View allAll Photos Tagged Expectations

we're both

metaphors

for wild bulls

and rings through

broken noses

all the hope

of pounding hooves

the heart's opposing forces

the slow arrival left behind

turned your reverence to rapture

the moment that you took the best

and left what didn't matter

you said again

but changed the words

in a tune gone to the birds

a girl that you can't ply with passion

woke up with the nameless beasts

and sung into creation

we're both

metaphors

for matadors

subversive expectations

a tongue that tried

to leave the truth where it lies

(word to the dying wise)

making claims of being born again

an overdue guest

at the checkout desk

no less dead

than the rest

 

~ ~ ~

 

June 17, 2022

Round Hill, Nova Scotia

 

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A City drawn on Arms keeps us Hoping and Awake.

 

8/365 November 2nd, 2010 [Parents Birthday]

 

Today was lame. I went on a tour/informational tour of my college i'm attending next fall. I hung with Bash most of the day. I'm hungry and i have a stomach ache, i need more chocolate ice cream. I will watch Fantastic Mr. Fox with undone homework and a new heated blanket. Today...was lame.

it never fails that I meet some very interesting people during my usual Sunday outings

LONDON, ENGLAND - OCTOBER 21: (EMBARGOED FOR PUBLICATION IN UK TABLOID NEWSPAPERS UNTIL 48 HOURS AFTER CREATE DATE AND TIME. MANDATORY CREDIT PHOTO BY DAVE M. BENETT/WIREIMAGE REQUIRED) (L to R) Cast and Crew of 'Great Expectations' including Olly Alexander, Joe Jameson, Jason Flemyng, Ewen Bremner, director Mike Newell, Ben Lloyd-Hughes, writer David Nicholls, Ralph Fiennes, Helena Bonham Carter, Robbie Coltrane, Jeremy Irvine and younger brother Toby Irvine, Holliday Grainger, Helena Barlow, David Walliams, Charlie Callaghan, and producers Stephen Woolley and Elizabeth Karlsen attend the Gala Premiere of 'Great Expectations' which closes the 56th BFI London Film Festival

We never live; we are always in the expectation of living - Voltaire

Make a wish, say a prayer, wait for the Khome Loy lantern to fill and start to float and then release. The simple beauty of the Loy Krathong festival in Chiang Mai, Thailand.

 

Nikon D700 with Nikon AF Nikkor 50mm f/1.8 D lens

 

ImageArt Photography

Birthday, Maternity & Expectations

Participants discuss the responsibilities of membership during a UU101 class at the UU Church of Delaware County in Media, Pennsylvania, a Unitarian Universalist Association "Breakthrough Congregation."

 

“I find that when you set the bar high and are clear and honest about expectations, people rise to meet and exceed them,” the Rev. Peter Friedrichs says, and this is what is happening at the UU Church of Delaware County right now. “It feels like we are firing on all cylinders,” he adds. “People sense the excitement and energy and want to be a part of it.”

 

See "An Upward Spiral" by Tina Porter, UU World (Spring 2016), pages 8–10. Photograph © 2016 Maura B. McConnell.

I was walking through Royal Troon Golf Course this afternoon when I stopped as two golfers were just about to tee off! There's nothing worse than someone walking by you when you are about to play!

 

One of the golfers hit what appeared to be a very, very good tee shot and after they both tee off I continued with my walk. When I got close to the green I couldn't help but turn around and give a thumb's up to the player who landed this close to the hole.

 

When he arrived at the green and realised he was this close I could see and feel the frustration he had ... a few inches from achieving a hole in one!! 👏

 

Our Daily Challenge ~ Frustrating ...

 

Stay Safe and Healthy Everyone!

 

Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all!

Great Expectations is one of my favorite books and upon rereading it recently, I was inspired by the very unique character of Miss Havisham. She is a wealthy, mysterious woman who invites the main character Pip to her mansion to play with her daughter. When Pip meets her, she is sitting amongst rotting wedding decorations, including a cake covered in cobwebs and spiders. He later learns that she was stood up before her wedding many years ago. Nothing in the room has moved since, symbolic of Miss Havisham's inability to move on after her heart was broken. This cake shows the transformation of her wedding cake over time, from an elegant white cake to a yellow, moldy, decaying one. Each side has different flavors to further reflect the transformation - on the left is a light lemon and lavender cake and on the right is a dark chocolate and espresso cake.

 

Sex shop, Great Eastern Street. Voigtlander Bessa R, 35mm Ultron

Never in my life have I seen so many people awake at 4.30am in the morning. As the masses descend for sunrise at the Angkor Wat, a hush envelopes the complex before a flurry of artificial shutter noises, and for the uneducated, a sporadic flash. Turning my camera towards the crowd, it was days before I realised I caught this shot. It captures exactly how people were feeling, stripping away the romanticism of the main attraction, and adding the reality of dragging yourself out of bed at 4am to share a moment with 5000+ strangers.

My write up on photographing the new Cosmopolitan of Las Vegas here

 

On the weekend of November 20-21, 2010, I was invited to photograph the new Cosmopolitan of Las Vegas prior to their opening December 15, 2010 in Las Vegas NV.

 

This set of images represents my efforts that weekend to showcase this newest resort property opening up on the Las Vegas Strip. Thanks to David Scherer from The Cosmopolitan of Las Vegas for showing me around, to Miiko Mentz at Katalyst Films for helping to arrange the shoot, and to my wife for modeling for me.

 

To learn more about The Cosmpolitan of Las Vegas, check out their website here or their Facebook page here.

Great Expectations is one of my favorite books and upon rereading it recently, I was inspired by the very unique character of Miss Havisham. She is a wealthy, mysterious woman who invites the main character Pip to her mansion to play with her daughter. When Pip meets her, she is sitting amongst rotting wedding decorations, including a cake covered in cobwebs and spiders. He later learns that she was stood up before her wedding many years ago. Nothing in the room has moved since, symbolic of Miss Havisham's inability to move on after her heart was broken. This cake shows the transformation of her wedding cake over time, from an elegant white cake to a yellow, moldy, decaying one. Each side has different flavors to further reflect the transformation - on the left is a light lemon and lavender cake and on the right is a dark chocolate and espresso cake.

 

Robert E. Moritz, Global Chairman, PwC, USA

Jonas Prising, Chairman and Chief Executive Officer, ManpowerGroup, USA

Saadia Zahidi, Managing Director, World Economic Forum

Speaking during the Press Conference: The Global Workforce: Empowered but Divided A new survey of 52,000 workers around the world paints a picture of a global workforce that is flexing its muscles in the context of rising inflation, tight labour markets, and political division. At the same time, it shows wide inequality between those with in-demand skills and those without, and a great appetite for both meaning and transparency. How can organizations work with their employees to deliver a working life that meets rising expectations? At the Annual Meeting 2022 of the World Economic Forum in Davos, 24 May, Copyright by World Economic Forum / Walter Duerst

2600 x 2600 pixel image designed to work as wallpaper on most iOS devices.

 

Typefaces: Journey, Futura

  

Gold medalist Gabrielle Douglas

Not sure what they are expecting

Círio de Nazaré devotee supplicates to the saint in hopes of obtaining . . . a house with a parabolic antenna?

[en]

Moments before @trokerofficial came to scene in one of their farewell concerts in Mexico City previous to their trip to UK's Glastonbury festival.

Picture taken just today, half an hour ago, and exactly a week after the first of these three documentary shots. The plant is doing well, and I hope it will grow further and survive even as a potted specimen.

The wife will be home from work soon and it is February 14 after all.

bigger is better

I know I should have probably named this photo something a little deeper like "reflections" but everytime I look at it I can't help but think about the opening credits to that old MadTV dating skit. But please, don't let that distract you from the subtle power and depth of this image :)

OK, it's a terrible title but I really couldn't think of anything else! One of the first 1/76 models in my collection, purchased circa 1996, was this EFE Bedford TK in the livery of the Bloxwich Lock & Stamping Co but with local interest added by its load of Vauxhall car parts. It is seen here possibly somewhere near the Luton factory followed by a United Counties Lodekka on a works service and overtaken by a Viva, probably a company car.

Reidar Aulie (1904-1947) - Like før det begynner [Right before it starts] (1948). In the collection of the Stavanger Art Museum, Norway.

 

Looking at Gustav painted 5 years earlier, I wonder if there is some narrative connection? Links aren't working for me today, the URL is flic.kr/p/Nra9Ft

28th June 2005 and

Naval 'might' from the world's Navies gathered in The Solent to celebrate the 200th Anniversary of the Battle of Trafalgar.

 

Carriers in the frame are (port to starboard) - 'R-05' the Royal Navy's HMS Invincible, the US Navy 'LHA-2' USS Saipan and the French Navy's FS 'R91' Charles de Gaulle with her Rafales, Etendards and Hawkeyes aboard.

 

When you look at that beautiful sailing ship off to starboard, it's a shame Nelson's Flagship, The Victory couldn't have sailed out to join them all! - but maybe that French Submarine was stationed there.... just in case!

 

Scanned 35mm transparency

 

Check out the following link for the whole event:

www.outermarker.co.uk/Articles/T200/T200.htm

 

«You have to expect things of yourself before you can do them. »

 

«Des attentes élevées sont nécessaires si on veut les réaliser.»

 

Michael Jordan

 

(View in large on A day on Earth)

Osborne Street, Winnipeg, Manitoba.

Seeing the color change in a few leaves remind me of how my life situations quickly change. When all seems to be too much of a burden to carry, I know that this season is almost complete and that soon heaven will be my home,

Abandoned basketball beside Voulez-Vous Cafe.

I rented my current apartment hastily. The location is right, the size is right, the landlord offered me a spot in the garage for my motorcycle. Thank you craigslist, I'll take it. Across the street was an eyesore of a building, a three-story deserted, boarded up mess. I barely paid attention to the view above that building, but over the months I have come to love the mountain and especially the cross, which I feel protects this household from evil spirits and unwanted pregnancy.

 

They tore down that building across the street, and started rebuilding it. A few weeks ago I realized, in one of those moments where your heart just sinks, that in its place will be a four-story building, and out my window I will see nothing more exciting than the occasional bedroom view, when one of my neighbors forgets to lower the blinds. Since then, as the new building comes up, my days under the spell of the cross have taken on increasing meaning. Yesterday they built the ceiling on the third floor, and out my window this evening the fourth floor is almost finished. They built the two sides of the floor, and, in a thoughtful gesture, have left the middle unbuilt, as if to say, this is your last evening, enjoy.

 

This is one of so many examples of the importance of stimulus vs. context. I would have moved into this apartment if there were no view; for example if there were a four-story building across the street from me before, and they tore it down and replaced it with another four-story building, I would have enjoyed my view during the construction but would not be bothered by the loss of the view when the fourth story was rebuilt. In this case, I have come to understand my apartment as one with a view of the mountain and the cross, and I earnestly feel wronged by its obliteration. Hurt, even.

 

When you recognize that most of how you respond to something is contingent not on the thing itself but on your expectations of that thing, you can conduct yourself in such a way that you're more likely to be pleasantly surprised and will enjoy many more good moods-I call this managing expectations. I go about this by minimizing exposure to preconceptual bias as much as possible. For example, once I decide I'm going to see a movie I will actively avoid talking about it, reading its reviews, I even try to steer clear of the trailer. When I'm being set up on a blind date, I don't want to know what you think of her, just give me her number and I'll arrange it. Expectations are the enemy of a good time.

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