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Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
The Google Headquarters has become famous for its unique design and fun atmosphere. There is now a preconception that their workplace is a fun environment and those new to it would most likely have that expectation going in. And act accordingly.
Clint McClain
"Here lyes in hope and expectation of the joyfull and disyred day of resurrection when the Saviour of the world shall appeare in power and judgment, to awake all those who have slept in Him, to be partakers of the everlasting happiness of the eternall kingdome, Sir Henry Sydney, knight, discended from the stemme of Viscount Lisle, Baron of Penshurst in Kent. Lorde Chamberleyn to the Queenes majestie and governoure of Flushing
His youth was seasoned with the feare of God, duty towards his parents and love to learning, his following aged yielded fruites of hospitality towards all the men of charitie, towards the poore, of faithfulness towards his friendes, and of peaceablenes amongst his neighbours. He and his end was concluded with piety, with patience and with a comfortable farewell at the tearme of 59 yeares, the 2d of November Anno Domini 1612
Here (joynd as well in ye safe hope of a joyfull resurrection as in all piety and conjugall love to the sayd Sir Henry Sidney) rests the body of Dame Jane his wife, daughter of Francis Jermy of Brightwell in Suffolk, esq, who after her peregrination of 73 yeares injoying 28 thereof in the happy society of her sayd husband and continuing his name and memory for 28 more (in a most chast and retired widowhood) upon the 9th of August 1638 departed this life . No lady lived more christiany nor dyed more happily, many daughters have done virtuously but thou excellest them all (proverbs 31.29)"
Henry was the son of Thomas Sydney 1585 & Barbara 1585 daughter of William Walsingham 1534 & Joyce Denny 1496 widow of John Carey & sister of Sir Francis Walsingham
He was the grandson of Agnes & Thomas Sydney 1544 who was employed by the townsmen to buy the priory lands for the town, but on paying £90 to the Crown, kept it for himself.
As the inscription says Henry was Lorde Chamberlain to Queen Elizabeth & Governor of Flushing.
He succeeded his brother Thomas husband of Mary Southwell who died without issue.
He m 1581 Jane (aged 16) daughter of Francis Jermy of Brightwell & Margaret heiress of Thomas Tey of Brightwell & Stutton
Having no children, Henry left all his properties to Jane, and on her death they passed to Robert Sidney, Earl of Leicester and thence to other families.
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Now lying under the west window, their monument once lay in the Sidney chapel here, but was damaged by the fire of 1961 www.flickr.com/gp/52219527@N00/t0K5f6 which also destroyed the jacobean font cover given by Jane www.flickr.com/gp/52219527@N00/o9LW8J She also gave 4 acres of land to support the church minister "for ever"! - Church of St Mary & All Saints, Little Walsingham Norfolk
Divas of Decoupage and Del Ray Artisans present: Women in Art: Body of Work. Curators: Ellyn Fergusen & Vivienne Lukacs. Date: March 5 - 21, 2010. Media: Watercolor. Price: $125.00
With serene and pious expectation John Knox in Geneva Cap awaits in vain a congregation no longer there. This fine carved head sits above the main doorway of the church in Gerrard Street. Despite the signage Knox can't be described as a Street Baptist, more a Street Fighter. Literally and metaphorically Knox is keystone to the building; holding up theologically what was once Gerrard Street Free Church (now Baptist premises). Designed by George Coutts from original plans by Daniel Macandrew the church was opened for worship on 4 February 1900, replacing a more modest structure of 1844. At the time the largely working class congregation was described as "douce sensible folk". This is a grand piece of architecture which sits where was once tenemental and industrial properties, on the eastern side of the city, a far cry from the swish villas further west. The head was probably carved in the yard of Arthur Taylor of Aberdeen.
This weeks photography expectation was to effectively use line to enhance the photo. I feel that i have effectively done so. I effectively used line to draw your eye to the subject, my cat. To setup this photo I followed my cat around the house for about 15 minutes and took pictures. He mostly stayed in the front, most sunlight, room. He was cuddled in-between the windowsill and a bench and they window lines point directly to him. In Photoshop i made the picture black and white because my cat is black and the window is white and it just made sense. i also used cures to darken the window and lighten my cat. I think i did well in using line to point to my cat. If i were to do this photo over again, I would probably take it so he would be more at a rule if thirds without cutting out the lines of the window.
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts