was the problem that faced the 50th Division, a problem that would have been difficult enough in the driest of weather, but rendered four times more so by the rain which fell in deluges on three days out of four during the whole of October and November.

I have dealt with these details rather fully, because this phase of the Somme battle has been passed over as a thing of no account. The eyes of the public have been directed to the successful operations at Beaumont Hamel and Beaucourt. They have not been directed to the misery and horror that we endured heroically but unavailingly on the slopes between Eaucourt L'Abbaye and Le Barque. Never have the soldiers of the 50th Division deserved more and won less praise than they did during the operations between October 25 and November 15. I have no pen to describe the conditions that were faced by the brave men, who after labouring unceasingly in the slimy horrors and rain for three weeks without rest or relief, stormed and took Hook Sap, only to be cut off and killed to the last man by successive counter- attacks. It is a sorrowful page in the history of the 7th N.F., but for stark grim courage and devotion to duty it cannot be surpassed by anything in the history of the battalion.

At dawn on November 14 the 149th Brigade attacked the Hook Sap and Gird Line, the 5th N.F. on the right, the 7th N.F. on the left opposite the sap At the same time the Australian Corps attacked farther to the right, but no attack was made on the Butte itself. An officer, who was in the trenches south-west of the Butte and saw the Northumberlands go forward, told me that he had never seen such a strange sight. The men staggered forward a few yards, tumbled into shell-holes or stopped to pull out less fortunate comrades, forward a few more yards, and the same again and again. All the while the machine guns from the German trenches poured a pitiless hail into the slowly advancing line; and the German guns opened out a heavy barrage on the trenches and on the ground outside. In spite of mud, in spite of heavy casualties, the survivors of two companies of the 7th N.F. struggled across that spongy swamp and gained the German line. What happened after that can only be conjectured, for they never kept in touch with the 5th N.F., who reached and took the Gird Line. But it is known that the 7th N.F. got a footing both in Hook Sap and in the Gird Line behind.

The Germans barraged the captured trenches twice or three times during the day, and are thought to have attacked them in force, with fresh reserves each time. Owing to the heavy and continuous barrage across No Man's Land no news could be got back, and no supports could be sent forward. Finally, at night, the remnants of the shattered brigade were collected, and another attempt were made to reach the trenches; but the Germans had evidently now got back to their old position and in the mud and darkness the fresh attack had little chance of success. Nothing more has been seen or heard of the two companies that reached Hook Sap. It is believed that they perished to the last man, over whelmed by successive German counter-attacks. Second-Lieut. E. G. Lawson fell at Hook Sap, also 2nd-Lieut. R.H.F.Woods, both Bombing Officers of the 7th N.F.; also Bombing Sergts. J.R. Richardson and J. Piercy.

The 5th N.F. did well indeed, for they succeeded in holding their ground in the Gird Line, and handed it over next day to the troops that relieved them. But that also had to be abandoned at last owing to its isolated position.

The only consolation that can be drawn from this heroic but tragic affair is that it may have created a diversion to our successful operation at Beaucourt. As an isolated operation it was doomed from the start owing to the state of the ground and the exhaustion of the men who took part in it.

www.fairmile.fsbusiness.co.uk/hooksap.htm

A Lake

A LAKE (RoH)

Either LAKE, Arthur Norman, Sapper 85613, 207th Field Company, Royal Engineers. Died 19th January 1917. Aged 34. Born Colegate, Norfolk, enlisted Norwich. Awarded the Military Medal (M.M.). Son of Mr. and Mrs. Fred W. Lake, of 36, Pitt St., Norwich; husband of Eliza Alice Lake, of 7, Rosebery Rd., Norwich. Buried in BREWERY ORCHARD CEMETERY, BOIS-GRENIER, Nord, France. Plot IV. F. 13.

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=59108

There is a picture of Arthur Norman on Norlink. Accompanying notes read Sapper Lake was killed on 19th January 1917

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

Arthur Norman was baptised at St George’s Colegate on the 12th October 1884. His actual date of birth isn’t noted. His parents are listed as Frederick William and Sarah, and their address is given as Pitt Street, Norwich.

Or LAKE, Arthur, Private 3921, 2nd Battalion, Northumberland Fusiliers. Killed in action 12th March 1915. Aged 19. Born and enlisted Norwich. Son of Mr. and Mrs. Lake. No known grave. Commemorated on PLOEGSTEERT MEMORIAL, Comines-Warneton, Hainaut, Belgium. Panel 2.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=869348

Norlink also has

Lake, Lance Corporal Arthur Walter, 101st Winnipeg Light Infantry (Overseas) Battalion

Lance Corporal Lake was born at Norwich, 31st December 1883, the son of W. Walter and Lottie Lake of 83 Crown Road, Great Yarmouth. He enlisted in early 1916 and was killed 9th April 1917 at Vimy Ridge, France.

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=2954741

His enlistment papers can be seen here

www.collectionscanada.gc.ca/databases/cef/001042-119.02-e...

To add to our plethora of choices, the 1901 census has an 8 year old Arthur, born Norwich and recorded at 15 Priory Yard in the Parish of St James with Pockthorpe. His parents are Walter and Eliza. There is also a 11 year old Arthur recorded at 117 Oak Street, who lives with parents Robert and Mary.

While Arthur Norman from Pitt Street is there, and Arthur Walter, who by the time of the 1901 census has moved to 83 Crown Road, Great Yarmouth, there is no trace of the youngest Arthur on either the 1901 or the 1911 census. The only Arthurs of the right age and with a Norfolk connection on the 1901 census were born at Stalham and Attleborough.

C G Marshall

Cecil George MARSHALL (RoH)

probably Private M/33836, "N" Forage Company (Cambridge), Royal Army Service Corps. Died in United Kingdom 4th November 1918. Aged 22. Born Eccles, Kent, enlisted Chatham, resident Maidstone. Husband of Mabel Sophia Marshall, of 9, Howletts Court, Botolph St., Norwich. Buried in NORWICH CEMETERY, Norfolk. Plot/Row/Section 47. Grave 803.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2803224

No match on Norlink

There is also a Claude at 67 Magpie Road Aged 8 Parents Thomas and Mary on the 1901 census who is still around in Norwich in 1911, but the only match on CWGC for a Claude Marshall is a Temporary Lieutenant in the 7th Battalion South Staffs Regiment, who died in 1917.

Unfortunately no next of kin details shown on CWGC

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=159629

Private Marshall’s headstone:-

www.flickr.com/photos/43688219@N00/3085037887/

G H Marshall

George Henry MARSHALL (RoH)

Private 772766, 2nd Battalion, Canadian Infantry (Eastern Ontario Regiment). Died 29th September 1918. Aged 30. Born 12th September 1888 in Norwich. Son of Robert and Sarah Marshall, of 26, Stacey Road, Norwich; husband of Ellen Mary Marshall, of King's Head Yard, Magdalen St., Norwich. Machinist by trade,. Unmarried. Enlisted 5th February 1916 at Brantford, Ontario, Canada, passed fit 7th February 1916. Height 5 feet 5½ inches, girth 35½ inches, complexion fair, eyes brown, hair light brown, religion Church of England. Buried in BUCQUOY ROAD CEMETERY, FICHEUX, Pas de Calais, France. Plot II. Row K. Grave 23. National Archives of Canada Accession Reference: RG 150, Accession 1992-93/166, Box 5952 - 17

CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=179082

There is a picture of George on Norlink

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

Accompanying notes read Private Marshall was born in Norwich on 21st September 1888, and educated at Angel Road School. He enlisted on 30th July 1916, and died of wounds received at the Battle of Cambrai on 29th September 1918

Interestingly the photo was taken at Bonds of Magdalen Street, Norwich.

The 12 year old George appears on the 1901 Census at 51 Esdelle Street in the parish of St Augustines. This is the household of his parents, Robert, (aged 43 and a Fruiterers Porter from Norwich), and Sarah, (aged 43 and also from Norwich). Their other children are:-

Robert……..aged 21.…..Born Norwich…..Printers Compositor

Edward……aged 20.…..Born Norwich…..Shoemakers Pressman

Walter……..aged 17.….Born Norwich…..Printers Porter

Albert……..aged 16.…..Born Norwich…..Errand Boy - Drapers

Sarah………aged 14.….Born Norwich

Rosa……….aged 11.….Born Norwich

Susan………aged 10.…Born Norwich

Eliza……….aged 8.…..Born Norwich

Arthur………aged 4.….Born Norwich

The enlistment papers for George Henry Marshall, born 12th September 1888 can be seen on-line in the Canadian Archive.

www.collectionscanada.gc.ca/databases/cef/001042-119.02-e...

He gives his next of kin as his father, Robert Marshall, of 26, Stacey Road, Norwich

27th September 1918

On the Corps left the 1st Division’s success paid tribute to careful planning and well-directed and determined execution. Two guns of the 1st Battery C.F.A. gave the 1st Brigade a good start by moving in front of Inchy-en-Artois and firing point-blank into enemy positions along the canal. Thus aided, the 4th Battalion, having crossed the dry bed with little difficulty, was able to jump ahead to the north-east and capture its assigned portion of the Marquion Line. Here the 1st Battalion pushed through as planned and secured the Green Line in short order. The 2nd and 3rd Battalions now assumed the lead, only to be stopped by heavy fire from the embanked railway which curved north from Bourlon. With the aid of a timely flanking attack by the 72nd Battalion they overcame this resistance and swept on to the Blue Line.

On the whole the day had gone very well. That night (General) Currie wrote in his diary: “Today’s success jeopardizes the hold of the enemy on the Quéant- Drocourt system north of the Scarpe, and he may be expected to fall back to Douai.” With the obstacle of the Canal du Nord overcome there was hope that Cambrai might soon be captured, and that the fall of Douai would follow. But gains had been limited on the Corps right, where the 4th Canadian Division, suffering from an open flank because of the slow progress of the British formations farther south, had been unable to start the second phase of the operation. During the night of 27-28 September, however, the Germans fell back. With his divisions ejected from their lines and lying unprotected in the open fields from Epinoy to Ribécourt, General von Below gave orders for a withdrawal to the far side of the Sensée between Arleux and Aubigny, and to the “Hagen” position running southward from Aubigny through Marcoing.108

On the evening of the 27th General Currie issued orders for the advance to continue throughout the night and following day in an effort to work around the north side of Cambrai and keep the enemy from setting up a defensive line west of the city.

The 2nd Battalion seems to have been engaged in holding the line on the 28th and 29th, as the various Canadian Reserve units were brought forward to keep the momentum going.

See Chapter 14, Matrix Nicholson Transcriptions.

Source: cefresearch.com/matrix/Nicholson/Transcription/

W H Mason

William Henry MASON (RoH)

Private Norfolk Regiment 1st/4th Battalion, Aged 21 Died 19/04/1917 200086 Son of Henry and Mary A. Mason, of 24, Rose Yard, St. Augustines, Norwich. Plot Panels 12 to 15. Buried in JERUSALEM MEMORIAL

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1646317

No match on Norlink

The five year old William H. is recorded on the 1901 Census at 11 Thompsons Yard in the Parish of St Edmunds. This is the household of his parents, Henry, (aged 46 and a Crepe Finisher from Morwich), and Mary.A., (aged 38 and from Norwich). Their other children are:-

May……….,,,,,,,,,,,,,,aged 10.…….born Norwich

Alice M……………..aged 9.……..born Norwich

Ethel………………aged 3.………born Norwich

Making up the household is a 1 year old boarder, Ernest Camplin

19th April 1917 During the 2nd Battle of Gaza,

Facing the Tank Redoubt was the 161st Brigade of the 54th Division. To their right were the two Australian battalions (1st and 3rd) of the Imperial Camel Corps Brigade who had dismounted about 4,000 yards from their objective. As the infantry went in to attack at 7.30am they were joined by a single tank called "The Nutty" which attracted a lot of shell fire. The tank followed a wayward path towards the redoubt on the summit of a knoll where it was fired on point blank by four field guns until it was stopped and set alight in the middle of the position.

The infantry and the 1st Camel Battalion, having suffered heavy casualties on their approach, now made a bayonet charge against the trenches. About 30 "Camels" and 20 of the British infantry (soldiers of the 5th (territorial Battalion of the Norfolk Regiment) reached the redoubt, then occupied by around 600 Turks who immediately broke and fled towards their second line of defences to the rear.

The British and Australians held on unsupported for about two hours by which time most had been wounded. With no reinforcements at hand and a Turkish counter-attack imminent, the survivors endeavoured to escape back to their own lines.

To the right (west) of Tank Redoubt, the 3rd Camel Battalion, advancing in the gap between two redoubts, actually made the furthest advance of the battle, crossing the Gaza-Beersheba Road and occupying a pair of low hills (dubbed "Jack" and "Jill"). As the advances on their flanks faltered, the "Camels" were forced to retreat to avoid being isolated.

Source: en.wikipedia.org/wiki/Second_Battle_of_Gaza

E S Plumstead

Ernest Sidney PLUMSTEAD (RoH)

Gunner 875273, "A" Battery, 173rd Brigade (Territorial Force), Royal Field Artillery Killed in action 15th October 1918. Born and enlisted Norwich. Buried in DADIZEELE NEW BRITISH CEMETERY, Moorslede, West-Vlaanderen, Belgium. Plot I. Row C. Grave 35.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=163254

No match on Norlink

The 3 year old Ernest is recorded on the 1901 census at 55 Peacock Street in the Parish of St Pauls. This is the household of his parents, Samuel, (aged 41 and a Painter from Norwich), and Alice, (aged 31 and from Norwich). Their other children are:-

Percy……………….aged 8.………born Norwich

Alice……………….aged 6.………born Norwich

Arthur………………aged 5.……..born Norwich

Also living with them is Samuel’s Sister-in-Law, (and therefore probably Alice’s sister), Susan Saddleton, aged 19 and a Silk Weaver in a Crape Factory. Susan was also from Norwich.

CLXXIII (East Ham) Brigade: War Raised Unit; Formed at East Ham in 1915 and consisted of A, B, C and D Batteries; 36th (Ulster) Division. The Division moved to France 3-6 Oct 1915; Divisional Artillery remained in England until November 1915.

Forum Post,

14th - 15th October 1918

During the liberation of my village (Gulleghem, incl hamlets such as Salines, Steenbeek, Drie Masten...), 43 soldiers were killed and burried on the spot, the graves scattered all over the village. A document in the village archive lists their names, numbers and regiments. Most of the killed men were from the 29th Division (a few from the 35th and 36 division) serving with the South Wales Borderers, the Royal Scots, the Hampshire regiment, the Border Regiment, King's Own Scottish Borderers, Machine Gun Corps, Royal Inniskilling Fusiliers and Royal Field Engineers

(Gunner Plumstead is in the attached list)

1914-1918.invisionzone.com/forums/index.php?showtopic=104003

J W Scottow

John 'Jack' William SCOTTOW (RoH)

Gunner 101885, 355th Siege Battery, Royal Garrison Artillery. Died of wounds 21st August 1918. Born Heigham, enlisted Norwich. Buried in DAOURS COMMUNAL CEMETERY EXTENSION, Somme, France. Plot V. Row B. Grave 27.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=77657

There is a picture of Gunner Scottow on Norlink

norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...

The accompanying notes read Gunner Scottow was born in Norwich in March 1887. He enlisted in August 1916, and was killed in action on 21st August 1918

On the 1911 census, a John Scottow, born Norwich circa 1887, is recorded in the district of Dartford. Other possibly related Scottow’s are a Mary, (born circa 1883, Norwich - possibly John’s wife?), and a Richard, (born circa 1909 Norwich - possibly John’s son?).

There isn’t a match on the 1901 census. On the 1891 census, the 3 year old John W is recorded at 29 Orchard Street in the parish of St Bartholomews. This is the household of his parents, John, (aged 39 and a Carpenter & Joiner from Alby, Norfolk), and Elizabeth, (aged 36 and from Hanworth). Their other children are:-

Mary……..,,,,,,,,,aged 17.….born Norwich…….Teacher:Elementary

George……,,,,,,,,aged 15.…born Norwich…….Labourer as a Packer

Elizabeth……….aged 13....born Norwich

Havvield(? Daughter)…..aged 1.…born Norwich

G Snelling

Gordon SNELLING (RoH)

Private 30316, 8th Battalion, Norfolk Regiment. Killed in action 11th May 1917. Born St Saviour, Norwich, enlisted Norwich. No known grave. Commemorated on ARRAS MEMORIAL, Pas de Calais, France. Bay 3.

CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1653957

No match on Norlink

On the 1901 census the 8 year old Gordon is recorded at 8, Little White Horse Yard, Botolph Street, in the Parish of St Saviour. This is the household of his parents, George, (age 39 and a Shoemaker from Norwich), and Emma, (also aged 39 and from Norwich). Their other children are:-

George………aged 13.……..born Norwich

Emma……….aged 10.……..born Norwich

William……..aged 4.……….born Norwich

Walter………aged 1.……….born Norwich

The 18th Division, of which the 8th Battalion were part, lists amongst its battle honours the third battle of the Scarpe, (3rd May-5th May 1917), part of the wider Battle of Arras. However, while fatalities amongst the 8th continued through-out May, its difficult to establish there whereabouts during this period.

Oi by Rocio Larsson

19

Details:

modemacher.blogspot.com/2015/06/call-me-baby.html

St. Nicholas' Church, Nicholforest by HelsRH

2 2

www.nicholforestparish.co.uk/church.html#history

Holy Russia, Moscow Architecture, Golden Cupolas of the Resurrection Church in Kadashi Sloboda, 2nd Kadashevsky Lane, Zamoskvorechye district. Православнаѧ Црковь. by Alexander SACALEVIC

64 15

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

..

.

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

https://paysagepoetconseiljardin.over-blog.com/2024/12/le-castillet-de-perpignan-avec-la-grande-roue-et-un-effet-zooming.html by Katy Maupin

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"121212" [347/366] by Miguel Durán

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Constrained Ball, a Strange New Device for Straight Lines by Design Inspiration Gallery

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Russian Federation, Holy Moscow. Donskoy Monastery. From left to right Cathedrals of the Don icon of the Mother Of God The Old since 1593 & the Great (or the New) since 1698, Donskaya Square, Donskoy district. Православнаѧ Црковь. by Alexander SACALEVIC

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ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

Película cristiana completa | "El camino de la conducta humana" Dios alaba a las personas honestas by Conocer la Iglesia de Dios Todopoderoso

4

Película cristiana completa | "El camino de la conducta humana" Dios alaba a las personas honestas

Desde una edad temprana, los padres y profesores de Cheng Jianguang le enseñaron que normas como "la armonía es un tesoro; la tolerancia, una virtud", "callar ante las faltas de los buenos amigos lleva a amistades buenas y duraderas" o "aunque veas mal, lo mejor es decir poco" eran las piedras angulares para mantener una buena relación con los demás. Él se tomó en serio estas lecciones y aprendió a no ofender nunca con sus acciones ni con su forma de hablar y a cuidar siempre de sus relaciones con los demás, lo cual le valió la reputación de "buen hombre" entre quienes lo rodeaban. Después de aceptar la obra de Dios Todopoderoso en los últimos días, Cheng Jianguang aprende de la palabra de Dios que sólo buscando la verdad y siendo un hombre honesto puede ganar la aprobación de Dios y que Él le conceda su salvación, así que jura convertirse en una persona honesta. Sin embargo, en el desempeño de su deber, se ve limitado por su carácter corrupto y es incapaz de dejar de actuar según filosofías de vida satánicas. Cuando descubre que un líder de la Iglesia no actúa conforme a la verdad en su deber, lo cual influye en la obra de la Iglesia, Cheng Jianguang decide proteger su relación con dicho líder y no plantea de inmediato el problema. Cuando una hermana acude a él en busca de una respuesta que le exigirá ser convincente y proteger los intereses de la Iglesia, Cheng Jianguang elige mentir, engañar y huir de sus responsabilidades porque teme ofender a los demás. Como resultado, el Gobierno comunista chino detiene a las hermanas. A medida que los hechos y la palabra de Dios lo exponen, lo juzgan y lo ponen al descubierto una y otra vez, Cheng Jianguang entiende que la lógica y las normas según las que actúa son toxinas satánicas y que lo que vive es un carácter corrupto. Además, llega a ver que la esencia de ser sumiso es la de una persona falsa, alguien a quien Dios detesta y desprecia, y que, si un hombre sumiso no se arrepiente y cambia, inevitablemente será rechazado y eliminado por Dios. También entiende que sólo siendo honesto puede ser una buena persona. Así que lucha para buscar la verdad y ser una persona honesta y, bajo la guía de la palabra de Dios, finalmente logra vivir a cierta semejanza de una persona honesta y recorrer la senda de la salvación de Dios.

adidas skateboarding adi ease by POPNAME

6

www.popname.cz/cze/produkty.html/adidas

for little number four by JenniferCasa

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blogged : JCasa *handmade

Crown by momo Beatty

21

momosl.blogspot.jp/2013/12/crown.html

AU0J3CA0-20191027Dios es el único Soberano del destino del hombre-A-02-2K-ZB by Domiciano Murillo Quesada

4 2

Música cristiana | Dios es el único Soberano del destino del hombre

www.kingdomsalvation.org/es/videos/sole-sovereign-of-mans...

I

No importa cuán lejos has caminado en tu vida

ni cuán anciano seas,

no importa cuán largo sea el resto de tu viaje,

debes aceptar la autoridad de Dios,

tómate en serio saber que Él es tu único Señor.

No importa cuán grandes sean tus capacidades,

el destino de otros no se puede influenciar,

mucho menos orquestarlo, cambiarlo o controlarlo.

Sólo el único Dios todo lo dicta,

pues sólo Él tiene la autoridad para regir el destino del hombre,

y por eso sólo el Creador es el Señor del hombre.

II

Todos deben saber con claridad

que Dios controla el destino humano.

Es la clave para conocer la vida humana y la verdad,

conocer a Dios cada día.

No puedes tomar atajos para alcanzar este objetivo.

No importa cuán grandes sean tus capacidades,

el destino de otros no se puede influenciar,

mucho menos orquestarlo, cambiarlo o controlarlo.

Sólo el único Dios todo lo dicta,

pues sólo Él tiene la autoridad para regir el destino del hombre,

y por eso sólo el Creador es el Señor del hombre.

III

De la soberanía de Dios, no puedes escapar.

Del hombre, Dios el único Señor del destino del hombre.

Por eso el hombre no puede dictar su destino;

es imposible para él sobrepasarlo.

No importa cuán grandes sean tus capacidades,

el destino de otros no se puede influenciar,

mucho menos orquestarlo, cambiarlo o controlarlo.

Sólo el único Dios todo lo dicta,

pues sólo Él tiene la autoridad para regir el destino del hombre,

y por eso sólo el Creador es el Señor del hombre.

De “Seguir al Cordero y cantar nuevos cánticos”

Escuchar más: Canciones cristianas evangélicas

Χριστιανικά τραγούδια | Ω! Παντοδύναμε Θεέ,είσαι τόσο ένδοξος by Enxin Li

5

el.godfootsteps.org/videos/Almighty-God-you-are-so-glorio...

Ύμνοι

Χριστιανικά τραγούδια | Ω! Παντοδύναμε Θεέ,είσαι τόσο ένδοξος

Παντοδύναμε Θεέ, ύστατε Χριστέ, Σύ ‘σαι ο επανερχόμενος Σωτήρ.

Μιλάς στους ανθρώπους και κρίνεις τη αληθεία τον άνθρωπο.

Ο λόγος Σου έχει εξουσία και δύναμη, τον άνθρωπο εξαγνίζει απ' την διεφθαρμένη διάθεση.

Ο λόγος Σου αποκαλύπτει παντοδυναμία και Θεία δικαιοσύνη.

Ο λόγος του Θεού κρίνει τον παλιό κόσμο, κρίνοντας λαούς και έθνη.

Ο λόγος του Θεού όλα τα καταφέρνει. Ο Θεός ήδη νίκησε τον Σατανά.

Δόξα Σοι, Παντοδύναμε Θεέ! Τόσο ένδοξος όντως Είσαι.

Όλα τα έθνη κι οι λαοί προστρέχουν στα θαυμαστά Σου έργα.

Θεέ μεγαλοδύναμε, τον μεγάλο κόκκινο δράκο έχεις για υπηρέτη.

Ο Σατανάς μάς διώκει, η νίκη έρχεται από δοκιμασίες.

Όλους τους ολοκληρώνει ο Θεός, τον μεγάλο κόκκινο δράκο απαρνιούνται.

Χάθηκε ο Σατανάς. Εδώ είναι βασιλεία Θεού.

Όλοι προστρέχουμε στη Θεία εξουσία επί γης.

Η αλήθεια φανερώνεται. Φωνές υψώστε για τον Θεό!

Δόξα τω Θεώ, δόξα τω Θεώ! Παντοδύναμε Θεέ, τόσο ένδοξος Είσαι.

Όλοι προστρέχουν με χαρά στη θαυμαστή Σου σοφία.

Το έργο του Θεού έχει γίνει και θα γυρίσει στη Σιών.

Σώθηκε η ανθρωπότητα από του Σατανά το σκότος.

Ο λόγος Του καρποφορεί, η μοίρα καθενός έχει αποκαλυφθεί.

Τους αληθείς ευλογεί ο Θεός και τιμωρεί όσους μισούν.

Μεγάλες καταστροφές καταστρέφουν τον κόσμο. Ο λαός του Θεού θα παραμείνει.

Όλα τα έθνη στο θρόνο προσέρχονται. Ο λαός του Θεού τη δόξα υμνεί.

Δόξα τω Θεώ, δόξα τω Θεώ! Παντοδύναμε Θεέ, τόσο ένδοξος Είσαι.

Έθνη και λαοί για αγαλλίαση προστρέχουν, στη θαυμαστή σοφία Σου.

από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»

Παντοδύναμε Θεέ, είσαι τόσο αγαθός!

Εκκλησιαστικοί ύμνοι

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.godfootsteps.org/disclaimer.html

42nd Sony Aquarium 2009 by ai

6 2

www.sonybuilding.jp/aqua09/main.html

Purple by Elsa Mora

18 18

Top: Got it from a children's store :)

Skirt: H&M

Shoes: Aldo

Belt: Anthropologie

Blogged here: elsita.typepad.com/thehiddenseed/2009/03/my-entry.html#co...

Canadian National Track Inspection Car at Blue Island, Illinois by Laurence's Pictures

19 10

Canadian National Railway RDC # CN 1501 at Blue Island, Illinois, USA.

On Blue Island:

www.dhke.com/CRJ/blueisland.html

One of the most fascinating rail hotspots anywhere, it's hard to know where to begin a description of it. Let's start by noting that Broadway crosses the entire maze approximately in the middle. Entering from the southeast is the double track CSX (B&OCT) main line coming from Barr Yard. Entering from the south and running alongside CSX for a short distance is the double track Indiana Harbor Belt line from Blue Island Yard. The CSX line then heads directly north into Chicago, while the IHB runs northwest for several miles before heading due north through the western suburbs of Chicago. There is an important crossover between the two lines just south of Broadway. Many CSX trains departing Barr Yard transfer to the IHB at this point, and the northwest line is best thought of as a joint CSX/IHB route. CSX actually owns and maintains the track from here to a point a few miles south of LaGrange, Illinois, but IHB dispatches it and is otherwise responsible for its operation. From there north to the line's terminus at Franklin Park, Illinois, IHB owns the line outright.

Entering from the south and heading in a northerly direction into Chicago is the double track Canadian National (ex-GTW) mainline, which crosses the joint line just north of Broadway. Entering the junction from the southwest, and about 30 yards west of CN, is a single track line used by Iowa Interstate and once in a great while by CSX and Chicago Rail Link. This line extends north from the junction and feeds into the joint line. Trains using it sometimes back down the joint line to access Barr and Blue Island Yards. Between the CN and IAIS lines is a connector track, providing access to a small CN yard just south of the junction. This connector has seen increased traffic recently--CN trains often use it to access the joint line, on which they now have trackage rights.

If the above were all there was, Blue Island would be a great place for trains. But there's more: at the south end of the plant, the Metra (ex-Rock Island) line crosses over the whole mess (Metra is the Chicago commuter train authority and they own the Rock Island tracks between Chicago and Joliet, Illinois). At the southwest corner of the junction, the IAIS track at the west end climbs up to connect with the Metra line.

Roughly 90 to 100 trains plow through the junction on a typical day, not counting the commuter trains and occasional freights on the overhead line. The joint line sees the most action, but CSX and CN are busy lines as well. A small tower on Broadway in the middle of the junction houses the crossing gates operator. The interlocking tower is at the far north end of the junction across the Calumet Sag Channel and is clearly visible from Broadway. All of the tracks at the junction cross the channel on rugged, formidable truss bridges that look like they were built a thousand years ago (and are good for another thousand as well). The bridges on the north and the overhead Rock Island tracks on the south make Blue Island unique among busy junctions here or anywhere else.

The Line by mars tokyo

4 8

teenytheaters.com/tratto.html

Tutte le creazioni di Dio devono stare sotto il Suo dominio by Adamo George

4 1

Fonte dell'immagine: La Chiesa di Dio Onnipotente

Condizioni d'Uso: it.easternlightning.org/disclaimer.html

I

Dio ha creato ogni cosa e Lui fa sì che tutto si sottometta al Suo dominio. Dio comanda ogni cosa, controllandola nelle Sue mani. Le cose viventi, montagne, fiumi e l'uomo sono tutte sotto la Sua autorità. Tutto in cielo e in terra deve essere sotto il Suo dominio. Tutto si deve sottomettere senza nessuna scelta. È ciò che decreta, è la Sua autorità.

II

Dio ha creato ogni cosa e Lui fa sì che tutto si sottometta al Suo dominio. Dio comanda ogni cosa. Tutto ordina e dispone, classificandolo per tipo e collocandolo secondo il Suo volere. Tutto in cielo e in terra deve essere sotto il Suo dominio. Tutto si deve sottomettere senza nessuna scelta. È ciò che decreta, è la Sua autorità.

III

Non importa quanto una cosa possa essere grande, nulla supera Dio. Tutto serve colui che Dio ha creato, nessuno osare sfidarLo potrà, nessuno fare richieste potrà. Anche l'uomo, creatura di Dio deve compiere il suo dovere. Non conta quanto maestro, sovrano di tutte le cose o elevato esso sia, un piccolo uomo dinanzi a Dio egli sempre sarà. Una creatura di Dio non sarà mai al di sopra di Dio. Mai più potente di Dio sarà. Tutto in cielo e in terra deve essere sotto il Suo dominio. Tutto si deve sottomettere senza nessuna scelta. È ciò che decreta, è la Sua autorità.

da "La Parola appare nella carne"

Fonte: it.easternlightning.org/witness-God/come-under-God-s-domi...

The Chapel by A.Davey

9

Heavily damaged by fire in 1820, St Olaf's was consecrated and reopened in 1840.

www.johnpettitt.com/html/st_olaf-s.html

========================================================

The altar of the St. Olaf's Church

The Altar of the St. Olaf's Church and the painting of the altar originate from the first half of the 19th century. The Altar and the painting of the altar are one of the earliest and most grandest creations made in pseudogothic style in Estonia. The current altar was ordered to the church after the ruin of the previous altar in 1820's fire.

The eight-meter high altar wall was cut from dolomite in 1828-1836 by a well-known stonecutter from Tallinn, Johann Gottfried Exner.

The painting of the altar, "Christ on the Cross", which is on the altar wall, was painted in 1833 by well-known painter Wilhem von Kügelgen, who also painted the paintings of other churches in Tallinn. The painting of the Altar represents Christ on the Cross and mourning people around him. Certainly, they are Mary, the mother of Jesus and John, the disciple of Jesus. According to the legend, Kügelgen also painted himself and his wife in the painting to mourn.

The most important part of the altar - the table of altar was cut out by stonecutters of Tallinn, Friedrich von Maydell and Johann Gottfried Exner in 1835.

translate.google.com/translate?hl=en&sl=et&u=http...

========================================================St. Olaf’s Church or St. Olav's Church (Estonian: Oleviste kirik) in Tallinn, Estonia, is believed to have been built in the 12th century and to have been the centre for old Tallinn's Scandinavian community before Denmark conquered Tallinn in 1219.

Its dedication relates to King Olaf II of Norway (also known as Saint Olaf, 995–1030). The first known written records referring to the church date back to 1267, and it was extensively rebuilt during the 14th century.

In origin, St. Olaf's Church was part of the united western tradition of Christianity, whose polity continues in the Roman Catholic Church today.

However, during the Reformation the church became part of the Lutheran tradition. Eventually proving surplus to the requirements of the Evangelical Lutheran Church in Tallinn, St. Olaf's Church became a Baptist church in 1950.

The Baptist congregation continues to meet at St. Olaf's today.

From 1944 until 1991, the Soviet KGB used St. Olaf's Church's spire as a radio tower and surveillance point. After several rebuildings, its spire is now 123.8 meters (406.1 ') tall.

en.wikipedia.org/wiki/St._Olaf's_Church,_Tallinn

Look No. 384 # News @ NS:: & ColdAmbitionz! http://xashystylex.blogspot.com/2014/04/look-no-384-news-ns-coldambitionz.html by ♔ Aѕнy Hαяυ Ƈнαη 春

10 1

Maria Rosetti - Romanian 1848 Revolutionary by Constant

20 10

Maria Rosetti, (née Mary Grant), (b. 1819, Guernsey - d. 1893, România), 1848 Revolutionary, Charity Worker, Auxiliary Nurse during the 1877 War, of Independence, Spouse of C. A. Rosetti. Portrait by Samuel Rosenthal entitled "Liberty"

She comes to life in the pages of an Anthology entitled:

"Blouse Roumaine - the Unsung Voices of Romanian Women"

Presented and Selected by Constantin ROMAN

Anthology E-BOOK (11BM)

DISTRIBUTION: Online with credit card

COST: $ 54.99, £34.99 (ca Euros 35.50)

LINK: www.blouseroumaine.com/orderthebook_p1.html

CONTENTS:

2,250,000 words,

over 1,000 pages,

ca 160 illustrations in text

160 critical biographies,

58 social categories/professions,

600 quotations (mostly translated into English for the first time),

circa 3,000 bibliographical references (including URLs and credits)

6 Indexes (alphabetical, by profession, timeline, quotation Index, place

index and name index)

AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.

INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status

Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)

NOTE:

Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.

-----------------------------------------------------------------------------------------------------------

LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)

AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu

BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur

CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza

DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu

EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün

FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida

GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza

HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin

II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian

JJ *Doina Jela *Lucretia Jurj

KK *Mite Kremnitz

LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu

MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci

NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac

OO *Helen O’Brien *Oana Orlea

PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu

RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco

SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck

TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini

UU *Viorica Ursuleac

VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu

WW *Sabina Wurmbrand

ZZ *Virginia Zeani

Note the intricate motifs on the sleeve, reminiscent of motifs used in Celtic art.

This is a view on Court Church of the Supreme Apostles Peter and Paul (historically, now Church Museum of the Peterhof Grand palace) from Upper Gardens of Peterhof, Petergof town, Petrodvortsovy district of Saint-Petersburg, Russian Federation. by Alexander SACALEVIC

81 18

traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

.

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan