HTML photos on Flickr

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

Τα πάντα ζουν με τους νόμους και τους κανόνες που έθεσε ο Θεός by Sean M. Ball

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6

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Ύμνος των λόγων του Θεού

Τα πάντα ζουν με τους νόμους και τους κανόνες που έθεσε ο Θεός

I

Χιλιάδες χρόνια πέρασαν,

κι ο άνθρωπος απολαμβάνει

το φως, τον αέρα,

τα δώρα του Θεός.

Την πνοή του Θεού

εισπνέει και εκπνέει

ακόμα ο άνθρωπος.

Τα δημιουργήματα του Θεού

ο άνθρωπος απολαμβάνει,

τα ψάρια, τα πουλιά,

τα λουλούδια και τα έντομα.

Ο άνθρωπος απολαμβάνει

όλα όσα έχει δώσει

κι έχει προσφέρει ο Θεός.

Η μέρα κι η νύχτα

διαδέχονται η μία την άλλη.

Εναλλάσσονται οι τέσσερις εποχές.

Στον ουρανό πετούν,

οι χήνες, φεύγουν τον χειμώνα,

την άνοιξη ξαναγυρνούν.

Στα ποτάμια, στις λίμνες,

τα ψάρια ποτέ

δεν εγκαταλείπουν

το υδάτινο σπίτι τους.

II

Τις μέρες του καλοκαιριού,

τζιτζίκια τραγουδούν

διαρκώς τη χαρά τους δυνατά.

Τις μέρες του φθινοπώρου,

τα τριζόνια λένε

το δικό τους τραγούδι

στου ανέμου τον ρυθμό.

Οι χήνες φτιάχνουν σμήνη,

ενώ οι αετοί πετούν μόνοι.

Τα λιοντάρια κυνηγούν,

ενώ τα ελάφια μένουν στο χορτάρι

και στα λουλούδια…

Κάθε πλάσμα αυτού του κόσμου

έρχεται και φεύγει διαρκώς,

χιλιάδες αλλαγές κάθε στιγμή.

Αυτό που δεν αλλάζει ποτέ

είναι τα ένστικτα

και της επιβίωσης οι νόμοι.

Όλα ζουν και τρέφονται

με την πρόνοια του Θεού.

Τα ένστικτά τους κανείς

δεν μπορεί ν’ αλλάξει,

κανείς δε μπορεί

να σπάσει τους νόμους

της επιβίωσής τους.

Κανείς δε μπορεί

να σπάσει τους νόμους

της επιβίωσής τους.

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

CATWALK 3221 by Evelin Knoop

7 2

www.maedchenflohmarkt.de/schuhe/catwalk.html

The Apollo quadriga by the sculptor Peter Klodt on the Bolshoi theatre building in Moscow, Russia. Symbols of Horses names: an Eritrean - sunrise, an Ephope - flaming, a Lamp - shining, a Phylogee - sunset. by Alexander SACALEVIC

106 31

traveladventureeverywhere.blogspot.com/2017/08/moscow-voy...

..

.

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

Research at the Danish Parliament Christiansborg for COPENHAGEN ULTRACONTEMPORARY BIENNALE with the ART DELEGATION by Thierry Geoffroy / Colonel : Artist

13

researches for COPENHAGEN ULTRACONTEMPORARY BIENNALE

copenhagenbiennale.org/

-------

a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---

check date and place here www.facebook.com/CopenhagenBiennale

COPENHAGEN ULTRACONTEMPORARY BIENNALE

main : copenhagenbiennale.org/

www.facebook.com/CopenhagenBiennale

www.emergencyrooms.org/formats.html

www.emergencyrooms.org/

meanwhile during Venice Biennale contemporary art will be shown by

ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe

ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane

AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo

AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo

ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto

BALOJI, Sammy BARBA, Rosa

BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra

BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian

BONVICINI, Monica BOYCE, Sonia

BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania

BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei

CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany

COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT

DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene

E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun

EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily

FRIEDL, Peter FUSCO, Coco FUSINATO, Marco

GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora

GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina

GULF LABOR GURSKY, Andreas HAACKE, Hans

HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay

HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert

IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya

JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung

KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David

LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim

MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris

MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve

MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar

MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf

OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian

PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE

(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili

RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa

SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi

SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael

SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW

TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

curatorialprojects.brooklynrail.org

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

rejectedblogsl.blogspot.com/2011/12/metropolitan.html

Xanadu

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Dream Amsterdam Foundation

www.dreamamsterdam.nl

www.nikunja.org/xanadu

Universities and Associations that have joined the project

Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna

Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena

Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale

Bice Curiger Massimiliano Gioni

A Parliament for a Biennale

Paolo Baratta, President of la Biennale di Venezia

Okwui Enwezor the ARENA Karl Marx’s Das Kapital

Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara

Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

Schiphol #2 by Herald

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(best viewed in Large)

2 july, 2010

View Large On Black ?

Schiphol is an important European airport, ranking as Europe’s 3rd largest and the world’s 14th largest for cargo tonnage. It also ranks as the world’s 3rd largest by international passenger traffic as well as Europe’s 5th and the world’s 14th busiest by overall passenger volume. Additionally, Schiphol ranks as Europe’s 5th and the world’s 17th busiest airport by number of flights, handling 446,569 traffic movements in 2008, a 1.7% drop on 2007. Schiphol's main competitors as in passenger and cargo throughput are London Heathrow Airport, Frankfurt Airport, Paris-Charles de Gaulle Airport and Madrid-Barajas Airport. In 2007, Schiphol handled 47,430,019 passengers in 2008, 0.8% down on 2007, ranking it fifth in Europe behind London, Paris, Frankfurt and Madrid. There are 188 loading slots in the whole airport. About 68% of the passenger flights were to Europe, almost 21% of its passengers travelled on intercontinental flights and 11% to Asia; cargo was mainly headed to Asia (44%) and North America (20%). In the same year, Schiphol handled 1,602,585 tons of cargo in 2008, a 3% downturn on 2007, ranking it third in Europe behind Paris and Frankfurt. In 2005 direct flights were operated to more than 260 destinations in 91 countries. The airport is one out of four airports in the world to have a rating of four stars in Skytrax's grading system.

Schiphol has five main runways, plus one used mainly by general aviation aircraft. The northern end of the Polderbaan, the name of last runway to be constructed, is 7 km north of the control tower, causing lengthy taxi times (up to 20 min) to the terminal. Plans have been made for a seventh runway.

The airport is built as one large terminal, split into three large departure halls, which converge again once airside. The most recent of these was completed in 1994, and expanded in 2007 with a new part, named Terminal 4, although this part is not recognised as a separate building. Plans for further terminal expansion exist, including the construction of a separate new terminal between the Zwanenburgbaan and Polderbaan runways that would end the one-terminal concept.

Because of intense traffic and high landing fees, some low cost carriers decided to move their flights to smaller airports, such as Rotterdam The Hague Airport and Eindhoven Airport. Many low cost carriers (like easyJet or Bmibaby) continue to operate from Schiphol, using the low-cost H-pier.

Schiphol is the home base of KLM (Royal Dutch Airlines), Arkefly, Martinair, Amsterdam Airlines and Transavia.

The Schiphol Air traffic control tower, with a height of 101 metres (331 ft), was the tallest in the world when constructed in 1991. Schiphol is geographically one of the world's lowest major commercial airports. The entire airport is below sea level; the lowest point sits at 11 feet (3.4 m) below sea level (or 4.5 feet (1.4 m) below the Dutch Normaal Amsterdams Peil (NAP)); the runways are around 3 metres (9.8 ft) below NAP.

(Wikipedia)

#Metropolitan# by Tea Xofan

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Volontari [Volunteers] by Luca Napoli

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The complete project -> lucanapoli.altervista.org/volontari.html

Turkyan è un ragazzo del 1975, Macedone. Lui aveva possedimenti ed una bella casa in Macedonia. Ha perso tutto a causa della guerra. Una persona solare che si intristisce un pò quando parla della sua famiglia (moglie e due figli) rimasti in Macedonia a cui periodicamente spedisce soldi.

Dorme in un rifugio di fortuna e passa una volta alla settimana in Caritas per fare la doccia.

--------------------------

Turkyan is from Macedonia. He used to be rich. He lost everything because of the war.

He is alone in Italy. The wife and the kids are still in Macedonia. Thanks to Caritas he takes a shower once a week.

Una piccola Caritas di un paese di provincia. Uno sparuto gruppo di volontari talvolta ben oltre i 70 anni.

Un gruppo di donne e uomini che si occupa della distribuzione di cibo e di indumenti.

Cinquanta metri quadri ricavati da un piccolo locale con sottoscala al lato di una parrocchia; è qui che ogni settimana si presentano donne e uomini di diverse etnie ed estrazione sociale chiedendo cibo e vestiti.

Scorre in questo angusto spazio tutta l'ingiustizia della moderna società.

------

A small Caritas charity group in a small provincial village. A scanty group of volunteers, at times aged well over seventy.

A group of men and women taking care of distributing free food and clothes.

Fifty square meters in a tiny structure next to a parish. It is here that every week men and women belonging to different ethnic groups and social ranks turn up, begging for food and clothes.

All the injustice of modern society flows in this tight space.

Jul 9, 2009 - Full moon over 96th St. by Ed Yourdon

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Note: this photo was published in a Jul 24, 2009 blog titled "Full moon." It was also published in a Dec 6, 2009 blog titled "The business world is full of two kinds of people—builders and traders." And it was published in a Dec 31, 2009 blog titled "Once in a Blue Moon: Be Sure to Look Up This New Year’s Eve."

Moving into 2010, the photo was published in a Jan 29, 2010 blog titled "Friday Recap: Wolf Moon Edition," which discussed the "wolf moon" phenomenon that occurred on Jan 29th. Unfortunately, it had nothing to do with this photo -- which was taken roughly six months earlier. Indeed, I had considered photographing the "real" wolf moon, but by the time I became aware of it, it was already high in the sky and no longer interesting from a photographic perspective. Interestingly, it was also situated quite a lot further north than this particular photo -- in which the moon had risen right above 96th Street, and illuminated part of the entrance into Central Park...

Anyway, it was also published in a Jul 4, 2010 blog titled "Events for or Less Sunday." It was also published in an Oct 6, 2010 blog titled "Folklore Confirmed: The Moon's Phase Affects Rainfall (via @sciencenow)," and an Oct 29, 2010 blog titled "The Secret Behind Day Trading Software And a Reason to Use It." It was also published in a Nov 6, 2010 blog titled "Day Trading Software Along With the Perks of Technology," and a Nov 8, 2010 blog titled "How to Select the Best Day Trading Software." It was also published in a Dec 8, 2010 blog titled "E mini S&P Index Trading Perfect Tool for Full-TIme Day-traders."

Moving into 2011, the photo was published in an Apr 24, 2011 blog titled "Will you see a fuller moon tonight … or tomorrow?" And it was published in a Jul 14, 2011 blog titled "Understanding full moon," which was republished in a Jan 8, 2012 blog with the same title . It was also published in an Aug 29, 2011 blog titled "Day Software Stock Trading – Is Trading Software Right Choice For You?

Moving into 2012, the photo was published in a Jan 11, 2012 Slate France blog titled "La Lune est-elle à la portée des entrepreneurs?" It was also published in a Sep 7, 2012 blog titled "Has the Moon created the world’s most enduring optical illusion?"

Moving into 2013, the photo was published in a Feb 25, 2013 blog titled "Understanding Full Moon."

Moving into 2014, the photo was published in a Mar 7, 2014 blog titled "Nightshift."

Note: A large percentage of my "landscape" photos (including the ones in this set) are now copyright-protected, and are not available for downloads and free use. You can view them here in Flickr, but if you would like prints, enlargements, framed copies, and other variations, please visit my SmugMug "NYC HDR" gallery by clicking here.

***************************

These photos were taken a couple days after my first HDR efforts on the 4th of July weekend, in an attempt to get a decent image of the full moon rising over the east side of Manhattan, from the terrace of my apartment over on the Upper West SIde. Not particularly memorable or spectacular results, but it gave me a chance to experiment with some of the parameters and settings in the Photomatix program I'm using to merge/combine the HDR shots.

Full disclosure: in addition to the HDR shots, I also took some "traditional" shots of the full moon a little later, after it had risen higher in the sky; these were taken with a manual setting of f/11 and 1/250th second (as recommended by Scott Kelby, in his Digital Photography books). I then used Adobe Photoshop Elements to extract just the moon out of that photo, and pasted it into this HDR composition in a separate "layer", which I was then able to enlarge to a ridiculous extent.

The original HDR image had a much more interesting orange-colored moon ... but when I tried to blow it up to a larger size, using Photoshop, the edges were so rough and grainy that it was embarrassing. So I think I'll stick with this composite, for better or worse...

********************

I tried an HDR (high dynamic range) photo once a year ago, but for some reason never pursued it. But it seems that more of and more of the "interesting" photos that I see on Flickr are HDR shots, so I decided to give it another try. The initial set of photos were taken from the rooftop of my apartment building at sunset, on the Sunday evening of 4th of July weekend.

I still have a *lot* to learn about this stuff, but even as a first attempt I'm staggered by what the tonal-mapping software programs (Photomatix, in my case) are capable of doing...

" Santa Rita Di Cascia " de Siquijor by lowen bau

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kaka interesado para sakin ang imahen na ito.... so hope you enjoy reading it as much as i did

dennisvillegas.blogspot.com/2010/05/siquijortales-and-mys...

In the town of Maria, Siquijor, I heard of a famous statue thought to be a ghost by some tourists. The locals, though, regard the statue with much veneration, and every week in the month of May during the worst days of the dry spell, they parade it through the town of Maria to ask for the blessing of rains. It is the statue of St. Rita de Cascia, located in the Church of the Divine Providence in Maria, Siquijor.

And so one day, I decided to visit the town of Maria with the intent of taking pictures and learning more about this most controversial statue. I found that some previous visitors renamed the statue as “Black Magic Maria”, to the disappointment of the parish priest who considered renaming a venerated saint sacrilegious. Some recent visitors therefore were at a loss as to the true nature of the statue.

In fact, the statue is not that of Maria, nor is it black, nor is there a magic connected to it. Indeed at first glance it may look like a frightening statue because of the unusual “stare” its eyes cast on the viewer, and because of the skull the statue holds, or the supposedly inverted cross it holds. Yet a more intent look reveals that it was actually all symbolism perfectly interpreted by the anonymous sculptor who created the statue centuries ago. The penetrating stare was possibly an interpretation of St. Rita’s agony (or shock?) from the innumerable sufferings she endured in her lifetime; the skull possibly represented the unfortunate deaths of her husband and twin sons; and the inverted cross was, well, not inverted at all, but was just held downwards.

The statue is in fact, just a full head and hands only. The torso is just a bastidor covered with layers of cloth so that it appeared that the statue is whole head, torso, arms, and legs. The mannequin measures four feet, representing St. Rita de Cascia, the tragic woman who, in history, had been a long-suffering martyr.

The statue's torso and legs were just a bastidor, as you can see here.

My little research on the dictionary of Catholic saints revealed that St. Rita (of Italy), in her early youth, showed interest in religious life. But when she was twelve, her parents betrothed her to Paolo Mancini, an ill-tempered and abusive individual. As young girls at that time were, Rita was compelled to obey her parents, despite her ardent wish to lead a life in the veil. So when she became eighteen, which was the earliest age a Catholic could marry, she married Paolo Mancini. They had twin sons. She became a battered wife for eighteen years before her husband was ambushed and stabbed to death by his enemies. Her sons swore vengeance on their father's killers, but Rita, fearing for the safety of her sons, and more inclined to forgive than to revenge, prevailed on her sons to forgive the killers. Upon the deaths of her sons, Rita, being truly a devout woman, felt once more the desire to lead a religious life. At the age of 36, Rita was admitted as a nun. Rita lived 40 years in the convent, spending her time in prayer and charity work. She was later canonized for her enduring faith to God.

At the moment, the statue of St. Rita de Cascia can be viewed at all times of the day at the Church of the Divine Providence in Maria. It was hidden before from public view because of some attempt to steal the antique statue. In fact, the very statue of the Divine Providence, the patron saint of Maria, was stolen before but was fortunately recovered from the hands of scrupulous antique dealers. From then on, Maria’s parish priest, the kindly Reverend Father Cecilio Gordoncillo placed each of the church’s statues in glass cases.

-Meet the Writer

Dennis Villegas

Quezon City, Manila, Philippines

Check out the new dress on my eBay shop :) http://www.ebay.com/usr/eifeldolldress by eifel 85

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Check out the new dress on my eBay shop :) www.ebay.com/sch/eifeldolldress/m.html?item=261672350654&...

Gone ... by (SD)

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Listen here , strongly recommended (Iranian Mazandaranian Folkloric Music - Composer : Ahmad Mohsenpour , Kamaancheh Player : Ahmad Mohsenpour , Vocalist and Narrator : Hosein Alambaaz )

منظومه «طالب و زهره» از شناخته ترين منظومه هاي تبری است كه در كنار منظومه هاي ديگر چون«امير و گوهر» و «نجما» و «عباس مسكين» جلوه گري ميكند.

«طالب و زهره» چون ديگر منظومه ها در زبانها و اقوام ايراني، ريشه در آيينها،باورها و اسطوره ها دارد و بدون ترديد نشانههايي روشن از دوران «گوسان»ها و «هونياگر=خونياگر»ها را در خود دارد و ميتواند يك چكامه گوساني باشد.

بيان اين نكته بيمناسبت نيست. اينكه اشعار منظومه «طالب و زهره» را به «ستيالنساء» خواهر طالب، نسبت دهيم، يا با اشاره به تكگوييهايي كه در برخي اشعار اززبان زهره خوانده ميشود، آن را سروده زهره بدانيم، اهميت چنداني ندارد. ديگر آنكه «طالب» منظومه تا چه اندازه با «طالب آملي» شاعر سالهاي پاياني قرن دهم هجري كه در دربار جهانگير پادشاه گوركاني هند، عنوان ملك الشعرايي يافت،همخواني دارد نيز اعتباري ثانوي دارد. مهم آن است كه تخيل و آرزوهاي سحرآفرين افسانه ها و حماسه ها اثري ماندگار بيافريند و درد و هجران و ناكامي، عشق و شيدايي را باساز و آواز فرياد كند. طالب چون همه قهرمانان تاريخي،از تاريخ جدا شده و به دنياي حماسه ها و افسانه ها راه يافته است. مردم تبرستان برپايه آرزوها، باورها،و تخيلات خويش،اين داستان را پرورش داده، حافظه قومي و تاريخي خويش را بر بستراين منظومه شكلي نوين بخشيده، پرورده و ساختهاند، آنگونه كه بدرستي ميتوان گفت كه منظومه «طالب و زهره» نه سروده «ستي النساء» و «زهره» و حتي خود طالب، بلكه سروده و پرورده ناخودآگاه قومي مردم تبرستان است.

و«زهره دختري چلاوي از بخش كوه نشين آمل است كه با نامادري خود روزگار ميگذراند.«طالب آملي است و در بخش شهري آن «دشت» زندگي ميكند. هردو مادر خويش را از دست دادهاند و نامادري دارند.

آنها در مكتب خانهاي درس ميخوانند و از فرصتهايي كه بدست ميآورند استفاده كرده در كنار يكديگر مينشينند و دلداده يكديگر ميشوند و طالب گردنبند يادگاري مادر خويش را به زهره ميدهد. پس از برملا شدن شيداييشان هنگاميكه طالب از پدر ميخواهد زهره را خواستگاري كند، پدر ميگويد: همانگونه كه زنبور و پروانه جفت نميشوند،چلاوي و آملي يار نميشوند و مخالفت ميكند. نامادري او نيز خويشاوند خود (خواهرزاده اش) را نشان كرده است.

خانواده زهره نيز مخالفند و ميخواهند او را به قادر پا به سن گذاشته ولي مالدار بدهند. نامادري طالب وقتي پافشاري اورا ميبيند به بهانه تدارك عروسي او را به گاوسرا ميفرستد. طالب به هنگام دلتنگي در گاوسرا، با كبوتر بالاي درخت سخن ميگويد و از زخم تبربردست و تيشه بر پا شكوه ميكند.

در شامگاهي كه رنجور است، به خواب ميرود و در رويا زهره را ميبيند كه در ميان آب فرورفته است و نيز خواب ميبيند كه زهره به همراه نامادري براي خريد عروسي به بازار رفته است. فرداي آن روز «قلي چاروادار» براي او خبري ميآورد كه پنجشنبه شب زهره عروس ميشود و به خانه قادر ميرود. طالب براي ديدن زهره به راه ميافتد و در راه زهره و بستگان او را مييابد و از زهره گله ميكند كه چرا او را خبر نكرد. در اين هنگام، برادر زهره با تبرزين، زخمي جانكاه بر شانه او ميزند و او را خونين و مالين ميسازد و برجاي مينهد. طالب به خاطر زهره، چيزي نميگويد ولي با خود اشعاري رجزگونه ميخواند كه:

مانند سهراب شمشير به دست ميگيرم. كمان گرد كياني را در كف ميگيرم. مانند فرامرز نيزه بازي ميكنم و چون من سواري نيست و اگر تبر به اسب سوار بزنم، اسب وسوار را چهار پاره ميكنم.

پسر عموهاي او،طالب را خونين و مالين مييابند و او را كه از تشنگي و گرسنگي بيتاب شده با (گرماستي) نيرو ميبخشند طالب براي اينكه فتنه را بخواباند، حقيقت را نميگويد و گراز را سبب زخم ميخواند.

هنگاميكه خبر زخم خوردن طالب به زهره ميرسد،شمعي نذر امامزاده ميكند و پس از ناله فراوان، به خواب ميرود و در رويا طالب را ميبيند كه عمر نو پيدا كرده و سالم سوار برسمند است.

در آن سوي،طالب هنگاميكه بهبود مييابد، براي ماهيگيري به كنار رودخانه ميرود و زهره را در كنار رودخانه پيدا ميكند و ماهي را به او ميدهد و ميگويد كه فردا شب براي خواستگاري به خانه زهره ميآيد.

نامادري، چارهاي ديگر ميانديشد و در غذايي كه از ماهي درست كردهاند،داروي بيهوشي ميريزد. طالب با خوردن غذا،هوش از دست داده و شوريده ميشود و ميگريزد و ميگويند سر از تهران و كاشان و اصفهان و به روايتي هندوستان در ميآورد. زهره زبان به مويه ميگشايد و دشت و كوه و شهر را به جستجوي طالب ميگردد. نشاني او را از كوه و دشت و رودخانه و ماهي و آهو و چوپان و گالش و ... جويا ميشود ولي هرگز او را نمييابد تا اينكه يك روز در كنار دريا (رودخانه) كبوتري بر بالاي درخت انجيلي ميبيند. كبوتر به سخن ميآيد و ميگويد: طالب را ماهي دريا خورده است. از شاه ماهي ميپرسد. او ميگويد: طالب را ميان هندي در حاليكه پيراهني سفيد بر تن داشت و بر اسب سمندي سوار بود ديده است.

زهره به ياد طالب مترسكي ميسازد. (قبا و چاقاو چرخي لم كلا) و دوري به گرد مترسك ميزند ميگويد: ميخواهم ببينم به طالب من ماننده است يا نه؟

زهره يكبار نيز به هنگام آوردن درخت و لباس عروسي از سوي قادر،با گردنبند اهدايي طالب، اقدام به خودكشي ميكند ولي موفق نميشود.

ميگويند بعدها زهره به كس ديگر شوهر كرد. طالب نيز در هندوستان با دختر شاه آنجا ازدواج كرد و در سن 42 سالگي مرد. خواهرش ستيالنساء سرپرستي دو فرزند خردسال اورا به عهده گرفت. زهره،پس از آگاهي از مرگ طالب،روزي به كنار رود ميعادگاه گذشته رفت و ديگر برنگشت. ميگويند زهره خود را به آب سپرد و همراه ماهيها به سوي طالب رفت

متن موسیقی :

خَله توم گِذِرنه ، اَته چَن سالِم رد وونه ، گِنِنه زِهرِه شونه ات نِفَرِ خِنه

طالِبَم که هِندِسّون دَیّه شاهِ کیجاجا عَروسی کِنّه و دِه تا وچه ِ پِر وونه

طالب تا سال 1036 که چِل و دِه ساله بیه ، مینِه

این خَوِر زهره ِ گوش رَسِنِه

زِهره به یادِ اون زَمونی که وِه و طالب خِشِ روزگار داشتِنِه ، هَر روز شیه هِرازِ لو ماهیونِ جا حَرف زوئِه

اَتِه روز وینِنِه که زِهرِه بوردِه و دیگه پِیی نَکِرده

هِرازِ پِه خَلِه چَرخی دنه ، وِه رِه پیدا نَکِردِنِه

گِنِنِه که زِهرِه شه خِدِّه او هِدا و ماهیونِ هِمراه بوردِه طالِبِ وَر

زمان زیادی گذشت ، چند سالی هم رد شد ، نقل است که زهره با کسی ازدواج می کند

طالب هم که به هندوستان رفته بود با دختر شاه عروسی میکند و پدر دو فرزند می شود

طالب در سال 1036 که 42 سال سن داشت ، می میرد

این خبر به گوش زهره می رسد

زهره به یاد زمانی که او و طالب با هم روزگار خوشی داشتند ، هر روز به کنار آب می رفت و با ماهی ها حرف می زد

یک روز زهره می رود و دیگر بر نمی گردد

خیلی دنبالش گشتند ، امّا او را نیافتند

می گویند که زهره خود را به آب داد و همراه با ماهی ها به سوی طالب رفت

of Mazandaran gathering , Day 2 ...

http://www.atelier54.eu/hnieuw.html by Henk Overbeeke Atelier54

13 4

voor serie: www.atelier54.eu/hnieuw.html

Beyond the Crooked Stile by Giles Watson

19 37

troybooks.co.uk/a-witch's-natural-history.html

CHAPTER 13:

BEYOND THE CROOKED STILE

It is said that Mother Goose is derived from Frau Holt, or Herodias, the goddess of the witches of northern Europe, who flies at night astride a goose, naked and (even in my childhood imagination) voluptuous in spite of the cold. She flies at the head of the Furious Horde, the Wild Hunt, her raven hair streaming out behind her, her red slitted pupils glowing on Samhain night. To be sure, she flies above the Ridgeway, where the feet of the living and of the dead have passed for millennia; a spirit path if ever there was one. At Bishopstone in Wiltshire, it draws nigh the Icknield Way, the Iron Age road to Norfolk, and between the high road and the low road lie a series of colossal gouges in the chalk which even the tourist guidebooks describe as “another world”. Five miles to the east, the chalk escarpment is rippled by glaciation to form “the Devil’s Step Ladder”, and beyond it the Uffington White Horse, smattered in spring with an interpunction of twayblades and spotted orchids, seems set to leap across the downs. Beneath that is a hill with a flattened top, where St. George purportedly slew the dragon, its blood scouring the grass to the chalk beneath it. There are few landscapes which contain so awe-inspiring an arrangement of sacred objects. The best way for the witch to approach them is from the Ridgeway itself, down one of the many paths that branch from it, and to do so, one must invariably negotiate a stile. Perhaps one day you may meet me at one of them.

In times of old, you might have left a crooked sixpence there. Weyland the Smith, whose megalithic forge lies just off the Ridgeway on the route between Uffington and Bishopstone, would certainly have accepted it, provided you did not attempt to fob him off with a lesser coin of copper. The Neolithic long barrow, sentried by four gaunt, pitted sarsen stones, is surrounded by towering beech trees, whose nuts crack underfoot as one approaches, and barn owls screech in the darkness. Come here at the winter solstice, with the rising of the sun, and the shadows shift like ghosts around you. Legend insists that Weyland will shoe your horse; I have a suspicion that he prefers to beat swords and axe-heads upon his forge, for he is not so far removed from the Green Knight, the Holly King who reigns throughout the winter, armed to the teeth in readiness to meet his rival, the Oak, on the occasion of his beheading. His namesake, the Icelandic Vőlundr, once decapitated a king’s sons by slamming the lid of a treasure chest down upon their necks; later he raped a princess who asked him to mend her ring. The stone at nearby Snivelling Corner was supposedly thrown by Weyland at an incompetent assistant. It is best not to bother him with trifles. But this does not stop wayfarers from leaving behind an assortment of charms, from elaborately woven corn dollies to the Rastafarian wicker man currently on display at the Uffington museum – a practice which dates back at least as far as 1939, when a “Witch’s moon dial”, made from human bone, was deposited there. Mary Chalmers, a woman skilled at curing cows and sheep, who lived at Little Moreton, east of Didcot, was the proud owner of a skull named “Wayland Smithy”, which was sold in a curiosity shop after she died in 1810. Satanic rites at Weyland’s Smithy have even been blamed for a robbery at the thirteenth century church at Compton Beauchamp in 1998, in the course of which the tabernacle was smashed, and the chalice and sacrament stolen – if the churchwarden is to be believed – for nefarious uses at the long barrow.

On a morning in early spring, the Smithy is a different place; cowslips sprout from the burial mound, and the beech buds burst with pale, translucent leaves. The resident toad, who lives beneath the beech tree to your right, emerges glass-eyed from his torpor. Everything is waking, except for Weyland himself, who sinks into the earth as the sap rises in the trees. From here, one may turn east, dodging the cagouled walkers, and return to the White Horse and the hill fort that rears above it, listening for the cronks of ravens on the way. Alternatively, one may descend towards the Vale, seeking Hardwell Camp, another fort which lies forgotten, brooding in a hazel coppice. Or one may turn up one’s collar and head westwards down the Ridgeway, towards Russley Downs and Bishopstone. If you would come with me now, you will take this route.

No, do not look up yet to admire the scenery, and if you tarry until the autumn, do not be distracted by the berries of sloe, spindle, bryony and woody nightshade. Look down at the Ridgeway itself. You are walking on prehistory, for surely the Roman road must have been pre-dated in these parts by a pathway joining the White Horse to the Smithy. More than that; you are walking on the palaeontological past, for the chalk of the Ridgeway is composed of the microscopic remains of Palaeozoic sea creatures. The rounded, flattened stone which just crunched beneath your walking boots is an echinoid, a sea urchin, millions of years old, revered by the old witches and Doreen Valiente alike as “thunder stones” or “shepherds’ crowns”. More than a hundred miles from the coast, you are now beachcombing on the Ridgeway. Pick up the test, and your witch’s intuition will feel the pulse of life still within it. On the underside is the beaked mouth, crusted with chalk. On the dorsal side there is a five-pointed star. Treasure it in your pocket, and use it for sortilege, along with the petrified bivalve and the knob of coral you found beside it. Keep searching, and you will discover that these are not uncommon; the challenge is to find a brachiopod, a little clam with a muppet-like mouth. The exultation of this discovery should carry you in a reverie all the way to Russley Downs.

As you draw near to your destination, a hare darts and jinks in front of you. It has shot from out of hiding in the undergrowth at the side of the Ridgeway, like a bolt from a crazed crossbow, fired by a drunkard through a maze of mirrors. It is not by accident that the verb “to jink”, used to describe the hare’s habit of rapidly changing direction in flight from a pursuer, has affinities with the word “jinx”. The crooked path of the hare has helped to establish its reputation as a magical creature from time immemorial. The ancient dramatist Aeschylus records that Artemis, who had always opposed the expedition against Troy, was enraged when two eagles devoured a pregnant hare, which the diviner Calchas interpreted, to her further indignation, as an omen of the victory of Agamemnon and Menelaus. Boudica, the Briton warrior queen, driven into a fury by the rape of British women by Roman soldiers, released a hare in the course of a rite in honour of the war goddess Andraste, before a retaliatory raid in which captured Roman women were skewered on spears, their breasts severed and stuffed in their mouths. It is possible that the hare represented the Romans Boudica intended to hunt down, but it is equally likely that the release of the hare was the unleashing of a curse. Even the Christian tradition is unable to obscure the magical significance of hares. A late medieval saint’s life which very likely reflects the influence of an earlier pagan tale, the Historia Divae Monacellae, records that a hare pursued by Brychwel Ysithrog, Prince of Powys, took refuge under the skirt of the kneeling Saint Melangell, and his dogs cringed in terror at the sight of her. At her trial in 1662, the Nairnshire witch Isobel Gowdie confessed that she had the power to change into a hare at will by reciting the charm: “I shall go into a hare/ With sorrow, and sighing, and mickle care,/ And I shall go in the Devil’s name/ Till I come home again.” Indeed, there are innumerable folk tales from across the country which attest to the ability of witches to transform themselves into hares, a fact which is taken as proven when a woman is found with an injury corresponding to that inflicted on a hare by its pursuers. John Monro, an eighteenth century doctor who ran the Bethlehem hospital for the mentally ill, better known as “Bedlam”, recorded the case of a Mr. Walker, who had been in the company of the devil for seven years, and had seen a vision of “the fall of all mankind”. Mr. Walker attributed his affliction to a hare he had killed some twenty-seven years earlier, “which he did not think to be a common hare but… something he knew not of what infinite power.” It is not surprising, therefore, that you feel an affinity with this creature, as it scarpers bulge-eyed down the gorge to your right. It beckons you on its crooked way.

Here, therefore, you must depart from the Ridgeway, for your path lies through that gorge in the chalk. At present, there is only a metal gate, but you will feel that you have climbed a stile. Half way down, it is marked on either side by two thorn trees. The gouged hill rears on either side of you. Linnets twitter. Black-faced sheep stare at you. You feel as though you are on a processional way to the underworld; you left your sixpence in case you need to cross the Styx. It is fitting that it is littered with innumerable carcasses. They are partridges, their flayed sternums, wishbones and coracoids gleaming white, picked clean of red flesh. Their wings lie as though dropped by accident, like forgotten handkerchiefs. A mournful whistle overhead; a buzzard takes wing. Crows wheel and craw. You descend to the depths of the gorge, your progress halted by a stile beside a spring. The silence here is uncanny, and you acknowledge another ancient presence. Strip lynchets rear to your right, traversed by the trails of bullocks. Strange optical illusions cause the landscape to writhe as you walk through it. You may climb the stile and pass through a wooded tunnel, lined with hart’s-tongue ferns, to the twittering world of Bishopstone and its duck-pond, or you may turn aside and walk back uphill another way, for the gorge down which you walked has been joined by another. Look up the second gorge. It is surmounted by a colossal field system. Scramble up the hill towards it; a stairway for giants. When you reach the top, sit and stare. The mundane world stretches out beneath you: Swindon with its monstrous, magic roundabouts barely besmirches the landscape. The Vale seems interminable, stretching into mist, and something within you has taken flight, with the buzzards and the crows. Above you and behind you: a stile, and the Ridgeway, awaiting your return.

As I sit here beside you, I can still remember the voice of my father; he was younger than I am now, and I was only four. I was ready for sleep, and he was reading from Mother Goose:

There was a crooked man

And he walked a crooked mile

He found a crooked sixpence

Upon a crooked stile…

I knew then that this was not a nursery rhyme, but a canticle of the Craft uttered by Fraw Holt herself, and I have sought the crooked mile ever since. It is crooked because it is the way of the hare, of the shape-changed witch, and because it must negotiate a course between sacred objects. It is a mile in the more liberal sense of the word: negotiating it may take a minute, or it may take a lifetime. The sixpence is the price of my soul. The stile is a real one, leading down into the gorge above Bishopstone, but it is also a metaphorical one. It is a gateway to the otherworld, the world of the sabbat. Against it, the crooked man leans his staff; beneath it lies the pot of ointment which gives him, his crooked mouse – and their crooked cat – the gift of flight.

Auto World Museum by lukedrich_photography

10

Source: www.autoworldmuseum.com/about.html

Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.

William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.

Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.

After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.

The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.

Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.

#LOTD176 by Sanu Nereza

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fashion-kitten-sl.blogspot.de/2016/07/lotd-176.html

Russian Federation, Orthodox Saint-Petersburg, Bell tower of Saint Nicholas Epiphany Naval Cathedral (Николо-Богоявленский Морской Собор) by architect Savva Ivanovich Chevakinsky since 1753, Nikolskaya Square, Admiralteysky District. by Alexander SACALEVIC

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traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

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ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

three-honeybees.blogspot.com.au/2012/03/finish.html

Countess Anna de Noailles - Romanian Francophone Writer by Constant

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The portrait of Romanian Countess Anna de Noailles, Princess Bassaraba Brancovan is one of the iconic paintings of the 20th century by the Basque painter Ignacio Zuloaga.

Anna de NoaIles biography is the object of a new Anthology published as an E-Book under the title:

"Blouse Roumaine - the Unsung Voices of Romanian Women"

Presented and Selected by Constantin ROMAN

Anthology E-BOOK (11BM)

DISTRIBUTION: Online with credit card

COST: $ 54.99, £34.99 (ca Euros 35.50)

LINK: www.blouseroumaine.com/orderthebook_p1.html

CONTENTS:

2,250,000 words,

over 1,000 pages,

ca 160 illustrations in text

160 critical biographies,

58 social categories/professions,

600 quotations (mostly translated into English for the first time),

circa 3,000 bibliographical references (including URLs and credits)

6 Indexes (alphabetical, by profession, timeline, quotation Index, place

index and name index)

AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.

INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status

Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)

NOTE:

Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.

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LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)

AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu

BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur

CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza

DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu

EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün

FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida

GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza

HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin

II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian

JJ *Doina Jela *Lucretia Jurj

KK *Mite Kremnitz

LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu

MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci

NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac

OO *Helen O’Brien *Oana Orlea

PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu

RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco

SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck

TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini

UU *Viorica Ursuleac

VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu

WW *Sabina Wurmbrand

ZZ *Virginia Zeani

Car Seat Quilt in Domestic Bliss by Kylie

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Blogged here:

I wish I'd had a contrasting print for the binding. The pattern used the backing print for binding and I didn't realise until too late that my border and backing prints were the same aqua colour. I ended up using the border print for binding as it looked better than the slightly different aqua print. If I'd been patient enough I would have ordered a bit of something different to bind it!

Blue Ice below Ozone, 2014.02.01 by AGC Adventures

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Lori Deiter and I planned to hike the Falls Trail on Feb 1st... It was decided to hike in from Rte 118 up to Onondaga Falls on Glen Leigh. Mark Van Scyoc and his friend, Doug Reese met us in the parking lot and we hiked up together to B. Reynolds and they left to hike up to the base of Ganoga Falls. My favorite / highlight of the day was the ice leading up to and around Ozone Falls - awesome.

There are sign-in sheets (Rte 118 and Lake Jean - so they know who and how many are on the trail in case of an accident) to fill out.. And you should have these items to safely hike the Falls Trail during Winter: Crampons, Ice Axe and Rope (~ 30ft). At the very minimum, Trekking Poles and Micro Spikes / Ice Cleats for your hiking boots. Trying to hike in sneakers is NOT advisable!

Ricketts Glen State Park

Glen Leigh

Saturday, February 1st, 2014

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Nguvu ya Maisha Ambayo Haiwezi Kuzimwa Kamwe by jiezaizou zou

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sw.kingdomsalvation.org/testimonies/the-never-quenching-l...?

Nguvu ya Maisha Ambayo Haiwezi Kuzimwa Kamwe

Dong Mei, Mkoa wa Henan

Mimi ni mtu wa kawaida. Niliishi maisha ya kawaida. Kama wengi wanaotamani sana mwanga, nilijaribu njia nyingi kutafuta maana ya kweli ya uwepo wa wanadamu, nikijaribu kuyapa maisha yangu umuhimu zaidi. Mwishowe, juhudi zangu zote zilikuwa bure. Lakini baada ya kuwa na bahati ya kutosha kukubali kazi ya Mwenyezi Mungu ya siku za mwisho, mabadiliko ya muujiza yalitokea katika maisha yangu. Yalileta rangi zaidi katika maisha yangu, na nilikuja kuelewa kwamba ni Mungu pekee ni Mtoa wa kweli wa roho na maisha ya wanadamu. Nilikuwa na furaha kwamba hatimaye nilikuwa nimepata njia sahihi ya maisha. Hata hivyo, huku nikitekeleza wajibu wangu wakati mmoja nilikamatwa kiharamu na kuteswa kikatili na serikali ya CCP. Kutoka kwa hili, safari ya maisha yangu ilipata uzoefu ambao kamwe sitasahau …

Siku moja mnamo Desemba 2011 takribani saa moja asubuhi, mimi na kiongozi mwingine wa kanisa ulikuwa tukitekeleza hesabu ya mali ya kanisa wakati zaidi ya maafisa kumi wa polisi ghafla waliingia. Mmoja wa hawa polisi waovu alitukurupia na kusema kwa kelele: “Msisonge!” Baada ya kuona kilichokuwa kikitokea, kichwa changu kilishtuka. Kisha, polisi waovu walituchunguza kama magaidi waliokuwa wakitekeleza wizi. Pia walipekua kila chumba, walivigeuza shelabela kwa haraka sana. Mwishowe, walipata mali fulani ya kanisa, kadi tatu za benki, risiti za kuweka pesa, kompyuta, simu za rununu, na kadhalika. Waliyachukua yote ngawira, na kisha walituchukua sisi wanne kwa kituo cha polisi.

Alasiri, polisi waovu waliwaleta ndani dada wengine watatu ambao walikuwa wamewakamata. Walitufungia sisi saba katika chumba na hawakuacha tuzungumze, wala hawakuturuhusu tulale usiku ulipofika. Baada ya kuona dada wakifungiwa ndani na mimi, na kufikiri kuhusu ni kiasi gani cha pesa ambacho kanisa lilipoteza, nilikuwa nimezuzuliwa na wasiwasi. Yote ambayo ningefanya ni kuomba kwa dharura kwa Mungu: Ee Mungu! Huku nikikabiliwa na hali ya aina hii, sijui la kufanya. Tafadhali linda moyo wangu na kuufanya mtulivu. Baada ya kuomba, nilifikiri maneno ya Mungu: “Usiogope, mambo kama haya yanapotendeka kanisani, yote yanaruhusiwa na Mimi. Simama na kuzungumza kwa niaba Yangu. Kuwa na imani kwamba mambo na masuala yote yanaruhusiwa na kiti Changu cha enzi na yote yana nia Zangu ndani yayo” (“Sura ya 41” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). “Unapaswa kujua kwamba vitu vyote vilivyo katika mazingira yanayo wazunguka vipo hapo kwa ruhusa Yangu, Mimi napanga yote. Oneni wazi na muridhishe moyo Wangu katika mazingira Niliyokupa” (“Sura ya 26” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). Maneno ya Mungu yalizima hofu kubwa moyoni mwangu. Nilitambua kwamba, leo, hii hali imenipata kwa ruhusa ya Mungu, na kwamba wakati ulikuwa umewadia ambapo Mungu alitaka nimshuhudie. Baada ya kuelewa mapenzi ya Mungu, nilimwomba Mungu na kusema: “Ee Mungu! Nataka kutii utaratibu na mipango Yako na kusimama imara katika ushuhuda Kwako—lakini mimi ni wa kimo kidogo, na naomba kwamba Unipe imani na nguvu, na kunilinda katika kusimama imara.”

Asubuhi iliyofuata, walitutenga na kutuhoji. “Najua wewe ni kiongozi wa kanisa. Tumekuwa tukiwafuatia ninyi watu kwa miezi mitano,” alisema mmoja wa polisi waovu kwa maringo. Nilipomsikia akieleza kwa utondoti kila kitu ambacho walikuwa wamefanya kunifuatia, nilitetemeka kwaa woga. Katika akili yangu, nilifikiri, serikali ya CCP kweli inaweka matayarisho mengi katika kutukamata. Kwa kuwa tayari wanajua mimi ni kiongozi wa kanisa, hakuna jinsi wataniacha niende. Mara moja niliweka azimio langu mbele ya Mungu: Afadhali nife badala ya kumsaliti Mungu na kuwa Yuda. Baada ya kuona kuwa kuhoji kwao hakukuwa kunazaa matunda yoyote, walimpa mtu kazi ya kunitazama na kutoniacha nilale.

Katika siku ya tatu ya mahojiano, mkuu wa polisi waovu aliwasha kompyuta na kunifanya nisome taarifa zilizomsingizia Mungu. Kwa kuona kwamba sikuguswa, baada ya hapo alinihoji kwa makini kuhusu fedha za kanisa. Niligeuza kichwa changu kwa upande mmoja na kumpuuza. Hili lilimfanya kukasirika sana na alianza kutukana. “Haijalishi usiposema lolote—tunaweza kukuzuia bila mwisho, na kukutesa wakati wowote ule tunaotaka,” alinitisha kwa ukali. Katikati ya usiku huo, polisi walianza mateso yao. Walivuta mkono wangu mmoja nyuma ya bega langu na mwingine juu kutoka kwa mgongo wangu. Walifinya mgongo wangu na miguu yao, kwa nguvu walitia pingu vifundo pamoja. Ilikuwa uchungu sana kiasi kwamba nilipiga yowe kwa maumivu—mifupa na nyama katika mabega yangu zilihizi kana kwamba zingepasuka. Ningeweza tu kupiga magoti bila kusonga na kichwa changu kikiwa sakafuni. Nilifikiri mayowe yangu yangewafanya watulize makali kwangu, lakini badala yake waliweka kikombe cha chai kati ya pingu na mgongo wangu, jambo ambalo lilizidisha tena maumivu. Mifupa katika mwili wangu wa juu ilihisi kana kwamba ilikuwa imevunjwa nusu. Nilihisi uchungu sana hivi kwamba sikuthubutu kupumua nje na jasho baridi ilitiririka usoni pangu. Punde tu nilipohisi kwamba singevumilia uchungu tena, mmoja wa polisi waovu alichukua fursa hii kuniambia: “Tupe tu jina na tutakuachilia uende mara moja.” Wakati huo, nilimwita Mungu aulinde moyo wangu. Mara moja nilifikiria wimbo: “Mungu katika mwili, Anateseka, napaswa kuteseka kiasi gani zaidi? Ikiwa ningekubali giza, ningemwonaje Mungu? Ningewezaje kukuacha kutafuta unaodaiwa kuwa uhuru? Afadhali niteseke ili kufidia moyo Wako unaohuzunika” (“Kusubiri Habari Njema za Mungu” katika Mfuateni Mwanakondoo na Kuimba Nyimbo Mpya). “Ndiyo,” Nilifikiria. “Kristo ndiye Mungu mtakatifu na mwenye haki. Alipata mwili na kuja duniani kuleta wokovu kwa wanadamu waliopotoka kwa kina. Kwa muda fulani sasa, Amekiwa akiteswa na kuwindwa na serikali ya CCP na amepingwa na kushutumiwa na wanadamu. Haikumpasa Mungu kuteseka kwa njia hii, lakini Anavumilia haya yote ili kutuokoa.” Kwa hivyo, baada ya kutafakari, niliona kwamba nilikuwa nikiteseka sasa ili kupata wokovu—napaswa kupitia mateso haya. Iwapo ningekubali kushindwa na Shetani kwa sababu singeweza kuvumilia uchungu, ningewezaje kukabiliana na Mungu wakati wowote tena? Kufikiri hili kulinipa nguvu, na nikakua mgumu mara nyingine tena. Polisi waovu walinitesa kwa takriban saa moja. Walipoondoa pingu, mwili wangu mzima ulianguka bila nguvu sakafuni. “Usipoongea tutafanya hilo tena!” walinipigia kelele. Niliwatazama na kutosema chochote. Moyo wangu ulijawa na chuki kwa polisi hawa waovu. Mmoja wa polisi waovu alisonga mbele kutia pingu tena. Huku nikifikiri uchungu mkali sana ambao nilikuwa nimeupita karibuni, niliendelea kumwomba Mungu moyoni mwangu. Kwa mshangao wangu, alipojaribu kuvuta mikono yangu nyuma ya mgongo wangu hangeweza kuisogeza. Haikuwa uchungu sana, pia. Alikuwa akijaribu kwa nguvu sana hivi kwamba kichwa chake chote kilikuwa kimejaa jasho—lakini bado hangeweza kutia pingu. “Una nguvu mwingi!” alitweta kwa hasira. Nilijua kwamba huyu alikuwa Mungu akinijali, kwamba Mungu alikuwa akinipa nguvu. Shukrani iwe kwa Mungu!

Kufika alfajiri kulikuwa vigumu. Bado nilikuwa na kiwewe nilipofikiri nyuma jinsi polisi waovu walikuwa wamenitesa. Pia walinitisha, wakiniambia kwamba iwapo singesema chochote, wangelazimika kunipeleka ndani sana ya milimani na kuniua. Baadaye, walipokamata waumini wengine, wangesema nililisaliti kanisa—wangechafua jina langu, na kuwafanya ndugu wengine wa kanisa wanichukie na kunikana. Kufikiri hilo, moyo wangu ulizidiwa na mawimbi ya majonzi na kutojiweza. Nilijipata nikihisi mwoga na mnyonge. Akilini mwangu nilifikiri: Afadhali nife. Kwa njia hiyo sitakuwa Yuda na kumsaliti Mungu, wala sitakanwa na ndugu zangu. Pia nitaepuka uchungu wa mateso ya mwili. Kwa hivyo nilingoja hadi wakati ambapo polisi waovu waliokuwa wakinilinda hawakuwa wakitia makini na kuupiga kichwa changu kwa nguvu sana dhidi ya ukuta—lakini yote yaliyotokea ilikuwa kwamba kichwa changu kiliona kizunguzungu, sikufa. Wakati huo, maneno ya Mungu yalinipa nuru kutoka ndani: “Wengine wanapokuelewa vibaya, unaweza kumwomba Mungu na kusema: ‘Ee Mungu! Siombi kwamba wengine wanivumilie au kunitendea vyema, wala kwamba wanielewe au kunikubali. Naomba tu kwamba niweze kukupenda moyoni mwangu, kwamba niwe na uhakika moyoni mwangu, na kwamba dhamiri yangu ni safi. Siombi kwamba wengine wanisifu, au kuniheshimu, ninatafuta tu kukuridhisha kutoka moyoni mwangu’” (“Ni kwa Kupitia Usafishaji tu Ndiyo Mwanadamu Anaweza Kumpenda Mungu kwa Kweli” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliondoa huzuni kutoka kwa moyo wangu. Ndiyo. Mungu huona mioyo ya ndani kabisa ya watu. Iwapo polisi wakinisingizia, hata kama ndugu wengine kwa kweli wanielewe visivyo na kunikataa kwa sababu hawajui kile kilichotendeka kwa kweli, naamini kwamba nia za Mungu ni nzuri; Mungu anajaribu imani na upendo wangu Kwake, na napaswa kufuatilia kumfanya Mungu kuridhika. Baada ya kubaini njama janja za Shetani, ghafla nilihisi mwenye fedheha na aibu. Niliona kwamba imani yangu kwa Mungu ilikuwa ndogo sana. Sikuwa nimeweza kusimama imara baada ya kupitia uchungu kidogo, na nilikuwa nimefikiri kutoroka na kuepuke mipango ya Mungu kupitia kifo. Lengo la polisi waovu katika kuzungumza maneno haya ya tishio lilikuwa kunifanya nimkane Mungu. Na isingekuwa ulinzi wa Mungu, ningedanganywa na njama zao janja. Nilipokuwa nikitafakari maneno ya Mungu, moyo wangu ulijawa na mwanga. Sikutaka tena kufa, ila kuishi maisha mazuri, na kutumia kile ambacho kweli niliishi kwa kudhihirisha kumshuhudia Mungu na kumletea Shetani aibu.

Polisi hao wawili waovu waliopewa kazi ya kunilinda waliuliza mbona nilikuwa nimegongesha kichwa changu dhidi ya ukuta. Nilisema kwa sababu polisi hao wengine walikuwa wamenipiga. “Kimsingi tunafanya kazi kupitia elimu. Usijali—sitawaacha wakupige tena,” mmoja wao alisema kwa tabasamu. Baada ya kusikia maneno yake ya faraja, nilifikiri: Hawa watu wawili si wabaya; tangu nikamatwe wamekuwa wazuri kabisa kwangu. Kwa hilo, nililegeza tahadhari yangu. Lakini wakati huo, maneno ya Mungu yalikuja ghafla moyoni mwangu: “Nyakati zote, watu Wangu wanapaswa kujihadhari dhidi ya hila danganyifu za Shetani, walinde lango la nyumba Yangu kwa ajili Yangu, … kitu ambacho kitawazuia kuingia katika mtego wa Shetani, wakati mtakapokuwa na majuto ya kuchelewa sana” (“Sura ya 3” ya Maneno ya Mungu kwa Ulimwengu Mzima katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa kumbusho la wakati wa kufaa, yakinionyesha kwamba njama janja za ibilisi ni nyingi, na napaswa kuwa hadhari dhidi ya ibilisi hawa wakati wote. Sikutarajia hata kidogo kwamba punde wangefichua tabia zao halisi. Mmoja wa polisi waovu alianza kumkashifu Mungu, huku mwingine aliketi chini kando yangu alinipapasa mguu wangu, akinitazama kwa jicho la husuda na kuuliza kuhusu fedha za kanisa. Jioni, alipoona kwamba nilikuwa nikisinzia, alianza kupapasa kifua changu. Baada ya kuona kwamba walikuwa wamefichua tabia yao halisi, nilijawa na hasira. Ni sasa tu nilipoona waliodhaniwa polisi wa watu walikuwa tu wahuni na wadhalimu. Haya yalikuwa mambo mabaya yenye kustahili dharau, ambayo wangeweza kufanya. Kama matokeo, niliweza tu kumwomba Mungu kwa dharura ili anilinde kutokana na madhara yao.

Katika siku kadhaa zilizofuata, polisi waovu hawakunihoji tu kwa makini kuhusu kanisa, lakini pia walichukua zamu kunitazama ili kwamba nisilale. Baadaye, walipoona jinsi sikuwa nimewapa chochote, polisi hao wawili waovu waliokuwa wakinihoji walizidi kwa ghadhabu. Mmoja wao alinishambulia vikali, akinizaba kofi usoni, akinipiga kwa vishindo mara kadhaa. Uso wangu uliwasha, ulianza kuvimba, na mwishowe ukawa wenye ganzi sana kiasi kwamba singehisi chochote. Kwa sababu maswali yao hayakuwa yamezaa matunda yoyote kutoka kwangu, jioni moja mkuu wa polisi waovu alinipigia unyende na kusema, “Unahitaji kuanza kufungua mdomo wako. Unajaribu subira yangu—siamini kwamba hakuna chochote tunaweza kufanya na wewe. Nimekutana na watu wengi wagumu zaidi kukuliko. Tusipokuwa wakali kwako, hutatii katu!!” Alitoa amri na polisi waovu kadhaa walianza kunitesa. Jioni, chumba cha mahojiano kilikuwa cha huzuni na cha kuogofya—nilihisi kana kwamba nilikuwa jahanamu. Walinifanya nichutame sakafuni na kufunga mikono yangu katikati ya magoti na miguu yangu. Kisha, waliingiza kifimbo cha mbao katikati ya mapindi ya mikono yangu na nyuma ya magoti yangu, wakilazimisha mwili wangu wote kupinda juu. Kisha walikiinua kifimbo na kukiweka katikati ya meza mbili, wakiuacha mwili wangu wote ukining’inia hewani na kichwa changu kikiwa juu chini. Punde waliponiinua juu, kichwa changu kilipata kizunguzungu na niliona vigumu kupumua. Ilihisi kana kwamba nilikuwa nikisongwa. Kwa sababu nilikuwa nilining’inishwa hewani juu chini uzito wangu wote ulikuwa ukiangukia vifundo vyangu. Mwanzoni, ili kukomesha pingu kuukata mwili wangu, nilifumbata mikono yangu pamoja kwa kukaza, nikaupinda mwili wangu, na kujaribu kwa nguvu kadiri nilivyoweza kubaki katika hali hiyo. Lakini nguvu yangu ilipungua polepole. Mikono yangu iliteleza kutoka kwa vifundo vya miguu hadi kwa magoti yangu, na pingu ilikata kwa kina katika mwili wangu, ikiniacha na uchungu mkubwa sana. Baada ya kuning’inia hivi kwa takribani nusu saa, ilihisi kana kwamba damu yote katika mwili wangu ilikuwa imejikusanya kichwani mwangu. Uvimbe mchungu katika kichwa changu na macho ulifanya yahisi kana kwamba yalikuwa karibu kulipuka. Makato ya kina yalikuwa yamechimbwa katika vifundo vyangu, na mikono yangu ilikuwa imevimba sana kiasi kwamba ilionekana kama mikate miwili. Nilihisi nilikuwa ukingoni mwa kifo. “Siwezi kuvumilia tena, niweke chini!” nilipaza sauti kwa kukata tamaa. “Hakuna anayeweza kukuokoa ila wewe mwenyewe. Tuambie tu jina na tutakuacha uteremke chini,” alisema mmoja wa polisi waovu kwa ukali. Mwishowe, waliona kwa kweli nilikuwa katika taabu na waliniweka chini. Walinilisha glukosi kiasi na kuanza kunihoji tena. Nililala bila nguvu kama matope ardhini, macho yangu yakifumbwa kwa kukaza, nikiwa siwatilii makini. Bila kutarajia, polisi waovu waliniinua hewani tena. Bila nguvu ya kushikilia kwa mikono yangu, sikuwa na lingine ila kuacha pingu ijitie ndani katika vifundo vyangu, makali yaliyochongoka yakikata mwili wangu. Wakati huo, ilikuwa uchungu sana nilitoa yowe la kuhuzunisha sana. Sikuwa na nguvu ya kuendelea kupigana na kupumua kwangu kulikuwa kumekua kwa kina kifupi sana. Ilionekana kana kwamba wakati ulikuwa umesimama. Nilihisi kwamba nilikuwa nikiyumbayumba ukingoni mwa kifo. Nilipofikiri kwamba wakati huu kweli ningekufa, nilitaka kumwambia Mungu maneno yaliyokuwa moyoni mwangu kabla ya maisha yangu kuisha: “Ee Mungu! Wakati huu, ambapo kweli niko ukingoni mwa kifo, nahisi woga— lakini hata kama kweli nikifa leo, bado nitasifu haki Yako. Ee Mungu! Katika safari yangu fupi ya maisha, nakushukuru kwa kunichagua nirudi nyumbani kutoka kwa dunia hii ya dhambi, kunizuia kuzurura, nikiwa nimepotea, na kuniruhusu kuishi milele katika kumbatio Lako kunjufu. Ee Mungu, nimefurahia upendo Wako sana—na ilhali sasa tu, wakati maisha yangu yako karibu kuisha, ndipo nagundua kwamba sijatunza upendo Wako. Nyakati nyingi nimekufanya kuwa na huzuni na masikitiko; mimi ni kama mtoto mjinga anayejua tu kufurahia upendo wa mama yake, ilhali hajawahi kufikiria kuulipiza. Sasa tu ambapo niko karibu kupoteza maisha yangu ndipo naelewa kwamba ni lazima nitunze upendo Wako, na ni sasa tu ndipo najuta kukosa nyakati nyingi nzuri. Sasa, ninachojuta zaidi ni kwamba sijaweza kukufanyia lolote na unanidai mengi sana, na kama bado naweza kuishi, kwa hakika nitafanya kila niwezalo kutekeleza wajibu wangu, kufidia kile Unachonidai. Wakati huu, naomba tu kwamba Unipe nguvu, kuniruhusu kutowahi tena kuogopa kifo, na kuwa mwenye nguvu katika kile ninachokabili….” Tone baada ya tone la machozi lilianguka kutoka kwa paji la uso wangu. Usiku ulikuwa kimya kiasi cha kuogofya. Sauti ya pekee ilikuwa saa kubwa ikipiga ta-ta, kana kwamba kuhesabu sekunde ambazo zilisalia za maisha yangu. Hapo ndipo kitu cha muujiza kilifanyika: Nilihisi kana kwamba mwanga wa jua wa vuguvugu ulikuwa ukiniangazia, na polepole niliacha kuhisi uchungu mwilini mwangu. Maneno ya Mungu nguruma akilini mwangu: “Tangu unapoingia katika dunia hii ukilia, unaanza kutekeleza wajibu wako. Kwa kuchukua jukumu lako katika mpango wa Mungu na katika utaratibu Wake, unaanza safari yako katika maisha. Licha ya asili yako na licha ya safari iliyoko mbele yako, hakuna kitakachoepuka mpango na utaratibu ambao mbingu imeunda, na hakuna aliye na udhibiti wa hatima yake mwenyewe, kwa maana yule Anayetawala kila kitu ndiye tu Aliye na uwezo wa kazi hiyo” (“Mungu Ndiye Chanzo cha Uhai wa Mwanadamu” katika Neno Laonekana katika Mwili). Ndiyo—Mungu ndiye chanzo cha maisha yangu, Mungu hutawala kudura yangu, na lazima nijiachilie mikononi mwa Mungu na kujiweka katika matumizi Yake. Kutafakari maneno ya Mungu kulinipa hisia ya kufurahisha, tulivu moyoni mwangu, kana kwamba nilikuwa nikijinyoosha katika kumbatio kunjufu la Mungu. Nilijipata nikilala. Wakiwa na woga kwamba ningekufa, polisi waovu waliniweka chini na kwa haraka walinipa glukosi kiasi na maji. Katika kukaribia kwangu kifo, nilikuwa nimetazama matendo ya muujiza ya Mungu.

Siku iliyofuata, polisi waovu walishinda jioni nzima wakiniinua juu tena na tena. Walinihoji kuhusu mahali ambapo pesa za risiti ambazo walikuwa wamechukua ngariwa zilikuwa. Wakati huo wote, sikusema chochote—ilhali bado hawakukata tamaa. Ili kupata pesa za kanisa, walitumia kila njia yenye kustahili dharau kunitesa. Wakati huo, maneno ya Mungu yalirudia rudia moyoni mwangu: “Maelfu ya miaka ya chuki ikiwa imejaa kifuani, milenia ya dhambi imeandikwa katika moyo—inawezekanaje hii isichochee chuki? Kumlipiza Mungu, kuuondoa kabisa uadui wake, usimwache kutangatanga tena, na usimruhusu kufanya fujo zaidi kama anavyotaka! Sasa ndio wakati: Mwanadamu ana muda mrefu tangu akusanye nguvu zake zote, amejitolea nguvu zake zote, amelipa kila gharama, kwa hili, kuchana uso uliojificha wa pepo hili na kuwafanya watu, ambao wamepofushwa na kuvumilia kila aina ya mateso na taabu, kuinuka kutoka katika maumivu na kurudi kwa ibilisi huyu wa zamani” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa nguvu na imani kubwa. Ningepigana hadi kufa na Shetani, na hata kama ningekufa, ningesimama imara katika ushuhuda wangu kwa Mungu. Nikitiwa msukumo na maneno ya Mungu, bila kujua nilisahau uchungu. Kwa njia hii, kila wakati waliniinua juu, maneno ya Mungu yalinitia msukumo na kunipa motisha, na hivyo kadiri walivyonibeba juu mara nyingi, ndivyo nilivyoweza kubaini asili yao zaidi—ambayo ilikuwa ya ibilisi waovu—na ndivyo azimio langu kusimama imara katika ushuhuda wangu na kumridhisha Mungu lilivyokuwa kubwa zaidi. Mwishowe, wote walichoshwa na mimi. “Watu wengi sana hawawezi kuvumilia kutundikwa hivi kwa nusu saa, lakini amevumilia wakati huu wote—kwa kweli yeye ni sugu!” Niliwasikia wakitoa mawazo. Kwa kusikia maneno haya, nilijawa na msisimko. Akilini mwangu, nilifikiri: Mungu msaada wangu, huwezi kunivunja moyo. Mbali na mateso ya mwili, wakati wa siku na usiku zangu tisa katika kituo cha polisi polisi waovu pia walininyima usingizi. Kila wakati nilipofunga macho yangu na kuanza kusinzia, wangepiga vifimbo vyao dhidi ya meza, au sivyo wangenifanya nisimame na kukimbia huku na kule, au sivyo kunipigia kelele tu, wakijaribu kunihuzunisha na kuvunja akili yangu. Baada ya siku tisa, wakiona kwamba hawakuwa wamefikia lengo lao, polisi bado hawakukata tamaa. Walinipeleka katika hoteli, ambapo walitia pingu mikono yangu mbele ya miguu yangu, kisha wakaingiza kifimbo cha mbao katikati ya mapindi ya mikono na miguu yangu, nikilazimika kuketi mwili wangu ukiwa umepinda juu sakafuni. Walinifanya nibaki katika hali hii nikiketi sakafuni kwa siku kadhaa zilizofuata, ambayo ilisababisha pingu kuukata mwili wangu. Mikono na vifundo vyangu vilivimba na kubadilika rangi kuwa zambarau, na kikalio changu kilihisi uchungu sana sikuthubutu kukisugua ama kukishika; ilihisi kama nilikuwa nikikalia sindano. Siku moja, mmoja wa viongozi wa polisi waovu, akiona kwamba mahojiano yangu hayakuwa yamezaa matunda, alitembea kunifikia akiwa amekasirika sana na kunizaba kofi kwa nguvu usoni—kwa nguvu kiasi cha kutosha kulegeza meno yangu mbili.

Mwishowe, wakuu wawili kutoka kwa Idara ya Usalama wa Umma ya Mkoa walikuja. Punde walipowasili, waliondoa pingu, wakanisaidia kwenda kwa kochi, na kunipa kikombe cha maji. “Umekuwa na wakati mgumu kwa siku chache zilizopita—lakini usilitilie moyoni, walikuwa wakifuata tu amri,” walisema kwa unafiki. Unafiki wao ulinifanya niwachukie sana kiasi kwamba nilisaga meno yangu. Pia kuwasha kompyuta na kunionyesha ushahidi usio kweli. Walisema maneno mengi ambayo yalishutumu na kufukuru dhidi ya Mungu. Moyoni mwangu, nilihisi kukasirishwa. Nilitaka kubishana nao, lakini nilijua kwamba kufanya hivyo kungewafanya tu kukufuru dhidi ya Mungu kwa wayowayo hata zaidi. Wakati huu, nilihisi kweli jinsi taabu aliyopitia Mungu mwenye mwili ilivyokuwa kubwa, na jinsi Mungu alivyovumilia fedheha nyingi kwa ajili ya kumwokoa mwanadamu. Kilicho zaidi, niliona uhafifu na kustahili dharau kwa ibilisi hawa waovu. Moyoni mwangu, kwa siri niliapa kwamba ningejiondoa kabisa kwa Shetani na milele kuwa mwaminifu kwa Mungu. Baadaye, bila kujali jinsi walivyojaribu kunidanganya, niliendelea kufunga mdomo wangu na sikusema chochote. Baada ya kuona kuwa maneno yao hayakuwa na athari yoyote, wakuu hao wawili waliondoka tu kwa hasira.

Katika kipindi cha siku na usiku kumi katika hoteli, waliendelea kunitia pingu, wakinifanya kuchuchumaa sakafuni nikishika miguu yangu. Nikikumbuka tangu nilipokamatwa, nilikuwa nimeishi siku na usiku kumi na tisa katika kituo cha polisi na hoteli. Ulinzi wa upendo wa Mungu ulikuwa umeniruhusu nilale kidogo, lakini polisi waovu hawakuwa wameniruhusu kulala wakati huo wote; ningefunga macho tu kwa muda na wangefanya chochote kilichohitajika kuniweka macho—kupiga meza, kunipiga teke kwa nguvu, kunipigia kelele, kuniamuru nikimbie huku na kule, na kadhalika. Kila wakati ningeshtuliwa, moyo wangu ungetwanga kifuani mwangu, na ningehisi woga sana. Hilo, likiongezwa kwa mateso ya mara kwa mara ya polisi waovu, na nguvu yangu iliishia kupunguka kabisa, mwili wangu wote ulikuwa umevimba na usiotulia, na niliona kila kitu vikiwa mbili mbili. Ningejua kulikuwa na watu mbele yangu wakiongea, lakini sauti ya milio yao ingeonekana kana kwamba ilikuwa ikitoka mbali sana. Zaidi ya hayo, mijibizo yangu ilianza kuwa ya polepole sana. Kwa mimi kustahimili hili kwa kiasi fulani kulikuwa yote kwa sababu ya nguvu kuu ya Mungu! Kama alivyosema Mungu: “Husababisha binadamu kuzaliwa upya, na kumwezesha kwa ushupavu kuishi kwa kila jukumu lake. Kwa sababu ya uwezo Wake, na nguvu ya maisha Yake yasiyopungua, binadamu ameishi kwa kizazi baada ya kizazi, ambapo nguvu ya uhai wa Mungu umekuwa uti wa mgongo wa kuwepo kwa binadamu, na ambayo Mungu amelipia gharama ambayo hakuna mtu wa kawaida amewahi kulipa. Nguvu za Mungu za maisha zinaweza kutawala juu ya nguvu zozote; zaidi ya hayo, inazidi mamlaka yoyote. Maisha Yake ni ya milele, nguvu zake za ajabu, na nguvu Zake za maisha si rahisi kuzidiwa na kiumbe yeyote au nguvu za adui” (“Ni Kristo Wa Siku za Mwisho Pekee Ndiye Anayeweza Kumpa Mwanadamu Njia ya Uzima wa Milele” katika Neno Laonekana katika Mwili). Moyoni mwangu, nilitoa shukrani na sifa ya uaminifu kwa Mungu: Ee Mungu! Unatawala vitu vyote, matendo Yako ni yasiyokadirika, Wewe pekee ni mwenyezi, Wewe ni nguvu ya maisha isiyozimika, Wewe ni chemichemi ya maji hai kwa maisha yangu. Katika hali hii maalum, nimetazama nguvu Yako maalum na mamlaka. Mwishowe, polisi waovu hawakupata majibu kwa maswali yao kutoka kwangu, na walinituma hadi katika kituo cha kuzuia.

Njiani kuelekea katika kituo cha kuzuia, polisi wawili waliniambia: “Umefanya vizuri sana. Ninyi watu huenda mkawa katika kituo cha kuzuia, lakini ninyi ni watu wazuri. Kuna aina nyingi hapo: wauza madawa, wauaji, malaya—utaona utakapowasili.” “Kwa kuwa unajua sisi ni watu wazuri, mbona mnatukamata? Je, serikali haiongei kuhusu uhuru wa dini?” niliuliza. “Hiyo ni Chama cha Kikomunisti inawadanganya. Chama hicho hutupa riziki yetu, kwa hivyo lazima tufanye kinachosema. Hatuna chuki kwako ama kuwa na kitu chochote dhidi yako. Tulikukamata tu kwa sababu unamwamini Mungu,” mmoja wa polisi alisema. Baada ya kusikia hili, nilikumbuka kila kitu nilichokuwa nimepitia. Singeweza kuzuia kukumbuka maneno ya Mungu: “Uhuru wa dini? Haki halali na matakwa ya wananchi? Zote hizo ni njama za kufunika dhambi!” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliulenga kiini cha suala, yakiniruhusu kuona kwa kweli sura ya kweli ya serikali ya CCP na jinsi inavyojaribu kupata heshima ambayo haistahili; kwa juu juu, inapeperusha bendera ya uhuru wa dini, lakini kwa siri inakamata, kukandamiza, na kushambulia wale wanaomwamini Mungu pande zote za nchi, katika tumaini bure la kupiga marufuku kazi ya Mungu, na pia inapora pesa za kanisa bila aibu,yote ambayo huweka wazi asili yake ya kishetani inayomchukia Mungu na kuchukia ukweli.

Nikiwa katika kituo cha kuzuia, kulikuwa na nyakati ambapo nilikuwa dhaifu na katika maumivu. Lakini maneno ya Mungu yaliendelea kunipa moyo, kunipa nguvu na imani, kuniruhusu kuelewa kwamba ingawa Shetani alikuwa ameniondolea uhuru wa mwili, mateso yalikuwa yameniongeza, yakinifundisha kumtegemea Mungu wakati wa mateso ya hao ibilisi waovu, kuniruhusu kuelewa maana ya kweli ya ukweli mwingi, kuona thamani ya ukweli, na kuongeza azimio langu na motisha ya kufuatilia ukweli. Nilikuwa tayari kuendelea kumtii Mungu, na kupitia yote ambayo Mungu alikuwa amenipangia. Kama matokeo, nilipokuwa nikifanya kazi katika kituo cha kuzuia, niliimba nyimbo na kwa kimya nilifikiri kuhusu upendo wa Mungu. Nilihisi kwamba moyo wangu ulikuwa umekuja karibu na Mungu, na sikuona tena siku zikiwa chungu ama za kudhikisha sana.

Wakati wa kipindi hiki, polisi waovu walinihoji mara mingi zaidi. Nilimshukuru Mungu kwa kuniongoza katika kushinda mateso yao mara kwa mara tena. Baadaye polisi waovu waliondoa pesa zote kutoka kwa kadi zangu tatu za benki. Kutazama bila kujiweza peza za kanisa zikichukuliwa na polisi waovu kuliuvunja moyo wangu. Moyo wangu ulijawa na chuki kwa hili kundi lafi, ovu la ibilisi, na nilitamani sana ufalme wa Kristo kuwasili punde. Mwishowe, licha ya kutokuwa na ushahidi wowote, walinihukumu mwaka mmoja na miezi mitatu ya kuelimishwa tena kupitia kazi kwa ajili ya “kuvuruga utulivu wa umma.”

Baada ya kuteswa kikatili na serikali ya CCP, kwa kweli nilikuwa nimeonja upendo na wokovu wa Mungu kwangu, na nilikuja kufahamu ukuu na uweza wa Mungu na matendo Yake ya muujiza, nilikuwa nimeona mamlaka na nguvu ya maneno ya Mungu. Aidha kwa kweli nilikuwa nimemdharau Shetani. Katika kipindi hicho cha mateso, maneno ya Mungu yalikuwa yameandamana na mimi kupitia mchana na usiku za kudhikisha, maneno ya Mungu yalikuwa yameniruhusu kubaini njama janja za Shetani na kutoa ulinzi wa wakati wa kufaa. Maneno ya Mungu yalikuwa yamenifanya kuwa mwenye nguvu na ujasiri, yakiniruhusu kushinda mateso yao katili mara kwa mara tena. Maneno ya Mungu yalikuwa yamenipa nguvu na imani, yalikuwa yamenipa ujasiri wa kupigana na Shetani hadi mwisho kabisa…. Shukrani ziwe kwa Mungu! Mwenyezi Mungu ndiye ukweli, njia na uzima! Daima nitamfuata Mwenyezi Mungu hadi mwisho kabisa!

Image Source: Kanisa la Mwenyezi Mungu

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Fused Glass Handmade Christmas gnomes tea light holder by Alecia

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This is the cover photo of my set National Language Movement 2011

This Photo was taken on 21th Fab at 01:30 pm , From Jatio Shaheed Minar , Dhaka, BANGLADESH, This Photo was Taken while my Special Photowalk with The flickr Group Frame BANGLADESH

Description :The Bengali Language Movement: and in Bangali Trnslation to ভাষা আন্দোলন

The Bengali Language Movement: Can read In Bangoli here]ভাষা আন্দোলন, also known as the Language Movement (Bengali: ভাষা আন্দোলন; Bhasha Andolon), was a political effort in Bangladesh (then known as East Pakistan), advocating the recognition of the Bengali language as an official language ofPakistan. Such recognition would allow Bengali to be used in government affairs.When the state of Pakistan was formed in 1947, its two regions, East Pakistan (also called East Bengal) and West Pakistan, were split along cultural, geographical, and linguistic lines. In 1948, the Government of Pakistan ordained Urdu as the sole national language, sparking extensive protests among the Bengali-speaking majority of East Pakistan. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest led by the Awami Muslim League, later renamed the Awami League. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. In 2000,UNESCO declared 21 February International Mother Language Day for the whole world to celebrate[1], in tribute to the Language Movement and the ethno-linguistic rights of people around the world.The Language Movement catalysed the assertion of Bengali national identity in Pakistan, and became a forerunner to Bengali nationalist movements, including the 6-point movement and subsequently the Bangladesh Liberation War in 1971. In Bangladesh, 21 February is observed as Language Movement Day, a national holiday. The Shaheed Minar monument was constructed near Dhaka Medical College in memory of the movement and its victims

Background

The present nations of Pakistan and Bangladesh were part of undivided India during the British colonial rule. From the mid-19th century, the Urdu language had been promoted as thelingua franca of Indian Muslims by political and religious leaders such as Sir Khwaja Salimullah, Sir Syed Ahmed Khan, Nawab Viqar-ul-Mulk and Maulvi Abdul Haq.[2][3] Urdu is an Indo-Aryan language of the Indo-Iranian branch, belonging to the Indo-European family of languages. It developed under Persian, Arabic and Turkic influence on apabhramshas (last linguistic stage of the medieval Indian Aryan language Pali-Prakrit)[4] in South Asia during the Delhi Sultanate and Mughal Empire.[5] With its Perso-Arabic script, the language was considered a vital element of the Islamic culture for Indian Muslims; Hindi and the Devanagari script were seen as fundamentals of Hindu culture.[2]While the use of Urdu grew common with Muslims in northern India, the Muslims of Bengal (a province in the eastern part of British Indian sub-continent) primarily used the Bengali language. Bengali is an Eastern Indo-Aryan language that arose from the eastern Middle Indic languages around 1000 CE[6] and developed considerably during the Bengal Renaissance. As early as the late 19th century, social activists such as the Muslim feminist Roquia Sakhawat Hussain were choosing to write in Bengali to reach out to the people and develop it as a modern literary language. Supporters of Bengali opposed Urdu even before the partition of India, when delegates from Bengal rejected the idea of making Urdu the lingua franca of Muslim India in the 1937 Lucknow session of the Muslim League. The Muslim League was a British Indian political party that became the driving force behind the creation of Pakistan as a Muslim state separate from British India.[7]

The Other Set related to this set are available here at : International Mother Language Day

All other Photos of this set are available at : National Language Movement Dat 2011

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Outrageous Holiday Themed Sweater by Kitty Dark Rage

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Ύμνος των λόγων του Θεού Ο Θεός θεωρεί πολύτιμους όσους ακούν και υπακούν σ' Αυτόν by Enxin Li

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«Ο Θεός δεν νοιάζεται

αν κάποιος είν' ασήμαντος

ή και σπουδαίος.

Αρκεί ο άνθρωπος

ν' ακούει τον Θεό,

να υπακούει σ' ό,τι

ο Θεός διατάζει κι εμπιστεύεται,

και τότε θα μπορεί να συνεργάζεται

στο έργο Του,

στο σχέδιό Του και στο θέλημά Του,

έτσι το θέλημα και το σχέδιό Του

ανεμπόδιστα να προχωρούν,

τέτοιες πράξεις αξίζουν,

αξίζουν την ενθύμηση από τον Θεό,

κι αξίζουν να λάβουν

την ευλογία Του.

Ο Θεός θεωρεί πολύτιμους

τέτοιους ανθρώπους

και εκτιμάει τις πράξεις τους,

καθώς και την καρδιά

και την τρυφερή

στοργή τους γι' Αυτόν.

Αυτ' είναι του Θεού η στάση.

II

Ο Θεός δεν νοιάζεται

αν κάποιος είν' ασήμαντος

ή και σπουδαίος.

Αρκεί ο άνθρωπος

ν' ακούει τον Θεό,

να υπακούει σ' ό,τι

ο Θεός διατάζει κι εμπιστεύεται,

και τότε θα μπορεί να συνεργάζεται

στο έργο Του,

στο σχέδιό Του και στο θέλημά Του,

έτσι το θέλημα και το σχέδιό Του

ανεμπόδιστα να προχωρούν,

τέτοιες πράξεις αξίζουν,

αξίζουν την ενθύμηση από τον Θεό,

κι αξίζουν να λάβουν

την ευλογία Του.

Ο Θεός θεωρεί πολύτιμους

τέτοιους ανθρώπους

και εκτιμάει τις πράξεις τους,

καθώς και την καρδιά

και την τρυφερή

στοργή τους γι' Αυτόν.

Αυτ' είναι του Θεού η στάση.»

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

σύσταση：

Ύμνοι

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html

Dog and owner. by Mitsushiro Nakagawa

13 1

title.

Dog and owner.

Manhattan . New york city 2017. shot..... … 　　　　　 4 / 6

Day of departure from Japan, August 16, 2017.

The day I came back to Japan, 21 August 2017.

(4 nights 6 days.)

(Today's picture. That's unannounced.)

( ( Lumix G3 shot ) )

image.

Joe Henderson …… Brown's Town

youtu.be/g1CxfOL9oFc

_________________________________

Profile.

In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.

stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

_________________________________

iBooks. Electronic Publishing. It is free now.

0.about the iBooks.

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3. Streamlined trajectory.

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

_________________________________

instagram.

_________________________________

Pinterest.

_________________________________

YouPic

www.fotolog.com/stealaway/

_________________________________

fotolog

_________________________________

twitter.

_________________________________

Japanese is the following.

www.flickr.com/photos/stealaway/

_________________________________

flickr . ( XL size )

_________________________________

_________________________________

My Novel >> Unforgettable'

(This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

images.

U2 - No Line On The Horizon Live in Dublin

There are two reasons why a person faces the sea.

One, to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other, to brush the dust of memory like an old man who misses old days, staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow, a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However, I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

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www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

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8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

images.

U2 - No Line On The Horizon

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

Schedule of the next novel.

Still would stand all time.(unforgettable'2)

2018. Spring. It's expected to open it. That's Japanese.

_________________________________

2018. spring.

theme.

This must be the place I waited years to leave.

place. Tokyo Big Site.

Sponsoring. Design festa.

2019.

Date unknown.

DIC Kawamura Memorial Art Museum attached gallery.

place. Sakura City, Chiba Prefecture.

theme.

From that day, forever ...

_________________________________

instagram.

_________________________________

Pinterest.

_________________________________

YouPic

www.fotolog.com/stealaway/

_________________________________

fotolog

_________________________________

twitter.

_________________________________

Japanese is the following.

stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html

_________________________________

タイトル。

犬と飼い主。

次の小説のイメージ。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

Manhattan . New york city 2007. shot … 　　　　4 / 6

（日本を出発した日。２０１７年８月１６日。）

（日本へ帰ってきた日。２０１７年８月２１日。）

（４泊６日。）

(今日の写真。それは未発表です。)

(( Lumix G3 shot ))

image.

Joe Henderson …… Brown's Town

youtu.be/g1CxfOL9oFc

_________________________________

プロフィール。

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

_________________________________

iBooks.電子出版。（現在は無料）

0.about the iBooks.

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

instagram.

_________________________________

Pinterest.

_________________________________

YouPic

_________________________________

twitter.

_________________________________

Japanese is the following.

_________________________________

僕の小説。英語版　

My Novel Unforgettable' (This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

1/9

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

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www.flickr.com/photos/stealaway/24548895082/in/dateposted...

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8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

次の小説の予定。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

２０１８年。春。公開予定。それは日本語です。

_________________________________

２０１８年。春。

テーマ。

This must be the place I waited years to leave .

場所。東京ビッグサイト。

Sponsoring. Design festa.

２０１９年。

日時未定。

DIC川村記念美術館付属ギャラリー。

場所。千葉県佐倉市。

テーマ。

あの日から、ずっと…

_________________________________

instagram.

_________________________________

Pinterest.

_________________________________

YouPic

www.fotolog.com/stealaway/

_________________________________

fotolog

_________________________________

twitter.

_________________________________

Japanese is the following.

misterio-hombre.blogspot.com/2013/11/black-friday.html

_________________________________

http://misterio-hombre.blogspot.com/2013/11/black-friday.html by Misterio Hombre

2

豐原｜TAICHUNG by 里卡豆 Ricardo

11

FaceBook｜Blogger ｜Instagram ｜500PX

You can licence images through My Getty image

All of My Reviews｜心得文：

DJI Mavic Air Review

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus PEN-F Review Part.3

Olympus MZD 17mm f/1.2 PRO Review

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 45mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

Panasonic LEICA DG 8-18mm f/2.8-4 Review

A Five-Year Photographic Journey with the M4/3 Series.

Γιατί λέγεται ότι η διεφθαρμένη ανθρωπότητα χρειάζεται περισσότερο τη σωτηρία του Θεού που ενσαρκώνεται; by Dallas Rilla Griffith

5

el.kingdomsalvation.org/gospel/God-s-incarnation-6.html

Σχετικά λόγια του Θεού:

« Η σωτηρία του ανθρώπου από τον Θεό δεν επιτελείται απευθείας μέσω του Πνεύματος ή ως Πνεύμα, διότι το Πνεύμα Του δεν μπορεί ούτε να το αγγίξει ούτε να το δει ο άνθρωπος και δεν μπορεί να το προσεγγίσει ο άνθρωπος. Αν προσπαθούσε να σώσει τον άνθρωπο άμεσα μέσω του Πνεύματος, ο άνθρωπος δεν θα ήταν σε θέση να λάβει τη σωτηρία Του. Και αν δεν ήταν ο Θεός που ενδύθηκε την εξωτερική μορφή ενός δημιουργημένου ανθρώπου, δεν θα ήταν σε θέση να λάβει αυτή τη σωτηρία. Γιατί ο άνθρωπος δεν μπορεί με κανέναν τρόπο να τον πλησιάσει, όπως όταν δεν μπορούσε κανείς να πλησιάσει το σύννεφο του Ιεχωβά. Μόνο μέσω της ενσάρκωσής Tου σε δημιουργημένο άνθρωπο, δηλαδή, μόνο θέτοντας την οδό Του στη σάρκα που θα γίνει,θα μπορεί προσωπικά να εμφυσήσει την οδό σε όλους όσους Τον ακολουθούν. Μόνο τότε ο άνθρωπος θα μπορέσει να ακούσει ο ίδιος την οδό Του, να δει την οδό Του και να λάβει την οδό Του, τότε μέσω αυτού θα σωθεί πλήρως. Εάν ο Θεός δεν ενσαρκωνόταν, κανένας θνητός δεν θα λάμβανε τόσο μεγάλη σωτηρία, και δεν θα σωζόταν ούτε ένας άνθρωπος. Εάν το Πνεύμα του Θεού εργαζόταν απευθείας μεταξύ των ανθρώπων, ο άνθρωπος θα πλήττονταν ή θα παρασυρόταν πλήρως και θα φυλακιζόταν από τον Σατανά, γιατί ο άνθρωπος δεν είναι σε θέση να συγχρωτιστεί με τον Θεό. Η πρώτη ενσάρκωση έγινε για να λυτρώσει τον άνθρωπο από την αμαρτία μέσω της σάρκας του Ιησού, δηλαδή, Αυτός έσωσε τον άνθρωπο από τον σταυρό, αλλά η διεφθαρμένη σατανική διάθεση παρέμενε ακόμα μέσα στον άνθρωπο. Η δεύτερη ενσάρκωση δεν πρέπει πλέον να χρησιμεύει ως προσφορά περί αμαρτίας, αλλά για να σώζει πλήρως όσους λυτρώθηκαν από την αμαρτία. Αυτό γίνεται έτσι ώστε όσοι συγχωρούνται να μπορούν να απελευθερωθούν από τις αμαρτίες τους και να εξαγνιστούν πλήρως και να επιτύχουν αλλαγή της διάθεσής τους, σπάζοντας έτσι τα δεσμά της επιρροής του σκότους του Σατανά και επιστρέφοντας ενώπιον του θρόνου του Θεού. Μόνο κατ’ αυτόν τον τρόπο μπορεί ο άνθρωπος να αγιοποιηθεί πλήρως. »

από «Το μυστήριο της ενσάρκωσης (4)» στο βιβλίο «Ο Λόγος Ενσαρκώνεται»

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html

nature 23 by Vu van Trinh dgdg

7 1

tu vi nam 2016,

boi tinh yeu,

12 con giap,

2022_24jan"THE AWARENESS MUSCLE HAS TO BE TRAINED EVERYDAY" CARTON by Thierry Geoffroy / Colonel : Artist

7

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

is the critical run

and other emergency art format

CRITICAL RUN / Debate Format

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

www.emergencyroomscanvas todo .org/criticalrun.html

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

----

Interesting publication for researches on running and art

www.emergencyrooms.org/formats.html

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

Descartes, René. Méditations metaphysiques. 1641.

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

Kant, Immanuel. “Was ist Aufklärung?” 1784.

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

Company, 1895.

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

University Press, 2013.

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

Issue 2 (Fall 2013).

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

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----

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

----------

#art #artist #artistic #artists #arte #artwork

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

#InstitutionalCritique

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

#biennalevenice

Institutional Critique

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

Culture, Collective History, Group of Portraits, Photographic Source

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

Personal Histories, Alter Egos and Avatars

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

—-

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

www.emergencyrooms.org/criticalrun.html

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

www.colonel.dk/

-----

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

,now art,copenhagen,denmark

Corazon - pm (Fetish Fair) by Pтιтɴoυrѕ Alтer

235 2

✰ Credit ✰

.: CORAZON:. - Tattoo ADA - Fetish Fair

:: pm :: - Shades Outfit - Fetish Fair

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● New Attitude Blog

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The Lighthouse On Sullivans Island by Dixie Photog

4

www.sullivansisland.com/sullivans-island-lighthouse.html

Barry McGee site-specific loft installation (8 stitched) by TRUE2DEATH

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Barry McGee "Site-Specific Loft Installation" at the Roberts and Tilton Gallery in L.A.

Project Room

Barry McGee (TWIST)

Site-Specific Loft Installation (click to see a lot more photos from the installation)

"Running concurrently with the group exhibition Do Not Stack, McGee takes over the project space, transforming the room’s physical relationship with the visitor into an interactive viewing. A distinctive cluster of McGee’s various paintings, works on paper and urban objects can be accessed by ascending through the floor of the utilitarian structure to the lofted space above."

Barry McGee "Site-Specific Loft Installation" at the Roberts and Tilton Gallery in L.A.

I spoke with the director of the gallery. He said that the gallery offered this 10' x 10' room to Barry McGee to do something with it. He said they got to talking and then Barry asked, "Can I build a loft?" And they did. A real interesting space. Well worth a visit in my opinion.

Христианские свидетельства | Бог защитил нашу семью от стихийного бедствия by Светлана Михайлова

6

www.kingdomsalvation.org/ru/testimonies/it-was-god-who-ke...

Христианские свидетельства | Бог защитил нашу семью от стихийного бедствия

Ван Лань, Пекин

6 августа 2012 г.

21 июля 2012 года наша деревня попала под удар сильнейшего за 60 лет наводнения. Стихия ударила с небес, потоки воды смешались с грязью и камнями и разорили всю деревню и разрушили большинство домов.

После пяти часов вечера начался сильный ливень. Потоки воды и камни шли с вершин прямо на наш дом, и повсюду вокруг была вода. Наводнение смыло курятник нашей дочери и наши свинарники вместе со всеми животными. Вода уже подходила к нашему дому, в котором оставался пожилой человек 94 лет и 10-месячный ребенок. Мы запаниковали. Пока я, схватив младенца, помогала старику перебраться в дом повыше, вода начала заливать тот, что пониже. Ливень все продолжался. Мы смотрели, как вода подступает к дому, в котором мы укрылись. Я была вне себя от страха. Я позвонила старосте деревни, но он сказал мне, что нам нужно уходить выше в горы, и что им едва хватает сил, чтобы спастись самим. В этой ситуации каждый человек был сам за себя. От страха я вспомнила слова Бога: «Бедствие навлечено Мной и, конечно же, управляется Мной». («Готовьте достаточно добрых дел для вашего место назначения» в книге «Слово является во плоти»). Верить в Бога значит полагаться на Него, ведь на людей, положиться нельзя, поэтому я плача встала в дверях и во весь голос обратилась Богу с мольбой о помощи: «Боже, спаси нас! О Боже, спаси нас!» Мы все встали на колени и начали молиться: «Боже, если мы погибнем в этом наводнении, в этом будет Твоя праведность, ведь мы были слишком строптивыми. Если мы спасемся, мы спасемся Твоей милостью. Мы начнем жизнь с чистого листа, мы будем внимать Твоей воле, мы начнем исполнять свой долг и распространять евангелие

». На улице стемнело, но мы не осмеливались выйти из дома. Вся семья собралась вместе, мы говорили о том, что судьба всего человечества находится в руках Бога, что если Он пожелает смерти человека, тому нигде не спрятаться и не вырваться из рук Бога. Мы перестали бояться смерти.

...

Image Source: Церковь Всемогущего Бога

Terms of Use: www.kingdomsalvation.org/ru/disclaimer.html

In A Ninth World by Rubilyn (sie.verlangen)

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>> BLOG <<

HEAD: ABSOLUT CREATION EVE'olution-head

BODY: Maitreya Lara body + SLink hands/feet

HEAD / BODY APPLIER: Van Luck Valkyries. Meyo (appliers: Omega/SLink head/body) tyvm! - Gacha

HAIR: Besom Rat

EYES: Byte Sized Shapes Nocturnal 1 L$ @ marketplace

TONGUE: OtherSkin Truth tyvm!

NAIL APPLIER: La Boheme Carbonite. Silver (SLink) soon @ Addicted To Appliers Hunt tyvm!

TATTOO CHEST: Speakeasy Dishonor (appliers: Omega, TMP, SLink)

TATTOO LEGS: Things Maita (appliers: Belleza, Omega, TMP, SLink)

CROWN: DirtyStories Lost Crown tyvm!

HOOD w/horns: ImmateriA Vampire Crusades tyvm!

HEADPIECE (w/skull): Van Luck Valkyries. Skull & Flowers headdress @ Fair Play: El Mundo *new* tyvm! - Gacha

HEADPIECE / PAULDRONS / NECKLACE / BRACELET (flowers): MdiMODA [00E] @ Fair Play: El Mundo *new* tyvm! - Gacha

EYEPATCH: Suicide Gurls Aegis. Silver @ Fair Play: El Mundo *new* tyvm!

NECK CORSET: ALEGRIA Isabel. Black tyvm!

SHOULDER PADS: DirtyStories Soul Hunter Rose w/color HUD tyvm!

PAULDRONS / BRACELETS: Dita Couture Spring Goddesses.red @ Fair Play: El Mundo *new* tyvm!

ARMBAND: DirtyStories Demonic w/color HUD @ Fair Play: El Mundo *new* tyvm!

STAFF: [Gauze] Alchemist. Power tyvm!

STRIPES TOP: Van Luck Valkyries. Black outfit (appliers: Omega) @ Fair Play: El Mundo *new* tyvm! - Gacha

BRA: RAPTURE Dress-APO-Vampire - part of full outfit @ Fair Play: El Mundo *new* tyvm!

SKIRT: ImmateriA Guardian of Reims - part of full outfit @ Fair Play: El Mundo *new* tyvm!

DRAPE: Vengeful Threads Morrigan - part of dress tyvm!

FOOT JEWELRY: Independent Objects Alia. Blue (SLink high) tyvm!

With the Gorgeous Lisa Empanada by SophieLynne2008

21 4

She is as smart as she is beautiful, and is a VERY talented writer.

Read about this night at sophielynne1.blogspot.com/2013/03/keystone-conference-par...

Deborah Lippmann – Dancing in the Dark by ‡†!☆Sїмσиε Ð.☆™!†‡

11 5

Fui convidada pela linda Prii para fazer uma participação no Blog dela, gente! Quanta honra!

www.blogohmy.com/2013/08/friozinho-na-barriga.html#disqus...

Auto World Museum by lukedrich_photography

9

Source: www.autoworldmuseum.com/about.html

Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.

William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.

Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.

After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.

The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.

Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.

White at the intersection. by Mitsushiro Nakagawa

10

title.

White at the intersection.

( Nikon cooplix 8700 shot )

Manhattan,New york, USA,2007 … 5 / 6

(Today's picture. That's unannounced.)

image.

Jessica Lauren Four - White Mountain [Freestyle Records]

youtu.be/qRSIsxMBbKk

_________________________________

Profile.

In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.

stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html

_________________________________

iBooks. Electronic Publishing. It is free now.

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3. Streamlined trajectory.

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

_________________________________

flickr . ( XL size )

_________________________________

www.flickr.com/photos/stealaway/

_________________________________

My Novel >> Unforgettable'

(This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

images.

U2 - No Line On The Horizon Live in Dublin

There are two reasons why a person faces the sea.

One, to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other, to brush the dust of memory like an old man who misses old days, staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow, a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However, I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

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Fin.

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

Schedule of the next novel.

Still would stand all time.(unforgettable'2)

2018. Spring. It's expected to open it. That's Japanese.

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2017.

Autumn.

Theme.

This must be the place I waited years to leave .

Place. Tokyo Big Sight.

Sponsoring. Design festa.

2018.

The uncertainness of date and time.

Kawamura Memorial DIC Museum of Art Annex Gallery.

www.fotolog.com/stealaway/22748231

Place. Sakura-shi, Chiba.

Theme.

From that day ....

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Future's photography place.

2017.

Manhattan. New York. The United States.

_________________________________

I went to New York 2007.

Day when Japan was left. March 9. Afternoon.

Day where it returned to Japan. March 14. Afternoon.

I am in Japan now.

The photograph in New York starts as follows.

_________________________________

Japanese is the following.

_________________________________

YouPic

stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html

_________________________________

タイトル。

交差点の白。

( Nikon cooplix 8700 shot )

次の小説のイメージ。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

Manhattan,New york, USA,2007 … 5 / 6

(今日の写真。それは未発表です。)

image.

Jessica Lauren Four - White Mountain [Freestyle Records]

youtu.be/qRSIsxMBbKk

_________________________________

プロフィール。

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

_________________________________

iBooks.電子出版。（現在は無料）

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

僕の小説。英語版　

My Novel Unforgettable' (This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

1/9

2/9

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Fin.

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

次の小説の予定。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

２０１８年。春。公開予定。それは日本語です。

_________________________________

２０１7年。秋。

テーマ。

This must be the place I waited years to leave .

場所。東京ビッグサイト。

Sponsoring. Design festa.

２０１８年。

日時未定。

DIC川村記念美術館付属ギャラリー。

www.fotolog.com/stealaway/22748231

場所。千葉県佐倉市。

テーマ。

あの日から、ずっと…

_________________________________

今後の撮影地。

２０１７年。

マンハッタン。ニューヨーク。アメリカ。

_________________________________

I went to New York 2007.

Day when Japan was left. March 9. Afternoon.

Day where it returned to Japan. March 14. Afternoon.

I am in Japan now.

The photograph in New York starts as follows.

_________________________________

Japanese is the following.

_________________________________

YouPic

Holy Russia, Moscow Architecture, Wooden Church of Saint Nicholas in Izmailovo (Metochion of the Danilov Monastery), Izmaylovskoye Highway, Izmaylovo district. Православнаѧ Црковь. by Alexander SACALEVIC

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94 14

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

..

.

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan