Focal Press Photography
View allAll Photos Tagged FOCAL
The Tufa Towers emerging to the surface of the Lake in strange rock spires at the point that this place, the Mono Lake shot by night with a long exposition, doesn't seem an alien planet?
Assemblage de 5 photographies prises à une focale équivalente à 40 mm sans trépied.
Photographies prises depuis la place Parmentier
80000 Amiens
I've always been intrigued by the texture and look produced by shooting with a long focal length lens in a snow storm. This year with COVID and staying home I've had more time to study my everyday surrounding like this view from my deck of the trees and woods at the back of my property, I look at them everyday and especially when it snows. I've been trying different compositions but none were exactly what I wanted. That being said, I did use one in the icicle shot that I posted. I thought I'd try again and I think I found what I was looking for. A nice composition with pleasing lines and balance. I like it because it sits good with me, the chaos of the smaller branches with their horizontal and diagonal flow support the strong near vertical lines of the trees leaning to the left and then leaning to the right. Then the cold texture of the snow completes the image! Well that's what I was thinking anyway. I hope you enjoy this bit of my winter snow storm.
Created with the help of Carol King's Tapestry in honor of it's release, 10 February fifty years ago in 1971.
The 4.5 mm focal length used here is the equivalent of a 25mm moderately wide angle on a 35 mm camera. It gives me focus from foreground to infinity and is my ultimate point and click setting. I think this is a Menil Roe Deer.
Romance in the Air.....!
Exposure : 1/100 sec
Aperture : f/4.0
Focal Length : 25mm
ISO Speed : 100
Location: Thekkady, Kerala, India
Drzewica , HDR , hand held .
This is not a panorama. This is a single exposure for the focal length of the 1.8mm camera which gives the equivalent of 17mm for FF ( UWA ) .
Look in to my eyes...
Sri Lankan leopard (Panthera pardus kotiya) taken at Yala NP Sri Lanka. This big cat walked towards our jeep, then crossed to the other side. See the focal length.
View in large.
The Sri Lankan leopard has a tawny or rusty yellow coat with dark spots and close-set rosettes, which are smaller than in Indian leopards.
Thank you for your visits, faves, tags and comments. Constructive criticism and suggestions are most welcome!
DFD_0794
Excelente tarde na companhia do meu grande amigo Zedith!! Grande abraço
THANKS so much for all your comments and support!! I appreciate it !!
OBRIGADO por todos os comentários e apoio!! Agradeço imenso!!
Camera: Canon EOS 5D
Lens: Canon EF16-35mm L 2.8
Focal Length: 16mm
Shutter Speed: 10 sec
Aperture: f/8
ISO: 400
Tripod:
Walimex FT-6694AT Professional Tripod
Tripod Head:
Walimex Professional Panhead FT-6665H
Filters:
Lee Graduated Neutral Density 0.9 Hard
Heliopan Polarizer 105m
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Dati Tecnici
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a) Fuji X-H1 + Anello adattatore Fringer EF-FX ProII + Sigma 105mm f.1,4 Art DG HSM (attacco canon).
b) Tempo 1/115s apertura a f.5,6 + 2/3 di stop (a mano libera no flash);
c) Focale nell'ottica 105mm, reale circa 157,5 mm, ISO/ASA 200
d) Tecnica di impressione del sensore (Tecnica dell'Esposizione a Destra)
e) Lettura Esposimetrica in Media a Prevalenza Centrale con esposimetro della macchina;
f) Messa a fuoco (auto);
g) File Raw/Raf - 137Mb convertito in Tiff;
h) Lux Ambiente indiretta fonte di luce naturale con cielo coperto pomeridiano, luce diffusa 4550° kelvin
i) Prima Post-Produzione per effettuare un minimo intervento del bilanciamento tonale nelle varie aree del fotogramma con Nikon Capture NX 2
l) Seconda Post-Produzione con Adobe Photoshop CS6 64Bit per il bilanciamento della compensazione dell’Esposizione con le zone d’ombra;
m) Postproduzione di correzione con CorelPhotoPaint X7 64Bit;
n) Post-Produzione di completamento con Nikon Capture NX 2;
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2023/2035 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2023/2035 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means
Without prior permission.
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Guardate l’immagine, ascoltate questo brano e leggete le parole della poesia sotto:
Look at the image, listen to this passage and read the words of the poem below:
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Billie Eilish - No Time To Die - Non c'è tempo per morire
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Non c'è tempo per morire
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…eravamo una coppia
ma per te…
solo per mostrarsi
agli occhi degli altri.
Ero stupido ad amarti
credevo nella famiglia ma
per te era solo una farsa,
avrei dovuto capirlo,
avrei voluto sapere
quello che adesso conosco
quello che tutti sanno
e.... me ne sarei andato da solo.
La vita?,... è lontana dall’essere giusta
troppo angosce da sopportare
era troppo ovvio a tutti, io....
avevo gli occhi chiusi dalla fiducia
avevo gli occhi chiusi dal mio cuore.
Avrei dovuto comprendere
non sei mai stata al mio fianco,
eri la mia vita, ma continuavi
a ingannare il mondo intero: una,
due, tante volte, all’infinito.
Io mi fidavo. Adesso libero
da questo enorme peso
che tormentava il cuore
non sei più un mio problema.
Mai più vedrai il mio volto
non sentirai più la mia voce
non avrai mai il mio perdono,
nemmeno in punto dell'ultimo respiro,
lascio che tutto bruci alle mie spalle
non guarderò più indietro
che tu sia morte o paradiso
da quando ti ho visto lì
dove tu mi hai guardato.
Adesso?..,
che vi sia buio o luce...
non c’è più tempo per vivere
non c’è tempo per morire
non ci sarà tempo per…
tornare indietro.
Un’altra lezione l’ho imparata
e non avrai più nulla
dalla mia vita.
……………………..Luigi Mirto
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No time to die
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…we were a couple
but for you…
just to show off
in the eyes of others.
I was stupid to love you
I believed in family but
for you it was just a farce,
I should have known,
I wish I knew
what I know now
what everyone knows
and.... I would have gone alone.
Life?,... is far from being fair
too much anguish to bear
it was too obvious to everyone, I....
I had my eyes closed with trust
I had my eyes closed by my heart.
I should have understood
you've never been by my side
you were my life, but you continued
to deceive the whole world: one,
twice, many times, endlessly.
I trusted. Now free
from this enormous weight
that tormented the heart
you are no longer my problem.
You will never see my face again
you will no longer hear my voice
you will never have my forgiveness,
not even at the point of the last breath,
I let it all burn behind me
I will never look back
whether you are death or heaven
since I saw you there
where you looked at me.
Now?..,
whether it's dark or light...
there is no more time to live
there is no time to die
there will be no time to…
come back.
I learned another lesson
and you will have nothing more
from my life.
……………………..Luigi Mirto
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One World Trade Center - NYC
Cámara Nikon D850 con lente 24-120 F4/G-VR. Editada con ACR y Photoshop
Tiempo de exposición : 1/800 sec
Bias de exposición : -.0.33 ev
Diafragma : F/6.3
Sensibilidad : 100 Iso
Distancia focal de : 24 mm
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in large, clicking double on the image.
Kirkjufell mountain and the coastal road near the town of Grundarfjörður, on the north coast of Snæfellsnes peninsula, Iceland.
Kirkjufell (Icelandic: Church Mountain) is a 463 m high mountain. This beautiful landmark is the most photographed mountain in Iceland. Its isolated position jutting out into the sea makes it a focal point for tourists and seamen alike. Surrounded by beaches, Kirkjufell has a lovely walking trail around it as well as a more challenging climb up to the top where bird and fish fossils can be found.
Yellowstone NP
Camera: Canon Eos 7D
Lens: EF24-105mmF/4L-IS-USM
Aperture: f/11
Focal Length: 24 mm
Shutter Speed: 1/250
ISO: 100
Panorama: 11061 x 4947 pixels
Imagen capturada en una calle del Arenal (Antíguo barrio sevillano a orilla del rio Guadalquivir) La fotografía está capturada a pulso sin ningún apoyo con una velocidad de 1/25, un diafragma de f/5.6 y un Iso alto de 4000 con una focal de 24 mm. El balance de blancos está corregido en la edición para darle al escenario ese tono cálido más parecido al real, que el más frio que tomó la cámara en automático. Personalmente me gusta como se ve aunque se pierdan ciertos tonos
Esta imagen es resultado de una prueba en condiciones difíciles con mi cámara.
English
Image captured in a street in Arenal (Old Seville neighborhood on the banks of the Guadalquivir river) The photograph is captured freehand without any support with a speed of 1/25, a diaphragm of f/5.6 and High Iso 4000 with a focal of 24mm. The white balance is corrected in the edit to give the stage that warm tone that is closer to the real one, than the colder one that the camera took on automatic. Personally I like how it looks even if certain tones are lost.
This image is the result of one test in difficult conditions with my camera.
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con ACR y PS-CC 2019.
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger clicking double on the image.
On digital cameras there is often a Macro Focus mode which switches the auto focus system to attempt to focus on subjects much closer to the lens.
We measure macro ability (of cameras with non-interchangeable lenses) in our reviews as the ability of the lens to get the best possible frame coverage. So a camera which can fill the frame with a subject that is 20mm wide has better macro capabilities than one which can only capture a 40mm wide subject.
Camera: Canon EOS 50D
Exposure: 0.002 sec (1/500)
Aperture: f/5.6
Focal Length: 70 mm
ISO Speed: 1600
Exposure Bias: -4/3 EV
Flash: Flash did not fire
The Wood Duck is one of the most stunningly pretty of all waterfowl. Males are iridescent chestnut and green, with ornate patterns on nearly every feather; the elegant females have a distinctive profile and delicate white pattern around the eye. These birds live in wooded swamps, where they nest in holes in trees or in nest boxes put up around lake margins. They are one of the few duck species equipped with strong claws that can grip bark and perch on branches.
Faro de Cabo de Palos
Altura focal 81 m
Altura soporte 51m
Alcance 23 millas náuticas (43Km)
Grupos de 2 destellos cada 10 s
Smoke art! The shot is of smoke from incense stick on a black ground. The shot is inverted and color filled in using gradient. The symmetry is created using a copy and flipping horizontally.
Exposure: 0.005 sec (1/200)
Aperture: f/2.0
Focal Length: 50 mm
ISO Speed: 400
Exposure Bias: 0 EV
Un maravilloso marco para un momento de luz y color inolvidable...Lo mejor fue compartir estos instantes con amigos que sienten la misma pasión por la fotografía, y con los que a través de ella nos une una sincera amistad......Imagen dedicada a todos ellos, pero en especial a Miquel Page MiquelGP54, que con sus inapreciable consejos y su maestría en el domínio de la luz y el color, me fue posible capturar esta imagen...¡Gracias maestro !
Cámara Nikon D850 con lente 24-120 F4/G-VR editada con Camera Raw y Photoshop CC 2019.
Esta captura se tomó con 5sg de exposición, con Iso 64 y un f/8 de apertura, la distancia focal fue de 110mm
Recomiendo hacer click sobre la imagen y ver en grande / I recommend see in larger, clicking on the imagen.
For a change of style, but to stay on the theme of Paris, I propose you some views of the city taken with long focal lenses, which can give a tight frame and sometimes original points of view
Captured this one again at different angle and focal distance...somehow lucky with some editing ...Good remaing week..almost have done...Thanks, Udo.
I went out searching for thunderstorms that were supposed to be sweeping in across the area, but instead I found this incredible little valley. Clouds hanging low in the sky, fog rolling between the trees, the moody scene so to speak, and even in summer when the haze is thick I saw the drama, the promise that stretched out in front of me. I setup, and began adjusting, moving the camera back and forth. The area to shoot was narrow, but handy. I thought about zooming past the evergreens and focusing solely on the valley, but then I thought better of it. Using them as a framing device, letting them give a sense of depth to the scene without distracting overmuch from it. Then the wait was on, between gusts of wind, and the occasional rain rolling through, eventually I began seeing a scene worthy of showing off to my viewers.
ISO: 160
Aperture: f8
SS: 1/125
Focal: 50mm
I met quite a few people up here, unlike the parkway everyone seemed to want to chat. Nice change of pace.
Read More at:
As much as I adore the liquid element, I reside at a place where it is is considered a rather scarce commodity and can hardly be located ... Thank God, at a distance of half an hour drive there lies the beautiful river of Nestos, whose flow is surrounded by amazing Green Nature and bridges, lots of bridges !!!
I love using my tripod and my ND (Neutral Density) filters over my lenses ... Their combined use enhances considerably the appropriate shutter speed for a balanced exposure, thus blurring water's flow and creating beautiful sharp images .... Environmental colors remain unaltered ...
I definitely suggest them for extensive use over around blue hours landscape photography ...
NIKON D90 DSLR with Nikon Nikkor 18 - 55 lens, Manual Mode, shutter speed 1 s, ISO 125, f 13, focal length 18mm, use of HOYA ND X 2 filter on top of which a HOYA ND X 8 filter was used, white balance set to cloudy weather , center weighted average metering mode, HDR made by only one original RAW shot, flash didn't go off, use of tripod ...
Optics : Takahashi FSQ106 + ZWO EAF + Televue Barlow 1,25" 3X;
Mount : Ioptron CEM70G & Ioptron TriPier;
Camera : ZWO ASI 174 MM;
Software : FireCapture, AutoStakkert, Photoshop
Equivalent focal length = 1590 mm
Moon - 11 days
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
I watched this Red-shouldered Hawk go from the top of a tree to catch this little morsel of food.
Canon EOS 7D Mark II, EF400mm f/5.6L, EF1.4X Extender III, Focal length 560mm, f.8, 1/2500s, ISO 1600
It must be the last flower photo for now.
Hey, I'm not a flower store or something. ;)
Try this ..... I honestly have no idea what flower this is. Its center looks like a cluster of small transparent insect wings when you look closely.
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EOSR | RF35mm f/1.8 IS STM
Exposure: ƒ/3.5 | 1/350s ISO 100
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F̶̅G̅. 2023 © all rights reserved
An overnight covering of snow was welcome to change the scenery and with a bright morning sunshine some extra shots. This image worked better as colour rather than mono.
Image info :- Nikon D750 with Nikon 14-24mm f/2.8@ f/8.0, ISO 200, shutter 1/1000th second, focal length 14mm, processed in Lightroom and Photoshop.
Caught a glimpse of a gentleman with a hat while I was turning round and managed to take a last second snapshot
We're don't know which side of our families of origin took such loving care of this pocket watch through the years. The inscribed date on the inner cover reads April 1920.
I experimented with apertures, extension tubes, and focal points, and had a fine time while it rained. I had intended to add it to Macro Mondays last Monday until I noticed that I had entered an older macro two years ago.
Thanks for looking, and for your faves ;)
Wednesdays / Miércoles : Macro or close-up
Through the year there are rare events that take place that really capture my imagination, fall leaves, spring bloom, thunderstorms... Fireworks though, that's one I truly enjoy. In essence it is a simple idea, a quick composition, easy to gain focus quickly even when shooting manual lenses. The joy is palpable, the crowd is paying attention to one thing only, everyone solely focused on this transformative art. Oohs, Ahhhs ring out through the night under the percussive sounds of the fireworks. Beauty unfolds, a flower blooms and vanishes just as quickly into the night, and for a fleeting moment you, as a photographer have to find your composition, address the focal length you're using, adjust on the fly. And before you really know what's going on, it's all over and the crowd disperses and you're left all alone packing your gear back up, hoping you managed to capture a small slice of the night.
ISO: 160
Aperture: f11
SS: 3 secs
Focal: 27mm
Visit www.blackthornephoto.com to read the rest of the story.