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That's just my opinion.

Manta, Ecuador

Tutorial on Instructables: www.instructables.com/id/Functional-LEGO-Nutcrackers/

 

With a simple pull of the lever, these decorative figures can open and close their jaws like authentic nutcrackers!

 

Both of these models were built in the recent weeks leading up to Christmas. The design was pretty straightforward, but two major issues were making the faces look good, and finally getting the hats right. In fact, the green nutcracker's crown took the longest to figure out, and was finally made with hinge plates.

 

As mentioned in the tutorial, although these can in fact function as real nutcrackers, they're somewhat rickety and best suited for holiday decorations.

Scorpio Motorbike Riding Boots are the ideal mix between functional touring boots and aggressive sporty boots. They’re awesome for a wide variety of riders that aren’t either of the two extremes of touring or sport riding.

Regular Price = $199.00

Special Price = $139.30 (Offer Valid till 31st Aug 2016)

  

www.leathercollection.com/en-us/scorpio-motorbike-riding-...

F225 universal agricultural tractor as of 1962. Includes two cylinder engine, two speed transmission, drive shafts, working steering, lifting arrangement. Can be configured as tipper, front loader with digger or fork. There was also a sowing machine and a mower for it.

F225 universal agricultural tractor as of 1962. Includes two cylinder engine, two speed transmission, drive shafts, working steering, lifting arrangement. Can be configured as tipper, front loader with digger or fork. There was also a sowing machine and a mower for it.

Seems to be better with stills

Built in 1914 at no. 911 Wellington Street East.

 

"This is a Prairie-style single-story residence, noticeably located at the south-west corner of Wellington and Woodward in the city’s east-central area. It encompasses part of Lot 15, Plan 568 and Lot 29, Plan 930. GIS coordinates: 705,711.336 5,154,111.585 Meters

 

This handsome, distinctive, well maintained home is the best example of a Prairie-style residence to be found in Sault Ste. Marie. It is an elegant Craftsman style bungalow with a variety of gently pitched roof slopes and a small hipped dormer. The eaves are deep and bracketed. The columns are plain with square abacuses and no base. The inclusion of classical modillions in a residence is rare in Sault Ste. Marie and to Prairie-style homes. A variety of rustic building materials have been utilized: stucco, wood, brick and stone. The window groupings consist of both casement and sash with inner muntin bars. Those windows on the front have been replaced with modern aluminum windows but the windows around the sunroom on the east side and those on the partial second floor are original. Many of the original storm windows are stored in the garage. Craftsmanship in the building is excellent yet simple and functional. Even the interior fireplace sports hand-carved brackets of similar design to those supporting the overhanging exterior eaves. With the exception of the kitchen and bathroom, the main floor rooms are still finished with the original oak trim and floors. An old photo of the house indicates that cedar shingles once adorned the roof.

 

This residence was constructed, in its present form, in 1914 for Richard H. Carney who was District manager for Canada Life Assurance Co. It was the Carney family who was responsible for construction of the Carney Block on Queen St. It thus reflects the affluence of an upper middle class business family which was profiting from the Clergue industrial expansion of the day. A 1914 date and initials of the stone mason builder may be found in the basement wall mortar between the sandstone pieces. It is likely this sandstone was quarried from the locks as was typical for the day. This house was purchased in 1939 by the MacIntosh family who owned it until 2004.

 

The key exterior features that embody the heritage value of 911 Wellington St. E. include:

- Variety of gently pitched roof slopes provide horizontal emphasis reflecting the Prairiestyle bungalow

- Clerestory lighting that provides light to a half story loft

- A hipped dormer and deep bracketed eaves

- Columns with abacuses and no base but adorned with modillions

- Rustic building materials including stucco, wood, brick and stone

- Original casement windows with sash and inner muntin bars on the sunroom (east side)

and on the half story loft

- Home and property have been well maintained in traditional style with little change to

the exterior

- An interior with oak trim, baseboards and flooring unchanged save for the kitchen and

bathroom

- A beautiful fireplace with brackets supporting the mantle matching those under the

eaves on the exterior

- The best example of a classical Prairie-style residence in Sault Ste. Marie distinctively

located in a prominent east-central location

- A residence which reflects the affluence of a prominent Sault business family built

during the heyday of the Clergue industrial empire" - info from the Sault Ste. Marie Municipal Heritage Committee.

 

"Sault Ste. Marie (/ˈsuː seɪnt məˈriː/ SOO-seint-ma-REE) is a city on the St. Marys River in Ontario, Canada, close to the Canada–US border. It is the seat of the Algoma District and the third largest city in Northern Ontario, after Sudbury and Thunder Bay.

 

The Ojibwe, the indigenous Anishinaabe inhabitants of the area, call this area Baawitigong, meaning "place of the rapids." They used this as a regional meeting place during whitefish season in the St. Mary's Rapids. (The anglicized form of this name, Bawating, is used in institutional and geographic names in the area.)

 

To the south, across the river, is the United States and the Michigan city of the same name. These two communities were one city until a new treaty after the War of 1812 established the border between Canada and the United States in this area at the St. Mary's River. In the 21st century, the two cities are joined by the International Bridge, which connects Interstate 75 on the Michigan side, and Huron Street (and former Ontario Secondary Highway 550B) on the Ontario side. Shipping traffic in the Great Lakes system bypasses the Saint Mary's Rapids via the American Soo Locks, the world's busiest canal in terms of tonnage that passes through it, while smaller recreational and tour boats use the Canadian Sault Ste. Marie Canal.

 

French colonists referred to the rapids on the river as Les Saults de Ste. Marie and the village name was derived from that. The rapids and cascades of the St. Mary's River descend more than 6 m (20 ft) from the level of Lake Superior to the level of the lower lakes. Hundreds of years ago, this slowed shipping traffic, requiring an overland portage of boats and cargo from one lake to the other. The entire name translates to "Saint Mary's Rapids" or "Saint Mary's Falls". The word sault is pronounced [so] in French, and /suː/ in the English pronunciation of the city name. Residents of the city are called Saultites.

 

Sault Ste. Marie is bordered to the east by the Rankin and Garden River First Nation reserves, and to the west by Prince Township. To the north, the city is bordered by an unincorporated portion of Algoma District, which includes the local services boards of Aweres, Batchawana Bay, Goulais and District, Peace Tree and Searchmont. The city's census agglomeration, including the townships of Laird, Prince and Macdonald, Meredith and Aberdeen Additional and the First Nations reserves of Garden River and Rankin, had a total population of 79,800 in 2011.

 

Native American settlements, mostly of Ojibwe-speaking peoples, existed here for more than 500 years. In the late 17th century, French Jesuit missionaries established a mission at the First Nations village. This was followed by development of a fur trading post and larger settlement, as traders, trappers and Native Americans were attracted to the community. It was considered one community and part of Canada until after the War of 1812 and settlement of the border between Canada and the US at the Ste. Mary's River. At that time, the US prohibited British traders from any longer operating in its territory, and the areas separated by the river began to develop as two communities, both named Sault Ste. Marie." - info from Wikipedia.

 

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Some background:

The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the fully functional VF-1 prototype (the VF-X-1).

 

Introduced in 2008, the VF-1 would be produced en masse within a short period of time, a total of 5,459 airframes were delivered until 2013. The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. From the start the VF-1 proved to be an extremely capable and versatile craft, successfully combating a variety of Zentraedi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The signature skills of U.N. Spacy ace pilot Maximilian Jenius exemplified the effectiveness of the variable systems as he near-constantly transformed the Valkyrie in battle to seize advantages of each mode as combat conditions changed from moment to moment.

 

The basic VF-1 was deployed in four sub-variants (designated A, D, J, and S) and its success was increased by continued development of various enhancements and upgrades, including the GBP-1S "Armored" Valkyrie, FAST Pack "Super" Valkyrie and the additional RÖ-X2 heavy cannon pack weapon system for the VF-1S with additional firepower. The FAST Pack system was designed to enhance the VF-1 Valkyrie variable fighter, and the initial V1.0 came in the form of conformal pallets that could be attached to the fighter’s leg flanks for additional fuel – primarily for Long Range Interdiction tasks in atmospheric environment. Later FAST Packs were designed for space operations.

 

After the end of Space War I, production on Earth was stopped but the VF-1 continued to be manufactured both in the Sol system and throughout the UNG space colonies. Although the VF-1 would be replaced in 2020 as the primary Variable Fighter of the U.N. Spacy by the more capable, but also much bigger, VF-4 Lightning III, a long service record and its persistent production after the war in many space sectors proved the lasting worth of the design.

The versatile aircraft underwent constant upgrade programs. For instance, about a third of all VF-1 Valkyries were upgraded with Infrared Search and Track (IRST) systems, placed in a small, streamlined fairing in front of the cockpit. This system allowed passive long-range search and track modes, freeing the pilot from the need to give away his/her position through active radar emissions. The sensor could also be used for target illumination and precision weapons guidance.

Many Valkyries also received improved radar warning systems, with sensor arrays mounted on the wingtips, the fins and/or on the LERXs. Improved ECR measures and other defensive measure like flare/chaff dispensers were also added to some machines, typically in conformal fairings on the flanks of the legs/engine pods.

 

In early 2011, VF-1 production on Earth had already reached the 2.500th aircraft, a VF-1J which received a striking white-and-blue commemorative paint scheme upon roll-out, decorated with the logos of all major manufacturers and system suppliers. After a brief PR tour the machine (Bu. No. 2110406/1) was handed over to SVF-1, the famous Skull Squadron, as an attrition replacement for Major Yingluck 'Joker' Maneethapo's aircraft, leader of the unit’s 5th Flight and a Thai pilot ace from the first stages of the Zentraedi attacks in 2009.

With the opportunity to add more personal style to his new mount, Maneethapo's chose the non-standard modex ML 555 for his fighter - a play of words, because the five is pronounced 'ha' in Thai language and '555' a frequent abbreviation for 'laughing'. Bu. No. 2110406/1 retained its bright PR livery, because its primary colors matched well with SVF-1 ‘Lazulite’ flight’s ID color. The aircraft just lost the sponsor logos and instead received full military markings and tactical codes, including the unit’s renowned skull icon and the characteristic “ML” letter code on the foldable fins. The nose art for the 2.500th production VF-1 jubilee was retained, though.

In SVF-1 service, Bu. No. 2110406/1 was soon upgraded with an IRST and retrofitted with FAST Packs and avionics for various zero-G weapons for operations in space, since the unit was supposed to become based on SDF-1 and go into space with the large carrier ship. However, only SVF-1's Flight #1, 2 and 3 were taken on board of the SDF-1 when the ship left Earth, the remaining unit parts remained at the home base on Ataria Island, tasked with homeland defense duties.

 

In 2012, at the end of the war, SVF-1’s Lazulite’ flight was re-located on board of ARMD-02 (Armaments Rigged-up Moving Deck Space Carrier vessel), which was and rebuilt and attached to the refitted SDF-1 Macross as originally intended. There, Bu. No. 2110406/1 served into the first year of the New Era 0001 in 2013, when it was replaced as a Flight Leader’s mount by a VF-4 and handed over to SVF-42 back on Earth, where it was repainted in standard U.N. Spacy fighter colors (even though it still retained its commemorative nose art) and served until 2017. Bu. No. 2110406/1 was then retired and unceremoniously scrapped, having already exceeded its expected service life.

 

The VF-1 was without doubt the most recognizable variable fighter of Space War I and was seen as a vibrant symbol of the U.N. Spacy. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters. The VF-1 Valkryie was built from 2006 to 2013 with several major variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30), sub-variants (VF-1G = 12, VE-1 = 122, VT-1 = 68) and upgrades of existing airframes (like the VF-1P).

Despite its relatively short and intense production run the fighter remained active in many second line units and continued to show its worthiness even years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!

 

General characteristics:

All-environment variable fighter and tactical combat Battroid,

used by U.N. Spacy, U.N. Navy, U.N. Space Air Force and U.N.S. Marine Corps

 

Accommodation:

Pilot only in Marty & Beck Mk-7 zero/zero ejection seat

 

Dimensions:

Fighter Mode:

Length 14.23 meters

Wingspan 14.78 meters (at 20° minimum sweep)

Height 3.84 meters

Battroid Mode:

Height 12.68 meters

Width 7.3 meters

Length 4.0 meters

Empty weight: 13.25 metric tons

Standard T-O mass: 18.5 metric tons

MTOW: 37.0 metric tons

 

Power Plant:

2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or 225.63 kN in overboost

4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip)

18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles

 

Performance:

Battroid Mode: maximum walking speed 160 km/h

Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87

g limit: in space +7

Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24

 

Design Features:

3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system

 

Transformation:

Standard time from Fighter to Battroid (automated): under 5 sec.

Min. time from Fighter to Battroid (manual): 0.9 sec.

 

Armament:

2x Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 ppm

1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rpm

4x underwing hard points for a wide variety of ordnance, including…

12x AMM-1 hybrid guided multipurpose missiles (3/point), or

12x MK-82 LDGB conventional bombs (3/point), or

6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or

4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,

or a combination of above load-outs

  

The kit and its assembly:

Another small and vintage 1:100 VF-1 Fighter. This time it’s a non-canonical aircraft, based on a limited edition decal sheet that was published with the Japanese Model Graphix magazine in April 2001 (check this here for reference: www.starshipmodeler.com/mecha/jl_clrvalk.htm) with Hasegawa’s first release of their 1:72 Valkyrie Fighter kit. The give-away sheet featured several VF-1s, including an anniversary paint scheme for the 2.500th production Valkyrie. This is AFAIK neither ‘official’ nor canonical – but the pretty blue-and-white livery caught my attention, and I had for a long time the plan to re-create this livery on one of my favored 1:100 models. This would not work 100%, though, so I had to improvise – see below.

 

The kit was built OOB, with the landing gear down and (after taking the flight scenic pictures) with an open canopy, mounted on a small lift arm. Some typical small blade antennae the 1:100 simple kit lacks were added around the hull as a standard measure to improve the look. In the cockpit I added side consoles and a pilot figure for the in-flight shots.

The only non-standard additions are the IRST sensor fairing in front of the cockpit – the model of the anniversary VF-1 in the Model Graphix magazine carries this canonical upgrade, too, it was created from clear sprue material. Another tiny addition were the RHAWS antenna fairings at the top of the fins, scratched from small styrene profile bits.

 

The Valkyrie’s ordnance is standard and was taken OOB, featuring twelve AMM-1 missiles under the wings plus the standard GU-11 gatling gun pod; the latter was modified to hold a scratched wire display for in-flight pictures at its rear end. The Model Graphix VF-1 is insofar confusing as it seems to carry something that looks like a white ACMI pod on a non-standard pylon, rather attached to the legs than to the wings? That's odd and I could not make up a useful function, so I rejected this detail. The magazine Valkyrie's belly drop tank was - even though canonical, AFAIK - also not taken over to my later in-service status.

  

Painting and markings:

The more challenging part of the build, in two ways. First, re-creating the original commemorative livery would have called for home-made decals printed in opaque white for the manufacturers’ logos, something I was not able to do at home. So, I had to interpret the livery in a different way and decided to spin the aircraft’s story further: what would become of this VF-1 after its roll-out and PR event? In a war situation it would certainly be delivered quickly to a frontline unit, and since I had some proper markings left over, I decided to attach this colorful bird to the famous Skull Squadron, SVF-1, yet to a less glorious Flight. Since flight leaders and aces in the Macross universe would frequently fly VF-1s in individual non-standard liveries, sometimes even very bright ones, the 2,500th VF-1 could have well retained its catchy paint scheme.

 

The second part of the challenge: the actual paint job. Again, no suitable decals were at hand, so I had to re-create everything from scratch. The VF-1J kit I used thankfully came molded in white styrene, so that the front half of the aircraft could be easily painted in white, with no darker/colored plastic shining through. I painted the white (Revell 301, a very pure white) with a brush first. For the blue rear half, I settled upon an intense and deep cobalt blue tone (ModelMaster 2012). For the zigzag border between the colors, I used Tamiya masking tape, trimmed with a tailor’s zigzag scissors and applied in a slightly overlapping pattern for an irregular edge.

The landing gear became standard all-white (Revell 301, too), with bright red edges (Humbrol 174) on the covers. Antenna fairings were painted with radome tan (Humbrol 7) as small color highlights.

 

The cockpit interior became standard medium grey (Revell 47) with a black ejection seat with brown cushions (Humbrol 119 and Revell 84), and brown “black boxes” behind the headrest. The air intakes as well as the interior of the VG wings were painted dark grey (Revell 77). The jet nozzles/feet were internally painted with Humbrol 27003 (Steel Metallizer) and with Revell 91 on the outside, and they were later thoroughly treated with graphite to give them a burnt/worn look.

The GU-11 pod became standard bare metal (Revell 91, Iron metallic), the AMM-1s were painted in light grey (Humbrol 127) with many additional painted details in five additional colors, quite a tedious task when repeated twelve times...

 

After basic painting was one the model received a careful overall washing with black ink to emphasize the engraved panel lines, and light post-shading was done to the blue areas to emphasize single panels.

The full-color ’kite’ roundels came from an 1:100 VF-1A sheet, the skull emblems were left over from my Kotobukiya 1:72 VF-4 build some years ago, which OOB carries SVF-1 markings, too. The 2.500th aircraft nose art decoration was printed on clear decal film with an ink jet printer at home, even though it’s so small that no details can be discerned on the model. SVF-1’s “ML” tail code was created with single white decal letters (RAF WWII font), the red “555” modex came from an PrintScale A-26 Invader sheet, it's part of a USAF serial number from an all-black Korean War era aircraft.

 

The wings' leading edges were finished in medium grey, done with decal sheet material. The Model Graphix Valkyrie does not sport this detail, but I think that the VF-1 looks better with them and more realistic. Red warning stripes around the legs - also not seen on the model in the magazine - were made from similar material.

 

The confetti along the jagged edge between the white and the blue areas was created with decal material, too – every bit was cut out and put into place one for one… To match the cobalt blue tone, the respective enamel paint was applied on clear decal sheet material and cut into small bits. For the white and red confetti, generic decal sheet material was used. All in all, this was another tedious process, but, at the small 1:100 scale, masks or tape would have been much more complex and less successful with the brushes I use for painting. For this home-made approach the result looks quite good!

 

Finally, after some typical details and position lights had been added with clear paints over a silver base, the small VF-1 was sealed with a coat of semi-matt acrylic varnish, giving it a slightly shiny finish.

  

A pretty VF-1 – even though I’d call it purely fictional, despite being based on material that was published in a Japanese magazine more than 20 years ago. The simple yet striking livery was a bit tricky to create, but the result, with the additional SVF-1 unit markings, looks good and makes me wonder how this machine would look with FAST pack elements for use in space or as a transformed Battroid?

AI Generated Image

Frame/fork/headset/seat post included

This is a frame designed for 650b wheel size.

3 water bottle bosses, takes low riders, dual eyelets front and rear. Long chain stays. I ran 38mm x 650b with fenders but could go bigger. It's got nicks and is far from perfect cosmetically, but its functionally sound.

 

25" st ctc

22" tt ctc

takes 26.4mm seat post (which I will include)

rear dropouts have been spaced to 130mm

 

$160 shipped east of the Mississippi, $175 west of it.

Inevitably I break them but bringing home a ceramic mug is one of my weak spots. The yellow one with a handle? Returning from a weekend spent with my sister and her friends in Harper's Ferry, WV I took the scenic route and kept seeing handwritten signs for a potter "need a mug" and instead of thinking "maybe I should stop..." I actually made the decision and followed through and did it. And I bought one for each of the ladies and I think I actually got the mugs too them. A minor miracle on my part. The luxurious one under it came from a festival we used to go to every year until the museum stopped hosting it but its my favorite mug and always reminds me of the horse drawn carousel and kettle popped corn. The mug with the x marks is from the sister and while its missing the handle its perfect for an afternoon cup of coffee--just the right size. There is a new one from Alisha back there stamped "grateful" because I so am and just need reminding and another from a different weekend retreat with my sister and another with the best glaze and terrific for that first cup because its huge... I hope to get one in CT too...

 

Processed with VSCOcam with g3 preset

Bacha log, in this Module we are going to see different, different Marketing Strategic

Techniques. To start with Social Marketing, now it aims to increase the acceptability of a

social idea, cause or practice among a target group. Example is campaign for prohibition of

smoking, right. Second example would be P&G, they collect or they donate, right, for every

product that we buy out of which 2 or 3 rupees is donated towards Girl Child Shiksha

Abhiyan. Isn’t it good, yes?

Next we see is Augmented Marketing, now in here it is the provision of additional customer

services and benefit built around the core and the actual products that relate to the

introduction of hi-tech services like, online computer services, etc. Herein example could be

Asian Paints, they give five years warranty on certain paints.

Direct Marketing, is a marketing strategy that interacts directly with the consumers asking

them to make a direct response. Example through catalogues selling, mail, electronic

marketing, Television shopping, etc.

Relationship Marketing, it is a process of creating, maintaining and enhancing strong value

laden relationships with customers and other stakeholders. It will go a long way in building

relationships. Example, Emirates, right, when you fly by Emirates they send a Mercedes,

right, per passenger at your residence, so if it is a family of four, you can even ask for four

Mercedes and they provide. And they pick you up from your door, that is your home till

airport. And again from your destination airport to the hotel a Mercedes service is

provided. Same, British Airways, offers special lounges with showers at 199 airports for

frequent fliers. Isn’t it amazing, yes.

Next, Services Marketing, It is applying the concepts, tools and techniques of marketing to

services. Services is any activity that one party can offer to another that is essentially

  

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Without the outer casing, it fits perfectly enough to support the roof.

A modest, functional civic building, the former Yeronga Fire Station on the corner of School Road and Ipswich Road within Yeronga Park, is a prominent landmark on the busy Brisbane arterial, Ipswich Road.

 

Between 1860 and 1868 there were five attempts to form a fire fighting service for Brisbane. Each brigade struggled to survive unable to attract a viable subscription base and hampered by inadequate equipment and an unreliable water supply. The establishment of an effective fire service did not enjoy a high priority among civic and government leaders.

 

A fifth brigade, the City Volunteer Fire Brigade, was established in 1868 under rules which provided for better financial control and management through the Fire Brigade Board. These arrangements were consolidated by the Fire Brigades Act of 1881 under which it was established that the Brigade was to be funded for fire services from contributions by the Queensland State Government, Brisbane Municipal Council, insurance companies, and subscriptions. In 1889 the first full-time firemen were employed and a permanent fire brigade was established. A new headquarters, designed by H. W. Atkinson, was completed on the corner of Ann and Edwards Streets (on a corner of the Normal School site) in 1890. This began a long association between the Fire Brigade and the various architectural firms with whom he was associated.

 

Fire Services in Yeronga:

 

With the establishment of the South Coast railway in 1884, Yeronga was recognised as a desirable commuter suburb. Settlement of the suburb remained subdued until the interwar years when residential building activity increased dramatically, with the number of residences in Yeronga doubling. At this time, the Metropolitan Fire Brigades Board was attempting to respond to the increased fire fighting needs of the expanding Brisbane suburbs. In the 1930s, the Board was resiting old stations and erecting new stations under a program funded by the Queensland Government, instigated by the Minister for Health and Home Affairs, Edward Hanlon. The former Yeronga Fire Station, the first fire station in Yeronga, was erected under this program by contractor William Allen Miller and opened by Mr W. B. Denmead on the 18th of April 1934. The new building housed the station facilities on the ground floor and a residence for the superintendent on the first floor. This combination of station and residence was the typical design for fire stations in Brisbane at this time. Similar, though larger, residential fire stations were built at Coorparoo 1935; Nundah 1936; Wynnum 1938, and Hamilton 1941.

 

The Yeronga Fire Station was decommissioned in 1974 when operations were relocated to the new Acacia Ridge Station. The former Yeronga Fire Station has been a Queensland State Emergency Services office; now privately owned.

 

Queensland State Emergency Services has deemed the former Yeronga Fire Station to be surplus to requirements and the Department of Natural Resources is currently handling the disposal of the property.

 

Source: Queensland Heritage Register.

F225 universal agricultural tractor as of 1962. Includes two cylinder engine, two speed transmission, drive shafts, working steering, lifting arrangement. Can be configured as tipper, front loader with digger or fork. There was also a sowing machine and a mower for it.

It's not pretty looking, but this center-cab switcher that serves the Omni Source Corporation facility in Fort Wayne, Indiana, is functional. It is a side of railroading that gets little attention.

You delightful little patchwork bird- look how colourful you are. Please stay and play now that I have brought you to life..........I always talk to my creations, don't you?

 

Listed but still working on pics

Avinguda el Traves CG-3, La Massana, Vall nord, Andorra, Pyrenees - (c) Lutz Meyer

 

More La Massana city, La Massana parroquia, Andorra, Pyrenees: Follow the group links at right side.

.......

 

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It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).

 

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Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Large is worth it. But that's just my opinion.

Functionally extinct in the region, a few beautiful specimen were found on the reef. Dying due to man made, climate change, and stony coral tissue loss disease.

Hiking Ruta del Ferro (Iron route) at Llorts, Ordino, Vall nord, Andorra, Pyrenees

 

More Ordino poble & Ordino parroquia images: Follow the group links at right side.

 

.......

 

About this image:

 

* Medium format 4x3 (645) high quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (10 years decade 2008-2018)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism redactions

 

We offer 100.000+ photos of Andorra and North of Spain. The largest professional image catalog of Andorra from the newer history: all regions, all cities and villages, all times, all seasons, all weather(s). HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Details of an old fireman truck.

 

Just love the design.

Bus stop Alberg Borda Jovell, Sispony, La Massana, Vall nord, Andorra, Pyrenees - (c) Lutz Meyer

 

More Sispony & La Massana parroquia: Follow the group links at right side.

.......

 

About this image:

* Medium format 4x3 (645) high quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (20 years 2003-2023)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials

 

We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!

 

It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Les Pardines, Els Cortals, Encamp, Vall d'Orient, Andorra, Pyrenees - (c) Lutz Meyer

 

More Els Cortals, Encamp city, Encamp parroquia, Andorra, Pyrenees: Follow the group links at right side.

.......

 

About this image:

* Medium format 4x3 (645) high quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (20 years 2004-2024)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps -

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials

 

We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!

 

It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Ca l'Abat, Carrer del Cobert, Les Bons, Encamp, Vall d'Orient, Andorra, Pyrenees

 

More Les Bons & Encamp parroquia images: Follow the group links at right side.

 

.......

 

About this image:

 

* Medium format 4x3 (645) high quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (10 years decade 2008-2018)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism redactions

 

We offer 100.000+ photos of Andorra and North of Spain. The largest professional image catalog of Andorra from the newer history: all regions, all cities and villages, all times, all seasons, all weather(s). HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Aerial view of the Corporation of Trinity House's office in Harwich: Trinity House.

Their depot is a hub for Trinity House's work, including storage and maintenance of buoys and light vessels.

Harwich is a home port for many of the Trinity House light vessels.

Moored on the left, you can see the THV Patricia multi functional vessel used for maintaining and servicing navigation aids such as buoys and light vessels. Officially it is called a Buoy Tender Vessel.

It is their flagship and even has comfortable facilities for hosting dignitaries etc.

It was built in Leith at Robb Caledon Shipbuilders in 1982 and is Trinity House's 3rd ship named the Patricia.

Harwich aerial image

Farm of Masia Reig, Ordino city, Ruta del Ferro, Vall nord, Andorra, Pyrenees

 

More Ordino parroquia images: Follow the group links at right side.

 

.......

 

About this image:

 

* Full frame format 3x2 quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (10 years decade 2008-2018)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism redactions

 

We offer 100.000+ photos of Andorra and North of Spain. The biggest professional image catalog of Andorra from the newer history: all regions, all cities and villages, all times, all seasons, all weather(s). HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Living in Certes. Andorra rural: Sant Julia (parroquia), Gran Valira, Andorra, Pyrenees - (c) Lutz Meyer

 

More Certes, Sant Julia de Loria, Andorra, Pyrenees: Follow the group links at right side.

.......

 

About this image:

* Full frame format 3x2 quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (20 years 2004-2024)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials

 

We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!

 

It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

The shape of these old Tin Mine buildings is so pleasing. I guess if they were built today they would be a steel frame with some panelling bolted on to the outside and would have a prefabricated metal chimney. These techniques weren't available then, but even so I get the feeling that some effort was put into making them look pleasing. Why doesn't this happen these days? It seems all too often that when we put up a building now the drive for efficiency and cost control far outweigh any consideration for making the thing pleasing to the eye and making it enhance its' surroundings.

 

I'm sure these mines were pretty horrible to work in but at least these purely industrial buildings enhanced the landscape.

Ruta Ciclista Coll de Gallina at Coll de Jou, view from Fontaneda, Sant Julia de Loria, Gran Valira, Andorra, Pyrenees - (c) Lutz Meyer

 

More Fontaneda & Sant Julia de Loria parroquia: Follow the group links at right side.

.......

 

About this image:

* Medium format 4x3 high quality image

* Usage: Large format prints optional

* Motive is suitable as symbol pic

* "Andorra authentic" edition (20 years 2003-2023)

* "Andorra camis & rutes" active collection

* Advanced metadata functionality on dynamic websites or apps

* for large metadata-controlled business collections: photo-archives, travel agencies, tourism editiorials

 

We offer 200.000+ photos of Andorra and North of Spain. 20.000+ visable here at Flickr. Its the largest professional image catalog of Andorra: all regions, all cities and villages, all times, all seasons, all weather(s). Consistent for additional advanced programming. For smartphones and web-db. REAL TIME!

 

It's based on GeoCoded stock-photo images and metadata with 4-5 languages. Prepared for easy systematic organising of very large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System).

 

More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.

 

Ask for licence! lutz(at)lutz-meyer.com

 

(c) Lutz Meyer, all rights reserved. Do not use this photo without license.

Propping up ancient archetecture.

The electric token machine has stood the test of time on Britain's railways, a typically simple but effective Victorian method of safely signalling trains over single lines.

The stroke bell at the side is for the transmission of the relevant bell signals and the token is released by the signaller at one end holding the bell plunger in on the machine in sufficiently long enough for the token to be released at the other end. This is indicated on the dial above.

 

This is the machine at Midge Hall signal box that controls the section to Rufford. Strange to think that these aluminium ingots will have been the same ones I handled as an 18 year old signalman when I worked my first box at Rufford in 1983.

...but hardly attractive! A Tyne Metro unit pulls into the superb station at Tynemouth, 7.7.17.

collab shooting with Petra Ritzer, Ruscha Voormann & Sonja Wahler

We are proud to announce the release of Uma & Avellana.

 

Uma is a typeface family consisting of 2 weights, light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. it works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality.

 

Designed by Ariel Di Lisio and digitized by Ale Paul, Uma Includes alternates, fractions, ligatures and a wide range of latin languages covered.

 

——

 

Avellana

When it comes to packaging or friendly logotypes, subtle designs are never enough. Avellana is a bit wild but also smooth and creamy for that ultimate client seduction. From headlines to small text, the possibilities are endless with versatile new font. The majority of Latin languages are covered in this Pro version. Designed by Angel Koziupa & Alejandro Paul.

 

More fonts Sudtipos

and one more plain picture of the tree

Tutorial on Instructables: www.instructables.com/id/Functional-LEGO-Nutcrackers/

 

With a simple pull of the lever, these decorative figures can open and close their jaws like authentic nutcrackers!

 

Both of these models were built in the recent weeks leading up to Christmas. The design was pretty straightforward, but two major issues were making the faces look good, and finally getting the hats right. In fact, the green nutcracker's crown took the longest to figure out, and was finally made with hinge plates.

 

As mentioned in the tutorial, although these can in fact function as real nutcrackers, they're somewhat rickety and best suited for holiday decorations.

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