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Glas Fabriek Schiedam 2021
Designers and artists sharing a passion .Their work goes back to the basic rules of calligraphy such as symmetry, regularity,and slant to create new forms.
Please do not use my images without my explicit permission
Interior de la Sagrada Família_a Barcelona, una de les columnes il·luminades per la llum que s'esmunyeix pels vitralls de les finestres.
Temple de la Sagrada Família
_DSC0145-1_sagradafamíliabarcelona
2024
.
Allestito all’interno dell’Ex Palestra della Gioventù Italiana del Littorio, il Museo della Forma Urbis custodisce i frammenti superstiti di una grande planimetria di Roma incisa su 150 lastre di marmo tra il 203 e il 211 d.C., originariamente esposta sulla parete di un’aula nel Tempio della Pace, in seguito inglobata nel complesso dei SS. Cosma e Damiano. Si tratta di uno dei più rari documenti giunto a noi dall’antichità, che restituisce un panorama unico del paesaggio urbano di Roma antica. Nella sua integrità, su di una superficie di 18x13m circa erano rappresentati almeno 13.550.000 m2 di città attraverso una moltitudine di sottili incisioni che raffiguravano le planimetrie degli edifici di Roma, a una scala media di circa 1:240. Considerata la posizione, la difficile leggibilità e la generale assenza di dettagli, è probabile che la pianta marmorea avesse, più che una finalità pratica, una funzione di propaganda e di celebrazione del potere, fornendo all’osservatore una visione generale della città e dei suoi grandiosi monumenti, le cui sagome erano facilmente individuabili anche grazie all’uso del colore.
Anche se rinvenuti a centinaia, a partire dal 1562 e fino ai pezzi scoperti più di recente, i frammenti della Forma Urbis costituiscono circa un decimo della pianta originale, in uno stato di conservazione che varia da piccole schegge a settori di lastra con interi quartieri, case, portici, templi e botteghe. Solamente per circa 200 frammenti circa è stato finora possibile raggiungere un’identificazione e un’ideale collocazione sulla topografia moderna.
© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Sharon C Johnson/MyRidgebacks - metadata embedded
My grand dog, Izzy, the torpedo
Cómo se forman los azulejos
La edad geológica de Gran Canaria se estima en unos 14,6 millones de años mientras que los Azulejos de Veneguera tienen una edad aproximada de 13 millones de años. Los azulejos representan alteraciones hidrotermales que se producen cuando el agua subterránea procedente de la lluvia alcanza las raíces de un volcán activo.
Se trata de zonas que estuvieron próximas a fracturas o conductos por los que circulaban gases volcánicos y aguas termales en contacto con rocas calientes o intrusiones de magma. Estos contactos son los responsables de diversidad de minerales como son la allita, la clorita, la epidota y la caolinita que tiñen la montaña de colores azules, verdes y celestes.
The exact age of the Higher Meavy Bridge, which crosses the River Meavy just to the south of the Dartmoor village, is unknown. But it is almost certainly the bridge that is featured in a 16th century map of the area. We know it was repaired in 1665 and widened by two feet on the downstream side prior to 1809. Even so, the Grade II-listed bridge is still extremely narrow. The river rises on Dartmoor to the south of Princetown, and is then dammed to form the Burrator Reservoir. The river is then fed by the reservoir overflow and by two other streams. It joins the River Plym near Shaugh Prior, which then makes its way to the sea at Plymouth.
Generated By Midjourney V6
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## 🎬 Prompt cinématographique hyperréaliste
Allée forestière enneigée au cœur d’une forêt ancienne et mystérieuse, formant un tunnel naturel créé par des arbres gigantesques aux troncs sombres et aux branches tortueuses qui s’entrelacent au-dessus du chemin comme les arches d’une cathédrale gothique naturelle. Le sol est recouvert d’une épaisse couche de neige immaculée, légèrement bleutée par la lumière nocturne, avec une trace unique d’empreintes humaines serpentant au centre du sentier et disparaissant dans la distance.
La scène se déroule pendant une nuit d’hiver silencieuse. Une brume froide et dense flotte entre les troncs d’arbres, enveloppant la forêt dans une atmosphère mystérieuse. La lumière de la lune traverse le brouillard en rayons volumétriques spectaculaires qui illuminent les branches couvertes de givre et projettent de longues ombres organiques sur la neige.
Au bout du tunnel d’arbres, une lumière chaude dorée brille faiblement à travers la brume, créant un point focal puissant et un contraste dramatique avec les tons bleus froids de la nuit. Les particules de neige flottent dans l’air et captent la lumière, renforçant la profondeur et l’atmosphère cinématographique de la scène.
La composition est parfaitement symétrique avec une perspective centrale profonde qui guide naturellement le regard vers la lueur mystérieuse au loin. Les textures sont extrêmement détaillées : écorce rugueuse des arbres, neige poudreuse, givre cristallin sur les branches et légères traces de vent sur la surface enneigée.
Style visuel inspiré d’un film fantastique sombre et poétique, ambiance immersive et silencieuse évoquant un passage vers l’inconnu.
**cinematic movie still, éclairage dramatique, lumière volumétrique dans le brouillard, photographie hyperréaliste, textures ultra détaillées, profondeur de champ cinématographique, ARRI Alexa 65 look, objectif anamorphique 40mm, HDR lighting, film grain subtil, color grading bleu nuit et argent avec highlights dorés, ultra realistic, 16K, composition symétrique immersive.**
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## 🎬 Ultra-Detailed Cinematic Hyperrealistic Prompt
A snow-covered forest pathway deep within an ancient and mysterious woodland, forming a natural tunnel created by massive trees with dark trunks and twisted branches intertwining overhead like the arches of a gothic cathedral. The ground is covered with a thick layer of pristine snow, softly tinted blue by the cold night light, with a single trail of human footprints running along the center of the path and fading gradually into the distance.
The scene takes place during a silent winter night. A dense, icy mist drifts between the tree trunks, enveloping the forest in a mysterious atmosphere. Moonlight cuts through the fog in dramatic volumetric rays, illuminating frost-covered branches and casting long organic shadows across the snow.
At the end of the tree tunnel, a distant warm golden light glows faintly through the fog, creating a powerful focal point and a striking contrast with the cold blue tones of the night. Tiny snow particles float through the air, catching the light and enhancing the cinematic depth of the scene.
The composition is perfectly symmetrical with a deep central perspective guiding the viewer’s eye naturally toward the mysterious light in the distance. Every surface is highly detailed: rough tree bark, powdery snow textures, crystalline frost on branches, and subtle wind patterns across the snowy ground.
The visual style evokes a dark fantasy film atmosphere, poetic, immersive, and slightly mysterious, suggesting a passage toward the unknown.
**cinematic movie still, dramatic lighting, volumetric moonlight through fog, hyperrealistic photography, ultra-detailed textures, cinematic depth of field, ARRI Alexa 65 look, anamorphic 40mm lens, HDR lighting, subtle film grain, cold blue and silver color grading with warm golden highlights, ultra realistic, 16K resolution, immersive symmetrical composition.**
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--ar 16:9 --v 6 --style raw --q 2 --s 250 --chaos 5 --seed 1234
The Mehrerau Monastery is an important Cistercian abbey located directly on Lake Constance.
Bregenz
Jan 2026
Minolta AF-TELE super, Ilford SFX (no filter), Rodinal 1+25
Easylith onto Foma Retrobrom (current batch)
If you wish, after 13 minutes of development time, you can see the first delicate snowballs forming in the upper left corner.
Blurred, but still my best (most complete) shot of Barbara Hepworth' sculpture (plaster, 1958). Seen in the Barbara Hepworth Museum in St. Ives, Cornwall. When I say "complete" I mean to be as close as possible to the sculptor's ability to let the sea speak through her. The weather and light that day were very poor and I also was not well enough to keep the camera still. Yet, the formidable power of the sculpture will hopefully get through.
Le puma possède une petite tête de forme arrondie munie d'oreilles courtes, rondes et écartées. Le revers de l'oreille est noir. La fourrure du menton est blanchâtre comme celle du museau. La truffe est rose. La couleur des yeux varie du vert au jaune ambré et son champ de vision est très large. Le puma peut courir jusqu'à 72 km/h. mais seulement sur de courtes distances. En outre, il peut franchir jusqu'à 12 m. en longueur, d'un bond à partir d'une position fixe. Enfin, il est capable de faire des bonds atteignant 4 à 5 m. de haut, sans élan. C'est un animal qui nage bien mais il ne le fait qu'en cas de menace. Pour les besoins de la chasse ou en cas de menace, il est capable de grimper aux arbres et de faire preuve d'une grande agilité.
Le puma a peu de prédateurs mais en Amérique centrale et Amérique du Sud, il peut être attaqué par le jaguar et l'anaconda. En Amérique du Nord, il peut se trouver confronté à un grizzly ou à une meute de loups.
Merci beaucoup à tous pour votre gentil commentaire et vos favoris très appréciés - bien cordialement ! au plaisir !
Thank you very much to all for your kind comment and your very appreciated favorites - well cordially - au plaisir -
Herzlichen Dank an alle für Ihren freundlichen Kommentar und Ihre beliebten Favoriten - herzlich! zum Vergnügen
CP 9017 basks in the evening sunset in the siding at Tilbury as an early spring shower forms to the east. I had my camera on me at work from the morning's sunrise photos still, and as I walked out the door I saw dark skies to the east and massive clearing to the west. I had a gut feeling something spectacular was about to occur in Tilbury, so I drove back out there and was not disappointed in the slightest.
Train: CP 4WHA with CP 9017 (SD40-2F) and CP 6011 (SD40-2).
Tilbury, Ontario
CPKC Windsor Subdivision
.
Malé Žernoseky (CZ) 05-09-2014
ČD 371 002-7 "Jožin"
EN 457 "Phoenix"
-96130-
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In France we say: "La fonction fait la forme". Here, one could say: "The form generates the function".
El Desfile de los Príncipes (en alemán Fürstenzug) es el nombre de un mural ubicado en el centro histórico de la ciudad alemana de Dresde. Muestra un desfile de jinetes de un tamaño mayor que el natural y está formado por unos 24 000 azulejos de porcelana de Meissen, por lo que es el mosaico de porcelana más grande del mundo. Tiene 102 m de longitud, 8,5 m de altura y una superficie de 957 m². Representa a los soberanos de la casa de Wettin entre 1123 y 1906. Se encuentra en la Augustusstraße, en la pared norte del establo de la corte real situado en el Residenzschloss. Está al este de la Plaza del Palacio (Schlossplatz) y al oeste de la Frauenkirche.
EXPLORE 16-10-23
Sastrugi
Sastrugi, or zastrugi, are features formed by erosion of snow by wind. They are found in polar regions, and in snowy, wind-swept areas of temperate regions, such as frozen lakes or mountain ridges. Sastrugi are distinguished by upwind-facing points, resembling anvils, which move downwind as the surface erodes. These points usually lie along ridges parallel to the prevailing wind; they are steep on the windward side and sloping to the leeward side. Smaller irregularities of this type are known as ripples (small, ~10 mm high) or wind ridges.
Large sastrugi are troublesome to skiers and snowboarders. Traveling on the irregular surface of sastrugi can be very tiring, and can risk breaking equipment—ripples and waves are often undercut and the surface is hard and unforgiving, with constant minor topographic changes between ridge and trough.
Etymology
The words sastrugi and zastrugi are Russian-language plurals; the singular is zastruga. The form sastruga started as the German-language transliteration of the Russian word заструга (plural: заструги).
A Latin-type analogical singular sastrugus is used in various writings on exploration of the South Pole, including Robert Falcon Scott's expedition's diaries and Ernest Shackleton's The Heart of the Antarctic.
Formation mechanism
White and black colors on sastrugi are not lights and shadows, they demonstrate difference in radioreflectivity of snow deposits on the windward and leeward sides of a sastruga.
Under the action of steady wind, free snow particles accumulate and drift like the sand grains in barchan dunes, and the resulting drifting snow shapes are also popularly referred to as barchans. Inuit of Canada call them kalutoqaniq. When winds slacken, the drifted formations consolidate via sublimation and recrystallization. Subsequent winds erode kalutoqaniq into the sculptured forms of sastrugi. Inuit call large sculpturings kaioqlaq and small ripples tumarinyiq. Further erosion may turn kaioqlaq back into drifting kalutoqaniq. An intermediate stage of erosion is mapsuk, an overhanging shape. On the windward side of a ridge, the base erodes faster than the top, producing a shape like an anvil tip pointing upwind.
On sea ice
Sastrugi are more likely to form on first-year sea ice than on multiyear ice. First-year ice is smoother than multiyear ice, which allows the wind to pass uniformly over the surface without topographic obstructions. Except during the melt season, snow is dry and light in climates cold enough for sea ice, allowing the snow to be easily blown and create sastrugi parallel to the wind direction. The locations of sastrugi are fixed by March in the northern hemisphere and may be linked to the formation of melt ponds. Melt ponds are more likely to form in the depressions between sastrugi on first-year ice.
Source: Wikipedia
Cette place forme le cœur de la vieille ville de Francfort-sur-le-Main (Frankfurt am Main), Land de Hesse en Allemagne.
Le Römerberg (littéralement: le « mont des Romains ») occupe l'emplacement approximatif de la ville romaine, bâtie au cours du Ier siècle après Jésus-Christ. Ce qui explique son nom. Depuis le Moyen Âge, le Römerberg accueille de nombreuses foires, ainsi que le marché de Noël (Weihnachtsmarkt) durant les 4 semaines de l'Avent. Désormais, il est aussi un lieu de spectacles extérieurs.
On a ici une vue panoramique de l'ensemble de maisons à colombages appelé Ostzeile. Cet ensemble de maisons historiques ferme à l’est la place Römerberg. Sur la place, se dresse la Gerechtigkeitsbrunnen (fontaine de la Justice) datant de 1543 car elle est surmontée d'une statue de la Justice due à Philipp Uffenbach.
À l’est, en retrait, on distingue aussi la tour de la Kaiserdom St. Bartholomäus (en travaux) édifiée sur Domplatz entre le 13e et le 15e siècle sur l'emplacement d'une construction carolingienne. L'élection des empereurs (dès 1356), puis leur couronnement (à partir de 1562) eurent lieu dans cette église, ce qui lui valut l'appellation de cathédrale Saint-Barthélemy de Francfort.
À droite de la photo, on distingue par ailleurs la Nikolaikirche (13e siècle) qui limite au sud la place Römerberg.
Sur cette place, il y a aussi (pas visible sur cette photo) de nombreux immeubles des 14e au 18e siècle qui comprend à l'ouest, la maison Zum Römer, l'ancien hôtel de ville, dont la façade présente une horloge et est surmonté d’un clocheton, installé dans un bloc disparate de 3 maisons bourgeoises du Moyen Âge au pignon en escalier.
La présence de nombreux gratte-ciels a valu à Francfort-sur-le-Main le surnom de Mainhattan ou Chicago-sur-le-Main. Avec près d’un habitant sur trois n’ayant pas la nationalité allemande, Francfort est sans conteste la ville la plus internationale du pays. La ville de Goethe peut ainsi s’enorgueillir d’un brassage unique de cultures et de langues du monde. Capitale financière et commerciale de l’Allemagne, Francfort est aussi un important pôle scientifique et culturel, avec ses instituts de recherche, son université, son opéra, ses théâtres et un nombre sans cesse croissant de musées.
una silla es el objeto mas difícil, tiene que
ser cómoda, ligera y fuerte, pero lo que mas
seduce es lo que realmente configura su
belleza, es decir sus cualidades emocionales;
su armonía de formas, su tacto, sus caricias,
su autenticidad, su congruencia ante la vida.
Mies van der Rohe alguna vez dijo que
es casi mas fácil construir un rascacielos¡
More two tone green brush action in the form of Riviera's 47812+47815 approaching Penmaenmawr working 1Z43 Carlisle -Holyhead 'The Ynys Mon Express' after taking over from 86101 at Crewe 24/03/07. Scanned slide.
Medial moraine lines are formed when two glaciers flow together, their lateral moraines join and form dark lines of rock and debris running down the middle of the glacier. You can see lateral moraine lines on both outside edges of the Salmon Glacier. They are formed by debris falling onto the glacier from steep adjacent rock walls. The photo was taken on a drone flight over the Salmon Glacier in British Columbia after sunset. The glacier flows from the Alaska border region into British Columbia and then takes a turn back towards Alaska. The outflow forms the Salmon River which flows into the sea at Hyder/Alaska.
Bryce Canyon National Park
Despite its name, is not a canyon but a collection of giant natural amphitheaters along the eastern side of the Paunsaugunt Plateau.
Bryce is distinctive due to geological structures called hoodoos, formed by frost weathering and stream erosion of the river and lake bed sedimentary rocks.
Bologna
In vendita / for sale :
it.blurb.com/b/11277255-mylano
it.blurb.com/b/9128669-tiziano-beghelli-malombra
it.blurb.com/b/9762356-bolombre-noir
it.blurb.com/b/9762277-bolombre-a-colori
© All rights reserved. Use without permission is illegal
"Amo la fotografia e, soprattutto, amo la fotografia di strada, per questo motivo fotografo spesso nei luoghi pubblici in cui appaiono le persone. Nella maggior parte dei casi non chiedo il permesso di fotografare perché probabilmente cambierei le immagini che cerco di ottenere. Queste foto obbediscono sempre ad un intento culturale, estetico, artistico e / o documentaristico e in nessun caso hanno lo scopo di mostrare a nessuno una situazione che potrebbe lederne l'immagine, minacciare la loro dignità o ottenere un beneficio economico. Tutto questo non significa affatto che non mi interessi delle persone che appaiono nelle mie immagini, quindi se ti riconosci in una delle mie fotografie e questo ti infastidisce, devi solo farmelo sapere e la ritirerò immediatamente . Allo stesso modo se vuoi una copia della tua immagine su carta o in un formato che ti permetta di stamparla tu stesso , ovviamente è tua. Grazie."
The non native Chinese Water Deer is in decline in its Asian homeland but thought to be increasing in the UK thus being of conservation significance. About 10% of its wild population is now found in England concentrated in the Norfolk Broads, Cambridgeshire Fens and Bedfordshire.
Spotted first some distance away at Welney, as the day drew to a close this member of a group of three came closer and closer and could be seen grazing in the beautiful evening sunlight of an exceptionally warm last day of February.
Smaller than a Roe Deer but bigger than a Muntjac this species have no antlers but the upper canines of the male are greatly elongated to form tusks visible in this shot ( females also have modified upper canine teeth.)
Thank you all for your kind responses.
Fort Langley Community Hall c.1932
Historical Fort Langley, located on the Fraser River
British Columbia, Canada
Blue hour image.
Fort Langley Community Hall (9167 Glover Crescent) was designed by a prominent Vancouver architect, Archibald Campbell Hope, and constructed in 1931.
Fort Langley Community Hall is recognized for its landmark status as well as its historic, social and aesthetic significance to the Township.
Through volunteer commitment, the Hall has and continues to accommodate a variety of social, including weddings, athletic, public and business events.
Fort Langley is a village community forming part of the Township of Langley in British Columbia, Canada. It has a population of 3,400. It is the home of Fort Langley National Historic Site, a former fur trade post of the Hudson's Bay Company. Lying on the Fraser River, Fort Langley is at the northern edge of the Township of Langley. (Wikipedia)
(Please note** All information has been taken from various online sources and has not been verified to be accurate)
A special thanks to you all, for taking the time to view and acknowledge my photography.
I appreciate your visits & kind words of support.
~Christie by the River
**Best experienced in full screen
Rapidly forming clouds swirling around the massive summit of Mount Rainier and its many glaciers. As seen from the trail high above Paradise.
Thanks for stopping by. I hope you have a wonderful weekend, wherever in the world you might be.
2017 has already brought us a mish-mash of snow, rain, ice, warm & now cold temperatures!!! Looked like one of my bird feeders was turning into a little prison with the icicles getting longer & longer by the minute! Poor little birds! (Best viewed Large"
This Rock Pigeon rested for a few minutes on the railing along a walkway by the Norwalk River. I managed to get a couple of shots of the numbers and letters on the leg bands and with a bit of online research determined that this is a racing pigeon from a club in a nearby town. I sent them an email, but no response so far.
First, let me say how much I've enjoyed your company throughout 2024, to date; and wish those enjoying this nearing festive season a very good one, and to all a happy 2025!
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Turning to the shot, it's the 6th one posted of the Sarawak, Borneo, Cave Series.
The focus of this shot is on Stalactites in difference to the previous shot on the "Jellyfish-like Stalagmite".
Indeed, the shot, also taken in the Deer Cave, literally captures a "Gallery of Stalactites" that we nearly walked into. This was despite the lighting well-placed along the boardwalks and in the cave terrain, making the Gallery of Stalactites" very picturesque, as one can see.
To recall, stalactites, as well as stalagmites, are both icicle-shaped mineral deposits that form in caves Stalactites grow downwards from the ceilings while Stalagmites grow upwards from the floor. When they grow large enough to touch and grow together, they form a column that reaches from the floor to the ceiling.
Samsung S23 Ultra 5G Camera
Of flattery is imitation. I was looking through a Banksy book and this image was one of the ones that stuck with me. If you squint your eyes, or maybe drink a lot it looks better ;)
The arm and feet are a bit off but they are as close as I could get in this style.
Allestito all’interno dell’Ex Palestra della Gioventù Italiana del Littorio, il Museo della Forma Urbis custodisce i frammenti superstiti di una grande planimetria di Roma incisa su 150 lastre di marmo tra il 203 e il 211 d.C., originariamente esposta sulla parete di un’aula nel Tempio della Pace, in seguito inglobata nel complesso dei SS. Cosma e Damiano. Si tratta di uno dei più rari documenti giunto a noi dall’antichità, che restituisce un panorama unico del paesaggio urbano di Roma antica. Nella sua integrità, su di una superficie di 18x13m circa erano rappresentati almeno 13.550.000 m2 di città attraverso una moltitudine di sottili incisioni che raffiguravano le planimetrie degli edifici di Roma, a una scala media di circa 1:240. Considerata la posizione, la difficile leggibilità e la generale assenza di dettagli, è probabile che la pianta marmorea avesse, più che una finalità pratica, una funzione di propaganda e di celebrazione del potere, fornendo all’osservatore una visione generale della città e dei suoi grandiosi monumenti, le cui sagome erano facilmente individuabili anche grazie all’uso del colore.
Anche se rinvenuti a centinaia, a partire dal 1562 e fino ai pezzi scoperti più di recente, i frammenti della Forma Urbis costituiscono circa un decimo della pianta originale, in uno stato di conservazione che varia da piccole schegge a settori di lastra con interi quartieri, case, portici, templi e botteghe. Solamente per circa 200 frammenti circa è stato finora possibile raggiungere un’identificazione e un’ideale collocazione sulla topografia moderna.
After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity, and form. The greatest scientists are always artists as well. Albert Einstein
macro monday / paint the moon - let's do 52 = negative space
La più elevata forma di rispetto verso se stessi è ripiegare in se stessi, trovare il coraggio di affrontare le proprie caratteristiche.... scoprire la propria vera essenza, e avvedersi che il cammino personale è ben diverso da quello che la massa ha già tracciato e che vorrebbe inalterato per non veder minare il proprio equilibrio, eventualità più che concreta se tutti o una gran moltitudine affrontassero tale ripiegamento. Tutto ciò indipendentemente dal desiderio di distinguersi dalla massa che piuttosto ne è una naturale conseguenza. Verrà da sé......
"To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis."
-Henri Cartier-Bresson
hi, we're back from a fabulous trip to Amsterdam,
jet-lagged and sleep-deprived...
BIG thanks to you Mister HWM Z-man, huub zeeman
an absolute pleasure meeting and hanging out.
so much fun, hugs my friend
happy sliderssunday!
♥
Completed in 1810 by John Rennie, the spectacular Dundas Aqueduct carries the Kennet & Avon Canal over the River Avon and is a Scheduled Monument. It was the first canal structure to be designated as a Scheduled Ancient Monument in 1951.
Named after Charles Dundas, the first chairman of the Kennet and Avon Canal Company, the aqueduct forms the junction between the Kennet and Avon Canal and the largely derelict Somerset Coal Canal. The short stretch of the Somerset Coal Canal still in water forms Brassknocker Basin, used for boat moorings, cycle hire and a cafe. A short walk further there is the Dundas Wharf where the small tollhouse, warehouse and crane still stand.