Sprinkler Repair Colorado Springs CO.

www.lawnpros.biz/sprinkler-repair-colorado-springs.html

3335 Landmark Lane

Colorado Springs CO 80910.

719.963.6267

720.221.3606

As your landscape matures, you're Monument Colorado irrigation system may become inefficient. Plants grow and cover-up sprinklers. Heads may become clogged with mineral deposits. Pipes may start to corrode or break. If you're looking to upgrade or retrofit your system, we can offer our expertise in making your system work right. If your looking for sprinkler repair companies in Colorado Springs we are your people.

Our Sprinkler Repair Services Include:

Repair and/or Replace Sprinkler Timers (Clock)

Repair and/or Replace Broken Sprinkler Heads

Add New Sprinkler Heads or Entire Zone(s) of Sprinkler Heads Drip Systems

Repair Broken Sprinkler Pipes and/or Fittings

Install, Repair and/or Replace Automatic Rain Freeze Sensors

Check System for Coverage & Operation of all Heads & Zones

Diagnose & Repair Low-Pressure Problems

Sprinkler Leaks Found & Eliminated

Detect & Repair Cut Sprinkler Wires

Locate, Repair and/or Replace Sprinkler Solenoid Valves

Sprinkler Maintenance Programs

And Much More

If you are in need of having your sprinklers repaired, Lawn Pros Sprinkler Services is the sprinkler company for you. Our expert irrigation technicians are trained to troubleshoot the oldest to newest sprinkler systems in the industry. Even if your sprinkler system consists of old brass and cooper parts we can take care of your system. Our irrigation technicians can repair anything including broken heads, valves, manifolds, backflows, leaks, timers and rain sensors.

Why Lawn Pros Irrigation Services:

We Have a Record of Thousands of Sprinkler Repairs.

We Have an A+ Rating with the BBB.

We Have Over a Decade of Expertise.

We Are Fully Insured & Bonded.

We Are Affordably Priced.

We Provide Same-Day or Next Day Service.

We Warranty All Sprinkler Repairs.

We Service All Sprinkler Brands.

We Provide Free Estimates on All Sprinkler Installations.

By choosing Lawn Pros sprinkler services you can have the peace of mind that you have selected a sprinkler and irrigation company that will keep your sprinkler system running all year round and your yard will remain beautiful season after season!

We service the following area's:

Black Forest CO,Glen Eagle CO,Flying Horse CO,North Gate CO,Briargate CO,Peyton CO,Falcon CO,Monument CO,Stetson Hills CO,Manitou Springs CO,

Garden OF The Gods CO,Security CO,Falcon CO.

el.easternlightning.org/videos/seventeen-the-hell-you-are...

 

Χριστιανική ταινία

«Μικρέ. Δεν ξέρεις πως το Κομμουνιστικό Κόμμα είναι αθεϊστικό; Ενάντια στην πίστη; Στην Κίνα, ποιος Θεός υπάρχει; Πού είναι ο Θεός σου;» «Μην νομίζεις ότι επειδή είσαι νεαρός θα είμαστε επιεικείς μαζί σου! Αν συνεχίσεις να πιστεύεις στον Θεό, θα καταλήξεις νεκρός!» Με τέιζερ στα χέρια, η κινεζική κομμουνιστική αστυνομία ορμά προς αυτόν τον νεαρό, που είναι γεμάτος με μώλωπες. Το όνομα του νεαρού είναι Γκάο Λιανγκ και τότε ήταν 17 ετών. Γύριζε στο σπίτι του αφού είχε διαδώσει το ευαγγέλιο μαζί με έναν μεγαλύτερο αδελφό, όταν συνελήφθη από την κινεζική κομμουνιστική αστυνομία. Εκείνοι δεν του έδωσαν τίποτα να φάει, ούτε τον άφησαν να κοιμηθεί για τρία μερόνυχτα. Τον ανέκριναν, προσπάθησαν να τον εξαναγκάσουν σε ομολογία και τον υπέβαλαν σε σκληρά βασανιστήρια. Χρησιμοποίησαν ακόμα και τέιζερ για να του προκαλέσουν ηλεκτροσόκ στο πηγούνι του, στα δυο του χέρια και στα γεννητικά του όργανα. Προσπάθησαν να τον αναγκάσουν να προδώσει τον Θεό και να τους δώσει πληροφορίες σχετικά με τους εκκλησιαστικούς ηγέτες και τους οικονομικούς πόρους της εκκλησίας, εκβιάζοντάς τον. Ο εκβιασμός αυτός περιελάμβανε απειλές για σύλληψη των γονέων του και αποβολή του από το σχολείο. Μην καταφέρνοντας τους σκοπούς τους, η κινεζική κομμουνιστική κυβέρνηση τον καταδίκασε σε έναν χρόνο αναμόρφωσης μέσω καταναγκαστικής εργασίας. Ενώ ήταν στη φυλακή, ο Γκάο Λιανγκ όχι μόνο υπέμεινε τις έντονες απαιτήσεις της καταναγκαστικής εργασίας, αλλά επίσης ταπεινώθηκε και βασανίστηκε. Στην φυλακή ο Γκάο Λιανγκ βίωσε αυτό που λέμε «επίγεια κόλαση». Κατά τον επίπονο αυτόν εξευγενισμό, ο Γκάο Λιανγκ προσευχόταν και βασιζόταν στον Θεό. Τα λόγια του Παντοδύναμου Θεού τον διαφώτιζαν ώστε να κατανοήσει τις προθέσεις του Θεού. Αυτό του έδωσε πίστη και δύναμη και τον καθοδήγησε ώστε να ξεπεράσει αυτόν τον έναν χρόνο που βρέθηκε στη φυλακή. Ο διωγμός και η σύλληψη από την κινεζική κομμουνιστική κυβέρνηση είναι χαραγμένα στην καρδιά του. Είδε και βίωσε καθαρά την σατανική ουσία της κινεζικής κομμουνιστικής κυβέρνησης και τον ανταγωνισμό της προς τον Θεό. Σε αυτόν τον κόσμο, όπου οι δυνάμεις του Σατανά κυριαρχούν, μόνο ο Θεός αγαπά περισσότερο τον άνθρωπο. Μόνο ο Θεός μπορεί να σώσει τον άνθρωπο. Η πίστη και η θέλησή του να ακολουθήσει τον Θεό έγιναν ακόμα πιο αποφασιστικές. Ο Γκάο Λιανγκ λέει ότι αυτές οι δοκιμασίες και τα βάσανα είναι πολύτιμοι θησαυροί για την ανάπτυξη και την εξέλιξή του στη ζωή. Ήταν ένα ιδιαίτερο δώρο που του έδωσε ο Θεός για τα 17 του χρόνια…

 

Πηγή εικόνας: Αστραπή της Ανατολής

Όροι Χρήσης： el.easternlightning.org/disclaimer.html

MAAM = Museo dell’Altro e dell’Altrove di Metropoliz_città meticcia.

 

Da streetartattack.blogspot.it/2013/10/district-913-roma.html:

Nato nel 2012, al termine del cantiere cinematografico e d’arte “Space Metropoliz”, il MAAM è un progetto di Giorgio de Finis. Contro-dipositivo situazionista e relazionale, si pone accanto e in concorrenza con le grandi istituzioni museali italiane e della capitale (il MAXXI e il MACRO), facendo della sua perifericità, della sua totale assenza di fondi, della sua non asetticità (il MAAM è un museo abitato) il suo punto di forza. Avviando un nuovo virtuoso rapporto tra arte e città e tra arte e vita, il Metropoliz si sta dotando, grazie al MAAM, di una pelle preziosa e di una collezione che l’aiuteranno a proteggersi dalla minaccia sempre incombente dello sgombero coatto. Il MAAM si prefigge di trasformare l’intera fabbrica occupata in un oggetto e in un soggetto d’arte collettiva. Gli artisti sono invitati a dare il loro contributo gratuitamente, interagendo con lo spazio e con gli abitanti. E non si può dire che non lo stiano facendo.

 

Oltre i “relitti” di Space Metropoliz (il telescopio di Gian Maria Tosatti, i muri dipinti di Sten & Lex, Lucamaleonte, Mr. Klevra, Hogre, la bandiera di Paolo Assenza, l’orto lunare di Fabio Pennacchia, il grande razzo costruito dagli abitanti della fabbrica occupata con l’aiuto di Stalker), la Pinacoteca Domestica Diffusa, oltre venti opere di arte contemporanea collocate nelle case degli abitanti di Metropoliz e fotografata da Carlo Gianferro, la “Stanza dei Giochi” (intervento site specific per la ludoteca di Metropoliz ad opera di Veronica Montanino e Alice Pasquini), la “Cattedralehouse_room#2” (opere di Cristiano Petrucci, Gianni Asdrubali, Veronica Montanino), il 5 ottobre il MAAM presenterà le nuove acquisizioni e i lavori realizzati nel corso dell’estate.

Le due nuove stanze d’artista, “Windows M” di Maddalena Mauri e ”Where are the flowers gone” di Micaela Lattanzio. L’intervento murario, tutto in polvere di grafite, che Maddalena Mauri realizza per il nuovo spazio galleria di Metropoliz, moltiplica le finestre della grande stanza dove un tempo stagionavano i salami della Fiorucci, invitando il mondo ad entrare. Un auspicio, per la fabbrica occupata, che coincide con il programma di eventi settimanali del nuovo spazio espositivo, uno dei dispositivi che il MAAM ha deciso di attivare per aprire con regolarità il cancello del 913 al quartiere e alla città, riducendo l’effetto enclave che pregiudizio e necessità di difendersi dallo sgombero rischiano di innescare. La porta “a saloon” della galleria che propone un enorme cuore diviso in due è un’opera di Paolo Angelosanto. La stanza di Micaela Lattanzio è invece uno spazio intimo, un invito alla “meditazione”, un’oasi di pace per chi, come il Chaplin di “Tempi moderni”, si trova incastrato ogni giorno nei meccanismi della metropoli (i suoi fiori di carta, oltre seimila, si liberano dagli ingranaggi e volano via…). Un luogo, questa preziosa stanza “fiorita”, che sembra condividere lo spirito delle stanze de Les Nymphéas di Monet all’Orangerie.

“District 913” tira via il telo anche sulla nuova “piazza” realizzata da Massimo Di Giovanni con L.U.N.A. una enorme sfera di ferro e legno che l’artista incastra tra le travi di un tetto crollato, che lo stesso Di Giovanni ha restaurato e messo in sicurezza). L’opera ha voluto rendere un omaggio all’idea della migrazione esoplanetaria alla conquista della luna narrata dalla favola contemporanea “Space Metropoliz” e all’idea che, lavorando tutti insieme, l’Altrove lo si possa alla fine portare sulla Terra. Altre grandi sfere saranno disseminate nella fabbrica da EPVS, a rendere il percorso difficile e claustrofobico (EPVS_ Bubbling 4 you #913# by EPVS).

 

Molto rilevanti anche i nuovi interventi di street art realizzati a Metropoliz. Dal grande muro d’ingresso sulla via Prenstina, firmato Borondo, e realizzato in collaborazione con la 999 Contemporary, alla meridiana di Rub Kendy (.R.E.V.O.L.U.T.I.O.N.), allo stencil di Lucamaleonte che riproduce, sulla facciata dell’ex-salumificio che guarda ai recenti scavi archeologici del lotto di fronte, il bassorilievo dei Musei Capitolini raffigurante la caccia al cinghiale. E ancora Alice Pasquini, Solo (con “Plan D, last level”), Diamond (con la porta “Welcome to Metropoliz”), Opiemme (“Questo muro ha un nuovo messaggio”). E ancora Giulio Vesprini, Gio Pistone, Cancelletto, omino71.

 

Tra le nuove opere acquisite dal MAAM segnaliamo quelle di Pablo Echaurren (“Suburbano disumano”), a cura di ARIA [rivista d’artista], Massimo Attardi (“Lang”, un omaggio all’autore di “Metropolis” che strizza l’occhio anche al gioco “facce di luna” di “Space Metropoliz”), Guendalina Salini (che ripropone in collezione permanente l’installazione “Dove comincia il lontano”), gli interventi murari di Marco Tamburro, Seboo Migone, Paolo Assenza, l’opera di Germano Serafini ”Composizione M”, quella di Michela de Mattei “Metropolitz. Pianoterra / piano, Terra” (a cura di Silvia Litardi), il lightbox di Salvatore Mauro “Pianeta dei Naufraghi”, i nuovi interventi di Santino Drago (”Sangue versato in mostra” e “Asilo politico”).

  

scottishkiltshop.com/freedom-tartan-kilt.html

The Freedom Tartan Kilt is a modern tartan kilt that can be easily worked into any of your casual kilt daywear. This kilt features prominent electric blue and lime green colors that pop out immediately no matter where you go. It also has white lines running vertically and horizontally through it to give some structure to the tartan pattern it possesses. The kilt comes with pleating on the side that offers a bit of detail to your movement as well as classic style. On either side are rings for attaching your sporran. The colorful kilts are entirely made to measure, letting you choose your own hip size, waist size, kilt length, fell measurement and hardware styles.

willowgrovedaycamp.com/willows.html

 

The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.

 

During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.

 

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html

 

www.amigosdelromanico.org/opinion/id_10175.html

 

"La publicación del catálogo de Ávila se contrató por Real Orden de 19 de febrero de 1902 al taller de Artes Gráficas de los hermanos José María y Francisco Mateu, “casa o Taller Mateu” de Madrid, para cumplir el artículo 14 del Real Decreto de 14 de febrero de ese mismo año en el que se disponía la publicación del catálogo de cada provincia conforme se fueran informando positivamente por la comisión Mixta. Después de un largo proceso de desavenencias con el Ministerio de Instrucción Pública y Bellas Artes, sólo imprimieron tres fascículos por lo que por Real Orden de 20 de noviembre de 1913, publicada el 3 de diciembre, se rescindió definitivamente el contrato a los hermanos Mateu. El 12 de mayo de 1915 hay una nueva propuesta para su publicación, que tampoco tuvo éxito. Los originales se conservan completos."

  

biblioteca.cchs.csic.es/digitalizacion_tnt/index_interior...

 

Existe una nueva publicación del Catálogo Monumental de Ávila, revisada y preparada por Áurea de la Morena y Teresa Higuera, editada por la Institución Gran Duque de Alba. Ministerio de Cultura. 1983.

 

www.youblisher.com/p/65504-Tipos-y-modelos-CATALOGO-MONUM...

Believed to be in Public Domain. From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?

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Public Domain. Additional source description and credit info from the Library of Congress:

 

TITLE: Hennessy Leroyle's Other people's money from Hoyt's Theater, New York : by E.O. Towne.

 

CALL NUMBER: POS - TH - 1900 .O85, no. 1 (C size) [P&P]

 

REPRODUCTION NUMBER: _ _ _ _ _

 

RIGHTS INFORMATION: No known restrictions on publication.

 

MEDIUM: 1 print (poster) : lithograph, b&w ; 70 x 106 cm.

 

CREATED/PUBLISHED: Cincinnati ; New York : U.S. Printing Co., c1900.

 

CREATOR:

 

U.S. Printing Co.

 

RELATED NAMES:

 

Leroyle, Hennessy.

Towne, E. O. (Edward Owings), b. 1869.

Russell-Morgan Print.

 

NOTES:

 

Created and "copyright, 1900, by The U.S. Printing Co, Russell-Morgan Print, Cincinnati & New York."

 

Caption: Excitement on the "Board of Trade" "Hopper" proclaimed "King of the Wheat Pit."

 

No. 3290.

 

SUBJECTS:

 

Stock exchanges.

Commodity exchanges.

Crowds.

Excitement.

Comedies.

 

FORMAT:

 

Theatrical posters American.

Lithographs.

 

OTHER TITLE:

 

Other people's money.

 

PART OF: Theatrical Poster Collection (Library of Congress)

 

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

 

DIGITAL ID: (digital file from intermediary roll copy film) var 1343 hdl.loc.gov/loc.pnp/var.1343

 

CONTROL #: var1994001355/PP

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Site em HTML5 e CSS3

 

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www.haf.gr/en/demoteam/index.html

www.decorobra.com/teoria-del-color-en-diseno-de-interiore...

  

El color tiene un efecto psicológico en tu estado de ánimo, dependiendo de ello las tonalidades y la intensidad de los colores. Si deseas alcanzar un estado de ánimo y una sensación especial para tu habitación, deja que la teoría del color que sea tu guía al elegir el diseño de tus ambientes.

   

El rojo simboliza el fuego, se asocia con la pasión y la fuerza o actividad. Este color estimula la conversación en una habitación, que es ideal para una sala de estar o comedor. Si deseas crear un ambiente un poco más romántico en el dormitorio, coloca algún accesorio rojo al lugar. Eso sí, sin ir demasiado al extremo con este color en la habitación, ya que será difícil relajarse y dormir.

   

El azul es apacible y tranquilo, es perfecto para un dormitorio o cuarto de baño. Los estudios demuestran que el color azul en realidad reduce la presión arterial y disminuye la frecuencia cardíaca.

   

Para dinamizar y elevar el estado de ánimo, añade un toque de amarillo a tu habitación. Amarillo brillante simboliza alegría, felicidad, energía y optimismo. Sin embargo, se aconseja no hacer del amarillo el color dominante, porque en demasía, este color puede tener el efecto contrario, de la pereza y o extrema cautela.

   

El naranja, alegre y divertido, sin duda agrega el entusiasmo a cualquier habitación. Estimula la naturaleza infantil o juvenil vivaz y entusiasta, se convierte en el color ideal para salas de juegos, habitaciones familiares, cocinas y espacios creativos.

   

El verde es el color de la vida, la naturaleza y la armonía. Este color tiende a tener cualidades curativas y relajantes, ideal para baños y dormitorios. El verde simboliza abundancia y la prosperidad de modo que no viene mal añadir algo de vegetación alrededor de su casa, especialmente en una oficina.

   

El púrpura es el color del lujo, riqueza y sofisticación. Los tonos claros, apagados, generan un estado de ánimo suave, relajado, perfecto para dormitorio principal. Tonos brillantes de púrpura, con una chispa de creatividad, puede ser ideal para las habitaciones de los niños, salas de arte, y oficinas.

   

Sí, el negro también es un color. Representa potencia, sofisticación y elegancia. El negro está mejor utilizado para estudios, bibliotecas, oficinas, salas de estar, dormitorio principal y comedor.

   

El blanco es símbolo de pureza, inocencia y tranquilidad. Agregar color blanco a un dormitorio, salón, cocina o crea una sensación de limpieza y suave elegancia.

 

Vía Day Design & Decor

 

 

         

 

Catedral de El Burgo de Osma

www.lafronteradelduero.com/Paginas/el_burgo_de_osma.html

 

La Catedral de El Burgo de Osma, bajo la advocación de Santa María de la Asunción, es el resultado de una sucesión secular de actuaciones constructivas que van desde los primeros años del siglo XII, cuando se levantó el primitivo templo románico, hasta la segunda mitad del siglo XVIII en que se dio remate a la torre barroca. Aunque conserva escasos elementos de la obra románica y luce añadidos renacentistas, barrocos y neoclásicos, lo que predomina en el conjunto catedralicio son las construcciones góticas llevadas a cabo en diversos periodos.

La Catedral burguense fue declarada Monumento Nacional el 3 de junio de 1931, y «entorno de protección» por Decreto 84/99, de 22 de abril, de la Comunidad de Castilla y León. Comparte la sede episcopal desde 1959 con la concatedral de San Pedro de Soria.

 

Apunte histórico

Osma es sede episcopal al menos desde 597, fecha en la que está documentado que su obispo, Juan, tomó parte en el Concilio doce de Recaredo. De esta época visigoda no se conserva vestigio arqueológico alguno referido al templo catedralicio que se ubicaría en la antigua Uxama. Tras el lapso de tres siglos de ocupación musulmana (s.VIII al X) y otro más de repoblación y consolidación del dominio cristiano, en 1101 se restauró la diócesis bajo los auspicios de la Sede Metropolitana de Toledo. En esa fecha tomó posesión de la silla episcopal el que fue su primer titular en esta segunda y definitiva era diocesana: Pedro de Bourges (San Pedro de Osma).

 

Por entonces, no sólo se había abandonado la antigua Úxama, emplazada ahora en el llano con el topónimo de Osma, sino que se estaba desarrollando un burgo o barrio al otro lado del río Ucero en el que existía una iglesia benedictina con culto a San Miguel. Ese fue el lugar elegido para levantar la nueva catedral en el estilo arquitectónico imperante en los albores del siglo XII: el románico. No hay noticia cierta de cuándo se comenzó la construcción de este templo pero es de presumir que fuese durante el episcopado de Pedro de Osma, es decir, entre los años 1101 y 1109. En todo caso, los rasgos estilísticos de lo poco que de él ha quedado no dejan lugar a duda de que proceden de principios de dicho siglo. Los obispos sucesores de Pedro que regirían la diócesis a lo largo de la primera mitad del siglo XII -Raimundo, Beltrán y Esteban- debieron ser los continuadores de la obra y quienes la llevaron a término, pues parece que quedó concluida a mediados de siglo.

 

Corta vida le esperaba a la flamante catedral. En 1231 accedió a la sede episcopal oxomense Juan Díaz de Medina (a quien se nombra con frecuencia como Juan Domínguez), Canciller de Fernando III el Santo. Este prelado, que provenía de la Colegiata de Santa María la Mayor de Valladolid de la que fue abad en los años anteriores (1219-1230) y que él mismo había reconstruido por entero, debió entender que la prematuramente obsoleta iglesia románica no poseía las dimensiones ni la funcionalidad que los nuevos tiempos demandaban y, experimentado como era en la construcción de grandes templos, decidió en 1232, y así lo puso en práctica, derribar la «vieja» catedral y erigir otra ajustada a los cánones góticos, al modo como se estaba haciendo en Burgos, en Cuenca o en Toledo. No obstante, la piqueta demoledora respetó el claustro y la sala capitular.

 

Las obras del templo gótico se prolongaron durante más de un siglo, siendo el obispo Bernabé quien a mediados del XIV logró darles fin. El resultado fue una iglesia de planta de cruz latina con tres naves de cinco tramos, transepto de cuatro tramos además del crucero, presbiterio de dos tramos, ábside principal y cuatro capillas absidales, dos a cada lado, sobre el muro oriental del transepto de forma parecida a las del monasterio cisterciense de Santa María de Huerta. El conjunto gótico se completó a principios del siglo XVI con la sustitución del claustro románico por el actual gótico tardío adosado al muro de la nave septentrional. El derribo del primero se llevó a cabo en 1505; de él se salvaron algunos capiteles y la arquería del frente de la sala capitular. Algunos años después, durante el mandato del obispo Pedro Álvarez de Acosta (1550-1554), se realizó el retablo mayor, obra de Juan de Juani y Juan Picardo.

 

El siglo XVIII fue pródigo en obras y reformas. En 1767 se finalizó la torre en su tercer intento, pues dos anteriores habían fracasado por derrumbe. La cabecera de la iglesia sufrió importantes alteraciones, primero por la construcción de la girola y de la capilla mayor, y luego por la incorporación de la sacristía y la capilla del venerable Palafox. La reforma de la capilla mayor se debió a Juan de Villanueva, lo mismo que la construcción de la sacristía (1770) y el proyecto de la capilla de Palafox (1772), si bien la ejecución de esta última obra le cupo a Sabatinni entre los años 1778 y 1783.

  

CIF CENTRAL SECTION CHAMPIONSHIP

 

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Girls track

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Kamera: Nikon FE2

Linse: Nikkor-S Auto 35mm f2.8 (1974)

Film: Kodak 5222 @ ISO 400 -1EV

Kjemi: Xtol (stock / 9 min. @ 20°C)

 

Monday 30 December 2024: My New Year resolutions for 2025:

 

1. Do not buy or use any goods or services coming from Israel or their Occupied Palestinian Territories. Boycott Israel - the most racist, fascist, immoral and genocidal apartheid country in the world.

 

For me, this is a simple operation and will only involve my total boycott of the Israeli online genealogy platforms MyHeritage and Geni. I have no interest in any other consumer product coming out of Israel. But many of you may have heard of Ahava Dead Sea products coming from the Occupied Territories. Don’t buy it, don’t use it.

 

2. Do not buy or use any American goods or services as far as it is humanly possible today. They only use their income for WAR. The only way to stop this MADNESS is to stop buying and using their goods and services. Money to the USA is money to Israel.

 

This task is not as simple as boycotting only Israeli goods and products, but I will do my best - just like the USA has done it’s best in supporting Israel’s genocide in Gaza, providing Israel with weapons and incredible amounts of money, abusing their powers in the UN Security Council, working against international law and justice, supporting apartheid and never ever actually supporting or working to establish a Free Sovereign Palestine.

 

Israel seems to have become a way for all the corrupt American politicians in their archaic 'democratic' system to get an extra income under the table, directly stealing from the people, and for the American War Industries to thrive and grow; it is a Perpetuum mobile where US politicians donate money to Israel and where Israel in return use those money given to buy off US politicians [tax-deductible] and buying their weapons to slaughter Palestinians.

 

Americans get their money back [but first, some commercials] [without paying taxes] [under the table] and the Israelis get their fascist religious extremist zionist dreams come true. Incidentally, Israel's bizarre dreams of grandeur are closely linked to the American voters' archaic dreams of extremist christian zionist Eschatology. These people all belong in the Bronze Age.

 

USA has for so many years since the end of the Cold War been endangering all of Europe’s security by abusing the NATO alliance (this abuse started back in 1999 with the bombing of Yugoslavia!) presiding over a European proxy war with Russia via Ukraine - a war that now even involves North Korea (WTF!) and has killed hundreds of thousands of lives in Europe and flooded Western Europe with refugees once again! It needs to stop, and our own nations and politicians who are hostages to the American gangster regime can do no other - so therefore I can no longer justify MY feeble hard-earned money feeding this warmongering genocidal nation. It has to stop, and the only way I can make a miniscule difference is by boycotting American goods and services.

 

- First on my list: Mark Zuckerberg (1984) and his his Facebook and all of Facebook's subsidiaries through Meta. Easy. Done. Nothing!

 

- Second on my list: Larry Page (b. 1973) and Sergey Brin’s (b. 1973) Google and Alphabet Inc. - this is not so easy. This company with their search engine, Gmail and their subsidiary companies like YouTube and Android have infested the whole world. Instead of Google's search engine I have been using DuckDuckGo for years - but this is also an American company so my search will go on for something more safe and European.

 

As for Gmail, I am using Swiss Proton Mail instead but I have yet to to make the cut final. I hope I will be able to do so during the course of 2025.

 

As for YouTube, I have no clear alternative right now that is not American.

 

Android is easy - I never used it. But instead of Android I use Apple - which I feel is safer - but here is the problem - it is an American company. Maybe the solution is to go full-on dumbphone and get a Swiss Punkt. I might in fact do that.

 

What do you really need an American ‘smartphone’ for anyways? Life is analogue.

 

More American companies and platforms to boycott:

 

- Amazon Inc. - I can get most of my (paper) books and other stuff I usually buy on Amazon locally anyways. Amazon is a convenient marketplace, that's true - but it’s American and I’d rather suffer a little inconvenience just to not let the Americans get my money.

 

- eBay - again, such a great platform and marketplace for (in my case) photographic camera equipment and whatnot - but then again - if I could buy directly from Japanese camera stores with ease and no American involvement I would do so in a heartbeat without using American eBay. Let’s hope the Japanese evolve their international trade in this regard.

 

As for FILM there's plenty of European film providers; hey, we were first with film and photography anyways and have long traditions still thriving and living here. But I do love Kodak 5222. This is a problem - but at least I only use European chemicals these days. Foma and Tetenal.

 

- PayPal - also a very convenient platform to use, but goddamned this is the brainchild of Elon Musk (b. 1971) and I’ll do my very best to never support that fascist bastard. You’ll never see me driving an American car either, and certainly not a Tesla. Most unethical car ever.

 

- Airbnb - an American company that makes it easy to rent a room or a house for anyone in all those illegal Israeli settlements in the Occupied Palestinian Territories - it's just as sick as if American tourists through a 'tourist agency' could come and live in Nazi german confiscated Norwegian flats, houses and cottages to relax or just 'experience' Nazi occupied Norway in 1941. This is exactly what Airbnb is making possible in the Occupied Palestinian Territories these days - and I shall never, ever use Airbnb.

 

OK, that’s a lot but we’re not finished yet.

 

- Disney - Easy. They destroyed Star Wars. Done!

 

- Pepsi and Coca-Cola - Done. Never again. There are many other local alternatives. Easy!

 

- McDonald’s and Burger King - Done. Easy. Probably the worst hamburgers in the world anyways.

 

So when it comes to consumer products that you get in the general store, there are two really big and awful companies that I will do my best to never buy their products ever again. These two companies are the American-owned Mondelez International and the Swiss company Nestlé together with all their subsidiaries and brands.

 

Things not to buy (applicable to me):

 

- Douwe Egberts coffee (Mondelez)

- Toblerone chocolate (Mondelez)

- Heinz products (Mondelez)

 

- L’Oréal and ALL their subsidiary products Garnier, Maybelline, Biotherm, Lancôme, Prada, Yves Saint Laurent, Kérastase, Guy Laroche, Redken (Nestlé)

 

- Nespresso (Nestlé)

- Nescafé (Nestlé)

- Nesquik (Nestlé)

- Nestea (Nestlé)

 

- Smarties chocolates (Nestlé)

- After Eight chocolate (Nestlé)

- Maggi products (Nestlé)

- Purina dogfood (Nestlé)

 

[and Friskies catfood for those of you with cats - also Nestlé]

 

- Freia chocolate products (Mondelez) [The chocolate that could never ever ever be sold to Sweden otherwise we would lose our independence AGAIN - but which could easily be sold to America instead. Remember all those Edvard Grieg Freia commercials?]

 

- Friele coffee (Mondelez) in Bergen which also produce ALL the norwegian COOP cooffee products and ALL the swedish Gevalia coffee brand products

 

- Marabou candy and ALL their chocolate products (Mondelez)

 

Allright, so already quite an extensive list and that’s not half of it.

 

Therefore at the end, I want to inform you all about the Boycat app - the Ethical Shopping and Boycott Companion. Use it.

 

And if you have more suggestions of Israeli and American companies, products and services to boycott, do let me know. I’m eager ears.

 

PS: I am fully aware that Flickr is American. There are many good things coming out of America. I hope in 2025 USA can change their ways.

Collaboration beetween Biennalist and Ultracontemporay

  

Art Format

www.emergencyrooms.org/formats.html

 

en.wikipedia.org/wiki/Thierry_Geoffroy

  

Documenta From Wikipedia,

 

The Fridericianum during documenta (13)

documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time.[1] It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.

 

Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.

  

Etymology of documenta

The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]

 

Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]

 

History

 

Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7

Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.

 

Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, documenta (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]

 

Criticism

documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At documenta (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the documenta (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]

 

Directors

The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]

  

TitleDateDirectorExhibitorsExhibitsVisitors

documenta16 July – 18 September 1955Arnold Bode148670130,000

II. documenta11 July – 11 October 1959Arnold Bode, Werner Haftmann3381770134,000

documenta III27 June – 5 October 1964Arnold Bode, Werner Haftmann3611450200,000

4. documenta27 June – 6 October 196824-strong documenta council1511000220,000

documenta 530 June – 8 October 1972Harald Szeemann218820228,621

documenta 624 June – 2 October 1977Manfred Schneckenburger6222700343,410

documenta 719 June – 28 September 1982Rudi Fuchs1821000378,691

documenta 812 June – 20 September 1987Manfred Schneckenburger150600474,417

documenta IX12 June – 20 September 1992Jan Hoet1891000603,456

documenta X21 June – 28 September 1997Catherine David120700628,776

documenta118 June – 15 September 2002Okwui Enwezor118450650,924

documenta 1216 June – 23 September 2007Roger M. Buergel/Ruth Noack[19]114over 500754,301

documenta (13)9 June – 16 September 2012Carolyn Christov-Bakargiev187[20]904,992[21]

documenta 148 April – 16 July 2017 in Athens, Greece;

10 June – 17 September 2017 in KasselAdam Szymczykmore than 1601500339.000 in Athens

891.500 in Kassel

documenta fifteen18 June 2022 – 25 September 2022 in Kasselruangrupa[22]

2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[23]

 

Venues

documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for documenta IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. documenta 12 occupied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon", or meadow pavilion, designed by French firm Lacaton et Vassal.[24] At documenta (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]

 

There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at documenta IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[25] For documenta (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.

  

Rahmenbau (1977) by Haus Rucker und Co.

A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).

 

documenta archive

The extensive volume of material that is regularly generated on the occasion of this exhibition prompted Arnold Bode to create an archive in 1961. The heart of the archive’s collection comes from the files and materials of the documenta organization. A continually expanding video and image archive is also part of the collection as are the independently organized bequests of Arnold Bode and artist Harry Kramer.

 

Management

Visitors

In 1992, on the occasion of documenta IX, for the first time in the history of the documenta, more than half a million people traveled to Kassel.[26] The 2002 edition of documenta attracted 650,000 visitors, more than triple Kassel's population.[27] In 2007, documenta 12 drew 754,000 paying visitors, with more than one-third of the visitors coming from abroad and guests from neighboring Netherlands, France, Belgium and Austria among the most numerous.[28] In 2012, documenta (13) had 904,992 visitors.[21]

 

References

Adrian Searle (June 11, 2012), "Documenta 13: Mysteries in the mountain of mud", The Guardian.

Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.

Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX

Kimpel, Harald: documenta, Mythos und Wirklichkeit. Köln 1997, ISBN 3-7701-4182-2

Alice Rawsthorn (June 3, 2012), A Symbol Is Born The New York Times.

The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).

Helen Chang (June 22, 2007), "Catching the Next Wave In Art at Documenta", The Wall Street Journal.

Roberta Smith (September 7, 2007), "Documenta 5" The New York Times.

Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3).

dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.

Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale The New York Times.

Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.

Kelly Crow (June 8, 2012), A Party, Every Five Years, for 750,000 Guests The Wall Street Journal.

Jerry Saltz (June 15, 2012), Jerry Saltz: "Eleven Things That Struck, Irked, or Awed Me at Documenta 13" New York Magazine.

Michael Brenson (June 15, 1987), "Documenta 8, Exhibition In West Germany", The New York Times.

Michael Kimmelman (July 5, 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.

Jackie Wullschlager (May 19, 2012) Vertiginous doubt Financial Times.

Julia Halperin, Gareth Harris (July 18, 2014) How much are curators really paid? Archived July 20, 2014, at the Wayback Machine The Art Newspaper.

Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 2014-08-29.

Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.

"904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.

Russeth, Andrew (2019-02-22). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 2020-01-05.

"In Germany, Disguising Documentary As Art". The Huffington Post. Retrieved 2015-09-28.

Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.

Roberta Smith (June 22, 1992), A Small Show Within an Enormous One The New York Times.

d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.

Adrian Searle (June 19, 2007), 100 days of ineptitude The Guardian.

Catherine Hickley (September 24, 2007), "Documenta Contemporary Art Show Draws Record 754,000 to Kassel", Bloomberg.

Carly Berwick (May 17, 2007), "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles", Bloomberg.

Rachel Donado (April 5, 2017), German Art Exhibition Documenta Expands Into Athens, The New York Times.

Catherine Hickley (November 27, 2017), Documenta manager to leave post after budget overruns The Art Newspaper.

Further reading

Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.

Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.

 

other biennales :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

 

www.emergencyrooms.org

www.emergencyrooms.org

  

www.colonel.dk/

 

lumbung

Short concept by ruangrupa for documenta 15

"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."

  

ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.

 

Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.

 

The main principles of the process are:

• Providing space to gather and explore ideas

• Collective decision making

• Non-centralization

• Playing between formalities and informalities

• Practicing assembly and meeting points

• Architectural awareness

• Being spatially active to promote conversation

• A melting pot for and from everyone’s thoughts, energies, and ideas

  

#documentakassel

#documenta

#documenta15

#artformat

#formatart

#rundebate

#thierrygeoffroy

#Colonel

#CriticalRun

#venicebiennale

#documentafifteen

#formatart

#documentacritic

#biennalist

#ultracontemporary art

#protestart

 

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

I have not invited Katrina personally for Jackpot's premiere, says Kaizad Gustad! - www.bolegaindia.com/gossips/I_have_not_invited_Katrina_pe...

 

Well done reportage for the austrian TV where Thierry Geoffroy / Colonel present it s format Biennalist www.emergencyrooms.org/biennalist.html , the film show with his students , part of a critical run and a slow dance

at the Maldives pavilion : "Can we rank emergencies ? "

see the TV video

youtu.be/LSE8LzYUxNU

  

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lists of artists participating at the Venice Biennale :

Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.

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other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial

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www.lapressegratuite.com/2014/02/expo-in-the-city-le-prem...

Expo in the City est le premier magazine gratuit dédié aux expositions parisiennes ; l’occasion nous a été donnée de poser quelques questions à Fleur Baudon, directrice de la publication et Arnaud Chedal-Anglay, fondateur et rédacteur en chef du magazine.

 

Bonjour à tous les deux, racontez-nous l’idée de départ, sa concrétisation et parlez-nous de l’équipe !

L’idée de départ : rendre un peu « sexy » les expos, dépoussiérer tout ça. Créer un magazine urbain, sympathique, résolument moderne, qui donne envie de sortir pour aller voir une expo avec ses amis, son amour, ses parents ou ses enfants.

  

Un magazine convivial, qui se partage, tout comme ses bons plans.

Un magazine pratique qui tient dans la poche.

Un magazine gratuit, pour une vraie promotion de l’Art à Paris, sans clivage.

 

Pour la première fois, un classement des expos en ligne avec les envies et les attentes des parisiens. Pas d’expo ‘’beaux arts’’ ou ‘’ sciences et techniques’’, mais les expos à faire le soir après le boulot, les expos gratuites, celles à faire en amoureux ou en famille. Les expos pour frimer le lundi matin au bureau, ou pour occuper les beaux parents qui débarquent !

Expo in the City souhaite faire de chaque sortie expo un vrai bon moment, sympa et inoubliable. Pour cela, nous avons créé les premiers « duos expos », de bonnes petites adresses parisiennes avec les meilleures expositions. Cela permet de prolonger le plaisir de la sortie avec un petit brunch, un resto, un apéro, ou un jardin caché, une boutique insolite…

La concrétisation de cette idée a mis 2 ans, 2 ans pendant lesquels nous avons fait et refait des maquettes de magazines, en interrogeant des parisiens pour vraiment comprendre leurs attentes et leurs envies, et leur offrir le meilleur des expos, dans une version colorée et joyeuse.

L’équipe : Fleur et Arnaud, aidés par nos proches, amis, et familles. Nous avons créé une association qui a pour but de promouvoir l’Art à Paris, de manière accessible et sympa. Nous sommes des indépendants, loin des grands groupes de presse. Des idéalistes ? Des ‘’fous’’ peut-être ? Des passionnés évidemment !

 

En octobre de cette année, vous avez rassemblé des fonds sur le site de financement participatif KissKissBankBank, comment cela s’est-il passé ?

La démarche nous a permis de récolter 5 000 euros ! Cela nous a permis de nous lancer, en finançant l’impression du premier numéro, et une partie du site web. C’était fou de voir comme ce projet a pu mobiliser des soutiens, nous appuyant dans cette démarche audacieuse.

 

Présentez-nous la ligne éditoriale de Expo in the City, le positionnement du mag.

Expo in the City est un magazine bimestriel, format poche extrêmement qualitatif, 100 pages en couleur, distribué gratuitement à 20 000 exemplaires dans le cœur de Paris, aux métros, entrées des cinémas, théâtres et musées.

Le ‘’petit livre’’ des expos toujours sur soi !

Nous souhaitons toucher tous les gens passionnés par l’art, mais pas seulement ! L’idée est vraiment d’ouvrir l’art à tous, en faisant re-découvrir les expos de Paris et la richesse culturelle de la capitale, par un classement inédit des expos, pour que chacun puisse trouver l’expo qui lui ressemble, ou l’expo qui convient à chaque occasion.

Nous avons voulu créer le 1er magazine qui ne se jette pas, avec sa sélection d’expos, ses bons plans, ses actus, son format poche ultra-pratique. Nous avons créé un magazine pour chacun et pour tous.

 

Où peut-on trouver le magazine aujourd’hui ? Peut-on s’abonner ?

Tous les 2 mois, Expo in the City est distribué pendant 2 semaines dans le centre de Paris et en région Parisienne. Aux stations de Métro, dans les files de musées, de cinés, de théâtre, en 20 000 exemplaires. Expo in the City est aussi accessible sur le web www.expointhecity.com/, avec des actus inédites et complémentaires, et des avis d’internautes. Pour ceux qui souhaitent recevoir leur magazine chez eux, nous proposons une formule d’abonnement à 24 euros par an (magazine gratuit + frais de gestion et d’envois), offrant en plus un pass pour Pompidou.

 

Vous êtes également présent sur le web, pourquoi éditer un magazine papier et un site web ?

Pour nous les deux supports sont complémentaires. L’un se consulte en se feuilletant, dans le métro, dans son salon, dans un café, il se lit. Nous étions très attachés au support papier car nous aimons personnellement lire, et garder nos livres et guides pour les reconsulter à l’envi.

Le site internet est un support complémentaire qui nous permet de suivre l’actualité à la semaine, voire chaque jour. Nous donnons la parole à nos internautes pour nous donner leur avis sur les expos et aider les autres internautes à faire leur choix d’expos. Internet est très vivant, évolue chaque jour. Le magazine est une valeur sûre qui se garde sur soi.

 

Des projets de développement ? L’envie de décliner le magazine dans une autre ville ?

Nous avons plein d’idées de développement !

Notre premier souhait est de faire grandir Expo in the City, en restant libres et indépendants, ce qui est assez difficile car nos moyens ne sont pas ceux des grands groupes. Nous souhaitons étendre les services que nous proposons à nos lecteurs, toujours dans un esprit de convivialité, par exemple en créant une carte Club permettant d’inviter gratuitement une personne avec soi dans les musées, en organisant des soirées vernissages, des discussions sur des sujets d’expos... Tout en restant sur Paris, peut-être étendrons nous le magazine à la rentrée, a une version sur l’Art en général (musique, théâtre, cinéma, écriture…).

 

Merci et longue vie à Expo in the City !

Le site web Expo in the City

Pour s'abonner

La page Facebook

Blog of details terriekwong.blogspot.com/2012/09/my-little-journal-is-bor...

CIF CENTRAL SECTION CHAMPIONSHIP

 

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Girls track

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

www.flickr.com/photos/iukokomo/7091938773/in/photolist-bz...

  

en.wikipedia.org/wiki/Michael_Harris_%28academic%29

 

homepages.indiana.edu/web/page/normal/22065.html

 

kokomoperspective.com/lifestyles/iu-kokomo-student-alunni...

 

The Big Move, Visioned, Initiated and Implemented by Chancellor Michael Harris IU Kokomo:

www.youtube.com/watch?v=mJIe0t6aDEU

 

aascu.org/WorkArea/DownloadAsset.aspx?id=5568

 

kokomoperspective.com/news/local_news/kokomo-perspective-...

  

At an event at IU Kokomo

iufoundation.iu.edu/newsroom/archive/2012/cole-iuk-gift.html

  

homepages.indiana.edu/web/page/normal/22568.html

 

www.insideindianabusiness.com/newsitem.asp?id=54735

 

homepages.indiana.edu/web/page/normal/22568.htm

 

foundationcenter.org/pnd/news/story.jhtml?id=367800013

 

kokomoperspective.com/xtra/education/u-s-news-world-repor...

 

kokomoperspective.com/xtra/education/u-s-news-world-repor...

 

newsroom.iuk.edu/athletics/3-athletics-news/264-naia-appr...

 

www.insideindianabusiness.com/newsitem.asp?ID=46170

  

www.insideindianabusiness.com/newsitem.asp?ID=53209

 

homepages.indiana.edu/web/page/normal/22568.htm

 

kokomoperspective.com/xtra/education/u-s-news-world-repor...

 

newsroom.iuk.edu/campus/17-campus-news/341-indiana-univer...

 

www.insideindianabusiness.com/newsitem.asp?id=54735

 

aascu.org/WorkArea/DownloadAsset.aspx?id=5568

  

indianasportsjournal.com/2012/04/17/cougars-join-ranks-of...

s1344.photobucket.com/user/mharrism/media/Michael%20Harri...

 

www.grissom.afrc.af.mil/news/story_print.asp?id=123285429

 

newsroom.iuk.edu/chancellor/chancellor-news/185-chancello...

 

newsinfo.iu.edu/news/page/normal/22530.html

 

www.tnstate.edu/cpsua/people/harris.aspx

 

zerply.com/michaelharrisch/

 

www.linkedin.com/in/michaelharrischancellor

 

newsroom.iuk.edu/campus/17-campus-news/341-indiana-univer...

 

www.insideindianabusiness.com/newsitem.asp?id=54735

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newsroom.iuk.edu/chancellor/chancellor-archive/113-indian...

  

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newsroom.iuk.edu/campus/17-campus-news/341-indiana-univer...

 

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homepages.indiana.edu/web/page/normal/20760.html

 

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m.kokomoperspective.com/news/local_news/kokomo-perspectiv...

 

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mydigimag.rrd.com/article/Up_Front/706709/67528/article.html

 

kokomoperspective.com/search/?t=article&q=michael+harris

 

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

aumentar

 

Exposición LA VIDA OCULTA DEL AGUA; en la UNED de Barbastro

 

Hoy con nuestro agradecimiento a Bárbara Barrera por su precioso artículo sobre diatomeas en la revista Vidriooh!

 

Artículo LA BIODIVERSIDAD OCULTA

 

Peranema cuneatum tiene una forma de navegar elegante y marcha ligero bajo la superficie del agua, con su cuerpo esbelto rematado en punta, extendiendo su recto flagelo del que apenas mueve su extremo final, como indiferente a todo lo que sucede a su alrededor.

 

En poco se parece su actitud a la de su hermano Peranema trichophorum tan común en las aguas contaminadas y que a cada trecho se detiene para arrugarse, ensancharse y transformarse por unos momentos, para seguir después navegando como si nada hubiese pasado.

 

Peranema cuneatum no parece deformarse en su travesía acuática y a medida que avanza va recogiendo diminutas algas, bacterias y otros pequeños protozoos que atrapa en pequeños remolinos a pequeños bocados con esa boca casi invisible situada en la base de su flagelo.

 

Peranema es un primo pálido de Euglena , no depende como ella de la luz del sol para vivir, sino de todo lo que captura y palpa con su larga mano de hilo al caminar. Su elegante camisa transparente está adornada con unas finísimas estrías imperceptibles, como las que Euglena también suele vestir, pero Peranema no está relleno del fresco verde de la clorofila viva ni muestra la mancha roja de rubí con la que ella sigue al sol.

 

Peranema ha preferido buscar otro modo de vida y limpia el agua de los restos que otros van dejando devolviendo poco a poco su pureza.

 

La fotografía de hoy tomada a 400 aumentos con la técnica de contraste de interferencia procede de una muestra recogida por Raquel Posada en una balsa naturalizada en el concejo de Gozón (Asturias) próxima a los majestuosos acantilados del Cabo de Peñas

 

=======================================================================

  

☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen los vientos limpios que todos necesitamos. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.

 

José Saramago: Ni leyes ni Justicia

Martín Pallín

Firmas de apoyo en Facebook

Radio Nacional Holandesa

  

english.news.cn/20220808/270d026219534be08c65eaa2ecb5d7fd...

 

Pelosi's provocative Taiwan visit sparks sharp criticism

 

Videos from around the world criticizing Pelosi's taunting visit to Taiwan, destablizing the region..

 

thehill.com/homenews/administration/3592512-biden-says-he...

 

Biden says he’s ‘not worried’ about China’s response to Pelosi visit to Taiwan

 

President Biden on Monday said he’s “not worried” about China’s aggressive response to Speaker Nancy Pelosi’s (D-Calif.) trip last week to Taiwan, adding that he doesn’t think things will escalate any further between the U.S. and Beijing.

 

“I’m not worried, but I’m concerned that they’re moving as much as they are. But I don’t think they’re going to do anything more,” Biden told reporters.

 

When asked if Pelosi’s trip was a mistake, the president said, “That was her decision.”

 

The Biden administration has condemned Beijing’s live-fire drills in the waters surrounding Taiwan, which included multiple Chinese warships and aircraft crossing the median line of the Taiwan Strait, following Pelosi’s visit.

 

“They are provocative, irresponsible, and raise the risk of miscalculation, that’s what the president was referring to,” White House press secretary Karine Jean-Pierre said on Monday, referring to China’s response.

 

“They are also at odd with our longstanding goal of maintaining peace and stability across the Taiwan strait, which is what the world expects,” she added.

 

Pelosi’s visit to Taipei last week made her the highest-ranking U.S. official to visit the island in 25 years. The Chinese foreign ministry characterized her visit as having a “severe impact on the political foundation of China-U.S. relations.”

 

Since she landed, the White House has said it respects Pelosi’s decision to visit Taiwan and has pushed back on questions about any drama between the Speaker’s office and the White House surrounding her trip.

 

Biden told reporters last month that the military “thinks it’s not a good idea” for Pelosi to visit Taiwan amid already rising tensions over the island’s status and the administration urging China not to back Russia’s invasion of Ukraine.

 

Before landing, White House national security spokesman John Kirby warned China against using the moment to create a “crisis” and then said on Tuesday that Beijing’s actions in response to her visit were “consistent with the playbook we expected them to run.”

 

www.chinadaily.com.cn/a/202208/09/WS62f19835a310fd2b29e70...

 

One-China principle clearly violated by trip

 

It's natural for China to feel angry and oppose the recent visit to Taiwan by United States House Speaker Nancy Pelosi, because the trip openly violates the one-China principle and challenges China's territorial integrity and sovereignty, experts said while explaining China's reaction and the severe countermeasures it has taken.

 

It's clear that the two sides of the Taiwan Straits are the same country, and the Taiwan question, which is purely China's internal affair, brooks no interference by foreign forces, they said.

 

Traveling in a military aircraft, Pelosi－second in the line of succession to the US president－last week paid a high-profile "official visit to Taiwan", as her office described it in her arrival statement, and was given full protocol treatment by Taiwan's Democratic Progressive Party authorities, which make no secret of pursuing "independence" in their party platform.

 

Pelosi's two-day trip included meeting with the island's leader Tsai Ing-wen and some "human rights" advocates, as well as visiting the island's "legislative "authority.

 

Hundreds of millions of Chinese watched, discussed and were outraged by the provocative trip that was also followed by unprecedented countermeasures by the Chinese government, including canceling three cooperative dialogues or meetings with the defense authorities of the US, suspending climate talks, and conducting live-fire drills surrounding the Taiwan island.

 

Bao Chengke, assistant director at the Institute for East Asian Studies in Shanghai, said that the visit has trampled on the one-China principle and China's national sovereignty, and was a move that in nature promoted the concept of "one China, one Taiwan".

 

To the Chinese side, the one-China principle is a bottom line that cannot be crossed. It has been reiterated numerous times by the Chinese government, and is firmly believed by the Chinese people, that the island of Taiwan has been an inseparable part of China's territory for 1,800 years and it's crystal clear that the two sides of the Straits belong to one China.

 

It was even worse that Pelosi turned a deaf ear to repeated warnings from the Chinese government and still made the trip, Bao said, adding that when something like this happens, it's reasonable for any country to feel angry and take severe countermeasures.

 

Lin Kuan-ting, a young man from Taiwan who is studying on the mainland, said he opposes the visit and the US should not interfere in the Taiwan question as the island has always been a part of China. Another Taiwan student on main-land, Lin Pei-ying, said the visit seriously hurt the feelings of compatriots on both sides of the Straits, and the contradictions between the two sides are purely our family matters.

 

Root of the Taiwan question

 

As Xi Jinping, general secretary of the Communist Party of China Central Committee, has said, the Taiwan question arose out of the weakness and chaos of the nation and will be resolved as national rejuvenation becomes a reality.

 

In 1894, Japan launched the First Sino-Japanese War to invade China. In the following year, the government of the Qing Dynasty (1644-1911) was forced to cede Taiwan to Japan under the unequal Treaty of Shimonoseki.

 

In 1945, the Chinese people won the War of Resistance Against Japanese Aggression (1931-1945). Taiwan was thus recovered and returned to the motherland.

 

In 1943, the leaders of China, the US and Britain issued the Cairo Declaration, which clearly states that all territories Japan stole from the Chinese, including Taiwan, shall be restored to China. The Potsdam Declaration of 1945 affirmed that the terms of the Cairo Declaration would be carried out. Thus, Taiwan's legal status as a part of China was irrefutably confirmed.

 

It was not long, however, before the two sides of the Straits fell into a special state of protracted political confrontation due to civil war in China and the interference of foreign forces.

 

In 1949, the Central People's Government of the People's Republic of China was established, replacing the Republic of China government as the sole legal government representing the whole of China. It is logical for the government of the People's Republic of China to exercise sovereignty over China, which includes Taiwan.

 

In 1971, the United Nations General Assembly adopted Resolution 2758 with an overwhelming majority vote, restoring all rights of the PRC and recognizing the government of the PRC as the sole legitimate representative of China to the United Nations.

 

The one-China principle is a widely recognized basic norm of international relations. More than 180 countries have to date established diplomatic relations with China on the basis of their recognition of the one-China principle, according to official records.

 

When China and the US established diplomatic relations in 1979, the US recognized in the joint communique with China that the government of the PRC is the sole legal government of China. Since then, the US has long been committed to not developing official relations with Taiwan.

 

"The one-China principle is part of the postwar international order and has become a general international consensus. As a country that thinks of itself as a champion of the 'rules-based international order', the United States should naturally abide by the one-China principle," Chinese Ambassador to the US Qin Gang wrote in an article in The Washington Post on Thursday.

 

"President Biden has said many times that the United States will not change its one-China policy and does not support 'Taiwan independence'. But for the 'Taiwan independence' forces, Pelosi's visit represents an exceptionally strong signal that 'the US is on Taiwan's side'. This goes against the one-China principle, the three Sino-US joint communiques and America's own commitments," the article said.

 

Wu Yongping, director of the Institute of Taiwan Studies at Tsinghua University, said that US support for "Taiwan independence "separatists is a fundamental reason why the Taiwan question is so difficult to resolve.

 

The US has tried to obscure and hollow out the one-China principle, Wu said, adding that it has colluded with "Taiwan independence" forces on the island and elevated relations with the island in various ways, including arms sales.

 

After the DPP came to power in Taiwan, it refused to recognize the 1992 Consensus which embodies the one-China principle, creating an increasingly tense and confrontational atmosphere across the Straits, according to Bao from the Institute for East Asian Studies.

 

Common will

 

Despite the complex situation, experts believe that the two sides of the Straits must be reunified in the future, which is also the will of the entire Chinese nation.

 

The mainland has great patience in dealing with the Taiwan question, and it has been working to promote integrated development and cooperation between people across the Straits in order to gradually overcome the resentment and differences and find the path of future reunification, Bao said.

 

Wu said the mainland's ability to resolve the Taiwan question has been increasing as well, which could been seen in the recent countermeasures, and no other forces should underestimate such ability and China's determination to safeguard its sovereignty and unity.

www.dvdorderonline.com/products/Greys-Anatomy-Season-1-4-...

www.dvdorderonline.com/products/Greys-Anatomy-Season-1-4-...

www.dvdorderonline.com/products/Greys-Anatomy-Season-1-4-...

Grey's Anatomy is a hospital drama that focuses on Meredith Grey (Ellen Pompeo), one of several first-year surgical interns at a Seattle, Wash., hospital. Along with her colleagues, Meredith struggles to maintain relationships while staying sharp at her new job.

The professional roles and real lives of a diverse group of surgeons collide unexpectedly in this Golden Globe-winning ABC television drama. As an intern at prestigious Seattle Grace Hospital, Meredith Grey (Ellen Pompeo) tries hard to live up to the reputation of her legendary surgeon mother while hiding the fact that her mom now suffers from Alzheimer's disease. As if life weren't complicated enough, Meredith also falls for her boss, Derek Shepherd (Patrick Dempsey), a surgical resident recently relocated to Seattle from New York. Meredith's friend and rival Cristina Yang (Sandra Oh) finds herself in a similarly taboo romance with Preston Burke (Isaiah Washington), Derek's chief competition for the title of chief resident. As for Meredith and Cristina's fellow interns -- Isobel "Izzie" Stevens (Katherine Heigl), George O'Malley (T.R. Knight), and Alex Karev (Justin Chambers) -- they've got problems of their own. Izzie doesn't want to be judged for her underwear-model past; Alex is better at bedding the ladies than bedside manner; and George can't get any of the women around him to see him as anything but a cuddly friend. All five interns answer to the roar of senior resident Miranda Bailey (Chandra Wilson), affectionately known as "the Nazi." But even Dr. Bailey jumps to it when Chief of Surgery Richard Webber (James Pickens Jr.) is on the scene. Although it was a hit from the time of its mid-season launch -- in a plum post-Desperate Housewives time slot -- on March 27, 2005, Grey's Anatomy had sat on the shelf for a year before it saw the light of day. Creator and executive producer Shonda Rhimes received plenty of accolades for her color-blind casting, but it was Oh who earned an Emmy nod and a Golden Globe statuette for her work on the show's first season.

 

Shop Here: teampieslmarathon.blogspot.com/p/blog-page.html

Shopping for Pie

 

A Shopping ‘Marathon’

To Help Raise funds for

Kelpie Snowbear's Brain Surgery

 

Pie's Story

Kelpie Snowbear, Also known as "Pie"

Is a Sl Blogger and store owner.

She recently found out she has a brain invader

in the middle of her brain. Her

Doctor is concerned it May be a Pineocytoma

which is a rare type of brain Tumor, of the pineal Region of

the brain. Do to Kelpies every growing symptoms her Doctor recommends surgery.

Do to where it is Located, and its Rarity she must

go out of state for surgery, Her current insurance will not cover

anything out of state. The cost is VERY high. 167,000USD.

Kelpie was able to find another insurance that will drop the

OUT OF POCKET of 167,000 to between 28-70 K USD.

She can not enroll on this insurance until Nov. So right now her

surgery is postponed until the insurance kicks in and until we have the

out of pocket. As ALL of the Out of pocket must be paid A MONTH before surgery.

  

About Event

This is a Store to Store type of event. It is free to join. You must make at least one item to sell in your in world store or even your marketplace if you do not have a in world store at this time. You must have between 20-100% of each sale go to the fundraiser.

If you would like to know more Or be a part of this 'Marathon' Contact Kelpie Snowbear

via Im or Notecard. She will send you a welcome folder.

  

** New stores can join in at anytime, also you can leave the event and pick up your items at anytime,

just give me a heads up, as I like to keep the list of items for sale, up to date on the blog.

  

If you would like to know more of Kelpie's story:

Go Fund Me: www.gofundme.com/tumorsurgery4april

Local News: www.youtube.com/watch?v=VnaFggISy_I

  

My photo was used for the cover of this quarter's California Kayaker magazine!!

 

You can read (and download) the entire magazine online here: www.calkayakermag.com/magazine.html Even if you're not a kayaker, there's usually interesting articles on nature and wildlife, too.

Garden Planter Carts made of Chinese fir with burn finish or natural finish. All raw wood material kiln dried thus the wooden wagons have stable characters, they are weather resistent, anti insects.

All wooden wagons shipped in knock down styles. They are pre-assemblied before shipment.

Wood wagons are good choice for garden decoration, you can plant flowers in them and remove them freely.

Besides wood wagons, we also supply wooden wheelbarrows, vegetable raised beds wooden，

garden planter boxes ，

wooden planting tables

This event took place 25th October 2014 in Prague. More infos at halloweenouting.net/en1.html

© Álbum 2487

By Catedrales e Iglesias

Arquidiócesis Primada de México

 

www.catedraleseiglesias.com/

 

Parroquia de Nuestra Señora de Guadalupe

 

Sitio Oficial de la Parroquia

www.laguadalupita.org.mx/menu.html

 

Párroco: P. Ricardo Junius Sander

Vicaría: II Decanato; 3

Joaquín García No. 39

Col. San Rafael

Del. Cuauhtémoc

Tel. 5546-6974 y

Tel. 55359788

 

La Guadalupita,un templo que respira vida

Escrito por Mauricio Carmona R.

Parroquia de Nuestra Señora de Guadalupe

 

La Guadalupita, un templo que respira vida

 

La mancha urbana ocultó el templo, pero no el ánimo de los fieles.

El testimonio de los sacerdotes hace que la feligresía tenga “hambre de Dios”.

 

Mauricio Carmona R.

Entre las calles de la Colonia San Rafael, plagada de teatros y centros nocturnos, subsiste la iglesia de la “Guadalupita”, como lo llaman los vecinos. Y a pesar de que pareciera una zona cerrada a la Palabra de Dios, los sacerdotes y la comunidad han hecho ver lo contrario.

 

El templo

Image

Narra la historia que donde hoy se levanta el Palacio de Bellas Artes, vivió la familia Aguilar Reyes, católicos nobles y buenos, cuya vivienda desapareció luego de un terrible incendio. La madre había quedado atrapada en el interior de la casa, por lo que se encomendó a una imagen de la Guadalupana que se hallaba en la recámara; a cambio de salir con vida de esa catástrofe, le prometió a la Virgen un oratorio.

 

La Reina de los Cielos escuchó las súplicas, pues pronto un vecino tendió una escalera y otros más le ayudaron a descender hasta quedar a salvo. El fuego consumió todo, excepto el cuadro milagroso de la Santísima Virgen de Guadalupe.

 

Pasados algunos meses, la familia se dio a la tarea de construir una capilla a la Morenita en una propiedad de la naciente Colonia San Rafael. Viendo la devoción que los vecinos tenían a la imagen, pidieron permiso a la Sagrada Mitra para celebrar Misa todos los domingos en el pequeño recinto.

 

El Arzobispo de México, entonces Mons. Luis María Martínez, viendo la cantidad de fieles que acudían, decretó que la capilla fuera elevada a rango de parroquia, delegando el cuidado pastoral a los sacerdotes Misioneros Oblatos de María Inmaculada. Con grandes esfuerzos, el amplio y hermoso templo fue concluido y dedicado el 12 de octubre de 1954, con el nombre de “Iglesia de la Guadalupita”, convirtiéndose además en la casa madre de la orden.

 

La comunidad

A pesar del gran tamaño del templo, tanto en profundidad como en altura, la mancha urbana no cedió terreno y dejó casi invisible el recinto. Ni los enormes puentes del Circuito Interior ni los numerosos teatros y locales de la zona dejan ver con facilidad la iglesia.

 

Pese a ello, la comunidad no cede ante cualquier dificultad, y en verdad que las tiene. Las distintas calles que rodean el templo se han visto plagadas por centros nocturnos y pequeños “antros”, que han hecho de aquellos parajes una zona roja; incluso, parecía retador el hecho de que justo a las puertas de la parroquia se encontrara uno de estos bares. La comunión y solidaridad de los vecinos de la Guadalupita no se hizo esperar para resolver la situación y, después de largos acuerdos, se logró el cierre del establecimiento. El P. Ricardo Junius, párroco del lugar, nos comenta la satisfacción que siente por encontrarse en medio de una comunidad actuante.

 

“Pienso que somos una comunidad muy unida y con ganas de compartir nuestra fe”, explicó el sacerdote de origen estadounidense. “Estamos ansiosos de propagar con más devoción el Evangelio, sobre todo con los vecinos que llegan a los nuevos departamentos que han construido”. Y es que en los últimos años, la zona ha quedado repleta de condominios, generando con ello, más dificultades para transmitir el mensaje de Cristo.

 

La Pastoral

La iglesia de la Guadalupita ha quedado oculta por la mancha urbana, pero no ha sucedido lo mismo con el espíritu de trabajo de los fieles, el cual deja entrever el esfuerzo que han hecho los padres Oblatos en la actividad pastoral que se destaca.

 

“Muchas personas se han mudado a otras partes de la ciudad y algo que nos entusiasma es ver sus rostros cada domingo en Misa o en nuestros grupos parroquiales. Vienen desde lejos a su parroquia”, confesó el P. Ricardo.

 

El trabajo que han realizado los sacerdotes ha hecho eco en la comunidad. “Nos llena mucho ver a los padres trabajar desde muy temprano y hasta avanzada hora la noche”, comentó la señora Felicita, quien además explicó que “los sacerdotes nos han hecho sentir hambre de Dios y de Su Palabra ¿Y cómo no sentirlo al ver el testimonio y ejemplo de nuestros padres?”

 

Por ello, y a solicitud de la comunidad, iniciará un Curso de Evangelización a partir del 5 de febrero, fiesta de san Felipe de Jesús. “Será un curso muy completo donde se descubrirá a Cristo, paz y alegría permanente, y que logrará nuestro objetivo principal que es ser representantes vivos del Evangelio”.

 

Entre los proyectos de esta comunidad, cabe destacar también la creación de nuevos grupos parroquiales como son los ministros extraordinarios, equipo litúrgico, renovación carismática y un foro de debates sobre temas fuertes de interés para la Iglesia Católica”.

 

Finalmente, los fieles, como don Ramiro, no pierden la esperanza de que este hermoso templo pueda llegar a ser una basílica menor, puesto que el número de asistentes es grande y “tal vez a nuestra Madre le gustaría que esta casita suya también se considerara santuario de oración”

Our Lady & The English Martyrs, Cambridge

 

stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...

 

Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.

 

At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).

 

The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.

 

Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].

 

Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.

 

Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.

 

The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.

 

The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.

 

The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.

 

The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.

 

Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.

 

The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.

Blogged: Punkie Pie's Place

www.decorobra.com/belleza-relajacion-y-tranquilidad-inter...

  

La idea primordial en la decoración japonesa es transmitir equilibrio y tranquilidad, donde la representación de un color audaz, la textura o el material es suficiente para representarla y la exageración engaña su efecto. La esencia de la decoración interior de estilo japonés es el equilibrio. Blanco y negro son dos colores que se utilizan ampliamente en este estilo de decoración. Comedores y dormitorios son flexibles y se definen por las pantallas móviles. En algunas áreas para dormir hay futones colocados en el suelo por la noche, luego plegados durante el día y a veces guardados, lo que permite más espacio para vivir.

   

El atractivo de una habitación de estilo japonés, no es sólo su intimidad, sino también ser capaz de sentir la naturaleza al aire libre, mientras se esta en el interior. Ya que las habitaciones tradicionales de estilo japonés están construidas con materiales naturales solamente, tales como madera, papel, piedras, tierra, paja y tela, ofrecen no sólo comodidad, sino también la función de limpiar el aire debido a que el material respira. Los zapatos son retirados en el hall de entrada, y el tatami (esterilla de paja tejida), se pisa con los pies descalzos. La luz del sol brilla a través de las pantallas corredizas de papel, suavemente iluminando las flores que adornan la alcoba.

   

Gran parte del atractivo de una casa tradicional japonesa se ​​debe a su aspecto limpio y despejado, y el diseño sencillo pero elegante. En el diseño interior japonés no se trata de añadir elementos adicionales a la habitación. El objetivo es reducir al mínimo realmente la distracción y permitir la graciosa belleza de la elección de algunas piezas de mobiliario que combinan con el ambiente y la atmósfera de la habitación.

El efecto y la sensación sólo puede ser descrito como impresionante y el resultado final es un ambiente de descanso, la serenidad tranquila y pacífica.

 

[gallery link="file"]

 

 

twitter.com/dahldifference

 

From Edmunds (http://www.edmunds.com/ford/taurus/2008/review.html) -

 

What Edmunds.com says

 

The reborn 2008 Ford Taurus hits the dance floor with some fresh moves courtesy of a 263-horsepower V6. The engine upgrade, along with the Five Hundred's pre-existing comfortable cabin, cavernous trunk and top-notch safety scores, make the new Taurus a worthy candidate for a full-size sedan.

 

Pros

 

Extra-large backseat and trunk, outstanding crash test scores, comfortable ride, good visibility, available all-wheel drive.

 

Cons

 

High front seats create an odd driving position that might be uncomfortable for taller drivers, transmission occasionally slow to downshift.

 

What's New for 2008

 

Ford resurrects the Taurus nameplate for 2008 by affixing it to a much-improved Five Hundred. A more powerful engine, a nicer and quieter cabin, a retuned suspension and a corporate three-bar grille are the major highlights.

 

Introduction

 

Name recognition and awareness are no doubt important for automotive manufacturers. For example, look no further than the 2008 Ford Taurus. Ford has pulled the Taurus nameplate out of its one-year dirt nap in hopes of getting back into the thick of the large family sedan game. But is the public's awareness of the Taurus name a good thing or bad? Though a hero car back in the 1980s and early '90s, more recent iterations of the Taurus were dated and anonymous, a favorite of image-dulling rental car agencies and a not-so-favorite of middle management types who received them as company cars.

 

The Taurus revival is combined with the death of the Ford Five Hundred, a large sedan introduced a few years ago that never sold like the company had hoped. Although it offered a large cabin and an impressive ride and handling balance, the Five Hundred was let down by weak engine performance and a lack of refinement.

 

Thankfully, the 2008 Ford Taurus gains a number of improvements as part of its return. Under that familiar Five Hundred sheet metal are much improved running gear and additional features. In fact, Ford says there are more than 500 changes. A 263-hp V6 replaces the lame 203-hp V6, and a more responsive six-speed automatic replaces the sluggish continuously variable transmission (CVT) across all trim levels.

 

Other improvements for this large family sedan include the adoption of stability control, a "Ford Sync" system (that allows hands-free use of mobile phones and digital music players), improved cabin materials and more sound insulation for a quieter ride.

 

With its major performance infusion, addition of key safety and luxury features, and available all-wheel drive, the Ford Taurus is the best it's been in a long time. Given the Taurus' size (along with the fact that the Ford Fusion now battles stalwarts like the Honda Accord and Toyota Camry), you'll probably want to cross-shop it against full-size sedans like the Chrysler 300, Hyundai Azera or Toyota Avalon. Though still slightly deficient in terms of style (compared to the 300) or all-around polish, the Taurus is certainly worth consideration.

The last few days have been a flurry of activity with building on the river and wet lands. But, in between I have gone to a bunch of new places and back to some of my favorite venues.

 

Xavier & I love to salsa. So we did a search and wham, we found >Latin Palace Dance Club. Couples were dancing in dressy attire to wonderful salsa music. Wearing a tuxedo without a shirt and me in a short cocktail dress, it so reminded Xavier & me of Miami clubs.

 

A stopover at Organica to catch the last hour of DJ Qee's set woke us up with a nice psy jolt! So good to hear Qee's dynamic sounds and see old friends.

 

A brand new club called Fear FM sent me a tp. I got to meet owner/builder Cypher Webb. Beautifully built by Cypher, he was also spinning an awesome set of hardstyle and goth rock. I had a blast there. Cypher is also recruiting DJ's so peeps, give him a shout!

 

It was so late on Thursday night (Fri morn?) that I just had to stop off and say hi to DJ Xavi at The Cave. Owner Tasty Hax was there, too. I run into her at every party!

 

Friday afternoon, I got a tp from one of the builders. I ended up at Blackhearts 80's club. I love the funkiness of this club. So simple. It feels like a rock n roll club. Halloween was coming and the Pillsbury Dough Boy showed up! LOL!

 

Late night, and Xavier & I headed for DJ Nebulae's set at Piranha. Xavi loves this club. He set his JMD Effects hud on and we were in psy heaven. We always have fun at Shad's club!

 

In between all the craziness, I hit New Berlin's Electro Smog. Gee... I can't seem to get enough of this place. Zap Hax was hosting and DJ djleftydc Denja was spinning a sweet set of tunes.

 

Another new place I landed upon was Le Ghetto Hype. This is a fun club of alternative and eclectic tunes. Owner DJ Frederick Neberle & partner ARNAUD Mureaux have built a wonderful place to hang.

 

Off to Divaz Lounge! DJ 8wall Wrigglesworth just sent me a tp! OMG, 8wall is spinning at Divaz.

I met 8wall at Dance Island last year and then over at Nutrie. He spins a very chill set of house and minimal tunes.

 

But, the highlight of my night was at Old Factory listening to DJ Jeangilles Anthony. This frenchman is an artist. Beautiful industrial noise layered with a hardstyle beat... then transcending into experimental music... psychedelic experimental noise. LOL! and I fell asleep there... just couldn't leave!

 

Late night on Friday, Xavier and I ended up at DJ Digital Francis' Le Pardis de Digital Nation. It was an after party and Digi was spinning. Xavi & Digi started a "stump me" game. I think Digital was very impressed with Xavier's musical knowledge. They bro-downed the entire night leaving me and DJ Snowkitty dumbfounded... 'cause neither of us knew any of the tunes. LOL! I think Xavier has a new favorite dj now!

www.dailymail.co.uk/health/article-11228101/Why-mild-Covi...

 

Why even MILD Covid is now being linked to long-term heart trouble: Millions of us have had the infection - and recovered in days. Now worrying research suggests there could be a nasty sting in the tail

 

Two weeks after falling ill with Covid TV doctor Xand van Tulleken thought he was on the mend, when he suddenly took a turn for the worse.

 

‘I woke at 3am with my heart rate rushing at 170 beats per minute [it should have been about 60] and in a chaotic rhythm. I felt bad: faint, sweaty, breathless, panicky,’ he says.

 

This was March 2020, at the start of the pandemic, when little was known about the typical course of the infection.

 

But Xand’s training as a public health doctor left him in little doubt that he had developed atrial fibrillation, a dangerous heart rhythm disorder where abnormal electrical impulses cause an irregular and often racing heartbeat. It can lead to stroke and, in extreme cases, heart failure.

 

‘I believed that my heart-rhythm problem arose most likely as a result of the virus inflaming my heart,’ he says. Realising the seriousness of the situation he raced by taxi to University College Hospital in London.

 

‘The emergency doctors shocked my heart to stop it temporarily, allowing it to restart in a normal rhythm, a process called cardioversion,’ he adds.

 

With his heart beating more normally, Xand was prescribed bisoprolol, a type of beta-blocker — medication that alters the heart’s response to nerve impulses, slowing its rate to reduce the risk of further heart-rhythm problems. But it didn’t.

 

‘My heart went into atrial fibrillation several times after that, meaning I had to go through the cardioversion process repeatedly,’ he says.

 

A year after his original infection, in 2021 Xand had to return to hospital for an ablation, a procedure that uses freezing liquid nitrogen to ‘burn’ heart tissue, creating scarring that disrupts the electrical signals that cause irregular heartbeats.

 

‘Surgery took about 90 minutes and I was awake throughout,’ he recalls. ‘It wasn’t painful but it definitely wasn’t enjoyable. When it got to the bit where they froze the heart tissue with liquid nitrogen in a balloon threaded through my artery, I was gripped by a sense of impending doom.’

 

Xand now feels recovered, mercifully. But millions of fellow Britons have been left facing similarly dangerous and debilitating heart problems in the wake of Covid.

 

Some 23 million Covid infections have been recorded in the UK, although it’s estimated that many more cases have gone unrecorded because those affected weren’t tested.

 

Two million people in the UK are living with long Covid, data from the Office for National Statistics (ONS) revealed in June. It classified long Covid as experiencing symptoms more than four weeks after a coronavirus infection.

 

Fatigue is the most common, followed by shortness of breath, loss of sense of smell and difficulty concentrating, according to the ONS, but more worryingly there are also significant reports of long-term heart-related problems.

 

In March, the potential scale of such problems was revealed by a paper in the BMJ. The study of more than 47,000 people who’d been hospitalised with Covid-19 showed that they were about three times more likely than uninfected people to face major cardiovascular problems within eight months of being taken to hospital.

 

It’s not only people who were hospitalised who have been affected. A study in March of 150,000 Americans found serious heart complications can occur in people who seem to have recovered from a mild infection. The report in the journal Nature Medicine, led by Dr Ziyad Al-Aly, an epidemiologist at Washington University, St Louis, in the U.S., found that people who’d had Covid faced substantially increased risks for 20 conditions, including heart attacks and strokes, in the following 12 months.

 

In patients who’d been admitted to intensive care the risk of conditions, such as myocarditis (inflammation of the heart that reduces its pumping ability) and blood clots in the lungs, was at least 20 times higher than in uninfected people. But even those who had not been hospitalised had increased risks of many conditions, ranging from an 8 per cent increase in heart attacks to a 247 per cent increase in myocarditis.

 

Scientists have long known that respiratory infections such as flu can trigger heart disease. This is because they cause inflammation, which plays a major role in cardiovascular illnesses.

 

However, a Covid infection seems to cause a much higher incidence of problems, and following much milder levels of initial illness.

 

‘It is not only surprising but also profoundly consequential that the risk is evident even in those [who had mild infections],’ says Dr Al-Aly. ‘That’s what makes this likely a serious public health problem.’

 

But why? One possibility is that the virus’s spike protein — which it uses to invade human cells — can cause an outbreak of localised inflammation in heart tissue that is so intense that it damages the muscle. Dr Zhiqiang Lin, an assistant professor of cardiology at the Masonic Medical Research Institute in New York, exposed human heart tissue in the lab to spike proteins from Covid-19 and HCoV-NL63, a coronavirus that infects the respiratory system without harming hearts.

 

He found Covid-19 sparks an immune response in heart cells whereas the other coronavirus did not. He believes that causes excessive inflammation which damages heart cells and causes myocarditis.

 

But Covid may also harm cardiovascular health in another way, according to a study by Houston Methodist Academic Medical Centre, Texas, published in August. This found that patients with long Covid heart symptoms may have double the normal risk of having unhealthy endothelial cells, which line the inside of the heart and blood vessels.

 

Endothelial cells play a key role in dilating the arteries and helping to get blood to the heart when we do physically strenuous activities. Patients with unhealthy endothelial cells, a condition known as microvascular dysfunction, are at higher risk of heart failure and death.

 

Dr Mouaz Al-Mallah, a cardiologist who co-authored the paper, explains in the journal JACC: Cardiovascular Imaging: ‘When a patient exercises they need more blood delivered to the heart to be able to provide blood to the entire body ... But in some patients with Covid, we noted it’s not increasing to the degree it should be.’

 

Dr Al-Mallah’s team scanned the hearts of nearly 400 patients with long Covid. The scans showed they were twice as likely to have unhealthy endothelial cells inside the heart and blood vessels. ‘This may potentially explain why some patients are having chest pain and shortness of breath because their heart is not getting that extra blood,’ Dr Al-Mallah wrote.

 

Not everyone is convinced that the dangers are widespread, however. In a small study of 52 people, Professor Gerry McCann, a cardiac-imaging specialist at the University of Leicester, found that people who had recovered after being hospitalised with Covid-19 had no greater rate of heart disease than people who had similar underlying cardiovascular conditions such as high blood pressure, but who had remained uninfected by the virus.

 

He is working on a larger study with around 1,200 participants. ‘The more data we’re acquiring, the less impressed we are with the degree of myocardial injury,’ he told Good Health.

 

‘There is no doubt Covid is associated with heart problems in hospitalised patients, although it is relatively uncommon. Those who are hospitalised tend to have other risk factors such as older age, obesity and pre-existing cardiovascular disease.’

 

He adds: ‘There are mixed reports on the extent of heart problems from researchers using imaging techniques. Some of the abnormal findings are of uncertain clinical significance and we are not sure how much of the changes are related to pre-existing conditions.’

 

Other British researchers disagree that the extent of cardiovascular dangers are exaggerated.

 

Colin Berry, a professor of cardiology and imaging at the University of Glasgow, said: ‘Professor McCann’s study has serious limitations because it only studied 52 patients. I would concentrate on much larger studies that have greater statistical power such as the American ones, which do show widescale problems.’

 

Professor’s Berry’s own study, published in Nature Medicine in May, covered 1,306 former Covid patients. It found that one in eight people who had been hospitalised with the virus between May 2020 and March 2021 were later diagnosed with myocarditis.

 

‘Prior to Covid they had been fit and healthy,’ he says. ‘I think that the damage is more than just to these patients’ hearts but to their wider cardiovascular systems.

 

‘It may also involve their blood vessels, which helps to explain why such long Covid patients are showing physical problems and loss of quality of life.’

 

Dr David Strain, a senior clinical lecturer at the University of Exeter who specialises in viral infections, also believes Professor McCann’s results may not represent the whole picture.

 

‘The patients he studied are generally being followed up after they have left hospital, when the main danger period has passed,’ he says. ‘Beyond three months there seems to be a negligible risk of bad cardiovascular things happening.’

 

Dr Strain argues instead that the majority of heart problems emerge in a period that lasts from six to eight weeks after Covid infection. ‘This is the period when we see rates of heart attacks, strokes and blood clots going up,’ he says. ‘During this post-infection danger period, Covid picks on your weakest parts, such as your heart and arteries.’ Over the longer term Dr Strain says worrying evidence is mounting to suggest that the virus can hide dormant in our bodies for months or even years.

 

‘If the virus can hide in the body then anything that weakens a person’s immune defences — such as physical stress, infection or reinfection with another strain of Covid — may allow the virus to re-emerge,’ he says. ‘There is evidence to suggest long Covid can be caused by the virus persisting, and having surges subsequently may cause cardiovascular disease.’

 

This, Dr Strain says, is why it is crucial people getting over Covid take things very easy when recuperating from the virus. ‘From what we see, people who return to work early are more likely to get post-Covid problems,’ he warns.

 

Professor Berry agrees. ‘I advise long Covid patients to keep active, but to stay within their own limit,’ he explains. ‘Go for short leisurely walks and if you can do that well, try brisk walks — but don’t overdo it.’

 

Xand van Tulleken wishes he had taken things more slowly two years ago in the wake of his Covid infection. ‘I did not try to take it easy,’ he says. ‘Even on the day I suffered the first bout of atrial fibrillation, I went straight into work.’

 

As a result, ‘I went into a downward spiral. Being post-Covid and with heart worries, I felt depressive, miserable,’ he says.

 

‘Lots of people have gone through this stuff. Fortunately I had the support of my parents, who encouraged me to exercise gently and cooked for me. My twin brother Chris has been hugely helpful with recovering my health by getting me to eat well, not eating junk food and ultraprocessed foods to aid my general health.’

 

He adds: ‘Professor Toby Hillman was my doctor at the clinic for people with Covid complications. He said his best advice for anyone with long Covid is to rest.’

 

Thanks to a combination of Xand taking this on board, and having the successful cardioversion op, he says: ‘I now feel amazing.

 

‘I can go for a run every morning and feel healthy.

 

‘Convalescence is what we all need after Covid. It sounds such an old-fashioned word, but as a nation we have lost the concept of convalescence. We need to get it back.’

 

fortune.com/well/2022/09/20/bf-7-new-covid-subvariant-ris...

 

Just in time for fall, there’s a brand-new COVID variant making headway in the U.S.

 

A new COVID strain started to create waves among virus trackers this week, outpacing nearly all other variants of interest scientists are tracking in the U.S. this autumn.

 

The variant, which scientists have named BF.7—short for BA.5.2.1.7—comprised 1.7% of sequenced infections last week in the U.S., according to new data from the U.S. Centers for Disease Control and Prevention. Other variants jockeying for the top spot right now—held by BA.5, at 85%—include BA.4.6, which comprised 10.3% of infections, and BA.2.75, which comprised 1.3%.

 

Scientists are taking notice of BF.7 because it’s making headway in an increasingly crowded field of Omicron subvariants. For months they’ve watched BA.2.75—dubbed Centaurus by the Twitterverse—as a variant of interest with potential to surge this fall. But this week, BF.7 surpassed it.

 

Potentially more transmissible than BA.5

 

BF.7 is only beginning to grow off in the U.S., but it’s already taken off in other countries.

 

So far Belgium has seen the lion’s share of BF.7 cases identified globally: 25%. Denmark, Germany, and France have each seen 10% of the world’s identified cases so far, according to cov-lineages.org, a COVID data repository updated daily by contributors from universities in England, Scotland, and Australia, among others.

 

The new subvariant was first reported by the CDC as part of cases of BA.5, which rose to prominence this summer. But the CDC recently broke it out into its own category when cases topped 1%, Dr. Stuart Ray, vice chair of medicine for data integrity and analytics at Johns Hopkins Department of Medicine, told Fortune.

 

“The same growth advantage in multiple countries makes it reasonable to think that BF.7 is gaining a foothold,” and that it’s potentially more transmissible than parent BA.5, Ray said. Children of variants “don’t grow relative to their parent unless they have an advantage.”

 

While nothing is known about the severity of disease BF.7 might cause, so far all Omicron subvariants have had similar severity, he added.

 

The new subvariant has a change in the spike protein—a feature that allows it to enter cells—seen in other Omicron strains making headway. It also has a change in the nucleotide sequence—sometimes referred to as the blueprint of an organism—that could cause it to behave differently than other subvariants. But the extent to which it will diverge, if it does at all, is currently unknown, Ray said.

 

COVID is continually evolving to become more immune evasive, according to Ray, and Omicron is spawning exponentially. He added he wouldn’t be surprised to see a new variant altogether this fall.

 

“It’s been a while since we went from Alpha to Beta to Gamma to Delta, then to Omicron,” he said. “We may be complacent. This may be feeding into the notion that this is behind us.”

 

The tangle of Omicron spawns—with or without a new parent variant—could make for a rough fall and winter, Ray said.

 

His advice? Continue to mask and get your booster. And remember that the pandemic isn’t over.

 

“There are people who predicted COVID would be over by Easter of last year,” he said.

  

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

LINK to another version of this photo used in a Vancouver newspaper - 28 July 1908 - www.newspapers.com/article/the-province-new-westminster-l...

 

LINK to another version of this photo with all players identified - (Vancouver Province newspaper - 22 July 1908) - www.newspapers.com/article/the-province-the-minto-cup-cha...

 

LINK to another version of this photo (11 July 1908) - New Westminster Lacrosse Champions Leave for the Trip East - www.newspapers.com/article/the-province-new-westminster-l...

 

LINK to - Record of Players of the New Westminster Lacrosse Team - www.newspapers.com/article/the-victoria-daily-times-recor...

 

Postcard photograph of the 1908 Minto Cup champions, the New Westminster Salmonbellies Lacrosse Club. C. Spring, C. Galbraith, W. Turnbull, J. Bryson, T. Gifford (Captain), A Turnbull, L. Turnbull, J. Gifford, C.A. Welsh (Business manager), C.D. Peele (team manager), A.B. Gray, T. Rennie, C.P. Latham, J. Feeney, I Wintemute, G. Rennie.

 

Alexander / Alex Baird "Sandy" Gray, goal-keeper, 23 years, 148 pounds; born in New Westminster and commenced playing senior lacrosse in 1901. A stalwart wall in goal for the New Westminster Salmonbellies at the start of their Minto Cup championship run, Alex ‘Sandy’ Gray was the best goalie on the Coast during the four seasons (1908, 1909, 1910 and 1911) in which he played professional lacrosse for the Salmonbellies. LINK - oldschoollacrosse.wordpress.com/2014/01/25/alex-sandy-gray/

 

(b. 24 June 1884 in Wellington, Nanaimo Regional District, British Columbia or New Westminster, B.C. - d. 28 June 1966 at age 82 in New Westminster, B.C.) - Outside of lacrosse, ‘Sandy’ Gray worked for 34 years as the provincial government agent at the New Westminster courthouse until his retirement in 1949. LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/e3... - LINK to his Find a Grave site - www.findagrave.com/memorial/97005883/alexander-baird-gray LINK to his newspaper obituary - www.newspapers.com/article/nanaimo-daily-news-obituary-fo...

 

Charley Galbraith, point, 26 years, 170 pounds; came to New Westminster in youth and has been in senior company since 1905.

 

Charles "Charlie / Charley" Galbraith

(b. August 28, 1881 in Belledune, Gloucester County, New Brunswick, Canada – d. November 10, 1924 at age 43 in Langley, Greater Vancouver Regional District, British Columbia, Canada) - he played for the New Westminster Salmonbellies Lacrosse team (1905-1911). LINK to his life story - oldschoollacrosse.wordpress.com/2016/04/03/charlie-galbra... LINK to his Find a Grave site - www.findagrave.com/memorial/143533925/charles-galbraith

 

LINK to his newspaper obituary - Charles "Charlie" Galbraith Obituary - www.newspapers.com/article/the-vancouver-sun-charles-char...

 

Thomas "Tommy" Gifford, cover point (captain), 28 years, 188 pounds; has been playing senior since 1898; went east on both former trips made by team in 1900 and 1902. LINK to his life story - www.clhof.org/index.php/en/about/in-the-news/news/28-old-...

 

Thomas Stoddart Gifford

(b. 5 June 1880 in Lockerbie, Scotland - d. 4 May 1966 at age 85 in Seattle, Washington) - HOF lacrosse player - he played for the New Westminster Salmonbellies Lacrosse team (1898-1912). LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-thom...

 

James "Jimmy" Stoddart Gifford, first defence, 21 years, 150 pounds; playing senior since 1905. By the time the professional game came along in 1909, Gifford had already earnt the reputation for being one of the hardest and toughest players to take to the field. During the professional era his heated rivalry with ‘Newsy’ Lalonde of the Vancouver Lacrosse Club was legendary, nasty, and relentless. Even in old age Gifford continued to hold a grudge and could not bear being in the presence of Lalonde – even refusing to attend his hall-of-fame induction because Lalonde would also be there receiving the same honour, over 50 years passing since their last bloody battles had been fought. LINK - laxhall.com/2023/09/jimmy-gifford/

 

James "Jimmy" Stoddart Gifford

(b. 26 September 1886 in Scotland or St. Paul, Minnesota - d. 9 November 1976 at age 90 in New Westminster, B.C.) - he played with the New Westminster Salmonbellies Lacrosse Club from 1905 to 1912. LINK to his life story - oldschoollacrosse.wordpress.com/2015/09/20/jimmy-gifford/ LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/b5...

 

LINK to - James "Jimmy" Stoddart Gifford - Field Lacrosse Great Dies in Royal City - www.newspapers.com/article/the-vancouver-sun-james-jimmy-... - and LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-jame...

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George Rennie, second defence, 26 years, 160 pounds; playing senior since 1901; went east on one former trip made by team.

 

Biography - In 26 years as a lacrosse player with the New Westminster Salmonbellies, New Brunswick - born George Rennie won five national championships and was selected to help represent Canada at the 1908 Summer Olympics. There he earned a gold medal with his team after it won its only match against Great Britain 14-10. He served in World War I, which interrupted his tenure with the Salmonbellies that had begun in 1901, but returned to the club after the conflict. He later served as an officer with the Royal City Adanacs lacrosse club and was inducted into the Canadian Lacrosse Hall of Fame as a charter member in 1966. LINK - www.olympedia.org/athletes/17802

 

George Haddow Rennie

(b. 10 March 1882 in Newcastle, New Brunswick, Canada - d. 13 December 1966 at age 84 in New Westminster, British Columbia) LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for... - LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/6b...

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Tom Rennie, third defence, 24 years, 160 pounds; commenced playing senior in 1902; went east with old lacrosse team as reserve man In 1902.

 

James (Pat) Feeney, centre, 22 years, 145 pounds; born in New Westminster and commenced playing senior in 1904.

 

W. Turnbull, third home, 22 years, 165 pounds; born in New Westminster and commenced playing senior in 1906.

 

Irving "Punk" Wintemute, second home, 22 years. 150 pounds; born in New Westminster and commenced playing senior in 1905.

 

(b. February 24, 1886 – d. March 28, 1937)

New Westminster Salmonbellies (1905-1915; 1919)

 

‘Punk’ Wintemute was a member of the 1908 Minto Cup team that went East to pry the silver mug from the Montréal Shamrocks. He would then go on to play eight seasons at the professional level for the New Westminster Salmonbellies. LINK to his complete life story - oldschoollacrosse.wordpress.com/2015/09/07/irving-punk-wi...

 

Alexander Turnbull, first home, age unknown, 160 pounds; got into the game about 44 (estimated) years ago; has been with New Westminster team since 1897.

 

Len Turnbull, outside home, 148 pounds, 19 years; born in New Westminster, and commenced playing senior in 1906.

 

Jack Bryson, inside home, 160 pounds, 21 years; born in New Westminster, and commenced playing senior in 1903.

 

C. P. Latham, spare man, 160 pounds, 24 years of age; commenced playing senior in 1902.

 

C. Spring, spare man, 166 pounds, 19 years; first played senior last year.

 

With the exception of Alex. Turnbull every man on the team learned the game in New Westminster.

 

John "Jack" Gifford - Team mascot - Jack Gifford, of Famous Lacrosse Family - Jack, who Is the youngest of the famous Gifford family of lacrosse players, has never taken the interest in the game that his elder brothers did in years past. He has played indifferently and the opportunity to get away from the moll and turmoil of coast lacrosse proved too much for him and he seized with avidity the opening offered.

 

John Jardine Gifford

(b. 25 November 1895 in New Westminster, B.C. – d. 5 August 1974 at age 80 in New Westminster, B.C.) LINK to his Find a Grave site - www.findagrave.com/memorial/159549161/john-jardine-gifford LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for...

 

LINK to his life story - oldschoollacrosse.wordpress.com/2024/02/27/jack-gifford/

 

LINK to - Jack Gifford in Munition Corps - www.newspapers.com/article/vancouver-daily-world-jack-gif... LINK to his WWI records - recherche-collection-search.bac-lac.gc.ca/eng/Home/Record...

 

C. D. "Biscuits" Peele, the team manager, who will have charge of the aggregation on the eastern tour, commenced in senior ranks and was one of the team which made the eastern tour In 1895. He also played with the 1900 and 1902 teams In the east. He was born here 34 years ago, and has been identified with the game since he was big enough to play. In fact, the Peele family were once known as "the lacrosse family," there being four Peele boys in lacrosse ranks at one time. C. D. Peele left the team in 1905.

 

Clarence Dale Peele

(b. 28 June 1874 in New Westminster, B.C. - d. 31 October 1933 at age 59 In New Westminster, British Columbia) - LINK to his newspaper obituary - www.newspapers.com/article/the-vancouver-sun-obituary-for...

 

Charles Almeron Welsh, the business manager who will 'accompany the team,' has never played lacrosse, but, during his residence in this city, has always followed and been closely associated with the sport. He was president of the club for two years.

 

Charles was a member of the Harbour Board, and the Royal Agricultural and Industrial Society, the Board of Trade, the City Council and the Police Commission. He was a staunch conservative who ran unsuccessfully against A. Wells Gray in 1927. Fraternally, he was a Mason, a member of King Solomon Lodge, and was a past potentate and honourary life delegate of the Shrine, Gizeh Temple. He was also a member of the local Kiwanis Club. Charles Welsh was a sportsman with membership in the Vancouver Golf and country Club. His main sporting interest was however in lacrosse, where he was on the Board of B.C. Lacrosse Association, was a trustee of the Minto Cup, and was involved with the New Westminster Salmonbellies for many years, with his highlight coming as manager in 1908 when his team won the Minto Cup.

 

The first Postmaster at New Westminster Sub Office No. 2 was Charles Almeron Welsh from the opening - 1 September 1912 to 9 April 1935. This Sub Office was located in his Grocery Store on 1117 Sixth Ave in New Westminster, B.C.

 

Charles Almeron Welsh

(b. 17 February 1866 in Midland City, Michigan, USA - d. 25 February 1938 at age 72 in New Westminster, B.C.) - LINK to his newspaper obituary - spokesman.newspapers.com/article/the-vancouver-sun/106049... LINK to his Find a Grave site - www.findagrave.com/memorial/77856566/charles-almeron-welsh

 

Rev. Dr. James Sutherland Henderson - President of the New Westminster Lacrosse team.

(b. 11 June 1858 in Newmarket, Ontario, Canada - d. 18 March 1940 at age 81 in Vancouver, British Columbia) - LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-rev-...

 

In 1903, Rev. J.S. Henderson became minister of St. Andrew’s Church, in New Westminster, B.C. Ten years, rich in service rendered and full of abundant activities, were passed in the Royal City. In his youth, for two years he had been a member of the champion football team of Ontario. Now lacrosse stirred his blood. For several years he was a member of the executive of the New Westminster Lacrosse Club - familiarly known as “The Salmonbellies,” and in 1908 when this team won the World Championship he was its honored president. LINK to his complete life biography - freemasonry.bcy.ca/grand_masters/henderson_j/henderson_j....

 

Daniel Trowling McElroy - New Westminster Lacrosse Team Trainer

(b. 5 April 1871 in Belfast, County Antrim, Northern Ireland - d. 2 October 1941 (aged 70) in New Westminster, British Columbia, Canada) - LINK to his Find a Grave site - www.findagrave.com/memorial/143397451/daniel-trowling-mce... - LINK to his newspaper obituary - www.newspapers.com/article/the-province-obituary-for-dani...

 

LINK to a newspaper article - Pte. D.T. McElroy injury in France during WWI - www.newspapers.com/article/the-province-pte-dt-mcelroy-in...

 

Son of Daniel McElroy and Jane Geddes

Husband of Mary Ellen Nicholson - married in 1898 - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/bb...

 

WW1 veteran, Private Daniel Trowling McElroy, Reg No. 790647. Enlisted with the 131st Overseas Battalion CEF in New Westminster, BC on 18 Feb 1916. Served in France with the Canadian Forestry Corps. Was discharged 8 Oct 1918 for being medically unfit for further service. LINK to his WWI records - recherche-collection-search.bac-lac.gc.ca/eng/Home/Record...

 

The team's average weight per man is 158 2/3 pounds.

 

New Westminster Salmonbellies travelled to Montreal for a challenge match. They beat the Montreal Shamrocks for its first Minto Cup (then given to the top senior team in Canada).

 

1908 was a pivotal year in the history of the Minto Cup when the New Westminster Salmonbellies defeated the Montréal Shamrocks 12 to 7 in their two-game, total-goals series. The first game of the series was a close 6-5 result before the Salmonbellies responded with a commanding 6-2 win in the rematch to clinch the silverware.

 

LINK to newspaper report - New Westminster Wins First Game of the Minto Cup Match - www.newspapers.com/article/the-province-new-westminster-w...

 

LINK to - New Westminster Wins Minto Cup - www.newspapers.com/article/the-province-new-westminster-w...

 

With the benefit of hindsight, the 1908 New Westminster-Montréal series signaled a changing of the guard and is probably the most historically significant event in the cup’s history until the juniors took over control of the mug. It saw the game’s first dynasty coming to an end with a brand-new one at the opposite end of the country ready to take its place. The victory for the Royal City was notable for two other important reasons: the New Westminster Salmonbellies were the last bonafide amateur team to challenge and win the professional trophy as well as the first club from the Pacific Coast to pry the silver mug from the hands of the Easterners. LINK to the complete article - oldschoollacrosse.wordpress.com/

 

- the photographer - Frederick Louis Hacking

(b. 2 July 1880 in Ontario, Canada - d. 20 February 1969 at age 88 in Monterey, California, USA)

 

He started as a photo printer with the Wadds Brothers, then purchased S.J. Thompson's former New Westminster studio and by 1908 was running his own Vancouver studio at 445 Granville St. in the Fairfield Block. His landscape photographs attacted notice at the 1899 New Westminster exhibition.

 

The Daily News-Advertiser described his Vancouver studio when it opened in the Fairfield Block (Building) in 1908. Hacking, who was the official representative from BC at the Photographers' Association of the Pacific Northwest 1910 conference in Vancouver, was also elected vice-president for BC that year.

 

He later immigrated to California and registered for the US World War Two draft in 1942.

 

VANCOUVER STUDIO (FAIRFIELD BUILDING) DESCRIPTION:

 

This description of F.L. Hacking's new photo studio was published by the (Vancouver) Daily News-Advertiser on 14 Aug 1908, p. 15. The article was illustrated with three photographs depicting the "Reception Room", the "Skylight Room" and "Another View of Reception Room."

 

"An Artistic Studio.

 

A member of the "News-Advertiser" staff visited the new photographic studio of Mr. F.L. Hacking in the Fairfield Building, Granville Street, where for weeks past contractors and decorators have been transforming several suites of rooms and offices into what is now recognized as the most complete and artistic studio in the Province.

 

On entering the reception room, one is immediately impressed by the beautiful and quaint appearance of the apartment, which is furnished in the early English style. Amongst the many special features one's attention is drawn to the beautiful panelled walls, enriched with copper nailing, the unique fire grate and the casement windows and doors, whilst four heavy clusters of drop lights, suspended from the beamed ceilings--all designed and made especially for this studio--give the room a pleasing and uncommon appearance.

 

The delightful color scheme, from the rich rug on the floor to the delicate harmony of walls and ceilings, tends to show to advantage the specimens of artistic portraiture displayed, and gives visitors that feeling of repose and satisfaction that assures them that their own work could not be entrusted to better hands.

 

Leading from the reception room through a massive archway are the dressing rooms, each fitted with long pier mirrors and furnished in the same good taste.

 

The skylight room, one of the most important features of Mr. Hacking's business, has been constructed to give lighting facilities which will enable photographs to be taken at all reasonable times and under all conditions. The room is large and not encumbered with a hetreogeneous [sic] mass of painfully artificial scenery and paraphernalia; instead you see instruments and accessories of the best lenses by Dallmeyer, of London, England, and Goerz, of Berlin; camera by Anthony, of New York, and the necessary backgrounds are a revelation of simplicity and rich value, all painted especially by Packard, of Boston.

 

Nearly every modern equipment known to photography may be found in this up-to-date studio. The developing and finishing rooms are complete in every detail, giving this studio advantages for promptly executing work, a desideratum of no small importance, and one that will be immediately appreciated.

 

As a capable photographer, Mr. Hacking needs but little introduction in Vancouver. He was apprenticed when a young man in a leading Eastern studio, where high ideals and careful workmanship were early acquired. Eleven years ago he came to Vancouver and after eight years connected with Wadds Brothers' studio purchased the studio in New Westminster formerly conducted by Mr. S.J. Thompson. His artistic work brought immediate success that has necessitated branching out into the broader fields of opportunity offered in Vancouver.

 

Not being satisfied with anything but the best location and equipment, he finally secured the present quarters in the Fairfield building, the heart of the best district, which our readers are heartily commended to visit and inspect.

 

Mr. Hacking aptly says that "the aim and purpose of this studio is to turn out only high grade photographs, and the best that experience, artistic training, perfect equipment and skilled workmanship can produce is offered to its patrons." LINK to the complete article - cameraworkers.davidmattison.com/getperson.php?personID=I1...

www.emergencyrooms.org/biennalist.html

 

----------

  

Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

 

Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni

 

Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,

Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,

Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,

Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore

Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe

the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay

 

Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.

Saturday 26 October 2013: Mandalay (မန္တလေး)

 

Our free day in Mandalay (မန္တလေး) (map) started with a walking tour of Ze Cho / Zegyo market, led by Josh, which was really interesting. The group then split into those who did a sight seeing tour with Josh as an optional extra (why not include it - as we found out, DIY in Mandalay is far harder than elsewhere), and Joelle, Anna, Miriam and I who opted to try out hand at taking in the sights on public transport.... where we had variable success: finding the bus stops near the market was tricky, but we had lots of help from local people (and even more offers from taxi drivers who wanted to take us on a tour), but unfortunately our first bus got a flat type somewhere on 32nd Street, and the next bus we hopped on to get us up to the cluster of pagodas north east of the Mandalay Palace (မန္တလေး နန်းတော်) complex charged us 1000k each (I think the local fare was closer to 100k-200k).... At least our adventures on public transport meant I got familiar with numbers written in Burmese script.

 

Along with the Palace, several of the pagodas are covered by a $10 combined ticket, but we decided to avoid those and focused instead on "the world's biggest book" - aka the inscribed marble 'tomb stones' at Kuthodaw Pagoda (ကုသိုလ်တော်‌ဘုရား) (although getting into it we took the "scenic route" around the perimeter walls and through some goat-filled woods). We did get to see the beautiful carved teak of the Shwe Nandaw Kyaung / Shwenandaw Monastery (ရွှေနန်းတော်ကျောင်း) through the bars of the railings that surround it, and the outside of the Atumashi Kyaung (အတုမရှိကျောင်း) monastery next door. We did a lot of walking, in vain, in search of the Sandamundi Pagoda - I think our directions/info was wrong as we wandered along long N-S streets and the military compounds that sit to the east of Mandalay Hill.

 

Having sat on a very slow bus back to the Ze Cho / Zegyo market area, we cut out losses and negotiated with a private taxi driver to take us to the sights south west of the city centre, which proved 3000k each well spent as he took us to the quiet (free) entrances to the stunning Maha Muni Pagoda (မဟာမုနိဘုရားကြီး), where the (male) faithful stick gold leaf offerings onto the ever growing Sacred Living Image of the Buddha, and the Shwe In Bin Kyaung, where we got to go inside the beautiful carved teak monastery building and to wander around the grounds (almost) all by ourselves.

 

At 4 o'clock we rendezvoused in the reception of the Silver Star Hotel, and were driven to Mandalay Hill (မန္တလေးတောင်), where sadly the rain impinged on our sunset views over Mandalay but (re)visting the Kuthodaw Pagoda en route (would have been nice to have been told that this morning). Still, dinner at the really super Super 81 made up for the rain - a feast, and a bargain to boot!

 

Read more….

  

Saturday 26 October 2013: Mandalay (မန္တလေး)

  

Our free day in Mandalay (မန္တလေး) (map) started with a walking tour of Ze Cho / Zegyo market, led by Josh, which was really interesting. The group then split into those who did a sight seeing tour with Josh as an optional extra (why not include it - as we found out, DIY in Mandalay is far harder than elsewhere), and Joelle, Anna, Miriam and I who opted to try out hand at taking in the sights on public transport.... where we had variable success: finding the bus stops near the market was tricky, but we had lots of help from local people (and even more offers from taxi drivers who wanted to take us on a tour), but unfortunately our first bus got a flat type somewhere on 32nd Street, and the next bus we hopped on to get us up to the cluster of pagodas north east of the Mandalay Palace (မန္တလေး နန်းတော်) complex charged us 1000k each (I think the local fare was closer to 100k-200k).... At least our adventures on public transport meant I got familiar with numbers written in Burmese script.

  

Along with the Palace, several of the pagodas are covered by a $10 combined ticket, but we decided to avoid those and focused instead on "the world's biggest book" - aka the inscribed marble 'tomb stones' at Kuthodaw Pagoda (ကုသိုလ်တော်‌ဘုရား) (although getting into it we took the "scenic route" around the perimeter walls and through some goat-filled woods). We did get to see the beautiful carved teak of the Shwe Nandaw Kyaung / Shwenandaw Monastery (ရွှေနန်းတော်ကျောင်း) through the bars of the railings that surround it, and the outside of the Atumashi Kyaung (အတုမရှိကျောင်း) monastery next door. We did a lot of walking, in vain, in search of the Sandamundi Pagoda - I think our directions/info was wrong as we wandered along long N-S streets and the military compounds that sit to the east of Mandalay Hill.

  

Having sat on a very slow bus back to the Ze Cho / Zegyo market area, we cut out losses and negotiated with a private taxi driver to take us to the sights south west of the city centre, which proved 3000k each well spent as he took us to the quiet (free) entrances to the stunning Maha Muni Pagoda (မဟာမုနိဘုရားကြီး), where the (male) faithful stick gold leaf offerings onto the ever growing Sacred Living Image of the Buddha, and the Shwe In Bin Kyaung, where we got to go inside the beautiful carved teak monastery building and to wander around the grounds (almost) all by ourselves.

  

At 4 o'clock we rendezvoused in the reception of the Silver Star Hotel, and were driven to Mandalay Hill (မန္တလေးတောင်), where sadly the rain impinged on our sunset views over Mandalay but (re)visting the Kuthodaw Pagoda en route (would have been nice to have been told that this morning). Still, dinner at the really super Super 81 made up for the rain - a feast, and a bargain to boot!

  

Read more….

 

DSC02347_small

Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive

le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye

www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,

Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …

Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -

Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.

www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije

Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.

la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes

Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...

Inspired by justaddwater.dk/2007/01/05/more-visual-html-jokes/

 

Image from www.flickr.com/photos/macten/133944332/

 

Coincidentally, this might be the only semantically proper use of the tt tag...

Sample: Arrrrgh! I'm you! You're me!

 

Somewhere in Konami, there is a box where all Really Stupid Ideas go. It may be an orange crate, a novelty cookie tin, or just a sturdy cardboard box that looked too useful to toss. I am convinced that the box exists, and that it was opened sometime in 1998, because no other facts will adequately explain Hybrid Heaven.

 

Let's take a deep breath and get started...

 

Aliens exist. Some of the aliens are nice, and others are evil. Evil but wily. They want to take over Earth, which just goes to show how desperate the galactic real estate situation is getting. So one of the evil aliens infiltrates the mothership of a nice alien race on its way to peacefully explore the planet Earth. The ship arrives at its landing site under New York City (apparently, the Manhattan bedrock is a myth), evil alien enslaves good aliens, and starts creating an unholy hybrid (of what, is not explained) clone army to take over the planet. All this multitasking leaves him little time; hence he has no name other than 'The Master'. He also makes hybrid clones that look exactly like certain people (like the American president) so he can pull switcheroos. The technology for sucking out people's memories comes in real handy whenever a swap takes place. Luckily, a lone Secret Service Agent has nothing better to do than get in The Master's way...

 

Is there even a point in criticizing a video game for having an appalling plot, terrible dialogue, and barely cardboard characters?

 

My answer is yes. There's 'pretty bad' like Metal Gear Solid, which wants to marry Clancy-style political-military-adventure thriller to the Japanese giant-robot anime tradition (some traditions should be dumped, and widow burning and giant robots are two of them), then there's bad like a rotten egg. Metal Gear's bad writing doesn't get in the way of much that is good about the game, while Hybrid Heaven's stinks to—well, high heaven. Hell, given a team of good disciplined writers with a sense of humor, it would still be possible to write a decent Metal Gear game. Outrageous villains, great gadgets, cool hero, hot babes, lots of suspension of disbelief -- this is stuff of James Bond after all. Can't say the same for Hybrid Heaven.

 

The hard truth is, the game industry is indifferent to decent writing overall, and particularly deluded when it comes to action games. The culture of the latter is that of teenage boys who aren't particularly interested in anything except what mainstream pop culture dishes out to them, and it shows. Having translated and played a fair number of plot-intensive video games, I can say with confidence that most of these writers do not have a clue what they are doing. They wouldn't last a day in even TV or film, yet they're allowed to put out crap like "You are Nick Vrenna. It is the year 2009. You have been falsely incarcerated inside a high security underground prison where illegal genetic experiments are taking place" without anybody batting an eyelash. Good thing too. Blinking might get in the way of shooting, causing you to lose precious, precious points.

 

So what if a game has great playability, beautiful graphics and all the works? If you're playing a game and the hero's girlfriend/communication officer (note to Hideo Kojima: you don't know a lot of women, do you?) is bugging him about commitment issues while he's hiding from recon inside an enemy installation, point at the so-called writers and laugh at them really loudly. In public. So these game producers think you're that stupid? Swallow it, give it good reviews, fail to call them on the idiocy and you've proven that yes, you are that stupid. Bring on the sequels, feed me more of that non-nourishing, vaguely headache-inducing stuff. I wouldn't recognize quality if it came up and bit me on my numb-from-too-much-sitting ass!

 

Demand better. It's no coincidence that there's nothing but sequels and formulas coming out of this relatively new, multibillion-dollar industry.

 

"Hybrid Heaven"™ and its characters and images are the property of Konami Corporation. This low-resolution image is solely used to identify the game in question. No free equivalent of this image exists. This image does not allow users to make illegal copies of the software, and does not diminish the copyright holder Konami's ability to market the software.

faizakhalida.blogspot.com.br/2008/08/blog-post_31.html

 

A questão do preconceito que eu passava no meu trabalho como professora da rede pública municipal não era relatada pela Procuradoria Municipal de Belford Roxo e pela Secretaria de Educação (SEMED). Ao contrário, a prática da Secretaria Municipal de Educação foi o de abafar o problema do preconceito, da discriminação e do bullying quando por exemplo eu fui chamada na Secretaria de Educação pela funcionária Ivani (Maria Ivani Daher de Oliveira Mattos - mat. 46960) para reescrever o processo em 2006 onde eu relatava que sofria constrangimentos na Escola Municipal Jorge Ayres de Lima porque a Secretária de Educação Maíses Rangel Suhett não gostou do que eu escrevi. A funcionária Ivani me disse que caso eu não retirasse os relatos que informavam que eu sofria preconceito em um novo processo, eu não receberia o meu pagamento.

  

PROCESSO 04/3977/06 - PREFEITURA MUNICIPAL DE BELFORD ROXO - Data: 20/10/2006 - Requerente: Faiza Khálida Fagundes Coutinho (relatei inúmeros constrangimentos, brincadeiras ridículas debochando da minha sexualidade) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

ESTADO DO RIO DE JANEIRO

 

PREFEITURA MUNICIPAL DE BELFORD ROXO

 

NÚMERO DO PROCESSO: 04/0003977

 

Ano: 2006

 

Data Entrada: 23/10/2006

 

Requerente: FAIZA KHALIDA FAGUNDES COUTINHO

 

Assunto: Abono de faltas

 

SubAssunto: Abono de faltas

 

Rota: 1 Abono de faltas

  

Data: 23/10/2006 - PROCESSO 04/3977/06 - Proibição de usar saia ou vestido na escola municipal Jorge Ayres de Lima dez meses após "cirurgia de mudança de sexo" e 3 meses após decisão judicial retificando sexo da professora transexual Faiza Khálida from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 05 - PROCESSO 04/3977/06

  

Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED. Preciso ser respeitada em meus direitos como pessoa e funcionária pública.

  

Faiza Khálida Fagundes Coutinho

 

Professora - Escola Municipal Jorge Ayres de Lima

 

Matrícula 5508

 

Identidade 09089680-4

 

CPF 024114147-81

  

Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

A Secretária de Educação Maíses Rangel Suhett se negava a tomar alguma providência frente a um relato que dizia que eu era discriminada na escola municipal Jorge Ayres de Lima (EMJAL). As atitudes da Secretária de Educação Maíses foram mandar me dizer que ela não gostou do que eu escrevi e mandar arquivar o processo. Ela não apenas se recusava a tomar conhecimento de que eu era discriminada, como também acobertava e não tomava nenhuma atitude.

  

"A luta contra o preconceito depois da mudança de sexo

 

Após uma operação bem-sucedida na Tailândia, Faiza Khálida ainda enfrenta dificuldades em escola municipal". (Jornal Extra, 2008)

  

FOTO: Escola Municipal Jorge Ayres de Lima

  

FOTO: SECRETÁRIA MUNICIPAL DE EDUCAÇÃO DE BELFORD ROXO

 

MAÍSES RANGEL SUHETT

  

Na Secretaria Municipal de Educação, além de eu ter que refazer o processo, escrevendo apenas o que a funcionária Ivani me ditava, eu era tratada como sendo um homem pela funcionária Ivani de religião católica. Ela me dizia a todo instante "professor, o senhor professor, eu não me acostumo, nem nunca vou me acostumar com isso, não adianta fazer mudança de sexo", esses fatos e situações constrangedoras me abalavam ainda mais.

    

FOTO: Funcionária da secretaria de educação de Belford Roxo Maria Ivani Daher Oliveira Mattos (mat. 46960)

  

Nos computadores da Secretaria Municipal de Educação de Belford Roxo em 2009 havia 21 processos meus para consulta geral com nome de homem e sexo masculinos. Isso ocorria mesmo com a Procuradoria Municipal de Belford Roxo e a Secretaria Municipal de Educação sabendo que havia sido expedida uma decisão judicial em 2005, 4 anos antes, determinando a retificação de nome e sexo em todos os meus registros civis.

  

Na Secretaria Municipal de Educação ainda havia o meu assentamento individual que registrava os meus dados pessoais e trazia uma foto masculina. As pessoas faziam referência a essa foto que se encontrava nos meus assentamentos na secretaria de educação com desdém. Esta situação me deixava em uma situação de muito desconforto e constrangimento sendo alvo de piadas, deboches e chacotas na própria escola por parte de professores e, principalmente, do diretor José Carlos Neto Filho ( mat. 11/05236 - PMBR ).

  

Um dos conhecidos do diretor Neto, Marcelino Santos de Araujo, funcionário municipal de Belford Roxo que transitava dentro da Secretaria de Educação me chamava publicamente de galinha, traveco, bichona. Dizia que eu era a sodomita número 1 de Belford Roxo, entre outras ofensas e transfobia.

  

Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOTO: Marcelino Santos de Araújo

 

(funcionário público da Prefeitura Municipal de Belford Roxo no cargo de eletricista de baixa tensão mat. 17994)

  

A questão do preconceito nunca chegou a ser reconhecida pela Secretaria Municipal de Educação e pela Procuradoria Municipal de Belford Roxo mesmo com a publicação deste fato em 2008 na capa e no interior de um jornal conceituado de grande circulação no estado do Rio de Janeiro.

  

Em 2008 o Jornal Extra fez uma abordagem sobre o preconceito que eu enfrentava no meu trabalho como professora de língua estrangeira na rede municipal de Belford Roxo.

  

A matéria repercutiu de forma ampla. Todas as pessoas que trabalhavam na Prefeitura Municipal de Belford Roxo na época ficaram sabendo ou leram esta reportagem, apesar do jornal ter se esgotado rapidamente, principalmente nos locais onde eu interagia. A matéria trouxe a foto do meu rosto dentro e fora do jornal, mais precisamente na capa.

  

Apesar de o jornal relatar sobre a questão do preconceito que eu enfrentava e a questão da minha transexualidade que se tornou pública e exigia no meu caso a necessidade de acompanhamento endocrinológico ininterrupto, o uso de hormônios femininos em dosagem individualizada e adequada para o resto da vida, o acompanhamento psicológico e psiquiátrico especializados e o acompanhamento de uma assistente social, a Secretaria de Educação e a Procuradoria Geral do Município de Belford Roxo fechou os olhos para essas questões que ocorriam comigo durante o processo transexualizador.

  

Sempre que foram realizados inquéritos administrativos determinados pela Procuradoria Municipal de Belford Roxo ou eram enviados documentos fundamentando esses inquéritos, esses fatos eram omitidos, não eram mencionados. Era do conhecimento público que eu quatro anos após me submeter a uma cirurgia para reassentamento genital ainda sofria preconceito na escola que eu lecionava inglês em Belford Roxo. O Jornal Extra em 2008 trouxe uma declaração em que eu dizia "Já sofri muito. Todo dia é uma luta". O título na capa do jornal era discriminação na Baixada. E embaixo da foto na capa do jornal havia outra legenda: A professora de inglês Faiza Khálida ... vítima do preconceito.

  

Eram muitos os traumas, as vivências traumáticas e isso fragilizava o meu estado emocional e psíquico. Eu já havia passado o fantasma de ser ameaçada de morte antes pela Secretária de Educação Rosângela em 2002 na própria Secretaria de Educação (SEMED). Eu já havia sido perseguida com o uso de relatório mentiroso antes com orientadora pedagógica me prejudicando dando falso testemunho. Eu já havia chegado a um estado que eu passei a escrever no próprio diário de classe em 2007 cujas cópias foram enviadas para a Procuradoria Municipal que eu não aguentava mais o preconceito, o assédio moral e trabalhava chorando muito, sentindo dores de cabeça e outros sintomas psicológicos preocupantes.

  

Eu já havia sido condenada também por causa de Igreja cristã e da Bíblia. Um desses casos constou em um processo administrativo onde um procurador municipal de Belford Roxo chegou até a autorizar que a professora Leila Bonine de história e religião católica da Escola Municipal São Bento tomasse conhecimento da lei que pune o crime de preconceito contra homossexuais no estado do Rio de Janeiro porque esta professora dizia na escola para alunos que a Igreja Católica me condenava, que eu devia ser condenada e permanecer fora da escola por ser homossexual.

  

Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Não era necessário que a situação fosse publicada no Jornal Extra para que os órgãos da Prefeitura tomassem conhecimento de que eu sofria preconceito.

  

Desde 2003, havia processos administrativos em que eu trazia essa questão ao conhecimento da Prefeitura Municipal de Belford Roxo.

  

Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Em muitas ocasiões eu escrevia sobre isso movida pela pressão social, sem estar mais aguentando esta situação, como um pedido de socorro, de ajuda, para instâncias superiores, ou para o conhecimento das instâncias superiores de que eu havia chegado ao meu limite e não tinha mais condições de continuar suportando tamanha carga de preconceito.

  

FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Em 2007, após ter escrito no ano anterior em processo administrativo sem sucesso e não conseguindo mais desempenhar as minhas funções adequadamente, cheguei ao desespero e ao desequilíbrio psíquico e emocional de registrar o fato de que eu não estava bem nos diários de classe das turmas em que eu lecionava, na parte das observações, para o conhecimento das autoridades responsáveis, porque isso atingia não somente a mim e a minha saúde, mas também o trabalho que era realizado, o meu desempenho profissional e o resultado daquilo que era ou não era realmente feito em sala de aula.

  

Eu não conseguia auxiliar aos alunos em suas necessidades e dificuldades porque eu estava doente. O meu trabalho e o resultado do meu trabalhado estavam comprometidos por aquele contexto.

  

DECLARAÇÃO MÉDICA (20/08/2007)

 

A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos, insônia, ansiedade, cefaleias frequentes e dificuldades para cumprir suas tarefas no trabalho.

  

20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Eu precisava que a Prefeitura, a Secretaria de Educação e a Procuradoria Municipal de Belford Roxo enxergassem uma situação que eles não queriam ver.

  

Foram feitas manifestações nos diários de classe das turmas 601, 602, 604, 605 e 701 da Escola Municipal Jorge Ayres de Lima na parte destinada as observações no ano de 2007.

  

No diário da turma 605, por exemplo, eu declarei que tinha fortes dores de cabeça na escola e que a escola era para mim um lugar de traumas profissionais e emocionais.

  

A atitude da Procuradoria Municipal foi apenas me punir e silenciar por ter feito esses registros nos diários de classe sem sequer averiguar a questão do preconceito e da minha saúde mental.

  

A Secretaria Municipal de Educação e a Procuradoria Municipal de Belford Roxo desconsideraram as questões relativas ao meu estado emocional, ao preconceito que eu passava e até a obrigatoriedade da correção de todos os meus registros com nome e sexo femininos. Fatos que eram tão importantes foram abafados, omitidos, ignorados, desconsiderados e não fizeram parte de relatórios, relatos, ocorrências, procedimentos e inquéritos administrativos referentes a mim que foram utilizados para me prejudicar ainda mais.

  

(Professora Faiza Khálida Fagundes Coutinho - Prefeitura Municipal de Belford Roxo, matrículas 5508 e 14725, Identidade 09089680-4, CPF 024114147-81)

  

Bendito é o preciosíssimo sangue do Senhor Jesus Cristo.

  

Jesus é o caminho.

  

Louvado seja o Senhor Jesus Cristo para sempre.

  

1- Em 2009, o subsecretário municipal de Educação de Belford Roxo Miguel de Sousa Ramiro que prometeu mandar a minha frequência pelo período coberto pelo LAUDO MÉDICO PSIQUIÁTRICO, 2 semanas depois disse para mim que havia esquecido de tudo inclusive do MEU LAUDO MÉDICO mediante a pressão do supervisor educacional, consultor e assessor jurídico Jorge Silva (mat. 54368). OFÍCIOS REFERENTES A MIM FORAM EXTRAVIADOS NA SEMED (secretaria municipal de educação de Belford Roxo).

  

2- A PREFEITURA MUNICIPAL DE BELFORD ROXO, A PROCURADORIA MUNICIPAL E A SECRETARIA DE EDUCAÇÃO NUNCA ADMITIAM EM PUNIÇÃO, OCORRÊNCIA, RELATOS, RELATÓRIOS, PROCEDIMENTOS ADMINISTRATIVOS E INQUÉRITOS, INCLUSIVE OS QUE ME DEMITIRAM DEFINITIVAMENTE DO FUNCIONALISMO PÚBLICO MUNICIPAL, QUE EU ATRAVESSAVA TANTO UM PROCESSO BIOQUÍMICO DIÁRIO QUE AFETAVA TODA A MINHA MENTE E TODO O MEU CORPO COMO TAMBÉM ATRAVESSAVA UMA REALIDADE QUE ME CAUSAVA SOFRIMENTO.

  

3- Procurador de Belford Roxo LORIVAL ALMEIDA DE OLIVEIRA mentiu dizendo que eu havia recebido cópia de processo para ter como me defender. Na ESCOLA MUNICIPAL JORGE AYRES DE LIMA não me deram cópia de nada e de nenhum processo. Não me deixaram ler o processo ou tirar cópia dele.

  

4- Em processo administrativo de 2003 eu pedi para que a Prefeitura Municipal de Belford Roxo custeasse um tratamento Psicológico e Psiquiátrico para mim alegando que eu não me encontrava mais depois de tudo que havia passado no serviço público da rede de educação em condições de desempenhar minhas funções equilibradamente, mas eu não fui atendida. No mesmo parágrafo do processo de 2003 arquivado pela Procuradoria do Município, eu registrei " que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo um vazio muito grande e outros sintomas psiquiátricos que não conseguia explicar pedindo em nome do Senhor Jesus Cristo ajuda médica ".

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

5- Procuradores de Belford Roxo e Agentes de Inquérito Administrativo ignoravam o preconceito, o processo transexualizador, o uso de medicações psicotrópicas, hormônios e alterações bioquímas e hormonais.

    

6- Relatório técnico de conhecimento de supervisores educacionais de Belford Roxo que posteriormente sumiu e foi anunciado como inexistente foi usado para me ameaçar e impedir que eu acessasse, permanecesse e trabalhasse em escola que lecionava a 8 anos.

  

7- Os danos ocasionados pelo relatório técnico e procedimento administrativo decorrente nunca foram resolvidos.

  

8- Continuação dos danos ocasionados pelo relatório técnico de 2002 e procedimento administrativo decorrente.

  

9- Minha doença profissional começou em 2002 quando inclusive fui ameaçada de morte. Em 2003 após conseguir procurar ajuda médica passei a fazer uso de remédios psicotrópicos para conseguir exercer minhas funções como professora da rede municipal de Belford Roxo.

  

Data 10 de julho de 2003 registro dos sintomas psiquiátricos no trabalho da rede municipal de educação de Belford Roxo. (Doença do trabalho na Prefeitura Municipal de Belford Roxo e sintomas depressivos). Relatos de discriminação em processos de 2003. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

10- Após ser novamente ameaçada de morte em 2007 pela orientadora pedagógica que disse que eu tinha que sair da escola por ser transexual e que me perseguia voltei a ter agravamento de quadro psicológico e emocional.

  

11- Em meio ao contexto de perseguição meus 2 aparelhos de som que eu utilizava para dar aulas foram roubados ao mesmo tempo nas 2 escolas municipais de Belford Roxo em que eu lecionava e minha câmera digital danificada propositamente.

  

12- Era mostrado nas escolas que segundo a Bíblia e Igrejas católicas e evangélicas eu era uma pessoa pecadora, condenada. Que a minha existência era contra a vontade de Deus. Que eu não poderia ser amada pelos alunos.

  

13- Em maio de 2008 a médica psiquiátrica verificou que dificilmente haveria SOLUÇÃO do meu QUADRO DE DEPRESSÃO porque NÃO HAVIA RESOLUÇÃO DOS PROBLEMAS SOCIAIS referentes ao meu trabalho que me estressavam.

  

14- Orientadora se mobilizava para me tirar de escola municipal de Belford Roxo e me prejudicava. Experiência de exclusão e de isolamento.

  

15- Mais um evento traumático comigo ficou impune devido ao meu estado de abatimento, apatia e inércia. Eu fui retirada à força de dentro do banheiro feminino da Prefeitura e jogada no chão da escada por aproximadamente 8 guardas-municipais a mando do subsecretário Paulo Allevato.

  

Registro de ocorrência na Delegacia de Polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da prefeitura municipal. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Segunda parte do registro de ocorrência na delegacia de polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da Prefeitura Municipal de Duque de Caxias. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

16- O RELATÓRIO SOBRE O II CONSELHO DE CLASSE DE 2007 NA ESCOLA MUNICIPAL JORGE AYRES DE LIMA FEITO PELA ORIENTADORA PEDAGÓGICA CONCEIÇÃO COM O OBJETIVO discriminatório DE ME PREJUDICAR.

  

17- Procuradora de Belford Roxo DÉBORA FERNANDES CORDEIRO PINTO (matrícula 80/28.585) também ligada a igreja evangélica recusou por 2 vezes o meu pedido de readmissão. FOI CURTA E GROSSA. NÃO COMENTOU SOBRE O LAUDO MÉDICO APRESENTADO. NÃO SE INTERESSOU EM AVERIGUAR O QUADRO PSIQUIÁTRICO. NÃO FEZ REFERÊNCIA AOS PROBLEMAS SOCIAIS E AO PRECONCEITO NO TRABALHO. IGNOROU TUDO SIMPLESMENTE.

  

18- Não condene alguém com transtorno bipolar com sintomas psicóticos no mundo do trabalho. É o que eu posso ensinar às pessoas para que o mundo seja um pouco melhor diante do quadro em que eu vivi no meu emprego de professora concursada e efetiva da Prefeitura Municipal de Belford Roxo.

  

19- Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento.

  

Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

20- O RELATÓRIO TÉCNICO APARECEU para ME chantagear e PARA ME AFASTAR DA ESCOLA MUNICIPAL. 8 supervisores da Secretaria de Educação de Belford Roxo analisaram o relatório. Depois, O RELATÓRIO SUMIU. Depois, O RELATÓRIO nunca EXISTIU na Secretaria de Educação de Belford Roxo. (processo 04/3149/03)

  

21- Em processo administrativo de 2003 arquivado pela PROCURADORIA eu pedi socorro e registrei "que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo sintomas psiquiátricos pedindo em nome do Senhor Jesus Cristo ajuda médica e psicológica ".

  

PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

22- O PROCESSO ADMINISTRATIVO DA PREFEITURA MUNICIPAL DE BELFORD ROXO NÚMERO 04/002743/03 - Assunto: PROVIDÊNCIAS POR DISCRIMINAÇÃO - Data: 07/10/2003 - Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade.

  

Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

23- Processo Administrativo 04/001497/03 - Data 04/06/2003 - HOMOFOBIA - " Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. É um ambiente doentio. Eu sendo professora não aguentei. Fui humilhada muitas vezes. Me disseram que eu teria de ser perfeita se quisesse continuar a ser professora ".

  

Fui humilhada muitas vezes. Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. Eu sendo professora não aguentei. É um ambiente doentio. (Professora em processo transexualizador Faiza Khálida) - 04 de junho de 2003 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

24- A falta de aceitação social, intolerância, maldade e preconceito me causavam sofrimento.

  

REGISTRO DO CENTRO DE ATENÇÃO PSICOSSOCIAL LESLIE CHAVIN 17/07/2003 - DEPRESSÃO diagnóstico sindrômico PROBLEMAS NO TRABALHO DE PROFESSOR EM BELFORD ROXO Histórico de adoecimento psíquico MEDICAÇÃO ENCAMINHAMENTO - professora municipal Faiza Khálida. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

25- Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 - Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED.

  

FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

26- Meu estado psicológico e mental era ignorado como se me ver mal e transtornada fosse justamente o que se desejasse.

  

20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

27- Funcionários públicos municipais de Belford Roxo desrespeitavam a identidade de gênero de transgêneros, travestis e transexuais.

  

Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA

  

28- Em 1/10/2005 o Jornal O DIA informava na sua reportagem que eu havia começado a tomar hormônios em 2002 e a fazer procedimentos como o laser, que eu enfrentava um processo transexualizador e que eu necessitava inclusive da adequação burocrática e administrativa. O jornal O DIA também informava que eu fazia acompanhamento com psicólogos e tomava remédios como calmantes e antidepressivos por determinação médica.

  

Ninguém precisa ser trans para lutar contra a transfobia.

el.godfootsteps.org/videos/close-together.html

Εισαγωγή

Εκκλησιαστικοί ύμνοι

Ύμνος Χριστιανικού Βιώματος | Η Αγάπη του Θεού μας Φέρνει Κοντά

 

Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,

 

είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,

 

με διαφορετικό χρώμα δέρματος

 

και μιλώντας διαφορετικές γλώσσες.

 

Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,

 

εξυψωνόμαστε ενώπιον του θρόνου του Θεού.

 

I

 

Αν και μας χωρίζουν αμέτρητες θάλασσες και βουνά,

 

είμαστε ένας λαός, χωρίς σύνορα ανάμεσα μας,

 

με διαφορετικό χρώμα δέρματος

 

και μιλώντας διαφορετικές γλώσσες.

 

Επειδή τα λόγια του Παντοδύναμου Θεού μας καλούν,

 

εξυψωνόμαστε ενώπιον του θρόνου του Θεού.

 

Υπάρχουν οι ηλικιωμένοι, με κάτασπρα μαλλιά

 

και οι νεαροί, λαμπεροί και ακτινοβόλοι.

 

Χέρι με χέρι, ώμο με ώμο,

 

συνεχίζουμε να περπατάμε μαζί μέσα από αέρα και βροχή,

 

ενθαρρύνοντας ο ένας τον άλλον εν μέσω αντιξοοτήτων.

 

Με ομόνοια εκπληρώνουμε το καθήκον μας.

 

Οι καρδιές μας είναι συνδεδεμένες,

 

γινόμαστε έμπιστοι στην ζωή.

 

Η αγάπη του Θεού μας φέρνει πιο κοντά.

 

II

 

Τα λόγια του Θεού είναι η πηγή του ζωντανού νερού.

 

Απολαμβάνοντας τα λόγια του Θεού,

 

οι καρδίες μας γεμίζουν γλυκύτητα.

 

Η παίδευση των λέξεών Του,

 

η κρίση των λέξεών Του,

 

εξαγνίζουν τις διεφθαρμένες διαθέσεις μας.

 

Μόνο αν κλαδευτούμε και αντιμετωπιστούμε

 

έχουμε ανθρώπινη ομοιότητα.

 

Στην αρνητικότητα και αδυναμία,

 

στηρίζουμε ο ένας τον άλλον.

 

Είμαστε μαζί στην αντιξοότητα.

 

Στεκόμαστε μάρτυρες, νικάμε τον Σατανά.

 

Δραπετεύουμε από το σκοτάδι και ζούμε στο φως.

 

Πιστοί και υπάκουοι,

 

είμαστε η εκδήλωση του μεγαλείου του Θεού.

 

Γνωρίζουμε την δικαιοσύνη και ομορφιά του Θεού.

 

Βιώνουμε τους αμέτρητους τρόπους που ο Θεός μας αγαπά.

 

Φωλιασμένοι στην θαλπωρή του Θεού,

 

οι ζωές μας στην γη είναι όπως στον ουρανό.

 

Μόνο με τον Θεό υπάρχει αγάπη,

 

μόνο με την αγάπη υπάρχει οικογένεια.

 

Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.

 

Ερχόμαστε κοντά στην αγάπη του Θεού.

 

Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.

 

Ζώντας στην όμορφη βασιλεία,

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

Λα λα λα… Λα λα λα… Λα λα λα…

 

Λα λα λα… Λα λα λα… Λα λα λα…

 

Μόνο με τον Θεό υπάρχει αγάπη,

 

μόνο με την αγάπη υπάρχει οικογένεια.

 

Όλοι όσοι αγαπούν τον Θεό είναι μια οικογένεια.

 

Ερχόμαστε κοντά στην αγάπη του Θεού.

 

Τα λόγια του Θεού είναι μαζί μας όσο μεγαλώνουμε.

 

Ζώντας στην όμορφη βασιλεία,

 

λατρεύουμε τον Παντοδύναμο Θεό.

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

λατρεύουμε τον Παντοδύναμο Θεό για πάντα.

 

από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»

 

«Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού»

Όροι Χρήσης： el.godfootsteps.org/disclaimer.html

 

CRITICAL RUN IS A DEBATING FORMAT

www.emergencyrooms.org/criticalrun.html

 

THE 28/03/2012 we debate

IS NAVIGATION A TREAT ?

CAN ART BE CURATED BY A PHONE ?

"IS NAVIGATION BY PHONES AND BANKS A THREAT ?" Critical Run wednesday 28 mars / CPH

 

The App store has taken over state institutions like staten museum for kunst

Visitors are taking in charge and warmly recommanded to be guided by smartphones or ipods . the team from the museum , curators and directors are employing the word ipad every 3 minutes. their home page sound like they work for FONA .

 

but Can smart phones or ipad be promoted as inoffensif loving pedagogic tools we should swallow without doubts

 

is forgetting an active state

 

is beeing guided a state of apathy .

 

( i heard once at a DR- news conference that people need to be guided because they are stupid )

 

should we debate those issues together before to jump

 

Is the role of the national museum to promotte compagnies that some would also consider as global threat ?

 

the Critical Run ( run and debate before it is too late ) will take place in Kongenshave 16.15 meet in front t the kids ground ( lejeplads )

we will debate those issues of selectif history and Führung. with a group of artist immigrant in Denmark ( who is guiding whom to where )

 

every one is welcome with any opinion including hopenhagen believer fona or apple sales man believing in win-win

 

The Critical Run is in collaboration with BAZART and Critical Run

  

www.emergencyrooms.org/criticalrun.html

 

this debate will carry on globally until Documenta Kassel ( " The Next Documenta Should be curated by a phone " .

 

if you like to be one of the global critical run organisateur please contact : 1@colonel.dk

--------

and because we are talking about a museum exhibiting Jorn a little news from Guy Debord and ( navigation )

library.nothingness.org/articles/SI/en/display/2

CAN ART BE CURATED BY A PHONE ? / CRITICAL RUN the first CRITICAL RUN will take place in Copenhagen and the last in Kassel @documenta get informed of date :www.facebook.com/BIENNALIST or www.emergencyrooms.org/criticalrun.html if you want to be part of the debate and organise a Critical Run where you are please contact 1@colonel.dk

 

A DELEGATION OF FOREIGN ARTISTS / CURATORS AND FESTIVAL DIRECTORS LIVING IN DENMARK ARE EXPLORING AND DEBATING "DANISH ART " .

 

HOW IT WORKS .

A DIFFICULT QUESTION INDEED ....

 

the 28/03/2012 the DELEGATION visited Charlottenborg and Statens Museum for Kunst, did a Critical Run in between the two instutitions

 

.a video will follow and regular exploration in on plan COLLABORATION WITH BAZART ...more to come soon ....( new people can take contact ...)

 

THE DELEGATION :

Saied Masoudian

Neringa Abrutyte

Rene Victor Valqui Vidal

Marina Testa Pedersen

Diallo Ibrahima Sory

Pero Pivas

Branka Pivas Onofri

Faranak Sohi

Marcelo Lerer

Maher Khatib

Shohreh Shahrzad

Antonieta Medeiros Urioste

Maia Hauser

Åsmund Boye Kverneland

Thomas Fleurquin

Victor Monchamp

Ada Ortega Camara

Tijana Miskovic

Ginka Rinkova

Thierry Geoffroy

Elizabeth Löwe Hunter

Maja Spangsberg Jakobsen

Juan Fernando Lope

 

thank you Maja Spangsberg Jakobsen from Bazart /Peter Lind for the name and Marcello Lerer with cards / t6hanks to Claus Handberg Christensen / and the 2 institutions that welcome us //format : Thierry Geoffroy

  

Descargar Aquí ► www.imagenesdeamor.pro/2017/12/imagenes-de-desamor-para-a...

 

Es difícil olvidar, lo sabemos, sobre todo cuando quisiste con todo el corazón. Es por ello que hoy queremos compartir contigo unas imágenes con frases de desamor para que desahogues todo aquello que sientes por esa persona que aún no logras superar. Verás que con el tiempo la dejarás de extrañar.

 

Hola… Te extraño. Te siento tan lejos. Quisiera que me abrazaras y volver a sentir tu aliento en mi cuello. Quisiera escuchar de cerca tu risa.

 

Sabes… Me enseñaste a ser feliz a tu lado, pero… ¿qué hago ahora que ya no estás conmigo?

 

Es triste… Me enseñaste a vivir contigo, pero ¿cómo vivo ahora si no estás aquí?

 

Sabes… No me duele nuestra lejanía, sino el sentir como te alejas cada vez más y más.

 

Sabes… No hay nada más triste en la vida que creer que no estoy sola y luego darme cuenta de que es así.

 

Sabes… Mi peor enemigo es tu recuerdo, no deja de perseguirme y torturarme donde quiera que voy.

 

Sabes… ¡Qué difícil es olvidar a alguien, con quien antes lo había olvidado todo!

 

Sabes… A veces te extraño, luego me acuerdo que me fallaste y se me olvida.

 

Sabes… Te extraño pero no te lo diré porque probablemente tú no sientas lo mismo.

 

Sabes… Siempre habrá un recuerdo tuyo que al recordar me llene los ojos de lágrimas.

 

Sabes… Extraño aquellas tardes de tantos besos y abrazos.

 

Sabes… Me rompiste el corazón y los pedazos aún te aman.

 

Es muy probable que te hayas sentido identificada con algunas de las frases de desamor que te presentamos hoy. Recuerda que aunque no es fácil superar un desamor, no es imposible. El tiempo es el mejor encarado de curar aquel dolor de corazón que aquella persona te causó. ¡Pronto todo estará mejor, no te desanimes!

 

El post 12 Imágenes de desamor para un amor que no puedes olvidar aparece primero en Imágenes de Amor.

 

12 Imágenes de desamor para un amor que no puedes olvidar | Mensajes de Amor, frases de te extraño, frases tristes de amor, imágenes de desamor olvido, imágenes de desamor y tristeza

Choshuenco significa "aguas amarillas" en mapudungun.

 

Crónicas: Vacaciones en Pucura, Volver a Lican Ray, Trotar bajo la lluvia, Día de lluvia en las termas, La ruta a Huilo Huilo.

 

Fotografías: Los árboles y el Lago Calafquén, Playa Pucura, Lago Calafquén, Playa Chica de Lican Ray, El catamarán en Lican Ray, Quesería en Lican Ray, Camino a Coñaripe, Las moras y el árbol, El lago, El bote y el Lago Calafquén, Viento en Coñaripe,  Té, sopaipillay pebre para capear la lluvia, Orilla del Lago Panguipulli, Salto del Huilo Huilo, Dos botes en el Lago Panguipulli.

 

Video: Vacaciones en el sur de Chile: Pucura, Lican Ray y Panguipulli.

  

Apuntes y Viajes en las redes sociales: Flickr, You Tube, Facebook y Twitter.

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Olympus E-P3 12mm f/2

 

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