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Soonest Mended
BY JOHN ASHBERY
Barely tolerated, living on the margin
In our technological society, we were always having to be rescued
On the brink of destruction, like heroines in Orlando Furioso
Before it was time to start all over again.
There would be thunder in the bushes, a rustling of coils,
And Angelica, in the Ingres painting, was considering
The colorful but small monster near her toe, as though wondering whether forgetting
The whole thing might not, in the end, be the only solution.
And then there always came a time when
Happy Hooligan in his rusted green automobile
Came plowing down the course, just to make sure everything was O.K.,
Only by that time we were in another chapter and confused
About how to receive this latest piece of information.
Was it information? Weren’t we rather acting this out
For someone else’s benefit, thoughts in a mind
With room enough and to spare for our little problems (so they began to seem),
Our daily quandary about food and the rent and bills to be paid?
To reduce all this to a small variant,
To step free at last, minuscule on the gigantic plateau—
This was our ambition: to be small and clear and free.
Alas, the summer’s energy wanes quickly,
A moment and it is gone. And no longer
May we make the necessary arrangements, simple as they are.
Our star was brighter perhaps when it had water in it.
Now there is no question even of that, but only
Of holding on to the hard earth so as not to get thrown off,
With an occasional dream, a vision: a robin flies across
The upper corner of the window, you brush your hair away
And cannot quite see, or a wound will flash
Against the sweet faces of the others, something like:
This is what you wanted to hear, so why
Did you think of listening to something else? We are all talkers
It is true, but underneath the talk lies
The moving and not wanting to be moved, the loose
Meaning, untidy and simple like a threshing floor.
These then were some hazards of the course,
Yet though we knew the course was hazards and nothing else
It was still a shock when, almost a quarter of a century later,
The clarity of the rules dawned on you for the first time.
They were the players, and we who had struggled at the game
Were merely spectators, though subject to its vicissitudes
And moving with it out of the tearful stadium, borne on shoulders, at last.
Night after night this message returns, repeated
In the flickering bulbs of the sky, raised past us, taken away from us,
Yet ours over and over until the end that is past truth,
The being of our sentences, in the climate that fostered them,
Not ours to own, like a book, but to be with, and sometimes
To be without, alone and desperate.
But the fantasy makes it ours, a kind of fence-sitting
Raised to the level of an esthetic ideal. These were moments, years,
Solid with reality, faces, namable events, kisses, heroic acts,
But like the friendly beginning of a geometrical progression
Not too reassuring, as though meaning could be cast aside some day
When it had been outgrown. Better, you said, to stay cowering
Like this in the early lessons, since the promise of learning
Is a delusion, and I agreed, adding that
Tomorrow would alter the sense of what had already been learned,
That the learning process is extended in this way, so that from this standpoint
None of us ever graduates from college,
For time is an emulsion, and probably thinking not to grow up
Is the brightest kind of maturity for us, right now at any rate.
And you see, both of us were right, though nothing
Has somehow come to nothing; the avatars
Of our conforming to the rules and living
Around the home have made—well, in a sense, “good citizens” of us,
Brushing the teeth and all that, and learning to accept
The charity of the hard moments as they are doled out,
For this is action, this not being sure, this careless
Preparing, sowing the seeds crooked in the furrow,
Making ready to forget, and always coming back
To the mooring of starting out, that day so long ago.
John Ashbery, “Soonest Mended” from The Double Dream of Spring. Copyright © 1966, 1970 by John Ashbery. Reprinted with the permission of Georges Borchardt, Inc. on behalf of the author.
Source: The Mooring of Starting Out: The First Five Books of Poetry (Ecco Press, 1997)
^ ^ ^.^ ^ ^
On all our tours I encourage our guests to also shoot verticals, not only horizontals. Magazines for instance, are all based on verticals, so if you ever want your picture to grace the cover or to be published on a full page, you'll need to shoot verticals as well.
A little while back I got an email from British Airways, asking whether I had a vertical version of my famous picture The Edge, of an elephant at Victoria Falls. And as a matter of fact I did, I just never processed it. When I started processing the image, I wondered why I hadn't done it earlier - the vertical version seems to make more sense because you can actually see the height of the falls and you can see all the water falling down.
Anyway, British Airways published the shot and I was happy they had given me a good reason to dive into my image library again.
Here's the background story that I wrote for the horizontal version:
-
It's hard enough to make original pictures, but with some subjects it simply borders the impossible.
When I was at Victoria Falls last year, I thought about the billions of photographs that must have been taken there, and I almost decided to just visit the place without my camera. That was until I spoke with some of the local people, who told me that they had seen a bull elephant crossing the Zambezi river the day before. During my research I had not seen any images of the falls with an elephant in it, so I decided to stay a few extra days and try my luck.
The course of the Zambezi is dotted with numerous tree-covered islands, which increase in number as the river approaches the falls. As the dry season takes effect, the islets on the crest become wider and more numerous, and with the water level of the Zambezi dropping, once submerged walkways and fresh foraging possibilities present themselves. This elephant was apparently aware of this.
On the third day I left very early with a small boat to reach my location. On my way to the edge I suddenly saw the lone bull wading through shallow parts of the river, but it was far away and light levels were low, so I decided to continue to the falls. I took some sunrise shots and half an hour later I saw the elephant approaching the falls. I quickly collected my gear and moved carefully towards the edge where the water plummeted into a 360ft chasm - not particularly nice when you're afraid of heights... I set everything up in order to include as much as possible of the falls and made a composition. Luckily the elephant was aware of my preference to shoot into the light, so his position couldn't be better.
After I took the shots, I knew I had just witnessed and captured something very special. Later that day local people confirmed this by telling me that they had never seen an elephant so close to the edge of the falls before - exactly what I wanted to hear!
This image was featured as a double page spread in National Geographic, and won First Prize in the European Wildlife Photographer of the Year Awards.
-
If you would like to join me on our next photo tour in Zambia and learn everything about wildlife photography, please check out my website for more information and tour impression video clips:
Squiver Photo Tours & Workshops
Hope to see you there!
Marsel
©2013 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
ED272. - XB222948.XT
A la farmacia..........
Alcoi semana modernisme 2022.
La semana modernista de Alcoy tuvo lugar entre el 19 y el 25 de septiembre de 2022 y estuvo dedicada al pintor Francisco Laporta Valor.
INFO_ Semana Modernista de Alcoy -
www.alcoyturismo.com/pag/4165/semana-modernista.html
alcoymodernista.com/feria-modernista-de-alcoy/
Muchas gracias por vuestra visita .
Agradezco a todos su seguimiento, atención, *favoritas y comentarios…. Espero que os guste esta fotografía.
Moltes gràcies a tots per les vostres visites, atencions, comentaris i *favorites. Espere que vos agrade aquesta fotografia.
I thank you all for your kind attention, *Fav. and comments follow….
Thank you very much to all for your visits. I hope you like this photograph.
Thank, Merci , Gracias……….
No tengo mucho tiempo para comentar ahora ...
pero aún así, cuando puedo hago un repaso y siempre hay un FAVE para las mas llamativas, originales, interesantes……..
©Todos los derechos reservados.
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_hku_our_me...:
Art in station architecture
Artwork Title:
Our Memories of the Western District — Kennedy Town
Artist Name:
Photo winners from local community and MTR Corporation (Hong Kong)
Artwork Location:
Kennedy Town Station - Concourse
Form of Artwork:
Digital Printing on Glass
Artwork Completion Date:
December 2014
Artist's Concept:
The photographic competition entitled "Our Memories of the Western District" was the inaugural activity of the West Island Line Community Art Programme. Unique images of the Kennedy Town area were captured by local residents and the winning photographs from the champion, 1st runner-up, 2nd runner-up and merit award recipients were selected as the theme images for use in Kennedy Town Station. These photographic images were then pixelated using thousands of images collected from the community and then combined with monochrome graphics to create a panoramic collage, reflecting the uniqueness and culture of Western District with traditional buildings and daily life of the local community.
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Link Info: ~ thesecretdressing.blogspot.com.ar/2017/02/1187.html
This tutorial is done in Photoshop CS3, and you need some basic knowlegde to follow it. The numbers are the exact ones I used.
Step by step snapshots at www.soffia.net/tutorial.html
1. I duplicade the layer twise, on one layer I erase out carefully the mountain with soft eraser, opacity 100 flow around 60. (you can also use masks) One layer is just to have the photo as it is.
2. Name the layers ( image01) mountains, clouds and just_in_case_layer.
3. Go to creatae new fill or adjustment layer and choose Levels. (Image 02) I tweeked the 3 arrows untill I got 8 ~ 0,73 ~ 200
4. Go to creatae new fill or adjustment layer again but this time choose Brightness/Contrast. and put in -12 for brightness and contr. -28 (Image03)
5. Go to creatae new fill or adjustment layer again and choose Hue/Saturation. (Image 04)
take up saturation to 22
6. For now, I´m fairly happy with the mountains, so now I drag the Clouds layer on top of all the layers. (Image 05)
7. Then I merge the mountains with all the adjustment layers by selecting all the layers, and choose merge layers (Image 06)Name the Layer mountains again if it´s called hue/saturation.
8. Now we can work on the clouds, you can turn off the mountains layer by clicking on the eye on the left. Go to creatae new fill or adjustment layer and choose Levels. (Image 02) I tweeked the 3 arrows untill I got 18 ~ 0,84 ~ 215
9. I want a little more contrast in the big cloud so duplicade the clouds layer, name it cloud-contrast go to Image - Adjustment - Levels. Use 59~ 0,64~ 195. The reason why I choose levels from there is cause I only want it to affect the new cloud layer(Image 07)
10. with the cloud-contrast layer picked, go to Image - Adjustment - Brightness/Contrast and put brightness to +36 and contrast +17
11. I find the cloud too red, so go to Image - Adjustment - hue/saturation, in Edit: choose
Reds and take the saturation down to -42. After that I rease around it so the layer would look like this (Image 08)
12. Let´s go to the Clouds layer again, Go to creatae new fill or adjustment layer and choose Brightness/Contrast. put in +45 for brightness (Image03)
13. Go to create new fill or adjustment layer (Image 04) and choose Hue/Saturation. In Edit:
Blues hue: -13 sat: -67
Cyans hue: -10 sat: -57 (or tweek the numbers untill you´re happy with the colors......)
15. Merge the layers by selecting Cloud-contrast,clouds and the all the adjustment layers(image 06) (you can also select the layers and hit Ctrl + E )
16. Turn on the Mountains Layer. Flatten image. Then I did some more adjucstment with hue/sat, cyan -9 and -39 then blues -4 and -22 and Yelloes -35. And then I went to levels and did 8 ~ 1,16 ~ 255.
17. Then I put the lomo gradient fill with 40 % opacity on that layer
I did use the clone stamp to erase out a part of the sky, the dark bottom part... :P
And finally I ran it through Neat Image, a software I bought the other day. neatimage.com/
I could probably spend another hour tweeking and tuning. But let´s say this done for now.
Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/kowloon/mo...:
Kowloon Union Church, one of the earliest inter-denominational churches in Hong Kong, was built by the London Missionary Society with financial support from Sir Paul Chater. The foundation stone was laid on 27 May 1930 by the then Colonial Secretary, W.T. Southorn, and the church was officially opened on 10 April 1931 by the then Governor Sir William Peel. During the Japanese Occupation, the church ceased to function and the building was converted into a horse stable by the Japanese army and suffered severe looting and damage. The church was opened again for public worship with a rededication service held on 19 October 1947 and continues to serve the community until now.
The church possesses “Perpendicular Gothic” architectural features, with pitched Chinese-tiled roof, red load-bearing brick walls and contrasting grey granite steps and window surrounds. A semi-circular apse and an attached three-storey battlemented tower are built at the two ends of the church respectively.
The square battlemented tower with pointed arch doorway surround and foundation stone at the base is designed to serve as the main entrance to the church. It is of fair-face red brickwork with carved granite ornaments and trimmings. There is also a concrete flat roof topped with a crenelated low parapet wall.
The windows of the church are set in decorative granite framing in the form of trefoil-headed tracery. The window frames are of wrought-iron and there are angular carved hoods above the windows. The windows of top floor of the battlemented tower are with stone louvers. The elegant double hammer-beam timber roof trusses with carved granite corbel supports are a rare and dominant feature of the spacious interior of the main hall of the church.
Kowloon Union Church was declared a monument in 2017.
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Link Info Blog: thesecretdressing.blogspot.com.ar/2017/04/1238.html
Excerpt from www.discoverhongkong.com/ca/explore/discover-sha-tau-kok....:
Located in Hong Kong’s North District and right next to Shenzhen’s Yantian District, Sha Tau Kok was designated as part of the Frontier Closed Area in 1951. Since then, Sha Tau Kok has been accessible only to individuals with a closed area permit. Back in the days when Sha Tau Kok was closed to non-residents, visiting the border town also required a guarantee from a local resident. As it begins to open gradually, Sha Tau Kok has become a great choice for weekend getaways.
The first phase of the opening of Sha Tau Kok began in June 2022, followed by the second phase starting January 2024. Visitors can board a kaito ferry to explore Sha Tau Kok and enjoy the area’s beautiful scenery, unique attractions and local delicacies, either independently or through local tours. You can also take a ferry to nearby islands and areas, such as Lai Chi Wo, Kat O, Ap Chau and Hong Kong UNESCO Global Geopark.
The opening of Sha Tau Kok
•The daily quota of visitors with the Tourism Closed Area Permit is set at 2,300 individuals, and 700 group visitors on weekends and public holidays. There is no quota limit for groups on weekdays.
•Individual travellers must enter Sha Tau Kok by public transport, with the addition of ferry services to Sha Tau Kok from Lai Chi Wo/Ap Chau/Kat O. Private cars are NOT allowed.
•Area: Sha Tau Kok (excluding Chung Ying Street).
•Opening hours: Every day from 7am to 9pm.
Palabras de Dios | Escapa de la influencia de las tinieblas y Dios te ganará
"¿Cuál es la influencia de las tinieblas? Aquello a lo que se llama influencia de las tinieblas es la esclavitud de Satanás, la influencia de Satanás; es una influencia que tiene un aura de muerte.
…… Si los hombres son incapaces de practicar las palabras de Dios, siempre lo engañan actuando de una forma superficial con Él y sin creer en Su existencia, tales personas están viviendo bajo la influencia de las tinieblas. Todos los hombres que no han recibido la salvación de Dios están viviendo bajo el campo de acción de Satanás, es decir, viven todos bajo la influencia de las tinieblas. Quienes no creen en Dios viven bajo el campo de acción de Satanás. Incluso aquellos que creen en la existencia de Dios pueden no estar necesariamente viviendo en la luz de Dios, porque los que creen en Él, no necesariamente pueden estar viviendo dentro de las palabras de Dios ni ser hombres que necesariamente sean capaces de obedecer a Dios. El hombre sólo cree en Dios y debido a su fracaso en conocer a Dios, él sigue viviendo dentro de las viejas normas, viviendo dentro de palabras muertas, viviendo en una vida que es oscura e incierta, no estando purificado del todo por Dios ni ganado por completo por Dios. Por tanto, aunque no hace falta decir que quienes no creen en Dios están viviendo bajo la influencia de las tinieblas; incluso quienes sí creen en Dios, aun así pueden estar viviendo bajo la influencia de las tinieblas, porque el Espíritu Santo no ha llevado a cabo obra alguna en ellos. Los que no han recibido la gracia de Dios ni Su misericordia, así como los que no pueden ver la obra del Espíritu Santo, viven todos bajo la influencia de las tinieblas; quienes sólo disfrutan de la gracia de Dios, pero no lo conocen, también viven la mayor parte del tiempo bajo la influencia de las tinieblas. Si un hombre cree en Dios, pero gasta la mayor parte de su vida bajo la influencia de las tinieblas, entonces la existencia de ese hombre ha perdido su significado, por no mencionar a quienes no creen en la existencia de Dios."
Recomendación: La advertencia de Dios
Εισαγωγή
Ύμνος των λόγων του Θεού | Λατρεύουμε τον Θεό με Πνεύμα και Αλήθεια «Το Αποτέλεσμα που Επιτυγχάνεται Γνωρίζοντας τον Θεό» | Χριστιανικά τραγούδια【Α Καπέλα】
Κάποια μέρα,
θα νιώσεις ότι ο Δημιουργός
δεν αποτελεί πλέον γρίφο,
ότι ο Δημιουργός ποτέ δε σου έχει κρυφτεί,
ότι ο Δημιουργός
πότε δεν έχει αποκρύψει το πρόσωπό Του από εσένα,
ότι ο Δημιουργός δεν είναι καθόλου μακριά από εσένα,
ότι ο Δημιουργός δεν είναι πλέον Αυτός που συνεχώς ποθείς στις σκέψεις σου
αλλά δεν μπορείς να αγγίξεις με τα αισθήματά σου,
ότι υπαρκτά και αληθινά στέκει φρουρός εξ αριστερών και εκ δεξιών σου,
τροφοδοτεί τη ζωή σου και ελέγχει το πεπρωμένο σου, ελέγχει το πεπρωμένο σου.
Δε βρίσκεται στον μακρινό ορίζοντα, ούτε έχει κρυφτεί ψηλά στα σύννεφα.
Είναι εκεί στο πλευρό σου και κυριαρχεί στο είναι σου,
Είναι όλα όσα έχεις και Είναι το μόνο που έχεις.
Ένας τέτοιος Θεός
σου επιτρέπει να Τον αγαπάς από καρδίας,
να προσκολληθείς πάνω Του, να Τον κρατάς κοντά σου, να Τον θαυμάζεις,
Να φοβάσαι μη τυχόν Τον χάσεις,
Και να είσαι απρόθυμος πλέον να Τον απαρνηθείς, απρόθυμος να Τον παρακούς άλλο
μήτε άλλο να Τον αποφεύγεις ή να Τον κρατάς σε απόσταση.
Το μόνο που θέλεις είναι να νοιάζεσαι γι’ Αυτόν, να Τον υπακούς,
ν’ ανταποδίδεις όλα όσα σου δίνει και να παραδοθείς στην κυριαρχία Του.
Δεν αρνείσαι άλλο να καθοδηγηθείς,
να τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός,
δεν αρνείσαι πλέον ότι σου επιτάσσει και ορίζει για εσένα,
ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
Τον ένα και μοναδικό Θεό.
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
αρνείσαι να καθοδηγηθείς, τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός.
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
ότι σου επιτάσσει και ορίζει για εσένα, ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου, τον ένα και μοναδικό Θεό σου.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
τον ένα και μοναδικό Θεό σου.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Excerpt from www.mtr.com.hk/en/customer/community/art_archi_kat_memori...:
“Memories of Kai Tak – 1925-1998”
A Tribute to Hong Kong’s Aviation History at Kai Tak Station
Artwork Title:
"Memories of Kai Tak - 1925-1998"
Artist Name:
Cliff Dunnaway (Canada)
Location:
Kai Tak Station
Artwork Completion Date:
2020
Concept:
To celebrate the opening of Kai Tak Station on 14 February 2020, the MTR Corporation commissioned this photo display illustrating some of the history of Kai Tak Airport from 1925 to 1998. The events, aircraft and people that made Kai Tak synonymous with early aviation in Hong Kong and set the foundation of Hong Kong’s thriving aviation industry of today are presented here to be enjoyed by all of our visitors.
Kai Tak Station is situated on just a small part of the historic site of the old Kai Tak Airport. The early aviation history of Kai Tak happened all around the area in which the station is now located although evidence of that important history has been rendered mostly invisible by Hong Kong’s comprehensive urban development. All of this exciting history happened within a stone’s throw of where visitors now stand within Kai Tak Station!
It is therefore most important that the contributions of Kai Tak to the growth and prosperity of Hong Kong, along with the collective memories of the people of Hong Kong should not be forgotten.
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Escuchar esta canción: es.easternlightning.org/videos/God-s-mercy-towards-mankin...
Música cristiana | La misericordia de Dios hacia la humanidad nunca ha cesado
I
La piedad del Creador no es una frase vacía,
ni una promesa hueca.
Tiene principios y objetivos,
verdaderos y reales sin disfraz.
Su misericordia, dada a la humanidad, sin final en el tiempo.
La palabra del Creador con Jonás está
Su única declaración de por qué Él es piadoso,
y cómo muestra piedad,
cuánto tolera Él a la humanidad,
y Sus verdaderos sentimientos por ella.
La ira de Dios es común para el hombre,
pero Su piedad nunca termina.
Con misericordia, Él guía y lidera,
suministra y nutre al hombre,
generación a generación, de una era a la siguiente.
Su amor por el hombre nunca cambia,
¡Su amor nunca cambiará!
Su amor por el hombre nunca cambia,
¡Su amor nunca cambiará!
II
Los diálogos de Jehová Dios
muestran todo Su pensamiento de la humanidad,
una expresión de Su corazón
y prueba de una rica misericordia al hombre,
no solamente conferida a los ancianos,
sino concedida a los jóvenes,
tal como ha sido y será de una generación a la siguiente.
La ira de Dios es común para el hombre,
pero Su piedad nunca termina.
Con misericordia, Él guía y lidera,
suministra y nutre al hombre,
generación a generación, de una era a la siguiente.
Su amor por el hombre nunca cambia,
¡Su amor nunca cambiará!
La ira de Dios es común para el hombre,
pero Su piedad nunca termina.
Con misericordia, Él guía y lidera,
suministra y nutre al hombre,
generación a generación, de una era a la siguiente.
Su amor por el hombre nunca cambia,
¡Su amor nunca cambiará!
Su amor por el hombre nunca cambia,
¡Su amor nunca cambiará!
De “Seguir al Cordero y cantar nuevos cánticos”
Escuchar más: Canciones alabanzas
romephotoblog.blogspot.com/2010/04/iphone-photo-of-week-a...
il Circolo Arci RISING LOVE il 15 APRILE 2010 dalle 21.00
presenta:
dalle 21.00 Expò SK8 LIKE CANVAS Vol. 1
da un'idea di Mr.Klevra, a cura di Mr. Klevra ed in collaborazione con Silvia Bagnacani
dalle 23.00 ALESSIO BERTALLOT djset
Expò dal 15 al 25 Aprile 2010
Vernissage giovedì 15 Aprile ore 21.00
100 tavole da skateboard personalizzate a mano da 60 e più artisti internazionali tra writer, street artist, illustratori, grafici e tatuatori da ogni angolo del pianeta
Nel corso della serata di inaugurazione: live painting performance, proiezioni video di skateboarding e distribuzione gratuita del catalogo
Main sponsor della serata ATTACKIT
Skate Like Canvas Vol.I Group Show (gli artisti e i paesi di provenienza):
“#” (ITALIA), AGONISTICO (ITALIA), ARAD BERT (ISRAELE), ARTESTENCIVA (BRASILE), ASPE (ITALIA), BEN MERRELL (USA), BIODPI (ITALIA), BOL23 (ITALIA), BRAHMAN (ITALIA), BR1–999 (ITALIA), CARLOS ILLUSTRATION (USA), CINASKI (ITALIA), CRISTIANO ABDE (EGITTO), DAMA (ITALIA), DIAMOND (ITALIA), DIANA KOEHNE (GERMANIA), DOES (OLANDA), DOWNER (USA), EITEL (GERMANIA), EMANUEL KLEE (GERMANIA), ERIK SCHUESSLER (USA), FELIPE BEDOYA (COLOMBIA), FIDIA (ITALIA), GAWD (CANADA), GIANLUCA FASCETTO (ITALIA), GRAFFITI (ARGENTINA), GRAPHIC WISH (ITALIA), GRAVE INDUSTRIES (UK), GRECO (ITALIA), JAMES HICKS (USA), JASON RUDOLPH PEÑA (USA), JB ROCK (ITALIA), LOVE QUIET (ITALIA), LUCA ZAMPRIOLO (ITALIA), KIMMINGS (UK), KIV (ITALIA), KLINGRATRON (UK), KRAMERJEIRA (BRASILE), KRAYON (ITALIA), KULT (GERMANIA), LUKE DA DUKE (OLANDA), MAD DOG (ITALIA), MARCO REA (ITALIA), MATT JONES (UK), MASON STORM (UK), MICHELE ANGELO (SPAGNA-ITALIA), MR.G (ITALIA), MR.KLEVRA (ITALIA), NICK ALIVE (BRASILE), NOHJCOLEY (USA), OMINO71 (ITALIA), ORMA (ITALIA), ORLANDO MIANI (ITALIA), PARS PROTOTO (GERMANIA), PAUME SARIN (FRANCIA), PIXEL PANCHO (SPAGNA-ITALIA), RATACRUDA (PERU), ROBERTO GOODMAN (ITALIA), ROBOF (ITALIA), SHIGEO SATO (GIAPPONE), SINERO (GERMANIA), SONE (ITALIA), STEVE HAMILTON AKA SHAM (USA), STICKEE (UK), TEDDY KILLER (ITALIA), THE YOUNG (GERMANIA), TONY PEREZ (USA), TRUFF (BRASILE), VAN DER MOSER (ITALIA) e tanti altri
el.kingdomsalvation.org/the-one-who-holds-sovereignty-ove...
Εισαγωγή
Ευαγγέλιο
Τα λόγια του Θεού σε αυτό το βίντεο είναι από το βιβλίο «Ο Λόγος Ενσαρκώνεται». Το περιεχόμενο αυτού του βίντεο:
Την Τέταρτη Ημέρα, αρχίζουν να υπάρχουν οι εποχές,οι ημέρες και τα χρόνια του ανθρώπινου είδους καθώς ο Θεός ασκεί την εξουσία Του για μια ακόμη φορά
Την Πέμπτη Ημέρα,η ζωή διαφόρων και ποικίλων μορφών
επιδεικνύει την εξουσία του Δημιουργού με διάφορους τρόπους
Την Έκτη Ημέρα, ο Δημιουργός μιλάει και κάθε είδος ζώντος οργανισμού που έχει στο μυαλό Του κάνει την εμφάνισή του, το ένα μετά το άλλο
Υπό την εξουσία του Δημιουργού, όλα τα πράγματα είναι τέλεια
Κανένα από τα δημιουργημένα και τα μη δημιουργημένα πλάσματα δεν μπορεί να αντικαταστήσει την
Η παραβολή των δέκα παρθένων
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
For Mah Sponsored: Rezology - SONG - ARISE - Bold & Beauty - Mowie - NOIR... Thanks You So Much Enjoy!!!
Link Info Blog: thesecretdressing.blogspot.com.ar/2017/03/1125.html
gabbyjaws.blogspot.com/2024/12/bells-bows-gifts-trees.html
www.youtube.com/watch?v=Cjl_D5qCPXA
[Aura Designs] Day 12 Advent Calendar - WQ Heart Dress
Free to group members
Boots sold separately - [Aura Designs] Shimmer Boots
Aura Design
maps.secondlife.com/secondlife/Crystal%20Cascade/193/164/23
marketplace.secondlife.com/stores/239631
Lyrium Lin poses
S-CLUB KATY
LaraX