HTML, photos on Flickr

www.eyeofthunderstorm.com

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.dialogueoffire.org

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.westkowloon.hk/en/mplus

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.hkadc.org.hk

www.venicebiennale.hk

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

REVISED Doctor Who Infographic by Bob Canada

111 18

Now available as a print!

Wow, what a crazy few days it's been. I never dreamed my little infographic would ever get so much attention. Thanks to nerdist.com for originally featuring it over at their blog. Then they told two blogs, and they told two blogs, and so on and so on until tens of thousands of people were looking at it every day. It's my Official Fifteen Minutes Of Internet Fame!

A lot of fans commented, pointing out various mistakes and flaws in the info. That's fine; I was writing it from my own knowledge of the show, which is admittedly spotty, especially where the early Doctors are concerned.

I finally got the chance to take (most) everyone's suggestions and corrections and make a newly revised version of my Doctor Infographic. If your suggestion wasn't used, don't take it as a snub. Please keep in mind there is limited space here and I have to be concise. There's simply not enough room to include some of the convoluted back stories and plot lines that some people wanted to see. Think of it as a shorthand version, or an introduction to the Doctor.

This is the final version of the Infographic. For now.

Laid out entirely in InDesign. All the Doctors were drawn in InDesign as well.

There's another infographic featuring the Doctor's enemies here.

Want to see more? Check out my new blog! All the cool kids are doing it!

I'm also on Twitter for some reason.

Nope - Laconic by Pтιтɴoυrѕ Alтer

246 8

nope. - Bexx - Plaid Dress - Miix Event

LACONIC - Sindel Ink Tattoo - Miix Event

NEW ATTITUDE

International Mother Language day [ আন্তজাতিক মাতৃ ভাষা দিবস ] by  Hamim [Read My Profile b4 you follow me]

http://narikookawa.blogspot.com/2013/12/by-lodge.html by NAЯIKO OKΛWΛ

38 1

Shot on location at Small Green.

Stylecard here: narikookawa.blogspot.com/2013/12/by-lodge.html

37 80

NO Self promotion by Image / HTML or WEB Link

NO Faves With out Comments plz,

Doing such act might cause you A Block from Me

Only Appreciation. Critics . comments Faves, Notes , Blog it And Own Comments are welcome and NO Round Up Comments plz !!

Take Some time with me to share your feelings here,

____________________________

,

,Pay Visit to my:

Light Box

Getty Image Here

Twitter Here

Face Book Here

My Blog Here

My Modern Met Here

Red Bubble Here

___________________________________________________________

.

The Edit of this Photo Demands Your View In BLACK with Large size for better out put, Plz Press L for Black

Description :

International Mother Language Day is an observance held annually on 21 February worldwide to promote awareness of linguistic and cultural diversity and multilingualism. It was first announced by UNESCO on 17 November 1999. Its observance was also formally recognized by the United Nations General Assembly in its resolution establishing 2008 as the International Year of Languages.[1]

International Mother Language Day originated as the international recognition of Language Movement Day, which has been commemorated in Bangladesh (formerly East Pakistan) since 1952, when a number of University of Dhaka students were killed by the Pakistani police and army in Dhaka during Bengali Language Movement protests.

History

Main article: Bengali Language Movement

On 21 March 1948, Mohammed Ali Jinnah, the Governor general of Pakistan, declared that Urdu would be the only official language for both West and East Pakistan. The people of East Pakistan (now Bangladesh), whose main language is Bangla, started to protest against this. On 21 February 1952, (8th Falgun 1359 in the Bangla calendar), students in the present day capital city of Dhaka called for a provincial strike. The government invoked a limited curfew to prevent this and the protests were tamed down so as to not break the curfew. The Pakistani police fired on the students despite these peaceful protests and a number of students were killed.[2]

The Other Photos of this set Are Available here at International Mother Language day

____________________________

Thanks In Advance for not Inviting me to any Group and Attaching Graphics to this picture as a part of your comments, I appreciate you to view my photo , click Faves and write your comments instead you copy pest your comment to me.

Press F to Faves This Photo

http://theshinedrop.blogspot.it/2015/06/style-n317.html by Roberto Nuyasaka

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theshinedrop.blogspot.it/2015/06/style-n317.html

Annon paradise... by Assay Rez

7 2

a-world-in-a-grain-of-sand-sl.blogspot.com/2014/06/annon-...

Vanilla Bae by Pтιтɴoυrѕ Alтer

235 12

✰ Credit ✰

Vanilla Bae - Anichka Set

NEW ATTITUDE

www.outdoorphotographer.com/photo-contests/the-american-l...

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #VanillaBae

Alpine Lunar Magic; the reunion. Mt. Rainier, Spray Park @ sunset by Douglas Remington

289 152

*** PLEASE DO NOT FAV IF YOU HAVE NO COMMENT***

No graphics in comments. Been blocked? Visit terms in profile before commenting and image use. All photos are © copyright Douglas Remington - Ethereal Light® Photography, LLC. All rights reserved. Use of my photos require a commercial license. All photos and content contained in this publication may not be copied, downloaded, used in blogs, distributed, broadcast, used on the internet for private or commercial use, or used in anyway whatsoever without proof of authorized consent of Douglas Remington. Image tracking technology used. Violators shall be fined and or prosecuted in court.***

www.ethereallight.com

www.facebook.com/ethereallightphotography

www.ethereallightphotography.blogspot.com

twitter.com/etherealphoto

So it's been 20 years since I have been to spray park, and boy did I pick a grand day to come. Yesterday I was looking at weather data across the pacific northwest, and at last minute I chose to come here. I arrived later than I hoped to (and I was hustling and out of breath), so I had not much scouting time. Yes the wild flowers are nice up there, they are just at their peak, perhaps a little past their prime, and the lupines did not grow as tall this season.

And let me tell you, the mosquitoes are terrible right now! Anyways, I did see an elusive Pine Martin, he walked right in front of me. I had never seen one in the wild before. I also noticed a big fat Hoary Marmot sitting on a rock close to me. I didn't take photos because I had my super wide on.

Now for the nitty gritty. The sky was awesome, and to boot, the moon was there to add another dimension. So I climbed a little higher than the main part of spray park and found an alpine "lake."

I tried several comps and this one is my fave. This was very difficult. I was literally being swarmed by mosquitoes. They were on my lens, biting my eyebrows, ears, knuckles, everywhere! They were biting through my jacket, and when I was holding my neutral grad in front of my lens they just attacked my hand and had a feast. I couldn't move, and blowing on them did not work. I had to stay cool. I had my mirror locked up and I wasn't going to risk touching the camera and ruin the several second exposure. Just had to tough it out; no pain, no gain I guess.

This was one of the best light shows I have ever seen. So blessed to have been there!

So I had to hike out in the dark (4 miles to trail head) and l am no stranger of doing this (this is how great photos are made), but in them woods are some spooky sounds. I just kept whistling and making noise, always looking behind me with my headlamp to make sure I was not being tailed by a cougar. Pretty soon I was in the darkest and quietest part of the woods and I heard a loud snap behind me and some fast foot work. I froze and just about browned my shorts! I'm thinking, what, a cougar, bear, a yeti? LOL! I picked up my pace and I couldn't been happier to get back to my car, which I "slept" in for a few hours and then drove home. This image was totally worth the effort (8 miles round trip - highest point I was at 6450 feet)!

https://paysagepoetconseiljardin.over-blog.com/2023/12/boule-de-neige.html by Katy Maupin

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paysagepoetconseiljardin.over-blog.com/2023/12/boule-de-n...

Bangladesh National Zoo by Tanjil Rahman

8

tanjilphotographybd@gmail.com | Instagram | Facebook

---------------------------------------------------------------------------------------

Bangladesh National Zoo is known as Dhaka Zoo. It was being started at High court area of Dhaka with a limited number of spotted deer, monkeys and some other types of animals in 1947. A master plan was approved with a view to establish a zoological garden at Mirpur in 1960. Dhaka Zoo has a rich collection of animals, birds and wildlife of both local and foreign origin. It has 2150 types of vertebrata belonging to 191 species. These include: 551 mammals of 64 species, 73 reptiles of 15 species, 104 aquarium fishes belonging to 32 different species and 1500 birds of 91 species. The Dhaka Zoo authority has taken up some other projects to improve its overall standard. These include: turning the internal environment of the Zoo into a Safari Park, introducing battery run cars for children, physically disabled and older people to facilitate their visit, establishment of a children park, a dolphin corner and a butterfly park inside the zoo.

Auto World Museum by lukedrich_photography

22 3

Source: www.autoworldmuseum.com/about.html

Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.

William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.

Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.

After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.

The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.

Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.

*NEW* Skin *Birth* >>>http://kastrofashion.blogspot.de/2014/09/sebastian-skin.html by Deuce Kastro

43 4

kastrofashion.blogspot.de/2014/09/sebastian-skin.html

C'est la vie - Mutresse - Osmia by Pтιтɴoυrѕ Alтer

229 7

✰ Credit ✰

C'est la vie ! - Sian Headband (#1,#2)

Mutresse - Agata Sweater

• Maitreya Lara+LaraX • Legacy+Perky • Ebody Reborn+Waifu

Osmia - Sofi casual high jeans

Osmia - Sofi warm snow boots

NEW ATTITUDE

N-uno by Pтιтɴoυrѕ Alтer

215 6

N-Uno - Janet Outfit

NEW ATTITUDE

stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...

http://narikookawa.blogspot.com/2013/11/prisilla-silly-avro.html by NAЯIKO OKΛWΛ

36 2

♥ Prisilla "Silly" Avro ♥

Featured and more pics here: narikookawa.blogspot.com/2013/11/prisilla-silly-avro.html

🔥🔥🐶 by Bruno Bueno🐶

327 6

Credits Here

EAGLELUX - BOM Lloyd Hairbase FWRD

Not Found - Bray Skin ACCESS

MACA - Alberto Jacket EQUAL10

LOB - RAGE BIKER PANTS TMD

Unfolded- Glide X Sneakers

Of Breed - Andy PoseDreamDayEvent

Pastel Ride Heaven Backdrop - The Bearded Guy

A girl in the midsummer.　( iPhone 7 shot ) by Mitsushiro Nakagawa

39 2

title.

A girl in the midsummer.　( iPhone 7 shot )

Guam. USA. 2018. shot … 　　　　　　4 / 6

(Today's picture. That's unannounced.)

Images.

Summer of '69 …. Taylor Swift & Bryan Adams - Reputation Tour - Multi-Cam - August 4, 2018

youtu.be/R3BOVQqOOkw

Summer Of '69 … Bryan Adams

youtu.be/eFjjO_lhf9c

_________________________________

Profile.

In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.

_________________________________

Interviews and novels.

About my book.

I published a book in old days.

At that time, I was uploading my interview on the net on the net.

That Japanese and English.

I will make it public for free.

Details were explained to the Amazon site.

How to write a novel.

How to take pictures.

Distance to the work.

They all have a common item.

I made a sentence about what I felt, and left it.

I hope that my text can be read by many people.

Thank you.

Mitsushiro.

1 Interview in English

「interview_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)

「novel_unforgettable_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

3 Interview Japanese version

drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

4 novels. unforgettable ' JPN version.

「novel_unforgettable_jpn.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

5 A streamlined trajectory. only Japanese.

「streamlined_trajectory.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

_________________________________

iBooks. Electronic Publishing. It is free now.

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3. Streamlined trajectory.(For Japanese only.)

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11

_________________________________

My Novel >> Unforgettable'

(This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

There are two reasons why a person faces the sea.

One, to enjoy a slice of shine in the sea like children bubbling over in the beach.

The other, to brush the dust of memory like an old man who misses old days, staring at the shine

quietly.

Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.

I face myself to change tomorrow, a vague day into something certain.

That is the meaning of a rebirth.

I had a very sweet girlfriend when I was 18.

After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After

she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies

until I realized it is love?

I wonder whether a nobody like me could have given something to her who was struggling in the

daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.

I had been thinking about such a thing.

However, I guess what she saw in me was because I had nothing. That‘s why she tried to see

something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable

tomorrow. But I wasted days depending too much on her gentleness.

Now I finally can convey how I felt in those days when we met.

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

images.

U2 - No Line On The Horizon

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

The schedule of the next novel.

Still would stand all time. (Unforgettable '2)

(It will not go away forever)

Please give me some more time. That is Japanese.

_________________________________

An exhibition in 2019.

spring.

theme.

Silence Is the Way. (Tentative title)

place. Tokyo Big Site.

www.bigsight.jp/

Sponsoring. Design festa.

designfesta.com/

2020.

Date unknown.

DIC Kawamura Memorial Art Museum attached gallery.

kawamura-museum.dic.co.jp/

place. Sakura City, Chiba Prefecture.

theme.

From that day, forever ...

_________________________________

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

Pinterest.

www.pinterest.jp/mitsushiro/

_________________________________

fotolog

www.fotolog.com/stealaway/

_________________________________

twitter.

twitter.com/mitsushiro

_________________________________

Japanese is the following.

stealaway.cocolog-nifty.com/

_________________________________

タイトル。

真夏の少女の朝。( iPhone 7 shot )

次の小説のイメージ。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

Guam. USA. 2018. shot … 　　　　　 4 / 6

(今日の写真。それは未発表です。)

Images.

Summer of '69 …. Taylor Swift & Bryan Adams - Reputation Tour - Multi-Cam - August 4, 2018

youtu.be/R3BOVQqOOkw

Summer Of '69 … Bryan Adams

youtu.be/eFjjO_lhf9c

_________________________________

プロフィール。

2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。

stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...

_________________________________

インタビューと小説。

僕の本について。

僕は、昔に本を出版しました。

その際に、僕のインタビューをPDFでネット上へアップロードしていました。

その日本語と英語。

僕は、無料でを公開します。

詳細は、アマゾンのサイトへ解説しました。

小説の書き方。

写真の撮影方法。

作品への距離感。

これらはすべて共通項があります。

僕は、僕が感じたことを文章にして、残しました。

僕のテキストが多くの人に読んでもらえることを望みます。

ありがとう。

Mitsushiro.

１　インタビュー　英語版

「interview_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

２　小説。unforgettable’ 英語版。

「novel_unforgettable_eng.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

３　インタビュー　日本語版

drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

４　小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)

「novel_unforgettable_jpn.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

５　流線形の軌跡。　日本語のみ。

「streamlined_trajectory.pdf」

stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...

_________________________________

iBooks.電子出版。（現在は無料）

0.about the iBooks.

stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...

1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)

itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...

For Japanese only.

2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)

itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...

3.流線形の軌跡。

itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...

_________________________________

僕の小説。英語版　

My Novel Unforgettable' (This book is Dedicated to the future artist.)

Mitsushiro Nakagawa

All Translated by Yumi Ikeda .

www.fotolog.net/yuming/

1/9

www.flickr.com/photos/stealaway/24577016535/in/dateposted...

2/9

www.flickr.com/photos/stealaway/24209330259/in/dateposted...

3/9

www.flickr.com/photos/stealaway/23975215274/in/dateposted...

4/9

www.flickr.com/photos/stealaway/24515964952/in/dateposted...

5/9

www.flickr.com/photos/stealaway/24276473749/in/dateposted...

6/9

www.flickr.com/photos/stealaway/24548895082/in/dateposted...

7/9

www.flickr.com/photos/stealaway/24594603711/in/dateposted...

8/9

www.flickr.com/photos/stealaway/24588215562/in/dateposted...

9/9

www.flickr.com/photos/stealaway/24100804163/in/dateposted...

Fin.

images.

U2 - No Line On The Horizon Live in Dublin

www.youtube.com/watch?v=_oKwnkYFsiE&feature=related

_________________________________

Title of my book > unforgettable'

Author : Mitsushiro Nakagawa

Out Now.

ISBN978-4-86264-866-2

in Amazon.

www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...

_________________________________

次の小説の予定。

Still would stand all time.(unforgettable'2)

（いつまでもなくならないだろう）

もう少し時間をください。それは日本語です。

_________________________________

２０１９年の展示。

春。

テーマ。

Silence Is the Way.(仮題)

場所。東京ビッグサイト。

www.bigsight.jp/

Sponsoring. Design festa.

designfesta.com/

２０２０年。

日時未定。

DIC川村記念美術館付属ギャラリー。

kawamura-museum.dic.co.jp/

場所。千葉県佐倉市。

テーマ。

あの日から、ずっと…

_________________________________

YouTube.

www.youtube.com/user/mitsushiro/

_________________________________

instagram.

www.instagram.com/mitsushiro_nakagawa/

_________________________________

Pinterest.

www.pinterest.jp/mitsushiro/

_________________________________

fotolog

www.fotolog.com/stealaway/

_________________________________

twitter.

twitter.com/mitsushiro

_________________________________

Japanese is the following.

stealaway.cocolog-nifty.com/

_________________________________

E.

Queen Marie of Romania by Barnett by Constant

13 2

"Blouse Roumaine - the Unsung Voices of Romanian Women"

Presented and Selected by Constantin ROMAN

www[dot]blouseroumaine[dot]com/orderthebook_p1[dot]html

Anthology E-BOOK (11BM)

DISTRIBUTION: Online with credit card

COST: $ 54.99, £34.99 (ca Euros 35.50)

LINK: www.blouseroumaine.com/orderthebook_p1.html

CONTENTS:

2,250,000 words,

over 1,000 pages,

ca 160 illustrations in text

160 critical biographies,

58 social categories/professions,

600 quotations (mostly translated into English for the first time),

circa 3,000 bibliographical references (including URLs and credits)

6 Indexes (alphabetical, by profession, timeline, quotation Index, place

index and name index)

AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.

INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status

Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)

NOTE:

Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.

-----------------------------------------------------------------------------------------------------------

LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)

AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu

BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur

CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza

DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu

EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün

FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida

GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza

HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin

II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian

JJ *Doina Jela *Lucretia Jurj

KK *Mite Kremnitz

LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu

MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci

NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac

OO *Helen O’Brien *Oana Orlea

PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu

RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco

SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck

TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini

UU *Viorica Ursuleac

VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu

WW *Sabina Wurmbrand

ZZ *Virginia Zeani

Mutresse - Vanilla Bae - The Bearded Guy by Pтιтɴoυrѕ Alтer

274 6

Mutresse - Zaria Top

Maitreya Lara+LaraX • Legacy+Perky • Ebody Reborn+Waifu

Vanilla Bae - Nimue Skirt - Uber

Backdrop : The Bearded Guy - Perla Constructions Backdrop PBR

NEW ATTITUDE

www.temu.com/uk/womens-lightweight-eva-raincoat-full-cove...

Anna's Pacca Mac by Maxine Packer

19 1

www.temu.com/uk/2pcs-fit--christmas-high--body-raincoat-w...

www.temu.com/uk/eva-fashionable-leopard-print-poncho-ligh...

www.temu.com/uk/womens-eva-leopard-print-hooded-raincoat-...

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www.temu.com/uk/lightweight-waterproof-long-raincoat-with...

www.temu.com/uk/1pc-fashion-breathable-adult-waterproof-l...

www.temu.com/uk/womens-eva-leopard-print-hooded-raincoat-...

www.temu.com/uk/womens-heavy-duty-rain-poncho-jacket-coat...

www.temu.com/uk/womens-lightweight-eva-raincoat--high-qua...

www.temu.com/uk/1pc-black-teddy-bear-print-eva-high-quali...

www.temu.com/uk/raincoat-long-adult-full-body-raincoat-in...

www.temu.com/uk/transparent-fashionable-adult-raincoat-ev...

www.temu.com/uk/1pc-womens-blue-raincoat-with-hood-zipper...

Russia, Architecture of Saint-Petersburg, fragment of mezzanine with Putti figures on the Yakovlevs' apartment building by Architect Poel in the Eclectic style since 1839, Nevsky Avenue / Mayakovsky street, Tsentralny district. by Alexander SACALEVIC

134 29

traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

.

ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares

Ellen Slegers

001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com

Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat

Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/

Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com

Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/

EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk

Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it

Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org

Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org

Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com

Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar

Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk

Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.eyeofthunderstorm.com

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org

Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it

Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it

Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com

Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en

My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org

Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism

Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo

Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org

Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta

Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch

Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com

Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org

Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/

The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.dialogueoffire.org

The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw

The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.westkowloon.hk/en/mplus

The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com

Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.hkadc.org.hk

www.venicebiennale.hk

Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca

Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk

We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org

Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

Prayer by Jeanne MADIC

41 3

Model: Kaitlyn Petrik

--> You can find a print of this photo on my e-store: store.vanishingtwins.co.uk/147-prayer.html

--> The full series on my Tumblr: tmblr.co/Zfyh8v1PZVePx

http://www.travel-penang-malaysia.com/ets-train-penang-to-kuala-lumpur.html #travel #holiday #Asia #Malaysia #penang #Butterworth #island #旅行 #度假 #亚洲 #马来西亚 #槟城 #槟城北海 #岛 by bong soon lung good

13

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http://theshinedrop.blogspot.it/2015/05/style-n270.html by Roberto Nuyasaka

66

theshinedrop.blogspot.it/2015/05/style-n270.html

M81 & M82 - Bode and Cigar Galaxies by Alessio Vaccaro

9

M81 & M82 - Bode and Cigar Galaxies

Canon EOS 60D and TS APO 804 Triplet on a HEQ5 unguided mount.

ENG: M81 is the principal member of the “M81 Group” which is composed of 34 galaxies 12 million of light years distant from us. M81, M82 and NGC3077 strongly interact with each other and this leads to increasing their star formation activity.

Since the star formation process of M82 is very strong compared to other galaxies, it's classified as “Starburst Galaxy”.

Some numbers: M81 contains 250 billion of stars and it’s far from the “near” M82 just about 200.000 light years, twice the diameter of our galaxy.

ITA: M81 è il membro principale del “Gruppo di M81” costituito da 34 galassie poste ad una distanza media di 12 milioni di anni luce. M81, M82 e NGC3077 interagiscono fortemente tra loro, questo porta ad un incremento della loro attività di formazione stellare.

Proprio per questo motivo M82 viene definita una galassia starbust, ovvero una galassia in cui il processo di formazione stellare è molto spinto rispetto alle altre galassie. Un’attività così spinta, però, porta ad un più veloce esaurimento delle scorte della stessa galassia.

Alcuni numeri: M81 contiene 250 miliardi di stelle e dista dalla compagna (M82) circa 200.000 anni luce, praticamente solo il doppio del diametro della nostra galassia.

► IN THE FOV:

Galaxies: M81, M82

► TECHNICAL DETAILS:

480mm - f/6.0 - ISO800

Light Frames: 37x150''

Dark Frames: 11x150''

Bias Frames: 25x

Click HERE for more astrophotography and details! ;)

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Heswall Fields in Thurstaston Country Park, the Wirral, Merseyside, England - May 2012 by Saffy H

23 77

www.thurstaston.wherewideweb.com/index.html

A Brief History

The Wirral Country Park stretches along the Wirral Peninsula's coastline overlooking The River Dee. Thurstaston Visitors Centre itself is a part of the Country Park and is a very popular tourist attraction and family day out in the Wirral.

In 1866 a railway line was opened along this coastal route, running for 12 miles. It started at the top-end in the seaside town of West Kirby, and continued through Caldy, Thurstaston, Gayton,Parkgate, Neston, Wilaston and Hooton. The line was largely used for agricultural purposes, but also servicedlocal day trippers heading out to West Kirby and Parkgate, as well. Unfortunately the line suffered during the first world war becoming uneconomical to run and in 1956, the line was closed to passengers and used solely for freight purposes. Finally by 1963 the line was closed completely. Today the remnants of this railway line is known as The Wirral Way, and it forms a several mile long public foot path. Itself part of a very popular coastal walk in the Wirral.

The coastal area surrounding the Wirral Way is serene and beautiful, with many stunning views over The Dee Estuary and across to Wales. This coastal view is also renowned for its splendid sunsets, and is many a photographers dream. Sunsets aside, the Dee estuary's mudflats reflect the sky's colours and sun's light providing further beautiful scenes, added to by the flocks of wading birds and water eroded channels.

Thanks to the new 1968 Countryside Act, this whole area was put under protection by Cheshire County Council as a conservation area and was called Wirral Country Park. Today the upkeep of the park is both undertaken by Cheshire County Council, who maintain the stretch between Hooton and Gayton, and Wirral County Park, who maintain the stretch between Gayton and West Kirby.

Thurstaston Visitors Centre

Thurstaston Visitors Centre can be regarded as the focal point of the park receiving the main volume of the park's total number of visitors per year. There are numerous leisure activities available at Thurstaston, an open expanse of grass to sit and picnic on, and the Visitors centre itself which houses a refreshment stand, a shop, a nature exhibit and tourism leaflets and information on what itself and the rest of the Wirral Peninsula has to offer. As such it is a popular tourist attraction in The Wirral, Merseyside and the North West of England as a whole.

The wirral rangers, who are responsible for the maintenance and conservation of the Park are themselves based at Thurstaston.

www.thurstaston.wherewideweb.com/recreation.html

Thurstaston makes for a varied day out with different activities available depending on your mood!

You can make the day as relaxing or energetic as you wish. From a family barbeque, to a game of rounders, to a relaxed stroll along the beach, there are many things to choose between...

Thurstaston Visitors Centre

This is the central visitors centre within the Wirral Country Park and is located at Thurstaston. It is a central organising point for tourists. There are various things on offer here. within the building is a shop selling various wildlife related products, for example bird feed, feeding stations to erect in your garden, books on nature and the local area, etc. An information desk is located next to the shop with a wide range of leaflets on the Wirral Country Park itself, local tourist attractions in Merseyside and the wider North West area and local wildlife spots; all freely available.

For further information the desk is also staffed with helpful Visitors Centre volunteers who will endeavor to answer any enquiries you may have, and you can also book ranger-lead activities here as well. There is an indoor 'nature trail' for children and adults to wonder through with local wildlife and information about the area's history on display.

Various amenities are also available; well kept toilet facilities, also offering a baby-changing area, are located within the visitors Centre, and a refreshment kiosk is situated on the front, adjoining the centre, with drinks, snacks and ice-cream to buy.

Thurstaston Visitors Centre Field

There is a large expanse of open grass situated by the Visitors Centre. Visitors are free to do as they please as long as respect is kept for the area's upkeep and wildlife - barbecues must be had within one of the designated areas. The spot is popular with tourists, families and local visitors for picnics, ball games, frisbee, or simply to sit and take in the spectacular view over the Dee Estuary mudflats with, Wales on the distant horizon.

There are numerous self-guided walks within this area, including the Wirral Coastal Walk. Excellent views gained by walking along the Thursaston cliffs which over look the beach below. You can in fact walk along the cliff top all the way back to Heswall, with the Heswall Fields to your left. If you feel like it you can follow the footpaths through the fields leading back up to the Wirral Way walk.

Thurstaston Visitors Centre Barbeque

There are two barbeque sites, the main one being located on the back edge of the open field area, within sight of the Visitors Centre. There is a built in brick barbeque, which you can place a disposable barbeque within. There are also a couple of picnic tables and benches to eat your food at.

This barbeque site must be booked before use, and is very popular, particularly within the spring and summer months. You can contact the Thurstaston Visitors Centre by telephone. However, for when the first barbeque site is fully booked up, there is a second area available, located towards the back of the visitors Centre car park. There are no built barbeque spots or benches set up here, but you can place disposable barbecues on the ground. Ask at the visitors centre to be allowed onto this site, and confirm it is available for use at the time you are visiting.

When you have finished your barbeque you should douse your disposable barbeque with water (available from an outside tap at the Visitors Centre building) and leave the barbeque for the rangers to collect at the end of the day. All other waste should go into the bins situated in the barbeque area, with the lids placed firmly back on to prevent danger to the local wildlife.

Thurstaston Beach

Thurstaston beach is part of the Wirral Coastline and runs between Thurstaston and Heswall along the foot of Thurstaston cliffs. The cliffs themselves provide a fascinating backdrop, being eroded into almost surreal shapes and gravity defying peaks. They are also hazardous in their state of erosion, and should never be walked upon on the edges, or climbed, as parts are susceptible to crumbling away at any moment. This coastal strip is very popular with walkers and forms part of the Wirral Coastal Walk

Along Thurstaston beach you will find washed up bits of knarled drift wood, sea shells, and sand eroded rocks and pebbles. The tide does come in daily, though it is never deep and never covers the beach entirely so there is no danger of being cut off. A word of caution, the mud flats do have areas of 'sinking sand' and so care should always be taken in wondering out onto them. Never go out too far, especially if alone. This applies also to horse riders, and there have been horses that have had to be pulled out with the assistance of the local fire brigade.

There are two points of access to Thurstaston beach. The easier location being at the bottom of station Road (the only road leading all the way down to Thurstaston Visitors Centre from Telegraph Road). The other access point is via another set of steps at the opposite end of the park. Walk along the cliffs path in the direction of heswall, you will wonder through a little gully with a footbridge over a small runoff stream, and this path will bring you eventually to the second set of steps. You should never attempt to climb down the cliffs directly to the beach, due to their high state of erosion and the risk of the ground giving away under your step. They are precariously steep and could cause serious injury.

The Wirral Way

This follows the path of the old railway line which finally closed in 1963. The origins of the Wirral Country Park lies in the history of this railway line. The abandoned railway line was taken under the care of the local council, and under the 1968 Countryside act, was converted into a public footpath with a parallel cycle and bridal path. Numerous tourists and local visitors to the area, walk along the Wirral Way for relaxation, leisure, and excercise. It is used by a variety of people; families out for the day, couples on a romantic stroll, joggers, cyclists, horse riders and more.

At points along the Wirral Way, there will be signposted public paths which will take you various ways through the Heswall fields, either down to the shore line, or up towards Thurstaston village and farm. There is also a footpath signposted to the ominous sounding 'dungeon'. This is a pretty walk through a steep-sided valley with a little stream, and takes you up into farmers fields at the top. gorgous on a sunny summers day. The area is also part of the infamous Wirral Coastal Walk.

www.thurstaston.wherewideweb.com/field.html

Thurstaston Visitors Centre Field

There is a large expanse of open grass situated by the Visitors Centre. Visitors are free to do as they please as long as respect is kept for the area's upkeep and wildlife - barbecues must be had within one of the designated areas. The spot is popular with tourists, families and local visitors for picnics, ball games, frisbee, or simply to sit and take in the spectacular view over the Dee Estuary mudflats with, Wales on the distant horizon.

There are numerous self-guided walks within this area, including the Wirral Coastal Walk. Excellent views gained by walking along the Thursaston cliffs which over look the beach below. You can in fact walk along the cliff top all the way back to Heswall, with the Heswall Fields to your left. If you feel like it you can follow the footpaths through the fields leading back up to the Wirral Way walk

www.thurstaston.wherewideweb.com/barbeque.html

Thurstaston Visitors Centre Barbeque

There are two barbeque sites, the main one being located on the back edge of the open field area, within sight of the Visitors Centre. There is a built in brick barbeque, which you can place a disposable barbeque within. There are also a couple of picnic tables and benches to eat your food at.

This barbeque site must be booked before use, and is very popular, particularly within the spring and summer months. You can contact the Thurstaston Visitors Centre by telephone. However, for when the first barbeque site is fully booked up, there is a second area available, located towards the back of the visitors Centre car park. There are no built barbeque spots or benches set up here, but you can place disposable barbecues on the ground. Ask at the visitors centre to be allowed onto this site, and confirm it is available for use at the time you are visiting.

When you have finished your barbeque you should douse your disposable barbeque with water (available from an outside tap at the Visitors Centre building) and leave the barbeque for the rangers to collect at the end of the day. All other waste should go into the bins situated in the barbeque area, with the lids placed firmly back on to prevent danger to the local wildlife.

www.thurstaston.wherewideweb.com/beach.html

Thurstaston Beach

Thurstaston beach is part of the Wirral Coastline and runs between Thurstaston and Heswall along the foot of Thurstaston cliffs. The cliffs themselves provide a fascinating backdrop, being eroded into almost surreal shapes and gravity defying peaks. They are also hazardous in their state of erosion, and should never be walked upon on the edges, or climbed, as parts are susceptible to crumbling away at any moment. This coastal strip is very popular with walkers and forms part of the Wirral Coastal Walk

Along Thurstaston beach you will find washed up bits of knarled drift wood, sea shells, and sand eroded rocks and pebbles. The tide does come in daily, though it is never deep and never covers the beach entirely so there is no danger of being cut off. A word of caution, the mud flats do have areas of 'sinking sand' and so care should always be taken in wondering out onto them. Never go out too far, especially if alone. This applies also to horse riders, and there have been horses that have had to be pulled out with the assistance of the local fire brigade.

There are two points of access to Thurstaston beach. The easier location being at the bottom of station Road (the only road leading all the way down to Thurstaston Visitors Centre from Telegraph Road). The other access point is via another set of steps at the opposite end of the park. Walk along the cliffs path in the direction of heswall, you will wonder through a little gully with a footbridge over a small runoff stream, and this path will bring you eventually to the second set of steps. You should never attempt to climb down the cliffs directly to the beach, due to their high state of erosion and the risk of the ground giving away under your step. They are precariously steep and could cause serious injury.

www.thurstaston.wherewideweb.com/wirralway.html

The Wirral Way

This follows the path of the old railway line which finally closed in 1963. The origins of the Wirral Country Park lies in the history of this railway line. The abandoned railway line was taken under the care of the local council, and under the 1968 Countryside act, was converted into a public footpath with a parallel cycle and bridal path. Numerous tourists and local visitors to the area, walk along the Wirral Way for relaxation, leisure, and excercise. It is used by a variety of people; families out for the day, couples on a romantic stroll, joggers, cyclists, horse riders and more.

At points along the Wirral Way, there will be signposted public paths which will take you various ways through the Heswall fields, either down to the shore line, or up towards Thurstaston village and farm. There is also a footpath signposted to the ominous sounding 'dungeon'. This is a pretty walk through a steep-sided valley with a little stream, and takes you up into farmers fields at the top. gorgous on a sunny summers day. The area is also part of the infamous Wirral Coastal Walk.

www.thurstaston.wherewideweb.com/wildlife.html

Above all, Thurstaston is renowned for its bird watching opportunities. The land and vegetation within and around the Wirral Country Park is an ideal habitat for many bird species, some unique to the area. The Wirral Way is lined by miles of brambles, hawthorn and blackthorn hedges providing ideal hiding, nesting and food sites for the birds. Added to this are the open mudflats of the River Dee Estuary, (itself an important ecological site of special scientific interest). Thus the Wirral Country Park, and it's surrounding area within Thurstaston and the Wirral, can be regarded as a key bird watching areas within Merseyside and the North West of England, nevermind the UK as a whole.

Thousands of wading birds come to feed and survive within the mud flats, from as far afield as Greenland, Iceland, Scandinavia and the Arctic. Among the many bird species which can be found in the area are; Coots, Curlew, Magpies, Pheasants, Thrushes, Finches, Fieldfares, Redwings, Lapwing, Oystercatchers, Skylarks, Shelduk, Herons, Short-eared Owls, etc.

Wirral bird watching Information

Wirral Country Park Wildlife

Outside the front of Thurstaston Visitors Centre is a large pond which is home to various birds, insects and pond-life, such as frogs, toads, newts and wildfowl. Dragonflies are attracted to the area and will lay eggs in the ponds. In the summer months you till find them darting through the air, along with over 10 different species of butterfly (including, Small Skippers, Speckled Woods and Common Blues). Other insects include Damselflies and Bumblebees.

The local wildlife can contribute to a fun-filled family day out. In the warmer months pond-dipping activities are arranged for children to take part in to learn more about the local environment and Wirral wildlife. You can enquire into and book onto these activities through The Visitors Centre.

The beach offers crabs which scuttle across the sand. As a fun tourist attraction, seashore searches are arranged for children and adults to take part in with the rangers. Contact The Visitors Centre for more information.

Other animals found in the area are badgers, foxes, hedgehogs, bats, mice, fieldvole and squirrels.

Flowers and plant-lifeare another key factor in the local Wirral wilflife and thrive in the spring and summer months. Wild flowers, such as Dog violets, Buttercups and Primroses, grow in the fields and bushes along the Wirral Way. Towards the autumn mushrooms, fairy rings and bracket fungi can be found, and 'Fungal forays' can be participated in with the Rangers. This is also an excellent time to walk the footpaths through the fields between Heswall and Thurstaston, as the Wheat is in season and you can see he coastal winds rippling through the sheafs like waves. Therapeutic and beautiful.

Trees to be found in the Wirral Country Park area include; Sycamore, European Maple, Silver Birch, Downy Birch, Horse chestnut, Sweet Chestnut, Douglas Fir, Rowan, Pine, Willow, Holly, Beech, Ash, Elm and Hazel.

www.thurstaston.wherewideweb.com/contact.html

Wirral Country Park

Address: Wirral Country Park Visitors Centre,

Station Road,

Thurstaston,

Wirral,

CH61 OHN

http://narikookawa.blogspot.com/2013/12/how-can-i-have-more-shoes.html by NAЯIKO OKΛWΛ

25

Yes I am still flaming because of this: narikookawa.blogspot.com/2013/12/what-goes-on-behind-scen...

Stylecard here: narikookawa.blogspot.com/2013/12/how-can-i-have-more-shoe...

242015 - Featuring AZUL by Teyara Mayo

82 14

teyara.blogspot.com/2015/03/242015-featuring-azul.html

Aries by Daimon Silverdragon

16

The Fallen Gods 12th Anniversary Party on October 19, 2019 was a 12-hour marathon of fun, celebrating one of the most remarkable and awesome creators and communities on Second Life. Here are the looks I wore for the costume themes during the party.

Theme: The Zodiac

My look - Aries:

Skin: Fallen Gods - Chronos Coal Silver

Hair: Exile - Broadcast the Boom Bento Hair

*~*Illusions*~* Canadensis Horns

E.V.E: Rapunzel Body Glitter

Air: Star Halo

Cole's Corner: Cosmic Consciousness

RealEvil: Bones Necklace M2

Forge: Lunar Bracers

Noche: Tyler Loincloth

RIOT: David Sandals

http://www.pavilion-reit.com/0/Web/Home/PavilionREIT/index.html by bong soon lung good

13

www.pavilion-reit.com/0/Web/Home/PavilionREIT/index.html

Unorthodox - Seniha by Pтιтɴoυrѕ Alтer

239 6

Unorthodox - Scalpz UNITS v2.2

Unorthodox - Scalpz- Bunny Hairbase

Unorthodox - Bunny Hair

Seniha - Aimena Set - Kustom 9

NEW ATTITUDE

Bitacora Viajera Blog de Viajes

The Basilique by Hans Inshan

7

The Basilique

iPhone 6 shots of the old harbour - Vieux Bassin, Honfleur, Calvados, Normandy, France by Paul Fowler

39 8

Sitting in one of the bars having a refreshing drink on a hot sunny day....did not have our Canon DSLR with us.

Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html

Την τρίτη ημέρα, ο λόγος του Θεού γεννά τη γη και τις θάλασσες και η εξουσία του Θεού κάνει τον κόσμο να ξεχειλίζει από ζωή by Enxin Li

6

el.godfootsteps.org/God-himself-the-unique-i.html

Κυριαρχία του Θεού

Ο Θεός λέει: « ...Η ζωή του Δημιουργού είναι ιδιαίτερη, οι σκέψεις Του είναι ιδιαίτερες και η εξουσία Του είναι ιδιαίτερη κι έτσι, όταν εκστομιζόταν ο λόγος Του, το τελικό αποτέλεσμα ήταν “και έγεινεν ούτω”. ...

...Η ευωδία από το χόρτο και το άρωμα από το χώμα σκόρπισαν στον αέρα και μια ποικιλία φυτών άρχισε να αναπνέει μαζί με τον αέρα που κυκλοφορούσε κι άρχισε η διαδικασία της ανάπτυξης. Την ίδια στιγμή, χάρη στον λόγο του Θεού και ως απόρροια της σκέψης του Θεού, όλα τα φυτά ξεκίνησαν τη διαδικασία του αέναου κύκλου της ζωής όπου μεγαλώνουν, ανθίζουν, καρποφορούν και πολλαπλασιάζονται. Άρχισαν να ακολουθούν πιστά την αντίστοιχη για το καθένα πορεία ζωής κι άρχισαν να παίζουν τους αντίστοιχους ρόλους τους ανάμεσα σε όλα τα πράγματα… Όλα γεννήθηκαν κι έζησαν εξαιτίας του λόγου του Δημιουργού. Θα λάμβαναν αδιάκοπα τα εφόδια και τη θρέψη του Δημιουργού και θα επιβίωναν πάντα πεισματικά σε κάθε γωνιά της γης για να αναδεικνύουν την εξουσία και τη δύναμη του Δημιουργού και πάντα θα αναδείκνυαν τη δύναμη της ζωής που τους δόθηκε από τον Δημιουργό…»

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

Αιώνια Ζωή

Leven Ink Tattoo - Justice - Simple Bloom by Pтιтɴoυrѕ Alтer

204 11

✰ Credit ✰

Skin : [Simple Bloom] - Adriana Skin - Skin Fair 2025

Compatible with: EvoX (2K BoM)

Tattoo : Leven Ink - Amanthe Tattoo - Astrophe

Justice - Maddie Dress

NEW ATTITUDE

www.startrails.de/html/software.html

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Justice #Skin #SimpleBloom #SB #LevenInk #Tattoo #Astrophe #SkinFair

star trails(primera torre la linea) by felipe l.l

13 34

Debido a la rotación de la Tierra, las estrellas no se encuentran en puntos fijos en el cielo, sino que producen el efecto de moverse en el cielo. Para poder fotografiar el rastro que las estrellas dejan en el cielo, lo único que teóricamente necesitas es una cámara que puedas fijar al suelo y que realice una exposición por un periodo prolongado de tiempo.

Las estrellas generan la sensación de moverse alrededor de los Polos Norte y Sur. Las estrellas que se encuentren más cercanas a un Polo darán la sensación de encontrarse más estáticas, mientras que las que se encuentren más cerca del Ecuador celeste crearán una sensación de movimiento mayor. Este movimiento es de aproximadamente 15 grados por hora, por lo que si quieres una fotografía con arcos de 30 grados deberás fijar un tiempo de exposición de 2 horas.

Frente a la fotografía tradicional, los primeros intentos de realizar estas largas exposiciones con cámaras digitales se veían frustrados por un problema muy serio: las exposiciones largas generaban un sobrecalentamiento del sensor que se traducía en la aparición de luz parásita provocada por el mismo calor del sensor.

Hubo gente que trabajó en sistemas de refrigeración de la propia cámara, algo que, cuanto menos, da un poco de miedo (o acaso destriparías tu cámara para tratar de dar mayor ventilación a su interior?).

La solución a este problema pasa por un procesado posterior de las fotos.

En lugar de realizar una única toma de varias horas de duración, se trata de realizar muchas tomas y fusionarlas posteriormente con un buen programa para fotos.

www.startrails.de/html/software.html

* En las ciudades y focos de población se produce contaminación lumínica, que afectará en mayor o menor medida a la luz que puedas recoger. Lo mejor es alejarse de los centros urbanos para realizar este tipo de fotografías.

* Se necesitará una climatología en la que el cielo esté despejado.

* El proceso puede tardar varias horas, así que piensa en una actividad paralela que puedas realizar mientras haces las fotos. De otro modo, la actividad puede resultar un poco aburrida.

* Para fotografiar estrellas necesitarás aplicar una exposición que vaya desde unos minutos a varias horas. Asegurate de que las baterías de tu cámara están correctamente cargadas para no quedarte sin batería en medio del disparo.

* Necesitarás un trípode bien firme, ya que cualquier movimiento por viento u otro factor afectará al resultado final.

Para conseguir un un efecto curvilineo, apunta a cualquier parte del cielo.

Si lo que deseas es conseguir una foto en la que las estrellas tracen círculos alrededor de un punto, centra ese punto en la Estrella Polar o en la Cruz del Sur, según en el Hemisferio en el que estés.

Blackbuck at Lal Suhanra National Park, Bahawalpur, Pakistan - March 2008 by Saffy H

38 128

www.wildlifeofpakistan.com/ungulates_agd.html

Local name: Kala Hiran (Urdu)

Description and Biology:

Size:

Body Length: 100-150 cm / 3.3-5 ft.

Shoulder Height: 60-85 cm / 2-2.8 ft.

Tail Length: 10-17 cm / 4-6.8 in.

Weight: 25-35 kg / 55-77 lb.

Description: One of the few antelope which exhibits pronounced sexual dimorphism, the genders in the blackbuck are readily distinguishable. Both sexes have white underparts, including the insides of the legs and lower chest, as well as a white ring surrounding the eye and a white chin. Females and young are yellowish-fawn on their back and head, and are generally hornless. Males gradually darken from tan to deep brown or black with age, beginning after 2 years. The build is slender, and the tail short. The horns, found only in males and appearing before their pronounced colour change, are twisted in a tight spiral with up to five turns. Ridged laterally, they may grow 35-73 cm / 14-29 inches.

Reproduction: Gestation Period: 5-6 months. Young per Birth: 1 Although breeding can occur throughout the year, there are peak periods in March-May and August-October. Weaning: 5-6 months. Sexual Maturity: 1.5-2 years. Life span: 10-12 years, rarely up to 18.

Social Behavior: During the cooler seasons, blackbuck are diurnal, and active intermittently throughout the hours of daylight. As the temperature rises, however, they are more often seen grazing in the open in the early morning and late afternoon, sheltering from the sun for the rest of the day. When a potential threat is spotted, the alert females are usually first to sound the alarm, with one individual leaping into the air. This motion is followed by the entire herd, although after a few large bounds the herd reduces its pace to a normal gallop. One of the fastest land mammals, blackbuck have been clocked going in excess of 80 kmph / 48 mph.. During the breeding season males become territorial, defending an area usually ranging in size from 1 to 17 hectares from rival males, and attempting to keep the largest group of females within it for the longest period of time. This territoriality can last anywhere from two weeks to eight months. Mixed herds with 5-50 animals, generally with three or fewer males. Bachelor herds are known. Dominance among males within a herd is achieved primarily with posturing and threatening gestures: fights with the sharp horns are rare.

Diet: Leaves, buds, grasses, field fruits. (all above information from "The Ulimate Ungulate Page" by Brent Huffman).

Habitat and Distribution:

Blackbucks are native to India and Pakistan, where they were widespread in plains and open woodlands; western deserts, and northern mountains limited their distribution. Today, extensive hunting and habitat destruction have restricted blackbuck to only small, isolated populations in their former native habitat.

In Pakistan the blackbuck lives in semi-desert areas, such as Cholistan and Thar. Today the blackbuck is an ocassional staggler along the eastern desert border areas of the country. There is no permant resident population today in Pakistan. During the late 1970's and early 80's small populations of blackbuck were brought from Texas, U.S.A to start a reintroduction program in Pakistan. These projects have had some success and now there are small captive populations of blackbuck in 3-4 locations, particularly in Kirthar and lal Sohanra National Parks. The breeding success achieve at Lal Sohanra is 413 animals (Dr. A.Aleem,1998) where as from Khar time to time number of Black Bucks provided to the eminent conservationists for further propagation in their private reserve. At present about 500 animals are surviving in Mir of Khairpurs Mehrano reserve, 110 at Khangur, Ghotki and 70 at New Jatoi, Nawab Shah. However at Khar Center only 35 animals (R.A.Rajput 1999) remain. Except these, some are kept in different zoo's, wildlife centres and in possession of individuals. At present all together about 1500 Black Bucks are reared in captivity and they are surviving in Punjab and Sindh regions of Pakistan. These will be released in the wild in the near future.

[SWaGGa] Drone --> http://kastrofashion.blogspot.de/2014/09/i-love-it.html by Deuce Kastro

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kastrofashion.blogspot.de/2014/09/i-love-it.html

Real!! by Loreto Bridger

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momentsfashionlore.blogspot.com/2021/01/real.html

Χριστιανικά Παιδικά Τραγούδια | Προσφέροντας μια ειλικρινή καρδιά στον Θεό by Dallas Rilla Griffith

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el.godfootsteps.org/videos/offering-a-heart-up-to-God-mv....

Εκκλησιαστικοί ύμνοι

Χριστιανικά Παιδικά Τραγούδια | Προσφέροντας μια ειλικρινή καρδιά στον Θεό

Έι, αδελφοί και αδελφές, ας ψάλλουμε και ας χορέψουμε για να δοξάσουμε τον Θεό.

Εντάξει!

Αδελφοί και αδελφές, ας κινητοποιηθούμε· μην είστε σε αμηχανία και μην ντρέπεστε.

Ο Θεός δεν νοιάζεται αν οι κινήσεις μας είναι καλές ή κακές, μόνο ο αυθεντικός αίνος Τον κάνει χαρούμενο.

Εάν θέλετε να Τον δοξάσετε με όλη σας την καρδιά, αφήστε στην άκρη την περηφάνια σας και κινητοποιηθείτε.

Ο Θεός δεν νοιάζεται πόσο μεγάλοι είμαστε σε ηλικία, ούτε πόσοι από εμάς στεκόμαστε εδώ.

Ο ειλικρινής αίνος ελευθερώνει το πνεύμα μας. Δώστε όλη την δόξα στον Θεό.

Δοξάζοντας τον Θεό με όλη μας την καρδία μας φέρνει χαρά, η χάρη του Θεού σίγουρα δίνεται σ’ εμάς.

Αδελφοί και αδελφές ελάτε και δοξάστε τον Θεό, είναι καθήκον μας να Τον δοξάσουμε με όλη μας την καρδιά.

Αυτοί που Τον δοξάζουν θα λάβουν τις ευλογίες Του, οι οποίες δεν αγοράζονται ούτε με όλα τα πλούτη της γης.

Είμαστε τυχεροί που υψωνόμαστε ενώπιον του Θεού, είναι η χάρη του Θεού και η εξαίρετη αγάπη.

Κανένας βασιλιάς δεν είναι πιο ευλογημένος από εμάς, δεν θα υποτιμήσουμε τους εαυτούς μας.

Προσφέρετε μια ειλικρινή καρδιά στον Θεό, όλα τα πλάσματα δοξάστε Τον εγκάρδια.

Σήμερα ζούμε στην βασιλεία, μεταρσιωμένοι από τον Θεό για να γίνουμε ο λαός Του.

Δόξα στον Παντοδύναμο Θεό , όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.

Δόξα στον Παντοδύναμο Θεό, όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.

Όσοι έχουν καρδιά με αγάπη για τον Θεό ας έρθουν να Τον δοξάσουν.

από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»

τα χνάρια του Θεού

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης： el.godfootsteps.org/disclaimer.html

Portland Bill Lighthouse on the Isle on the Isle of Portland in Dorset, England - July 2011 by Saffy H

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www.trinityhouse.co.uk/lighthouses/lighthouse_list/portla...

Portland Bill

50° 30'.82 N 02° 27'.30 W

History

Portland Bill and Chesil Beach are the graveyards of many vessels that failed to reach Weymouth or Portland Roads. The Portland Race is caused by the meeting of the tides between the Bill and the Shambles sandbank about 3 miles SE. Strong currents break the sea so fiercely that from the shore a continuous disturbance can be seen. Portland Bill Lighthouse guides vessels heading for Portland and Weymouth through these hazardous waters as well as acting as a waymark for ships navigating the English Channel. The Shambles sandbank is marked by a red sector light.

As early as 1669 Sir John Clayton was granted a patent to erect a lighthouse, but his scheme fell through and it was not until early in the eighteenth century that Captain William Holman, supported by the shipowners and Corporation of Weymouth, put a petition to Trinity House for the building of a lighthouse at Portland Bill. Trinity House opposed it suggesting that lights at this point were needless and shipowners could not bear the burden of their upkeep. The people of Weymouth continued their petition and on 26th May, 1716 Trinity House obtained a patent from George I. They in turn issued a lease for 61 years to a private consortium who built two lighthouses with enclosed lanterns and coal fires. The lights were badly kept, sometimes not lit at all, and in 1752 an inspection was made by two members of the Board of Trinity House who approached by sea to find "it was nigh two hours after sunset before any light appeared in either of the lighthouses". With the termination of the lease the lights reverted to Trinity House. In 1789 William Johns, a builder of Weymouth under contract to Trinity House, took down one of the towers and erected a new one at a cost of £2,000. It was sited so that it served as a mark by day or night to direct ships moving up and down Channel or into Portland Roads clear of the Race and Shambles. Over the doorway on a marble tablet was the following inscription:-

Anno 1789.

In August 1788 Argand lamps were installed, Portland being the first lighthouse in England to be fitted with them. In the upper or old house there were two rows, seven in each row, lighted with oil and furnished with highly-polished reflectors. Low light tests were made by Thomas Rogers with his new lens light, and six Argand lamps were installed, their lights increased by lenses.

In 1798, when Napoleon threatened invasion, two 18lb cannons were installed at the lighthouse.

A 7 metre tall white stone obelisk was built in 1844 at the Southern tip of Portland Bill as a warning of a low shelf of rock extending 30 metres South into the sea, which still stands near the current lighthouse.

New high and low lighthouses were built in 1869, but early last century Trinity House announced its intention of replacing them with a single tower - the present lighthouse. The old towers can still be seen from the outside - the low light, which is now a bird observatory and field centre, has retained its original appearance but the high light lantern has been removed.

The present optic at Portland Bill is very unusual as due to the arrangement of the panels the character gradually changes from one flash to four flashes between the bearings 221°and 224° and from four flashes to one flash between bearings 117° and 141°.

Portland Bill Lighthouse was demanned on 18th March 1996 when monitoring and control of the station was transferred to the Trinity House Operations & Planning Centre at Harwich.

Specifications

Established1716

Height Of Tower41 Metres

Height Of Light Above Mean High Water43 Metres

Automated1996

Lamp1 Kw Mbi

Optic4 Panel 1St Order Catadioptric Fixed Lens

CharacterWhite Group Flashing 4 Times Every 20 Seconds

Intensity635,000 Candela

Range Of Light25 nautical miles

Fog Signal Character3.5 Second Blast Every 30 Seconds

Fog Signal Range2 nautical miles

Location

Portland Bill Lighthouse is located on the Southerly tip of the Isle of Portland, 1.2 miles south of the village of Easton.

Parking

There are a number of car parks very close to the lighthouse.

Public Transport

Frequent bus service from Weymouth - Route 1A

Visitor Centre

For nearly 300 years a lighthouse has stood on Portland Bill to guide vessels heading for Portland and Weymouth and acting as a waymark for vessels navigating in the English Channel. A red sector light warns mariners of the hazardous Shambles Bank lying three miles offshore.

The ‘Lighthouse Visitor centre’ at Portland Bill is owned and operated independently from the actual tower lighthouse therefore there are occasions that the tower lighthouse would be closed to the public, whereas the ‘Lighthouse Visitor Centre’ would remain open. Further details on the 'Lighthouse Visitor Centre' opening times can be found here.

Tours of Portland Bill Lighthouse are organised by The Crown Estate under licence from the Corporation of Trinity House.

Last Tour at 16.30. Tour lasts approximately 45 minutes.

Opening subject to weather conditions and Trinity House's operational requirements.

Mambo Itagliano ;/) Ferrania P30 (?) by schyter

31 5

REVIEWS www.analogica.it/ferrania-is-back-t5858-290.html?hilit=fe...

"Hanno preso i finanziamenti euroei,

hanno preso i finanziamenti della regione Liguria,

hanno preso i finanziamenti di Cairo Montenotte

hanno preso i soldi di kick starter

...........

Ora, a meno che il business delle magliette non vada benissimo, possono pure chiudere!"

D : "Qualcuno ha notizie fresche?"

R : Se aspetti loro diventerai daltonico.

"A questo punto la faccenda si fa grottesca..... Mi pare di ricordare che qualcuno disse che già avevano preparato l'emulsione (forse meglio chiamarla pozione) Ma.... Ehm.... ...fiscalmente?

I milaeuro che hanno preso con la "raccolta punti"?

"Sai, hanno trovato l'amianto in fabbrica e fino all'anno prossimo nisba.

Vedremo cosa inventeranno poi.

"

"Non ho mai avuto il benché minimo dubbio sulla questione Ferrania. Altro che regalargli quattrini in cambio di scatolette colorate vuote."

"io invece la penso cosi, con quei trenta euro compra da mangiare per la gente che ha fame sono sicuro ne trarresti piu soddisfazione...."

"Quando sono stato costretto a vedere il filmatino di mister barbetta giallastra, che col cappellino da pappagone veniva ripreso con un grandangolare -perché fa figo così-, biascicando con le uova sotto la lingua....mi sono cascate le palle e li ho mandati, definitivamente, affanc....."

"Certo che quelle foto di esempio fanno venire il voltastomaco, sono degne dei peggior forum... "

"Ma voi credete ancora che produrranno pellicole?!?"

"magari quello che vogliono dire è "vi stiamo truffando solo un pochino...."

"Orgoglio? Per cosa? Questi non stanno studiando la fusione nucleare, le emulsioni fotografiche esistono da qualche centinaio di anni, quello che vedo io è solo approssimazione ed avventurismo, e il menar per il naso la brava gente."

"Questi signori stanno prendendo per i fondelli tutti...

"L'ennesima figuraccia in un contesto veramente imbarazzante..."

"A questo punto credo che non ci sarà mai un rullino Ferrania in vendita."

"La ribadisco dicendo che, probabilmente, dietro a queste notizie non vi è alcun "investimento", magari solo il tentativo di ottenere qualche finanziamento pubblico."

"Come ho detto in post precedenti hanno finito ( ??) i finanziamenti pubblici e ora vedono un po se ne possono trovare di privati."

"Da parte mia non riceveranno nulla, a parte una mail di protesta, due anni di pura fuffa in inglese, chi gli ha fatto il business plan topolino?"

etc etc

„Электра-112“ (Elektra-112) PK7220 by ЛОМО (LOMO) *

Индустар-73 (Industar-73) 2.8/40

Rollei Ortho 25

Adox Adonal 1+50 - 6min 20sec - 20 °C

homemade development.

Epson V600

Daydreaming Magazine february 2013 by DayDreaming Project

13

ddmagazine.it/2013/numeri/02feb/02feb.html

HEAVY FLIGHT

february issue 2013 of DDMagazine is on line.

Works:

LA STRANGA

Artist based in Spain, he presents a selection of his works with the title “De Soleco”, about loneliness, a search of a tearing image of human condition.

QUAN LIU

Artist based in Peking, he uses digital composition in his works and creates a visionary and sharp world.

CHRISTINE VON DIEPENBROEK

Artist based in Germany, she uses the gamut of irony and humor in her photography, with theatrical taste and colour effects.

ROBERT HUTINSKI

Artist based in Celje, Slovenia, in the set published he tells a story of sentimental education with melancholic refinement for composition and colour.

MAHESH BALASUBRAMANIAN

Artist based in India, he shows a selection of his works dedicated to street life in India, with a balanced black/white that gradates the realism of subject.

The Bearded Guy - Sorumin by Pтιтɴoυrѕ Alтer

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Sorumin - Holiday Glow SET

Backdrop : The Bearded Guy - Rustic Noel Backdrop PBR

NEW ATTITUDE