View allAll Photos Tagged HTML,
Book: www.lulu.com/shop/giles-watson/pearl/paperback/product-20...
The story so far: The Dreamer loses his Pearl in a grassy mound - evidently her grave. He swoons with grief, and awakens in an earthly paradise, through which there runs a beautiful stream. The land on the opposite bank seems even more beautiful. He wanders further down the stream, hoping to find a bridge or a ford. Just when he starts to become afraid of the dangers that may be in store for him, he sees a young woman sitting at the foot of a crystal cliff on the opposite bank, and instantly recognises her as his lost Pearl. He hails his Pearl and expresses his relief that she still exists, but she begins to reprove him for his lack of faith. She criticises him for only believing that her soul is immortal now that he can see her, and is shocked by his suggestion that he - a mortal man - has a hope of joining her in Paradise without first experiencing death.
He tells her that for him to walk away from her now that he has found her again would be to suffer a fresh bereavement. She replies that it is divinely decreed that he cannot cross over to her. The Dreamer pleads with his Pearl to accept that his rash questions were borne out of his great grief, and asks her to describe her life in Paradise. She relents, and tells him that she is crowned Queen of Heaven, and is married to the Lamb. The Dreamer is shocked by this assertion. He says that he thought only the Virgin Mary was Queen of Heaven. Pearl replies with a description of a-semi egalitarian heaven in which all inhabitants are kings and queens, and asserts that although Mary has pre-eminence, none of those in heaven would ever question it, because she is so “courteous”. She cites the Pauline notion that the church is the body of Christ in support of her claim.
The Dreamer is even less convinced than before. He wonders how she can have been instantly crowned a Queen of Heaven when she was on the earth for less than two years. She replies at length, citing the parable of the labourers in the vineyard as justification for her rapid advancement in the kingdom of Heaven. She continues to retell the parable, and concludes by insisting that like the workers who worked less than two hours in the vineyard, she was first in line for God’s reward when she reached Heaven. The Dreamer cannot understand. Surely, he argues, those who have endured a lifetime’s pain and temptation must have precedence. She responds that those who die as children die innocent, whereas those who have lived longer are more likely to be tainted by the world, and argues that the Dreamer is underestimating the grace of God. She continues by expounding a series of Biblical texts on the theme of righteousness and justification, culminating with the scene from the gospels in which Christ welcomes the children, and reproves his disciples for attempting to repel them. She continues to expound on this theme, reminding the Dreamer that Christ insisted that one must become like a little child in order to approach him.
The Dreamer admits that she is stupendously beautiful, but wonders how she can have won the title of Queen and bride of Christ, in the face of stiff competition: all those other women who have gone to heaven. Her reply draws upon the Old Testament prophets and the Book of Revelation: the Lamb which was slain in Jerusalem will return to govern the New Jerusalem as its King, with a company of a hundred and forty-four thousand wives – one of whom is the Pearl. She describes the state of bliss experienced by all the brides of the Lamb, and the worship that is offered to him. The Dreamer asks her for a boon: he wants to see the heavenly city or fortress where she lives. She describes the spotless city of the New Jerusalem, and he is so entranced by the glory she describes that he repeats his request to be taken to see it. She grants his request, even though he will not be able to set foot inside the city, and he follows her upstream until he can see the heavenly City. At first, he cannot lift his eyes beyond the twelve tiers at its base, each one wrought of precious stones – with the exception of one, which is fashioned out of pearl. Now, he begins to look up at – and through – the City itself, awed beyond belief by its beauty. He realises that no mortal could ever enter the city and survive its sublime excess – and sees a throng of a hundred thousand and more women, all dressed and jewelled like his Pearl, approaching the throne of God in the company of the Lamb.
Pearl: Part 19
Just as the rising, marvellous moon
Drives the ebbing day-gleams down,
It shakes the very soul of man
To know this City – of rich renown –
Is thronged with retinues of women:
All virgins, wearing the same gowns,
Answering the same unseen summons
As my own bejewelled and blissful one –
And all of them are likewise crowned,
Dripping pearls, and draped in white.
In each one’s breast is firmly clasped
A blissful pearl of great delight.
In great delight they glide together
On golden, glinting, glassy roads;
A hundred thousand of them gather,
All rigged out in matching robes,
Each as radiant as the other.
The splendid Lamb before them rides
With seven horns – a lather
Of priceless pearls encrusts his clothes,
And without clamour, the virgins close
In upon the throne, their ranks all white.
Like maidens at Mass, they rise in rows,
Pouring forth with great delight.
The delight the Lamb’s coming brings
Is too intense for me to tell:
The aldermen, when he arrives,
Swoon at his feet. No pen could spell
Out how that angel-legion throngs,
With thuribles, the delightful smell
Of incense eternally on the rise,
And for that Jewel, their praises swell:
They quake the Earth and cleave Hell.
The virtuous orders of angels smite
My heart. I long to sing as well,
And lose my soul in their delight.
Delighting in the Lamb, I reel,
Rapt in wonder. Just out of reach
He seems: more regal and real
Than prophets could spell out in speech,
His garments all glorious, the seal
Of graciousness upon his face. I search
With wild eyes the wound that spills
His heart’s blood, in a great gush,
The skin so torn. I swoon and lurch,
Sick to think that sin and spite
Thrust in the spear and raised the lash.
Can men do this, and take delight?
And yet, delight is on his face
Despite that open, gushing sore:
The agony has left no trace
On his expression – an exultant stare.
Around him, his retinue of grace,
Lambent with life, enough to sear
My eyes. And there, looking utterly in-place,
My little Queen. Did she stand near
Me in that glade? Christ! I can hear
Her laughter, mingling with the mass, all white.
I must wade these waters, face my fear
With love, and longing for delight.
Late fourteenth century poem, written in a north-west midland dialect of Middle English, paraphrased by Giles Watson.
Adagio: would knock politely at amara's door. the gesture gentle and polite. she'd step back from teh door, her crystal clera voice chiming musically against the steel door. "Hello there darling, I brought you something." She'd smile gently taking a small piece of genger and rubbing it briefly on a few spots around her neck and behind her ears like a perfume.
Amara unshackled the handcuff binding her to the suitcase and opened the door. Immediately, she slanted her head to give the slender women a gentle welcoming kiss. "Long time no see, love. I brought a few things for you as well." Her eyes narrowed lightly at the scent of ginger on Adagio's neck, a light approving hum coming from her lips. "How have you been?"
Adagio: would give a soft smile to amara, a bright smile coming to her face feeling the lips against hers. she'd linger with the kiss for a few minutes just enjoying teh feeling, it had been too long."thank you very much darling, but the only thing you needed to bring was yourself." She'd smile gently giving a soft smile. "Well I've been good. been focusing les son my muscles and mor eon ballet and cardio. I won't be putting you thos egrueling weight routines unless you want to do that anymore. This also means fewer situps."
Amara chuckled at this, letting her arms settle around the other's hips. "I don't mind the sit-ups so much now. After the physicals the board put me through, those workouts were likely more beneficial than I realized." Her head motioned to the boxes. "Most of that stuff is for the Pack or the hospital, given what hasn't already been delivered. Various types of katanas, kunai, and other fine weaponry courtesy of the Japanese branch." As she spoke, she seemed to sway gingerly with a gentle smile on her face. "I missed you, Adagio."
Adagio: would smile a little bit giving a soft chuckle. "Well that's good to know, Im glad that the torture I put you through seems to have made a difference. We'll still do thos ethen, just not so many, Im trying to lose my ten pack actually. I spoke with temp, and well I realized that I looked prettier slim, than bulging. Especially since i prefer ballet rather than weights." She'd smile a little bit giving amara another soft kiss. "Oh you hav eno idea how much I misse dyou darling. in fact, i'd like to welcome you back properly if you're not against it?" she'd smile gently her bright sapphire eyes flicking to the bed.
Amara bit her lip at the suggestion, her hands clenching slightly on Adagio's belt. Every fiber of desire in her seemed to react with glee to Adagio's advance, but the hybrid had something else on her mind, something more important to her. "Umm before that," she'd step backwards, holding Adagio's hands in front of her. "I'd like to give you my vows first…since the opportunity was missed before I left." Amara raised the slender woman's hands, kissing both softly.
Adagio: would smile gently, her cheeks turning a deep shade of red. She'd smile gently a soft flutter rising up from her stomach at the statement. "Amara, i'd lovefor you to give me your vows. thank you."
Amara chuckled at the slow reddening flush of Adagio's cheeks, but took a few breaths to regain her composure. She just wanted to get through it all without crying. "I…It was a joy and a bit of gamble to ask you out back when we were coworkers. Relationships had always been a thing I shied away from…because of my own inner demons with what I was." She looked down a moment, her thumbs rubbing over Adagio's hands slowly. "Never had anyone showed me the kind of affection and love that you opened my heart to. It's allowed me to blossom as a person, as a lover, and as a caretaker." A slight crack in her voice was quickly put in check. She was not going to cry…not yet anyway.
Adagio: would sjust smile warmly, her thumbs slowly rolling over amara's fingers in her hand, the strong fingers feeling like they belonge din her grasp. her gaze would be kind and loving, the bright blue eyes filled with love and affection.
"I know I resisted heavily when you proposed to me, but it was only because I couldn't believe someone would see me in that manner. With all the oddities and uncertainties about me…" Amara admitted. No watery eyes yet, she'd glance over at the table where they had spoken often over tea and the occasional salad. "We have both spent a good portion of our lives in search of different things. Answers to internal questions and the like, but finding each other…that alone provided in a way answers to questions we'd never realized we had. Could I trust this person? Can I love this person? I never used to think of such things."
Adagio: would just smile softly, a few tears coming gently toher eyes, carrying the sweet biting scent of fresh ginger with them. She'd be smiling though, happier than any other time in her life, for once absolutely speechless at the devotion amara was showing to her.
Amara leaned forward, lightly kissing a few of the tears on Adagio's cheek as they streamed down. The fact Adagio was more emotional seemed to calm her down. "I vow to treasure you, this intelligent, glorious woman called Adagio with a uniquely logical mind. I vow to be honest, to not keep secrets. To be a valuable support beam when life's weight becomes too much." Her words were more of a whisper, loud enough just to pierce Adagio's ears. "I vow not to sneak fried foods into your dinner." she joked. "Most importantly, I give my heart, my mind, and soul purely and solely to you, my wife."
Adagio: would just smile broadly, her eyes shining brightly with tears leaking out gently and slowly. she'd smile and try wrapping her arms around amara to pull her towards her in a passionate kiss. All of her soul would be given to the woman in that one action. every fiber of her being carefully transferred to her in that one passionate act.
Amara made a muffled moan as her lips were claimed by the taller woman. With her hands now free, she slid them over Adagio's shoulders and around her neck, her right hand resting comfortably on Adagio's cheek. In between breaths, she'd whisper a soft "love you" as the kiss was extended. Her tongue easily invaded the depths of Adagio's mouth, the taste of spearmint still dancing on her lips. As far as the hybrid was concerned they could stay in this position for the rest of eternity and she'd be thrilled.
Adagio: would just smile gently to amara with the kiss. she'd gently caress the other woman's tongue. She'd just deepen the kiss, the taste of spearmint on her lips intoxicating her, she'd hungrily kiss the lips, as if she were trying to move that delicate sharp flavor from Amara's mouth into her own. She'd just smile gently breakin the kiss for a second. "This is what i've been missing amara, thank you."
Amara only smiled. "Sorry it took so long, Adagio." She playfully nipped at Adagio's lips as she tried to latch on to Amara's lips hungrily. She was feeling rather playful after finally getting those long held words off her chest. Her eyes moved to glance at the black engagement ring still on her finger. The symbolism behind meant to Amara than just a mere sign she was engaged; someone had accepted her as a person. Not a thing, a creature, or a lab rat, but an actual person. "Mmm…that reminds me. I was given the files on the memories the company removed from my mind. I…I actually know what my name is now."
Adagio: would smile gently to her looking at her from a bief distance, just madly in love with her right now. "Oh and what is it darling? I'd like to know what you learned. If it mean you know yourself better then I want to know it too." She'd smile lovingly planting another shorter kiss on her lips, the gesture kind and playful.
" My parents were Marion and Ashley Dubois." Amara said proudly. "And their only daughter was Amara Micheline Dubois. It seems I have a French background I was not aware of." Her gaze followed the longing stare she received in return. She was becoming emotional now, a few stray tears leaving her eyes. She had been overjoyed just to know she had a surname, but now there was an entire history waiting to be rediscovered. "So…" she asked between planting light kisses. " Will it be Mrs. And Mrs. Anselm or Mrs. And Mrs. Dubois?"
Parc Multifonctionnel - Saint-Constant
© Michel Guérin. Tous droits réservés - All rights reserved ©.
Merci beaucoup pour vos visites et commentaires ♥
Thank you very much for your visits and comments ♥https://www.bestioles.ca/liste-oiseaux.html
Excerpt from www.visitourchina.com/macao/attraction/lou-lim-ieoc-garde...:
Chinese name: 盧廉若公園
Location: Estrada de Adolfo Loureiro, in northern Macau Peninsular, Macau.
Located in the middle of Macau Peninsular at the northern foot of Guia Hill, Lou Lim Ieoc Garden (in Portuguese: Jardim Lou Lim Ieoc) covers an area of 1.78 hectares with scenic landscapes. This elegant garden was modeled after Suzhou Lion Grove Garden, one of the four most famous classic gardens in Suzhou, being the only one with Suzhou classical garden style in Macau. Lou Lim Ieoc Garden was once named "Entertainment Garden" and hailed as one of three famous gardens of Macau many years ago. And in 1992, it was rated as one of Macau’s eights sights. Lou Lim Ieoc Garden is a great place for sightseeing as it has quaint moon gate, shady walkways, grotesque rocks of man-made hills, bamboo groves, towering banyan tress, winding corridors, elegant pavilions, spattering waterfalls, ponds with green lotus, etc. The waterside pavilion is the centerpiece of Lou Lim leoc Garden. Despite it is a traditional Chinese architecture, some western architectural elements are embedded in, such as the external wall painted in light yellow, the favorite color of Portuguese, gothic porticoes, white European-style carvings at the top of porticoes. The barrier close to the pond is painted red, China’s favorite color. This building reflects the fusion of oriental and western cultures.
It was initially a vegetable plot and was purchased by a Macau Turpan, whose son Lou Lim leoc spent a large sum of money to convert it into a private garden. Lou Lim Ieoc Garden was the largest private garden in Macau. The construction started 1904 and took 21 years to finish. The garden was changed hand due to the Lu family’s bankruptcy, until it was purchased by Macau government in 1970s. After renovation it was opened to the public in 1974. At the turn of 21st century, Lou Lim Ieoc Garden was famed as the show place of Cantonese opera. Sun Yat-sen, the forerunner of Chinese democratic revolution, once stayed in this garden to meet celebrities of China, Macau and Portugal, and revolutionists.
That duck is about to get a little beating from the ocean :) Not that it minds, since it's a Common shelduck. The funny thing is that I didn't even notice it when I made the shot - I was focused on freezing the wave :)
Aquele pato está prestes a levar uma pancadinha do oceano :) Não é que se importe, já que é um Pato-branco. O mais engraçado é que nem o vi quando fiz a foto - estava concentrada em apanhar a onda :)
Oeiras - Portugal
Kern Invite - 11/01/08
Hart Park - Bakersfield, CA
www.andynoise.com/kernxcinvite08.html
Varsity Girls - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Ridgeview Tijerra Lynch 18:58.24 1 1 1
2. Shafter Elizabeth Wittenberg 19:02.62 2 2 1
3. Garces Monica Guzman 19:15.89 3 3 1
4. North Celilia Lopez 19:21.87 4 4 1
5. Ridgeview Ashley Duran 19:23.47 5 5 2
6. Ridgeview Jessica Huizar 19:25.81 6 6 3
7. Foothill Natalie Fernandez 19:35.65 7 7 1
8. East Lucia Garcia 19:46.20 8 x 1
9. Stockdale Amber Nelson 19:59.40 9 8 1
10. Taft Megan Thompson 20:01.34 10 x 1
11. Stockdale Carolin Haney 20:01.70 11 9 2
12. Stockdale Shelbe Pennel 20:03.86 12 10 3
13. Shafter Moriah Milwee 20:05.23 13 11 2
14. Ridgeview Desiree Armendariz 20:08.00 14 12 4
15. Arvin Tanya Hernandez 20:10.02 15 x 1
16. Highland Nichole Berry 20:19:01 16 13 1
17. BHS Sarah Baker 20:25.37 17 14 1
18. North Medeline Maier 20:29.38 18 15 2
19. Ridgeview Monica Lazo 20:33.39 19 16 5
20. Shafter Lindsee Handel 20:36.70 20 17 3
21. Centennial Jessica Folsom 20:41.80 21 18 1
22. BHS Emily Shuford 20:45.35 22 19 2
23. Ridgeview Linda Gonzalez 20:58:28 23 20 6
24. BHS Gabrielle Lerma 21:03.97 24 21 3
25. Stockdale Courtney Moore 21:06.02 25 22 4
26. North Meagan Menzel 21:10.17 26 23 3
27. BHS Gracie Garcia 21:11.76 27 24 4
28. Foothill Perla Veloz 21:13.21 28 25 2
29. Foothill Crystal Rodriguez 21:20.30 29 26 3
30. Independence Katelynn Webb 21:21.51 30 27 1
31. Golden Valley Karina Rocha 21:23.57 31 28 1
32. Shafter Katerina Plaza 21:27.21 32 29 4
33. North Blanca Perez 21:27.98 33 30 4
34. Wasco Amanda Castellon 21:28.25 34 31 1
35. Foothill Kaitlyn Mrasak 21:31.45 35 32 4
36. Tehachapi Brenda Gonzalez 21:33.34 36 33 1
37. Highland Gabi Rodier 21:34.56 37 34 2
38. Centennial Margaret Martinez 21:35.39 38 35 2
39. Stockdale Cynthia Lopez 21:35.61 39 36 5
40. Centennial Jessica Crowe 21:43.49 40 37 3
41. Highland Hilaria Vasquez 21:43.76 41 38 3
42. North Yadira Perez 21:49.62 42 39 5
43. Foothill Erica Castro 21:53.39 43 40 5
44. Centennial Stephanie Dittman 21:55.56 44 41 4
45. Independence Natalie Ambriz 22:08.45 45 42 2
46. Stockdale Madison Schutzner 22:14.92 46 43 6
47. Highland Katherine Mayberry 22:16.42 47 44 4
48. Centennial Jorey Braughton 22:18.95 48 45 5
49. North Kaylee Meyer 22:20.98 49 46 6
50. Garces Lauren Brown 22:21.19 50 47 2
51. Golden Valley Denise Silva 22:23.90 51 48 2
52. Foothill Violeta Quintanar 22:24.92 52 49 6
53. Highland Desiree Martinez 22:25.59 53 50 5
54. Independence Sara Sullivan 22:25.95 54 51 3
55. Garces Lizbeth Lopez 22:28.11 55 52 3
56. Garces Tammy Vu 22:35.68 56 53 4
57. West Selam Habebo 22:39.75 57 x 1
58. Shafter Leana Lara 22:51.69 58 54 5
59. Independence Carlie Croxton 22:55.06 59 55 4
60. Cesar Chavez Rosa Montanez 22:57.28 60 x 1
61. Foothill Maria Zepeda 22:57.55 61 56 7
62. Garces Marissa Machado 22:57.92 62 57 5
63. Shafter Mayra Torres 23:00.88 63 58 6
64. Golden Valley Carmelita Aguilar 23:04.07 64 59 3
65. Ridgeview M. Salgado 23:14.56 65 60 7
66. Golden Valley Anna Avina 23:20.23 66 61 4
67. Golden Valley Ninive Alveno 23:26.73 67 62 6
68. Golden Valley Mercedes Salgado 23:26.73 68 63 5
69. Centennial Paige Anderson 23:30.27 69 64 6
70. Garces Sammie Lobardo 23:34.37 70 65 6
71. Arvin Bianca Quinonez 23:41.85 71 x 2
72. Kern Valley S. Hinkey 23:42.47 72 x 1
73. Frontier Ariel Driskill 23:43.12 73 66 1
74. Centennial J. Estrada 23:50.91 74 67 7
75. Kern Valley S. Hazzard 23:51.80 75 x 2
76. Garces G. Ortiz 23:54.66 76 68 7
77. North Priscilla Cruz 23:55.51 77 69 7
78. BHS Kristina Logan 24:04.10 78 70 5
79. Frontier Jasmine Mattos 24:05.42 79 71 2
80. Stockdale Delilah Diaz 24:10.83 80 72 7
81. West Wennie Agbalog 24:28.90 81 x 2
82. Wasco Anna Orozco 24:29.57 82 73 2
83. Wasco Ruby Jacabo 24:30.22 83 74 3
84. Tehachapi Anna Duke 24:33.57 84 75 2
85. Wasco S. Castellon 24:42.66 85 76 6
86. Independence Shelby Woolf 24:58.35 86 77 6
87. BHS Sarah Stidham 24:58.76 87 78 6
88. Arvin Gaby Gomez 25:04.17 88 x 3
89. Highland Cristina Valenzuela 25:05.21 89 79 6
90. McFarland Monica Gonzalez 25:42.30 90 x 1
91. Tehachapi Susie Cuevas 25:57.15 91 x 3
92. Wasco B. Medina 26:00.11 92 80 4
93. Cesar Chavez Shannan Albay 26:00.32 93 x 2
94. BC Tiffany Rodriguez 26:26.77 94 x 1
95. Tehachapi Ariel Deval 26:50.73 95 81 4
96. Wasco A. Rios 27:14.74 96 82 5
97. Independence Samantha Antu 27:17.44 97 83 5
98. Tehachapi L. Shoemaker 27:44.92 98 84 5
99. BC Victoria Wheeler 28:09.47 99 x 2
100. Tehachapi J. Bahera 29:20:93 100 85 6
101. Frontier T. See 29:29.12 101 86 3
102. Frontier Savanah Olson 30:18.04 102 87 4
103. Frontier A. Rojas NT 103 88 5
Steam locomotive 2-8-2 262 (Hart 4031/18) heads north with a charter train from Dera'a to Damascus, Hedjaz Railway, Syria, 13/9/00.
Photographer Nigel Tout
Galerieholländer, Baujahr/Ersterwähnung:1797
Info: www.niedersaechsische-muehlenstrasse.de/index_id_419.html
gabbyjaws.blogspot.com/2024/11/scandalize-lust-fatpack.html
SCANDALIZE LUST FATPACK
LM: maps.secondlife.com/secondlife/Scandalize/93/158/102
Bondi Jennie Drink
E. Beauty Caren skin
LaraX
Lel EvoX Avalon
Wasabi BFF hair
RAWR! Aurora earrings
Bước cùng tôi - Bụi là lá la
Bước cùng tôi
1st verse:
Không còn lụy bi…
…Nơi những thi vị
Át đi suy nghĩ…
Ước đời đôi khi…
Nước rời đôi mi…
Bước với tôi đi … tôi sẽ cho bạn thấy
Nơi thời gian trôi đi cùng khẽ gió tràn đầy …
Những tia nắng vẫn thầm thì với những con người chăm chỉ
Nơi cuộc sống ko cầu kì với những cung cách hoa mĩ
Thứ xa xỉ…nơi bạn đang sống là niềm tin
Còn nơi tôi sống đầy những con người luôn mong mỏi chờ bình minh
Đừng giật mình…khẽ thôi(suỵt)… thế giới bạn đang ngủ
Hãy thức tỉnh… để tôi …kéo bạn ra khỏi giấc mộng du
Thật công phu để làm bạn thức dậy
Nhưng ko đủ để cho mọi người thức dậy
Hãy bước với tôi đi, tôi sẽ cho bạn thấy
Và hãy bước vs tôi đi, tôi sẽ làm đổi thay
Nơi tôi sống đầy tiếng cười, nơi tôi “trồng” những tình người
Nơi hàng cây trông mát rượi chào đón những ngày xanh tươi
Nơi ko có những cánh rừng trọc đang gầm rú ngồi khóc…
Nơi ko có những tang tóc sau những lời trách móc (ko bốc đồng)
Hook:
Hãy bước với tôi đi…đừng mang theo những hối hận
Hãy bước với tôi đi…vì tôi chỉ đến vài đôi lần
Hãy nắm tay tôi đi… rồi bước tiếp cùng đôi chân
Hãy nắm tay tôi đi…đừng để tôi trôi dần
Nếu bạn có mệt mỏi, thì hãy nhắm mắt lại
Tôi sẽ dẫn đường chỉ lối đưa bạn đến vs ngày mai
Nhưng xin đừng thay đổi, đừng bắt tôi quay lại
Và cũng xin đừng tự hỏi …… tôi là ai
2nd verse :
Liếc với sự thật, và cứ thế là say (cố chấp)
Say ko định mức, rồi say trong tù đày
Với những lời nói bốc phét trên cái gọi là internet
Giả điếc với những tiếng gọi của tâm hồn đang khóc thét
Thế giới phát triển tỉ lệ nghịch vs đạo đức
Mà tỉ lệ thuận vs những bốc đồng nên cứ giết người rồi cướp giật
Lặp lại thời chiến tranh…tàn sát nhau ko suy nghĩ
Nhưng ko phải bằng bom đạn mà là sự ích kỉ
Tình người đâu ?? sao lại bỏ đói nhau ???
Hay là lại để những con tàu sau đó lênh láng biển dầu ??
Bước với tôi đi cùng nhau đặt dấu chấm hỏi
Trước lối tôi đi sẽ là những câu trả lời
Còn đâu những vẻ đẹp của cuộc sống đơn sơ?
Và còn đâu vẻ đẹp tinh khiết của bông hoa dại khi chớm nở?
Thẫn thờ với những vết nhơ vấy lên giấc mơ bị đập vỡ
Tại sao ta chỉ thẫn thờ đứng nhìn đôi chân ta lầm lỡ?...
Hook:
Hãy bước với tôi đi…đừng mang theo những hối hận
Hãy bước với tôi đi…vì tôi chỉ đến vài đôi lần
Hãy nắm tay tôi đi… rồi bước tiếp cùng đôi chân
Hãy nắm tay tôi đi…đừng để tôi trôi dần
Nếu bạn có mệt mỏi, thì hãy nhắm mắt lại
Tôi sẽ dẫn đường chỉ lối đưa bạn đến vs ngày mai
Nhưng xin đừng thay đổi, đừng bắt tôi quay lại
Và cũng xin đừng tự hỏi …… tôi là ai
Outro:
…Bởi vì tôi là…ước mơ của bạn…và thế giới đẹp đẽ của tôi…cũng nằm trong ánh mắt bạn…trái đất đang gào tên bạn…sự thật đang thét tên bạn…hãy bước cùng tôi đi…hãy bước cùng Bụi đi …
P/s: lần đầu tiên mẹ bụi khen bài này hay =x sướng
En la web Artalismo han realizado una suculenta entrevista al escritor madrileño Neal del grupo SF, con algunas imágenes de paneles que no tienen ningún desperdicio! Os dejamos un pequeño extracto y alguna foto, no os perdáis la entrevista completa!
CSS :
body, html {
background: #ffffff url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-position: center;
background-attachment: fixed;
background-repeat: repeat;
}
body {
background: none;
padding-left: 405px;
padding-right: 5px;
overflow-x:hidden;
font-family: "Trebuchet MS", Helvetica, sans-serif;
font-size: 9pt;
}
#page_title {
overflow: hidden;
opacity:0; width: 0;
}
h1 {
font-size: 22px;
font-weight: bold;
text-shadow: 1px 1px 1px white;
color: #9754cf !important;
}
#top_login {
padding: 2px 10px 0px 0px !important;
margin: 0px 0px 0px 0px;
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-color: none;
background-repeat: repeat;
color: white !important;
}
#sign_up {
padding: 0px 3px 0px 3px !important;
margin: 0px 0px 0px 0px !important;
position: relative !important;
}
#alert_beacon {
text-shadow: 1px 1px 1px white;
color: #9e59d4 !important;
}
/*bm----- Updater Responses and new Plurks -------bm*/
#updater {
padding: 2px;
margin-top: -10px;
text-transform: none;
border:0;
color: #fff;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
right: 10px; left: auto;
-moz-border-radius:12px;
-webkit-border-radius:12px;
-khtml-border-radius:12px;
}
#updater .text {
border:0;
color: #fff;
font-size: 11px;
}
#updater a {
color: #ffffff;
font-weight: bold;
text-transform: none;
}
#updater a:hover {
color:#9754cf;
text-transform: none;
font-weight: bold;
}
#plurk-dashboard a, #footer a, #top_login a, #top_bar a {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 1px 1px 1px white;
color: black !important;
}
#top_login a:hover {
border:0;
text-decoration: normal;
color: #fff;
}
/*bm -------KARMA--------bm*/
#karma, .karma_hover {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 2px 2px 2px white;
color: #754cbf;
font-weight:bold;
}
.karma_arrow {
filter:alpha(opacity=0);
-moz-opacity:.0;
opacity:.0;
}
/*bm ----- TIMELINE ------ bm*/
#timeline_holder {
padding-left: 210px;
padding-right: 215px;
position: relative;
background: none;
background-color: transparent; background-repeat: no-repeat !important;
background-position: 100% 100%;
border: 0px solid #CCCCCC;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
}
#bottom_line {
font-size: 11px;
margin-top: -2px;
border-top:0px solid #b9aeab;
border-bottom: 1px solid transparent;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
position: relative;
top: 365px !important;
right: 215px;
left: 0px;
}
.bottom_start , .bottom_end {color:#c3c3c3 !important;font-weight:bold;font-size:11px ; }
.cmp_arrow_right{background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) 0px 0 no-repeat;width:36px;font-size:1px;height:32px;}
.cmp_back_to_today{background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) 0 0 no-repeat;width:36px;font-size:1px;height:32px;}
textarea#input_small, textarea#input_big {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
color: #7a3fb7 !important;
}
textarea#input_big, textarea#input_permalink {
background: transparent;
border-bottom: 1px solid #fff;
border-top: transparent;
order-left: transparent;
border-right: transparent;
}
.mini_form {
color: black;
font-weight: bold;
text-shadow: 1px 1px 1px white;
-moz-border-top-left-radius: 10px 10px;
-webkit-border-top-left-radius: 10px 10px;
-khtml-border-top-left-radius: 10px 10px;
-moz-border-top-right-radius: 10px 10px;
-webkit-border-top-right-radius: 10px 10px;
-khtml-border-top-right-radius: 10px 10px;
}
.p_img img {
-moz-border-radius:5px;
-webkit-border-radius:5px;
-khtml-border-radius:5px;
}
.emoticon, .p_img {
-webkit-transition-duration: 500ms;
-moz-transition-duration: 500ms;
-khtml-transition-duration: 500ms;
}
.emoticon:hover, .p_img:hover {
-webkit-transform: rotate(390deg) scale(1.2);
-moz-transform: rotate(390deg) scale(1.2);
-khtml-transform: rotate(390deg) scale(1.2);
}
.info_box {
-moz-border-bottom-left-radius: 10px 10px;
-webkit-border-bottom-left-radius: 10px 10px;
-khtml-border-bottom-left-radius: 10px 10px;
-moz-border-bottom-right-radius: 10px 10px;
-webkit-border-bottom-right-radius: 10px 10px;
-khtml-border-bottom-right-radius: 10px 10px;
}
#emoticons_show img {
border: 0px !important;
}
#emoticons_show, #emoticons_tabs ul li {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) !important;
background-repeat: repeat;
border: 1px solid grey;
padding: 2px 2px 2px 2px !important;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
.day_bg .div_inner {
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat Bottom;
width: 80px; border: none;
}
.response_count {
background: transparent;
color: #9a56d1 !important;
padding: 2px 2px 2px 2px;
-moz-border-radius:3px;
-webkit-border-radius:3px;
-khtml-border-radius:3px;
}
.new .response_count {
background: #9a56d1;
border: 0px solid #ffffff;
color: #ffffff !important;
padding-left: 4px;
padding-right: 4px;
padding-top: 1px;
padding-bottom: 3px;
}
.plurk_box .list .empty {
text-shadow: 1px 1px 1px white;
}
.plurk_box .list {
background-color: white !important;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.plurk_box .caption {
background: rgb(72,72,72);
color: rgb(231,231,231);
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.qualifier {
text-shadow: 1px 1px 1px black;
color: white;
padding: 0px 1px 0px 1px;
-moz-border-radius:4px;
-webkit-border-radius:4px;
-khtml-border-radius:4px;
}
.plurk_cnt {
text-shadow: 1px 1px 1px white;
padding: 0px 0px 0px 0px !important;
border: 1px solid #CCCCCC;
opacity: .9;
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
.plurk_cnt table {
-moz-border-radius:10px;
-webkit-border-radius:10px;
-khtml-border-radius:10px;
}
#filter_tab a {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: none !important;
border: 0px solid #CCCCCC !important;
color: white;
text-shadow: 1px 1px 1px black;
opacity: 1 !important;
-moz-border-bottom-left-radius:8px;
-webkit-border-bottom-left-radius:8px;
-khtml-border-bottom-left-radius:8px;
-moz-border-bottom-right-radius:8px;
-webkit-border-bottom-right-radius:8px;
-khtml-border-bottom-right-radius:8px;
}
#filter_tab .off_tab {
background: none !important;
border: 0px solid #CCCCCC !important;
text-shadow: 1px 1px 1px black;
}
/*bm -------LOADING------- bm*/
.list .loading {
position:absolute;
height:120px;
background:transparent url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat 50% 50%;
}
.loading img {
filter:alpha(opacity=0);
opacity:.0;
}
/*bm----- PANE PLURK ----bm*/
#dashboard_holder {
position: relative;
width:100% !important;
color: white;
}
.plurkaction {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border: 0px solid #CCCCCC;
color: yellow;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: transparent;
}
.plurkaction .qual_holder {
text-shadow: 1px 1px 1px white;
font-weight: bold;
color: #FFFFFF;
}
.plurkaction,#toggle_tab li.tt_selected,#plurk-dashboard,#more_options_link{
border: 0px solid #9754cf;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
color:#c3c3c3 !important;
}
.share_search {
position:relative;
bottom: 10px;
padding-right: 50%;
}
#more_options_holder, #more_options_holder table td {
color: white !important;
text-shadow: 1px 1px 1px black !important;
background: none !important;
}
#reply_box {
background-image: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
background-repeat: repeat;
background-color: transparent;
color: #CCCCCC;
}
/*bm -------Dashboard------- bm*/
#plurk-dashboard table, #plurk-dashboard td {
color: white !important;
text-shadow: 1px 1px 1px black;
}
#plurk-dashboard {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
border:0 !important;
background: transparent !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
background-color: transparent;
}
#plurk-dashboard h2{
color: #9754cf;
background: transparent !important;
font-family: "Trebuchet MS", Helvetica, sans-serif;
font-size: 24px;
border-bottom: 0px solid #83DF45;
text-transform: capitalize;
text-shadow: #ffffff 1px 1px 0;
}
#profile_pic {
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
position: fixed !important;
opacity: 1 !important;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
background-color: white;
left: 5px;
top:5px;
width:185px;
height:185px;
border: 0px solid #CCCCCC;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
-moz-border-radius: 8px;
}
#dash-stats .award_bar img {
-moz-transform: scale(0.7);
-khtml-transform: scale(0.7);
-webkit-transform: scale(0.7);
-o-transform: scale(0.7);
}
#dash-stats .award_bar {
position: fixed !important;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) repeat-x;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
padding: 0px 0px 5px 0px;
border: 0px solid #CCCCCC;
left: 0px;
opacity: 1 !important;
text-align : right;
top: 195px;
width:185px;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
#dash-stats .award_bar div {
padding: 1px 2px 20px 1px;
margin: 0px 0px 0px 0px;
height: 15px;
width: 15px;
}
#dash-stats h3 {
font-size: 22px;
}
#dash-stats
{
border:1px solid #9754cf;
color: #a21d04;
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
opacity : 5 !important;
text-align: center;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
left: 5px;
top: 255px;
width:185px;
}
#dash-additional-info {
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
opacity : 1 !important;
text-align: left;
color: white;
text-shadow: 1px 1px 1px black;
margin: 0px 0px 0px 20px;
padding: 35px 3px 3px 3px;
left: 205px;
top: 60px;
width:190px;
}
p#about_me {
position: fixed !important;
margin: 0px 00px 0px 0px;
text-shadow: 1px 2px 2px black;
color: #9e59d4;
left: 5px;
text-align : center;
top: 520px;
width:195px;
}
#dash-profile {
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
opacity : 1 !important;
text-align: center;
color: #fff;
text-shadow: 1px 1px 1px black;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
border: 0px solid #CCCCCC;
left: 205px;
top: 5px;
height:140px;
width:185px;
}
#dash-friends {
padding-top: 5px;
text-align: center;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
color: #fff;
position: fixed !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
padding: 3px 3px 3px 3px;
border: 0px solid #CCCCCC;
left: 205px;
opacity: 1 !important;
text-align : center;
top: 150px;
width:185px;
-moz-border-radius: 8px;
-webkit-border-radius: 8px;
-khtml-border-radius: 8px;
}
#dashboard-invite, #sharePlurk {
width: 0; height: 0 !important;
opacity: 0 !important;
padding: 0px !important;
overflow: hidden !important;
}
.friend_holder td {
padding: 0px 0px 3px 3px;
}
.friend_holder img {
-webkit-box-shadow: 1px 1px 2px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 1px 1px 2px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 2px rgba(0, 0, 0, 0.6);
}
#dash-fans {
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg);
color: #fff;
-moz-border-radius:8px;
-webkit-border-radius:8px;
-khtml-border-radius:8px;
position: fixed !important;
-webkit-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-moz-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-o-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
-khtml-box-shadow: 2px 2px 10px rgba(0, 0, 0, 0.6);
opacity : 1 !important;
text-align: center;
margin: 0px 0px 0px 0px;
padding: 3px 3px 3px 3px;
border: 0px solid #CCCCCC;
left: 205px;
top: 395px;
width:185px;
}
.dash-segment {
min-height : 60px;
}
hubungan : berpacaran dengan iandpartII
#plurk-dashboard a, #footer a {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 1px 1px 1px black;
color: white !important;
}
#top_login a, #top_bar a {
font-family: "Trebuchet MS", Helvetica, sans-serif;
text-shadow: 1px 1px 1px black;
color: white !important;
}
/*bm--- FOOTER ---bm*/
#footer {
top: -85px;
width: 100% !important;
color: black;
padding: 3px 10px 3px 10px;
}
#languge_selector, #footer p {
padding: 3px 25px 3px 25px;
}
/*bm----- Remove Plurk Creature -----bm*/
div#dynamic_logo img {
background-position: left top;
background-repeat: no-repeat;
height: 0px;
width: 0px;
position: absolute;
overflow: hidden;
left: 65px;
}
div#logo {
border-bottom: none;
}
div#logo img {
background-position: left top;
background-repeat: no-repeat;
overflow: hidden;
height: 0px;
width: 0px;
}
div#dynamic_logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG] {
padding-left: 125px;
height: 200px;
right: 300px !important;
padding-right: 215px;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat scroll left top;
}
div#logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG] {
height: 200px;
width: 0px;
padding-left: 125px;
right: 300px;
background: url(www.google.com/logos/high-resolution/elmo-1200x800.jpg) no-repeat scroll left top;
}
div#dynamic_logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG], div#logo img[IMG]http://www.google.com/logos/high-resolution/elmo-1200x800.jpg[/IMG] {
opacity:0;filter:alpha(opacity=0);zoom:1
}
/*bm------ End Plurk Creature Removal ------bm*/
Backdrop: . FOXCITY. Photo Booth - Poolside
Spoiled
closereprise.blogspot.com/2025/01/240.html
old friendship <3
Today I visited Strokestown House, Co. Roscommon.
I had planned an exterior shoot of the Strokestown area for a particular project and left blue sky in Boyle. However, half way to Strokestown, the cloud decended and bleached my beautiful sky! My proposed shots needed a rich blue sky - not gonna happen today. Rather than be content with a wasted journey, I thought on my feet and put some energy into an interior project instead, this turned out to be Strokestown House.
If you have not yet visited this place - you should. I found the staff extremely helpful and accommodating. I am grateful to Catherine, John and Ronan for their help. I was allowed to photograph as much as I pleased in all public-access areas. I didn't go mad though, I focused on 'light illuminating the interior'. It took me almost two hours to take eight shots.
Interiors can be difficult to shoot if you wish to convey the natural beauty of window light. Straight off - it is next to impossible to achieve without multiple exposures.
I usually spend a bit of time looking first, camera hand held - standing, eye-level, squat, even sometimes lie on the floor. What lens to use. Get it right in the frame, verticals/horizontals - are they parallel to the edges of the frame, what is the subject here ... details.
Once I've found my spot, I get the tripod and compose the shot, I have no problem (where possible) moving objects to different positions within the frame to get what I want. Then its camera settings. I always shoot in RAW.
For this shot; ISO 100. White Balance Cloudy (there was zero colour adjustment made to this image during processing). Aperture set to f/16 for sharpness all the way through. For the lens I was using (Nikkor 17-55mm 2.8G) I find best performance at f/16 or 18 aperture not at f/22 as you might expect. I used a cable release and set the camera 'mirror-lock to 'up' position to avoid camera shake. Finally, I experiment with shutter speed settings to determine the exposure for Highlights (so as to retain detail in the bright window) - 0.6seconds. I subsequently took three more exposures to cover mid-tones and shadows - 1.6, 3.0 and 5.0 seconds. Bang, bang, bang. Ya, ya, I know, sounds painful but believe me, if you want to learn about your camera you need to experiment. If you don't want to spend ages fixing mistakes in Photoshop, try getting in right in the camera as much as possible.
In CS2, the RAW files were processed for tone and contrast only. Layers were blended and the image finished with a mild touch of sharpening using a high-pass filter.
SOLIAC - Set Bloom - maps.secondlife.com/secondlife/Grey%20Gardens/236/25/3529
SOLIAC - Boot Bloom - maps.secondlife.com/secondlife/Grey%20Gardens/236/25/3529
bonbon - halara hair
maps.secondlife.com/secondlife/Grey%20Gardens/236/25/3529
marketplace.secondlife.com/en-US/stores/187502
www.primfeed.com/soliac.resident
www.primfeed.com/rominacarla.fall/posts/ada0449d-1d03-406...
romifashionsl.blogspot.com/2024/12/soliac-set-bloom-solia...
traveladventureeverywhere.blogspot.com/2024/06/saint-pete...
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
www.youtube.com/watch?v=YJIDB7sOXAQ
gabbyjaws.blogspot.com/2024/12/blue-christmas.html
Tiffany Designs PROMO:: Madeleine Outfit [Mesh] + Lara X
★★★ MESH WINTER OUTFIT ★★★
════════════════════════════════════════════════════
➣ Includes:
• Mesh Top
• Mesh Dress
• Mesh Boots
• Mesh Headpiece (animated glitter)
• Texture HUD Driven
════════════════════════════════════════════════════
➣ Compatible with:
➠ LARA X
➠ MAITREYA
➠ LEGACY, Perky
➠ REBORN, Waifus
➠ KUPRA
════════════════════════════════════════════════════
★ Before buying, please try the free demo.
★ Thank you for shopping at ::TIFFANY DESIGNS:: !
☎ In world assistance if you need additional help - please contact LucyHope.
Tiffany Designs
LM: maps.secondlife.com/secondlife/Hilton%20Villas/232/207/22
MP: marketplace.secondlife.com/stores/139726?
JIAN Emperor Penguin, chick
LaraX
e.marie Morena earrings
WINGSDG ES0430
Credits: bluemoodstyle.blogspot.com/2025/01/xbossx.html
⫘⫘⫘⫘⫘⫘ ✿ ⫘⫘
▶S̱PƆŊS̱ƆɌ:: 2night - Diana Demonic Horns 2NIGHT STORE
✿✿ANIMESH /L-R
✿✿STATIC
✿✿TEXTURED HUD
⫘⫘⫘⫘⫘⫘ ✿ ⫘⫘
▶S̱PƆŊS̱ƆɌ:: DISTURBED EVENT
➺ Open on the 8th to 29th
➺ ZOON // SheWild Eyebrows Set ZOON - DISTURBED EVENT
✿✿5 EVOX EYEBROWS
✿✿TINTABLE
✿✿HIGHTLIGHT INCLUDED
➺ AnaSTyle - Tabitha Black&Stripes DRESS ANASTYLE - DISTURBED EVENT
✿✿DRESS JACKET BOOTS
✿✿LEGACY
✿✿MAITREYA LARA - CLASSIC
✿✿REBORN
✿✿PERKY
⫘⫘⫘⫘⫘⫘ ✿ ⫘⫘
✿✿.NONNATIVE - DAKOTA HAIR
✿✿ LELUTKA HEAD
✿✿ EBODY REBORN
On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.
A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.
Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.
Here's the background story that I wrote for the horizontal version:
-
It's hard enough to make original pictures, but with some subjects it simply borders the impossible.
When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.
The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.
On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.
After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!
This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.
-
If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Soonest Mended
BY JOHN ASHBERY
Barely tolerated, living on the margin
In our technological society, we were always having to be rescued
On the brink of destruction, like heroines in Orlando Furioso
Before it was time to start all over again.
There would be thunder in the bushes, a rustling of coils,
And Angelica, in the Ingres painting, was considering
The colorful but small monster near her toe, as though wondering whether forgetting
The whole thing might not, in the end, be the only solution.
And then there always came a time when
Happy Hooligan in his rusted green automobile
Came plowing down the course, just to make sure everything was O.K.,
Only by that time we were in another chapter and confused
About how to receive this latest piece of information.
Was it information? Weren’t we rather acting this out
For someone else’s benefit, thoughts in a mind
With room enough and to spare for our little problems (so they began to seem),
Our daily quandary about food and the rent and bills to be paid?
To reduce all this to a small variant,
To step free at last, minuscule on the gigantic plateau—
This was our ambition: to be small and clear and free.
Alas, the summer’s energy wanes quickly,
A moment and it is gone. And no longer
May we make the necessary arrangements, simple as they are.
Our star was brighter perhaps when it had water in it.
Now there is no question even of that, but only
Of holding on to the hard earth so as not to get thrown off,
With an occasional dream, a vision: a robin flies across
The upper corner of the window, you brush your hair away
And cannot quite see, or a wound will flash
Against the sweet faces of the others, something like:
This is what you wanted to hear, so why
Did you think of listening to something else? We are all talkers
It is true, but underneath the talk lies
The moving and not wanting to be moved, the loose
Meaning, untidy and simple like a threshing floor.
These then were some hazards of the course,
Yet though we knew the course was hazards and nothing else
It was still a shock when, almost a quarter of a century later,
The clarity of the rules dawned on you for the first time.
They were the players, and we who had struggled at the game
Were merely spectators, though subject to its vicissitudes
And moving with it out of the tearful stadium, borne on shoulders, at last.
Night after night this message returns, repeated
In the flickering bulbs of the sky, raised past us, taken away from us,
Yet ours over and over until the end that is past truth,
The being of our sentences, in the climate that fostered them,
Not ours to own, like a book, but to be with, and sometimes
To be without, alone and desperate.
But the fantasy makes it ours, a kind of fence-sitting
Raised to the level of an esthetic ideal. These were moments, years,
Solid with reality, faces, namable events, kisses, heroic acts,
But like the friendly beginning of a geometrical progression
Not too reassuring, as though meaning could be cast aside some day
When it had been outgrown. Better, you said, to stay cowering
Like this in the early lessons, since the promise of learning
Is a delusion, and I agreed, adding that
Tomorrow would alter the sense of what had already been learned,
That the learning process is extended in this way, so that from this standpoint
None of us ever graduates from college,
For time is an emulsion, and probably thinking not to grow up
Is the brightest kind of maturity for us, right now at any rate.
And you see, both of us were right, though nothing
Has somehow come to nothing; the avatars
Of our conforming to the rules and living
Around the home have made—well, in a sense, “good citizens” of us,
Brushing the teeth and all that, and learning to accept
The charity of the hard moments as they are doled out,
For this is action, this not being sure, this careless
Preparing, sowing the seeds crooked in the furrow,
Making ready to forget, and always coming back
To the mooring of starting out, that day so long ago.
John Ashbery, “Soonest Mended” from The Double Dream of Spring. Copyright © 1966, 1970 by John Ashbery. Reprinted with the permission of Georges Borchardt, Inc. on behalf of the author.
Source: The Mooring of Starting Out: The First Five Books of Poetry (Ecco Press, 1997)
^ ^ ^.^ ^ ^
gabbyjaws.blogspot.com/2024/12/bells-bows-gifts-trees.html
www.youtube.com/watch?v=Cjl_D5qCPXA
[Aura Designs] Day 12 Advent Calendar - WQ Heart Dress
Free to group members
Boots sold separately - [Aura Designs] Shimmer Boots
Aura Design
maps.secondlife.com/secondlife/Crystal%20Cascade/193/164/23
marketplace.secondlife.com/stores/239631
Lyrium Lin poses
S-CLUB KATY
LaraX
gabbyjaws.blogspot.com/2024/10/spooky-fashionsense-event-...
AXE COSTANZA OUFIT
(includes everthing but hair)
Kupra, Legacy, Perky, Reborn, GenX Classic, Curvy, LaraX
(Left to Right)
N3W M00N Oval Nails Ravishing
N3W M00N Hallow Face Tattoo Black Knee BOM
N3W M00N Hallow Face Raven Tattoo BOM
Sense Event: maps.secondlife.com/secondlife/DreamsLand/107/130/1589
Doe Bride
Lel EvoX Lilly
LaraX
It was declared a National Historic monument.
It was a property of Juan Narbona who exploited it like limekiln.
In the year 1738 there was constructed an oratory and a chapel that were the only ones between Montevideo and Villa Soriano
The Estancia de Narbona, (Narbona’s Farm), built by Don Juan de Narbona in 1732, is an archeological relic. Its Chapel and Oratory were the only ones that existed at those times between Montevideo and Villa Soriano. They were related to the Camacho family, and they are near the Camacho Bridge, surrounded by a beautiful park.
www.elobservador.com.uy/una-guardiana-que-dice-ser-la-ult...
farsouthtravels.blogspot.com/2009/05/estancia-narbona-mon...
www.focoblanco.com.uy/2011/03/maria-julia-en-capilla-narb...
blogs.montevideo.com.uy/blognoticia_1216_1.html
lomioesamateur.wordpress.com/mas-ficciones/estancia-y-cap...
el.kingdomsalvation.org/gospel.html
Δευτέρα Παρουσία
Ο Θεός λέει:«Καθώς η θάλασσα δεν ήταν πλέον σιωπηλή, η ζωή άρχισε να γεμίζει και τους ουρανούς. Ένα-ένα τα πουλιά, μικρά και μεγάλα, πετούσαν στον ουρανό από το έδαφος. Αντίθετα από τα πλάσματα της θάλασσας, εκείνα είχαν φτερά και πούπουλα που σκέπαζαν τις λεπτές και χαριτωμένες φιγούρες τους. Χτυπούσαν τα φτερά τους με περηφάνια και επεδείκνυαν αγέρωχα το υπέροχο φτέρωμά τους και τις ειδικές λειτουργίες και ικανότητες που τους χάρισε ο Δημιουργός. Πετούσαν ψηλά με ευκολία και δεξιότητα, ανάμεσα στον ουρανό και στη γη και μέσα από αγρούς και δάση… Ήταν τα αγαπημένα πλάσματα του αέρα και τα αγαπημένα πλάσματα όλων. Σύντομα θα αποτελούσαν τον σύνδεσμο μεταξύ ουρανού και γης και θα μετέφεραν τα μηνύματα σε όλα τα πράγματα… Κελαηδούσαν, εφορμούσαν χαρωπά, σκόρπιζαν κέφι, γέλιο και παλμό σ’ αυτόν τον μέχρι τότε άδειο κόσμο… Χρησιμοποιούσαν το καθάριο τους μελωδικό κελάηδισμα και τα λόγια που είχαν στην καρδιά τους για να υμνούν τον Δημιουργό για τη ζωή που Εκείνος τους χάρισε. Χόρευαν χαρωπά για να δείξουν την τελειότητα και το θαύμα της δημιουργίας του Δημιουργού και θα αφιέρωναν ολόκληρη τη ζωή τους στο να γίνουν μάρτυρες της εξουσίας του Δημιουργού μέσα από την ιδιαίτερη ζωή που Εκείνος τους χάρισε…... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Υιός του Ανθρώπου
For Mah Sponsored: NOeditiON - American Bazar - Gild - HXNOR - V.M - Men Only Distric.. Thanks You So Much Enjoy!!
Link Info: ~ thesecretdressing.blogspot.com.ar/2017/02/1187.html
gabbyjaws.blogspot.com/2024/10/pm-leah.html
pm Leah
This tight lace up bodycon has been released in 10 plain colors and 10 striking prints to choose from!
5 Bonus prints have been added on the Megapack
Maitreya, Petite, LaraX, Petite, Legacy, Reborn, Waifu, GenX Classic, Curvy
pm
LM: maps.secondlife.com/secondlife/Stellar/125/35/22
Liv Black Zaila Skin - Mawu Tone (EvoX+Reborn)
maps.secondlife.com/secondlife/Remonta/40/144/1501
LaraX
Lel EvoX Avalon
Doux Elijah
EQUAL Chloe Wedges
ELYSIUM Bellevue necklace
GO&SEE Olivia 3 pose