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Alien She
Photos and Video by Mario Gallucci
Alien She
Sep 3, 2015 – Jan 9, 2016
Alien She, curated by Astria Suparak + Ceci Moss, is the first exhibition to examine the lasting impact of Riot Grrrl on artists and cultural producers working today. A pioneering punk feminist movement that emerged in the early 1990s, Riot Grrrl has had a pivotal influence, inspiring many around the world to pursue socially and politically progressive careers as artists, activists, authors and educators. Emphasizing female and youth empowerment, collaborative organization, creative resistance and DIY ethics, Riot Grrrl helped a new generation to become active feminists and create their own culture and communities that reflect their values and experiences, in contrast to mainstream conventions and expectations.
Riot Grrrl formed in reaction to pervasive and violent sexism, racism and homophobia in the punk music scene and in the culture at large. Its participants adapted strategies from earlier queer and punk feminisms and ‘70s radical politics, while also popularizing discussions of identity politics occurring within academia, but in a language that spoke to a younger generation. This self-organized network made up of teenagers and twenty-somethings reached one another through various platforms, such as letters, zines, local meetings, regional conferences, homemade videos, and later, chat rooms, listservs and message boards. The movement eventually spread worldwide, with chapters opening in at least thirty-two states and twenty-six countries.* Its ethos and aesthetics have survived well past its initial period in the ‘90s, with many new chapters forming in recent years. Riot Grrrl’s influence on contemporary global culture is increasingly evident – from the Russian collective Pussy Riot’s protest against corrupt government-church relations to the popular teen website Rookie and the launch of Girls Rock Camps and Ladyfest music and art festivals around the world.
Alien She focuses on seven people whose visual art practices were informed by their contact with Riot Grrrl. Many of them work in multiple disciplines, such as sculpture, installation, video, documentary film, photography, drawing, printmaking, new media, social practice, curation, music, writing and performance – a reflection of the movement’s artistic diversity and mutability. Each artist is represented by several projects from the last 20 years, including new and rarely seen works, providing an insight into the development of their creative practices and individual trajectories.
Artists: Ginger Brooks Takahashi (Pittsburgh), Tammy Rae Carland (Oakland), Miranda July (Los Angeles), Faythe Levine (Milwaukee), Allyson Mitchell (Toronto), L.J. Roberts (Brooklyn), Stephanie Syjuco (San Francisco) and more.
Archival Materials from: dumba collective; EMP Museum, Seattle; Interference Archive; Jabberjaw; the Riot Grrrl Collection at the Fales Library & Special Collections, NYU; and many personal collections.
Collaborative Projects and Platforms include: Counterfeit Crochet Project, Feminist Art Gallery (FAG), General Sisters, Handmade Nation, Joanie 4 Jackie, Learning to Love You More, LTTR, projet MOBILIVRE-BOOKMOBILE project, Sign Painters and more
Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012.
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.
Alien She is curated by Astria Suparak and Ceci Moss, and organized by the Miller Gallery at Carnegie Mellon University, Pittsburgh
Alien She is presented in two parts:
Museum of Contemporary Craft
724 NW Davis
Portland, OR 97209
511 Gallery @ PNCA
511 NW Broadway
Portland, OR 97209
Both venues are open Tuesday through Saturday from 11am to 6pm.
lulumalls is a variety forecast game where you can bring in cash by doing a few expectations. lulumalls register here and login here.
For more information go to our site....
No one knows how and when he arrived at this forgotten junction of Polish countryside. The dog is a stray, that's for sure. The newsagent kiosk lady, who gives him food, calls the dog Negro. He has that suicidal habit of waiting for the oncoming traffic. So far, the cars swerve around him but one day a careless, or unaware, driver will kill Negro and end this misery of waiting for the long gone car...
No. 4 - 5:- Exploring Rochester - Rochester Castle
City of Great Expectations - Charles Dickens..
The Keep of the Castle.
The Mural Gallery.
This gallery, which looked down into the state apartments, round right round the building. It is hollowed out of the thickness of the wall and therefore greatly reduces the weight of the upper stories. At this height the walls do not need the massive strength of lower walls as they are out of reach of enemy battering rams.
The gallery had a number of uses and could be partitioned off to make extra rooms for guests, probably servants and less favoured visitors. When the great Hall was in use, guests could gather here to chat and look down on the festivities. This was also a good position for groups of minstrels to provide music for those below. Guidepost.
Rochester Castle.
From Wikipedia, the free encyclopedia
Rochester Castle ( [show location on an interactive map] 51°23′22″N 0°30′05″E / 51.38944°N 0.50139°E / 51.38944; 0.50139) stands on the east bank of the River Medway, in Rochester, Kent. It is one of the best-preserved castles of its kind in the UK. There has been a fortification on this site since Roman times (c AD43), though it is the keep of 1127 and the Norman castle which can be seen today. With the invention of gunpowder other types of defence became more appropriate, and the military centre of the Medway Towns moved to Chatham.
History
The Romans under Aulus Plautius built a fort on the site of the present castle to guard the important river crossing, where they constructed a bridge. There is evidence of an earth rampart later replaced by a stone wall. The timber piles of the Roman bridge were rediscovered during the construction of the present road bridge.This is also a well known spa nowadays but when it was first built it was a massive kitchen.
The Norman period commenced with the victory of William of Normandy at Hastings. He appointed his half brother Odo, Bishop of Bayeux, as Earl of Kent. Rochester's first Norman castle was probably of the motte and bailey type – a wooden tower and with palisades – on Boley Hill. This was the castle that was besieged by William Rufus during the Rebellion of 1088.
As a result of this siege, Bishop Gundulf was persuaded to build a stone castle with a curtain wall. It is not known how much, if any, of the surviving keep is his. Gundulf was a talented architect: he had started the building work on Rochester's Norman Cathedral in 1080, and was also responsible for the White Tower of the Tower of London.
Henry I granted the custody of the castle to the Archbishop of Canterbury, William de Corbeil. Corbeil started to build the great stone keep in 1127, much of which survives today. It is the tallest in England and has dominated the city and river crossing for 800 years.
The siege of 1215
In 1206, King John spent £115 on repairs to the castle and moat. He even preemptively held it during the year of the negotiations leading up to Magna Carta, but its terms forced him to hand it back into the custody of Stephen Langton, archbishop of Canterbury, in May 1215. The rebel barons then sent troops under William d'Aubigny to the castle, to whom its constable Reginald de Cornhill opened the castle's gates. During October, marching from Dover to London, John then found Rochester in his way and on 11 October began besieging it in person.
The rebels were expecting reinforcements from London but on hearing of the size of King John's army they turned back at Dartford. Robert Fitzwalter rode out to stop the king, fighting his way onto the bridge but eventually being beaten back into the castle. He also sacked the cathedral, took anything of value and stabled his horses in it, all as a slight to Langton. Orders were then sent to the men of Canterbury saying, "We order you, just as you love us, and as soon as you see this letter, to make by day and night, all the pickaxes that you can. Every blacksmith in your city should stop all other work in order to make them and you should send them to us at Rochester with all speed". Five siege engines were then erected and work carried out to undermine the curtain wall. By one of these means the king's forces entered and held the bailey in early November, and began attempting the same tactics against the keep, including undermining the south-east tower. The mine-roof was supported by wooden props, which were then set alight using pig-fat, on 25 November 1215 John had sent a writ to the justiciars saying "Send to us with all speed by day and night, fifty of the fattest pigs of the sort least good for eating so that we may bring fire beneath the castle" [2], causing the south-east tower of the keep to collapse. The rebels withdrew behind the keep's cross-wall but still managed to hold out. A few were allowed to leave the castle but on John's orders had their hands and feet lopped off as an example.
Winter was now setting in, and the castle was only taken (on 30 November) by starvation and not by force. John set up a memorial to the pigs and a gallows with the intention of hanging the whole garrison, but one of his captains (Savari de Mauleon) persuaded him not to hang the rebels since hanging those who had surrendered would set a precedent if John ever surrendered - only one man was actually hanged (a young bowman who had previously been in John's service). The remainder of the rebel barons were taken away and imprisoned at various royal-held castles, such as Corfe Castle. Of the siege - against only 100 rebels, and costing over a thousand pounds a day - the Barnwell chronicler wrote "No one alive can remember a siege so fiercely pressed and so manfully resisted" and that, after it, "There were few who would put their trust in castles".
King John died on October 19, 1216, so it fell to Henry III to repair the castle. He spent over a £1000 on rebuilding, with new stables and gateways, and a further ditch to strengthen the defences. A new chapel was built next to the Royal apartments in the bailey. The most notable surviving feature is the new south-east tower, which was rebuilt according to the latest defensive design and is three-quarters round better to deflect missile attack and work against attempts at undermining.
The siege of 1264
In 1264, the dissident barons, led by Simon de Montfort, attacked Rochester. They crossed the Medway under cover of the smoke from a fire-ship, and took the city. Like John before them, they quickly gained control of the castle bailey and then attempted to undermine the keep. This time the siege was not successful, being relieved after only a week by Henry himself. However, the rebels did burn down many of the buildings, including the Royal chambers. Repairs were not carried out until 1367, under Edward III, by which time much of the stone had been removed for other use.
The 15th century Wars of the Roses were not fought in Kent, so the castle was spared. It was briefly taken by Wyatt's men during his futile uprising of 1554. But with the invention of gunpowder and introduction of cannon, this form of castle was no longer so secure. It became expensive to maintain so fell into disrepair.
Later military history
Rochester remained of strategic importance, and the neighbouring Chatham Naval Dockyard grew in importance. In the Napoleonic wars, the dockyard was protected by a circle of Palmerston Forts, including Fort Luton, Fort Borstal, Fort Pitt, Fort Clarence, and Fort Amherst. HMS Victory, Admiral Nelson's flagship was built in Chatham (though now "exiled" in Portsmouth). During the twentieth century wars, Chatham has provided a home for the Royal Engineers, and Rochester built aircraft such as the Sunderland. The Dockyard also built and serviced nuclear submarines.
Today
The castle is now maintained by English Heritage and is open to the public. The wooden flooring in the centre of the keep is gone, but many of the passageways and spiral staircases within the thickness of the walls are still usable. Decorative chevrons ornament the archways and the water well in the cross-wall is clearly visible. Visitors with a head for heights can climb 111 ft (34 m) to the battlements and enjoy a commanding view of the river and surrounding area.
Since Victorian times, Rochester Castle Gardens have been an important leisure area for Rochester. They were a popular promenade, they have hosted a bandstand, and have become a centre point for festivals and summer concerts.
en.wikipedia.org/wiki/Rochester_Castle
'Magnificent ruin!...What a study for an antiquarian!'
The impressive Norman castle at Rochester had a humbling effect upon Dickens, reminding him perhaps of his own mortality. In Household Words he wrote: 'I surveyed the massive ruin from the Bridge, and thought what a brief little practical joke I seemed to be, in comparison with the solidarity, stature, strength and length of life.' In Dickens' time the castle looked very different. Houses and workshops filled much of the moat by the cathedral, the keep and towers were festooned with ivy and the waters of the River Medway lapped the base of the walls. - Guidemap
To see Large:-
farm4.static.flickr.com/3351/3440968099_ba05ea3474_b.jpg
Taken on
July 18, 2007 at 11:31 BST
My expectations include properly constructed sentences on the signs, and proper usage of the comma.
Tolovana Inn, Cannon Beach, Oregon.
Quoting Sri Nisargadatta Maharaj: "If you could only keep quiet, clear of memories and expectations, you would be able to discern the beautiful pattern of events. It is your restlessness that causes chaos."
Week 25 View 52
Ooops missed a week it is official I have now fallen behind.
Really struggling to keep up now and comment as I am working working working. I now have been taken on full time starting in July which is the reason behind the title I have had good reports from senior members of staff and I have been taken on via there word. So I have Great Expectations of the job and they have Great Expectations of me.
Fingers crossed I don't let them down
The European Experience 2016 Exceeds Expectations
What a weekend! We went into the weekend not knowing what to expect being a first year event, but left excited and ready for next year. Matthew Bounds and his crew at Sowo Partners moved the popular Southern Worthersee event from Helen, GA to a new event called “The European Experience” in Savannah Georgia, and it went off without a hitch. The two-day event was a welcomed refresh filled with friendly faces in an exciting new location with an excellent post-event night life in downtown Savannah.
We offered APR ECU and TCU upgrades at the event, as we do at nearly all events we attend, and we nearly doubled our flash count from years past at SOWO. We want to thank every customer who partook in the sale, and want to thank all those who stopped by to talk shop and shoot the breeze. Last but not least, we want to thank Matt Bounds and the SOWO Partners crew for putting on an amazing show we’re excited to attend next year.
Take a moment to view a few photos we grabbed at the event, and see you next year!
#GOAPR
Black and white self-portraiture. Using low angle, asymmetrical details, forced perspective, and contrast to evoke a distorted scale - social constructs and the expectations of others call for us to fit inside a box - Inside the endless parameters set for us. “Life is not one-size-fits-all. This box of yours is just too small.” -J.Krauss
My son had a basketball match the other day - messing around with a couple of pics I took there I cam up with this
Focus on Eldercare's response to COVID-19
At the purpose when the noxious impacts of COVID-19 showed first in Wuhan, the entire city and therefore the entire of Hubei Province ground to a halt. The lockdown of Wuhan brought remarkable torment and threatening difficulties for several individual occupants therein first focus. Presently, COVID-19 represents those equivalent difficulties for individuals and social welfare frameworks all-inclusive. Especially, it tests our aggregate endeavors to believe one another, particularly the foremost defenseless among us.
As a populace, individuals quite 70 will generally have more fragile insusceptible frameworks and progressively fundamental conditions that obstruct their capacity to battle the infection. They're likewise sure to dwell on bunch day to day environments, nearby people. Floods of COVID-19 passings in nursing homes — first within the Seattle territory, at that time on the brink of Sacramento and now during the country — have underscored this inauspicious reality. Up until now, Californians quite 65 have made up, at any rate, a fourth of the state's affirmed instances of COVID-19.
Be that because it may, guidelines, especially for helping living offices, are unsafely failing to satisfy the expectations in protecting California's older folks from this infection. Luck, Gov. Gavin Newsom's plan on Aging activity, as of now ongoing, presents an opportunity to forcefully address this peril and find how to secure an enormous number of more seasoned Americans.
Helped living focuses are an aid to the Eldercare business and therefore the enormous corporate proprietors that currently command the market. Simultaneously, in any case, an absence of guideline and oversight of staffing levels and capabilities — particularly prerequisites for on-location doctors and much prepared clinical experts — has left the business defenseless against misuse and unfortunate results. One glaring issue that has got to be tended to: helped living focuses are directed by the state Department of Social Services rather than the Department of Public Health.
In any case, it helped to measure maybe a piece of social welfare and clinical consideration conveyance framework, not only a direction for living. Propelled a year ago, Newsom's plan on Aging has framed a warning advisory group, is holding open gatherings and within the fall is planned to offer a 10-year plan which will address issues from lodging and vagrancy to crisis readiness to manhandle and disrespect. The venture has made a "Value Committee" to urge a contribution from a progressively differing gathering of residents and associations, including agents of the crippled network, Native Americans and other ethnic minorities.
Considering the spreading coronavirus general wellbeing emerging, it's basic that the representative's plan on Aging takes on an expansive and genuine open arrangement job. We weren't bothered with elevated level clichés for tending to the wants of the old. We'd like solid arrangements, solid guidelines with implementation teeth and a guarantee to continued oversight.
The Age of COVID-19
Older people who get themselves out of the blue alone without authority over their conditions are at specific hazards for an assortment of serious, even hazardous, physical and psychological well-being conditions, including a subjective decrease. Limitations on the opportunity of development ought to be proportionate and not founded solely on age.
COVID-19, as different irresistible melodies, represents a higher hazard to populaces that live in nearness. This hazard is especially intense in nursing or matured consideration offices, where the infection can spread quickly and has just brought about numerous passings. About 1.5 million older people individuals live in the nursing homes in the US, barring helped living offices and different settings making nearness.
Twenty-three individuals kicked the bucket in a flare-up at an office in Washington State in February and March, and the US Centers for Disease Control detailed 400 additional cases in offices as of April 1. On March 31, wellbeing experts in the Grand East district of France detailed 570 passings of older people in nursing homes.
Older people often end up in nursing homes due to governments' inability to offer adequate social types of assistance for individuals to live freely in the network, approaches that have put millions at included danger of getting the infection as a result of their organization. Governments ought to guarantee the progression of network-based administrations with the goal that individuals don't wind up in organizations without different alternatives.
Expound now on the roles played via care laborers in continuing the lives of the old during that emergency, and who, however dreadful themselves, by and by remain day in and outing inside the bounds of their wards to offer fundamental consideration.
Care supervisor Chang, the woman in charge of the consideration laborers among whom I led my hands-on work, coordinated the change of her ward into a self-sufficient fixed of a unit of care. The passage to her floor is carefully monitored; just fundamental conveyances are permitted, for instance, nourishment and clothing. Since nobody can enter or leave the structure, the flask for the older was transformed into a dozing region for care laborers. Despite the very fact that a lot of consideration laborers have their circle of relatives to require care of, they put that piece of their life under the control of others. Care specialist Lin, whose spouse died at the start of the pandemic, did not have the chance to completely grieve his passing due to incessant understaffing at Sunlight. She came back to figure following the burial service, despite realizing that she not, at now expected to figure at Sunlight to hide her significant other's clinical costs. Lin's arrival says much regarding her promise to her calling, to her colleagues, and to the old she had come to understand so well. My examination with care laborers recommends that it's an enthusiastic association and an awareness of other's expectations that propels them to remain the end of the day in care work. This is often borne out immediately.
Carefully add China is often seen as being grimy and unfortunate, thanks to an excellent extension to its nearby hook up with the realistic consideration required by slight, skilled bodies. Chinese consideration laborers are for the foremost part provincial to urban transients or urban specialists laid far away from previous state-claimed processing plants. In any case, direct consideration is intricate. In any case, its unpredictability goes unrecognized, or maybe disregarded by institutional powers that organize benefits and generalize the old as bodies to chip away at, to the disregard of their social-passionate necessities. As is valid with Sunlight, things which might typically undermine the keenness of care laborers, for instance, the absence of institutional acknowledgment for his or her enthusiastic work, are required to be postponed. Care specialists are currently centered around a shared objective: ensuring the gift assistance of the older. COVID-19 propels care laborers to consider what kind of care is required and the way to offer that care. It fills in as a channel through which the elemental beliefs of care are observed. Care is about common human weakness and our intrinsic association. Care laborers at Sunlight, in their aggregate every minute of everyday endeavors to secure the older, typify this ethic through their consideration. May the respectful regard, they hold of the older in their consideration redound on them and everyone consideration laborers overall who are fighting this pandemic on the bleeding edge!
Like the consideration laborers at Sunlight, the laborers in numerous nations are regarded human life so that we cannot be embarrassed to return clean with the leading edge about ourselves. Salute the spearheading staff who salutes our purposeful endeavors to handle the pandemic in numerous settings around the globe, within the daylight, yet additionally to ensure that veterans are appropriately treated, took care of and washed.
We all hope and pray that the coronavirus will soon be controlled and subdued. And that when the crisis is behind us, that we continue the important work of protecting the elderly and other vulnerable segments of our citizenry.
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How Can I Contribute in Times of COVID-19?
Write your testimony about the concequences from the time of Corona virus (COVID-19). Here is a great knowledge base about the effects of the Corona virus. Thank you for your story! article-directory.org/article/717/40/Emergency-Situations...
Me and a few friends went to 'Baked Expectations' last night. It's a cute little dessert diner that has spectacular treats! It was my first time and I loved it! I can't wait to go again :)
My friend Jaime and I split the caramel pecan cheese cake. Mmmm. It was heavenly.
The Midland Inn looks quite a substantial affair for such a backwater as Midland Road, St Philips. Like the nearby Palace Hotel at the top of Old Market Street, it must have been built on high hopes of trade from the Midland Railway's St Philips terminus across the road. In the event the Midland went on to use Temple Meads Station and St Philips was literally sidetracked. The station lingered on, little patronised, until closure in 1953. The pub itself somehow had a look of Birmingham or Derby and always looked incongruous to me. Is it still there? I think I heard or read that it had been knocked down. The side turning was Willway Street. The motor car is what Bristolians call (at least when the name is followed by a vowel) a "Vauxhall Veevle". The photograph was taken on Sunday 29th November 1981.
When you expect something to happen you aren't just waiting.
What you are really doing is dreaming your future, the nearest one.
This should lead us to the question:
How can we dream bigger than now?
This is a photograph from the 35th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 21st June 2014 at 19:30. This race is widely acknowledged in the running community as one of the best races in Ireland. It is also one of the oldest 10KM races in Ireland. The numbers for this race have exceeded expectations year on year for the past number of years. In 2008 a record field of 306 took to the start line but by 2012 this number had more than doubled with 647 runners taking part. The starting numbers in 2013 topped this again at 668. Then this year the numbers rocketed to a new record of 883. Who knows but this race could reach 1,000 entrants next year. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Well done to all.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at: www.flickr.com/photos/peterm7/sets/72157645329098733/
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result/racetimer with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
Some useful links
2014 Results: www.precisiontiming.net/result.aspx?v=2037
2013 Results: www.precisiontiming.net/result.aspx?v=1320
2012 Results: www.precisiontiming.net/result.aspx?v=891
History of the Dunshaughlin 10KM www.dunshaughlinac.com/10k.asp
Dunshaughlin AC on Facebook: www.facebook.com/dunshaughlin.athleticclub?fref=ts
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
A party of adventurers - a warrior, a sorceress and an engineer - in their star-ship has traveled to the legendary Dimension door hub, from which any one of three kinds of dimension doors in the universe can be accessed. However, it is protected by an ancient black dragon, to make sure no such party would ever succeed. It seems to be a very tidy dragon too, seeing how there are not many bones laying around the platform.
If you want pictures of interiors or different details / technical stuff, tell me, I have about 50 more pictures.
I tried a super-lazy approach to pictures this time, because I really hate editing backgrounds behind dragons and strings and studs... So I just painted a space background and took pictures on it, only after finding out the background is about two times too little and that no paper store in town sells any more large black paper. Eh.
Lastly, I was quite torn between fan service and doing my own thing, since so many people actually expected the underworld from the teaser and the diving and the war... But, what they did not know, is that I am Big D. and that I give zero percent damn about anything you want or expect of me. There you go, no expectations fulfilled. Serves you right for having them.
Clean custom shaped waves crash into convenience with the Swell, a next generation surf system from Supra Boats @Supra_Boats. The convenience of transferring side to side without moving ballast or people is only a small part of Supra Swell Surf System performance. Two sculpted surfer-inspired wave styles, improved handling and visibility as well as VISION Touch dash integration and customization will completely elevate your expectations of wake surfing. Precisely designed and built entirely of stainless steel, the Swell System is another example of passion meeting precision in Supra boats. Surf clean custom shaped waves with the Supra Swell, available on 2014 Supra SA and SC models only.
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2 Distinct Wave Shapes
While others divert water for wake surfing, Supra shapes it to create clean scalable Swell waves. The new Swell Surf System cranks out two distinct waves, on either side, to satisfy a variety of surfing styles and skill levels. The Skim wave swells up smooth towards the front with a crest that forms on the backend finishing with a small break. The shape of this wave creates perfect push from top to bottom for a rider just looking to the throw the rope or a seasoned skim boarder who loves to spin. The Swell's Barrel wave challenges surf skills with an ocean-esque curl, progressive push and a steep drop for pipeline-style carves.
Improved Handling and Forward Visibility
Unlike early surf boats and one-system-fits-all surfing solutions, Swell was designed to improve the handling and forward visibility on specific Supra boat models even when weighted for surfing. With the Supra surf system engaged the boat's running attitude is nearly level regardless of weight distribution. The driver never loses sight of the horizon behind bow rise or has to deal with listed turns. And because the Swell System does not compromise handling at slow speeds, driver's enjoy a quick safe route back to a fallen surfer.
VISION Touch Integration for Quick Side-to-side Transfer
Precisely controlled through Supra's VISION Touch with customizable deployment, this system can adapt to each individual's surfing goals and boat set-up even on the fly. Choose your desired wave shape, the side you would like to ride and then fine tune your favorite waves. If you're looking to transfer, the Supra Swell Surf System allows you to transfer the wave from port to starboard in approximately 1.8 seconds.
Precise Next Generation Design and Stout Construction
The Swell Surf System utilizes high-speed rams to adjust 5/16-inch stainless steel blades laser cut and bent to control water turbulence off the rear of the boat's running surface. The specially designed trailing edge of these blades, or flaps as these types of elements are referred to in a fluid dynamics, create a vortex-effect behind the boat resulting in specific wave shapes. Different angels of deployment of the blades create custom effects in the water turbulence to swell-up Skim and Barrel waves. Swell blades benefit from a shot peen finish, a strengthening process commonly utilized in aeronautical construction, to increase the fatigue life of the piece. The Swell System is mounted and held together by a series of stainless steel through-bolts and stainless brackets for an extremely stable platform for wave making. The Swell Surf System is available on 2014 Supra SA and SC wake boat models only.
Elevate your expectations to a tough stainless steel surf system that produces custom waves in addition to convenient side to side transfer controlled at the driver's touch screen without compromising handing or forward visibility. The Supra Swell Surf System is pushing the shape of wake surfing beyond better. Visit a Supra Boats Dealer near you and surf the Swell.