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Taken in a studio using studio flashes to freeze the action of dancers making dance forms while in the air.
© 2017 Trevor Ager - Brightpix Photography
Kevin King finally came out of the closet an unveiled the much anticipated Radio Poppers. These little devices are simply amazing and give us the freedom, range and flexibility that other wireless devices offer, and still able to transmit e-TTL or i-TTL signal from the master to the wireless flash.
Previously with the IR system that Canon and Nikon use has been severely limited by line of sight and operational distance. But the advantage is the ability to retain e-TTL or i-TTL functionality as well as High Speed Sync. Pocket Wizards and 3rd party radio transmitters will only trigger the flash. No TTL communication goes between the two. Without TTL, you're limited to the camera's sync speed which would be anywhere from 1/160th to 1/250th of a sec. In a harsh daylight, you will have to shoot anywhere from f8 all the way down to f22 to maintain the 1/250.
This is where radio poppers comes in. With TTL radio transmission, I can fire the flash from across the hall, around corners, harsh daylights, and 1/8000th aft high speed sync at f2.8. So, all the limitations that I've encountered in the past are gone.
The devices itself are smaller than the pocket wizard. Currently the working prototype only has an on/off button and a link button. The transmitter antenna is about an inch and half long. The receiver antenna is about the same but this one has a fiber optic caber which transmits the TTL directly into the flash.
A jolly exercise at the camera club last night, akin to WIT (the What Is This? group), reminded me about macro shots I did some time ago. I thought I'd give some of them a new try ... now with flash!
I did not realize I captured any of this until after we returned home. The cloud deck seemed unlikely to produce a green flash. Taken the evening of July 11, 2010, after the eclipse. First of a series of four shots taken as the sun set beyond the clouds.
This is just before color began to show.
A similar effect where a green flash occurred over the tops of clouds was more-recently reported on spaceweather.com.
master of the dub.
Marcin.
from Poland.
and shot from outside the Fishbowl.
1/128 power manual flash taped (yes, taped) to the inside dubroom wall.
improvised snoot made of white photocopier paper, open on the bottom to light up his clothing.
Upping my bird game IQ by placing flashes in surrounding foliage, in attempt to bring out more detail.
A side on shot showing the straps and some other detail.
The flash body is from a Sunpack flash. It is a bit small and I am concerned about it burning out, but it was cheap (free) and easily replacable.
The hole where the old flash buld was has been covered with a piece of plastic cut from another flash body, a CY-20 that I used for it's flash heads.
Originally, I had intended to put a connector on the flash body and one on the cord so that I could just unplug the flash heads for storage, but the connectors that would fit easily are all too small and the electricity from when the flash is fired actually jumps the gaps in the connectors and shorts out, causing havoc in the flash body and smoke in the connector.
So I scrapped that idea.
Title: Flash For Freedom.
Author: George MacDonald Fraser.
Publisher: Pan Books.
Date: 1972.
Artist: Arthur E. Barbosa.
So he pops the flash and we get a sense of saturated colors.. what stuff would look like if it were a little less grainy. Danae seemed super aware when ever I was shooting and my camera was pointed her way. I had really only met her one time before this.. and we talked a bit about photography on this night.. there always seems to be a good amount of photographer bonding going on.
Two flashes- One Yn-460 II on the left (with red filter), triggered by a nissin di 622 mark II, with ceiling bounce, on the hot shoe
I took part in the Manchester Weekender 2012 presents All in a Flash - a one day photography exhibition on the 14th october 2012.
Under the guidance of Len Grant, we tried to capture the characters of the Manchester Northern Quarter.
My theme was people at work within the Northern Quarter.
After taking photographs for a couple of hours, we each had a single shot printed out and took part in an exhibition flashmob - best described as a guerilla gallery.
Unfortunately only one shot was printed, so this gallery is an opportunity to say thank you to some of the other people that were kind enough to let me take their photograph.
Camera: Pentax K1000
Film: FujiFilm Superia X-tra 400 ASA
September 2011
Flash! in a completely dark room. I guessed the focal length and aperture and shot it on bulb with my new favourite bulb flash technique: click-flash-release all in about a quarter of a second.
I had a bit of a battle with my scanner which tried to colour correct the image away from red.
tattoo flash
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...Okay, I didn't actually pay that much for either the camera or the flash... Still it's funny to see the poser flash mated to a flat-out pro camera...
Strobist: White Lightning Ultra 1800 at 1/32 power, bare-bulb, to camera left aimed away from the subject. Triggered with a Fotga "Cactus" PT-04 remote.
Oly Bella Donna Flash Bayou suffered a broken collar bone at the end of the June 26, 2011 bout between the Bellas and the JBLM Roller Betties. Flash went to the hospital, got x-rays and pain meds and returned to the bout to let everyone know her status. Have you ever seen anyone with a broken collar bone smile like that?! What an amazingly strong gal! We all wish Flash a speedy recovery!
The definition of coolness. He likes to fish as he always say... I mean, he's got everything to run for the city right?
But his only flaw is that he was NOT born in Vice City...Sorry dude but you stay with us!
Flash drive isolated on white background
You can find and purchase/license this image and other my images at high resolution at microstosk agencies.
See links to my portfolios on my homepage: skobrik.com