View allAll Photos Tagged FOCAL
shot with a fujifilm x-s10, a pixco 0.71x focal reducer, and a pentax smc 50mm f/1.4 screw-mount lens.
Eastern prickly pear makes a nice little focal point in a small border, in my case along the waterfall, needs some cutting back after they finished blooming,
Eastern prickly pear tends to spread open and low as it grows, Use caution when working with any cactus. even the young, fuzzy looking seedlings can stab. Rose gloves, tweezers and kitchen tongs will come in handy.
I use the long barbecue utensils to cut them back.
Those flowers never stop blooming and they are beautiful I think!
#213
Straight from the camera, except for a square crop..
One from the January archives... taken in front of the cottage we stayed in while we holidayed on the East Coast. Oh, how I'd love to be back there now....
Exposure: 0.02 sec (1/50)
Aperture: f/4.5
Focal Length: 31 mm
ISO Speed: 200
Frederik's Church, popularly known as The Marble Church for its rococo architecture, is an Evangelical Lutheran church in Copenhagen, Denmark. The church forms the focal point of the Frederiksstaden district; it is located due west of Amalienborg Palace.
Assemblage de 5 photographies prises à une focale équivalente à 28 mm et une photographie à 24 mm avec un trépied.
fr.wikipedia.org/wiki/Square_du_Vert-Galant
75001 PARIS
I imaged this at 3000mm focal length because it’s only a mere 7.8 seconds of arc in diameter.
One of the downsides of imaging at this focal length is that the seeing conditions have to be good and, unfortunately, they weren’t on this night.
Canon EOS 6D @ ISO 6400.
105x15 sec unguided subs with calibration frames added.
Celestron C11 at f10.
Tracked on a Skywatcher AZ-EQ6 mount.
Imaged from suburbia.
Processed in APP and finished off in LR.
06h24 ce matin, focale 240, 2500 ISO.
Je n'ai même pas eu le temps de m'installer.
J'étais le nez dans mon sac lorsqu'il est arrivé au petit trot.
Tellement prêt qu'il ne rentrait plus dans l'objectif à 150 de focale.
Il aurait pu faire demi tour en grognant un peu, mais, arrivé à 2 mètres il m'a simplement contourné et à ensuite repris sa trace derrière moi.
J'étais tellement surpris que j'ai loupé son portrait à 150.
Plus prêt, la prochaine fois c'est avec moi dans l'affût....
J'ai un 17/50, la prochaine fois, je le prend......
© Dan McCabe
My third annual attempt to capture a fuchsia.
This is getting closer to where I wanted to be with this subject. It's still not exactly what I wanted, but maybe I'll get another chance this year :). The colors of this flower are so vivid and the curves of the shape are so delicate that it's worth the extra effort.
As with many of my flower macros, this was shot on a light table and was illuminated from behind.
This photo is a depth stack of 6 separate images, each of which focuses at a slightly different distance. I was shooting at f/32 to get maximum depth of field, but even then, when the nearest element was in focus, the farthest was out of focus and vice versa. The solution is to shoot multiple images at different focal lengths and then composite them in a Photoshop depth stack.
Así parecía estar la ermita de San Martín de Añorbe con su peculiar y llamativa espadaña, cuando la niebla cubría todo el valle de Valdizarbe.
Foto realizada desde el monte Erreniega a long. focal de 500 mm.
SLT-A55V + TC Kenko pro x2 + SAL 55-200 SAM, main levée AF-C.
ISO 12800
Focal Length (35mm format) - 450 mm
Photo de 2011 traitée avec DxO Photolab V1.2.2
Yesterday I spent a few Hours in the BMW World in Munich, one of my favourite Places to take Photos. This is my most loved one I took yesterday. Dedicated to Stadt-Kind, one of my Flickr Followers, an Expert in Bokeh!
BMW Welt (English – BMW World), is a multi-functional customer experience and exhibition facility of the BMW AG, located in Munich, Germany. In direct proximity to the BMW Headquarters and the Olympiapark, it is designed to present the current products of BMW, be a distribution center for BMW cars, and offer an event forum and a conference center.
Design and Construction:
In 2001 an international architectural design competition was sponsored by BMW AG. Twenty-seven offices participated in the competition four of which were awarded prizes. The jury awarded two offices Sauerbruch Hutton and COOP HIMMELB(L)AU first prize and made the recommendation for the competitors to rework their design submissions in a third design phase in order for BMW to determine which office would be awarded the contract.
The contract was awarded to the Vienna-based architects COOP HIMMELB(L)AU and the facility was constructed from August 2003 through summer 2007 at a cost of US$200 million. Originally conceived to be open and ready for World Cup 2006, it eventually opened on October 17, 2007, and deliveries commenced on October 23, 2007. The first customer to take European delivery of a new BMW at the Welt was Jonathan Spira. There were 2,200,000 visitors during the first 12 months of operation. The number of visitors increased to 2,930,000 in 2013, of which 60% came from Germany.
Designed with an 800 kW solar plant on its roof, "the building does not have the boredom of a hall, it is not only a temple, but also a market place and a communication center and meeting place for knowledge transfer", said architect Prix at the opening ceremony.
Source: Wikipedia
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:8.0
Speed:1/1000
ISO:280
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:130.54 m (94.71 - 225.25)
HyperFocal:326.16 m
Dresden a city full of emotions. The range of feelings that this city has to offer is immeasurable. The newer Dresden with the Church of Our Lady. The view of the terraces and the underpass of the Münzgasse.
This song human by rone is exactly the range of feelings that accompanied me in this city. The sadness from the past is but also the departure and happiness of the future.
rone — human ♫
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EOSR | RF50mm f/1.2L USM
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Comet C/2020 F3 (NEOWISE) at 85mm focal length (1.5 mag), Petershausen, Bavaria, Germany
Komet C2020F3 (NEOWISE)_04
He aclarado la foto porque estaba bastante más oscuro… así que subiendo luces para salvarla. Y también mínimo recorte porque con esta lente tan angular y no ser reflex y poder ver por el visor lo que ofrece la lente aún se me cuela a veces parte de la mano en la fotografía, que aún asoma ahora ya casi imperceptible por debajo.
Cámara: Voigtlander Bessa L
Película: Kodak Gold
ISO: 200
Velocidad Obturación: 1/1000
Apertura : f11
Distancia Focal: 15mm
Objetivo: Super Wide-Heliar 15mm f4.5 Aspherical
Datos Revelado Tetenal
Prelavado Tanque 5’ a 38º
Revelador: Tetenal 3’30” a 38º
Blanqueo/Fijador: 6’ a 38º
Lavado agua: 3’ cambio cada 30’’ 30/40º
Estabilizador: 1’ 20/40º
Optics : Takahashi FSQ106 + ZWO EAF + Televue Barlow 1,25" 3x + Televue Barlow 2x
Mount : Ioptron CEM70G & Ioptron TriPier;
Camera : ZWO ASI 174 MM;
Focal lenght : 2650 mm.
Software : FireCapture, AutoStakkert3, Adobe Photoshop
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
While hiking along the backside portion of the Cinder Cone Trail with a view looking to the southwest across the volcanic painted landscape. This is in Lassen Volcanic National Park. Lassen Peak, a distant backdrop beyond some nearby evergreen pine trees, serves as the focal point of this image. As I aligned myself to compose this image, I wanted to zoom in with the focal length to emphasize the mountain peak, while including some of the surrounding national park landscape for foreground interest.
Lycaenidae Butterfly : Pentax-K3MarkIII + Combined Optics Pentax 420mm f/5.6 , Focal Length 649mm ( APS-C Format ) Handheld
Never really know what's going to happen shooting portraits. Sometimes I need to work with a model for a couple of sessions to figure out which angles work and which do not. Other times I just approach complete strangers and shoot in a session that lasts no more than a minute or two. There's no rhyme or reason to the results.
This portrait falls into the complete stranger-two minute category. Increasingly I'm finding success has little to do with the technical side of photography. For me it's all about posing the person while making them feel comfortable with the process. I think my photographic skills plateaued some time back. It's the posing stuff where I show continued growth. People really seem to respond favorably when I sound like I know what I'm doing. And the more I do this sort of work, the more I actually believe I know what I am doing.
Odd thing about these portraits is the look often transcends the person's actual appearance. It's like seeing something only by looking at it from a certain angle. If I'm lucky, my lens aligns directly with the person's soul, even if just for an instant. It's as if a veil has been lifted, and in that instant a very intimate glimpse of the person is revealed. This girl's gaze and enigmatic smile are hauntingly compelling.