Functional ceramics
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Mönchengladbach City Library - Anno 1964 / North Rhine-Westphalia / Germany
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Crazy Tuesday theme Creased Paper
Traditional Japanese Fan made from handmade paper printed with the famous Hokusai Wave, particularly for our current mini heatwave, HCT 😄
Canadian Shore is an aluminum vessel suited for any trip or adventure in the Pacific Northwest. Whether on the inside passage in BC or the fjords of Alaska, Canadian Shore is highly functional with efficient and reliable equipment.
Shore Boat Builders, built this John Brandlmayr designed vessel in 1989 and in 2002 it was extended and converted to the unique vessel it is. The vessel has well appointed interiors, full navigation systems, is even capable of changing it’s draft.
Info. is from online sources and not verified accurate.
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I went out today and attended a photography meetup. It feels good to be out taking pictures again after the accident.
I finally used my D90 (but not on this shot) and it seemed to be perfectly functional. I've tested my 18-105mm lens yesterday as well and it too is working. I super glued the pieces back and let it sit to dry for 2 days just to make sure it sticks. I am really relieved to know both are still working.
This will be a post and run my friends. I will catch up tomorrow when I get the chance. Thank you for visiting and leaving comments to my photos.
Goodnight.
A hospital ward, could be anywhere I would think. It is functional too, as long as you know what kind of functions are included or excluded. Is a "sense of beauty" functional? Is a piece of art included in the functions offered by a hospital? A flower perhaps? Small things can make a big difference. Most important is the other thing one cannot see in this picture - the humanity of the hospital staff and the person-to-person contact between nurses, doctors and patients. Whatever the architecture. Fuji X-Pro1 plus Helios 44M-7 wide-open.
Functional is about the best way you can describe this building. No one was around at the time, and in fact you rarely see anyone around this police station - not the place to be seen perhaps. And you have to wonder what is being thrown out with the trash in that wheelie bin. But not all is prosaic. That sky is clearing and the light is breaking through. Beauty is all around if we look hard enough.
A multi-functional spatial concept combined with an aesthetically
impressive architecture and an ecologically well thought out infrastructure creates the ideal conditions for events for from 40 to 4,000 guests.
Info : www.tempodrom.de/site/assets/files/3244/download_tempodro...
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Dating back to 1670, Linlithgow Burgh Halls is a unique landmark building at the heart of the historic town. Celebrating the rich heritage of Linlithgow and the surrounding area, today it is a modern multi-functional venue; visitor attraction, art gallery, hireable space, café and much more.
There was a mist along the seafront which gave an eerie, mysterious atmosphere. As I was composing the image this figure walked into the frame, but I think he gives added interest and scale
The Pier was designed and engineered by Eugenius Birch to attract visitors and survive in the hostile environment of the seashore. Opened in 1866, it was a simple and functional structure built using dozens of cast iron threaded columns screwed into the seabed and strengthened by a lattice of ties and girders that provide the necessary strength to support the promenade deck whilst allowing seas to pass harmlessly through.
Originally the West Pier had an open deck with only six small ornamental houses of oriental design, two toll houses and glass screens at the pier head to protect visitors from the wind and sun. In 1875 a central bandstand was added. In the 1880's weather screens the full length of the pier, steamer landing stages and a large pier head pavilion were constructed.
The final building, completed in 1916, was a graceful concert hall. The result is seaside architecture at its finest, designed to attract and entertain holiday-makers with all the pomp and frippery that is the essence of the English seaside resort. The pier was unique in being largely unaltered since that time, its proportions and style were unrivalled and its concert hall and theatre were two of the best Victorian and Edwardian seaside entertainment buildings.
On 28th March 2003the Pavilion was destroyed in an arson attack, and then on 11th May the Concert Hall, already seriously damaged in a huge storm the previous December, was also deliberately set on fire.
English Heritage was commissioned to report on whether after such damage, the restoration was still viable. It concluded that despite the significant damage, given the wealth of salvaged material from the pier and the considerable photographic and video archive, repair and reconstruction of the pier was still viable. It was therefore bitterly disappointing that at its meeting on 28th January, the Heritage Lottery Fund decided to withdraw its funding of the project.
With the loss of lottery funding the restoration of the West Pier became impossible. Deemed a public hazard, the burnt-out Concert Hall was removed in 2010. The skeletal remains of The Pavilion, however, were left to become a feature of Brighton’s seafront. Its desolate beauty makes it much discussed, wondered about and photographed. The Trust has no intention of removing the remains unless overwhelming safety issues arise. But now beyond repair, they will inevitably degenerate and be reclaimed by nature. However the Trust remains hopeful that, with the success of Brighton i360, in due course a new contemporary West Pier, reflecting the brilliance of the original, will be built.
Enschede, the Netherlands
Voormalig V&D gebouw
The building was occupied by Vroom & Dreesmann on April 1, 1939 on the Korte Hengelosestraat until the end of 1969. The design by architect Jan Kuyt [June 27, 1884 – February 9, 1944] was designed in the functional style.
The department store in Enschede is one of the last department stores that Jan Kuyt designed for V&D. Jan Kuyt was the chief architect for Vroom & Dreesmann and designed eight fortresses in the Netherlands for V&D.
Also characteristic of the architectural style is the brickwork in Norwegian chain bond. In 2007, the building was completely renovated, mainly on the inside, and made suitable as an office building.
Knippelsbro, an iconic bridge in Copenhagen, connects the city center to Christianshavn over the harbor. Originally built in 1618 and later modernized in 1937, it is known for its distinct green towers and functional bascule design, allowing ships to pass through. Knippelsbro serves as a vital route for vehicles, cyclists, and pedestrians, offering beautiful views of the surrounding harbor. The bridge is particularly captivating at sunrise, as the soft morning light enhances the green copper towers, creating a picturesque scene that embodies the charm of Copenhagen.
"Dirk Braeckman is attracted to the aesthetics, craftsmanship, design, functionality and inventiveness of cameras. For this exhibition, he used 100 cameras from the museum's collection."
"FOMU is home to one of the most diverse and comprehensive photographic equipment collections in Europe. It comprises some 23,000pieces from around the world: cameras. lenses, pre-cinema objects, projectors, viewing cabinets, recording and processing materials, and studio and darkroom equipment. This collection dates from 1900 to 1980, with a particular focus on the interwar and post-war periods."
The patented Canadian front door air conditioning system is fully functional on BCOL C40-8M #4617 leading a rerouted NS #191 north past the signal at Bunch near Jenkinsburg, GA.
Less than three months after emerging from the assembly plant in La Grange, Illinois, a Union Pacific a SD40-2 glides through North Yard in Salt Lake City, Utah on June 16, 1979.
UP 3569 was built by EMD in March 1979, and retired from the roster in January 2001.
A small piece of the mosaic ("Fuctional Vibrations" by Xenobia Bailey) overhead the entrance of the Hudson Yards station of the #7 Flushing Line station, Tenth Avenue and 34th street. Chelsea, NYC -- March 28, 2019
web.mta.info/mta/aft/permanentart/permart.html?agency=nyc...
An iron (plural irons) or Façade Iron is an item of functional wrought-iron work on the façade of an Italian building. Ferri are a common feature of Medieval and Renaissance architecture in Lazio, Tuscany and Umbria. They are of three main types :. horseshoes have a ring for tethering horses, and are set at about 1.5 meters from the ground; holders for standards and torches are placed higher on the façade and on the corners of the building ; harpoons have a cup-shaped hook or hooks to support cloth for shade or to be dried, and are set near balconies.
These photographs document the platform area at Starnberg station, not the main station building. The visible structure consists primarily of historic iron columns and beams that remain in active use but show clear signs of aging: corrosion, flaking paint, and uneven maintenance. What was once a coherent architectural system has become a fragmented, utilitarian framework.
The original platform roofs are completely gone. In their place, the iron skeleton stands exposed to weather and light. Rather than being restored, the structure has been stabilized through added construction: scaffolding, bracing elements, and protective netting that cut across the original geometry. This creates a layered visual language of old infrastructure and temporary reinforcement.
A newer canopy appears only in selected areas, mainly above stair access points. This roof is made of corrugated sheet metal (Wellblech) and serves a purely functional role. It offers basic protection but no architectural continuity with the historic structure. Large sections of the platforms remain open.
The site reflects the character of a “lost place” in operation. It is neither fully preserved nor abandoned. Ongoing disputes between heritage protection (Denkmalschutz), ownership responsibilities, and questions of funding for repair and upkeep have left the platforms in a state of visual and structural limbo. The result is an environment where historical fabric survives, but without clear restoration strategy.
Access is partially restricted through fenced zones and controlled pathways. This affects circulation and accessibility, including limited or indirect wheelchair access. The station continues to function, yet the platform space feels provisional — maintained just enough to operate, but not enough to recover its former architectural identity.
From a photographic perspective, the focus lies on the exposed iron framework, the absence of the original roof, and the contrast between historic construction and pragmatic modern additions. The images document a transitional state: a working railway platform that visually reads as a relic.
They fly sooo fast when directly overhead..favored to close in on this one in the short instant available.
#macromondays #keychain
I decided to share this image for the upcoming #macromondays theme called #keychain
It shows an LEGO keychain whith 2 keys.
A keychain is a small accessory used to organize and carry keys. It typically consists of a metal ring or loop to which keys are attached, and it may include decorative or functional elements. Keychains come in a wide variety of designs and materials, ranging from simple metal rings to elaborate pieces with charms, logos, or built-in gadgets.
Common Features:
Key Ring: A metal loop that securely holds the keys.
Attachment Mechanism: Some keychains include clips, carabiners, or quick-release mechanisms for convenience.
Decorations: Keychains often have decorative elements, such as:
Miniature toys or figurines
Branded logos or promotional designs
Personalized engravings or photos
Functional Add-ons: Many keychains incorporate practical tools, like:
Bottle openers
Flashlights
USB drives
Multi-tools (e.g., small knives, screwdrivers)
GPS trackers
Uses:
Organization: Keeping keys for home, car, office, or other purposes in one place.
Convenience: Easier to find and manage keys, especially with brightly colored or bulky keychains.
Personalization: Reflecting personal style or interests.
Promotions: Used by companies as marketing giveaways.
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Der Stadtpark und Otto Wagners Werke sind eng miteinander verbunden, da sie beide für den Übergang von historischer Gestaltung zur modernen Stadtplanung stehen. Wagners Ansatz, technische Herausforderungen mit künstlerischem Anspruch zu verbinden, spiegelt sich entlang des Wienflusses wider und macht den Stadtpark zu einem Ort, an dem Natur und Architektur auf beeindruckende Weise verschmelzen.
Seine Arbeiten im und um den Stadtpark sind bis heute ein Beispiel für die Harmonie von Funktionalität und Ästhetik und ein bedeutendes Erbe der Wiener Moderne.
The Stadtpark and Otto Wagner's works are closely connected, as both represent the transition from historical design to modern urban planning. Wagner's approach of combining technical challenges with artistic ambition is reflected along the Wien River, making the Stadtpark a place where nature and architecture merge in an impressive way.
His works in and around the Stadtpark remain a prime example of the harmony between functionality and aesthetics, and a significant legacy of Viennese modernism.
Taken for Saturday Self Challenge 19/03/2022 - Decorative .
First thought for this was the upper window in a big posh house , however , Jan did mention railways and they are always good for some embellishment on the older architecture . Here on this station the pillar supports to the station canopy are functional but on the load spreading supports at the top are quite decorative . I first tried a compressed view on platform two but not happy as I clipped the top a bit too tight plus a gutter got in the way from whichever end I took the shot . Platform one one the other hand presented a clear shot of the whole line of pillars with their elaborate top sections .
Also in shot is a passenger waiting on a seat , not sure about how he looks , but then this is the London platform - not a place to look forward to visiting as far as I am concerned .
A sight and sound to calm things down -----
This is the new 54,000 square metres large concert, congress and hotel complex in Malmö. The building consists of a composition of cubic volumes that are mutually twisted and given different sizes to meet the directions and building heights of the surrounding city. The façades are designed with a homogeneous expression to make the composition appear as one architectonic sculpture.
The new cultural centre becomes an open, expressive and dynamic building that is manifold in both its activities and its architecture. The point of departure for the building design is the modern Scandinavian architectural tradition with the clear functional organisation and the accessible and open ground floor lay-out. The building becomes the focal point and a landmark for Malmö – a place where the spirit of the city, the diversity and the intimacy is given an architectonic expression.