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"To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis."
-Henri Cartier-Bresson
hi, we're back from a fabulous trip to Amsterdam,
jet-lagged and sleep-deprived...
BIG thanks to you Mister HWM Z-man, huub zeeman
an absolute pleasure meeting and hanging out.
so much fun, hugs my friend
happy sliderssunday!
♥
Patterns, Forms, Textures, and Colors...
I had to crop the original severely to fit Macro Mondays three-inch maximum-dimension rule:
HMM
Tags:
Bosc Pear Ripening Ramekin Tucson Arizona "Macro Mondays" Windowsill Patterns Forms Shapes Textures Colors Daylight
BNSF 4047 & 683 lead V LPCROB4 18B past the newly (re-)opened Santa Fe depot in Fort Madison, Iowa. For the first time in several decades, passenger trains are once again utilizing this classic AT&SF structure (Southwest Chief, Amtrak train Nos. 3 and 4). Taken on the BNSF Chillicothe Subdivision on 12/19/21.
Mes nouveaux pinceaux multicolores attendent sagement le signal de départ pour un concours de formes et de couleurs.
Swallowtail, southwest France this summer. I liked the way the insect and the leaf have the same shape and pattern
When it was time to setup for an evening shot, the sun was teasing me with light. Although present and to my left, it was timidly hiding behind a low cloud. It seemed to mock me with its faint glow, provoking a shot, then just as quickly hiding, as if playing some game.
However, I knew the chance for side lighting would come because the clouds had vacated the horizon. I composed the shot with the use of tiny puddles in the mud. They appear disproportionate to the scene with the lens inches away. But lead the viewer in. Then for a moment the canceled becomes the revealed, and the side lighting changes the scene, helping shapes take form.
In the most southern part of Gotland you find Holmhällar Nature reserve. Its a very nice place to explore. I visited the place during midday so it was not in the best lightning situations for portfolio worthy photos. This one was ok though. I would guess this place will be super stunning on an early morning. I will most definitely revisit this place in the future.
This photo was taken with my Fuji X-T1 and Fujinon 10-24 f4 lens. For more information about me and my photography please visit my website at www.andreaslarzon.com
You can follow me on Instagram at: @andreaslarzonphoto
Interrested to know what gear i use for landscape photography? Have a look at MY GEAR list on my website.
Interrested in buying a print?
If you want to support my photography and buy one of my prints please visit my gallery at Printler.com. If you cant find the print you looking for please contact me either through my website or here at flickr.
Con forma de castillo es, en realidad, un monumento dedicado a Cristóbal Colón y su llegada al Nuevo Mundo en un particular homenaje al descubrimiento de América. Fue construido por el Dr. Esteban Martín y Martín entre los años 1987 y 1994. Se encuentra situado en Benalmádena, Málaga.
El Castillo de Colomares es una fantasía arquitectónica que recoge diversos estilos.
Se trata de un pequeño castillo realizado y construido por un hombre de nuestro tiempo. Toda una obra arquitectónica gótica realizada en los años 80.
Es un lugar de obligada visita en Benalmádena por lo que enseña y por ver una obra fruto de la tenacidad y el esfuerzo humano.
2022© MG PHOTOGRAPHE - Tous droits réservés.
All Rights Reserved - No Usage Allowed in Any Form..
#cotedorpix #bourgogne #cotedor #bourgogne #cotedor #cotedortourisme
Digital paint with Art History Brush + 9 texture + love
The secret of my little painted from a photo still life is easy to discover ... love the little things, the need for light and color ... love the textures and brushstrokes digital ..... my little world!
SOOC in low light and high ASA to emphasize a minimalistic subject. I so enjoy YouTube and often try and learn different approaches. The channel most enjoyable for myself is Andrew Banner.
B R A U N . . .
Mit kaum einer anderen Firma ist der Begriff der „Guten Form“ so eng verbunden wie mit dem westdeutschen Elektrogerätehersteller Braun.
In den Nachkriegsjahren repräsentierte er die neuen Grundwerte guter Gestaltung: Ökonomie der Mittel, Funktionalität, Hochwertigkeit, Langlebigkeit und Ehrlichkeit.
In den bürgerlichen Wohnzimmern der 1950er Jahre, wo Radios in edlen Holzgehäusen oder gar in sogenannten Musiktruhen versteckt wurden, löste der nüchterne Braun - Stil eine kleine Revolution aus.
Ein hell lackiertes Gehäuse, glatte, schmucklose Seitenteile aus Holz und bei den Truhen ein durchsichtiger Deckel aus Plexiglas, der den Blick auf die Bedienungselemente freigibt, war sensationell und zugleich schockierend in seiner asketischen Ästhetik.
Das Gestaltungskonzept überließ nichts dem Zufall: Die Bedienung der L-förmig angelegten Knöpfe erfolgte ausschließlich von oben, die Typografien der Skalen waren nach Vorgaben des Ulmer Architekten Otl Aichers gestaltet und z. B. die Plattenspielereinheit war ein Entwurf Wilhelm Wagenfelds.
Für das Gesamterscheinungsbild jedoch waren in der Hauptsache Hans Gugelot und Dieter Rams, der auch die Idee der Plexiglashaube einbrachte, verantwortlich.
Mit diesen Entwürfen läutete Braun eine neue Ära der technischen Produktkultur ein.
Überraschend schnell avancierten z. B. der der nüchterne Quader der Truhe (ich werde sie noch zeigen), im Volksmund, aufgrund der Plexiglashaube, auch „Schneewittchensarg“ genannt, zum Lieblingsobjekt der Architekten und Intellektuellen.
Und natürlich sehen wir hier ein Röhrenradio, kein Transistorradio ! Röhren findet man heutzutage nur in High-End-Geräten.
Die Welt ist viel zu vielseitig um einseitig betrachtet zu werden ...
English
Few companies are as closely associated with the concept of "good design" as the West German electrical appliance manufacturer Braun.
In the post-war years, it represented the new fundamental values of good design: economy of means, functionality, high quality, durability, and honesty.
In the middle-class living rooms of the 1950s, where radios were hidden away in elegant wooden cabinets or even in so-called music chests, the austere Braun style sparked a small revolution.
A light-colored lacquered cabinet, smooth, unadorned wooden side panels, and, in the case of the chests, a transparent Plexiglas lid that revealed the controls, was sensational and, at the same time, shocking in its ascetic aesthetic.
The design concept left nothing to chance: The L-shaped knobs were operated exclusively from above, the dial typography was designed according to specifications by the Ulm architect Otl Aicher, and, for example, the record player unit was a design by Wilhelm Wagenfeld.
However, the overall appearance was primarily the work of Hans Gugelot and Dieter Rams, who also came up with the idea for the Plexiglas cover.
With these designs, Braun ushered in a new era of technical product design.
Surprisingly quickly, the simple rectangular box of the chest (which I will show later), nicknamed "Snow White's Coffin" by the public due to its Plexiglas cover, became a favorite among architects and intellectuals.
And of course, we see a radio with vacuum tubes receiver, here, no transistorized radio !
_V0A9458_pa2
Form trifft Farbe, grandioser Effekt.Architekten Formen und Farben zu verbinden - Herzog & de Meuron gelingt hier ein echtes Kunstwerk.
inspired by Barbara Hepworth!
ODC CONFUCIUS OR CONFUSION SAYS 17 - 23 January
(read description in the thread)
"Everything has its beauty but not everyone sees it."
www.flickr.com/groups/ourdailychallenge/discuss/721576612...
_X4A1317 copy
elegant forms
HMBT :)
35mm film
Canon EOS 5, Lensbaby Sweet 50, Kodak Portra (converted to b&w), lab developed
2016 ©Isabelle Bommes. All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any forms or by any means, including electronic, mechanical, photocopying & recording without my written permission.
An interior view of the Western Concourse at King’s Cross Station in London, looking up into the semi circular steel and glass diagrid roof supported by a central tapered funnel and 16 branching tree-form structural steel columns.
Designed by John McAslan + Partners with Arup, the concourse opened in 2012 as the centrepiece of the station’s major redevelopment and became Europe’s largest single-span station structure at the time.
The Western Concourse is part of the transformation of the Grade I listed King’s Cross station, originally designed by Lewis Cubitt in 1852, combining restored Victorian railway architecture with a dramatic contemporary roof that acts as the new public heart of the station. The tree-like steel supports radiate across the space like a canopy, creating a sense of movement, openness and structural elegance that has made the concourse one of London’s best-known transport interiors.
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King’s Cross Station Western Concourse London: Tree-Form Columns and Steel Diagrid Roof
Interesting naturally formed loop or naturally formed basketball hoop on some Stag horn sumac trees Duffins trail in Discovery bay , Martin’s photographs , cropped photograph , Ajax , Ontario , Canada , September 28. 2021
Interesting naturally formed loop
naturally formed basketball hoop
Beautiful sky , a view from the Lake Ontario waterfront park on lake driveway West
Waterfront Park
Teasels on the waterfront trail at Lake Ontario
September 2021
Stag horn Sumac tree
Hoop
Flowering succulent
Waterfront park
Sky
Flowering shrubs
Flowers
Large Oak tree
Information plaque
Fallen tree
canoe boat launch
Ontario
Ajax
Canada
Pickering
Martin’s photographs
Discovery Bay
Trees
Tall grasses
Sunset
March 2020
Favourites
IPhone XR
Squires Beach
Duffins Creek
Duffins Marsh
Waterfront Trail
Rotary Park
Lake Ontario
Rod iron fence
Bridge
Bridge across Duffins Creek
Twilight
Sticks
Stones
Fallen trees
Fallen tree
Fungi
Mushrooms
Cropped photograph
Beach
Reflections
Reflection
Dogwood
Tall grasses
River
Duffins marsh
Duffins creek
Duffins trail
IPhone 6s
An artistic rendering of a macro view of a Pop It Topper bubble fidget toy. The frame represents a span of two-inches across.
Those who are not familiar with Pop It Toppers can click the below link to a Wikipedia article about them (with pictures). The version I photographed (in its entirety) is a very small topper with only four bubbles on it.
Strobist info:
The scene was illuminated by two Nikon SB900 speedlights and a steady LED light. The SB900s were placed CL/CR and fired in Manual mode @ 1⁄32 power through 24" gridded soft boxes and triggered by PocketWizard Plus Xs. The LED was placed @ 11-o'clock.
Lens: Tokina AT - X M100 AF PRO D(AF 100mm f / 2.8 Macro) with 12mm + 20mm extension tubes attached.
There are two sea stacks that together form Drangarnir. These impressive natural formations have become a symbol of the Faroe Islands’ unspoiled landscapes and untamed wilderness. To me, they conjure visions of a dragon's back, rising up from the icy waters swirling along its base. It is a haven for birdlife and a bucket list item for photographer's fortunate enough to find themselves in this Viking wonderland.
For me, it was an experience of a lifetime and the fulfillment of a bucket list dream that all began with a tiny image I saw on Instagram of a grass roofed cottage. What an incredible privilege to photograph the immense Drangarnir sea stacks (the smaller one rises out of the ocean to a height of over 200 '), probably one of the most iconic formations of the Faroe Islands.
Unfortunately, it is also one of the more harrowing places to get to. If I wasn’t grey already, that day would have done it in spades. Thank God for great travel partners, and our gifted leader, Thomas Vikre, who guided us through the gauntlet of eel-slippery rocks, steep slopes ending abruptly into the North Atlantic, and high tides bouncing our Zodiac around like a ping pong ball. Honestly, I would have turned back each time if given a choice. I have no desire to “prove” myself, or conquer fears at this point in my life, but it was a one way street, so no way to turn back. And in the end, I am glad for that. The beauty and majesty of the place is really indescribable, and to stand in the midst of it was truly an “epic” 😉 experience for us all.
“You must do the thing that you think you cannot do.”
—Eleanor Roosevelt