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Excerpt from centrewellington.maps.arcgis.com/apps/Shortlist/index.htm...:

 

36 Henderson Street

 

The Parish of St. John the Evangelist was formed in 1830. The present church was opened in 1875. Besides being a place of worship for over 125 years, St. John’s has evolved into a community centre, and has been an incubator for many organizations. It has been a community meeting place for such diverse groups as the Girl Guides, Canada World Youth, the Elora-Salem Horticultural Society and Alcoholics Anonymous. St. John’s-Kilmarnock School, the amalgamation of St. John’s College and St. Margaret’s Schools, which were founded in Elora, still have close ties with the church. Well known for its music, St. John’s was the birthplace of the Elora Festival in 1979. The Festival and its Singers hold concerts in the church throughout the year. In recent years a strong bond has developed with Portage, an organization offering a drug free therapeutic rehabilitation program for juveniles. Students at Portage serve at church services and a number of members of the parish do volunteer work at Portage. St. John’s is the home of the famous communion set reportedly donated by Florence Nightingale to her cousin and reputed lover, John Smithurst, Rector of the church from 1852-1857. The building is an excellent example of Victorian Gothic Revival architecture. Hallmarks of the Gothic Revival style in St. John’s include buttresses, vaulted arches, steeply pitched gable roofs, elaborate cast iron ornaments such as rooftop cresting and pointed arch windows. The polychrome colour scheme of red and yellow brick buttresses and external woodwork are all features of Gothic Revival architecture. The church was designed by Henry Langley (1836-1907) an architect with extensive experience in church design. Langley was responsible for the design of the Metropolitan Methodist, Jarvis Street Baptist, and St. Andrew’s Presbyterian (now United) churches in Toronto. Year Built: 1875

The Smith Family Log Cabin Home - where Joseph Smith lived in 1820, near Palmyra, NY. (This re-creation of the Smith family cabin stands on the same location as the original.) The forest behind the cabin is know as the "Sacred Grove."

 

The large Sugar Maple tree in the foreground is believed to be older than the original cabin. It was struck by lightning in the summer of 2008, and is no longer standing! The Smiths tapped about 1,500 maple trees each season to produce an average of 1,000 pounds of sugar; and most of those maple trees grew in this grove.

 

This photograph was taken in May. No fancy, HDR software manipulation--just general photoshop adjustments and good photography skills.

 

You can also view a slide show of the Sacred Grove and the Smith Farm (lots of information, maps and other details) at www.thefirstvision.com/.

 

Subscribe to my newsletter. Free monthly articles and how-to tutorials driven by YOUR feedback!

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(Orig: 05/27/2009 13:45:00 825v 4c 4f)

 

Himnos | La amargura es una bendición de Dios

 

I

No te desanimes, no seas débil.

Dios todo te revelará.

El camino al reino no es sencillo.

No es fácil ganar bendiciones.

Todos soportarán amargas pruebas,

para fortalecer su amor por Dios.

Pero no te preocupes, pasa más tiempo ante Dios.

Pero no te preocupes, por qué has de comer o vestir.

Busca más la voluntad de Dios.

Busca más la voluntad de Dios.

Busca más Su voluntad y Él se revelará.

Paso a paso, conocerás Su corazón en toda situación.

 

II

Todos piensan que las bendiciones son dulces palabras,

y no amargura.

Pero compartir la amargura de Dios

es también compartir la dulzura.

Es la promesa de Dios y Su bendición.

Déjalo todo, protege el testimonio de Dios.

Ese debe ser tu objetivo.

Pero aún te hace falta fe, aún careces discernimiento,

y claridad sobre la palabra y la voluntad de Dios.

Pero no te preocupes, pasa más tiempo ante Dios.

Pero no te preocupes, por qué has de comer o vestir.

Busca más la voluntad de Dios.

Busca más la voluntad de Dios.

Busca más Su voluntad y Él se revelará.

 

III

Todos necesitan superar estas pruebas,

incluso las que son pequeñas.

Toma en cuenta que las circunstancias más duras

también son de Dios bendiciones.

¿Cuántos se han humillado ante Dios a menudo

para suplicar Su bendición?

Pero no te preocupes, pasa más tiempo ante Dios.

Pero no te preocupes, por qué has de comer o vestir.

Busca más la voluntad de Dios.

Busca más la voluntad de Dios.

Busca más Su voluntad y Él se revelará.

 

IV

Y Dios hallará la forma de caminar en cada uno de ustedes.

Nada puede detenerlo, Su corazón hoy está satisfecho.

Te bendecirá para siempre y siempre.

 

De “Declaraciones y testimonios de Cristo en el principio”

 

Recomendación: Música de adoración

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Capital Motors - 1959 Versalace Oceanic Limited Edition - Wip Event

 

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Every year I lead an intensive workshop in Spain for beginning and intermediate wildlife photographers:

 

Wildlife Photography Boot Camp

 

Our location is the largest zoological park in the world, and with over 100 different species from the five continents, this is the perfect place to learn all the basics of wildlife photography.

 

This was shot on a late afternoon when it suddenly started to rain heavily. Instead of staying inside, I encouraged my group to go out and use the rain as an interesting bonus. This Watusi family preferred to stay dry though.

 

If you're a beginner or intermediate photographer and would like to learn more about wildlife photography and composition, and have a great time with a small group of like-minded enthusiasts, then join us on our next Wildlife Photography Boot Camp in Spain. Please have a look on my website for more information, pictures and tour impression video clips:

 

Squiver Photo Tours & Workshops

 

Hope to see you there!

 

Marsel

 

Website | Blog | Facebook

 

©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.

at Color Me Cute Event (15th Dec ) Thankies<3 Sammich Fixins

Titian -

Allegory of Time governed by Prudence [~1550]

London NG

wikipedia

 

Here you will find an exhaustive article on possible interpretions:

www.artinsociety.com/titian-prudence-and-the-three-headed...

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Connected to Titian's late portraits is the Allegory of Time governed by Prudence. This is an exceptional portrait which depicts the aged Titian on the left above a wolf's head, his son Orazio in the centre above the head of a lion, and his nephew Marco above a dog's head. The wolf, the lion and the dog, symbolize the past, present and future. In the upper part of the painting there is an inscription which is the key to the complex allegorical meaning of the work: "EX PRAETERITO PRAESENS PRUDENTER AGIT, NI FUTURUM ACTIONE DETURPET" ("From the (experience of the) past, the present acts prudently, lest it spoil future action").

 

Though it was common enough during the Renaissance to use three human heads to symbolize the ages of man, and to use three animal heads to symbolize prudence, it was very unusual to use them as the theme of a painting. As Titian used personal motifs, it can be assumed that he chose the subject matter himself.

 

ttps://www.wga.hu/frames-e.html?/html/t/tiziano/10/3/5allegor.html

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The Allegory of Prudence (c. 1550–1565) is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads (from left to right, a wolf, a lion and a dog). It is in the National Gallery, London.[1]

 

The painting is usually interpreted as operating on a number of levels.[2][3] At the first level, the different ages of the three human heads represent the three ages of man (from left to right: old age, maturity and youth), a subject that Titian had depicted 50 years earlier in his The Three Ages of Man. The different directions in which they are facing reflect a second, wider concept of time itself as having a past, present and future. This theme is repeated in the animal heads: an animal with three heads (wolf, lion, dog) to represent the passage of time (past, present, future) is associated with Serapis in Macrobius's Saturnalia, and associated with Apollo by Petrarch, and the iconography is repeated for example in the Hypnerotomachia Poliphili of Francesco Colonna (1499), the Hieroglyphica of Pierio Valeriano (1556), and the Iconologia of Cesare Ripa (1643). The third level, from which the painting has acquired its present name, is suggested by a barely visible inscription above the portraits: EX PRÆTE/RITO // PRÆSENS PRVDEN/TER AGIT // NI FVTVRA / ACTIONĒ DE/TVRPET (Latin for "from the experience of the past, the present acts prudently, lest it spoil future actions".)

 

It has been argued that the human faces are actual portraits of the aged Titian, his son Orazio, and his young nephew, Marco Vecellio, who, like Orazio, lived and worked with Titian.[4] Erwin Panofsky, in his classic exposition, suggests that the painting is specifically associated with the negotiations associated with the passing on of Titian's property to the younger generations, in the light of his approaching death. The painting therefore acts as a visual counsel to the three generations to act prudently in the administration of the inheritance. Nicholas Penny is, however, highly sceptical of this, and points out discrepancies between the human heads and other evidence of the individuals' appearance. He doubts it was a personal project of any sort and feels that is "surely more likely that the painting was commissioned".[5] Others are also of the opinion that the three heads are not Titian and his family. One reason is that there are no portraits of Orazio or Marco, so confirmation that they are the figures is difficult.[6]

 

More recently the painting has been explained in quite different ways. Instead of an allegory of prudence, it has been seen as an allegory about sin and penitence. On this view, it amounts to an admission by Titian that his failure to act prudently in his youth and middle age has condemned him to lead a regretful old age.[7]

 

At the other extreme, the painting has been explained as asserting that the prudence which comes with experience and old age is an essential aspect of artistic discrimination and judgement. On this interpretation, the painting therefore acts as a rebuttal of the view that old age is the enemy of artistic achievement. On a more general level, the painting's depiction of Titian with his assistants Orazio and Marco is also intended as a defence of the prudence of the continuity of the Venetian workshop tradition.[8]

 

en.wikipedia.org/wiki/Allegory_of_Prudence

********************************************************************************

  

Related link

***

Juuichimen Kannon 十一面観音

Sk: Ekadasamukha. Eleven-headed Kannon; a form of *Kannon 観音 with eleven miniature faces around the top of his head. One of the Six Kannon *Roku Kannon 六観音 and responsible for the human realm. In painting and sculpture, Juuichimen Kannon may be shown seated or standing, but standing images are more common, especially in sculpture. The deity usually is shown with two arms, although sometimes with four. When two armed, he usually carries a water jar with a lotus in his left hand which makes a mudra of the absence of fear *semui-in 施無畏印, and with his right hand makes the mudra of the granting of wishes *yogan-in 与願印. The number of faces is usually eleven, though this number may or may not include the main face of the image (thus making the total number eleven or twelve). A form with nine faces, Kumen Kannon 九面観音 also exists (ex. 8c *danzou 檀像 in Houryuuji 法隆寺). The placement of the heads varies. Bodhisattva heads bosatsumen 菩薩面 are situated in either one or two tiers with the head of a Buddha butsumen 仏面 at the top. The faces of the bodhisattvas usually include three benign faces jihimen 慈悲面, three angry faces shinnumen 瞋怒面, three plain faces with fangs kugejoushutsumen 狗牙上出面; also known as gejoushutsumen 牙上出面 and, at the back, a laughing face daishoumen 大笑面; also known as bouaku daishoumen 暴悪大笑面, daibakushoumen 大爆笑面. A small standing image of *Amida 阿弥陀, referred to as a *kebutsu 化仏, may be added in front of his crown as well.

There are different theories to account for the meaning of Juuichimen's multiple heads. On a folk level, there is a story that his head split into many because of his worry over sentient beings. On a higher level, he removes the eleven impediments of sentient beings. The positioning of the heads clearly indicates, that the elevated head of the Buddha rises above the others and iconography evokes the ten stages of the bodhisattva path, with the Buddha as the final result. The encapsulation of these processes into one image shows the presence of all within the bodhisattva, and suggests the fully enlightened bodhisattva as the ideal.

The origin of the iconography is unclear, but in India, multi-headed, multi-armed figures were used by the 7c to express the complex religious truths and practices of Buddhism. Although few examples are extant in India, a sculpted 7-8c image of Juuichimen Kannon with four arms in the cave #41 at Kanheri is well-known. In China, Juuichimen was commonly portrayed from the early Tang dynasty (early 7c), and the extant examples are found in paintings in Dunhuang 敦煌 (Jp: Tonkou caves #321 and #334) as well as in bronze and stone sculptures. In Japan, belief in the power of Juuichimen Kannon is recorded from the mid 7c, and the deity was propitiated especially for aid in convalescense from illnesses. Sculptural and painted images were common in the Nara period (8c) and became extremely popular in the Heian period (9-12c). There are numerous extant examples, many of fine quality, such as a painted image on the walls of the *Kondou 金堂 (late 7c) in Houryuuji 法隆寺, Nara (burnt down in 1949). Devotion centered upon the practice of group confessions before an image of the deity, the most famous of which was the shuni-e 修二会 ceremony of the *Nigatsudou 二月堂 in Toudaiji 東大寺, Nara (commonly known as omizutori お水取り), which began in 752 and continues to the present day. In Esoteric Buddhism mikkyou 密教, Juuichimen appears in the *Taizoukai mandara 胎蔵界曼荼羅. In Shinto art *Shintou bijutsu 神道美術, Juuichimen Kannon is a common choice as the *honjibutsu 本地仏 (Buddhist counterpart) of female Shinto deities *kami 神 and is one of the two most common choices as honjibutsu of the Sun Goddess Amaterasu Oomikami 天照大神 (the other being *Dainichi 大日). Juuichimen Kannon may be painted; 1) alone, as in the large Kamakura period (14c) painting held by Shidoji 志度寺 in Kagawa prefecture; 2) in his paradise *Fudaraku 補陀洛 (on a rock in the ocean) often accompained by Zenzai Douji 善財童子; or 3) in a setting like that of the large panel painting in Kaijuusenji 海住山寺, Kyoto, in which the deity descends from his paradise across the sea to welcome the deceased, *raigou 来迎, accompanied by the 25 bodhisattvas. In addition, the fame of distinct sculptural images of Juuichimen Kannon also lead their being the subject of paintings. One such example is the principal image of Hasedera 長谷寺 in Nara, which as a special feature holds a pewter staff *shakujou 錫杖 in its right hand and a lotus in a vase in its left. This very large image stands on a smooth, flat stone uncovered in a landslide, (instead of the lotus pedestal *rengeza 蓮華座, on which the deity first appeared). The story of the making of the image appears in the illustrated history of the temple *shaji engi-e 社寺縁起絵.

 

bestpauljaisini.blogspot.com/2015/01/muse-gif-1.html The art conundrum; the disconnect between society and art establishment

  

Celebrity art dealers artists and art collectors have become superstars of such caliber F. Scott Fitzgerald would’t imagine in a wildest Great Gatsby's wet dream.

The breathtaking fables of high-flying multi-million art deals inspire the sensational and entertaining articles to be written by the writers who could barely earn a living nowadays. How many people, however, actually become the art lovers learning about the adventures of the glitzy art stars? None.

  

The art world is a lonely Narcissus that admires the own reflection. But desperately wants the public affection and attention unwilling to admit the need of new source for awe. Or how many art critics made a serious attempt to explain in written word the post post-modern art scene?

What about the artists… is next thought that comes to mind. Maybe this whole problem of art turning into a very sexy fast-money exchange business is due the bad quality artists?

Even television tried to popularize art in the attempt to create a show who wants to be the next American top model I mean artist. But the public only grow less interested, more so, the public wants to take over the art franchise after the so-called digital revolution. Masses of people who could never touch a camera for variety of reasons now turn to photography. For instance, 300 million photographs are uploaded every minute to Facebook, The numbers have power the sheer grandiosity. And yet the art world tries to keep its cool. And more so, continues to be disconnected.

  

Which could be good or bad depending how one looks at it. Good in a sense of art preservation, not good for survival of the franchise. In most recent global social phenomenon there’s a new traits of human behavior that present a real threat to what is known as highly developed Western culture.

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Vanilla Bae - Rochelle Dress 2.0

 

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For Him

[Mazzaro] - Emanuel Set

 

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FEATURING

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OUTFIT

PANTS - ~SongBird~ Spoopy Capris

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The Birds of Ireland: A Field Guide with Jim Wilson

Shorebirds of Ireland with Jim Wilson.

Freshwater Birds of Ireland with Jim Wilson NOW OUT OF PRINT

www.markcarmodyphotography.com

 

The Grey Heron (Ardea cinerea) is a long-legged predatory wading bird of the heron family, Ardeidae, native throughout temperate Europe and Asia and also parts of Africa. It is resident in much of its range, but some populations from the more northern parts migrate southwards in autumn. A bird of wetland areas, it can be seen around lakes, rivers, ponds, marshes and on the sea coast. It feeds mostly on aquatic creatures which it catches after standing stationary beside or in the water or stalking its prey through the shallows.

 

Standing up to a metre tall, adults weigh from 1 to 2 kg (2.2 to 4.4 lb). They have a white head and neck with a broad black stripe that extends from the eye to the black crest. The body and wings are grey above and the underparts are greyish-white, with some black on the flanks. The long, sharply pointed beak is pinkish-yellow and the legs are brown.

 

The birds breed colonially in spring in "heronries", usually building their nests high in trees. A clutch of usually three to five bluish-green eggs is laid. Both birds incubate the eggs for a period of about 25 days, and then both feed the chicks, which fledge when seven or eight weeks old. Many juveniles do not survive their first winter, but if they do, they can expect to live for about five years.

 

The main call is a loud croaking "fraaank", but a variety of guttural and raucous noises are heard at the breeding colony. Grey herons have the ability to live in cities where habitats and nesting space are available. In the Netherlands, the grey heron has established itself over the past decades in great numbers in urban environments. In cities such as Amsterdam, they are ever present and well adapted to modern city life. They hunt as usual, but also visit street markets and snackbars. Some individuals make use of people feeding them at their homes or share the catch of recreational fishermen. Similar behaviour on a smaller scale has been reported in Ireland (Dublin, Galway and Cork). (wikipedia)

 

This individual was quite fearless at Trader's Wharf, Dun Laoghaire, Dublin. It landed on one of the local trawlers and proceeded to walk around the fish boxes on the quayside. Such stunning birds but looking a bit awkward trying to stand in the strong wind!

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MV TATTOO - Guise (Dark) Tattoo

 

[ADD] - Arisa Set - Cosmopolitain (June 23/ 2024)

 

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TANAKA - [TNK] MIN BODYSUIT

 

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........ NO SHEEPY ....

 

IN LESS THAN TWO WEEKS THE HOLLIDAYS ARE OVER !!!

 

...... OH GOD, NO ........

 

-------------------------------------------------------

 

On the left Tweedleedee is a monster high frankie doll repainted by artist World of Dolls

On the right Lady Sheep is a monster high Laguna doll repainted by artist Dollforheart

 

Because of the restriction to 1000 photographs imposed by flickr, I moved most of the pictures of my MH and EAH dolls group here : mhandeahooakdollcollection.blogspot.com/2018/12/reserve-2...

Huffington Post post about Billy Gomez.

 

The translation of the text that appears in the blog (which you can read below) is the work of Mark Donnelly . A great thank you to Mark for always looking for the best translation and to Billy Gomez for his great work and collaboration.

 

Don´t forget that you can share this on facebook, tweet, mail, subscribe etc…

 

Shadow Hunter

 

There are methodical photographers who dedicate hours to every photo controlling every little detail of light and composition. On the opposite side there are those who armed with their cameras are hungry for images like a hunter looking for his prey. They don’t know where nor when they’ll find this image. They’re not familiar with the place, the light or “the model”. But at any given time they’ll stumble upon it and shoot without thinking twice, feeling the rush of the hunter becoming the hunted.

 

Billy Gómez belongs to this lineage of camouflaged, instinctive, risk-taking, quick draw and crack shot photographers. He has become a creative and active witness of the streets of Seoul. Its inhabitants are the driving force behind his work with their hectic routines, their depression and loneliness etched on their faces. The metro, train and the streets are his usual scenes. As in this image, the people he photographs are alone, lost in thought and with an expression of defeat almost as if they were prisoners to a life they hadn’t dreamt of. They look through the windows with their imagination trying to escape but all they find are others like them who are just as lonely and lost.

 

Billy is aware of the fact that with his camera he is going to steal sad and intimate moments in public places with no previous permission and this has its risks. However this also turns the moment of capture into something exciting, disturbing and unpredictable. With his sensitive and lyrical voyeurism he turns everything he sees into art.

 

He develops his photographs in a way to increase the loneliness of the lives of the human beings he portrays. By adding a vignette to every one of his subjects and darkening the borders it seems like they are surrounded by shadows. With his camera he immortalizes these sad inhabitants and it can be said that his voyeurism of anonymous men and women is taxidermal.

 

Billy Gómez (Los Angeles, 1971)

 

Born in America he moved to Seoul in 2005 to teach English. His job leaves him with a lot of free time and soon he decides to make the most of it by taking photographs. After a few years of fooling around, experimenting and searching he starts to define his style - a combination of voyeurism and spontaneous portrait. The result is a lucid and sad x-ray of a city, Seoul and its inhabitants.

 

With a telephoto lens, a 50mm and lately an iPhone that allows him to go unnoticed, he hits the streets in search of the right light and perfect moment. Not being able to control light as one would in a studio makes post-production more laborious. The search for the right light is now one of this visual poet’s priorities in the streets of Seoul. A hunter of light and above all shadows.

el.godfootsteps.org/videos/kingdom-descends-upon-world-ex...

 

Εκκλησιαστικοί ύμνοι

Ο συγκινητικός ύμνος της βασιλείας έχει αντηχήσει, αναγγέλλοντας σε όλο το σύμπαν την άφιξη του Θεού στην ανθρωπότητα! Η βασιλεία του Θεού έχει φτάσει! Όλοι οι άνθρωποι επευφημούν, όλα αγάλλονται! Τα πάντα στους ουρανούς ξεχειλίζουν από χαρά. Τι εντυπωσιακές σκηνές αγαλλίασης είναι αυτές;

 

Από τους ανθρώπους που ζουν μέσα στην οδύνη και έχουν υπομείνει χιλιάδες χρόνια διαφθοράς του Σατανά, ποιος δεν λαχταρά— δεν ποθεί — την άφιξη του Θεού; Πόσοι πιστοί και ακόλουθοι του Θεού ανά τους αιώνες υπέστησαν, υπό την επιρροή του Σατανά, βάσανα και αντιξοότητες, διώξεις και αποξένωση; Ποιος δεν ελπίζει ότι η βασιλεία του Θεού θα έρθει σύντομα; Αφού γευτεί τις χαρές και τις λύπες της ανθρωπότητας, ποιος άνθρωπος δεν επιθυμεί να πρυτανεύσει η αλήθεια και η δικαιοσύνη στους ανθρώπους;

 

Όταν έρθει η βασιλεία του Θεού, θα φτάσει επιτέλους η μέρα που περιμένουν απεγνωσμένα όλα τα έθνη και οι λαοί! Tι σκηνές θα εκτυλιχθούν τότε στους ουρανούς και στη γη; Πόσο όμορφη θα είναι η ζωή στη βασιλεία; Με το έργο «Ο ύμνος της βασιλείας: Η βασιλεία κατέρχεται στον κόσμο», οι προσευχές χιλιετιών θα πραγματοποιηθούν.

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

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::Loa:: - April Brows ~LeLutka EVO X~ [BOM]

 

Aura De La Luna - Eyeshadow #14 - DollHolic Event

 

Aura De La Luna - Animation Cross Earring - Gothcore

 

CODEX - Marzia necklace - Kinky Event

 

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Hefang Street is the most famed street in Hangzhou City. With brilliant culture and long history, it is regarded as a typical symbol of ancient Hangzhou. Vising this busy but interesting street, you can catch a glimpse of antique buildings and long-survived stores, taste local snacks as well as savor the beautiful artifacts.

 

www.chinadiscovery.com/zhejiang/hangzhou/hefang-street.html

 

La calle Hefang es la más famosa de la ciudad de Hangzhou. Con una cultura brillante y una larga historia, se considera un símbolo típico de la antigua Hangzhou. Recorriendo esta concurrida pero interesante calle, podrá echar un vistazo a edificios antiguos y tiendas que han sobrevivido durante mucho tiempo, degustar aperitivos locales y saborear bellas cosas.

  

Hangzhou léase Jang-Zhóu es la capital y la ciudad más grande de la provincia de Zhejiang en la República Popular China. Está situada en las riberas del río Qiantang, cerca de su desembocadura, y a la cabeza de la bahía de Hangzhou, que separa Shanghái y Ningbo. Hangzhou cobró relevancia al ser el extremo sur del Gran Canal, y ha sido una de las ciudades chinas con más renombre durante el último milenio.

La ciudad de Hangzhou yace en el delta del río Yangtsé y hace frontera al este con la bahía de Hangzhou. Dentro de la ciudad se ubica el lago del Oeste, el cual fue nombrado Patrimonio de la Humanidad en el 2011. El río Qiantang divide la ciudad en norte y sur, siendo el norte el de mayor población.

 

La ciudad ganó importancia gracias a la construcción durante la dinastía Sui del Gran Canal de China. Durante ese periodo se construyó la muralla de la ciudad. Fue la capital de la dinastía Song del sur (1127-1279). A partir del año 1138 se convirtió en un importante centro de comercio. La industria de la ciudad se especializó en la porcelana y los textiles.

 

El explorador Marco Polo visitó Hangzhou a finales del siglo XIII y dijo de ella que era “la ciudad más suntuosa y elegante del mundo”. Hasta la dinastía Ming, fue un puerto importante. A partir de ese periodo, y como consecuencia de los continuos ataques de los piratas japoneses, Hangzhou perdió importancia. En 1555 la ciudad fue saqueada por los piratas. En 1861 sufrió el ataque de los rebeldes del Reino Celestial de los Taiping que tomaron y saquearon la ciudad. Hangzhou no fue recuperada por las tropas imperiales hasta 1863. Este conflicto entre rebeldes y tropas imperiales causó más de medio millón de bajas entre la población.

 

Las industrias tradicionales de Hangzhou son la de la seda, maquinaria y textil pero la industria electrónica se ha desarrollado con rapidez en la zona, sobre todo después del cambio en el sistema económico del país ocurrido en 1992. La ciudad se ha convertido también en uno de los destinos turísticos más visitados del país, lo que ha generado que una parte de la economía se dedique al sector servicios. En la zona se produce té verde; el té de la zona de Hangzhou es apreciado en todo el país por su alta calidad.

 

Cabe destacar que esta ciudad vio nacer al empresario Jack Ma, fundador de Alibaba, y actualmente el hombre más rico de China. La empresa que creó también vio la luz por primera vez desde el departamento de Ma en Hangzhou, en los años 1990. La sede del corporativo sigue estando en la ciudad de Hangzhou con un campus de enormes proporciones, similar al de sus pares estadounidenses en Silicon Valley.

 

es.wikipedia.org/wiki/Hangzhou

lostraveleros.com/que-hacer-en-hangzhou/

 

Hangzhou (Chinese: 杭州, Hangzhounese pronunciation: [ɦɑ̃.tse], Standard Mandarin pronunciation: [xǎŋ.ʈʂóʊ]), also romanized as Hangchow, is the capital and most populous city of Zhejiang, China. It is located in the northwestern part of the province, sitting at the head of Hangzhou Bay, which separates Shanghai and Ningbo. Hangzhou grew to prominence as the southern terminus of the Grand Canal and has been one of China's most renowned and prosperous cities for much of the last millennium. It is a major economic and e-commerce hub within China, and the second biggest city in Yangtze Delta after Shanghai. Hangzhou is classified as a sub-provincial city and forms the core of the Hangzhou metropolitan area, the fourth-largest in China after Guangzhou-Shenzhen Pearl River agglomeration, Shanghai-Suzhou-Wuxi-Changzhou conurbation and Beijing. As of 2019, the Hangzhou metropolitan area was estimated to produce a gross metropolitan product (nominal) of 3.2 trillion yuan ($486.53 billion), making it larger than the economy of Nigeria (the largest in Africa). As of the 2020 Chinese census, it had a total population of 11,936,010 inhabitants. However, its metropolitan area, populated by 13.035 million people over an area of 8,107.9 km2 (3,130.5 sq mi), consists of all urban districts in Hangzhou and 3 urban districts of the city of Shaoxing.

Hangzhou has been repeatedly rated as the best commercial city in mainland China by Forbes and the Chinese city with the highest growth potential by the Economist Intelligence Unit, and it boasts the eighth largest GDP among cities in mainland China with a GDP of around 1.8 trillion RMB ($280 billion). Home to the headquarters of large global tech companies such as the Alibaba Group, Ant Group and NetEase, Hangzhou is known for attracting professionals and entrepreneurs who work in information technology. Since 2014, its rapid population growth has led to a steady increase in local housing prices. According to the 2020 Hurun Global Rich List, Hangzhou ranks 11th in the world and 6th in China (after Beijing, Shanghai, Hong Kong, Shenzhen and Guangzhou) in the number of resident billionaires.

Hangzhou is a major city for scientific research in the Asia-Pacific, ranking 19th globally by scientific outputs. It hosts several notable universities, including Zhejiang, Zhejiang University of Technology, Hangzhou Normal, Hangzhou Dianzi, Zhejiang A&F, Zhejiang Sci-Tech, Zhejiang Chinese Medical, Westlake, China Jiliang and Zhejiang University of Finance and Economics. In September 2015, Hangzhou was awarded the 2022 Asian Games. Its West Lake, a UNESCO World Heritage Site west of the city, is among its best-known attractions.[7] A study conducted by PwC and China Development Research Foundation ranked Hangzhou first among "Chinese Cities of Opportunity". According to the Globalization and World Cities Research Network (GaWC), the city is classified as Beta (global second-tier) city, together with Chongqing, Nanjing and Tianjin in China. Hangzhou is also one of the world's top 100 financial centers, according to the Global Financial Centres Index. It will be the third Chinese city to host the Asian Games, after Beijing 1990 and Guangzhou 2010. Hangzhou also hosted the 11th G20 summit in 2016.

Yuan China was very open to foreign visitors, and several returned west describing Hangzhou—under the names Khinzai, Campsay, etc. - as one of the foremost cities in the world. The Venetian merchant Marco Polo supposedly visited Hangzhou in the late 13th century. In his book, he records that the city was "greater than any in the world" and that "the number and wealth of the merchants, and the amount of goods that passed through their hands, was so enormous that no man could form a just estimate thereof." Polo's account greatly exaggerates the city's size, although it has been argued that the "hundred miles" of walls would be plausible if Chinese miles were intended instead of Italian ones and that the "12,000 stone bridges" might have been a copyist error born from the city's 12 gates. In the 14th century, the Moroccan traveler Ibn Battuta arrived; his later account concurred that al-Khansā was "the biggest city I have ever seen on the face of the earth." He visited Hangzhou in 1345 and noted its charm and described how the city sat on a beautiful lake and was surrounded by gentle green hills. He was particularly impressed by the large number of well-crafted and well-painted Chinese wooden ships with colored sails and silk awnings in the canals. He attended a banquet held by Qurtai, the Yuan Mongol administrator of the city, who according to Ibn Battuta, was fond of the skills of local Chinese conjurers.

 

en.wikipedia.org/wiki/Hangzhou

 

pt.godfootsteps.org/walking-on-road-to-kingdom.html

 

Hino da Igreja

Eu estou caminhando na estrada para o Reino

I

Caminhando para o reino,

lendo as Palavra de Deus

, olho para Ele.

Palavras com significados,

profundas e sérias, gravadas em meu coração.

Deus, Te preocupas

que eu seja enganado, destruído por Satanás.

Tuas palavras me guiaram,

deram verdadeira vida a mim

e me colocaram neste caminho.

II

Ó~ ó~

Através da obra de Tuas palavras,

vi deste mundo o mal e a escuridão.

Agredido por tendências vis,

não me pareço com um humano.

Lá vaguei pelo mundo,

nenhuma esperança, coração cheio de escuridão.

Deus, Tu me salvaste!

Envolto em Tuas palavras cresci e fortaleci.

III

Palavras de Deus mostram a verdade,

minha corrupção, minha repulsa.

Egoísta, ganancioso, orgulhoso,

cheio de mentiras, quase desumano!

Aos pés de Deus eu caio,

cheio de remorso, me curvo ao Seu julgamento.

E busco a verdade,

vivo aparência humana

praticando as palavras de Deus.

IV

Caminhando para o reino,

estou feliz, compartilho o evangelho.

O caminho é dificl para andar,

com mais perseguições dia a dia.

Sem conseguir dar um passo a mais.

As palavras de Deus, me guiam, dão fé e coragem.

Sigo a Deus até o fim,

aprovado por Ele, eu morreria feliz.

Ó~ ó~ ó~ ó~

Aprovado por Ele, morreria feliz.

Fonte da imagem:de "Igreja de Deus Todo-Poderoso"

 

Aviso Legal e Termos de Uso: pt.godfootsteps.org/disclaimer.html

herbarivirtual.uib.es/cat-med/especie/4320.html

Aquesta herbàcea es trova principalment a les vores dels camins. Jo casualment la vaig veure a prop de la carretera. Curiosament les seves diminutes flors adopten una textura semblant al tul, la qual cosa fa que sigui, malgrat la seva condició de planta rastrera, una espècie molt atractiva i singular.

 

es.wikipedia.org/wiki/Paronychia_argentea

Esta especie de herbácea se encuentra principalmente en los bordes de los caminos. Yo la vi cerca de la carretera. Curiosamente sus diminutas flores adoptan una textura parecida al tul, lo que hace que sea, pese a su condición de planta rastrera, una especie muy atractiva y singular.

Credit

 

[ZOS x KOUD] - Licy Eyes FATPACK (LeL EvoX, BoM) - Gothcore

 

SLAUGHTER - Vampur EvoX Face (Ears + Veins) - Gothcore

 

coquille. - Moon Lashes for Megalash - Planet 29

 

coquille. - Luna Lips (EVOX HD) - Planet 29

 

[SG] - Hello Munchkin Gauged - Planet 29

 

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Primfeed

à Ludivine...

 

'Pâquerette' Large On Black

 

"Tandis qu'à leurs oeuvres perverses

Les hommes courent haletants,

Mars qui rit, malgré les averses,

Prépare en secret le printemps.

 

Pour les petites pâquerettes,

Sournoisement lorsque tout dort,

Il repasse des collerettes

Et cisèle des boutons d'or."

 

[Théophile GAUTIER] - Premier sourire du printemps

 

La petite

Marguerite

Est tombée

Singulière

Du bréviaire

De l'abbé

 

Trois pétales

De scandale

Sur l'autel

Indiscrète

Pâquerette

D'où vient-ell'

 

Dans l'enceinte

Sacro-sainte

Quel émoi

Quelle affaire

Oui, ma chère

Croyez-moi

 

La frivole

Fleur qui vole

Arrive en

Contrebande

Des plat's-bandes

Du couvent

 

Notre Père

Qui, j'espère

Etes aux cieux

N'ayez cure

Des murmures

Malicieux

 

La légère

Fleur, peuchère

Ne vient pas

De nonnettes

De cornettes

En sabbat

 

Sachez, diantre

Qu'un jour, entre

Deux ave

Sur la pierre

D'un calvaire

Il l'a trouvée

 

Et l'a mise

Chose admise

Par le ciel

Sans ambages

Dans les pages

Du missel

 

Que ces messes

Basses cessent

Je vous en prie

Non, le prêtre

N'est pas traître

A Marie

 

Que personne

Ne soupçonne

Puis jamais

La petite

Marguerite

Ah ! ça mais...

 

Georges Brassens

 

Friendly gifted by Colombes...

Credit

 

Scandalize - Leilani Set

 

Pose : Lush Poses - Sweet Pumpkins - Couple Bento Pose - Blue SL Event

 

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ok so i basically have been posting like wild on my blog, but almost never here anymore, so if you like my shit follow my tumblr. i am posting up entire zines that are out of print now for you to view, free little ones i make to give away, all of my tattoos, free music, sometimes diary stuff, sometimes drunk or silly fashion and my life living with a chronic illness, cystic fibrosis. xo grant

 

htmlflowers.tumblr.com

el.godfootsteps.org/videos/true-prayer-hymn.html

 

Εισαγωγή

Εκκλησιαστικοί ύμνοι

Ύμνος των λόγων του Θεού | Αληθινή προσευχή | Μάθετε πώς να προσευχόμαστε στον Θεό

 

I

 

Προσευχή αληθινή είναι να Του μιλάς από καρδιάς,

 

βασίζεται στην βούληση, στον λόγο Του.

 

Είναι να νιώθεις τόσο κοντά στον Θεό,

 

σαν να είναι μπροστά σου.

 

Σημαίνει πως έχεις τόσα να Του πεις,

 

η καρδιά σου σαν τον ήλιο λάμπει,

 

Νιώθεις έμπνευση απ’ το κάλλος του Θεού,

 

όσοι ακούν νιώθουν χαρά.

 

Η προσευχή η αληθινή θα φέρει ειρήνη, χαρά,

 

δύναμη να Τον αγαπήσεις,

 

και νιώθεις την αξία αυτού.

 

Κι όλα αυτά δηλώνουν προσευχή αληθινή.

 

II

 

Προσευχή αληθινή δεν είν’ οι τυπικότητες,

 

ούτε είναι απαγγελία απλή.

 

Δεν είναι το να αντιγράφεις τους άλλους.

 

Μίλα από καρδιάς, αγγίξου απ’ τον Θεό.

 

Οι προσευχές σου για να πιάσουν τόπο,

 

διάβασε τα λόγια του Θεού.

 

Και μόνο αν προσεύχεσαι με τα λόγια Του,

 

θα δεις τη φώτιση.

 

Ω ... ω ...

 

III

 

Η προσευχή δείχνεται με καρδιά

 

που λαχταρά ό,τι απαιτεί γι’ αυτήν ο Θεός.

 

Τη θέληση για να την εκπληρώσεις,

 

και το μίσος για τα μίση του Θεού.

 

Και σύμφωνα μ’ αυτά που ήδη ξέρεις,

 

όλες οι αλήθειες που λέει είναι σαφείς,

 

με πίστη ισχυρή, και δρόμο να ασκήσεις.

 

Μόνο αυτή η προσευχή είν’ αληθινή.

 

Ναι. Μόνο αυτή η προσευχή είν’ αληθινή.

 

Η προσευχή η αληθινή θα φέρει ειρήνη, χαρά,

 

δύναμη να Τον αγαπήσεις,

 

και νιώθεις την αξία αυτού.

 

Και όλα αυτά δηλώνουν προσευχή αληθινή,

 

αληθινή. Αληθινή.

 

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

Νοερά προσευχή

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.godfootsteps.org/disclaimer.html

Credit

 

For Her

[[Masoom]] - Shadow Witch - Cosmopolitain

22nd January Event Ends: 3rd February Compatible with: Lara X, Waifu (Reborn), Waifu + Rolls, Juicy Rolls, Mounds(Reborn), Ebody Reborn, Kupra, Legacy

 

For Him

LACONIC/THEIAS - Call Tattoo Gents

 

Pose :

Ana Boutique - Glamour Couple - Posevent

 

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ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

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Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

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