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Virginia Bluebell Wildflowers & Spring Growth
Loudoun County, Northern Virginia
Accessed via Bull Run Regional Park
Date taken: April 17, 2014
Unsigned prints are available for purchase at Fine Art America.
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The saying “all knees and elbows” is often attributed to someone who has yet to mature or fully grow into their frame. Nature, likewise, goes through a similar stage in spring when the forest has yet to mature into its summer greens and much of what you see is all branches and mud and chaos. This can be a huge challenge during the seasonal shift for landscape photographers considering one of the primary goals of the craft is to reduce nature’s chaos and confusion into one, easily readable, so-called “clean” frame, free from distractions. Being somewhat naturally inclined to question guidelines and to gently poke at their limits, I often shoot scenes that I know at the moment of capture are not going to be received well by those who find comfort in the well-worn confines of the sandbox or who otherwise like to position themselves as the gatekeepers to the status quo. Most of my attempts in this vain are failures, rightfully so, but fun nonetheless. Some, on the other hand, come out personally satisfying, although still largely rejected by the critics and powers that be who stand between an image and its ability to reach market. This photograph is one that appears to be falling into the latter category.
The Occoquan Stream Valley accessed via the Occoquan-Bull Run National Recreational Trail comes alive in the spring season with Virginia Bluebells, a seasonal ephemeral wildflower that paints the forest floor with a carpet of blues and light pink hues. Being an ephemeral though, these guys have to sneak in before the canopy leafs out and steals all of the sunshine from the forest floor. By late May these flowers are all but completely gone, like an illusion, only to return again next spring. Thus, when the Bluebells poke through the ground in early spring much of the surrounding environment is scraggly branches, ample boot-sucking mud, and otherwise nature’s awkward early-season “knees and elbows.” Macro opportunities abound for the small-scene inclined, but contextual landscapes are complicated at best. A few things I learned this season, my first concertedly chasing a few photographs of these wildflowers: my initial thought that overcast and calm weather would provide the most optimal conditions for getting a pop of color were somewhat misguided. I found that late evening or early morning sun on a clear day made for the most dramatic spring scenic, as looking into the light provided for beautiful backlit spring green leaves. Once I thought about this it made perfect sense: sunlight is the driver of spring growth and thus an essential element in any composition that speaks towards the story of the season. However, any light on the bluebells would cause blowouts with exposure and thus, I went in search for late evening light that would make the newly minted spring green understory dance, while also being at such an angle as to mostly shade the delicate bluebells to maintain an even single-exposure. This proved to be a strategy that I continued to follow at both sun-up and sun-down for several days with mild to moderate success.
The resultant shot, what you see above/below, has been confirmed thus far by the critics and gatekeepers as poor composition and of little value to the commercial photography market. However, I find it honest and authentic to the chaos that is spring, and thus, for me personally, a satisfying take-away from a week of shooting. It could certainly be better, but then again, what photograph have you ever really taken that couldn’t be improved?
Have a wonderful weekend folks! Get outside if you can and enjoy the season!
Excerpt from centrewellington.maps.arcgis.com/apps/Shortlist/index.htm...:
36 Henderson Street
The Parish of St. John the Evangelist was formed in 1830. The present church was opened in 1875. Besides being a place of worship for over 125 years, St. John’s has evolved into a community centre, and has been an incubator for many organizations. It has been a community meeting place for such diverse groups as the Girl Guides, Canada World Youth, the Elora-Salem Horticultural Society and Alcoholics Anonymous. St. John’s-Kilmarnock School, the amalgamation of St. John’s College and St. Margaret’s Schools, which were founded in Elora, still have close ties with the church. Well known for its music, St. John’s was the birthplace of the Elora Festival in 1979. The Festival and its Singers hold concerts in the church throughout the year. In recent years a strong bond has developed with Portage, an organization offering a drug free therapeutic rehabilitation program for juveniles. Students at Portage serve at church services and a number of members of the parish do volunteer work at Portage. St. John’s is the home of the famous communion set reportedly donated by Florence Nightingale to her cousin and reputed lover, John Smithurst, Rector of the church from 1852-1857. The building is an excellent example of Victorian Gothic Revival architecture. Hallmarks of the Gothic Revival style in St. John’s include buttresses, vaulted arches, steeply pitched gable roofs, elaborate cast iron ornaments such as rooftop cresting and pointed arch windows. The polychrome colour scheme of red and yellow brick buttresses and external woodwork are all features of Gothic Revival architecture. The church was designed by Henry Langley (1836-1907) an architect with extensive experience in church design. Langley was responsible for the design of the Metropolitan Methodist, Jarvis Street Baptist, and St. Andrew’s Presbyterian (now United) churches in Toronto. Year Built: 1875
Titian -
Allegory of Time governed by Prudence [~1550]
London NG
wikipedia
Here you will find an exhaustive article on possible interpretions:
www.artinsociety.com/titian-prudence-and-the-three-headed...
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Connected to Titian's late portraits is the Allegory of Time governed by Prudence. This is an exceptional portrait which depicts the aged Titian on the left above a wolf's head, his son Orazio in the centre above the head of a lion, and his nephew Marco above a dog's head. The wolf, the lion and the dog, symbolize the past, present and future. In the upper part of the painting there is an inscription which is the key to the complex allegorical meaning of the work: "EX PRAETERITO PRAESENS PRUDENTER AGIT, NI FUTURUM ACTIONE DETURPET" ("From the (experience of the) past, the present acts prudently, lest it spoil future action").
Though it was common enough during the Renaissance to use three human heads to symbolize the ages of man, and to use three animal heads to symbolize prudence, it was very unusual to use them as the theme of a painting. As Titian used personal motifs, it can be assumed that he chose the subject matter himself.
ttps://www.wga.hu/frames-e.html?/html/t/tiziano/10/3/5allegor.html
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The Allegory of Prudence (c. 1550–1565) is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads (from left to right, a wolf, a lion and a dog). It is in the National Gallery, London.[1]
The painting is usually interpreted as operating on a number of levels.[2][3] At the first level, the different ages of the three human heads represent the three ages of man (from left to right: old age, maturity and youth), a subject that Titian had depicted 50 years earlier in his The Three Ages of Man. The different directions in which they are facing reflect a second, wider concept of time itself as having a past, present and future. This theme is repeated in the animal heads: an animal with three heads (wolf, lion, dog) to represent the passage of time (past, present, future) is associated with Serapis in Macrobius's Saturnalia, and associated with Apollo by Petrarch, and the iconography is repeated for example in the Hypnerotomachia Poliphili of Francesco Colonna (1499), the Hieroglyphica of Pierio Valeriano (1556), and the Iconologia of Cesare Ripa (1643). The third level, from which the painting has acquired its present name, is suggested by a barely visible inscription above the portraits: EX PRÆTE/RITO // PRÆSENS PRVDEN/TER AGIT // NI FVTVRA / ACTIONĒ DE/TVRPET (Latin for "from the experience of the past, the present acts prudently, lest it spoil future actions".)
It has been argued that the human faces are actual portraits of the aged Titian, his son Orazio, and his young nephew, Marco Vecellio, who, like Orazio, lived and worked with Titian.[4] Erwin Panofsky, in his classic exposition, suggests that the painting is specifically associated with the negotiations associated with the passing on of Titian's property to the younger generations, in the light of his approaching death. The painting therefore acts as a visual counsel to the three generations to act prudently in the administration of the inheritance. Nicholas Penny is, however, highly sceptical of this, and points out discrepancies between the human heads and other evidence of the individuals' appearance. He doubts it was a personal project of any sort and feels that is "surely more likely that the painting was commissioned".[5] Others are also of the opinion that the three heads are not Titian and his family. One reason is that there are no portraits of Orazio or Marco, so confirmation that they are the figures is difficult.[6]
More recently the painting has been explained in quite different ways. Instead of an allegory of prudence, it has been seen as an allegory about sin and penitence. On this view, it amounts to an admission by Titian that his failure to act prudently in his youth and middle age has condemned him to lead a regretful old age.[7]
At the other extreme, the painting has been explained as asserting that the prudence which comes with experience and old age is an essential aspect of artistic discrimination and judgement. On this interpretation, the painting therefore acts as a rebuttal of the view that old age is the enemy of artistic achievement. On a more general level, the painting's depiction of Titian with his assistants Orazio and Marco is also intended as a defence of the prudence of the continuity of the Venetian workshop tradition.[8]
en.wikipedia.org/wiki/Allegory_of_Prudence
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bestpauljaisini.blogspot.com/2015/01/muse-gif-1.html The art conundrum; the disconnect between society and art establishment
Celebrity art dealers artists and art collectors have become superstars of such caliber F. Scott Fitzgerald would’t imagine in a wildest Great Gatsby's wet dream.
The breathtaking fables of high-flying multi-million art deals inspire the sensational and entertaining articles to be written by the writers who could barely earn a living nowadays. How many people, however, actually become the art lovers learning about the adventures of the glitzy art stars? None.
The art world is a lonely Narcissus that admires the own reflection. But desperately wants the public affection and attention unwilling to admit the need of new source for awe. Or how many art critics made a serious attempt to explain in written word the post post-modern art scene?
What about the artists… is next thought that comes to mind. Maybe this whole problem of art turning into a very sexy fast-money exchange business is due the bad quality artists?
Even television tried to popularize art in the attempt to create a show who wants to be the next American top model I mean artist. But the public only grow less interested, more so, the public wants to take over the art franchise after the so-called digital revolution. Masses of people who could never touch a camera for variety of reasons now turn to photography. For instance, 300 million photographs are uploaded every minute to Facebook, The numbers have power the sheer grandiosity. And yet the art world tries to keep its cool. And more so, continues to be disconnected.
Which could be good or bad depending how one looks at it. Good in a sense of art preservation, not good for survival of the franchise. In most recent global social phenomenon there’s a new traits of human behavior that present a real threat to what is known as highly developed Western culture.
✰ Credit ✰
For Her
Leven Ink - Cryptic Tattoo - Astrophe Event
Vanilla Bae - Rochelle Dress 2.0
CODEX - Lady Gloves
For Him
[Mazzaro] - Emanuel Set
Backdrop : The Bearded Guy - Metal Jungle Backdrop PBR
NEW ATTITUDE
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● Flickr
● Primfeed
You will find 184+ of my poems HERE. fno.org/poetry/index.html
A poem from 2019
Where will you take me?
Where will you take me
My new love?
To the moon?
Past the stars?
All the way to heaven?
And beyond?
Or will we just cruise on down the Danube?
Enjoy the Don?
Stroll along the Seine?
Hand in hand
Trading wishes, dreams and fears
Hoping for the best
Shaking off the past
Creating the new
Where will you take me
My new love?
To new lows
Or new highs?
Surprise me
Delight me
Teach me what you can
Grab this moment
And make it last
Make it ours
Toss away your troubles
Pack up your sorrows
Join me in this crazy dance
Once and for all time
Kicking up your heels
Spinning madly
Shouting
And calling out my name
Love me with abandon
Make me yours
And I will make you mine
© Jamie McKenzie, all rights reserved
You will find more of my poems and songs here
and in The Storm in Its Passing and Flights of Fancy.
My songs are at
✰ Credit ✰
J.E.F - Sandra Black - Wip Event
Noveny - Patio Lounger - Adult - Wip Event
Noveny - Pina Colada - Wip Event
Noveny - Rattan Diamond Palmera - Wip Event
Noveny - Rattan Mini Table - Wip Event
Noveny - Rattan Mirror Clear Dark - Wip Event
Pose : [DPSP] - Kissing Frogs
NEW ATTITUDE
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● Flickr
Mother bear and her three kids. Photographed from a hide in Finland.
If you would like to join me on one of our photo tours and workshops, please check out my website for more information:
Squiver Photo Tours & Workshops
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
✰ Credit ✰
For Her
GASET & "CATARSIS" - Chihiro Set - Level Event
For Him
NEW ATTITUDE
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● Flickr
● Primfeed
traveladventureeverywhere.blogspot.com/2024/06/saint-pete...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
JOSE' LUIS PERALES - QUE CANTEN LOS NINOS
__________________________________________________________________________________________
OXFAM ITALIA - www.oxfamitalia.org/
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OXFAM CANADA - www.oxfam.ca/
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OXFAM QUEBEC - oxfam.qc.ca/fr/accueil
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OXFAM AMERICA - www.oxfamamerica.org/
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OXFAM MEXICO - www.oxfammexico.org/oxfam/
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OXFAM AUSTRALIA - www.oxfam.org.au/
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OXFAM NEW ZELAND - www.oxfam.org.nz/
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OXFAM FRANCE - www.oxfamfrance.org/
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OXFAM DEUTSCHLAND - www.oxfam.de/
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OXFAM GB/UK - www.oxfam.org.uk/index-b.html
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OXFAM ESPANA - www.intermonoxfam.org/es/page.asp?id=1
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OXFAM RUSSIA
www.oxfam.org.uk/oxfam_in_action/where_we_work/russia.html
___________________________________________________________
OXFAM HONG KONG - www.oxfam.org.hk/en/default.aspx
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OXFAM INDIA - www.oxfamindia.org/
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OXFAM INDIA - www.oxfamindia.org/
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OXFAM IRELAND - www.oxfamireland.org/
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OXFAM NETHERLAND - www.oxfamnovib.nl/
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OXFAM JAPAN - www.oxfam.jp/
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LA LOTTA DELLE MADRI DEL CORNO D'AFRICA .
Namanakwee Ngamor
Ho sempre creduto che sotterrare un figlio o una figlia sia la più traumatica esperienza che possa accadere a una madre, in quanto è una violazione dell’ordine naturale della vita. Ma se, nel peggiore dei casi, tuo figlio muore perché non sei in grado di fornirgli il cibo, il tuo dolore è aggravato per non essere in grado di rispondere all’istinto materno basilare: nutrirlo.
Ecco perché, quando Namanakwee Ngamor mi confida che meno di un mese fa suo figlio è morto di fame, nei suoi occhi affranti ho letto molto più che semplice dolore. “Mio figlio aveva cinque anni. Non abbiamo mangiato per intere settimane, ma lui non ce l’ha fatta a sopravvivere”, spiega la donna, mentre tiene in mano un sacco vuoto che utilizzerà per raccogliere la propria porzione di cibo distribuita oggi da Oxfam a Kanukurdio.
Questo piccolo villaggio nel nord del Kenya, è solo uno dei tanti colpiti dalla grave crisi alimentare del Corno d’Africa che minaccia più di 12 milioni di persone nella regione.
La fame non perdona, sta addosso ai più deboli, uccidendo soprattutto vecchi e bambini, ma è talmente devastante che colpisce anche gli adulti.
Le madri, dopo anni di avversità, hanno i corpi fragili e sono sempre più deboli: potrebbero soccombere da un momento all’altro.
Mary Nsaniana ha da poco seppellito sua figlia, madre dei suoi nipoti, morta a seguito di una malattia che, secondo la sua saggezza di donna cinquantenne, era dovuta al perdurare costante di fame e sete. La fame e la sete, infatti, sono due fattori che violano il naturale ordine della vita.
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La popolazione locale non può comprendere le ragioni di questa siccità, il perché non piova da oltre cinque anni e nemmeno dove possano trovare la forza per andare avanti dopo aver perduto circa il 60% del loro bestiame. Le loro capre, le pecore, il bestiame, e anche i loro cammelli stanno morendo. E con la loro scomparsa sta venendo meno la loro unica fonte di reddito. “Nel momento in cui gli animali muoiono, capiamo che le persone seguiranno lo stesso destino ”, afferma Mary con un’espressione che tradisce un sentimento di rabbia e disperazione.
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Un sentimento di disperazione, ma anche una determinazione a cercare un’alternativa alla morte. “Abbiamo bisogno di grano, così possiamo preparare le pappe per i nostri bambini prima che sia troppo tardi”, esclama Aite Eknba mentre tenta di sorreggere le sue bimbe, Apùa e Evei, i cui piccoli corpi stanno cedendo al tremendo peso della fame.
Dopo tre settimane in cui l’unico alimento a disposizione dei bambini è stato l’ edapal, uno dei frutti selvatici che cresce nella regione, i piccoli sono talmente deboli che per molto tempo non potranno digerire cibo solido. Nel caso in cui le madri non trovino al più presto del cibo appropriato per nutrirli, un’altra violazione dell’ordine naturale della vita minaccerà anche il villaggio di Nakimnet, dove più di 4.400 persone dipendono totalmente dagli aiuti umanitari.
In questo villaggio già sono stati seppelliti quattro bambini, vittime della fame e altri 626 stanno soffrendo a causa della malnutrizione. È impossibile misurare il sentimento di impotenza di queste madri, che sono obbligate ad aspettare per giorni gli aiuti umanitari per poter sfamare i propri figli.
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Aite, Mary e Namanakwee sono solo tre delle migliaia di madri della regione che non hanno niente da mangiare e tantomeno hanno cibo da dare ai propri figli. I loro mariti, che una volta erano fieri pastori nomadi, oggi possono solo aspettare che cada finalmente la pioggia di cui hanno disperato bisogno.
La carenza di pascoli e i conflitti etnici che hanno colpito alcune aree al confine della regione un tempo fertili, sottopone i villaggi ad un virtuale stato di assedio, obbligando le persone a restare in questa drammatica attesa.
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Tuttavia, per molte di queste donne, la sosta obbligata è stata l’occasione per prendere delle iniziative. Nel villaggio di Mila Matatu, ho parlato con Alice Atabo, l’agente designata da Oxfam per favorire la distribuzione del cibo. Questa donna intraprendente si è occupata di metter su un piccolo negozio di alimentari e può così aiutare la comunità a rifornirsi di cibo.
“Tutto cominciò quando decisi di investire una piccola somma, che Oxfam mi aveva donato, perché partecipai a un progetto che prevedeva dei finanziamenti per avviare attività. Io comprai prodotti come latte, farina e zucchero. Non appena le persone vennero a sapere del mio negozio, iniziarono a comprare gli alimenti basilari da me. Nel corso del tempo”, spiega Alice, “sono stata in grado di rientrare economicamente con le spese e anche di fare richiesta di un ulteriore credito per espandere la mia attività. Inoltre, mi venne data una parte di cibo da distribuire gratuitamente alle famiglie più bisognose che venivano a prenderlo nel mio negozio”.
“Oggi il cibo arriva dal centro di distribuzione e le persone, che possiedono dei buoni d’acquisto, sono impazienti di comprarlo, perché scarseggia e sta per finire”, afferma la donna mentre tiene in braccio il più piccolo dei suoi otto figli, un bimbo sorridente che, mentre la madre parla, gioca con la sua collana.
Alice è consapevole di essere una madre fortunata, perché ha abbastanza cibo per nutrire i suoi bambini.
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Con i fondi raccolti, Oxfam Italia porterà alle popolazioni del sud dell’Etiopia cibo, acqua e servizi igienici, e creerà posti di lavoro retribuiti (programma cash for work) per far ripartire l’economia locale. L’Etiopia è uno dei paesi più colpiti dalla crisi. Con il suo intervento Oxfam assisterà circa 15mila persone e 750 famiglie.
“In questo momento il Corno d’Africa è la priorità assoluta. Basti pensare che con tutta probabilità le Nazioni Unite dichiareranno lo stato di carestia in tutta la Somalia.
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Irina Fuhrmann, Media e Policy officer di Intermon Oxfam
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ESPANOL
La lucha de una madre en el Cuerno de África
10 Agosto, 2011| Blog channel: Conflicto y Desastres
Siempre he pensado que enterrar a un hijo es la experiencia más traumática que puede ocurrirle a una madre, una alteración del orden natural de la vida. Pero si además, tu hijo muere porque no has podido alimentarle, a ese dolor se añade la impotencia de no haber podido responder al más básico de los instintos maternales: nutrir a los hijos.
Por ello, cuando Namanakwee Ngamor, me cuenta que hace menos de un mes el hambre mató a su hijo, sus ojos abatidos expresan más que dolor. “Mi hijo tenía 5 años. Estaba cada vez más débil y yo no tenía nada más para darle qué frutos silvestres. Llevábamos semanas sin comer y mi hijo no pudo aguantar”, explica la mujer mientras sostiene entres sus manos un saco vacío, que utilizará para recoger la parte que le corresponde de la distribución de alimentos que hoy está realizando Oxfam en Kanukurdio. Esta aldea del norte de Kenia, es una más de las afectada por la grave crisis alimentaria en el Cuerno de África, que amenaza a más de 15 millones de personas en la región.
Namanakwee Ngamor, instalada en Kanukurdio, en el norte de Kenia, ha perdido a su hijo de 5 años. Foto: Irina Fuhrmann /Oxfam
El hambre se mece lentamente sobre los más débiles, adormeciendo primero a los niños y a los ancianos, pero sus estragos empiezan a alcanzar también a los adultos. Las madres, con sus cuerpos ya frágiles por años de penuria, se están debilitando cada vez más y en cualquier momento ellas también pueden caer. Mary Nsaniana enterró hace poco a su hija, la madre de sus dos nietos, tras una enfermedad que según la experiencia de esta mujer de 50 años, fue una acumulación de hambre y sed. Hambre y sed que alteran el orden natural de la vida.
Tampoco los habitantes de la zona comprenden por qué hay sequia, por qué ya hace más de cinco años que no llueve ni cómo van a poder seguir adelante cuando han perdido cerca del 60% de su ganado. Las cabras, ovejas, vacas, e incluso ahora los camellos, se están desvaneciendo y con ellos su única fuente de ingresos. “Cuando mueren los animales sabemos que los siguientes somos nosotros, los humanos”, explica Mary, con ademanes que muestran el enojo de su desesperanza.
Desesperanza y urgencia para que no mueran más personas. “Necesitamos cereales para poder darles papilla a los niños, antes de que sea demasiado tarde” clama Aite Eknoba, tratando de sostener erguidos a sus dos hijos, Apúa y Evei, cuyos cuerpecitos se doblegan ante la fuerza del hambre. Tras haber pasado tres semanas comiendo edapal, uno de los frutos silvestres que se encuentra en la zona, los niños están tan débiles que ya no retienen ningún alimento sólido. Si su madre no encuentra algo adecuado para alimentarles rápidamente, otra nueva alteración del orden natural de la vida se cernirá sobre Nakinomet, una aldea dónde más de 4.400 personas dependen totalmente de la ayuda humanitaria.
Esta comunidad ya ha enterrado a cuatro niños víctimas del hambre y otros 626 sufren desnutrición. Según las recientes evaluaciones que se han llevado a cabo en la región de Turkana, 37 niños de cada 100 muestran signos de desnutrición. Lo que no podemos medir todavía es el grado de impotencia de sus madres, obligadas a esperar que llegue la ayuda humanitaria para poder alimentar a sus hijos unos días más.
Aite, Mary y Namanakwee son sólo tres madres entre miles de mujeres afectadas en la región, que no tienen nada con qué alimentarse, ni ellas ni sus hijos. Sus maridos, antes orgullosos pastores trashumantes, sólo esperan que llegue la tan ansiada lluvia. La falta de pasto y el conflicto interétnico que afecta ciertas zonas de pastoreo fronterizas han sitiado a estas comunidades, obligándolas a permanecer en esta dramática espera.
Alice Atabo abrió una pequeña tienda de comestibles de su comunidad, Mila Matatu, en el norte de Kenia. Foto: Irina Fuhrmann /Oxfam
Sin embargo, para algunas de estas madres, la espera no carece de iniciativa. En Mila Matatu, otra aldea de la zona, me encuentro con Alice Atabo, la agente de intercambio designada por Oxfam para apoyar la distribución de alimentos. Esta emprendedora mujer ha hecho crecer una pequeña tienda de alimentación que provee a la comunidad. “Todo empezó cuando decidí invertir una pequeña cantidad, que me había dado Oxfam al participar en un proyecto al cash x work, en comprar productos como leche, harina, azúcar. Tan pronto supieron que en mi tienda podían abastecerse de lo básico, empezaron a venir de todos lados. Y con el tiempo, pude volver a pedir otro crédito y ampliar mi aprovisionamiento. Ahora además, recepciono los alimentos de la distribución gratuita y las familias más necesitadas vienen a recogerlos a mi tienda” explica Alice.
“Hoy han llegado los alimentos de la distribución y la gente ya está impaciente con sus tarjetas de intercambio preparadas, pues ya no les queda nada para comer”, nos explica mientras sostiene en sus brazos al último de sus ocho hijos, un bebé sonriente que juega con los collares de su madre. Alice sabe que es una madre afortunada pues tiene con qué nutrir a sus hijos.
Oxfam interviene en la región del norte de Kenia, distribuyendo alimentos a más de 200.000 personas. La organización trabaja desde hace años con las comunidades de pastores, apoyando la habilitación de puntos de agua, interviniendo con programas de dinero a cambio de trabajo y acompañando en el desarrollo de nuevos medios de vida alternativos para las comunidades de pastoralistas.
Más información
Crisis alimentaria en el Cuerno de África
Apoya el trabajo de Oxfam: Haz un donativo
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FRANCAIS
Le combat quotidien des mères dans la Corne de l'Afrique
15 Août, 2011| Blog channel: Conflits et Urgences
Devoir enterrer son enfant m'a toujours semblé être l'expérience la plus traumatisante que pouvait vivre une mère, une sorte de bouleversement de l'ordre naturel de la vie. Mais si en plus, cet enfant meurt car vous n'avez pas été en mesure de le nourrir, alors vient s'ajouter à la douleur de la perte d'un enfant celle de ne pas avoir pu répondre à un des instincts maternels primaires : celui de nourrir ses enfants.
Namanakwee Ngamor, installée à Kanukurdio, au nord du Kenya, a perdu son fils, âgé de 5 ans. Photo : Irina Fuhrmann /Oxfam
Quand Namanakwee Ngamor m'explique comment, il y a moins d'un mois, elle a perdu son fils, mort de faim, ses yeux trahissent bien plus que de la douleur. "Mon fils avait 5 ans. Il était de plus en plus faible, et je n'avais rien d'autre à lui donner que des baies. Nous sommes restés des semaines sans manger et il n'avait plus assez d'énergie pour se tenir debout", m'explique-t-elle, en tenant dans ses mains le sac vide qui lui servira à garder la ration distribuée plus tard par Oxfam à Kanukurdio. Cette zone du nord du Kenya est une des plus gravement touchées par la crise dans la Corne de l'Afrique, qui menace à terme plus de 15 millions de personnes.
La faim s'installe lentement parmi les populations les plus faibles, frappant en priorité les enfants et les personnes âgées, mais ses effets sont également de plus en plus visibles chez les adultes. Les mères, dont les corps ont déjà été éprouvés par des années de pénuries, sont très affaiblies et peuvent succomber à tout moment. Mary Nsaniana a enterré il y a peu sa fille, la mère de ses deux petits-enfants, morte de complications qui, selon cette femme de 50 ans, sont consécutives à la faim et la soif persistantes. Cette faim et cette soif qui bouleverse l'ordre naturel de la vie.
Les habitants de ces régions ne savent pas non plus d'où vient cette sécheresse, pourquoi il n'a pas plu suffisamment depuis cinq ans, ni comment ils vont pourvoir continuer à vivre en ayant perdu presque 60% de leurs réserves de grain. Chèvres, moutons, vaches et maintenant également les chameaux périssent lentement, et avec eux l'unique source de revenus des populations. "Quand les animaux commencent à mourir, nous savons que nous, les humains, sommes les suivants", explique Mary, désespérée.
Il est urgent d'intervenir, pour éviter que davantage de personnes ne perdent la vie. "Nous avons besoin de céréales, pour préparer des bouillies pour les enfants, avant qu'il ne soit trop tard", demande Aite Eknoba, tout en essayant de maintenir debout ses deux enfants, Apúa et Evei, dont les petits corps sont meurtris par la faim. Après avoir mangé de l'edapal, une baie locale, pendant trois semaines, les enfants étaient tellement faibles qu'ils n'arrivaient plus à digérer des aliments solides. Si leur mère ne trouve pas rapidement de quoi les nourrir, l'ordre naturel de la vie sera une nouvelle fois bouleversé à Nakinomet, où 4 400 personnes dépendent entièrement de l'aide humanitaire.
Cette communauté a déjà dû enterrer quatre enfants des suites de la famine, et 626 autres souffrent de malnutrition. Selon des évaluations récentes effectuées dans la région de Turkana, 37% des enfants sont sous-alimentés. Il est à l'heure actuelle encore impossible d'évaluer ce taux chez les mères, obligées d'attendre l'arrivée de l'aide humanitaire pour pouvoir nourrir leurs enfants un jour de plus.
Alice Atabo a ouvert un petit magasin d'alimentation pour sa communauté, à Mila Matatu, au nord du Kenya. Photo : Irina Fuhrmann /Oxfam
Aite, Mary et Namanakwee ne sont que trois des milliers de femmes touchées par la crise et qui ne trouvent plus de quoi s'alimenter, ni pour elles, ni pour leurs enfants. Leurs maris, de fiers bergers itinérants, en sont réduits à attendre l'arrivée tant espérée de la pluie. Le manque de pâturages et le conflit ethnique qui touche certaines zones de la région ont coincé ici ces communautés, les obligeant à poursuivre cette attente dramatique.
Cependant, pour certaines de ces mères, l'attente n'exclut pas la prise d'initiatives. À Mila Matatu, une autre zone de la région affectée, j'ai rencontré Alice Atabo, désignée par Oxfam comme agente de liaison pour aider à la distribution de nourriture. Cette femme entreprenante a mis en place un petit magasin d'alimentation pour la communauté. "Tout a commencé quand j'ai décidé d'investir une petite partie de l'argent reçu par Oxfam dans le cadre d'un projet 'argent-contre-travail' pour acheter des produits comme du lait, du sucre et de la farine. Dès que le bruit s'est répandu qu'on pouvait trouver des produits dans mon échoppe, les gens ont commencé à affluer. Peu de temps après, j'ai pu demander un autre crédit et ainsi remplir mon magasin. Je reçois également les rations alimentaires des familles les plus faibles, qui peuvent ensuite venir les retirer chez moi", explique Alice.
"La distribution de nourriture a eu lieu aujourd'hui, et les gens attendent avec impatience, leur carte d'approvisionnement à la main, car il ne leur reste plus rien à manger,", nous raconte-t-elle en tenant à la main le dernier de ses huit enfants, un bébé souriant qui joue avec les colliers de sa mère. Alice sait qu'elle a de la chance, car elle possède de quoi nourrir ses enfants.
Oxfam intervient dans la région du nord du Kenya en distribuant des produits alimentaires pour 200 000 personnes. L'organisation travaille depuis des années avec les communautés pastorales, en appuyant l'installation de points d'eau, en mettant en place des programmes "argent-contre-travail" et en les accompagnant dans le développement de moyens de subsistance alternatifs.
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MEDJUGORIE -
WEB MULTILINGUAL SITE - www.medjugorje.ws/
L'ULTIMO MESSAGGIO DEL 25 SETTEMBRE 2011
Quote of the day ( 25 settembre 2011 )
"Cari figli, Oggi, figlioli, vi invito, ad essere con Gesù attraverso la preghiera, per poter scoprire la bellezza delle creature di Dio tramite l'esperienza personale nella preghiera. Non potete parlare né testimoniare della preghiera se non pregate, perciò, figlioli, nel silenzio del cuore rimanete con Gesù, perché Lui vi cambi e vi trasformi con il Suo Amore."
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IL SANTO DEL GIORNO
OGGI MARTEDI' 26 SETTEMBRE - .S. VINCENZO DE PAOLI .
Cosma e Damiano, medici anàrgiri (gratuiti), secondo un'antica tradizione subirono il martirio a Ciro in Siria e il loro culto fu assai diffuso in tutta la Chiesa fin dal sec. IV. Il 26 settembre è la probabile data della dedicazione della basilica che a Roma porta il loro nome, edificata da Felice IV (525-530). Di loro si fa memoria nel Canone romano
youtu.be/VZOssXaTt4w
LITURGIA DEL GIORNO
www.chiesacattolica.it/cci2009/chiesa_cattolica_italiana/...
Huffington Post post about Billy Gomez.
The translation of the text that appears in the blog (which you can read below) is the work of Mark Donnelly . A great thank you to Mark for always looking for the best translation and to Billy Gomez for his great work and collaboration.
Don´t forget that you can share this on facebook, tweet, mail, subscribe etc…
Shadow Hunter
There are methodical photographers who dedicate hours to every photo controlling every little detail of light and composition. On the opposite side there are those who armed with their cameras are hungry for images like a hunter looking for his prey. They don’t know where nor when they’ll find this image. They’re not familiar with the place, the light or “the model”. But at any given time they’ll stumble upon it and shoot without thinking twice, feeling the rush of the hunter becoming the hunted.
Billy Gómez belongs to this lineage of camouflaged, instinctive, risk-taking, quick draw and crack shot photographers. He has become a creative and active witness of the streets of Seoul. Its inhabitants are the driving force behind his work with their hectic routines, their depression and loneliness etched on their faces. The metro, train and the streets are his usual scenes. As in this image, the people he photographs are alone, lost in thought and with an expression of defeat almost as if they were prisoners to a life they hadn’t dreamt of. They look through the windows with their imagination trying to escape but all they find are others like them who are just as lonely and lost.
Billy is aware of the fact that with his camera he is going to steal sad and intimate moments in public places with no previous permission and this has its risks. However this also turns the moment of capture into something exciting, disturbing and unpredictable. With his sensitive and lyrical voyeurism he turns everything he sees into art.
He develops his photographs in a way to increase the loneliness of the lives of the human beings he portrays. By adding a vignette to every one of his subjects and darkening the borders it seems like they are surrounded by shadows. With his camera he immortalizes these sad inhabitants and it can be said that his voyeurism of anonymous men and women is taxidermal.
Billy Gómez (Los Angeles, 1971)
Born in America he moved to Seoul in 2005 to teach English. His job leaves him with a lot of free time and soon he decides to make the most of it by taking photographs. After a few years of fooling around, experimenting and searching he starts to define his style - a combination of voyeurism and spontaneous portrait. The result is a lucid and sad x-ray of a city, Seoul and its inhabitants.
With a telephoto lens, a 50mm and lately an iPhone that allows him to go unnoticed, he hits the streets in search of the right light and perfect moment. Not being able to control light as one would in a studio makes post-production more laborious. The search for the right light is now one of this visual poet’s priorities in the streets of Seoul. A hunter of light and above all shadows.
el.kingdomsalvation.org/videos/how-the-Lord-returns.html
Η βίβλος λέει: «ιδού, έρχεται μετά των νεφελών, και θέλει ιδεί αυτόν πας οφθαλμός… » （Αποκ. 1:7）Από αυτό το κεφάλαιο, δευτέρα Παρουσία του Κυρίου θα πρέπει να έρχεται σε σύννεφο εμφανίστηκε ανοικτή σε όλα τα έθνη; Αλλά, η Βίβλος λέει και πάλι: «θέλω ελθεί επί σε ως κλέπτης». （Αποκ.3:3）Αυτό το κομμάτι λέει ότι ο Κύριος έρχεται ξανά μυστικός, είναι να κλέψει θησαυρό. πώς είναι διαφορετικός ο τρόπος με τον οποίο ο Κύριος έρχεται σε αυτά τα δύο κεφάλαια; Ο Κύριος έρχεται με τα σύννεφα ανοιχτή, οι άνθρωποι μπορούν να δουν; Ή μυστικοπαθής να έρχεται; Χριστιανική Εκκλησία ταινία "Yearning" θα αποκαλύψει τις αμφιβολίες.
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Νομική Γνωστοποίηση και Όροι Χρήσης:
Hefang Street is the most famed street in Hangzhou City. With brilliant culture and long history, it is regarded as a typical symbol of ancient Hangzhou. Vising this busy but interesting street, you can catch a glimpse of antique buildings and long-survived stores, taste local snacks as well as savor the beautiful artifacts.
www.chinadiscovery.com/zhejiang/hangzhou/hefang-street.html
La calle Hefang es la más famosa de la ciudad de Hangzhou. Con una cultura brillante y una larga historia, se considera un símbolo típico de la antigua Hangzhou. Recorriendo esta concurrida pero interesante calle, podrá echar un vistazo a edificios antiguos y tiendas que han sobrevivido durante mucho tiempo, degustar aperitivos locales y saborear bellas cosas.
Hangzhou léase Jang-Zhóu es la capital y la ciudad más grande de la provincia de Zhejiang en la República Popular China. Está situada en las riberas del río Qiantang, cerca de su desembocadura, y a la cabeza de la bahía de Hangzhou, que separa Shanghái y Ningbo. Hangzhou cobró relevancia al ser el extremo sur del Gran Canal, y ha sido una de las ciudades chinas con más renombre durante el último milenio.
La ciudad de Hangzhou yace en el delta del río Yangtsé y hace frontera al este con la bahía de Hangzhou. Dentro de la ciudad se ubica el lago del Oeste, el cual fue nombrado Patrimonio de la Humanidad en el 2011. El río Qiantang divide la ciudad en norte y sur, siendo el norte el de mayor población.
La ciudad ganó importancia gracias a la construcción durante la dinastía Sui del Gran Canal de China. Durante ese periodo se construyó la muralla de la ciudad. Fue la capital de la dinastía Song del sur (1127-1279). A partir del año 1138 se convirtió en un importante centro de comercio. La industria de la ciudad se especializó en la porcelana y los textiles.
El explorador Marco Polo visitó Hangzhou a finales del siglo XIII y dijo de ella que era “la ciudad más suntuosa y elegante del mundo”. Hasta la dinastía Ming, fue un puerto importante. A partir de ese periodo, y como consecuencia de los continuos ataques de los piratas japoneses, Hangzhou perdió importancia. En 1555 la ciudad fue saqueada por los piratas. En 1861 sufrió el ataque de los rebeldes del Reino Celestial de los Taiping que tomaron y saquearon la ciudad. Hangzhou no fue recuperada por las tropas imperiales hasta 1863. Este conflicto entre rebeldes y tropas imperiales causó más de medio millón de bajas entre la población.
Las industrias tradicionales de Hangzhou son la de la seda, maquinaria y textil pero la industria electrónica se ha desarrollado con rapidez en la zona, sobre todo después del cambio en el sistema económico del país ocurrido en 1992. La ciudad se ha convertido también en uno de los destinos turísticos más visitados del país, lo que ha generado que una parte de la economía se dedique al sector servicios. En la zona se produce té verde; el té de la zona de Hangzhou es apreciado en todo el país por su alta calidad.
Cabe destacar que esta ciudad vio nacer al empresario Jack Ma, fundador de Alibaba, y actualmente el hombre más rico de China. La empresa que creó también vio la luz por primera vez desde el departamento de Ma en Hangzhou, en los años 1990. La sede del corporativo sigue estando en la ciudad de Hangzhou con un campus de enormes proporciones, similar al de sus pares estadounidenses en Silicon Valley.
es.wikipedia.org/wiki/Hangzhou
lostraveleros.com/que-hacer-en-hangzhou/
Hangzhou (Chinese: 杭州, Hangzhounese pronunciation: [ɦɑ̃.tse], Standard Mandarin pronunciation: [xǎŋ.ʈʂóʊ]), also romanized as Hangchow, is the capital and most populous city of Zhejiang, China. It is located in the northwestern part of the province, sitting at the head of Hangzhou Bay, which separates Shanghai and Ningbo. Hangzhou grew to prominence as the southern terminus of the Grand Canal and has been one of China's most renowned and prosperous cities for much of the last millennium. It is a major economic and e-commerce hub within China, and the second biggest city in Yangtze Delta after Shanghai. Hangzhou is classified as a sub-provincial city and forms the core of the Hangzhou metropolitan area, the fourth-largest in China after Guangzhou-Shenzhen Pearl River agglomeration, Shanghai-Suzhou-Wuxi-Changzhou conurbation and Beijing. As of 2019, the Hangzhou metropolitan area was estimated to produce a gross metropolitan product (nominal) of 3.2 trillion yuan ($486.53 billion), making it larger than the economy of Nigeria (the largest in Africa). As of the 2020 Chinese census, it had a total population of 11,936,010 inhabitants. However, its metropolitan area, populated by 13.035 million people over an area of 8,107.9 km2 (3,130.5 sq mi), consists of all urban districts in Hangzhou and 3 urban districts of the city of Shaoxing.
Hangzhou has been repeatedly rated as the best commercial city in mainland China by Forbes and the Chinese city with the highest growth potential by the Economist Intelligence Unit, and it boasts the eighth largest GDP among cities in mainland China with a GDP of around 1.8 trillion RMB ($280 billion). Home to the headquarters of large global tech companies such as the Alibaba Group, Ant Group and NetEase, Hangzhou is known for attracting professionals and entrepreneurs who work in information technology. Since 2014, its rapid population growth has led to a steady increase in local housing prices. According to the 2020 Hurun Global Rich List, Hangzhou ranks 11th in the world and 6th in China (after Beijing, Shanghai, Hong Kong, Shenzhen and Guangzhou) in the number of resident billionaires.
Hangzhou is a major city for scientific research in the Asia-Pacific, ranking 19th globally by scientific outputs. It hosts several notable universities, including Zhejiang, Zhejiang University of Technology, Hangzhou Normal, Hangzhou Dianzi, Zhejiang A&F, Zhejiang Sci-Tech, Zhejiang Chinese Medical, Westlake, China Jiliang and Zhejiang University of Finance and Economics. In September 2015, Hangzhou was awarded the 2022 Asian Games. Its West Lake, a UNESCO World Heritage Site west of the city, is among its best-known attractions.[7] A study conducted by PwC and China Development Research Foundation ranked Hangzhou first among "Chinese Cities of Opportunity". According to the Globalization and World Cities Research Network (GaWC), the city is classified as Beta (global second-tier) city, together with Chongqing, Nanjing and Tianjin in China. Hangzhou is also one of the world's top 100 financial centers, according to the Global Financial Centres Index. It will be the third Chinese city to host the Asian Games, after Beijing 1990 and Guangzhou 2010. Hangzhou also hosted the 11th G20 summit in 2016.
Yuan China was very open to foreign visitors, and several returned west describing Hangzhou—under the names Khinzai, Campsay, etc. - as one of the foremost cities in the world. The Venetian merchant Marco Polo supposedly visited Hangzhou in the late 13th century. In his book, he records that the city was "greater than any in the world" and that "the number and wealth of the merchants, and the amount of goods that passed through their hands, was so enormous that no man could form a just estimate thereof." Polo's account greatly exaggerates the city's size, although it has been argued that the "hundred miles" of walls would be plausible if Chinese miles were intended instead of Italian ones and that the "12,000 stone bridges" might have been a copyist error born from the city's 12 gates. In the 14th century, the Moroccan traveler Ibn Battuta arrived; his later account concurred that al-Khansā was "the biggest city I have ever seen on the face of the earth." He visited Hangzhou in 1345 and noted its charm and described how the city sat on a beautiful lake and was surrounded by gentle green hills. He was particularly impressed by the large number of well-crafted and well-painted Chinese wooden ships with colored sails and silk awnings in the canals. He attended a banquet held by Qurtai, the Yuan Mongol administrator of the city, who according to Ibn Battuta, was fond of the skills of local Chinese conjurers.
Einwohner: 45.777 - Stand 9. Januar 2017
Entwicklung der Einwohnerzahlen
Landkreis: Esslingen am Neckar
Bundesland: Baden-Württemberg
Postleitzahl: 70794
KFZ-Kennzeichen: ES
Bonlanden 575 ha
Telefonvorwahl:
0711 für Bernhausen, Bonlanden, Plattenhardt
07158 für Harthausen und Sielmingen
Geographische Lage: 9 12' 50" östliche Länge und 48 40' 10" nördliche Breite.
Höchster Punkt: Wasserreservoir Stadtteil Plattenhardt - 474,1 m ü NN
Niedrigster Punkt: Bombachtal, Stadtteil Bonlanden - 327,0 m ü NN
Länge Stadtgrenze: 33,0 Kilometer
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Stadtporträt
Filderstadt ist die zweitgrößte Stadt im Landkreis Esslingen und verkehrstechnisch sehr günstig gelegen: direkt an der B 27, Autobahn A 8, dem Flughafen Stuttgart, der Landesmesse und nahe der Landeshauptstadt Stuttgart.
-
Artefakt (aus lateinisch ars (ursprünglich) „Bearbeitung“ und facere „machen, herstellen“) bezeichnet in der Archäologie und der Anthropologie einen von Menschen hergestellten Zustand oder Gegenstand. (Sujet).
Artefakt (Fotografie), Bilddetails, die einen unbeabsichtigten Unterschied* zur Bildquelle darstellen.
Kinetic Art Photography
*Die kinetische Energie des schwarzen Autos verschwindet soeben in einem schwarzen Loch.
siehe notes
Panorama: Der Mitzieh-Effekt holt das Auto ein.
Das Vorderteil des Autos verschmilzt mit dem hinteren Drittel.
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Was ist: 4.0? Industry 4.0 Value Chain?
-
de.wikipedia.org/wiki/Industrie_4.0
:
Im All sind wir schon bei Industrie 5.0, aber auch an Industrie 4.0 arbeiten wir natürlich.
Perfect Industry value chain - Die industrielle Wertschöpfungskette wird optimiert -
Industry 4.0 is the current trend
en.wikipedia.org/wiki/Industry_4.0
of automation and data exchange in manufacturing technologies.
It includes cyber-physical systems, the Internet of things and cloud computing.
The characteristics given for the German government's Industry 4.0 strategy are: the strong customization of products under the conditions of highly flexibilized (mass-) production.
--- gleichnamiges Projekt in der Hightech-Strategie ---
Die Plattform Industrie 4.0 hat zum Ziel, IT-Technologien mit Produktionstechnologien zu verschmelzen.
Es ergeben sich zahlreiche bis heute ungeklärte rechtliche Fragen.
Industrie 4.0 -> 5.0
„Industrie-4.0-ready“ - Next Generation 5.0
Deutschlands naiver Traum von der smarten Fabrik:
Zudem basiert Industrie 4.0 auf dem Denkfehler, dass ein nicht lineares und - soziales System wie eine Fabrik - mit Algorithmen steuerbar ist.
Wo bleibt der Mensch?
www.kuka.com/de-de/technologien/industrie-4-0/industrie-4...
Mensch-Roboter-Kollaboration (Cobotics) und Mobility an. Mobile Cobots reagieren bereits heute intelligent auf ihr Umfeld und sind universell einsetzbar. „Kollege Roboter“ wird bei KUKA Realität.
L'Industrie 4.0?
La robotique industrielle?
Ses bases technologiques sont l'Internet des objets et les systèmes cyber-physiques.
Les robots industriels sont très utilisés en automobile.
Constructeurs
Drapeau de la Suisse Suisse : Stäubli
Drapeau de la Suisse Suisse : ABB Robotics
Drapeau des États-Unis États-Unis : Adept Technology
Drapeau de l'Allemagne Allemagne : Bosch
Drapeau de l'Allemagne Allemagne : Cloos GmbH
Drapeau de l'Allemagne Allemagne : Festo
Drapeau de l'Allemagne Allemagne : Dürr (peinture)
Drapeau de l'Allemagne Allemagne : Roteg
Drapeau de l'Autriche Autriche : IGM
Drapeau de l'Italie Italie : Comau
Drapeau du Japon Japon : DENSO Robotics
Drapeau du Japon Japon : Epson Robots
Drapeau du Japon Japon : FANUC Robotics
Drapeau du Japon Japon : Fuji Yusoki Robotics
Drapeau de la Corée du Sud Corée du Sud : Hyundai Robotics
Drapeau du Japon Japon : Intelligent Actuator (IAI)
Drapeau des États-Unis États-Unis : Intelitek
Drapeau du Japon Japon : Janome
Drapeau du Japon Japon : Kawasaki Heavy Industries
Drapeau de l'Allemagne Allemagne : KUKA Robotics
En 2003, les robots industriels KUKA apparaissent dans Lara Croft Tomb Raider : Le berceau de la vie et en 2005 dans Les Sentinelles de l'air et dans Da Vinci Code avec Tom Hanks en 2006.
Vergeblich hatte die Bundesregierung versucht, eine Übernahme von Kuka durch die chinesische Firma Midea
(besitzt offizielle nur 48,5 %) abzuwehren und hatte dafür geworben, dass sich deutsche Unternehmen beteiligen.
Die Robotik gilt als Schlüsseltechnologie des 21. Jahrhunderts und man versuchte zu verhindern, dass zukunftsträchtige Technologie aus Deutschland nach China abwandert.
KUKA Systems (Maschinenbau seit 1898, Augsburg) ist ein internationaler Anbieter für Produkte und Dienstleistungen im Bereich der industriellen Verarbeitung von metallischen und nichtmetallischen Werkstoffen, bedient hier verschiedene Branchen (Automobil, Schienenverkehr, Luft- und Raumfahrt, Photovoltaik, Industrie) und zählt sich selbst zu den Marktführern auf diesem Gebiet.
(Midea (China) dürfte nach der Übernahme Patente, Daten und anderes Know-how aus Kuka herausziehen und selbst nutzen könnte - es fehlt ein europäisches Aussenwirtschaftsgesetz )
Umsatz
2,966 Mrd. Euro 2015
"Es sind echte Charaktere, die bei KUKA die Zukunft der Automatisierung gestalten. Lernen Sie unsere Vordenker kennen!
Born for Industrie 4.0 - Die KUKA Stories"
"Die Industrie 4.0 wird vorangetrieben von Menschen, die die Fähigkeit haben, völlig neue Arten von Verbindungen herzustellen: zwischen realer und digitaler Welt, zwischen Mensch und Maschine, zwischen heute und morgen."
Drapeau de l'Espagne Espagne : Loxin
Drapeau de la France France : Chavériat Robotique
Drapeau de la France France : LUCAS France
Drapeau de la France France : MIP robotics
Drapeau du Japon Japon : Mitsubishi Electric
Drapeau du Japon Japon : Yaskawa-Motoman
Drapeau du Japon Japon : Nachi Robotic Systems Inc.
Drapeau du Japon Japon : Nidec Sankyo
Drapeau du Japon Japon : OTC-Daihen
Drapeau du Japon Japon : Panasonic Corporation
Drapeau de l'Allemagne Allemagne : Reis Robotics
Drapeau de la Corée du Sud Corée du Sud : Samsung
Drapeau de la France France : SCEMI (ex-filiale d'Alsthom) dont l'activité robotique a pris fin dans les années 1980
Drapeau de la France France : SEPRO Group
Drapeau de la Suisse Suisse: Stäubli Robotics
Drapeau des États-Unis États-Unis : ST Robotics
Drapeau du Japon Japon : Toshiba Machine
Drapeau du Japon Japon : Yamaha Motor Company
Drapeau de la France France Drapeau de la Slovaquie Slovaquie France Slovaquie : Robot-Delta
Video
4.0 by Kuka
www.youtube.com/KukaRobotGroup "Hello Industrie 4.0_we connect you," from April 24 to 28, 2017
✰ Credit ✰
{EB} - TUTTA Set - Miix Event
Decor : LouChara - Skye Bedroom - Miix Event
NEW ATTITUDE
● Tumblr
● Flickr
pt.godfootsteps.org/walking-on-road-to-kingdom.html
Hino da Igreja
Eu estou caminhando na estrada para o Reino
I
Caminhando para o reino,
lendo as Palavra de Deus
, olho para Ele.
Palavras com significados,
profundas e sérias, gravadas em meu coração.
Deus, Te preocupas
que eu seja enganado, destruído por Satanás.
Tuas palavras me guiaram,
deram verdadeira vida a mim
e me colocaram neste caminho.
II
Ó~ ó~
Através da obra de Tuas palavras,
vi deste mundo o mal e a escuridão.
Agredido por tendências vis,
não me pareço com um humano.
Lá vaguei pelo mundo,
nenhuma esperança, coração cheio de escuridão.
Deus, Tu me salvaste!
Envolto em Tuas palavras cresci e fortaleci.
III
Palavras de Deus mostram a verdade,
minha corrupção, minha repulsa.
Egoísta, ganancioso, orgulhoso,
cheio de mentiras, quase desumano!
Aos pés de Deus eu caio,
cheio de remorso, me curvo ao Seu julgamento.
E busco a verdade,
vivo aparência humana
praticando as palavras de Deus.
IV
Caminhando para o reino,
estou feliz, compartilho o evangelho.
O caminho é dificl para andar,
com mais perseguições dia a dia.
Sem conseguir dar um passo a mais.
As palavras de Deus, me guiam, dão fé e coragem.
Sigo a Deus até o fim,
aprovado por Ele, eu morreria feliz.
Ó~ ó~ ó~ ó~
Aprovado por Ele, morreria feliz.
Fonte da imagem：de "Igreja de Deus Todo-Poderoso"
Aviso Legal e Termos de Uso： pt.godfootsteps.org/disclaimer.html
✰ Credit ✰
N-Uno - Berta Outfit - FaMESHed X Event
Buxom - Hamburg Heels
[777 Motor] - [777] Meridian - Man Cave Event
NEW ATTITUDE
● Tumblr
● Flickr
✿My BLOG ✿ orangeparadisemm.blogspot.com/2025/05/817.html
✿Primfeed✿ www.primfeed.com/orangeparadise.resident/posts/68f60462-b...
✿My Facebook✿
www.facebook.com/share/p/1AUbb3zmB4/
✿My Instagram✿ www.instagram.com/p/DKLBTV3IcPb/?igsh=MXVmaHZkZ2FwdnhtbA
✿My VK ✿ vk.com/id756646471?z=photo756646471_457241498%2F1e09265d8...
IMAGE:
Body: eBODY - REBORN
Head: LeLUTKA
_______________________________________
🍒OUTFIT:
ERROR Shop #error - miko set - The Warehouse Sale
🍒STOCKINGS:
-LP- Stockings ^ Melisa ^ -BOM V -LP- MP
🍒SHOES:
🍒ACCESSORIES🍒
🍒CAP:
ERROR Shop #ERROR & [TYN] - Peggy Cap event "Anthology"
🍒BAT:
Bad Unicorn Carott Bat (includes hitting animation) Bad Unicorn MP
✰ Credit ✰
[ZOS x KOUD] - Licy Eyes FATPACK (LeL EvoX, BoM) - Gothcore
SLAUGHTER - Vampur EvoX Face (Ears + Veins) - Gothcore
coquille. - Moon Lashes for Megalash - Planet 29
coquille. - Luna Lips (EVOX HD) - Planet 29
[SG] - Hello Munchkin Gauged - Planet 29
NEW ATTITUDE
● Tumblr
● Flickr
● Primfeed
✰ Credit ✰
Kaithleen's - Golda Latex Top - Fameshed Event
Justice - Meadow Shorts
RVN - Take a note
Hoodlem - Bliss Tattoo
NEW ATTITUDE
● Tumblr
● Flickr
ok so i basically have been posting like wild on my blog, but almost never here anymore, so if you like my shit follow my tumblr. i am posting up entire zines that are out of print now for you to view, free little ones i make to give away, all of my tattoos, free music, sometimes diary stuff, sometimes drunk or silly fashion and my life living with a chronic illness, cystic fibrosis. xo grant
htmlflowers.tumblr.com
✰ Credit ✰
For Her
[[Masoom]] - Shadow Witch - Cosmopolitain
22nd January Event Ends: 3rd February Compatible with: Lara X, Waifu (Reborn), Waifu + Rolls, Juicy Rolls, Mounds(Reborn), Ebody Reborn, Kupra, Legacy
For Him
LACONIC/THEIAS - Call Tattoo Gents
Pose :
Ana Boutique - Glamour Couple - Posevent
NEW ATTITUDE
● Tumblr
● Flickr
Explore #439 06/16/08
Linked by:
flowplayer.org/tools/release-notes/index.html
www.freelanceadvisor.co.uk/legal-advice/web-wednesday-hav...
pawst.com/post/285883-copyright-is-for-losers-on-flickr-p...
www.psychu.eu/2010/11/copyright-is-for-loosers/
www.boothlucking.co.uk/social-media-intellectual-property...
bip.tumblr.com/post/47713473/oszo-copyright-is-for-losers...
www.slideshare.net/mweller/blogging-and-academic-identity
www.jiscdigitalmedia.ac.uk/blog/entry/new-copyright-and-d...
untrue.thomd.net/post/556733258/copyright-is-for-losers-b...
en.wikinoticia.com/Technology/general-technology/75916-mp...
meejalaw.com/2010/09/17/online-law-survey-mixed-feelings-...
www.bhagwad.com/blog/2009/technology/how-patents-stifle-g...
wissen.dradio.de/netzkommentar-die-folgen-des-perlentauch...
www.robblatt.com/random/owns-blog-comments/
owni.fr/2010/08/25/itw-soundcloud-et-les-creative-commons/
www.fechadevencimiento.com/2008/10/16/ley-de-propiedad-in...
mrtopp.com/2010/02/01/copyright-madness/
www.nacionred.com/neutralidad-de-la-red/granadinos-por-el...
alt1040.com/2011/02/mpeg-la-anuncia-que-va-a-la-caza-de-s...
www.com3.es/2011/02/mpeg-la-anuncia-que-va-a-la-caza-de-s...
alt1040.com/2011/04/proveedores-internet-britanicos-pierd...
suravisos.com/mpeg-la-anuncia-que-va-a-la-caza-de-sus-pat...
www.noalcierredewebs.com/2010/04/granadinos-por-el-conoci...
vkontakte.ru/away.php?to=http://www.flickr.com/photos/917...
francoisguite.posterous.com/copyright-is-for-losers
mrtopp.tumblr.com/post/4891251606/copyright-is-for-losers...
www.torstenbeeck.com/post/5416972074/foto-copyright-is-fo...
mrjamie.cc/2011/05/31/nytimes-social-media/
mrjamie.cc/2011/11/21/copyright/
www.snaphow.com/5600/find-royalty-free-stock-images-to-us...
sicrono.com/internet/cuando-los-derechos-de-autor-van-mal/
www.dipity.com/tickr/Flickr_copyrighted/
www.jetlaw.org/?p=6958&preview=true
tabaka.blogspot.com/2011/07/projet-de-loi-consommation-ii...
www.torstenbeeck.com/post/5416972074/foto-copyright-is-fo...
artursikorski.natemat.pl/9025,panie-jobs-pan-tu-nie-stal
www.elephantjournal.com/2010/11/banksy-vs-tagging/
www.mindoverflow.fr/injuste-propriete-intellectuelle/
www.frescodesayuno.com/2012/07/licencias.html
www.actualitte.com/international/un-auteur-virulent-pour-...
www.sender-fn.de/2013/01/creative-commons-freie-kultur-vo...
ru.godfootsteps.org/testimonies/what-is-the-rapture.html?...
Как и многие другие братья и сестры-христиане, я с нетерпением жду второго пришествия Господа Иисуса. Мы руководствуемся следующим отрывком из Библии: «Потом мы, оставшиеся в живых, вместе с ними восхищены будем на облаках в сретение Господу на воздухе, и так всегда с Господом будем» (1-е Фесс.). По этой причине мы неразумно смотрим на небеса в ожидании того дня, когда Иисус вернется и заберет нас на облака, чтобы мы могли быть с Господом. Однако, после стольких лет, уже появились четыре кровавые луны; землетрясения, голод, язвы и войны и всевозможные другие бедствия становятся все сильнее. Пророчества о втором пришествии Господа в основном сбылись. Однако мы до сих пор не увидели ни одного христианина восхищенным на небеса. Я не могу не думать: «Почему Господь не приходит, чтобы принять нас? Господь заслуживает доверия. Господь обещал, что Он приведет нас в Небесное Царство в последние дни. Обетование Господа, безусловно, совершится и исполнится. Я в этом ничуть не сомневаюсь. Однако, почему до сих пор мы так и не восхищены Господом на небеса? Может быть, что-то не так с нашим страстным желанием?»
…….
Подробнее:
Хороший христианский фильм | Послушайте голос Божий «СТОЮ У ДВЕРИ И СТУЧУ» Русская озвучка
Image Source: Церковь Всемогущего Бога
Terms of Use : ru.godfootsteps.org/disclaimer.html
Fonte dell'immagine: La Chiesa di Dio Onnipotente
Condizioni d'Uso: www.kingdomsalvation.org/it/disclaimer.html
I
Nell'Età del Regno, gli uomini saran resi completi, pienamente completi nell'Età del Regno. Quando l'opera di conquista sarà compiuta, essi saran sottoposti a raffinamento e tribolazione, quando la conquista sarà compiuta. Quelli che trionfano e offron testimonianza in questa tribolazione, oh, quelli son coloro che infine saran resi completi, e saranno i trionfatori.
II
Durante questa tribolazione, l'uomo deve esser raffinato. l'ultima istanza dell'opera di Dio, l'ultima volta che l'uomo è raffinato prima che il lavoro di gestione di Dio venga chiuso. Chi Lo segue deve accettar questa prova. Quelli che trionfano e offron testimonianza in questa tribolazione, oh, quelli son coloro che infine saran resi completi, e saranno i trionfatori.
III
Chi affronta la tribolazione non avrà la guida di Dio o l'opera dello Spirito. Ma il conquistato, cercando Dio, resterà in piedi. Non importa cosa Dio faccia, essi non perderan le loro visioni, ma praticheran la verità, portando testimonianza. Questi ce la faranno. Quelli che trionfano e offron testimonianza in questa tribolazione, oh, quelli son coloro che infine saran resi completi, e saranno i trionfatori.
IV
Oh, essi son coloro, coloro in possesso dell'umanità, che amano davvero Dio. Quelli che trionfano e offron testimonianza in questa tribolazione, oh, quelli son coloro che infine saran resi completi, e saranno i trionfatori.
da "La Parola appare nella carne"
Fonte: www.kingdomsalvation.org/it/only-the-overcomers-stand-fir...
An impression of the exhibition location of Ziki Questi’s exhibition „Line and Shadow“ at Enoki.
Read more at zikiquesti.blogspot.de/2015/09/line-and-shadow.html
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About Ziki Questi (by exhibition info)
Ziki Questi is a blogger and photographer whose works have been widely featured in Second Life exhibitions.
She was a featured artist at SL12B with her exhibition Matter and Memory. Her works have been exhibited at Amore Perduto (2011-2013), Artists for SL (2012), the Avalon Arts Initiative (2011), Dryland (2012 and again 2013-14 for exhibition Lost Second Life), the Eagle Eye Gallery (2013), Holtwaye ArtSpace (2014-2015), Lollygagger Lane Art Center (2014-2015), Plusia Ars Island (2013), Red Lines Gallery (presented by Tanalois Art and torno Kohime Foundation) (2013), RoHaus (Radio Days tribute to AM Radio, 2011), Serena Imagine Arts Center at Wolves Land (2014), Serenity Gallery (2011), the Skywalk Gallery at The Station (2014), the Town Hall of Dee (2011) and the Virtual Chelsea Hotel Gallery 23 (2013). She maintains a galleries of her work in Dreamworld North and has also maintained galleries at Avalon Town, Aakriti Arts and Babele Fashion, and also has a small gallery of free items at Remood United Portugal.
She participated in the sim-wide "A Rusted Development" (2012-13) at LEA1 with her work "All the Alruses of the Which Ones," at Burn2 (2012) with the installation "lippes in smiling mood, kiss akiss after kisokushk (thank you Mr. Joyce)," and at HaveIt Neox's sim-wide build "Stirring the Dreams" with her installation "The Bridge of Quests" (2012-ongoing). She curated an Avalon Collector's Circle exhibition (2012-2013) at the Avalon Art District Exhibition Hall. With her partner Kinn, she curates AM Radio's The Far Away.
As a blogger, Ziki Questi writes about the arts, destinations and other Second Life subjects. She was a staff writer and photographer for AVENUE Magazine (2012-2013) and serves as an adjudicator for the University of Western Australia (UWA) 3D Art Challenges and Machinima Challenges (2013, 2014, 2015).
As a performing artist in real life, Ziki Questi's human has presented work throughout the United States and Europe, has collaborated with other artists in dance, music, television, film and theatre, and has been published and cited in books, journals and other media.
Blog: zikiquesti.blogspot.com
Gallery:
Flickr: www.flickr.com/photos/zikiquesti/
Vimeo: vimeo.com/zikiquesti
Twitter: twitter.com/zikiquesti
Plurk: www.plurk.com/zikiquesti
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The "Somewhere in sl" picture series (or "The Adventures of WuWai in Second Life") is my guide and bookmark folder to wonderful, artful, curious or in other way remarkably sims of second life with travel guide WuWai Chun.
(More pictures of WuWai's adventures: Follow this link)
You can find more pictures (raw caps) with slurls to sl-destinations at my travel logue
in the photo section of my second life profile (my notebook and private destination guide):
or the same raw pictures in higher resolution following at:
my.secondlife.com/wuwai.chun/snapshots/
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