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Exploitation agricole de Saclay (91)
Préparation des palettes
Les Jeunes Agriculteurs du Loiret et d'Eure et Loir attaquent la mise en place et la préparation des palettes -
Port au Prince, quartier général de la MINUJUSTH, 20 avril 2018. Atelier de sensibilisation des medias sur la lutte contre l'exploitation et les abus sexuels. Définition de l’exploitation et des abus sexuels (SEA) et présentation des différents volets de la politique de tolérance zéro par Benjamin Rue, représentant de l’Equipe de Conduite et de Discipline - CDT de la MINUJUSTH. Ainsi que l'explication du processus d’application des règles pour chaque sorte d’allégation et l’appui aux victimes .
Photo Leonora Baumann UN/MINUJUSTH
SAD asks Kejriwal to sack Sanjay Singh, Durgesh Pathak on Women’s ‘exploitation’ :-
The Shiromani Akali Dal has asked Aam Aadmi Party (AAP) convener Arvind Kejriwal to defend the allegation that his leaders in Punjab exploited women sexually.The Akalis have asked the Delhi chief minister to fire AAP Punjab affairs in-charge Sanjay Singh and national organisation-building in-charge Durgesh Pathak from all party posts in Punjab.
“Kejriwal cannot just tweet away his worries,” said Rajya Sabha member Sukhdev Singh Dhindsa. Chief minister’s adviser Maheshinder Singh Grewal asked Kejriwal to explain to Punjabis how he let moral turpitude go on under his nose.
“Either you expel all those 15 legislators and others in the scandal or we presume that you were hand in glove with them,” said Dhindsa. “The SAD has maintained all along that Kejriwal presides over people who lust for money and women,” said Grewal. “The disclosures of AAP legislator colonel Devender Sehrawat now prove it.”
The two Akali leaders said it was shameful that the AAP had not acted on the complaint of colonel Sehrawat. “We laud the courage of this true disciple of Anna Hazare and demand the unmasking of the sexual offenders for action against them,” said Dhindsa. Expressing surprise over Sanjay Singh’s saying that the allegations were baseless, Grewal said: “Every sin has its origin and Sanjay Singh can’t be his own judge.”
Demonstration against the second round of elections in downtown Port-au-Prince, Haiti on March 15, 2011
4 mars 2008, Transports Florkzak a Gimont, Gers. Messagerie generale et express pour le compte de France Express, Graveleau, Sernam, Mory, etc.
During the University of Delaware’s Elder Abuse and Exploitation Conference on May 12 at Clayton Hall, Secretary Landgraf urged people who investigate such cases to be aware that victims also could be suffering from such childhood traumas as sexual, physical or emotional abuse, mental illness, addiction or domestic abuse in the household, or emotional or physical neglect. Long-held trauma, in fact, overwhelms a person’s coping resources, she said.
The Adverse Childhood Experiences (ACE) Survey of more than 17,000 adults found that such experiences are common, with two-thirds of participants reporting at least one ACE. For seniors with four or more ACEs, the risk for such long-term health complications as alcoholism, depression, stroke, heart disease and obesity greatly increase. That’s why, Secretary Landgraf said, trauma threatens healthy aging, including raising the risk for abuse, exploitation, mental illness, and suicide. She urged professions and advocates to assume trauma exists in their clients, to listen when they speak, and to ask the non-judgmental question: “What happened to you?” as a way to encourage them to disclose.
Joining Secretary Landgraf as speakers at the conference were Karen F. Stein, UD professor in the School of Public Policy and Administration, on the lack of greater awareness of elder abuse; Philip C. Marshall on the Brooke Astor Story and its lessons for elder justice; and Elizabeth Loewy, on the invisible epidemic of elder financial abuse. “Elder abuse is coming out of the shadows,” Stein said, pointing to mentions of it on popular TV shows.
World Elder Abuse Awareness Day is June 15. To report a suspected case of abuse, neglect or exploitation in Delaware, call 1-800-223-9074.
Hasselblad 500C/M
I remember that around the second half of the years 90’s, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. Afterward, some years later, I started digital photography that distracted me to operate again with films. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024. I choose the closest outdoor quiet place at Parc de la Tête d’Or, Lyon, France and the magics of the botany garden and the tropical green houses. It is familiar to me place ideal for testing a camera without external stress.
For the test, I loaded an Ilford PanF+ 50 ISO that I exposed for the nominal sensitivity using my trusted Minolta Autometer III either in the incident light mode or the selective rejected light using a 10° viewer. The lens has an Hasselblad B60 UV-SKY 1A multi-coated filter but no shade hood since they were out-of-stock in the store.
View Nr. 1 : 1/125s f/5.6 (incident light)
Sacred Lotus flower, July 20, 2024
Serre Victoria
Jardin Botanique de Lyon
Parc de la Tête d’Or
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 11min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone color pictures.
The results show very high-quality, highly-contrasted negative views, perfectly exposed and spaced proving the good technical state of the camera, film magazine, and the lens/shutter.
WASHINGTON, DC: National Center for Missing & Exploited Children (NCMEC) 2024 "40 Years of Hope" Celebration, Sept. 26, 2024
NCMEC held its “40 Years of Hope” celebration on Sept. 26, 2024, at the National Building Museum in Washington, D.C. For 40 years, the National Center for Missing & Exploited Children has been the leading global nonprofit in child protection. Over the past four decades, NCMEC has assisted with the safe recovery of more than 400,000 missing children, stopped the spread of millions of child sexual abuse images, and protected children with groundbreaking prevention education around the world. Sarah Baker/NCMEC
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Attis-Amorino, 1435-40
Donatello
Bronze
Donatello exploited the strength and qualities of bronze to create this joyous and animated figure. Its name is inspired by its open breeches, which suggest the Phrygian shepherd Attis, and the wings of a young cupid (amorino) on its back. But it also has the tail of a faun, the winged feet of Mercury and a snake associated with Hercules, making its identity unclear. Its belt is decorated with poppy pods, a symbol of the Bartolini family who probably commissioned the statue.*
From the exhibition
Donatello: Sculpting the Renaissance
(11 February - 11 June 2023)
This first major UK exhibition to explore the exceptional talents of the Renaissance master Donatello, arguably the greatest sculptor of all time, presented a fresh vision of the artist and his influence on subsequent generations.
Donatello (about 1386 – 1466) is arguably the greatest Italian Renaissance sculptor. He revolutionised sculpture both through his inventive treatment of imagery, and his mastery of an extraordinary range of materials – including marble and stone, bronze, wood, terracotta and stucco as well as unusual mixed media. He rarely repeated himself, striving for innovation and never quenching his thirst for experimentation.
Born in Florence around 1386, Donatello is one of the most inventive and influential artists of the Renaissance. Throughout a career lasting over 60 years, his extraordinary sculpture was at the heart of the revolution in art and culture taking place in 15th-century Italy.
Always at the cutting edge, Donatello combined the growing interest in ancient Greece and Rome with familiar traditions. He used a wide variety of materials and techniques, creating innovative sculptures to adorn public and private settings. Through exceptional ingenuity and emotional insight, he captured the essence of the human experience in sculptural form and paved the way for sculptors and painters alike.
This exhibition explores Donatello's creativity and unique vision, his workshop practices and collaborations, and his enduring impact on artists across the centuries.
[*Victoria & Albert]
Taken in the V&A
The Charms have joined Old Jack's last Saturday of the month residency at Rosebud Bar in Davis Square a few times.
Photo by Sooz for Exploit Boston!
Read the event recap on Exploit Boston!
www.exploitboston.com/event-recaps/photos-of-the-charms-a...