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May 17, 2019 - Southwest Nebraska
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Another Epic Chase day in Nebraska....
Along with fellow chaser Myles Nelson, we had a small jaunt from Kearney out to the western skies of Nebraska. We met up with fellow chaser Aaron Edwards just to the south of the Sutherland Power-plant to set up shot a few hours before all the action began. We were waiting for the first cells to produce by Grant and Hershy Nebraska. They did form and the Grant Supercell was producing but it was traveling close to 60+ knots to the due north. Even if we wanted to catch this cell it was moving way to fast. So after a short broadcast out to Kent Boughton ABC NTV Affiliate. We packed up gear and started to head to the southeast towards Stockville Nebraska.
Tornado had already pushed through the McCook Nebraska area and we were in range to intercept. Though on way there, just on the outside of Stockville, we had to punch through a nasty hail core. We originally though we hit a deer or something else but once we got to the eastern edge of Stockville, we noticed we had a large pheasant buried into my front grill. I didn't know the extent of damage till we got back to Kearney that evening. That being said, we had the rotating supercell coming in from the southwest and were were planning on punching the core again. When fellow chaser Chuck Patient met up with us he had 2 inch diameter hail stones that they had just went through we had decided not to. It was a wise decision, and we eventually headed east.
Now I usually don't do country roads anymore due to the fact... If we get stuck we would be there for a long time and I didn't want to miss out on this event. But we did it anyway.... and just a few miles to the east of Stockville we headed north. It was a good decision due to being on the southeast side of this cell, we were in perfect position to intercept and we did. Far enough away from the RFD we had a perfect view of the Stockville / Farnam Torando from its birth.... Though we had to avoid other chasers, we successfully navigated to a good place for some excellent footage. Probably the best footage I've caught since the 2017 Tornado outbreak in Cheyenne Wyoming.
We got a little close... actually we had to get under and in front of it again. Yes a little dangerous but again I've been doing this a LONG time and I don't take risks that will get us killed. We had finally got back to a point in front of the rotating base just north of Farnam and where heading for the next intercept in Cozad Nebraska.
I-80 Eastbound we had to punch through the core again and we got lucky. Minutes before this cell produced another tornado we got just to the east of Cozad Nebraska to catch the funnel to the east of town. Not wanting to punch the core again... and only about a 1/2 hour of light left. We decided that we had caught what we wanted that day and head back to Kearney.
Though this cell was still raging late into the night. It had produced another tornado by the Oconto Nebraska area. Even if we wanted to chase this there wasn't adequate roadways to travel north and we would have never caught up to it again. To say the least, it was another epic storm chasing day in Nebraska.
Final note on these storms... that NWS had the Stockville/Farnam Tornado rated at a EF-1. That is how I have it listed in the VIDEO. Though reports last night confirmed it was and EF-3 with sufficient damage to property.
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Copyright 2019
Dale Kaminski @ NebraskaSC Photography
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Check out Whitney's latest free pattern here:
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La Fauvette à tête noire est une fauvette de taille moyenne (14 cm de longueur), commune et facilement reconnaissable. Les adultes présentent un dimorphisme sexuel.
Le mâle adulte se reconnaît à sa calotte noire qui contraste nettement avec le gris clair du reste de la tête. La femelle a la calotte d'un roux-châtain assez vif mais moins contrastante.
Globalement, les deux sexes ont un plumage gris, l'œil sombre souligné d'un arc oculaire blanchâtre, le bec noir et les pattes grises.
so I figured ya know what I need a legit excuse to upload this
I was tagged a few times so here are ten things that, without fail, will make me a little bit happier
If I tagged you then you should let me know ten little things that make your day better :]
1. harry potter references
2. picking up a film roll
3. a really great pun
4. finding money in my pocket
5. a really relaxing hot bath
6. movie theatre popcorn
7. stumbling on people with accents
8. finishing a great book
9. perfect hair days without effort
10. blasting music in the car
lesclairsdelunederoxaane.blogspot.com/2020/12/tiffany-sta...
Photographer : Roxaane Fyanucci - Les clairs de lune de Roxaane
lesclairsdelunederoxaane.blogspot.fr/ www.facebook.com/lesclairsdelunederox/?fref=ts fr.pinterest.com/fyanucci/ twitter.com/RFyanucci www.tumblr.com/blog/roxaanefyanuccy plus.google.com/u/0/105300544617797133478 500px.com/roxaanefyanucci www.bloglovin.com/…/les-clairs-de-lune-de-roxaane-1…
www.instagram.com/roxaanefyanucci_/ More quality here : www.flickr.com/photos/roxaanefyanucci_
gabbyjaws.blogspot.com/2024/07/beaching-itwip-event-july-...
[erotik] Anya Outfit
Legacy, Perky, Pinup, Bombshell, Reborn, Waifu, LaraX, PetiteX, Maitreya Lara, Petite
100 solid colors, 15 patterns hud
Match & Mix
Capital Motors
1959 Versalace Oceanic Limited Edition
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LaraX
RAWR! Blossom earrings
[BEEZ] You French? nails
Doux Miyeon
*CentoPallini* Straw hat
Before the decorations are due to come down, there is time for just another view of the SVR during its festive services.
The light is fading as ex-GWR Manor No. 7812 `Erlestoke Manor' slowly enters Bewdley to await a clear path to Arley with another load of passengers eager to see Santa.
For alternative railway photography, follow the link:
www.phoenix-rpc.co.uk/index.html to the Phoenix Railway Photographic Circle.
A la point du Brusc .
Dans les années 70, la grande ile était devenue un camping sauvage géant, alors que la petite ile servait de parking. Heureusement, le grand Gaou a été rendu à la nature, il y a maintenant 30 ans. Plus récemment, le petit Gaou est aussi devenu zone protégé et on n’y vient plus en voiture. Plusieurs parkings ont été aménagés entre la pointe du Brusc et le Gaou, alors que juste avant le pont qui mène à la petite ile, un jardin paysager avec des bancs, permet de profiter de la mer, face aux iles. Il y a aussi des jeux de boules, des sanitaires, des tables à pique-nique et un petit restaurant, Le Vénus du Gaou, ouvert uniquement en période estivale, qui a remplacé l’ancien ‘Royaume de la Bouillabaisse’, situé au petit Gaou et qui a fermé.
In of Brusc.
In the 70s, the big island had become a huge wilderness camping, while the small island served as parking lot. Fortunately, big Gaou was returned to the nature, now 30 years ago. More recently, small Gaou also became zone protégé and we do not come there any more by car. Several parking lots were fitted out between the point(headland) of Brusc and Gaou, while just before the bridge(deck) which leads to the small island, the landscaped garden with benches, allows to take advantage of the sea, in front of the islands. There are also games of bowls, toilets, tables with picnic and small restaurant, Venus of Gaou, opened only in summer, which replaced the former(old) ' Kingdom of the Fish soup ', placed to small Gaou and which closed.
Le reste ici : www.var-loc.net/actualite/six-fours-tourisme-le-gaou-une-...
Excerpt from www.amo.gov.hk/en/historic-buildings/monuments/kowloon/mo...:
Kowloon Union Church, one of the earliest inter-denominational churches in Hong Kong, was built by the London Missionary Society with financial support from Sir Paul Chater. The foundation stone was laid on 27 May 1930 by the then Colonial Secretary, W.T. Southorn, and the church was officially opened on 10 April 1931 by the then Governor Sir William Peel. During the Japanese Occupation, the church ceased to function and the building was converted into a horse stable by the Japanese army and suffered severe looting and damage. The church was opened again for public worship with a rededication service held on 19 October 1947 and continues to serve the community until now.
The church possesses “Perpendicular Gothic” architectural features, with pitched Chinese-tiled roof, red load-bearing brick walls and contrasting grey granite steps and window surrounds. A semi-circular apse and an attached three-storey battlemented tower are built at the two ends of the church respectively.
The square battlemented tower with pointed arch doorway surround and foundation stone at the base is designed to serve as the main entrance to the church. It is of fair-face red brickwork with carved granite ornaments and trimmings. There is also a concrete flat roof topped with a crenelated low parapet wall.
The windows of the church are set in decorative granite framing in the form of trefoil-headed tracery. The window frames are of wrought-iron and there are angular carved hoods above the windows. The windows of top floor of the battlemented tower are with stone louvers. The elegant double hammer-beam timber roof trusses with carved granite corbel supports are a rare and dominant feature of the spacious interior of the main hall of the church.
Kowloon Union Church was declared a monument in 2017.
Portikus is an exhibition hall for contemporary art in Frankfurt am Main. Its name derives from the surviving portico of the Stadtbibliothek (public library) from 1825 that was destroyed during World War II. In 1987, the vestige of this classical building once again fulfilled its architectural function as a facade when the Frankfurt-based architects Marie-Theres Deutsch and Klaus Dreißigacker built a simple but precise white cube: the Portikus gallery. As well as presenting current work from internationally renowned artists, Portikus showcases important young perspectives from around the world.
(http://www.portikus.de/Building.html)
Excerpt from temple.bongeunsa.org/public_html_en/intro/buddhist.asp:
Panjeon (Tripitaka Hall)
Panjeon was built in 1855 by the Venerable Yeonggi and a great scholar and calligrapher Kim Jeong-hee whose pen name was Chusa to preserve the wooden blocks of the 81 volumes of the Avatamsaka Sutra. Added later were the wooden blocks of the Vimalakirti Sutra, the Collection of Poems written by hermit Hansanja, the Initial Self-Discipline by monk Jinul and the printing of Sakyamuni Buddha's feet among others. Currently 3,438 wooden blocks are well kept in this hall. This is the oldest building in the Bongeunsa Temple where the Vairocana Buddha is enshrined. The hanging board of Panjeon and the wooden blocks of the Avatamsaka Sutra have been designated as the Tangible Cultural Property No. 83 and No. 84 of the Seoul City. The hanging board features the last work of Chusa Kim Jeong-hee as a calligrapher of the Joseon Dynasty.
shakilynsblogs.blogspot.com/2021/02/my-korner-490-youve-g...
BLOG NAME: You've Got Four Seconds!
DESIGNERS: Asteria, FashionNatic, Six Feet Under, Monso, Avada & TaoX TaTToo
Bastet is the Egyptian goddess of cats, the home, fire, sunrise, music, dance, pleasure as well as sexuality, fertility, family, pregnant women and children.
Bastet was also referred to by the following titles: “The Lady of the East” due to her protective nature, “The Female Devourer” based on the meaning of her name and “the Tearer” due to her destructive second nature.
Today I'm wearing:
BRA/PANTY: Asteria "Fantasy" Black
CHOKER/SLEEVES: Asteria "Captive" Black
BOOTS: FashionNatic Angelica Boots Fatpack
HEADPIECE: SFU - Bastet Headpiece @Fetish Fair
HAIR: [monso] Belinda Hair
NAILS: Avada~ Stiletto Nails - The Lovers @Vanity Event
TATTOO: TaoX TaTToo - Neck Neela @Pretty Event
Fantasy set is rigged for Freya, hourglass, Isis, Legacy, Maitreya and Venus and comes in single colors or fatpack.
Captive sleeves and choker is rigged for Freya, Isis, Venus, Hourglass, Legacy & Maitreya and comes in single colors or fatpack.
Angelica boots are rigged for Freya, Legacy, Maitreya and Petite. These boots come with color change HUD with lots of colors and patterns and you can change multiple parts of the boots. Love these!
Bastet headpiece is unrigged and script resizeable.
Belinda Hair has 4 style options and can be worn with or without headband. Comes in 3 color sets (black&red, brown&blonde and mix&pop)
Lovers nails are rigged for Belleza, Kupra, Legacy, Maitreya, Signature, Slink & Tonic and come with applier hud with 5 patterns.
Neela tattoo has appliers for BOM, Belleza, Catwa, Genus, Legacy, Lelutka Original, Maitreya, Omega Evolved, Omega Face, Signature, Slink and Vista head. Available in light, medium and dark and can be used as neck only, head only or head and neck.
Links:
Asteria Mainstore
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Asteria Marketplace
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FashionNatic Marketplace
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FashionNatic Mainstore
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Fetish Fair
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Six Feet Under Mainstore
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Six Feet Under Marketplace
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Monso Mainstore
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Monso Marketplace
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Vanity Event
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Avada Mainstore
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Avada Marketplace
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Pretty Event
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TaoX TaTToo Mainstore
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TaoX TaTToo Marketplace
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Excerpt from www.stationfixation.com/2015/02/college.html:
The critics have never been kind to Charles Pachter’s Hockey Knights in Canada, Les Rois de l’Arène. His two large enamel murals, located on opposing sides of the subway platform at College station, depict the long-standing sporting rivalry between the Montreal Canadiens and the home-town Toronto Maple Leafs. The murals represent (in Pachter’s words), “a distillation of Canada’s two founding cultures.” Maple Leaf Gardens, the Leafs’ former arena, stands a short block east of the station.
Writing for the Star, Christopher Hume opined that the piece “lacks the presence needed to fill the cavernous and sterile station [...] More than anything, it looks like a kiddie cartoon strip blown up to massive proportions.” Hume later wrote, “Despite good intentions, it was the ugliest thing to happen to the TTC since the Dundas station was reopened.”
In the Globe, John May lamented, “This may be art for the traveller with 30 seconds to kill while waiting for a train. But Pachter could have made those seconds count for more, had he made his reds, whites and blues punch harder against the boring locker-room esthetic beloved by the TTC’s station designers.”
More recently, artist Eldon Garnet assessed the work: “This shows the TTC’s conservatism when it comes to art. It’s an example of what we don’t want in the new subway and LRT stations. It doesn’t compete with the advertising on the walls.”
The $66,000 murals, unveiled by Pachter on April 14, 1985 in what he mischievously called the TTC’s “Sistine Basement”, were embroiled in several controversies beyond their aesthetic merits.
Harold Ballard, the Leafs’ cantankerous owner, rejected the use of the team insignia, as he objected to showing any Montreal players in the piece—notice the actual Maple Leafs name is missing from the jerseys. The standoff between Ballard and the TTC nearly led to a farcical courtroom lawsuit over copyrights.
The second issue arose from June Rowlands (then a TTC commissioner) and several Toronto aldermen, who insisted that the players be portrayed wearing helmets. Pachter obediently acceded, adding several protective headpieces to the design.
Finally, no public competition was ever held for the installation (in contrast to the Spadina line, where a wide-ranging invitational competition took place). Pachter conceived the idea, pitched it to Julian Porter, the TTC Chairman, and the contract was awarded summarily to the artist (along with a 2nd proposal for a mural at Dundas, which was ultimately never implemented). This prompted calls for TTC policy changes with regards to subway artwork.
“Charlie had a moral claim to the project...” said Porter, “because he came to us with the idea. It was his concept.”
Mouche verte / Common green bottle fly
Lucilia sp. (Lucilia sericata ?)
spipoll.snv.jussieu.fr/mkey/mkey-spipoll.html
aramel.free.fr/INSECTES15-50.shtml
The common green bottle fly (Lucilia sericata) is a blow fly found in most areas of the world, and the most well-known of the numerous green bottle fly species. It is 10–14 mm long, slightly larger than a house fly, and has brilliant, metallic, blue-green or golden coloration with black markings.
Medical importance
L. sericata has been of medical importance since 1826, when Meigen removed larvae from the eyes and facial cavities of a human patient. L. sericata has shown promise in three separate clinical approaches. First, larvae have been shown to debride wounds with extremely low probability of myiasis upon clinical application. Larval secretions have been shown to help in tissue regeneration. Basically, L. sericata larvae can be used as biosurgery agents in cases where antibiotics and surgery are impractical.
en.wikipedia.org/wiki/Common_green_bottle_fly#Medical_imp...
La mouche verte commune (Lucilia sericata) est une mouche commune dans le monde et la plus connue des nombreuses espèces de mouches vertes. De 10 à 14 mm de long, légèrement plus grande qu'une mouche domestique, elle présente une coloration brillante, métallique, bleu-verte ou dorée avec des marques noires.
Importance médicale
L. sericata a une importance médicale depuis 1826, lorsque Meigen a retiré les larves des yeux et des cavités faciales d'un patient humain. L. sericata s'est montré prometteuse dans trois approches cliniques distinctes. Premièrement, il a été démontré que les larves corrigent les plaies avec une probabilité extrêmement faible de myiasis lors d’une application clinique. Il a été démontré que les sécrétions larvaires aident à la régénération des tissus. Fondamentalement, les larves de L. sericata peuvent être utilisées comme agents de biochirurgie dans les cas où les antibiotiques et la chirurgie ne sont pas employables.
Prince Edward (later Edward I) led the his army against Simon de Montfort at the Battle of Evesham. Edward won the battle, de Montfort was killed and Henry III was returned to the throne.
www.battleofevesham.co.uk/The_Battle/History.html
Another shot in the comment below.
For information on Oberlahnstein, please see my blog:
romanticrhine.blogspot.com/2009/06/oberlahnstein_12.html
Imagekind link:
www.imagekind.com/showartwork.aspx?IMID=97675434-8a6f-4b0...
This image is also available for licensing.
In October, 2007, my wife, Karen, and I took a cruise along the Rhine-Main-Danube Waterway. We commenced at Amsterdam and ended at Budapest. One afternoon we travelled the Romantic Rhine (also known as the Middle Rhine, Heroic Rhine, Rhine Gorge and Rhine Valley). The day was dull and misty, so it was hard to obtain crisp photos. To further aggravate the situation, I was taking photos on a moving boat with a hand-held Fuji Finepix Z1. When I arrived home and examined the images, I found them to be somewhat uninspiring. Using my experience with PhotoShop, I post-processed the pictures and uploaded them to flickr. They looked a lot better. Over the past six months, I’ve also worked on them with a number of other filters to give them a painterly feel.
They have been posted for sale on Imagekind, and I currently have a blog at Blogger.com that plays into my Imagekind page. I have also created accounts at Facebook, MySpace, Twitter, Travelocity, Expedia, IGOUGO, Amazon, Chapters/Indigo, Shelfari, Dopplr, TripAdvisor, VirtualTourist, Driftr, TripSay, LonelyPlanet, Tripwolf, Gather, Simpy, Delicious, and some others I can’t remember. As time goes on, I will link everything to flickr, Imagekind and Blogger. In addition, I am going to take the marketing advice provided by Imagekind. Here’s the link:
www.imagekind.com/member/marketing/tips.aspx
I have a lot more of my German photos to post, and I also have a lot of abstracts to flog. About seven months ago, I mentioned that I was going to do more research on my Uncle Bill Watson. To do so, I will have to visit Archives Canada in Ottawa, The Canadian Warplane Heritage Museum in Mount Hope and various sites in England and Wales. The results of this work will go to Blogger.
There will be other ventures as well. I am semi-retired, and I don’t want to sit around. My projects and the grandkids should keep me busy.
The interferon and rebetol are leaving Meg pretty exhausted. She had her first blood text since starting therapy for Hepatitis C, and the results are not what the doctor had hoped. Her white blood cell count is low as well. She is currently undergoing a twenty-four week course of chemo, but may be pushed into a forty-eight week course. Still, her spirits are high and she’s keeping busy.
Jess will deliver baby Will in about a month, so we’re gearing up for that.
I hope to visit you all some time next week. I don’t like to post pictures and not visit.
www.kingdomsalvation.org/es/special-topic/pray/index.html
Versículos bíblicos como referencia
“Entonces, vosotros también debéis estar listos porque el Hijo del Hombre vendrá a la hora que menos lo penséis” (Mateo 24:44).
“Porque como el relámpago al fulgurar resplandece desde un extremo del cielo hasta el otro extremo del cielo, así será el Hijo del Hombre en su día. Pero primero es necesario que El padezca mucho y sea rechazado por esta generación” (Lucas 17:24-25).
“He aquí, vengo como ladrón. Bienaventurado el que vela y guarda sus ropas, no sea que ande desnudo y vean su vergüenza” (Apocalipsis 16:15).
“He aquí, yo estoy a la puerta y llamo; si alguno oye mi voz y abre la puerta, entraré a él, y cenaré con él y él conmigo” (Apocalipsis 3:20).
Las palabras relevantes de Dios
La aparición de Dios se refiere a Su llegada a la tierra para hacer Su obra en persona. Con Su propia identidad y carácter, y en la manera que es innata a Él, desciende entre la humanidad para llevar a cabo la obra de comenzar una era y terminar otra. Esta clase de aparición no es una especie de ceremonia. No es una señal, una imagen, un milagro o una especie de visión grandiosa y mucho menos una clase de proceso religioso. Es un hecho real y verdadero que cualquiera puede tocar y contemplar. Esta clase de aparición no es en aras de cumplir un trámite o de una labor a corto plazo, sino que es para una etapa en la obra de Su plan de gestión. La aparición de Dios siempre es significativa y siempre guarda relación con Su plan de gestión. A lo que se le llama “aparición” aquí es completamente diferente a la clase de “aparición” en la que Dios guía, lidera y esclarece al hombre. Cada vez que Él se revela, Él lleva a cabo una etapa de Su gran obra. Esta obra es diferente de la de cualquier otra era. El hombre no la puede imaginar y nunca la ha experimentado. Es una obra que da inicio a una nueva era y termina con la antigua, y es una forma nueva y mejorada de obrar para la salvación de la humanidad; más aún, es una obra que lleva a la humanidad a una nueva era. Esto es lo que significa la aparición de Dios.
Extracto de “La aparición de Dios ha dado lugar a una nueva era”
Jesús dijo que Él llegaría tal como se fue, pero ¿conoces el verdadero significado de Sus palabras? ¿Pudo realmente habérselo dicho a este grupo que formáis? Sólo sabes que Él llegará tal como se fue en una nube, pero ¿sabes exactamente cómo hace Su obra Dios mismo? Si de verdad fueras capaz de ver, entonces ¿cómo deben explicarse las palabras de Jesús? Él dijo: Cuando el Hijo del hombre venga en los últimos días, Él mismo no sabrá, los ángeles no sabrán, los mensajeros en el cielo no sabrán, y las personas no sabrán. Sólo el Padre sabrá, esto es, sólo el Espíritu sabrá. Ni siquiera el propio Hijo del hombre sabe, ¿y tú eres capaz de ver y saber? Si tú fueras capaz de saberlo y verlo con tus propios ojos, ¿acaso estas palabras no se habrán dicho en vano? ¿Y qué dijo Jesús en ese momento? “Pero de aquel día y hora nadie sabe, ni siquiera los ángeles del cielo, ni el Hijo, sino solo el Padre. Porque como en los días de Noé, así será la venida del Hijo del Hombre. […] Por eso, también vosotros estad preparados, porque a la hora que no pensáis vendrá el Hijo del Hombre”. Cuando llegue ese día, el Hijo del hombre no lo sabrá. El Hijo del hombre se refiere a la carne encarnada de Dios, una persona normal y corriente. Ni siquiera el propio Hijo del hombre lo sabe; así pues, ¿cómo podrías saberlo tú?
Extracto de “La visión de la obra de Dios (3)”
Esta vez, Dios viene a hacer la obra, no en un cuerpo espiritual, sino en uno muy corriente. Además, no sólo es el cuerpo de la segunda encarnación de Dios, sino también el cuerpo a través del cual Él regresa a la carne. Es una carne muy corriente. No puedes ver nada que lo haga resaltar entre los demás, pero puedes recibir de Él las verdades que nunca antes se han oído. Esta carne insignificante es la personificación de todas las palabras de la verdad de Dios, la que emprende Su obra en los últimos días y la que expresa todo el carácter de Dios para que el hombre lo entienda. ¿No deseas enormemente ver al Dios del cielo? ¿No deseas enormemente entender al Dios del cielo? ¿No deseas enormemente ver el destino de la humanidad? Él te contará todos estos secretos que ningún hombre ha sido capaz de contarte y Él te hablará también de las verdades que no entiendes. Él es tu puerta al reino y tu guía a la nueva era. Una carne tan corriente contiene muchos misterios insondables. Sus hechos pueden ser inescrutables para ti, pero el objetivo de toda la obra que Él realiza es suficiente para que veas que Él no es una simple carne como la gente cree. Porque Él representa la voluntad de Dios, así como el cuidado mostrado por Dios hacia la humanidad en los últimos días. Aunque no puedes oír las palabras que Él habla, que parecen sacudir los cielos y la tierra, ni ver Sus ojos como llamas abrasadoras, y aunque no puedes sentir la disciplina de Su vara de hierro, sí puedes oír de Sus palabras la furia de Dios y saber que Él muestra compasión por la humanidad; puedes ver Su carácter justo y Su sabiduría, y darte cuenta, además, de la preocupación que tiene por toda la humanidad. La obra de Dios en los últimos días consiste en permitirle al hombre ver al Dios del cielo vivir entre los hombres sobre la tierra y permitirles que lo conozcan, obedezcan, reverencien y amen. Por esta razón, Él ha regresado a la carne por segunda vez.
Extracto de “¿Sabías que Dios ha hecho algo grande entre los hombres?”
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.
Excerpt from english.cha.go.kr/html/HtmlPage.do?pg=/royal/RoyalPalaces...:
If one passes the garden at the rear of the Juhamnu Pavilion and walks down along the slope of the hill leading into the stairway, the person can find a square pond on the opposite side and a pavilion on the north bank of the pond. This is the Aeryeonjeong, which is composed of only 1 kan. Looking out of the windows of the pavilion, one can enjoy a wonderful view. It looks like just a framed picture, owing to the decorations attached to the upper part of the pillars. Of course, the mood of the picture depends on the season. In particular, the stone structure, through which water comes into the pond, is opposite excellent in beauty and technique of design.
Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
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Excerpt from www.mtr.com.hk/en/customer/community/art_archi_hku_our_me...:
Art in station architecture
Artwork Title:
Our Memories of the Western District - HKU
Artist Name:
Photo winners from local community and MTR Corporation (Hong Kong)
Artwork Location:
HKU Station - Concourse
Form of Artwork:
Digital Printing on Glass
Artwork Completion Date:
December 2014
Artist's Concept:
The photographic competition entitled "Our Memories of the Western District" was the inaugural activity of the West Island Line Community Art Programme. Unique images of the HKU area were captured by local residents and the winning photographs from the champion, 1st runner-up, 2nd runner-up and merit award recipients were selected as the theme images for use in HKU Station. These photographic images were then pixelated using thousands of images collected from the community and then combined with monochrome graphics to create a panoramic collage, reflecting the uniqueness and culture of Western District with traditional buildings and daily life of the local community.
La Segunda venida de Cristo | Ya se han cumplido 7 profecías. ¿Has recibido el regreso del Señor?
Ahora es el final de los últimos días. Muchos hermanos y hermanas, que verdaderamente creen en el Señor y esperan que regrese, deben tener tales preguntas: Jesucristo ha dicho: "Y he aquí, yo vengo presto" (Apocalipsis 22:12). Él nos ha prometido que volverá. ¿Ya regresó? ¿Cómo podemos saber si ha regresado o no?
1. El amor de los creyentes se vuelve frío
Mateo 24:12 registra: "Y por haberse multiplicado la maldad, la caridad de muchos se resfriará". Hoy en día, en las denominaciones y religiones, los creyentes codician el mundo en general, y pocos se dedican a trabajar para el Señor. Algunos de ellos se dedican a negocios, otros están ocupados abriendo fábricas para ganar dinero. Además, los pastores y los ancianos se traman unos a otros, tienen celosas disputas entre ellos. Incluso forman facciones, roban ofrendas y cometen adulterio. Por lo tanto, los seguidores se vuelven cada vez más fríos en su fe y amor y las iglesias se vuelven más desoladas ahora.
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Leer más: www.biblia-es.org/7-profecias-se-han-cumplido.html
También te podría interesar leer: Estudio bíblico sobre la segunda venida de Cristo
Credits..http://creativeimageryphotography.blogspot.co.uk/2016/01/jar-of-hearts.html
"I know I can't take one more step towards you
'Cause all that's waiting is regret
Don't you know I'm not your ghost anymore
You lost the love I loved the most
I learned to live half alive
And now you want me one more time
And who do you think you are?
Runnin' 'round leaving scars
Collecting your jar of hearts
And tearing love apart
You're gonna catch a cold
From the ice inside your soul
So don't come back for me
Who do you think you are?
I hear you're asking all around
If I am anywhere to be found
But I have grown too strong
To ever fall back in your arms
And I've learned to live half alive
And now you want me one more time
And who do you think you are?
Runnin' 'round leaving scars
Collecting your jar of hearts
And tearing love apart
You're gonna catch a cold
From the ice inside your soul
So don't come back for me
Who do you think you are?
And it took so long just to feel alright
Remember how to put back the light in my eyes
I wish I had missed the first time that we kissed
'Cause you broke all your promises
And now you're back
You don't get to get me back
And who do you think you are?
Runnin' 'round leaving scars
Collecting your jar of hearts
And tearing love apart
You're gonna catch a cold
From the ice inside your soul
So don't come back for me
Don't come back at all
And who do you think you are?
Runnin' 'round leaving scars
Collecting your jar of hearts
Tearing love apart
You're gonna catch a cold
From the ice inside your soul
Don't come back for me
Don't come back at all
Who do you think you are?..."