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The Story Behind The Cherry Blossom Festival In Bound Brook Park In Newark, New Jersey By Mark Di Ionno | NJ Advance Media for NJ.com
www.nj.com/news/2016/03/the_story_behind_branch_brook_par...
The explosion of pink buds and their floral scent bombs are just days away at Essex County's Branch Brook Park.
The cherry blossom trees will flower over a period of three weeks - 5,000 in all, in 18 different varieties - in hues from snow white to vibrant pink.
The annual Branch Brook Cherry Blossom Festival is a yearly celebration of spring, but it began 40 years ago as testament to hope and renewal.
It was 1976 - less than a decade after the 1967 riots - when one particular Newarker wanted to restore a little piece of beauty from her childhood and bring some happy pink back to the worn and weary park.
She is Kathleen P. Galop, who grew up in the North Ward and Forest Hill, and became a corporate lawyer for Prudential and a historic preservation expert.
"Kathleen Galop started the Cherry Blossom Festival," said Dan Salvante, Essex County's parks and recreation director. "She made it happen."
"I don't like to tie everything to 1967," Galop said. "But I thought celebrating the blossoms would be something positive. It would give the city a sense of renewal."
There were fewer than a 1,000 trees then, but the census now stands at 5,000. Since taking office in 2002, Essex County Executive Joe DiVincenzo has been determined to have Branch Brook overtake Washington, D.C., as the cherry blossom tree capital of the nation, and it has.
MORE: Recent Mark Di Ionno columns
The often-repeated assertion that the 360-acre park has more cherry blossom trees than Washington, D.C., appears to be true; the official site website of the National Cherry Blossom Festival says there are 3,750 trees in the Tidal Basin area, where 700,000 people come to see the blooms each spring.
"To me, it's all about quality life, civic pride and economic development," DiVincenzo said. "We get 100,000 people for our Cherry Blossom Festival. They come here, they eat in restaurants, they spend money."
Like Galop, DiVincenzo grew up with a love of the park and the trees.
"We didn't go on vacations," DiVincenzo said. "Vacation was in Branch Brook Park. We'd take pictures by the cherry trees."
But the cherry blossom trees weren't always part of the Branch Book Park allure. They weren't even included in the original Olmsted plan.
Frederick Law Olmsted, the father of American landscape design, favored open meadows and clusters of natural forest, not ornamental trees. His sons followed that vision when they were commissioned to design the Essex County park in 1900.
The result rivaled their father's greatest creations - Central Park in Manhattan, Prospect Park in Brooklyn, and other magnificent urban landscapes from Mount Royal Park in Montreal to the U.S. Capitol grounds in Washington.
It was Caroline Bamberger Fuld - yes, that Bamberger - who introduced the cherry blossom trees to Branch Brook Park in the 1920s. During a trip to Japan, she became enamored with the beauty of the robust, flowering trees. When she returned home, she donated more than 2,000 to the park.
Bamberger, who started the department store chain with her brother Louis, "wanted Newark to have more cherry blossom trees than Washington," said Galop, who wrote the labor-intensive applications for the park to be placed on the national and state historic registries. "I think Washington had 2,000 so she ordered 2,001."
Bamberger brought in so many trees, the park had to be extended north of Heller Parkway into Belleville. The Branch Brook Park Cherry Blossom Visitors Center is Newark in this northern part of the park.
"The trees are generally short-lived, with a life expectancy of 40 years, but we still have some from the original collection," said Paul Cowie, the arborist who manages the Branch Brook cherry blossom tree collection.
Those trees, which Cowie called "monsters," are the thick-trunked, wide-wingspan varieties in the northern part of the park near the visitors center.
Two years after DiVincenzo took office, he ordered an official count of the Branch Brook cherry blossom collection. The number was surprisingly low.
"When we finished the inventory, there were only 987 trees left," said Cowie. "That spurred the restoration of the population."
With the help of the Branch Brook Alliance, a park "friends group" of corporate and private donors, the county was able to go on a cherry blossom tree-buying spree. The latest phase was a $651,000 expenditure for 1,100 trees last year.
"This is the seventh phase of the plantings," Cowie said last week as a crew put in a fresh delivery of 100 trees, to replace some of the 1,100 that didn't thrive.
DiVincenzo said the magic of the Branch Brook park collection is not just in the number but in the variety.
"We have more varieties than anybody," he said.
Eighteen, to be exact, said Cowie.
They range from the early-blooming Okame, which are popping their bright pink buds now, to the late-blooming Kwanzan, which burst big, dark pink double flowers.
The park has abundant white blossoms of the Snow Goose variety, and many weeping trees called Higans, which are most popular with tourists, because the branches arc and cascade to the ground.
Perhaps the best part, though, is the trees have not disrupted the original Olmsted design. They decorate the park, not overpower it.
"I think what's been done there is in keeping with the parks natural setting and beauty," Galop said.
(The Branch Brook Park Cherry Blossom Festival runs from April 9 to 24 this year. For information call (973) 268-3500 or visit essexcountynj.org):
www.nj.com/news/2016/03/the_story_behind_branch_brook_par...
By Mark Di Ionno | NJ Advance Media for NJ.com
The explosion of pink buds and their floral scent bombs are just days away at Essex County's Branch Brook Park.
The cherry blossom trees will flower over a period of three weeks - 5,000 in all, in 18 different varieties - in hues from snow white to vibrant pink.
The annual Branch Brook Cherry Blossom Festival is a yearly celebration of spring, but it began 40 years ago as testament to hope and renewal.
It was 1976 - less than a decade after the 1967 riots - when one particular Newarker wanted to restore a little piece of beauty from her childhood and bring some happy pink back to the worn and weary park.
She is Kathleen P. Galop, who grew up in the North Ward and Forest Hill, and became a corporate lawyer for Prudential and a historic preservation expert.
"Kathleen Galop started the Cherry Blossom Festival," said Dan Salvante, Essex County's parks and recreation director. "She made it happen."
"I don't like to tie everything to 1967," Galop said. "But I thought celebrating the blossoms would be something positive. It would give the city a sense of renewal."
There were fewer than a 1,000 trees then, but the census now stands at 5,000. Since taking office in 2002, Essex County Executive Joe DiVincenzo has been determined to have Branch Brook overtake Washington, D.C., as the cherry blossom tree capital of the nation, and it has.
The often-repeated assertion that the 360-acre park has more cherry blossom trees than Washington, D.C., appears to be true; the official site website of the National Cherry Blossom Festival says there are 3,750 trees in the Tidal Basin area, where 700,000 people come to see the blooms each spring.
"To me, it's all about quality life, civic pride and economic development," DiVincenzo said. "We get 100,000 people for our Cherry Blossom Festival. They come here, they eat in restaurants, they spend money."
Like Galop, DiVincenzo grew up with a love of the park and the trees.
"We didn't go on vacations," DiVincenzo said. "Vacation was in Branch Brook Park. We'd take pictures by the cherry trees."
But the cherry blossom trees weren't always part of the Branch Book Park allure. They weren't even included in the original Olmsted plan.
Frederick Law Olmsted, the father of American landscape design, favored open meadows and clusters of natural forest, not ornamental trees. His sons followed that vision when they were commissioned to design the Essex County park in 1900.
The result rivaled their father's greatest creations - Central Park in Manhattan, Prospect Park in Brooklyn, and other magnificent urban landscapes from Mount Royal Park in Montreal to the U.S. Capitol grounds in Washington.
It was Caroline Bamberger Fuld - yes, that Bamberger - who introduced the cherry blossom trees to Branch Brook Park in the 1920s. During a trip to Japan, she became enamored with the beauty of the robust, flowering trees. When she returned home, she donated more than 2,000 to the park.
Bamberger, who started the department store chain with her brother Louis, "wanted Newark to have more cherry blossom trees than Washington," said Galop, who wrote the labor-intensive applications for the park to be placed on the national and state historic registries. "I think Washington had 2,000 so she ordered 2,001."
Bamberger brought in so many trees, the park had to be extended north of Heller Parkway into Belleville. The Branch Brook Park Cherry Blossom Visitors Center is in Newark in this northern part of the park.
"The trees are generally short-lived, with a life expectancy of 40 years, but we still have some from the original collection," said Paul Cowie, the arborist who manages the Branch Brook cherry blossom tree collection.
Those trees, which Cowie called "monsters," are the thick-trunked, wide-wingspan varieties in the northern part of the park near the visitors center.
Two years after DiVincenzo took office, he ordered an official count of the Branch Brook cherry blossom collection. The number was surprisingly low.
"When we finished the inventory, there were only 987 trees left," said Cowie. "That spurred the restoration of the population."
With the help of the Branch Brook Alliance, a park "friends group" of corporate and private donors, the county was able to go on a cherry blossom tree-buying spree. The latest phase was a $651,000 expenditure for 1,100 trees last year.
"This is the seventh phase of the plantings," Cowie said last week as a crew put in a fresh delivery of 100 trees, to replace some of the 1,100 that didn't thrive.
DiVincenzo said the magic of the Branch Brook park collection is not just in the number but in the variety.
"We have more varieties than anybody," he said.
Eighteen, to be exact, said Cowie.
They range from the early-blooming Okame, which are popping their bright pink buds now, to the late-blooming Kwanzan, which burst big, dark pink double flowers.
The park has abundant white blossoms of the Snow Goose variety, and many weeping trees called Higans, which are most popular with tourists, because the branches arc and cascade to the ground.
Perhaps the best part, though, is the trees have not disrupted the original Olmsted design. They decorate the park, not overpower it.
"I think what's been done there is in keeping with the parks natural setting and beauty," Galop said.
(The Branch Brook Park Cherry Blossom Festival runs from April 9 to 24 this year. For information call (973) 268-3500 or visit essexcountynj.org)
Cotton Bayou Public Access
25900 Perdido Beach Blvd
Orange Beach, Alabama
Photo taken on March 1, 2023
Walking barefoot down Orange Beach at sunrise, carrying shoes so the feet will make contact with the sand. The walkers long shadows spreads diagonally across the sand etched with following footprints. The sun like a big happy face looks down and smiles. Clouds on the horizon appears to be a large mountain range with rugged ridges. The suns reflection is elongated as it stretches out across the wet sand.
fineartamerica.com/featured/walking-barefoot-at-sunrise-l...
June 22, 2020 - Amherst Nebraska
Prints Available...Click Here
All Images are also available for...
stock photography & non exclusive licensing...
Watch the Video from this storm chase day on Flickr Click Here
Almost late June 2020, and the severe weather season has been just down right horrible for anything of photographic value this year. I mean this when I say Chase Locally. Due to Health issues, Truck maintenance issues, Equipment Issues, Camera Issues... With all that has been going on in my life, I've had to pick my chasing days and nights carefully this year. To be 100% Honest... I'm just happy I get to chase! Never let bad things set you back when the opportunity presents itself. That's my motto!
Luckily I had all my gear ready to go when when had strong severe thunderstorms develop in north central Nebraska and they were cresting southward down to south central Nebraska. My home turf.
This time of year is when everything changes weather wise here in south central Nebraska. Monsoons down in the southwest part of the US are firing and that usually means for us no storms. Not in 2020. Even though we had a late start to severe weather season here... mother nature hasn't let me down so far. She has remained active in my neck of the woods.
All the storms this day were outflow boundary generated storms. Meaning no tornadoes this day. Though I did capture 1 funnel, you'll see this in the video. Though with outflow dominate storms shelf clouds form and they can be more than picturesque. Its what I was hunting for this day! Oh did I get some and then some!
*** Please NOTE and RESPECT the Copyright ***
Copyright 2020
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
#ForeverChasing
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At the southern end of the Earth, a NASA plane carrying a team of scientists and a sophisticated instrument suite to study ice is returning to surveying Antarctica. For the past eight years, Operation IceBridge has been on a mission to build a record of how polar ice is evolving in a changing environment.
The information IceBridge has gathered in the Antarctic, which includes data on the thickness and shape of snow and ice, as well as the topography of the land and ocean floor beneath the ocean and the ice, has allowed scientists to determine that the West Antarctic Ice Sheet may be in irreversible decline. Researchers have also used IceBridge data to evaluate climate models of Antarctica and map the bedrock underneath Antarctic ice.
Read more:http://go.nasa.gov/2dxczkd
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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www.youtube.com/watch?v=_FA85RO89HA
gabbyjaws.blogspot.com/2024/10/little-red-riding-hood.html
{Le'La} Red Riding Hood
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non rigged mesh: Basket
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sizes
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Conjunto: #SHOOSH - Janet Outfit - The Statement Arena
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Backdrop: The Bearded Guy - The Substance Bathroom Bloody Backdrop
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Excerpt from www.japan-guide.com/e/e3005.html:
The Ginza (銀座) is Tokyo's most famous upmarket shopping, dining and entertainment district, featuring numerous department stores, boutiques, art galleries, restaurants, night clubs and cafes. One square meter of land in the district's center is worth over ten million yen, making it one of the most expensive real estate in Japan.
From 1612 to 1800, today's Ginza district was the site of a silver coin mint (Ginza means "silver mint" in Japanese), after which the district was eventually named. The Ginza evolved as an upmarket shopping district following the 1923 Great Kanto Earthquake.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
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Escucha la voz de Dios para dar la bienvenida al regreso del Señor
Dios dice: “Las palabras del Dios encarnado inician una nueva era, guían a toda la humanidad, revelan misterios y le muestran al ser humano la dirección de avance en una nueva era. La iluminación obtenida por el hombre no es sino simple práctica o conocimiento. No puede guiar a toda la humanidad a una nueva era ni revelar el misterio de Dios mismo. Después de todo, Dios es Dios, y el hombre es hombre. Dios tiene la esencia de Dios, y el hombre la del hombre” y “Él está muy consciente de la esencia del hombre; puede poner de manifiesto todas las clases de prácticas que pertenecen a todas las clases de personas. Incluso es mejor en poner de manifiesto el carácter corrupto y el comportamiento rebelde humanos. No vive entre las personas mundanas, pero está consciente de la naturaleza de los mortales y de todas las corrupciones de las personas mundanas. Eso es lo que Él es. Aunque no trata con el mundo, conoce las reglas para tratar con el mundo porque entiende completamente la naturaleza humana. Conoce acerca de la obra del Espíritu que los ojos del hombre no pueden ver y que los oídos del hombre no pueden escuchar, tanto del día de hoy como del pasado. Esto incluye una sabiduría que no es una filosofía de vida y una fascinación que a las personas les es difícil entender. Eso es lo que Él es, abierto a las personas pero también escondido de las personas. Lo que Él expresa no es lo que una persona extraordinaria es, sino los atributos y el ser inherente del Espíritu”.
Extracto de “La Palabra manifestada en carne”
La palabra de Dios nos dice que reconozcamos la voz de Dios de cuatro maneras:
1. Las palabras ser publicado por Dios son todas verdades, pueden ser vidas a las humanas y pueden proporcionar al necesario a las personas, para que las personas tenga el camino a practicar.
2. Todas las palabras de Dios tienen autoridad y poder, y son expresiones de carácter de Dios.
3. Las palabras de Dios pueden revelar los misterios de la obra gestión de Dios.
4. Las palabras ser publicado por Dios pueden revelar la corrupción humana y los pensamientos humanos.
Si pueden escuchar la voz de Dios, está directamente relacionado con si podemos dar la bienvenida al Señor sea llevado al reino celestial.
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Sway's [Fox] floor cushion . plaid cream
Sway's [Fox] floor cushion . plaid pink
Sway's [Iris] Window Blind - wide . gradient
Credit @ Dreamland Design in Perfect TEN "DD Herb Cabinet Boxed" (September round close soon in 2 days)
DD Old Vintage Door Potting Table
DD Chives Drawer
DD Sage Drawer
DD Box Of Flower Seeds
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Bee Designs Little Boys Gacha 2 RARE
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Wall plant : DD Crocus Window Planter by Dreamland Design
Wall plant : DD Mixed Flowers Window Planter by Dreamland Design
Stand plant : [CIRCA] - "Floral Delight" Plant Stand - Green Ploom
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Short and wide plant : [CIRCA] - "Botanical Gardens" Long Bucket Planter - Crocus
Tulip plant : [what next} 'Spring Bloom' Tulip Planter (red+white)
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Excerpt from english.cha.go.kr/html/HtmlPage.do?pg=/royal/RoyalPalaces...:
If one passes the garden at the rear of the Juhamnu Pavilion and walks down along the slope of the hill leading into the stairway, the person can find a square pond on the opposite side and a pavilion on the north bank of the pond. This is the Aeryeonjeong, which is composed of only 1 kan. Looking out of the windows of the pavilion, one can enjoy a wonderful view. It looks like just a framed picture, owing to the decorations attached to the upper part of the pillars. Of course, the mood of the picture depends on the season. In particular, the stone structure, through which water comes into the pond, is opposite excellent in beauty and technique of design.
Excerpt from www.discoverhongkong.com/ca/explore/discover-sha-tau-kok....:
Located in Hong Kong’s North District and right next to Shenzhen’s Yantian District, Sha Tau Kok was designated as part of the Frontier Closed Area in 1951. Since then, Sha Tau Kok has been accessible only to individuals with a closed area permit. Back in the days when Sha Tau Kok was closed to non-residents, visiting the border town also required a guarantee from a local resident. As it begins to open gradually, Sha Tau Kok has become a great choice for weekend getaways.
The first phase of the opening of Sha Tau Kok began in June 2022, followed by the second phase starting January 2024. Visitors can board a kaito ferry to explore Sha Tau Kok and enjoy the area’s beautiful scenery, unique attractions and local delicacies, either independently or through local tours. You can also take a ferry to nearby islands and areas, such as Lai Chi Wo, Kat O, Ap Chau and Hong Kong UNESCO Global Geopark.
The opening of Sha Tau Kok
•The daily quota of visitors with the Tourism Closed Area Permit is set at 2,300 individuals, and 700 group visitors on weekends and public holidays. There is no quota limit for groups on weekdays.
•Individual travellers must enter Sha Tau Kok by public transport, with the addition of ferry services to Sha Tau Kok from Lai Chi Wo/Ap Chau/Kat O. Private cars are NOT allowed.
•Area: Sha Tau Kok (excluding Chung Ying Street).
•Opening hours: Every day from 7am to 9pm.
Película cristiana "¿Quién es mi Señor?": El debate sobre el tema "¿Está inspirada por Dios la Biblia?"
Durante dos mil años, el mundo religioso se ha basado en lo que dijo el apóstol Pablo de que la Biblia fue inspirada por Dios, y siempre ha creído que "la Biblia es la palabra de Dios". y "la Biblia representa al Señor". ¿Son correctas estas ideas? ¡Este vídeo te revelará todas las respuestas!
🎬🎬 www.kingdomsalvation.org/es/videos/gospel-movie-who-is-my...
Las señales antes del fin han aparecido, ¿cómo recibir el regreso del Señor?
Hace 2000 años, los seguidores del Señor le preguntaron: “Cuál será la señal de tu venida y de la consumación de este siglo?” (Mateo 24:3). El Señor Jesús respondió: “Y habréis de oír de guerras y rumores de guerras. ¡Cuidado! No os alarméis, porque es necesario que todo esto suceda; pero todavía no es el fin. Porque se levantará nación contra nación, y reino contra reino, y en diferentes lugares habrá hambre y terremotos. Pero todo esto es solo el comienzo de dolores” (Mateo 24:6-8). Hoy en día, cada vez tienen lugar más desastres en todo el planeta. Se suceden terremotos, epidemias, hambrunas, guerras e inundaciones. A finales de 2019 surgió un nuevo tipo de coronavirus en Wuhan, China. Su velocidad de transmisión es alarmante: en apenas unos meses aparecieron casos en todo el país y China se sumió inmediatamente en el caos. Multitud de provincias, municipios y aldeas están siendo puestos sucesivamente en cuarentena conforme el número de muertes continúa aumentando. Además, el virus se ha propagado a más de 20 países de todo el mundo. Para colmo, entre septiembre de 2019 y enero de 2020, los incendios forestales en Australia destruyeron más de 5900 edificios y mataron más de mil millones de animales. En enero de 2020, dicho continente se vio azotado por la mayor lluvia torrencial en un siglo, la cual provocó unas inundaciones que mataron muchos animales de agua dulce. Ese mismo mes, decenas de miles de personas se quedaron sin hogar a consecuencia de las inundaciones en Indonesia. También tuvieron lugar la erupción de un volcán en Filipinas, la peor plaga de langostas en África en 25 años y un terremoto de magnitud 6,4 en Sinkiang… La lista es interminable. Se han cumplido las profecías bíblicas de la venida del Señor. Es lógico pensar que el Señor ha regresado. Entonces, ¿por qué aún no hemos recibido Su venida? ¿No nos sumiremos en la gran tribulación si esto continúa? ¿Y qué deberíamos hacer para recibir la venida del Señor?
¿Cómo vendrá el Señor?
Muchas personas han leído estas palabras en la Biblia: “He aquí, viene con las nubes” (Apocalipsis 1:7). “Verán al Hijo del Hombre que viene sobre las nubes del cielo con poder y gran gloria” (Mateo 24:30). Tienen por seguro que el Señor vendrá con las nubes. Sin embargo, ¿por qué no hemos contemplado esa visión todavía? ¿Es este el único medio por el que vendrá el Señor? En realidad, hemos pasado por alto una cosa importante acerca de la venida del Señor. En las Escrituras también se profetiza una venida de Dios en secreto, como en: “He aquí, vengo como ladrón” (Apocalipsis 16:15). “Pero a medianoche se oyó un clamor: ‘¡Aquí está el novio! Salid a recibirlo’” (Mateo 25:6). “Por eso, también vosotros estad preparados, porque a la hora que no pensáis vendrá el Hijo del Hombre” (Matthew 24:44). “Porque como el relámpago al fulgurar resplandece desde un extremo del cielo hasta el otro extremo del cielo, así será el Hijo del Hombre en su día. Pero primero es necesario que Él padezca mucho y sea rechazado por esta generación” (Lucas 17:24-25).
Las referencias de las Escrituras a “como ladrón” y “a medianoche se oyó un clamor” indican que, cuando el Señor regrese en los últimos días, lo hará silenciosamente, en secreto. ¿Y a qué se refiere “Hijo del Hombre”? Sin duda, un “Hijo del Hombre” nace de una persona, con una madre y un padre, y de carne y hueso. El Señor Jesús, por ejemplo, se encarnó en la imagen de una persona normal que vive entre los hombres. Por tanto, vemos que “Hijo del Hombre” alude a Dios encarnado; el Espíritu no puede denominarse Hijo del Hombre. Además, las Escrituras también dicen que “Pero primero es necesario que Él padezca mucho y sea rechazado por esta generación”. Este pasaje de las Escrituras deja claro que, cuando el Señor regrese, soportará mucho sufrimiento y será rechazado por esta generación. Todos sabemos que Dios solamente podría ser rechazado al encarnarse en el Hijo del Hombre, ya que Dios encarnado es demasiado corriente y la gente no lo conoce; lo considera una persona corriente y, en consecuencia, Él sufre grandes penalidades. No obstante, si el Señor se apareciera al hombre como Espíritu, todos los hombres, fueran buenos o malos, creyentes o incrédulos, e incluso opositores a Dios, caerían en tierra ante Él en adoración, pues ¿quién podría rechazar a Dios entonces? ¿Y cómo habría de sufrir Dios? Esto demuestra que el Señor de los últimos días se aparece a la humanidad como Hijo encarnado del Hombre.
Continuará… www.kingdomsalvation.org/es/testimonies/el-fin-se-acerca....
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.
Tenia esta foto en mente desde hace tiempo, pero no ha sido hasta esta semana hasta que he podido ir a hacerla.
Lamentablemente las farolas del camino de acceso y la humedad han hecho que no haya quedado como me gustaría. Tal vez en verano, un día de poca humedad se pueda hacer algo mejor.
O que los de la bodega nos apaguen la luz que tanto molesta ...
Excerpt from www.discoverhongkong.com/ca/explore/discover-sha-tau-kok....:
Located in Hong Kong’s North District and right next to Shenzhen’s Yantian District, Sha Tau Kok was designated as part of the Frontier Closed Area in 1951. Since then, Sha Tau Kok has been accessible only to individuals with a closed area permit. Back in the days when Sha Tau Kok was closed to non-residents, visiting the border town also required a guarantee from a local resident. As it begins to open gradually, Sha Tau Kok has become a great choice for weekend getaways.
The first phase of the opening of Sha Tau Kok began in June 2022, followed by the second phase starting January 2024. Visitors can board a kaito ferry to explore Sha Tau Kok and enjoy the area’s beautiful scenery, unique attractions and local delicacies, either independently or through local tours. You can also take a ferry to nearby islands and areas, such as Lai Chi Wo, Kat O, Ap Chau and Hong Kong UNESCO Global Geopark.
The opening of Sha Tau Kok
•The daily quota of visitors with the Tourism Closed Area Permit is set at 2,300 individuals, and 700 group visitors on weekends and public holidays. There is no quota limit for groups on weekdays.
•Individual travellers must enter Sha Tau Kok by public transport, with the addition of ferry services to Sha Tau Kok from Lai Chi Wo/Ap Chau/Kat O. Private cars are NOT allowed.
•Area: Sha Tau Kok (excluding Chung Ying Street).
•Opening hours: Every day from 7am to 9pm.