{blog}

Hat etwa Kaninchengröße, ist trotzdem mit den Elefanten verwandt. (Die Hoden liegen innen, was in der Säugetierwelt aus Kühlungsgründen selten ist.)

 

Namibia: de.wikipedia.org/wiki/Namibia

 

Etambura: www.bwana.de/namibia/geheimtipps/etambura-camp.html

el.godfootsteps.org/God-himself-the-unique-ix.html

 

Αιώνια Ζωή

Ο Θεός λέει:« ...Αφού τα δημιούργησε ο Θεός, βάσει των νόμων που Αυτός καθόρισε, όλα τα πράγματα λειτουργούν και συνεχίζουν να εξελίσσονται κανονικά. Κάτω από το βλέμμα Του, κάτω από τους νόμους Του, τα πάντα εξελίσσονται κανονικά, παράλληλα με την επιβίωση των ανθρώπων. Ούτε ένα πράγμα δεν είναι σε θέση να αλλάξει αυτούς τους νόμους, κι ούτε ένα πράγμα δεν μπορεί να καταστρέψει αυτούς τους νόμους. Χάρη στη διακυβέρνηση του

Θεού μπορούν όλα τα πλάσματα να πολλαπλασιάζονται, και χάρη στη διακυβέρνησή Του και τη διαχείρισή Του όλα τα όντα μπορούν να επιβιώνουν. Αυτό σημαίνει ότι κάτω από τη διακυβέρνηση του Θεού, τα πάντα γεννιούνται, ακμάζουν, εξαφανίζονται και ξαναγεννιούνται με τάξη. Όταν έρχεται η άνοιξη, το ψιλόβροχο φέρνει αυτή την αίσθηση της άνοιξης και υγραίνει τη γη. Το έδαφος αρχίζει να μαλακώνει, το γρασίδι φυτρώνει και βγαίνει προς τα πάνω από το χώμα και τα δένδρα πρασινίζουν σιγά-σιγά. Όλα αυτά τα ζωντανά πλάσματα φέρνουν μια φρέσκια ζωτικότητα στη γη. Αυτή είναι η εικόνα όλων όσα γεννιούνται και ακμάζουν. Επίσης, κάθε είδους ζώα βγαίνουν από τα λαγούμια τους για να νιώσουν τη ζεστασιά της άνοιξης και ξεκινούν μια νέα χρονιά. ... »

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

Πηγή Ζωής

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

 

via Free Download Minecraft freedownloadminecraft.com/welcome-riverside-bakery-map.html

✰ Credit ✰

 

Cameo Tattoo - A33 Cameo_Body Art_MAZE - Miix Event

 

HORL - Paula Outfit - Miix Event

 

NEW ATTITUDE

● New Attitude Blog

● Twitter

● Tumblr

● Pinterest

● Instagram

● Flickr

● Facebook

● Deviants Art

 

The Itinerant Locals are modern day traveling minstrels, parents, real estate developers and all around fine folks. Their latest album, Songs We Play, has hit Earl's Top 100 in Manigotapi Mississippi. Listen to their rendition of Chicken Dance at the end of this video. Folk polka slam grass punk pop chamber music. A truely unique duo, and two of my favorite musicians to work with. Take a look at Cheryl and Zac's website. Polka Your Eye Out. Their children, Eureka and Zephyr joined us for a Facedown Tuesday shot.

 

Strobist: AB1600 with gridded 60X30 softbox camera left. AB800 with Softlighter II camera right. Triggered by Cybersync.

 

View Large and on Black

✰ Credit ✰

 

For Her

Meva - Fumi Blazer 2 Edition

 

For Him

[Mazzaro] - Dio Set

 

Backdrop :

Blaink. - The Jail

 

NEW ATTITUDE

● New Attitude Blog

● Twitter

● Tumblr

● Pinterest

● Instagram

● Flickr

● Facebook

● Deviants Art

● Primfeed

 

•The truth about Yosemite: www.nbcbayarea.com/news/local/Sexual-Harassment-Common-in...

 

I took the dive and bought a Nikon D600. While waiting for it to arrive; I received an email from a friend of mine, that sent this letter to the US Post Master General. This friend is also a Targeted Individual and a US Army Veteran. I continued to wait for my camera, I kept checking the tracking number for updates, but there were no updates for a whole week. Six days after being shipped and no updated tracking info. Once my camera arrived I took a few of my older lenses, an m42 adapter to the Post Office and this is one that symbolizes many things. When I do have a package or mail to be picked up from my PO Box; one of the local simpletons involved in Community Bases Stalking will be inside waiting, or enter and slam one of the trash containers. These trash containers are heavy metal, bear proof, have very heavy lids on hinges and make a loud slamming noise if someone lets them fall close (this happened again today). The Post Office has a very high ceiling that enhances this. Also, when I have a pickup slip in my box; I will have perps in line stalling. Incidents like these are everyday occurrences for Targeted Individuals. I asked my friend if I could attach his email to this picture and have included it:

My name is Todd Sterling. I live in Lima, Ohio and have been a prior service member. Over the past two years I have become aware of a criminal organization known as organized stalking. Organized stalking is a organized group of citizens empowered by government surveillance technology whose main purpose is to attack a target psychologically and physically. A target is a chosen member of society for any number of socio economic reasons. In some cases a target is placed on the list simply because someone paid to have them placed on the list. This tactic is not new it was discovered that our government was using this weapon against our own people in the 60's. It was dubbed the cointelpro movement and was outlawed by congress. Sadly however it was not dismantled but hidden and redesigned with the progression of technology and cointelpro has now become a domestic terror operation the likes of which have not been seen since Adolf Hitler which is exactly where the program was stolen from. You can learn more about organized stalking at trackastalker.com, trackastalker.net and trackastalker.org and OSI on You Tube. The tactics vary from psychological manipulative attacks to physical home intrusions and property damage that is designed to be carried out over the course of years until the target breaks. One such tactic that we are increasingly becoming aware of is the tampering and interference of a targets mail. We have countless complaints of mail never arriving or arriving days or weeks later. I myself have been a victim of this several times. Although hard to prove, recently we started selling products on line to assist targets families in defense of this hellish nightmare on earth. We sell video cameras, cameras specifically designed to operate inside a targets moving car to gather evidence of organized vehicular stalking while the target is in transit. We went to great pains to video tape the testing and packing and operation of a dual lens car camera to a customer in N Carolina. We paid for priority mail and tracked the package. Something that only should have taken two business days took 6 days to arrive. This is typical of a planned intrusion attempt by infiltrators of the postal system. The package or envelope is rerouted on a delayed route allowing persons unknown to access the package at a variety of locations throughout the US no matter where the target is located so that the item can physically be damaged. I have incidents where utility bills are opened and photocopied we suspect so that the attackers can gain access to the utility holders account information. This is just one example of mail arriving with evidence of it being opened. We suspect that these activities are known to many in the Postal service due to the Patriot Act and permits tampering under terrorism suspicions. Americans are getting tired of being accused of terrorism and having their lives invaded illegally by false allegations permitting people to interfere with our personal lives on a scale not seen since the rise of Adolf Hitler. For this reason, my foundation is conducting an investigation into this complaint and if the camera arrives back in our hands and we investigate it and it is inoperable we will be filing a sf-95 against the US Postal service and suing you in federal court. The number of victims that complain about this act is in the thousands and were tired of being ignored because people in positions of authority simply do not believe us. Something MUST be done to protect our rights and we are going to do everything in our power legally to see this begins to happen. I deeply apologize for the tone of this letter but this foundation was started to begin to defend the rights of these victims and to get our leaders to stand up for us. Simply because a scenario is hard to believe is no reason for it not to be believed. We are giving you a chance to investigate and apprehend those involved in this scenario. Please contact me with any questions.

 

Warm Regards

 

R. Todd Sterling CEO/FOUNDER TAPS Foundation

 

Please take the time to sign these petition links; to help us expose and put a stop to Gang Stalking, Community Based Stalking and Workplace Mobbing:

www.change.org/petitions/attorney-general-kamala-d-harris...

www.change.org/petitions/taps-petition-to-investigate-org...

www.change.org/petitions/u-s-congress-outlaw-organized-ga...

   

paysagepoetconseiljardin.over-blog.com/2022/02/horloge-mu...

paysagepoetconseiljardin.over-blog.com/2020/03/jeux-avec-...

el.kingdomsalvation.org/gospel.html

 

Ευαγγέλιο

Ο Θεός λέει: «Πού θα πας κάθε μέρα, τι θα κάνεις, ποιον ή τι θα συναντήσεις, τι θα πεις, τι θα σου συμβεί — μπορεί να προβλεφθεί τίποτε απ’ αυτά; Οι άνθρωποι δεν μπορούν να προβλέψουν όλα αυτά τα περιστατικά, πόσο μάλλον να ελέγξουν πώς θα εξελιχθούν. Στη ζωή, τα απρόβλεπτα αυτά γεγονότα συμβαίνουν όλη την ώρα και αποτελούν καθημερινό φαινόμενο. Τα καθημερινά αυτά σκαμπανεβάσματα και οι τρόποι που ξεδιπλώνονται ή τα μοτίβα σύμφωνα με τα οποία διαδραματίζονται, αποτελούν, για την ανθρωπότητα, συνεχείς υπενθυμίσεις πως τίποτα δεν συμβαίνει τυχαία και πως η εξελικτική πορεία που παίρνουν αυτά τα πράγματα και το αναπόφευκτο των πραγμάτων αυτών δεν μπορούν να μεταβληθούν από την ανθρώπινη θέληση. Κάθε συμβάν μεταφέρει μια νουθεσία από τον Δημιουργό στην ανθρωπότητα, ενώ στέλνει επίσης το μήνυμα πως τα ανθρώπινα όντα δεν μπορούν να ελέγξουν την ίδια τους τη μοίρα· την ίδια ώρα, κάθε γεγονός αποτελεί ανταπάντηση στην τρελή και άκαρπη φιλοδοξία και επιθυμία της ανθρωπότητας να πάρει τη μοίρα της στα ίδια της τα χέρια. Είναι σαν ισχυρά, επαναλαμβανόμενα ραπίσματα στην ανθρωπότητα, που αναγκάζουν τους ανθρώπους να επανεξετάσουν το ποιος είναι, εν τέλει, αυτός που κυβερνά και ελέγχει τη μοίρα τους. Επιπλέον, καθώς οι φιλοδοξίες και οι επιθυμίες τους καταπνίγονται και γκρεμίζονται ξανά και ξανά, οι άνθρωποι φτάνουν ανεπιτήδευτα σε μια ασυναίσθητη αποδοχή αυτού που τους επιφυλάσσει η μοίρα, μια αποδοχή της πραγματικότητας, του θελήματος του Ουρανού και της κυριαρχίας του Δημιουργού. Από τα καθημερινά αυτά σκαμπανεβάσματα έως τη μοίρα ολόκληρων ανθρωπίνων ζωών, δεν υπάρχει τίποτα που να μην αποκαλύπτει τα σχέδια και την κυριαρχία του Δημιουργού· δεν υπάρχει τίποτα που να μη στέλνει το μήνυμα πως “η εξουσία του Δημιουργού είναι κάτι που δεν υπερβαίνεται”, που δεν μεταφέρει την αιώνια αλήθεια πως “η εξουσία του Δημιουργού είναι υπέρτατη”. ...»

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

σύσταση：

Ευαγγέλιο βιβλία

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html

el.kingdomsalvation.org/God-himself-the-unique-vii.html

 

Το όνομα τού Θεού

Ο Θεός λέει: «Ο Θεός δημιούργησε το σύμπαν και είναι ο Κύριός του· είναι υπεύθυνος γι’ αυτό και μεριμνά γι’ αυτό, καθώς παρακολουθεί την κάθε λέξη και πράξη. Επίσης, επιβλέπει την κάθε γωνιά της ανθρώπινης ζωής. Επομένως, ο Θεός δημιούργησε το σύμπαν και γνωρίζει επακριβώς τη σημασία και την αξία κάθε πράγματος, καθώς και τη λειτουργία του, τη φύση του και τους κανόνες για την επιβίωσή του, σαν την παλάμη του χεριού Του. ...

 

... Ο Θεός διατηρεί το περιβάλλον στο οποίο ζουν οι άνθρωποι και παρέχει όλα τα πράγματα που χρειάζεται αυτή η ανθρωπότητα. Επιπλέον, διαχειρίζεται και έχει υπό το κράτος Του τα πάντα. Όλα αυτά επιτρέπουν στην ανθρωπότητα να ζει φυσιολογικά και να ευημερεί φυσιολογικά· μ’ αυτόν τον τρόπο ο Θεός μεριμνά για τα πάντα και για την ανθρωπότητα. ... »

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

πίστη στο θεό

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.kingdomsalvation.org/disclaimer.html

hannakemistyle.blogspot.com.br/2016/11/815.html

xxladymodestyxx.blogspot.com/2014/11/lotd-418.html

Venice, Italy

November 2007

   

Take a look at my interview with my friend Julian (Freelance Virtuoso)

 

Interestingness shots

50 Most interesting slide show

 

btw : link to my PUBLISHED shots

 

Subscribe to my stream

 

Venice (Italian: Venezia [veˈnɛttsja] ( listen), Venetian: Venesia) is a city in northern Italy known both for tourism and for industry, and is the capital of the region Veneto, with a population of about 272,000 (census estimate 1 January 2004). Together with Padua, the city is included in the Padua-Venice Metropolitan Area (population 1,600,000).

The name is derived from the ancient tribe of Veneti that inhabited the region in Roman times.[1][2] The city historically was the capital of an independent city-state. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals". Luigi Barzini, writing in The New York Times, described it as "undoubtedly the most beautiful city built by man".[3] Venice has also been described by the Times Online as being one of Europe's most romantic cities.[4]

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy. The saltwater lagoon stretches along the shoreline between the mouths of the Po (south) and the Piave (north) Rivers. The population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 60,000[5] in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazioni of Mestre and Marghera; and 31,000 live on other islands in the lagoon.

The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain and spice trade) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history.[6] It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.

      

traveladventureeverywhere.blogspot.com/2018/05/sergiyev-p...

  

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

via KrakyLand.net Haypi Monster APK MOD Damage www.krakyland.net/2016/02/haypi-monster-apk-mod.html

theshinedrop.blogspot.com/2026/02/blog-post_17.html

FaceBook｜Blogger ｜Instagram ｜500PX

 

You can licence images through My Getty image

 

All of My Reviews｜心得文：

 

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

A Five-Year Photographic Journey with the M4/3 Series.

 

Photo by Olympus PEN-F PENF + Laowa 7.5mm f/2.0

paysagepoetconseiljardin.over-blog.com/2020/08/re-mur-veg...

Maybe it's just a teenager's phase?...

 

For sale on Alamy: www.alamy.com/stock-photo--96557067.html

lynxdaemon.net/

a-world-in-a-grain-of-sand-sl.blogspot.hr/2016/04/directi...

por Eduardo Galeano - RIP

 

¿Cristóbal Colón descubrió América en 1492? ¿O antes que él la descubrieron los vikingos? ¿Y antes que los vikingos? Los que allí vivían, ¿no existían?

 

Cuenta la historia oficial que Vasco Núñez de Balboa fue el primer hombre que vio, desde una cumbre de Panamá, los dos océanos. Los que allí vivían, ¿eran ciegos?

 

¿Quiénes pusieron sus primeros nombres al maíz y a la papa y al tomate y al chocolate y a las montañas y a los ríos de América? ¿Hernán Cortés, Francisco Pizarro? Los que allí vivían, ¿eran mudos?

 

Nos han dicho, y nos siguen diciendo, que los peregrinos del Mayflower fueron a poblar América. ¿América estaba vacía?

 

Como Colón no entendía lo que decían, creyó que no sabían hablar.

 

Como andaban desnudos, eran mansos y daban todo a cambio de nada, creyó que no eran gentes de razón.

 

Y como estaba seguro de haber entrado al Oriente por la puerta de atrás, creyó que eran indios de la India.

 

Después, durante su segundo viaje, el almirante dictó un acta estableciendo que Cuba era parte del Asia.

 

El documento del 14 de junio de 1494 dejó constancia de que los tripulantes de sus tres naves lo reconocían así; y a quien dijera lo contrario se le darían cien azotes, se le cobraría una pena de diez mil maravedíes y se le cortaría la lengua.

 

El notario, Hernán Pérez de Luna, dio fe.

 

Y al pie firmaron los marinos que sabían firmar.

 

Los conquistadores exigían que América fuera lo que no era. No veían lo que veían, sino lo que querían ver: la fuente de la juventud, la ciudad del oro, el reino de las esmeraldas, el país de la canela. Y retrataron a los americanos tal como antes habían imaginado a los paganos de Oriente.

 

Cristóbal Colón vio en las costas de Cuba sirenas con caras de hombre y plumas de gallo, y supo que no lejos de allí los hombres y las mujeres tenían rabos.

 

En la Guayana, según sir Walter Raleigh, había gente con los ojos en los hombros y la boca en el pecho.

 

En Venezuela, según fray Pedro Simón, había indios de orejas tan grandes que las arrastraban por los suelos.

 

En el río Amazonas, según Cristóbal de Acuña, los nativos tenían los pies al revés, con los talones adelante y los dedos atrás, y según Pedro Martín de Anglería las mujeres se mutilaban un seno para el mejor disparo de sus flechas.

 

Anglería, que escribió la primera historia de América pero nunca estuvo allí, afirmó también que en el Nuevo Mundo había gente con rabos, como había contado Colón, y sus rabos eran tan largos que sólo podían sentarse en asientos con agujeros.

 

El Código Negro prohibía la tortura de los esclavos en las colonias francesas. Pero no era por torturar, sino por educar, que los amos azotaban a sus negros y cuando huían les cortaban los tendones.

 

Eran conmovedoras las leyes de Indias, que protegían a los indios en las colonias españolas. Pero más conmovedoras eran la picota y la horca clavadas en el centro de cada Plaza Mayor.

 

Muy convincente resultaba la lectura del Requerimiento, que en vísperas del asalto a cada aldea explicaba a los indios que Dios había venido al mundo y que había dejado en su lugar a San Pedro y que San Pedro tenía por sucesor al Santo Padre y que el Santo Padre había hecho merced a la reina de Castilla de toda esta tierra y que por eso debían irse de aquí o pagar tributo en oro y que en caso de negativa o demora se les haría la guerra y ellos serían convertidos en esclavos y también sus mujeres y sus hijos. Pero este Requerimiento de obediencia se leía en el monte, en plena noche, en lengua castellana y sin intérprete, en presencia del notario y de ningún indio, porque los indios dormían, a algunas leguas de distancia, y no tenían la menor idea de lo que se les venía encima.

 

Hasta no hace mucho, el 12 de octubre era el Día de la Raza.

 

Pero, ¿acaso existe semejante cosa? ¿Qué es la raza, además de una mentira útil para exprimir y exterminar al prójimo?

 

En el año 1942, cuando Estados Unidos entró en la guerra mundial, la Cruz Roja de ese país decidió que la sangre negra no sería admitida en sus bancos de plasma. Así se evitaba que la mezcla de razas, prohibida en la cama, se hiciera por inyección.

¿Alguien ha visto, alguna vez, sangre negra?

 

Después, el Día de la Raza pasó a ser el Día del Encuentro.

 

¿Son encuentros las invasiones coloniales? ¿Las de ayer, y las de hoy, encuentros? ¿No habría que llamarlas, más bien, violaciones?

 

Quizás el episodio más revelador de la historia de América ocurrió en el año 1563, en Chile. El fortín de Arauco estaba sitiado por los indios, sin agua ni comida, pero el capitán Lorenzo Bernal se negó a rendirse. Desde la empalizada, gritó

 

¡Nosotros seremos cada vez más!

 

¿Con qué mujeres? –preguntó el jefe indio.

 

Con las vuestras. Nosotros les haremos hijos que serán vuestros amos.

 

Los invasores llamaron caníbales a los antiguos americanos, pero más caníbal era el Cerro Rico de Potosí, cuyas bocas comían carne de indios para alimentar el desarrollo capitalista de Europa.

 

Y los llamaron idólatras, porque creían que la naturaleza es sagrada y que somos hermanos de todo lo que tiene piernas, patas, alas o raíces.

 

Y los llamaron salvajes. En eso, al menos, no se equivocaron. Tan brutos eran los indios que ignoraban que debían exigir visa, certificado de buena conducta y permiso de trabajo a Colón, Cabral, Cortés, Alvarado, Pizarro y los peregrinos del Mayflower

 

a-world-in-a-grain-of-sand-sl.blogspot.com/2014/08/put-yo...

FaceBook｜Blogger ｜Instagram ｜500PX

 

You can licence images through My Getty image

 

All of My Reviews｜心得文：

 

DJI Mavic Air Review

Olympus PEN-F Review Part.1

Olympus PEN-F Review Part.2

Olympus PEN-F Review Part.3

Olympus MZD 17mm f/1.2 PRO Review

Olympus MZD 25mm f/1.2 PRO Review

Olympus MZD 45mm f/1.2 PRO Review

Olympus MZD 75mm f/1.8 Review

Panasonic LEICA DG 12mm f/1.4 Review

Panasonic LEICA DG 8-18mm f/2.8-4 Review

A Five-Year Photographic Journey with the M4/3 Series.

 

George C. Reifel

Migratory Bird Sanctuary , Ladner BC.

 

www.reifelbirdsanctuary.com/index.html

evening out on the deck

 

and hooray, one of my Impossible polaroids has been accepted into an exhibit at PhotoPlace Gallery in VT, for a theme of "alternative realities":

www.vtphotoworkplace.com/id165.html

ru.godfootsteps.org/testimonies/satanic-philosophy-is-ent...

 

Некоторое время назад в связи с моей работой церковь направила меня жить в принимающей семье. Когда я впервые общался с братом и сестрой в этой семье, они сказали: «Мы больше всего боимся молиться во время общения. Мы знаем, что говорить, когда молимся самостоятельно, но когда дело доходит до молитвы на собрании, мы просто не знаем, что сказать». Услышав это, я подумал: «Если мы не будем молиться во время общения, мы не сможем принять работу Святого Духа, и наше общение будет неэффективным. Нам необходимо молиться!» Но затем я передумал, полагая, что если они действительно боятся молиться, то не создастся ли у них обо мне неблагоприятное мнение, если я буду настаивать на их молитве? Чтобы выполнить свои обязанности по редактированию статей, мне необходимо было прожить в принимающей семье долгое время. Что если они составят обо мне превратное мнение и не захотят принимать меня, потому что я не прислушиваюсь к их пожеланиям? Думаю, мне следует просто согласиться с их пожеланиями. Поэтому в течение следующего месяца мы никогда не молились во время общения. Из-за этого беседы о Божьих словах стали скучными и вялыми, в них абсолютно отсутствовало просвещение Святого Духа. Мы также часто отклонялись от темы. Постепенно состояние брата и сестры перестало быть нормальным, они уже не особо хотели беседовать. Даже когда у нас было общение, они постоянно впадали в дремоту, а в повседневной жизни не уделяли внимания питанию Божьим словом. Они смотрели телевизор, когда у них было свободное время, они уже не были так радушны со мной, иногда даже не хотели разговаривать. Столкнувшись с этим, я почувствовал боль и смятение: я прислушался к их пожеланиям во всем, я не обижал их. Почему они так себя ведут?

И когда я был совсем озадачен такой ситуацией, Божьи слова просветили меня: «Если у тебя нет правильных отношений с Богом, то независимо от того, что ты будешь делать для поддержания своих отношений с другими людьми, независимо от того, насколько усердно ты будешь работать или сколько усилий вы к этому приложишь, это по-прежнему будет иметь отношение к человеческой жизненной философии. Ты сохраняешь свою позицию среди людей, задействовав человеческую точку зрения и человеческую философию, дабы они восхваляли тебя. Ты не устанавливаешь правильные отношения с людьми на основании Божьего Слова. Если ты не сосредотачиваешься на своих отношениях с людьми, но поддерживаешь правильные отношения с Богом, если ты готов отдать свое сердце Богу и научиться быть Ему послушным, вполне естественно, что твои отношения с людьми тоже станут правильными… Правильные отношения между людьми устанавливаются на основе того, что сердце человека отдано Богу; это не достигается с помощью человеческих усилий» («Очень важно установить правильные отношения с Богом» в книге «Слово является во плоти»).……

Может вам понравятся следующие:

 

Евангелие на каждый день «Познание Бога – путь к богобоязненности и удалению от зла» (Отрывок 1)

  

Image Source: Церковь Всемогущего Бога

 

Terms of Use : ru.godfootsteps.org/disclaimer.html

 

brigittephotos-fr.over-blog.com/2016/07/la-photo-du-jour-...

2016-07-09-jardin (16)

ALB-1

Giorgio Armani, one of the world’s leading fashion and lifestyle design companies, and Samsung Electronics, a leading producer of mobile phones and telecommunications systems, today unveiled the new Giorgio Armani-Samsung luxury mobile. Giorgio Armani presented the new mobile phone at a press briefing in his Armani/Teatro in Milan before his Spring Summer 2008 Women’s fashion show.

I took this from the Gatwick Express train on our way back home. It was interesting to learn about the redevelopment of Battersea. See below for a description of the project.

 

From New York Magazine

Written by: Justin Davidson

 

nymag.com/intelligencer/2019/10/review-of-the-redeveloped...

 

“If you were going to anoint a single great temple to the deity of fossil fuel, you might choose the Battersea Power Station, just across the Thames from some of the costliest real estate in London. From the 1930s through the ’70s, it sucked up coal and pumped out electricity. Now it’s burning through £9 billion ($11.5 billion) in the hope of generating much, much more, and that process of transformation is an awesome, troubling thing to behold. Bristling with cranes, it hulks over the river like some rough beast, slouching toward Westminster. Londoners know it from a distance — the quartet of chimneys jabbing at clouds, its mountainous brick bulk — but few have been inside. That will soon change, along with everything else about it.

 

I recently toured the construction site with Sebastien Ricard, an architect at the firm Wilkinson Eyre who is in charge of disemboweling, shoring up, and rebuilding the structure for use as a zone of white-collar lifestyle and work. Even when I stand inside the shell, the great fluted columns of the turbine hall rising toward a distant ceiling, the scale of the place is hard to fathom. One of the two boiler houses is filled with an impenetrable thicket of scaffolding. In the other, fresh armatures of concrete and steel have grown up beneath a new roof. Not long ago, Battersea Power Station was a ruin, left exposed by a developer who went bankrupt before he made good on a plan for an open-air amusement park. For years, only the rain and the odd nocturnal creature penetrated the decaying interiors.

 

Now, money is flowing again, thanks to a consortium of the Malaysian development group Setia, Sime Darby Property, and Employees Provident Fund. Ricard points out a vast slab of raw concrete that one day will host cocktail parties, with expansive views onto the Thames. Beyond, an undergrowth of apartment blocks is already growing around the outer walls, supplemented by an esplanade, a riverboat stop, and a couple of still-quiet cafés. Leisure is on the move.

 

There’s something simultaneously exciting, a little sad, and bracingly preposterous about the rehabilitation: exciting because the project brings fresh life to a central city tract that has been forlorn for a couple of generations; sad because that life consists of a narrow and familiar set of ways to make and spend money. Preposterous because the task of converting a huge machine for the postindustrial era means treating it as a precious relic. To satisfy Historic England, the body that oversees “listed” buildings, the developers had to demolish and rebuild four of those graceful but useless smokestacks, match thousands of damaged tiles, and order a million hand-made bricks from the same workshops that furnished the originals. It’s a multibillion-dollar fixer-upper.

 

The largest brick building in Europe, it inspired awe in the kingdom of energy. The architect was Giles Gilbert Scott, who brought a classicizing finesse to tough utilitarian structures like the Bankside Power Station that later became Tate Modern, and the U.K.’s famous red telephone booth. (The booth has an exquisite architectural pedigree: It’s based on the 19th-century architect Sir John Soane’s mausoleum, which in turn got its characteristic shallow dome from the breakfast room in Soane’s own house.) As if to guard against inevitable obsolescence, Scott encrusted the Battersea colossus with Art Deco flourishes, including the opulent control room with coffered ceilings. (In the next incarnation, that will become an event space.)

 

The power station burned a million tons of coal a year, hewn from the ground under Northumberland and Wales, hauled by train or loaded on barges, and transferred from a jetty on the Thames. When the facility was first proposed, Londoners objected to the idea of spitting so much coal smoke into the air of their city center. Not to worry, the journal Nature chirped in 1932: Recent technological advances had “proved conclusively that the emission of sulphur fumes can be reduced to a negligible quantity.” That was partly true: An innovative process scrubbed the gases of their most noxious ingredients by “washing” them with water — which was then dumped into the Thames. Keeping the lights on amounted to a choice between visibly poisoning the air and invisibly poisoning the river. Eventually, though, coal did both. In 1952, a thick cloud laden with toxins settled over London, and by the time it dissipated five days later, it had killed 12,000 people. Battersea’s B section was still under construction.

 

It was the album cover of Pink Floyd’s 1977 album Animals that gave the almost-retired plant a global profile and a reputation for mayhem that continued through rock concerts, festivals, and raves. (Algie, the inflatable pink pig tethered to one of the chimneys for the photo shoot, broke free and soared into the Heathrow Airport flight path; police helicopters chased it for miles until it alighted in a field in Kent.) The powerhouse glowered over the banks of the Thames, but it loomed even more impressively in the lives of commuters, who passed its great brick cliffs on the train just before pulling into Victoria Station. “It looked like a gate, or a castle,” says the aptly named Peter Watts in his book Up in Smoke: the Failed Dreams of Battersea Power Station. “When it came into view, that was the moment you were entering the city, which was always so much more exciting than whatever town in Surrey you were coming from. It looked primal and permanent. I fantasize that at the end of days, everything else will be gone and the power station will remain.”

 

And yet the apparently eternal hulk was supremely fragile. In 2004, it cropped up on the World Monuments Fund’s endangered list. Dozens of schemes, each more grandly harebrained than the last, were rolled out, threatening various combinations of rescue and destruction. The New York–based architect Rafael Viñoly contributed several idas: A decade ago, a group of Irish developers hired him to design a new ostensibly “clean” power plant tucked below ground and topped with a new 1,000-foot chimney, next to an office park that would have been covered by a plastic “eco-dome.” That dream went the way of so many others in the 2008 financial crisis. Later, the Chelsea Football Club recruited Viñoly to design a soccer stadium there, though what he really wanted was a concert hall. The architect Terry Farrell suggested stripping the carcass down to four chimneys and two walls and enshrining it in parkland as an immense, evocative ruin. That proposal addressed the central conundrum of its redevelopment. Preserving the structure’s mysterious isolation, its sheer brooding strangeness, meant leaving the land around it vacant or, at most, scattering it with low-rise buildings the way a medieval village huddles around its cathedral. But builders don’t make money by not building, and the quantities of cash needed to preserve the thing, never mind reinvigorate the area, were inconceivably enormous. By 2014, the station was back on the WMF’s watch list again.

 

When Setia and its partners landed the site, Viñoly returned, this time with a plan that wrapped the brick monolith in glass apartment complexes (one designed by Frank Gehry, another by Norman Foster), close-cropped lawns, and fountains with the usual dancing jets of water. A year and a half from now, a new Northern Line Underground stop will stitch a long-inaccessible area back into Central London.

 

The power station itself will contain an immense indoor shopping center and rentable party spaces, topped by crow’s-nest penthouses. Apple has scooped up most of the offices that will crown the structure. Wilkinson Eyre’s design reclaims the site’s history and smooths it over at the same time, inserting an elegantly generic lattice of black steel, glass walls, and airy voids. Where once generators roared, now milk will be foamed, code written, and brand identities polished.

 

One detail captures the ethos of spectacular silliness that pervades almost every huge development project these days: a sightseeing elevator that glides up through one of the pristine chimneys and pops out the top, giving passengers a quick 360-degree vista, before dropping back inside. Let’s hope that a metamorphosis on this imperial scale yields something more solid and meaningful than a soap bubble with a view. Still, if this all seems more like a default option than a thrilling destiny, consider the imaginative alternatives that failed because of the site’s sheer scale and the possible squandered fortunes. The current future isn’t ideal, but it’s probably the least bad solution — far better than just letting the whole thing collapse into a disconsolate pile of rubble.”

Source: New York Magazine

slfashionweekl.blogspot.com.es/2016/02/372.html

مجموعة " إندماج " العصرية من الطبيعة العمانية

www.arab-lady.com/42404.html

© All rights reserved Open Aspect Photography

  

Islands have a powerful collective image, of a sanctuary, an escape and of freedom. Yet this island isn’t a peaceful haven. It’s minute, jammed at the end of the human world before the rule of wilderness takes complete control; teetering here it is impenetrable and mysterious. Blasted by the feral mountain weather; shrill winds through pining trees, running fingers of disturbed water varnish the lake, swaying branches and a cloud scudded sky. There is never stillness; but there is the prospect of shelter amongst the trees on the wall-topped isle.

 

This is a paradoxical wilderness, the reservoir and even I suspect the island itself is man made, set here to hide it’s human origins in this wildest of settings. It is somehow outside the human world, more than simple geography would dictate. Maybe that’s where that stab of uncertainty comes from; spirits seem to haunt this place. I can’t seem to comprehend the essential mixture of what I see and what I know There are no roads in sight, no traffic, no lights and no voices, save the faint whistles of a farmer rounding sheep, a soft white question mark on a distant yellow hill. It’s lonely and at dusk the solitude thickens with the light.

 

I wonder if serenity could be found on a summer night sleeping in the enclosure while the shimmering stars press down, if the universe would infiltrate my sacred retreat. One day, one rare warm summer night, if bravery allows, I might sample that delight, but with the possibility of a sleepless, jittery night. What ghosts might emerge from the drowned valley, hanging vaguely against the sky, like a faint, fleet-footed cloud, a dark-shrouded branch, the moan of wind in a creaking tree.

 

Classical references for light and dark abound, they are often unsophisticated, but universal metaphors for good and evil. But here, at night, universal is turned on its head as uncountable stars spike the sky; it is a colander to a different world.

 

When we reach the totality of night, the circle of experience narrows like bands around the chest. The circle is so limited; pale and indistinct even within, beyond a few feet - black, missing, lays an unknown, only guessed world. Moonless just the faintest glimmering from southern sodium lights, away past the dam, through twisted narrow valleys, the light creeps incestuously with her black, mad cousin.

 

Then I can only but question my rational mind, the world of understanding, of knowledge, of sight and matter. As my senses adapt sounds unexpectedly seem to take on a new life - the volume switch gets turned up, noises become alive and swift like the wind. Now I am the wild creature, alert, listening, smelling, feeling the cold wind and the wet, the brush of the trees and the ground beneath my feet, but seeing very little.

 

This is where the journey really starts. Not the drive out of the city, through the old industrial valleys. Not the walk past one reservoir and through the storm ravaged line of pine trees encircling this place. This journey forces me inside, inside my circle and inside my mind. This is the journey of an island of light into an encircling dark.

LOS 8126

May 17, 2019 - Southwest Nebraska

 

Prints Available...Click Here

All Images are also available for...

stock photography & non exclusive licensing...

 

Another Epic Chase day in Nebraska....

 

Along with fellow chaser Myles Nelson, we had a small jaunt from Kearney out to the western skies of Nebraska. We met up with fellow chaser Aaron Edwards just to the south of the Sutherland Power-plant to set up shot a few hours before all the action began. We were waiting for the first cells to produce by Grant and Hershy Nebraska. They did form and the Grant Supercell was producing but it was traveling close to 60+ knots to the due north. Even if we wanted to catch this cell it was moving way to fast. So after a short broadcast out to Kent Boughton ABC NTV Affiliate. We packed up gear and started to head to the southeast towards Stockville Nebraska.

 

Tornado had already pushed through the McCook Nebraska area and we were in range to intercept. Though on way there, just on the outside of Stockville, we had to punch through a nasty hail core. We originally though we hit a deer or something else but once we got to the eastern edge of Stockville, we noticed we had a large pheasant buried into my front grill. I didn't know the extent of damage till we got back to Kearney that evening. That being said, we had the rotating supercell coming in from the southwest and were were planning on punching the core again. When fellow chaser Chuck Patient met up with us he had 2 inch diameter hail stones that they had just went through we had decided not to. It was a wise decision, and we eventually headed east.

 

Now I usually don't do country roads anymore due to the fact... If we get stuck we would be there for a long time and I didn't want to miss out on this event. But we did it anyway.... and just a few miles to the east of Stockville we headed north. It was a good decision due to being on the southeast side of this cell, we were in perfect position to intercept and we did. Far enough away from the RFD we had a perfect view of the Stockville / Farnam Torando from its birth.... Though we had to avoid other chasers, we successfully navigated to a good place for some excellent footage. Probably the best footage I've caught since the 2017 Tornado outbreak in Cheyenne Wyoming.

 

We got a little close... actually we had to get under and in front of it again. Yes a little dangerous but again I've been doing this a LONG time and I don't take risks that will get us killed. We had finally got back to a point in front of the rotating base just north of Farnam and where heading for the next intercept in Cozad Nebraska.

 

I-80 Eastbound we had to punch through the core again and we got lucky. Minutes before this cell produced another tornado we got just to the east of Cozad Nebraska to catch the funnel to the east of town. Not wanting to punch the core again... and only about a 1/2 hour of light left. We decided that we had caught what we wanted that day and head back to Kearney.

 

Though this cell was still raging late into the night. It had produced another tornado by the Oconto Nebraska area. Even if we wanted to chase this there wasn't adequate roadways to travel north and we would have never caught up to it again. To say the least, it was another epic storm chasing day in Nebraska.

 

Final note on these storms... that NWS had the Stockville/Farnam Tornado rated at a EF-1. That is how I have it listed in the VIDEO. Though reports last night confirmed it was and EF-3 with sufficient damage to property.

 

In the bulk of storm season out in Tornado Alley... Will be chasing again this week for more Naders!

 

*** Please NOTE and RESPECT the Copyright ***

 

Copyright 2019

Dale Kaminski @ NebraskaSC Photography

All Rights Reserved

 

This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.

 

#ForeverChasing

#NebraskaSC

Eisbären-Mama Giovanna auf der anderen Seite des Gitters im Münchner Tierpark Hellabrunn

a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---

 

check date and place here www.facebook.com/CopenhagenBiennale

COPENHAGEN ULTRACONTEMPORARY BIENNALE

 

main : copenhagenbiennale.org/

www.facebook.com/CopenhagenBiennale

www.emergencyrooms.org/formats.html

www.emergencyrooms.org/

  

meanwhile contemporary art will be shown by

 

ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe

ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane

AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo

AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo

ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto

BALOJI, Sammy BARBA, Rosa

BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra

BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian

BONVICINI, Monica BOYCE, Sonia

BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania

BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei

CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany

COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT

DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene

E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun

EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily

FRIEDL, Peter FUSCO, Coco FUSINATO, Marco

GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora

GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina

GULF LABOR GURSKY, Andreas HAACKE, Hans

HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay

HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert

IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya

JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung

KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David

LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim

MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris

MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve

MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar

MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf

OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian

PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE

(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili

RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa

SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi

SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael

SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW

TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala

  

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

 

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

 

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

 

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

 

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

 

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

 

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

 

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

 

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

 

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

 

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

 

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

 

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

 

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

 

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

 

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

 

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

 

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

 

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

 

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

 

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

 

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

 

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

 

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

 

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

 

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

 

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

 

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

 

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

 

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

 

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

 

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

 

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

 

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

 

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

 

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

 

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

 

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

 

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

 

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

 

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

 

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

 

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

 

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

 

Ellen Slegers

  

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com

 

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat

 

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/

 

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com

 

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

 

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk

 

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it

 

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org

 

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org

 

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com

 

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar

 

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk

 

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com

 

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org

 

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.arsculture.org/

www.eyeofthunderstorm.com

 

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org

 

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it

 

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it

 

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

 

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

 

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org

   

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism

 

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo

 

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

 

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta

 

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch

 

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com

 

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org

 

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/

 

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com

 

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.arsculture.org/

www.dialogueoffire.org

 

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw

 

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/

 

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li

 

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.arsculture.org/

 

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com

 

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org

 

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.westkowloon.hk/en/mplus

www.hkadc.org.hk

www.venicebiennale.hk

 

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

 

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk

 

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org

 

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

 

Xanadu

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Dream Amsterdam Foundation

www.dreamamsterdam.nl

www.nikunja.org/xanadu

 

Universities and Associations that have joined the project

Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna

Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena

 

Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale

Bice Curiger Massimiliano Gioni

A Parliament for a Biennale

Paolo Baratta, President of la Biennale di Venezia

Okwui Enwezor the ARENA Karl Marx’s Das Kapital

Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara

Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial

 

other Biennale :(Biennials ) :

  

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

  

COPENHAGEN ULTRACONTEMPORARY BIENNALE

  

copenhagenbiennale.org/

 

text

copenhagenbiennale.org/press/

 

www.facebook.com/CopenhagenBiennale

Palabra de Dios：“Entre las personas, los eventos y las cosas de nuestro entorno que podemos ver y con los que entramos en contacto, ¿qué otras cosas corrompe Satanás mediante el uso de la ciencia? (El entorno natural.) Tenéis razón. Parece que se os ha dañado profundamente con esto, y que también estáis afectados por ello en lo más hondo. Aparte de usar la ciencia para engañar al hombre, usando los diversos descubrimientos y las conclusiones de esta, Satanás también se sirve de ella para llevar a cabo una destrucción y una explotación desenfrenada del entorno vital que Dios le concedió al ser humano. Lo realiza bajo el pretexto de que, si el hombre lleva a cabo una investigación científica, su entorno vital mejorará cada vez más, sus estándares de vida seguirán siendo mejores y, además, que ese desarrollo científico se realiza para atender las necesidades materiales diariamente en aumento y la necesidad continua de elevar su calidad de vida. Si no es por estas razones, entonces hay que preguntarse qué estás haciendo con desarrollar del todo la ciencia. Esta es la base teórica del desarrollo de la ciencia por parte de Satanás. ¿Qué consecuencias tiene, sin embargo, la ciencia para la humanidad? ¿En qué consiste nuestro entorno inmediato? ¿Acaso no ha sido contaminado el aire que respira la humanidad? ¿Sigue siendo verdaderamente pura el agua que bebemos? (No.) Y qué de la comida que comemos, ¿es natural en su mayoría? (No.) ¿Qué es, pues? Se cultiva con fertilizantes, modificación genética, y también se producen mutaciones mediante el uso de métodos científicos, de modo que hasta los vegetales y la fruta que consumimos ya no son naturales. No es fácil ahora que las personas encuentren productos alimenticios no modificados para comer. Ni los huevos saben ya como solían, ya que han sido procesados por la pretendida ciencia de Satanás. Contemplando la imagen panorámica, toda la atmósfera ha sido destruida y contaminada; los montes, los lagos, los bosques, los ríos, los océanos y todo, encima o debajo de la tierra, se ha estropeado con los supuestos logros científicos.”

De "La Palabra Manifestada en carne"(Continuación)-Dios mismo, el único VI"

 

Recomendación : Reflexiones cristianas

Check out the new dress on my eBay shop :) www.ebay.com/sch/eifeldolldress/m.html?item=261672350654&...

 

UPDATE 16th June 2010:

I can't believe it... IT WON!!

Me and Little Tiger are VERY HAPPY! Thank you to everyone who supported us!

www.feelingstitchy.com/2010/06/and-winner-is.html

joeysdreamgarden.blogspot.com/2010/06/guess-why-im-happy....

********************************************************

UPDATE 16th June 2010:

VOTING HAS ENDED

*********************************************************

UPDATE 14th June 2010:

VOTING HAS COMMENCED! Vote for your favourite here: www.feelingstitchy.com/2010/06/cast-your-votes.html

and wish me and Little Tiger a bit of luck!

***************************************************************************************

 

UPDATE 9th June 2010:

This won the orange category! www.feelingstitchy.com/2010/06/orange-category-winner-rai...

 

********************************************************************************************

 

This is my entry for the Feeling Stitchy Rainbow Competition. I chose to design an embroidery in shades of orange, not only because orange is my favourite colour, but also because it would give me the opportunity to put Little Tiger into it! I based the Little Tiger you see here on a brooch that I made some time ago now. I also wanted to put in a representation of one of my favourite flowers, the California poppy. I love this flower for it's simple cupped shape, it's satiny petals and its beautiful bright golden orange colour which seems to glow in the sun. I think of them as "cups of sunshine"!

 

After I had sketched my design, I had to think about what fabric I'd use to embroider on. I decided that a plain background was a bit boring, so I hand tie-dyed a piece of calico to use, using Dylon "sunflower yellow" - hence the off-white circles of the background. The circles were created by gathering a bunch of fabric and tying a piece of string around it, so the dye doesn't reach the fabric under the string, and repeating this all over the fabric so make a pattern. I like this effect because for me, it makes me think of sun-drenched, relaxed summer festivals.

 

I chose to include lots of different types of stitches - and I used eight - because for me, that's what embroidery is all about! Showing the amazing variety of textures and shapes which can be created with just a needle, a bit of thread and some fabric. I love trying out new stitches, so I dived in (after a bit of practise first) and used long and short stitch (for the poppy petals) and ribbed spider's web (for the flower-like shapes in the "grass"). I also used straight stitch in a pattern I've never used before, shown to me by my good friend Claire (thanks Claire! bet you didn't expect that, did you! hahaha!) I also used stem stitch (the sun's rays), french knots (the sun and Little Tiger's eye "twinkles"), satin stitch (his eyes and nose), chain stitch worked in close rows as a filling stitch (Little Tiger's fur) and back stitch (the poppies' stems).

 

Apart from enjoying this challenge just for the embroidery, it taught me a few things. The main lesson was probably that I always underestimate how long a piece of work is going to take! I spent at least 50 hours on the embroidery part of this piece (excluding the time I spent in sketching the original design). I also learnt that you can do a lot with a very limited colour palette, and something that I am going to explore further.

 

Well, I enjoyed making this piece, but I hope you enjoy looking at it almost as much!

 

Best wishes

Joey x

Workspace Design Inspiration... Inspirational design

Source: www.autoworldmuseum.com/about.html

 

Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.

 

William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.

 

Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.

 

After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.

 

The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.

 

Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.

I took this photo of the latest hot lot of processor chips of various sizes at the spook shop summit (InQTel CEO Summit). Pretty shiny bling.

 

I am in the D-Wave board meeting now, and we just got a peek of next week's TIME Magazine cover (below). And it made the Charlie Rose show.

 

Here are some excerpts:

 

"The Quantum Quest for a Revolutionary Computer

 

The D-Wave Two is an unusual computer, and D-Wave is an unusual company. It's small, just 114 people, and its location puts it well outside the swim of Silicon Valley. But its investors include the storied Menlo Park, Calif., venture-capital firm Draper Fisher Jurvetson, which funded Skype and Tesla Motors. It's also backed by famously prescient Amazon founder Jeff Bezos and an outfit called In-Q-Tel, better known as the high-tech investment arm of the CIA. Likewise, D-Wave has very few customers, but they're blue-chip: they include the defense contractor Lockheed Martin; a computing lab that's hosted by NASA and largely funded by Google; and a U.S. intelligence agency that D-Wave executives decline to name.

 

The reason D-Wave has so few customers is that it makes a new type of computer called a quantum computer that's so radical and strange, people are still trying to figure out what it's for and how to use it. It could represent an enormous new source of computing power--it has the potential to solve problems that would take conventional computers centuries, with revolutionary consequences for fields ranging from cryptography to nanotechnology, pharmaceuticals to artificial intelligence.

 

That's the theory, anyway. Some critics, many of them bearing Ph.D.s and significant academic reputations, think D-Wave's machines aren't quantum computers at all. But D-Wave's customers buy them anyway, for around $10 million a pop, because if they're the real deal they could be the biggest leap forward since the invention of the microprocessor. …

 

Physicist David Deutsch once described quantum computing as "the first technology that allows useful tasks to be performed in collaboration between parallel universes." Not only is this excitingly weird, it's also incredibly useful. If a single quantum bit (or as they're inevitably called, qubits, pronounced cubits) can be in two states at the same time, it can perform two calculations at the same time. Two quantum bits could perform four simultaneous calculations; three quantum bits could perform eight; and so on. The power grows exponentially.

 

The supercooled niobium chip at the heart of the D-Wave Two has 512 qubits and therefore could in theory perform 2^512 operations simultaneously. That's more calculations than there are atoms in the universe, by many orders of magnitude. "This is not just a quantitative change," says Colin Williams, D-Wave's director of business development and strategic partnerships, who has a Ph.D. in artificial intelligence and once worked as Stephen Hawking's research assistant at Cambridge. "The kind of physical effects that our machine has access to are simply not available to supercomputers, no matter how big you make them. We're tapping into the fabric of reality in a fundamentally new way, to make a kind of computer that the world has never seen."

 

Naturally, a lot of people want one. This is the age of Big Data, and we're burying ourselves in information-- search queries, genomes, credit-card purchases, phone records, retail transactions, social media, geological surveys, climate data, surveillance videos, movie recommendations--and D-Wave just happens to be selling a very shiny new shovel. "Who knows what hedge-fund managers would do with one of these and the black-swan event that that might entail?" says Steve Jurvetson, one of the managing directors of Draper Fisher Jurvetson. "For many of the computational traders, it's an arms race."

 

One of the documents leaked by Edward Snowden, published last month, revealed that the NSA has an $80 million quantum-computing project suggestively code-named Penetrating Hard Targets. Here's why: much of the encryption used online is based on the fact that it can take conventional computers years to find the factors of a number that is the product of two large primes. A quantum computer could do it so fast that it would render a lot of encryption obsolete overnight. You can see why the NSA would take an interest. …

 

For its first five years, the company existed as a think tank focused on research. Draper Fisher Jurvetson got onboard in 2003, viewing the business as a very sexy but very long shot. "I would put it in the same bucket as SpaceX and Tesla Motors," Jurvetson says, "where even the CEO Elon Musk will tell you that failure was the most likely outcome." By then Rose was ready to go from thinking about quantum computers to trying to build them--"we switched from a patent, IP, science aggregator to an engineering company," he says. Rose wasn't interested in expensive, fragile laboratory experiments; he wanted to build machines big enough to handle significant computing tasks and cheap and robust enough to be manufactured commercially. With that in mind, he and his colleagues made an important and still controversial decision.

 

Up until then, most quantum computers followed something called the gate-model approach, which is roughly analogous to the way conventional computers work, if you substitute qubits for transistors. But one of the things Rose had figured out in those early years was that building a gate-model quantum computer of any useful size just wasn't going to be feasible anytime soon. …

 

Adiabatic quantum computing may be technically simpler than the gate-model kind, but it comes with trade-offs. An adiabatic quantum computer can really solve only one class of problems, called discrete combinatorial optimization problems, which involve finding the best--the shortest, or the fastest, or the cheapest, or the most efficient--way of doing a given task.

 

This is great if you have a really hard discrete combinatorial optimization problem to solve. Not everybody does. But once you start looking for optimization problems, or at least problems that can be twisted around to look like optimization problems, you find them all over the place: in software design, tumor treatments, logistical planning, the stock market, airline schedules, the search for Earth-like planets in other solar systems, and in particular in machine learning.

 

Google and NASA, along with the Universities Space Research Association, jointly run something called the Quantum Artificial Intelligence Laboratory, or QuAIL, based at NASA Ames, which is the proud owner of a D-Wave Two. "If you're trying to do planning and scheduling for how you navigate the Curiosity rover on Mars or how you schedule the activities of astronauts on the station, these are clearly problems where a quantum computer--a computer that can optimally solve optimization problems--would be useful," says Rupak Biswas, deputy director of the Exploration Technology Directorate at NASA Ames. Google has been using its D-Wave to, among other things, write software that helps Google Glass tell the difference between when you're blinking and when you're winking.

 

Lockheed Martin turned out to have some optimization problems too. It produces a colossal amount of computer code, all of which has to be verified and validated for all possible scenarios, lest your F-35 spontaneously decide to reboot itself in midair. "It's very difficult to exhaustively test all of the possible conditions that can occur in the life of a system," says Ray Johnson, Lockheed Martin's chief technology officer. "Because of the ability to handle multiple conditions at one time through superposition, you're able to much more rapidly--orders of magnitude more rapidly--exhaustively test the conditions in that software." The company re-upped for a D-Wave Two last year.

 

Another challenge Rose and company face is that there is a small but nonzero number of academic physicists and computer scientists who think that they are partly or completely full of sh-t. Ever since D-Wave's first demo in 2007, snide humor, polite skepticism, impolite skepticism and outright debunkings have been lobbed at the company from any number of ivory towers. "There are many who in Round 1 of this started trash-talking D-Wave before they'd ever met the company," Jurvetson says. "Just the mere notion that someone is going to be building and shipping a quantum computer--they said, 'They are lying, and it's smoke and mirrors.'"

 

Seven years and many demos and papers later, the company isn't any less controversial. Any blog post or news story about D-Wave instantly grows a shaggy beard of vehement comments, both pro- and anti-. …

 

But where quantum computing is concerned, there always seems to be room for disagreement. Hartmut Neven, the director of engineering who runs Google's quantum-computing project, argues that the tests weren't a failure at all--that in one class of problem, the D-Wave Two outperformed the classical computers in a way that suggests quantum effects were in play. "There you see essentially what we were after," he says. "There you see an exponentially widening gap between simulated annealing and quantum annealing ... That's great news, but so far nobody has paid attention to it." Meanwhile, two other papers published in January make the case that a) D-Wave's chip does demonstrate entanglement and b) the test used the wrong kind of problem and was therefore meaningless anyway. For now pretty much everybody at least agrees that it's impressive that a chip as radically new as D-Wave's could even achieve parity with conventional hardware.

 

The attitude in D-Wave's C-suite toward all this back-and-forth is, unsurprisingly, dismissive. "The people that really understand what we're doing aren't skeptical," says Brownell. Rose is equally calm about it; all that wrestling must have left him with a thick skin. "Unfortunately," he says, "like all discourse on the Internet, it tends to be driven by a small number of people that are both vocal and not necessarily the most informed." He's content to let the products prove themselves, or not. "It's fine," he says. "It's good. Science progresses by rocking the ship. Things like this are a necessary component of forward progress."

 

Are D-Wave's machines quantum computers?

 

For now the answer is itself suspended, aptly enough, in a state of superposition, somewhere between yes and no. If the machines can do anything like what D-Wave is predicting, they won't leave many fields untouched. "I think we'll look back on the first time a quantum computer outperformed classical computing as a historic milestone," Brownell says. "It's a little grand, but we're kind of like Intel and Microsoft in 1977, at the dawn of a new computing era."

   

thestreetspot.com/2013/10/invasion.html

traveladventureeverywhere.blogspot.com/2018/08/vdnkh-exhi...

    

..

   

..

   

.

   

.

   

.

   

.

   

.

     

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

     

ALBANIA

   

Albanian Trilogy: A Series of Devious Stratagems

   

Armando Lulaj

   

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

   

ANDORRA

   

Inner Landscapes

   

Roqué, Joan Xandri

   

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

   

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

   

ANGOLA

   

On Ways of Travelling

   

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

   

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

   

ARGENTINA

   

The Uprising of Form

   

Juan Carlos Diste´fano

   

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

   

ARMENIA, Republic of

   

Armenity / Haiyutioun

   

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

   

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

   

AUSTRALIA

   

Fiona Hall: Wrong Way Time

   

Fiona Hall

   

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

   

AUSTRIA

   

Heimo Zobernig

   

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

   

AZERBAIJAN, Republic of

   

Beyond the Line

   

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

   

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

   

Vita Vitale

   

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

   

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

   

BELARUS, Republic of

   

War Witness Archive

   

Konstantin Selikhanov

   

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

   

BELGIUM

   

Personnes et les autres

   

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

   

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

   

COSTA RICA

   

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

   

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

   

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

   

CROATIA

   

Studies on Shivering: The Third Degree

   

Damir Ocko

   

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

   

CUBA

   

El artista entre la individualidad y el contexto

   

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

   

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

   

CYPRUS, Republic of

   

Two Days After Forever

   

Christodoulos Panayiotou

   

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

   

CZECH Republic and SLOVAK Republic

   

Apotheosis

   

Jirí David

   

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

   

ECUADOR

   

Gold Water: Apocalyptic Black Mirrors

   

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

   

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

   

ESTONIA

   

NSFW. From the Abyss of History

   

Jaanus Samma

   

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

   

EGYPT

   

CAN YOU SEE

   

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

   

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

   

FINLAND (Pavilion Alvar Aalto)

   

Hours, Years, Aeons

   

IC-98

   

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

   

FRANCE

   

revolutions

   

Céleste Boursier-Mougenot

   

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

   

GEORGIA

   

Crawling Border

   

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

   

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

   

GERMANY

   

Fabrik

   

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

   

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

   

GREAT BRITAIN

   

Sarah Lucas

   

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

   

GRENADA *

   

Present Nearness

   

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

   

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

   

GREECE

   

Why Look at Animals? AGRIMIKÁ.

   

Maria Papadimitriou

   

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

   

BRAZIL

   

So much that it doesn't fit here

   

Antonio Manuel, André Komatsu, Berna Reale

   

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

   

CANADA

   

Canadassimo

   

BGL

   

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

   

CHILE

   

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

   

Paz Errázuriz, Lotty Rosenfeld

   

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

   

CHINA, People’s Republic of

   

Other Future

   

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

   

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

   

GUATEMALA

   

Sweet Death

   

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

   

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

   

HOLY SEE

   

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

   

HUNGARY

   

Sustainable Identities

   

Szilárd Cseke

   

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

   

ICELAND

   

Christoph Büchel

   

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

   

INDONESIA, Republic of

   

Komodo Voyage

   

Heri Dono

   

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

   

IRAN

   

Iranian Highlights

   

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

   

The Great Game

   

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

   

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

   

IRAQ

   

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

   

IRELAND

   

Adventure: Capital

   

Sean Lynch

   

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

   

ISRAEL

   

Tsibi Geva | Archeology of the Present

   

Tsibi Geva

   

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

       

ITALY

   

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

       

JAPAN

   

The Key in the Hand

   

Chiharu Shiota

   

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

       

KENYA

   

Creating Identities

   

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

   

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

       

KOREA, Republic of

   

The Ways of Folding Space & Flying

   

MOON Kyungwon & JEON Joonho

   

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

       

KOSOVO, Republic of

   

Speculating on the blue

   

Flaka Haliti

   

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

       

LATVIA

   

Armpit

   

Katrina Neiburga, Andris Eglitis

   

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

       

LITHUANIA

   

Museum

   

Dainius Liškevicius

   

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

       

LUXEMBOURG, Grand Duchy of

   

Paradiso Lussemburgo

   

Filip Markiewicz

   

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

       

MACEDONIA, Former Yugoslavian Republic of

   

We are all in this alone

   

Hristina Ivanoska and Yane Calovski

   

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

       

MAURITIUS *

   

From One Citizen You Gather an Idea

   

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

   

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

       

MEXICO

   

Possesing Nature

   

Tania Candiani, Luis Felipe Ortega

   

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

       

MONGOLIA *

   

Other Home

   

Enkhbold Togmidshiirev, Unen Enkh

   

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

       

MONTENEGRO

   

,,Ti ricordi Sjecaš li se You Remember "

   

Aleksandar Duravcevic

   

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

       

MOZAMBIQUE, Republic of *

   

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

   

Mozambique Artists

   

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

       

NETHERLANDS, The

   

herman de vries - to be all ways to be

   

herman de vries

   

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

       

NEW ZEALAND

   

Secret Power

   

Simon Denny

   

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

       

NORDIC PAVILION (NORWAY)

   

Camille Norment

   

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

       

PERU

   

Misplaced Ruins

   

Gilda Mantilla and Raimond Chaves

   

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

       

PHILIPPINES

   

Tie a String Around the World

   

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

   

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

       

POLAND

   

Halka/Haiti. 18°48’05”N 72°23’01”W

   

C.T. Jasper, Joanna Malinowska

   

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

       

PORTUGAL

   

I Will Be Your Mirror / poems and problems

   

João Louro

   

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

       

ROMANIA

   

Adrian Ghenie: Darwin’s Room

   

Adrian Ghenie

   

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

       

Inventing the Truth. On Fiction and Reality

   

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

   

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

       

RUSSIA

   

The Green Pavilion

   

Irina Nakhova

   

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

       

SERBIA

   

United Dead Nations

   

Ivan Grubanov

   

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

       

SAN MARINO

   

Repubblica di San Marino “ Friendship Project “ China

   

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

   

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

       

SEYCHELLES, Republic of *

   

A Clockwork Sunset

   

George Camille, Léon Wilma Loïs Radegonde

   

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

       

SINGAPORE

   

Sea State

   

Charles Lim Yi Yong

   

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

       

SLOVENIA, Republic of

   

UTTER / The violent necessity for the embodied presence of hope

   

JAŠA

   

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

       

SPAIN

   

Los Sujetos (The Subjects)

   

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

   

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

       

SYRIAN ARAB REPUBLIC

   

Origini della civiltà

   

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

   

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

       

SWEDEN

   

Excavation of the Image: Imprint, Shadow, Spectre, Thought

   

Lina Selander

   

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

       

SWITZERLAND

   

Our Product

   

Pamela Rosenkranz

   

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

       

THAILAND

   

Earth, Air, Fire & Water

   

Kamol Tassananchalee

   

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

       

TURKEY

   

Respiro

   

Sarkis

   

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

       

TUVALU

   

Crossing the Tide

   

Vincent J.F. Huang

   

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

       

UKRAINE

   

Hope!

   

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

   

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

       

UNITED ARAB EMIRATES

   

1980 – Today: Exhibitions in the United Arab Emirates

   

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

   

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

       

UNITED STATES OF AMERICA

   

Joan Jonas: They Come to Us Without a Word

   

Joan Jonas

   

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

       

URUGUAY

   

Global Myopia II (Pencil & Paper)

   

Marco Maggi

   

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

       

VENEZUELA, Bolivarian Republic of

   

Te doy mi palabra (I give you my word)

   

Argelia Bravo, Félix Molina (Flix)

   

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

       

ZIMBABWE, Republic of

   

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

   

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

   

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

       

ITALO-LATIN AMERICAN INSTITUTE

   

Voces Indígenas

   

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

   

ARGENTINA

   

Sofia Medici and Laura Kalauz

   

PLURINATIONAL STATE OF BOLIVIA

   

Sonia Falcone and José Laura Yapita

   

BRAZIL

   

Adriana Barreto

   

Paulo Nazareth

   

CHILE

   

Rainer Krause

   

COLOMBIA

   

León David Cobo,

   

María Cristina Rincón and Claudia Rodríguez

   

COSTA RICA

   

Priscilla Monge

   

ECUADOR

   

Fabiano Kueva

   

EL SALVADOR

   

Mauricio Kabistan

   

GUATEMALA

   

Sandra Monterroso

   

HAITI

   

Barbara Prézeau Stephenson

   

HONDURAS

   

Leonardo González

   

PANAMA

   

Humberto Vélez

   

NICARAGUA

   

Raúl Quintanilla

   

PARAGUAY

   

Erika Meza

   

Javier López

   

PERU

   

José Huamán Turpo

   

URUGUAY

   

Gustavo Tabares

       

Ellen Slegers

           

001 Inverso Mundus. AES+F

   

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

   

May 9th – October 31st

   

Organization: VITRARIA Glass + A Museum

   

www.vitraria.com

   

www.inversomundus.com

       

Catalonia in Venice: Singularity

   

Cantieri Navali, Castello, 40 (Calle Quintavalle)

   

May 9th - November 22nd

   

Organization: Institut Ramon Llull

   

www.llull.cat

   

venezia2015.llull.cat

       

Conversion. Recycle Group

   

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

   

May 6th - October 31st

   

Organization: Moscow Museum of Modern Art

   

www.mmoma.ru/

       

Dansaekhwa

   

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

   

May 7th – August 15th

   

Organization: The Boghossian Foundation

   

www.villaempain.com

       

Dispossession

   

Palazzo Donà Brusa, Campo San Polo, 2177

   

May 9th - November 22nd

   

Organization: European Capital of Culture Wroclaw 2016

   

wroclaw2016.pl/biennale/

       

EM15 presents Doug Fishbone’s Leisure Land Golf

   

Arsenale Docks, Castello, 40A, 40B, 41C

   

May 6th - July 26th

   

Organization: EM15

   

www.em15venice.co.uk

       

Eredità e Sperimentazione

   

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

   

May 9th - November 22nd

   

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

   

www.bioarchitettura.it

       

Frontiers Reimagined

   

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

   

May 9th - November 22nd

   

Organization: Tagore Foundation International; Polo museale del Veneto

   

www.frontiersreimagined.org

       

Glasstress 2015 Gotika

   

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

   

May 9th — November 22nd

   

Organization: The State Hermitage Museum

   

www.hermitagemuseum.org

       

Graham Fagen: Scotland + Venice 2015

   

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

   

May 9th - November 22nd

   

Organization: Scotland + Venice

   

www.scotlandandvenice.com

       

Grisha Bruskin. An Archaeologist’s Collection

   

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

   

May 6th – November 22nd

   

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

   

www.unive.it/csar

       

Helen Sear, ... The Rest Is Smoke

   

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

   

May 9th - November 22nd

   

Organization: Cymru yn Fenis/Wales in Venice

   

www.walesinvenice.org.uk

       

Highway to Hell

   

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

   

May 9th - November 22nd

   

Organization: Hubei Museum of Art

   

www.hbmoa.com

       

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

   

Palazzo Faccanon, San Marco, 5016 (Mercerie)

   

May 7th – August 4th

   

Organization: Shanghai Himalayas Museum

   

www.himalayasmuseum.org

       

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

   

Dorsoduro, 417 (Zattere)

   

May 6th - November 15th

   

Organization: ArsCulture

   

www.arsculture.org/

   

www.eyeofthunderstorm.com

       

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

   

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

   

May 9th – June 30th; September 11st – October 31st

   

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

   

www.i-amfoundation.org

   

www.venicebiennale-italiadocet.org

       

Jaume Plensa: Together

   

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

   

May 6th – November 22nd

   

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

   

www.praglia.it

       

Jenny Holzer "War Paintings"

   

Museo Correr, San Marco, 52 (Piazza San Marco)

   

May 6th – November 22nd

   

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

   

www.writtenartfoundation.com

   

correr.visitmuve.it

       

Jump into the Unknown

   

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

   

May 9th – June 18th

   

Organization: Nine Dragon Heads

   

9dh-venice.com

       

Learn from Masters

   

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

   

May 9th – November 22nd

   

Organization: Pan Tianshou Foundation

   

pantianshou.caa.edu.cn/foundation_en

       

My East is Your West

   

Palazzo Benzon, San Marco, 3927

   

May 6th – October 31st

   

Organization: The Gujral Foundation

   

www.gujralfoundation.org

               

Ornamentalism. The Purvitis Prize

   

Arsenale Nord, Tesa 99

   

May 9th – November 22nd

   

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

   

www.purvisabalva.lv/en/ornamentalism

       

Path and Adventure

   

Arsenale, Castello, 2126/A (Campo della Tana)

   

May 9th – November 22nd

   

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

   

www.iacm.gov.mo

   

www.mam.gov.mo

   

www.icm.gov.mo

       

Patricia Cronin: Shrine for Girls, Venice

   

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

   

May 9th – November 22nd

   

Organization: Brooklyn Rail Curatorial Projects

   

curatorialprojects.brooklynrail.org

       

Roberto Sebastian Matta. Sculture

   

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

   

May 9th – November 22nd

   

Organization: Fondazione Echaurren Salaris

   

www.fondazioneechaurrensalaris.it

   

www.maggioregam.com/56Biennale_Matta

       

Salon Suisse: S.O.S. Dada - The World Is A Mess

   

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

   

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

   

Organization: Swiss Arts Council Pro Helvetia

   

www.prohelvetia.ch

   

www.biennials.ch

       

Sean Scully: Land Sea

   

Palazzo Falier, San Marco, 2906

   

May 9th – November 22nd

   

Organization: Fondazione Volume!

   

www.fondazionevolume.com

       

Sepphoris. Alessandro Valeri

   

Molino Stucky, interior atrium, Giudecca, 812

   

May 9th – November 22nd

   

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

   

www.sepphorisproject.org

       

Tesla Revisited

   

Palazzo Nani Mocenigo, Dorsoduro, 960

   

May 9th – October 18th

   

Organization: VITRARIA Glass + A Museum

   

www.vitraria.com/

       

The Bridges of Graffiti

   

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

   

May 9th - November 22nd

   

Organization: Associazione Culturale Inossidabile

   

www.inossidabileac.com

       

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

   

Palazzo Tiepolo Passi, San Polo, 2774

   

May 6th - November 22nd

   

Organization: Fundaciò Artigas; ArsCulture

   

www.fundacio-artigas.com/

   

www.arsculture.org/

   

www.dialogueoffire.org

       

The Question of Beings

   

Istituto Santa Maria della Pietà, Castello, 3701

   

May 9th - November 22nd

   

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

   

www.mocataipei.org.tw

       

The Revenge of the Common Place

   

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

   

May 9th – September 30th

   

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

   

www.vub.ac.be/

       

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

   

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

   

October 24th – November 1st

   

Organization: Kunstmuseum Liechtenstein

   

www.kunstmuseum.li

   

www.silverlining.li

       

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

   

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

   

May 7th - November 22nd

   

Organization: ArsCulture

   

www.arsculture.org/

       

The Union of Fire and Water

   

Palazzo Barbaro, San Marco, 2840

   

May 9th - November 22nd

   

Organization: YARAT Contemporary Art Organisation

   

www.yarat.az

   

www.bakuvenice2015.com

       

Thirty Light Years - Theatre of Chinese Art

   

Palazzo Rossini, San Marco, 4013 (Campo Manin)

   

May 9th - November 22nd

   

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

   

www.globalartcenter.org

   

www.gdmoa.org

       

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

   

Arsenale, Castello, 2126 (Campo della Tana)

   

May 9th - November 22nd

   

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

   

www.westkowloon.hk/en/mplus

   

www.hkadc.org.hk

   

www.venicebiennale.hk

       

Under the Surface, Newfoundland and Labrador at Venice

   

Galleria Ca' Rezzonico, Dorsoduro, 2793

   

May 9th - November 22nd

   

Organization: Terra Nova Art Foundation

   

tnaf.ca

       

Ursula von Rydingsvard

   

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

   

May 6th - November 22nd

   

Organization:Yorkshire Sculpture Park

   

www.ysp.co.uk

       

We Must Risk Delight: Twenty Artists from Los Angeles

   

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

   

May 7th - November 22nd

   

Organization: bardoLA

   

www.bardoLA.org

       

Wu Tien-Chang: Never Say Goodbye

   

Palazzo delle Prigioni, Castello, 4209 (San Marco)

   

May 9th - November 22nd

   

Organization: Taipei Fine Arts Museum of Taiwan

   

www.tfam.museum

   

Mt. Doug Park.

 

www.saanich.ca/EN/main/parks-recreation-culture/parks/par...

ID: 003332

This picture is (c) Copyright Frank Titze, all rights reserved.

It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.

See more pictures on frank-titze.art.

 

------------------------------------------------

Exposure: Digital

Developing: ---

Enlarging: ---

Scanning: ---

Processing: Digital

------------------------------------------------

Exposure: 01/2015

Processing: 02/2015

Published: 07/2015

------------------------------------------------

Flickr "taken" date set as actual publish date.

------------------------------------------------

See it in my blog: alenakogotkova.livejournal.com/39704.html