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You will find 200+ of my poems HERE. fno.org/poetry/index.html
On the best days
On the best days
You can see forever
Like a rose in sharp focus
A bird on the wire
A flame burning blood orange
On the best days
You can taste dreams
Like classic dry martinis
Up
With blue cheese stuffed olives
On the best days
You can feel her hand
In yours
Wake to her gentle
Breathing
At your side
But the best days
Sadly
Rarely last
Forever
Or endure
The best days
Delight
But often tease
A brightly lit
Spring morning
Giving way
To afternoon showers
© Jamie McKenzie, all rights reserved
You will find more of my poems and songs here
and in The Storm in Its Passing and Flights of Fancy.
My songs are at
Prints available here: jenny-rainbow.pixels.com/featured/black-dog-on-a-misty-ro...
Well... Im not sure its a dog running ahead. Im not sure in anything, because I DID NOT SEE any dogs or any subjects on that road ahead, it was empty when I was making this picture! Only when I've got the image on a screen, its appeared...:-)
Ok, you'll say Im again in a mystical mood... Probably... No pushing, decide yourself what you can see here ;-)
Now well - I would love to share the inforamation I've got from the website "Misterious Britain & Ireland":
There are various theories to explain the phenomena and they seem to have many common traits from sighting to sighting.
In appearance the phantoms vary from region to region, but it is not uncommon for them to be described as calf sized, with saucer eyes and a shaggy coat. Phantom dogs are not always black however, the one that is supposed to haunt the area around Cawthorpe and Haugham in Lincolnshire, is described as white, but still has saucer eyes and is as big as calf. The Cu Sith, the traditional fairy dog of Scotland is dark green in colour, with a shaggy tail up its back. Black dogs are more often than not associated with a specific location such as an old trackway or lane, this is sometimes reflected in the name of the routeway, although not every 'Black Dog Lane' has a tradition of the haunting.
There have been some attempts at classification; the folklorist Theo Brown divided the black dog phenomena into three separate types A, B and C. (A) Being a shape-shifting demon dog; (B) being a dark black dog calf sized with shaggy fur; and (C) a dog that appears in time with certain ancient festivals in specific areas of the country. Katherine Briggs, the renowned folklorist, splits these further into demon dogs, the ghosts of human beings and the ghosts of dogs in their own right............
........Black dogs often seem to haunt ancient lanes, trackways, crossroads, old churchyards and prehistoric sites. Many of these places were associated with local superstitions and the uncanny, they are liminal places, where the veil between worlds was thought to be thin. The haunts of the black dogs are also features said to denote ley lines, it has been suggested that they represent some form of energy or natural phenomena moulded by the mind into an archetype of the black dog. A great deal of work has been done by earth mystery researchers to suggest that certain geophysical conditions may affect the human mind. These places were recognised by ancient man, and that is why black dogs (as some form of archetype) appear at places of ancient sanctity. This same theory has been applied to other unexplained phenomena.
Gallows sites (often crossroads) were also common black dog haunts, the black dog was often seen as the spirit of the executed criminal, such as the dog said to haunt a gallows site in Tring, Hertfordshire: An old woman was drowned for witchcraft at Tring in the year 1751. ..........
.........Black dogs are also seen as guardians of treasure, especially in Scotland. A black dog was said to guard treasure buried under a standing stone near Murthley in Perthshire, here we have an account of a black dog at an ancient site and as a guardian of treasure........"
All the information read here: www.mysteriousbritain.co.uk/folklore/phantom-black-dogs.html
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REVIEWS www.analogica.it/ferrania-is-back-t5858-290.html?hilit=fe...
"Hanno preso i finanziamenti euroei,
hanno preso i finanziamenti della regione Liguria,
hanno preso i finanziamenti di Cairo Montenotte
hanno preso i soldi di kick starter
...........
Ora, a meno che il business delle magliette non vada benissimo, possono pure chiudere!"
D : "Qualcuno ha notizie fresche?"
R : Se aspetti loro diventerai daltonico.
"A questo punto la faccenda si fa grottesca..... Mi pare di ricordare che qualcuno disse che già avevano preparato l'emulsione (forse meglio chiamarla pozione) Ma.... Ehm.... ...fiscalmente?
I milaeuro che hanno preso con la "raccolta punti"?
"Sai, hanno trovato l'amianto in fabbrica e fino all'anno prossimo nisba.
Vedremo cosa inventeranno poi.
"
"Non ho mai avuto il benché minimo dubbio sulla questione Ferrania. Altro che regalargli quattrini in cambio di scatolette colorate vuote."
"io invece la penso cosi, con quei trenta euro compra da mangiare per la gente che ha fame sono sicuro ne trarresti piu soddisfazione...."
"Quando sono stato costretto a vedere il filmatino di mister barbetta giallastra, che col cappellino da pappagone veniva ripreso con un grandangolare -perché fa figo così-, biascicando con le uova sotto la lingua....mi sono cascate le palle e li ho mandati, definitivamente, affanc....."
"Certo che quelle foto di esempio fanno venire il voltastomaco, sono degne dei peggior forum... "
"Ma voi credete ancora che produrranno pellicole?!?"
"magari quello che vogliono dire è "vi stiamo truffando solo un pochino...."
"Orgoglio? Per cosa? Questi non stanno studiando la fusione nucleare, le emulsioni fotografiche esistono da qualche centinaio di anni, quello che vedo io è solo approssimazione ed avventurismo, e il menar per il naso la brava gente."
"Questi signori stanno prendendo per i fondelli tutti...
"L'ennesima figuraccia in un contesto veramente imbarazzante..."
"A questo punto credo che non ci sarà mai un rullino Ferrania in vendita."
"La ribadisco dicendo che, probabilmente, dietro a queste notizie non vi è alcun "investimento", magari solo il tentativo di ottenere qualche finanziamento pubblico."
"Come ho detto in post precedenti hanno finito ( ??) i finanziamenti pubblici e ora vedono un po se ne possono trovare di privati."
"Da parte mia non riceveranno nulla, a parte una mail di protesta, due anni di pura fuffa in inglese, chi gli ha fatto il business plan topolino?"
etc etc
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www.northwaleswildlifetrust.org.uk/cemlynwebpages/cemlyni...
Introduction to Cemlyn
Cemlyn is one of North Wales Wildlife Trust’s star reserves and regarded by the Anglesey County Council as the “jewel in the crown” of its Area of Outstanding Natural Beauty.
It is valued both for its scenic qualities and its unique range of wildlife, and is as popular with general visitors – local people, holidaymakers, walkers etc. as it is with birdwatchers and naturalists.
Situated on the North coast of Anglesey, about three miles West of Cemaes, the reserve land, which is owned by the National Trust and has been leased by NWWT since 1971, includes a large lagoon, separated from the sea by a spectacular, naturally-created shingle ridge.
The ridge, known as Esgair Gemlyn, is formed by the process of longshore drift, its profile changing with the action of tide and weather. This unique geographical feature also provides a habitat for interesting coastal plants such as Sea Kale, Sea Campion, and Yellow Horned Poppy.
In the summer, the lagoon is the backdrop for Cemlyn’s most famous wildlife spectacle. Clustered on islands in the brackish water is a large and internationally important seabird colony, including breeding Common and Arctic Terns, and one of the U.K.’s largest nesting populations of Sandwich Terns. From the vantage point of the tern viewing area on the ridge, visitors experience these rare and elegant birds close-up – chasing and diving in courtship displays; incubating eggs; preening and bathing in the lagoon, or calling to their hungry chicks as they come winging in with freshly-caught fish.
Around the reserve there are also areas of coastal grassland, farmland, scrub, wetland, and both rocky and sandy shore encircling Cemlyn Bay. These are home to a wealth of life - birds, mammals, insects, wildflowers and marine creatures which, together with the tern colony, make up a fascinating ecosystem: an ideal ‘outdoor classroom’ for studying biodiversity.
In addition to being a Wildlife Trust reserve, Cemlyn is a Special Protection Area, a candidate Special Area of Conservation, and a Site of Special Scientific Interest. It is also part of the Anglesey Area of Outstanding Natural Beauty.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/History...
History of the reserve
Much of Cemlyn’s history as a wildlife site is tied to the story of Captain Vivian Hewitt, who came to the area in the 1930s, settling in Bryn Aber, the large house that dominates the western end of the reserve, and buying up much of the surrounding land.
A wealthy eccentric, his interest in birds led him to construct the first dam and weir at Cemlyn, replacing tidal saltmarsh with a large and permanent lagoon which he intended as a refuge for wildfowl. He also had a scheme to nurture an area of woodland within the grounds of Bryn Aber, to attract smaller birds. To this end he began construction of an imposing double wall, which was intended both as a wind-brake for the trees, and a means for observing the birds – the gap between the two walls had viewing holes. A further plan to top the walls with polished stone was never completed, and after Captain Hewitt’s death the house was left to his housekeeper’s family, but the walls themselves remain, and lend the site its mysterious, even foreboding presence.
It is the legacy of the lagoon that has had most significance for wildlife however. The change from a tidal habitat that frequently dried out in summer, to a stable body of water encompassing small islands, has provided the terns with nesting sites that are less attractive to ground predators. Over the following decades, various changes have occurred to the lagoon – some natural, eg. storms breaking over and swamping – some man-made, eg. the reconstruction of the weir and the creation or removal of islands. The water level and salinity of the lagoon is now monitored to maintain the ideal habitat for terns and other wildlife.
A couple of years after Captain Hewitt died, the Cemlyn estate was bought by the National Trust. Since 1971, they have leased the land around the lagoon to the North Wales Wildlife Trust, who manage it as a nature reserve. The two organisations work in partnership to enhance and maintain the site for wildlife and the public.
The reserve has had a warden every summer since 1981, with two wardens being employed every season since 1997. With the help of numerous volunteers, their work has included the detailed monitoring of the tern’s breeding success, protection of the colonies from a variety of natural predators (and in a couple of cases from the unwanted attentions of egg-collectors), as well as recording other forms of wildlife, and providing information to the public. Their presence on the ridge and around the reserve helps maintain the profile of Cemlyn as an important and nationally valuable site.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...
Terns
Three species of tern breed regularly at Cemlyn. The numbers of Sandwich Tern nesting on the islands in the lagoon have been going up in recent years, making the colony one of the largest in the country.
There were over 1000 nests in 2005, and a good percentage of chicks fledged. The Sandwich Terns generally nest in dense groups, and seem to benefit from being close to groups of nesting Black-headed Gulls, which react aggressively to the threat of a predator, while the Sandwich Terns sit tight. Common Terns nest in sparser groups and smaller numbers on the islands, as do the very similar Arctic Terns, which make an epic journey from the southern to the northern hemisphere and back every year - the longest migration of any bird.
One of Britain's rarest seabirds, the Roseate Tern was a former breeder at Cemlyn, and is still sometimes seen on passage, as are other rarities like Little Tern and Black Tern. A vagrant Sooty Tern caused great excitement when it visited the colony in the summer of 2005.
The tern colony is the main focus of conservation work at Cemlyn. Because of disturbance at their traditional breeding areas, due to increased coastal access and development, terns have declined historically in Britain, so sites like Cemlyn, which still hold healthy populations, are a precious and nationally importance resource.
Two wardens are employed by NWWT every summer, to monitor and protect the terns. As well as dealing with disturbance and predation, they record the numbers of nests, the fledging success of chicks, and also the kinds of fish being brought in by their parents. Feeding studies are important because availability of fish, especially the terns ideal food, Sandeels, can be the key factor in a successful breeding season. The combined results of warming seas and commercial overfishing of Sandeels around Shetland for example, have had a disastrous effect on the productivity of Arctic Terns there.
All terns are migratory. Sandwich Terns are usually the first to be seen, in late March and April, with the bulk of breeding adults of all species arriving on site in May. June and July are the busiest months for the terns, and a good time to visit the reserve, the lagoon islands becoming a hive of activity.
By mid-August, the majority of chicks should have fledged, and be ready to join their parents on the journey south to their wintering areas - the coast of West Africa in the case of most Common and Sandwich Terns, even further south for Arctics.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...
Other Birds
Oystercatcher and Ringed Plover both breed on the reserve, making their nests in the shingle of the Esgair.
In such an exposed choice of site, both species rely on wonderful camouflage of eggs and chick. In response to a direct perceived threat however, adult Ringed Plovers may resort to the 'broken wing trick' - drawing the attention of a potential predator by feigning injury and leading it away from the nest. To protect these waders, as well as the tern colony, visitors are asked to avoid walking on the lagoon-side of the Esgair during the summer months.
Cemlyn's situation and range of habitats make it a haven for a range of birds at all times of the year. Coot, Little Grebe and Shelduck can usually be seen around the lagoon, and Stonechats are a regular feature of the surrounding areas of scrub.
A variety of waders such as Curlew, Dunlin, Golden Plover, and Redshank use the area, and Purple Sandpiper may be seen on the rocky shoreline.
Summer visitors to look out for include Whitethroat and Sedge Warbler, while Wigeon, Teal, Red-breasted Meganser and other widfowl may be present in significant numbers in Autumn and Winter.
Other migrants turn up from time to time, and over the years a variety of rarities have been spotted –
2005 sightings included, apart from the Sooty Tern, an American Golden Plover, a Terek Sandpiper and a Melodious Warbler. Any keen birdwatcher will want to scour the site for something unusual.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildife...
Other animals
Grey Seals can often be seen in the sea around Cemlyn, or hauled up on Craig yr Iwrch, the rocky island just off the Trwyn, and Harbour Porpoise sometimes feed close to the western end of Cemlyn Bay.
Brown Hares can be seen in or around the reserve, occasionally crossing the Esgair at dawn or dusk.
Weasels and Stoats both hunt the hedgerows and grassland at Cemlyn, and during the summer, basking Adders and Common Lizards may be spotted.
There’s also a wide range of insect life – butterflies, such as Grayling, Wall Brown and Common Blue, and day-flying moths like the Six-spot Burnet can all be seen, as can various beetles, grasshoppers and dragonflies.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...
Underwater Life
The coastline of Cemlyn includes areas of shingle, sand and exposed rocky shore. These provide habitats for a variety of marine life including sea-anemones, crabs, prawns, blennies, butterfish, winkles, whelks, limpets, coastal lichens and a range of seaweeds. e.g. kelp.
The lagoon, with its changing mixture of fresh and salt water is a challenging environment, but Grey Mullet and Eels thrive in the brackish conditions. In fact Cemlyn is one of the top sites for specialised saline lagoon wildlife including shrimps and molluscs, and waterplants like Tassel Pondweed.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...
Plantlife
The shingle of the Esgair is one of the harshest habitats imaginable for plants – arid because of the quick-draining pebbles, and exposed to wind, salt-spray, and the ravages of winter storms. Nevertheless it provides a home to specialists like the rare Sea Kale, whose deep roots and fleshy leaves enable it to survive close to the tide-line, and whose profuse white flowers give off a strong sweet smell.
Other characteristic coastal plants to look for along the ridge include Sea Campion, Sea Beet, and the striking Yellow Horned Poppy. Stands of Sea Purslane and Glasswort (Sea Asparagus) can be found at low tide close to the car park at Bryn Aber.
The grassland around Cemlyn is rich in wildflowers; an early spread of colour is provided by Spring Squill and Thrift which punctuate the grass with blues and pinks, while later blooming flowers along the Trwyn include Tormentil, Yellow Rattle, Knapweed and Centaury.
www.northwaleswildlifetrust.org.uk/cemlynwebpages/seasons...
Cemlyn through the Seasons
Spring
Early signs of Spring may include the first Wheatears arriving on Trwyn Cemlyn, the first Manx Shearwaters weaving through the waves out to sea, or the first Sandwich Tern’s call in the Bay - these are all possible from March onwards. Later on, Spring colour on the grassland around the reserve is provided by Spring Squill and Thrift which stud the ground with blues and pinks, and the first sunny spells may tempt out Common Lizards or Adders to bask. By mid-May, a range of birdlife is becoming visible and audible around the reserve, including terns settling on the islands in the lagoon, Whitethroat and Sedge Warbler singing in the scrub and water-margins, Whimbrel foraging along the rocky shore, and other waders like Dunlin and Black-tailed Godwit on the beach or in the lagoon.
Summer
Summer sees activity on the lagoon islands reach fever pitch with the terns and Black-headed Gulls using every hour of daylight to bring food to fast-growing chicks. The sight, sound and smell of this bustling seabird metropolis make up a memorable Cemlyn experience. June and July is the time to see the stands of Sea Kale in full flower, and to spot Yellow Horned Poppy and Sea Campion along the Esgair - Oystercatcher and Ringed Plover are also nesting on the shingle during this period. On the Trwyn, look out for Tormentil and the deep pink flowers of Centaury, as well as the passing colours of butterflies like Small Heath and Common Blue.
Also look out for the red and green leaf-beetle Chrysolina polita on the Dwarf Willow along Trwyn Pencarreg.
Autumn
The tern chicks are usually fledged by mid-August, ready to start the long migration south to their wintering grounds on the coast of Africa, so by early Autumn, the islands seem strangely peaceful. Other wildlife moves in however – flocks of Golden Plover, along with other waders like Lapwing and Curlew can be seen. Big Autumn tides can uncover interesting marine life that usually remains hidden on the lower reaches of the shore, and rough weather at this time brings a range of seabirds passing close to Trwyn Cemlyn – Manx Shearwaters, Gannets, Kittiwakes and Guillemots.
Winter
The lagoon remains an important resource for birds throughout the Winter months – Little Grebe, Shoveler, and Shelduck can regularly be seen, along with the Coot and Wigeon that also graze on the surrounding fields. The Herons that fish the lagoon at Cemlyn through the year are sometimes joined by a Little Egret darting in the shallows for shrimps. Red-breasted Merganser and Great Crested Grebe can often be spotted either in the lagoon or out in the Bay, while on the rocky shore, a keen eye may pick out a Turnstone or Purple Sandpiper foraging close to the water’s edge.
www.northwaleswildlifetrust.org.uk/english/angleseycoasta...
www.northwaleswildlifetrust.org.uk/english/angleseycoasta...
Education & Outreach
The aim of the project is to raise awareness in local children about the importance of biodiversity and conservation by enabling them to explore the array of unique wildlife habitats on their local doorstep.
The project is designed to link in with National Curriculum topics covered in subjects including Science, Geography, History, English & RE, and provide a basis for ongoing work in the classroom. These different topics are often linked in with general environmental themes, in a conscious effort to encourage pupils to think about their relationship to their surroundings.
The activities include carrying out habitat surveys, where pupils record different species along a line of samples (as in an ecological transect), investigating the wildlife of the lagoon and shore using nets, and observing the tern colony through binoculars. Art-based exercises focus on perception of surroundings through the senses and encourage pupils to explore, using materials found on the beach to create their own 3D designs.
In some cases, the People and Wildlife Officers can visit schools to give illustrated talks and initiate written or interactive exercises in the classroom.
Outreach
The Coastal Nature Reserves project also involves general education, awareness-raising and outreach to the local community. Activities have been organised both on and off the reserve - there was a Cemlyn Creature Count in June 2010, and guided walks have also been arranged for the general public as well as for youth clubs and a daycentre group for people with learning difficulties. The project has been represented in The Anglesey Show and the Wylfa Community Fun Day. Illustrated talks have also been carried out for groups such as the Urdd, Scouts and for two branches of the University of the 3rd Age.
The People and Wildlife team aim to extend the range of this work, and are very keen to hear from any organisations or community groups interested in either on or off-site activities.
www.northwaleswildlifetrust.org.uk/english/angleseycoasta...
How to get involved
Anglesey’s coastline is famous for its stunning scenery and the fantastic array of wildlife it holds. North Wales Wildlife Trust has a number of ways you can get involved in helping to protect this resource and raise awareness about its importance. The emphasis is very much on getting people involved, interacting with and enjoying their local naturalheritage.
As a volunteer with the Coastal Nature Reserve Project, opportunities will vary depending on the reserve and time of year. There’s a rough guide (by location) to the possibilities below.
Cemlyn Nature Reserve
The season will commence with a volunteer open day in March. This is a fantastic opportunity to meet the rest of the Cemlyn team, learn more about the work, the reserve and the wildlife you may encounter, with a guided walk and volunteer fact sheets also provided.
Check out the detailed information on helping at Cemlyn here (pdf 80k)
Mariandyrys Nature Reserve
Working to maintain the diverse grasslands and heathlands by scrub clearance and fencing
Monitoring and species survey work
Help with events and raising awareness
Coed Porthamel Reserve
Scrub clearance
Path and fence maintenance
Building and erecting bird and bat boxes
Porth Diana and Trearddur Bay
Help with events such as guided walks and beach cleans
Surveys (including Spotted Rock Rose) and monitoring
Working to maintain the diverse grasslands and heathlands by scrub clearance and fencing
www.northwaleswildlifetrust.org.uk/cemlynwebpages/visitin...
Visiting the reserve
Cemlyn is sign-posted from Tregele on the A5025 between Valley and Amlwch. Although the roads to the site are narrow, there are two car parks adjacent to the reserve (OS 1:50, 000 Sheet 114 and Explorer 262. Grid ref. SH329936 & SH336932).
The reserve is open throughout the year: admission is free.
Group visits are possible by appointment
Suggested walks around Cemlyn
These are a few popular routes around the reserve, focussing mainly on wildlife and landscape features.
Esgair Gemlyn
The shingle ridge at Cemlyn is accessible from the Beach car park at the eastern end of the reserve.
Although the distance along the ridge to the tern viewing area opposite the islands is only about 0.5 km, it's worth bearing in mind that during the summer months, visitors are asked to use only the seaward side of the ridge, and the shingle can make for arduous walking.
It’s a much shorter walk from the Bryn Aber car park on the western side of the lagoon, but beware – the causeway linking the car park and the ridge can flood an hour or more either side of high tide, so it’s worth checking the times to avoid getting stranded.
During the summer, daily tide-times may be chalked up close to the causeway by the wardens.
Outside of the tern breeding season, the lagoon-side of the ridge is open to the public, and its interesting habitat can be explored at closer range.
Trwyn Cemlyn
This little peninsula (Trwyn is Welsh for nose) makes a favourite short walk for local people. Accessible via the Bryn Aber car park, it comprises coastal grassland with small patches of gorse and heather, and a rocky shoreline allowing views out to The Skerries in the west, Wylfa to the east, and if there’s good visibility, sometimes the Isle of Man to the north.
It’s a good spot for spring wildflowers, and also for seeing seabirds, seals, and sometimes porpoises.
It also links up with the National Trust coastal footpath to the west.
Lagoon inlet
The narrow bridge at the western end of the lagoon, just before Bryn Aber, makes a good vantage point for the lagoon islands if the ridge is inaccessible. It also allows views over the freshwater inlet and the adjacent area of gorse and scrub known as Morfa. The road alongside the inlet that leads to the farm of Tyn Llan has no parking, but a walk down gives views of the reedy inlet margins and surrounding damp pasture, which sometimes harbour interesting birdlife.
Coastal footpath towards Hen Borth
.Cemlyn forms the eastern end of a stretch of wonderful coastal footpath, taking in rugged landscape characteristic of the north Anglesey coast.
From the stile at the ‘brow’ of Trwyn Cemlyn, the path leads off the reserve up past Craig yr Iwrch, an outlying rock favoured by seals, cormorants and roosting curlews, and along the cliffs, passing Tyn Llan farm on the left, to the bay of Hen Borth.
Keen walkers may wish to carry on following the coastline as far as Carmel Head or Ynys y Fydlyn, while others may wish to visit the small church of St Rhwydrus, returning through the gate by the farm and back past the lagoon inlet.
Coast towards Wylfa Head
Trwyn Pencarreg - the area of rocky outcrops, grassland and coastal heath to the east of the Beach car park at Cemlyn, is interesting for its plant communities, wildflowers and insects, and for its impressive views back across Cemlyn Bay. A circular walk is possible via the old mill at Felin Gafnan.
The National Trust has produced a booklet detailing several circular walks around, or starting from Cemlyn. It includes illustrated routes for all of the areas described above, and of walks that take you further afield.
To obtain a copy, or for further information regarding other National Trust walks on Anglesey, contact:
The National Trust Wales, Trinity Square, Llandudno, LL30 2DE
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#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Seka's #Sabbath #Ayo #Eutha # CIN #Tattoo #Horns #Tsuki #Pose#Blogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode #Fashion #Event
✰ Credit ✰
🌿🌿🌿
[ADD] - Blossom Set
Pose : Versuta. - Olythira Pose
Backdrop : The Bearded Guy - Fake News Backdrop
🌿🌿🌿
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✰ Credit ✰
FashionNatic - Destiny Set
Backdrop : The Bearded Guy - Billar Drunks Backdrop
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✰ Credit ✰
Melody - Hamida Dress - Sense Event.
Why Not - Ardblair Sofa Set - Sense Event.
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✰ Credit ✰
Black.Flowers - Josie Top & Pants
Buxom - Salvador Heels - The Fifty
[QE Home] - Bermuda Sitting Room Full Set
Pose : Versuta. - Scally Pose
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For Links to all Items please see my main blog: goddessslfashion.blogspot.com/2018/12/blog-155-mine.html
Sim Location: Home - Sorry not for visiting
Poses: Jess Poses - Couple 13
Ready for this news.... it's only 88Ls!!
So it has a script in the pose to hide the poseballs, but for some reason it doesn't work for me...
NO biggie! Follow these simple instructions: Right Click and Edit, then Sit.
Once you're sitting go to the Textures Tab in Edit and change transparency to 100%. Poses Gone!
This works on anything that's modifiable by the way.
To make them visible again, if you can't find them, type ctrl+alt+T
And type the same thing again to make all the red outlines go away 😁 Hope this helps!
Generals (Me):
Head: Lelutka Bento Head Chloe (In World Only)
Freckles Head: Izzie's Lelutka 2.0 Bento Freckles Applier
Eyes: AG. Celestial Eyes
Body: Maitreya Mesh Body - VLara 4.1 (In World Only)
Freckles Body: Izzie's Body Applier Freckles
Skin: Glam Affair - Cleo (In World Only)
Shape: Custom Pregnancy 24 Weeks Twins - Not for Sale
Top To Bottom (Me):
Hair: Truth Hair - VIP Joy (Christmas VIP 2018 - In World)
Eye Shadow/Liner & Lipstick: Alaskametro<3 - Noelle Makeup
Purchased at a Fair... somewhere. Possibly in World
Eyelashes/Liner: Flair - Eyelashes - Diva - LeLutka (Possibly in world was bought at a fair)
Necklace: iDealia - Elisa Necklace
Showing is the Fat Pack Version. There IS a Gift Christmas Version with no color changes!
Rings: Zaara - Siya Stacked Rings & Hand-Harness (In World)
4 colors available via HUD for metals - Multiple Gem Colors
Nails: Alaskametro<3 - Cosmic Nail Art
Outfit: YM Shop - Badza Outfit
Was on the Free wall in World
Sorry not sure if it still is or now but definitely worth looking!
Shoes: [Sheba] - Shania Heels
Awesome HUGE Hud included. Straps & Shoe Color Changes!
💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖
Generals (Him):
Head: [GA.EG] Rick 2.0 Bento Mesh Head
Piercings: [GA.EG] Rick Bento Ball Piercings
Eyes: [GA.EG] Ultimate Eyes - EY01B Sweet Dreams Pack B
Body: [SIGNATURE] Gianni - Mesh Body v4.6a (In World Only)
Skin: [GA.EG] Hugo Body Skin Hairless
Shape: Custom - Not for Sale
Top To Bottom (Him):
Hair: Modulus - Alfie Hair - Browns (Uber Fair Sept/Oct 2018)
Tattoos: [MC] - Dragon Warrior Tattoo
Shirt: {Cold-Ash} - Mens Mesh Sawyer Denim Shirt
Jeans: L&B - Swear Patrol Denim Jeans
Shoes: L&B - Swear Low Top Sneakers - Male
Matching Female sneakers also available
Bracelet: Custom work for Vee, our friend, battling cancer
We're with you woman and you're in our thoughts and prayers!! We 💓 You!
✰ Credit ✰
Hair : [Eternus] - Alana Hairstyle
Elune. - Rue Set
The Bearded Guy -Holo Teddy Backdrop
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✰ Credit ✰
TANAKA - [TNK] SPIKEY EARMUFFS - Gothcore
Skin : Midori's - Yandra Skin - EVOX
Justice - Carrie Corset
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✰ Credit ✰
Vanilla Bae - Verity Dress - Fameshed Event
Backdrop :
SYNNERGY.TAVIS - Gothic Sitting Room Backdrop
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el.godfootsteps.org/videos/blessed-who-accept-new-work-hy...
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Χριστιανικά τραγούδια | Ευλογημένοι είναι αυτοί που δέχονται το νέο έργο του Θεού
Στο λόγο του όσους υπακούνε
το Άγιο Πνεύμα ευλογεί.
Δεν έχει σημασία πώς ήταν,
πώς τ’ Άγιο Πνεύμα
εργαζόταν σ' αυτούς.
Ευλογημένοι το πρόσφατο έργο Του
όσοι κέρδισαν.
(Μόνο αυτοί) -
όσοι δεν μπορούν θα εξαλείφονται.
Τώρα οι άνθρωποι αυτοί,
που δέχτηκαν το νέο έργο Του,
γι’ αυτό προορίζονταν προαιώνια,
κι είναι οι πιο
ευλογημένοι απ’ όλους.
Ακούτε τη φωνή του Θεού
μαρτυρείτε την εμφάνιση Αυτού.
Γενιές στους αιώνες,
σε γη κι ουρανό,
κανείς, πιο ευλογημένος από σάς.
Σαν αγνός παρθένος,
δέξου νέα πράγματα,
το Άγιο Πνεύμα αναζήτα,
παραμερίζοντας παλιές αντιλήψεις
υπακούοντας στο έργο του Θεού.
Ο Θεός θέλει όσους
δέχονται το νέο φως
κι όσους δέχονται
το πρόσφατο έργο Του.
Τώρα οι άνθρωποι αυτοί,
που δέχτηκαν το νέο έργο Του,
γι’ αυτό προορίζονταν προαιώνια,
κι είναι οι πιο
ευλογημένοι απ’ όλους.
Ακούτε τη φωνή του Θεού
μαρτυρείτε την εμφάνιση Αυτού.
Γενιές στους αιώνες,
σε γη κι ουρανό,
κανείς, πιο ευλογημένος από σάς.
Χριστιανικά τραγούδια
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
✰ Credit ✰
[TF]-[QE] - CROWN
Brows :
[Simple Bloom] - Milena - Low Tail
Cazimi - Razor Metallic Liners 2K
TANAKA - [CL0UD] Disturbed Piercings
Tattoo :
Riotzink - Delulu Queen Tattoo {BOM/Evox}
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inspired by -> xkcd.com/c262.html
no photoshop ;)
IN UR REALITY, "i'm from the internet, gluing caption on your cat"
✰ Credit ✰
⚫⚫⚫
Unorthodox - Shon Braids Unisex
Earrings : CODEX - Clavis Mortis Earrings - SABBATH Event
Piercings : KOKOS - Piercing Nose-Skull
Skin : [Glam Affair] - Maha [Lelutka EvoX]
Tattoo : .:RiotzInk:. - She Wolf Tattoo {BOM/Evox}
Outfit : Meva - Raven Set - Uber
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#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Unorthodox #Riotzink #Codex #Meva #GlamAffair #Kokos #Tattoo #Piercing #Skin #Hair #Unisex #BLogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode #Fashion #Event
✰ Credit ✰
Leven Ink - Sweet Alyssum Tattoo - DollHolic Event
UC - Liliana Short - Cosmopolitain Event
CODEX - Trinity Bag - Fameshed X
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✰ Credit ✰
GAWK! .Zoe. Turtleneck Pullover
- MaitreyaX | MaitreyaX Petite - Legacy | legacy Perky / Petite | Legacy Bombshell
Reborn | Reborn Waifu
GAWK! .Kathy. Sweatpants
- MaitreyaX - Legacy - eBody Reborn
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🎅🎄🎅
✰ Credit ✰
Sorumin - Twinkle Holiday - Anthem
Sorumin - Hooded Scarf (Deer) - Tinsel
🎅🎄🎅
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🎅🎄🎅
Labranda – Labraunda – Lambraunda – or Labraynda.
www.labraunda.org/Labraunda.org/Foreword_eng.html
In ancient times the people living in south-western Anatolia were known as the Karians. They had their own language, Karian, which was an Indo-European language related to that of their neighbours in Lykia to the east. Their country Karia was bordered to the north by the river Maeander (Büyük Menderes Çayı) and in the east by the river Indos (Dalaman Çayı). From 546 BC Karia formed part of the Persian empire, and was ruled by satraps appointed by the Great King at Persepolis in Persia. In the 4th century, Karia was ruled by satraps of a local dynasty. The first one was Hekatomnos (392-377 BC). As rulers after him followed his five sons and daughters, one after the other. They are called the Hekatomnids, which means the descendants of Hekatomnos. After the oldest, Maussollos (377-352), came his wife and sister Artemisia (352-351), then Idrieus (351-344), followed by Ada, who was also his sister and wife (344-341) and, after her, the youngest brother Pixodaros (341-336). Alexander the Great put Ada back in charge in 334 BC.
The most important sanctuary in western Karia was Labraunda, especially in the 4th century BC, since the Hekatomnids favoured it more than any other shrine in Karia. At that time the sanctuary of Labraunda does not seem to have belonged to any city. It was probably an independent shrine and a place for pilgrimage, ruled by its priests and belonging to the people of all surrounding villages.
More;
www.labraunda.org/Labraunda.org/Introduction_eng.html
Labraunda Team;
www.grandview.com.jo/petra_monuments11.html
At the foot of al-Habees and the towering rock of Umm al-Biyara, stands the building for which the Arched Gate and paved temenos were designed, the least damaged by time or earthquakes of all the built monuments of Petra. Its full name, Qasr al-Bint Far'oun (the palace of Pharaoh's daughter) indicates that it too is touched by legend. The princess, it is said, announced that she would marry the first man to channel water to her palace. Since two men succeeded on the same day, the princess asked both how they had done it. The first declared that it was by his own power and that of his men. The second replied, 'With God's power, my power and the power of my men and my camels'; and the princess chose this more modest and godly suitor. As she did so, the wing of a locust fell into the channel of the rejected suitor, and this fragile object halted the flow of water and could not be removed, thus confirming the princess's wise choice.
The name of the building belies its function for this was no palace but the most important temple in Petra. Passing beneath the triple-arched gate, worshippers made their way across the long, narrow temenos to sacrifice at the open altar which faces the temple. The priests would mount the steps and pass under the high arch into the temple itself. In its heyday the walls were covered with decorative plasterwork both inside and out, some of which can still be seen on the outside. Inside only small fragments survive, but the base stone is pocked with holes that once held the elaborate, all-covering plaster in place.
In the holy of holies at the back of the temple stood the image of the deity to whom the temple was dedicated, the focus of worship. In 1959 Peter Parr found a gigantic marble hand, part of the cultic statue which must once have stood at least six metres high in this sanctuary. Its human, rather than block-like, form shows clearly that it represented one of the foreign deities with which the Nabataean gods were identified. Fragments of two dedicatory inscriptions in Greek were also found here – one to Aphrodite and another to Zeus Hypsistos ('most high'). While Dushara was identified with Zeus, this particular definition of Zeus as 'hypsistos' is more commonly associated with the adopted Syrian god Ba'al-Shamin. This may indicate that this important temple had a dual dedication – to Ba'al-Shamin-Zeus and to al-'Uzza-Aphrodite.
Qasr al-Bint was once thought to date to the second century AD, in the early years of Roman rule in Petra. But during the 1964 excavations in the temenos a Nabataean dedicatory inscription to Aretas IV was found on a statue base in the bench which had been added to the temenos wall. In 1990 Dr Fawzi Zayadine found another dedication to Aretas IV in a similar position. These revised all thoughts of a Roman date and the temple is now revealed as Nabataean, and not later than the turn of the millennium. Since the temple itself must have pre-dated both the temple wall and the (missing) statue of Aretas IV with the inscription on the base, it is thought that it may date to the time of Aretas' predecessor, Obodas III, or even Malichus I.
Excavations by French archaeologists, who have been working in the temenos and surrounding areas since 1999, have added to our understanding of what happened in this part of Petra before, during and after the Nabataean period. Soundings done both within the temenos and beyond the western wall of the precinct, indicate that it was occupied in the Hellenistic period, and that there were houses here before the Nabataeans paved the temenos. Also in the Nabataean period, a substantial building was constructed immediately to the east of the temple – with its monumental entrance opening directly from the temenos, it was clearly an integral part of the temple complex, though its function is still unclear.
Sometime after the Roman annexation in AD 106, a smaller marble-clad altar was constructed in the north-west corner of the temenos; and later a western wall was built with an imposing curved exedra in the middle, flanked by columns and niches. Inscriptions found during the excavation of the exedra refer to Marcus Aurelius and Lucius Verus, co-emperors in 161-169; and the discovery of a bust of Lucius Verus in the wadi nearby in the mid-1990s, and another of Marcus Aurelius next to the exedra in 2004, suggest that this whole structure may have been built in their honour. The complete white marble statues would have stood more than life size. Both the exedra and the upper part of the temple were damaged in the fourth century (probably in the earthquake of 363), after which the exedra was levelled and a house was built over and behind it, only to be destroyed in the following century.
In the Byzantine period the area was reoccupied and part of it became a cemetery; and in the twelfth century the Crusaders used some of the fallen stones from Qasr al-Bint to build the small fort on top of the rock of al-Habees behind the temple.
🎄
✰ Credit ✰
🎄
Vanilla Bae - Rory Turtleneck 2.0
Vanilla Bae - Clementine Pants
[Vile] - Gingerbread Man Mouth - Wearable Accessory.
pose : Versuta - Berry Pose
🎄
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Musée d'Orsay is a museum in Paris, France, on the left bank of the Seine www.musee-orsay.fr/en/home.html . It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of impressionist and post-Impressionist masterpieces in the world, by painters including Monet, Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin and Van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. The museum building was originally a railway station, Gare d'Orsay, constructed for the Chemin de Fer de Paris à Orléans and finished in time for the 1900 Exposition Universelle to the design of three architects: Lucien Magne, Émile Bénard and Victor Laloux. It was the terminus for the railways of southwestern France until 1939. By 1939 the station's short platforms had become unsuitable for the longer trains that had come to be used for mainline services. After 1939 it was used for suburban services and part of it became a mailing centre during World War II. It was then used as a set for several films, such as Kafka's The Trial adapted by Orson Welles, and as a haven for the Renaud–Barrault Theatre Company and for auctioneers, while the Hôtel Drouot was being rebuilt. In 1970, permission was granted to demolish the station but Jacques Duhamel, Minister for Cultural Affairs, ruled against plans to build a new hotel in its stead. The station was put on the supplementary list of Historic Monuments and finally listed in 1978. The suggestion to turn the station into a museum came from the Directorate of the Museums of France. The idea was to build a museum that would bridge the gap between the Louvre and the National Museum of Modern Art at the Georges Pompidou Centre. The plan was accepted by Georges Pompidou and a study was commissioned in 1974. In 1978, a competition was organized to design the new museum. ACT Architecture, a team of three young architects (Pierre Colboc, Renaud Bardon and Jean-Paul Philippon), were awarded the contract which involved creating 20,000 sq. m. of new floorspace on four floors. The construction work was carried out by Bouygues.[3] In 1981, the Italian architect, Gae Aulenti was chosen to design the interior including the internal arrangement, decoration, furniture and fittings of the museum. Finally in July 1986, the museum was ready to receive its exhibits. It took 6 months to install the 2000 or so paintings, 600 sculptures and other works. The museum officially opened in December 1986 by then-president, François Mitterrand.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
M81 & M82 - Bode and Cigar Galaxies
Canon EOS 60D and TS APO 804 Triplet on a HEQ5 unguided mount.
ENG: M81 is the principal member of the “M81 Group” which is composed of 34 galaxies 12 million of light years distant from us. M81, M82 and NGC3077 strongly interact with each other and this leads to increasing their star formation activity.
Since the star formation process of M82 is very strong compared to other galaxies, it's classified as “Starburst Galaxy”.
Some numbers: M81 contains 250 billion of stars and it’s far from the “near” M82 just about 200.000 light years, twice the diameter of our galaxy.
ITA: M81 è il membro principale del “Gruppo di M81” costituito da 34 galassie poste ad una distanza media di 12 milioni di anni luce. M81, M82 e NGC3077 interagiscono fortemente tra loro, questo porta ad un incremento della loro attività di formazione stellare.
Proprio per questo motivo M82 viene definita una galassia starbust, ovvero una galassia in cui il processo di formazione stellare è molto spinto rispetto alle altre galassie. Un’attività così spinta, però, porta ad un più veloce esaurimento delle scorte della stessa galassia.
Alcuni numeri: M81 contiene 250 miliardi di stelle e dista dalla compagna (M82) circa 200.000 anni luce, praticamente solo il doppio del diametro della nostra galassia.
► IN THE FOV:
Galaxies: M81, M82
► TECHNICAL DETAILS:
480mm - f/6.0 - ISO800
Light Frames: 37x150''
Dark Frames: 11x150''
Bias Frames: 25x
Click HERE for more astrophotography and details! ;)
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