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Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
The #3MichelinStars restaurant #Quince in #SanFrancisco did not disappoint—it exceeded every expectation we had and then some.
From the moment we arrived, we were welcomed into a world where elegance, hospitality, and culinary artistry existed in perfect harmony. We have had the privilege of dining at several Michelin-starred restaurants around the world, including another three-star establishment in the Bay Area, and while there are similarities in service standards and restaurant aesthetics, Quince stood in a class of its own. Every detail seemed thoughtfully curated to make guests feel not merely accommodated, but genuinely honored and celebrated.
The evening became even more memorable when #ChefMichaelTusk himself graciously spent time with us. He spoke with us casually, warmly, and without pretension, as though it were the most natural thing in the world for one of America's most celebrated chefs to mingle among ordinary food lovers. I must admit, I was completely in fan-girl mode. Standing there, speaking with him, and taking a photograph together felt surreal. It was one of those moments where reality feels better than imagination.
The food was extraordinary. Every dish was a masterwork of texture, flavor, aroma, and presentation. Each bite revealed layers of complexity while remaining beautifully balanced. One of the highlights was the addition of caviar as a side accompaniment, enhancing the umami profile of the dishes and creating remarkable depth and richness throughout the meal.
What truly touched us, however, was the generosity of the people. Juan, our host from Mexico, treated us less like paying customers and more like cherished friends. When we shared stories about dining at Pujol in Mexico City and Central in Peru, the conversation sparked something special. To our surprise, Juan and Chef Tusk gifted us a #RelaisAndChateaux travel book to inspire our next culinary adventure.
As if the evening had not already been magical enough, they sent us home with exclusive limoncello from #Cotogna and a bottle of #BlancDeBlancsChampagne tucked into our to-go bag. We were overwhelmed by such kindness and generosity.
This was not simply dinner. It was one of those rare, once-in-a-lifetime experiences where exceptional food, extraordinary people, and heartfelt hospitality come together to create a memory that will last forever.
It is my greatest wish to return someday with my sister so she, too, can experience the finer things in life and witness the magic that places like Quince create.
#WeWillBeBack #Quince #ChefMichaelTusk #MichelinStars #FineDining #SanFrancisco #FoodTravel #LuxuryTravel #CulinaryJourney #RestaurantExperience #MemorableMoments #OnceInALifetime #GraceGritAndGetaways
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Switzerland 2009
These images are not available for use on websites, blogs or other media without my explicit written permission.
© Pedro Nunez 2009, All Rights Reserved
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Swirling the wine in expectation of the party
63 Likes on Instagram
37 Comments on Instagram:
kseven: @9747 @suprexpression @jonzy124 @olhar thank you all so much!
kseven: @abovely
kseven: @moshijuan
intzt: This MUST be in my fav collection!! Pls tag for me... #INTZTlovelovelove
kseven: @intzt #intztlovelovelove
kseven: #jj
lunggom: Beautiful !!
kseven: #spotcolor_challenge
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
17 Likes on Instagram
3 Comments on Instagram:
chaimadachraoui: Lee aada banane o hout ?
malekbenhalima: Ce plat contient 148g de protéines @chaimadachraoui. Où est le déséquilibre Chaymoune?
chaimadachraoui: Maaejebnich , mouch mezyen kima lokhrin
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
Arnold Schönberg's Erwartung - A Performance by Robin Rhode
Robin Rhode imagines Austrian composer Arnold Schönberg's Erwartung (Expectation) in Arnold Schönberg's Erwartung - A Performance by Robin Rhode. In partnership with Performa15. Composed in 1909, Erwartung takes the unusual form of a one-act monodrama for a solo soprano, accompanied by a large orchestra. For Rhode, this atonal opera about love, loss, and lamentation, recalled the many hardships experienced by women in South Africa during and after the fall of Apartheid. Originally set in the moonlit, wilderness of the forest, Rhodeâs reproduction of Arnold Schönberg's Erwartung - A Performance by Robin Rhode interprets Times Square itself to be a contemporary forest filled with light emanating from the electronic billboards instead of the moon. The performance takes place in a huge aria with just one soprano and non-speaking performer carrying out the opera, with the sights and sounds of Times Square acting as a Greek Chorus in the background.
Music by: Arnold Schönberg
Libretto by: Marie Pappenheim
Artistic Director: Robin Rhode
Orchestral Conductor: Arturo Tamayo
Soprano: Carole Sidney Louis
Male Character: Moses Leo
Orchestra: WetInk Ensemble
Executive Producer: Raphael Oeschger
Associate Producers: Performa and Rhodeworks GMBH
Photo Credit: Ka-Man Tse for @TSqArts
First time is amazing. Solving this little thing makes you feel awesome. Then you start to memorize more and more moves. You want more. More challange, more speed. You get fast. Well for your expectation at least. The job only gets harder, the rewards smaller and smaller, but still important. And then there is that guy who did it in 5.55. Thank you mister Rubik.
The Laburnum Arch is ready to burst into bloom. The structure and expectation is worthy of photos at present, not quite so many people present
“The expectation is that this will turn around mid month. But right now, the state is in a bad place for a lot of different reasons, hospital staffing is the biggest reason. We’re under immense pressure.” ~Paul Thottingal, MD
National CMO for Kaiser, Incident Commander
"Honey! Are we expecting Guests for Lunch?"
Its a common belief in Tamil Households, that you can expect guests with the crowing of Crows. Know not, who crowed to make these Crows wait with expectation?
The album contains a mixture of 60 cabinet and cdv photographs and was bought at a flea market in Beccles Suffolk in 2017
What's over there?
We are nominees for the Flicky!
Category: Excellence in Domestic Animal/Pet Photography
If you like our pics, you can vote for us here:
Our daughter takes out the umbrella and waits fo the inevitable rain during monsoon, Pokhara, Nepal.
Many analysts are bracing for a new economic crisis, or at least a slowdown; other countries like India can come on top, predicts Gustavo de Arístegui. For starters, every prediction of growth puts India on the World Champion spot from 2016 through 2018 with rates of around 7-7.9 per cent per annum. It doesn’t mean that India should discard reform programmes—it’s actually a wake-up call to intensify them. They should minimise corruption and work for the betterment. This crisis, a new kind of slowdown, one that affects more the financial economy than the real economy, can be India’s new golden opportunity.
The country needed to be prepared for this, and although it has come a long way in implementing deep economic and structural reforms, it still has a lot to do say Gustavo de Arístegui. Since Jim O’Neil coined the term BRIC, much water has flown under the bridge. Then, not many thought much of the economic potential of the BRIC group except China. Today India is not only the best-performing economy among them, but also in the world in terms of growth. Other giants like Brazil and Russia are not expected to go back into positive growth till 2019. Corruption leads to a drawback in this expectation.
This new slowdown is not yet a full-fledged crisis, but it’s one that affects more intensively commodity-based economies, except China, an industrial power, and some banks claims Gustavo de Arístegui. The commodity crash has been driven by weak oil prices, and some banks have been affected, among other reasons, for over-lending to oil giants and because some sovereign funds of oil-rich nations, which had heavily invested in banks, have had to sell their stake to help their ailing treasuries. It doesn’t really affect the real economy that is still doing quite well in other sectors.
According to Gustavo de Arístegui, India could benefit from this situation for many reasons. First, its energy bill has dramatically shrunk due to present oil prices. The savings go into tens of billions of dollars that are having a serious effect on the pockets of ordinary citizens. But the important aspect is that they need to minimise corruption.
India has to intensify its infrastructure programme, as it badly needs to gain competitiveness in being able to export goods at prices that are not burdened by transport costs and delays, also due to internal fiscal borders that should disappear with the adoption of GST. This infrastructure plan in itself (at $200 billion a year) is going to be a phenomenal growth motor, and India could overtake China as the world’s largest construction site predicts Gustavo de Arístegui. If it happens, India could become a serious export power—a major source of growth—something it has not yet achieved.
This conjuncture could push the much-needed reform agenda, and deepen the changes to make India even more attractive to foreign investment, as FDI looks for stable, safe, and business-friendly environments—some ripples as retroactive taxes have to be addressed. In a world of uncertainties and grave geopolitical instability, India is a safe haven for investment, which on top of that is going to have guaranteed returns—not only based on its gigantic internal market, but also its positive international and export perspectives.
India has a fantastic opportunity to take its place among geo-economic powers, and not only among demographic giants, military powers or the biggest geopolitical players, all of which it already is. The country has another essential wealth: tons and tons of ‘soft power’, the kind that has put India and its rich history at the centre of the planet’s respect and admiration. On the other hand, India is regarded as a highly responsible international actor, which adds to the world stability amid incendiary conflicts, terrorism, geopolitical instability, and what seems to be a time of profound geo-economic stress. In some major economies, the political situation seems to be gloomy and focus on corruption. These countries were traditional destinations of FDI that will surely shy away from these markets looking for more stable environments like India clearly has become. It is becoming obvious that India is the place to be as scores of people are flocking to its cities, markets and cultural sites, reckons Gustavo de Arístegui. It is of the essence that this intensive and renewed interest in the country does not distract the government, bureaucrats and business from the fundamental goal: the development of the nation in all its aspects, not only the economic one.
#GustavodeArístegui, #BorjadeArístegui, #AutoProcesamientoAristegui, #GustavoManueldeArísteguiySanRomán, #GustavoArístegui, #SpanishAmbassadorGustavoDeArístegui