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(from - Wrigley's 1918 British Columbia Directory) - RAFT RIVER - a post office, at Clearwater Crossing flag station on the C.N. Railway, 70 miles north of Kamloops, in Kamloops Provincial Electoral District. Is served by the C.N.R. to Birch Island, the nearest station, 3 1/2 miles, by river boats on the North Thompson from Kamloops, and by auto stage from Kamloops. Nearest G. N. W. telegraph office is at Burch Island. Has Anglican church. The population in 1918 was 46. Local resources: Mining and ranching, especially sheep; centre for best trapping grounds in Interior; water power at Raft River Falls; excellent game district, especially bear and mountain goat.
RAFT RIVER - One can speculate that the North Thompson Overlanders had trouble with a raft here; more probably it marks a site of raft construction during CPR surveys; they had a supply depot here.
CLEARWATER - This was early known as the Clear Water for the contrast of its water with opacity from glacial silt in the North Thompson.
The RAFT RIVER Post Office opened - 16 June 1910. Name changed to Clearwater Station Post Office - 1 February 1925 in association with CNR's station which had opened c. 1921-23. Name changed to Clearwater Post Office - 11 October 1961.
LINKS to a list of the Postmasters who served at the RAFT RIVER Post Office - central.bac-lac.gc.ca/.redirect?app=posoffposmas&id=1... and the CLEARWATER STATION Post Office - central.bac-lac.gc.ca/.redirect?app=posoffposmas&id=1...
The above water heights card signed by - Arthur Harby
John Arthur Patrick Harby
(b. 18 March 1878 in England - d. 23 May 1948 at age 70 in Kamloops, B.C. / Clearwater, B.C.) - his occupation - Fire Ranger / Provincial Government Forestry Service & Water Heights observer for Clearwater River. LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/53...
The old man by Dutch Lake - Clearwater retiree enjoys his roots to the area and life by the lake - A little bit of Clearwater history - “My grandparents moved to Clearwater in the early 1900s,” says Ken Grant. “First, my grandfather Arthur Harby (Forest Ranger and signer of this water card) came from Scotland, soon followed by his brother Bill (Raft River / Clearwater Postmaster & Ferryman).” They discovered that the soil around Dutch Lake allows for excellent berry growing – strawberries, blueberries, blackberries, raspberries, etc. and so they started a successful berry farm. They shipped their produce by train to Edmonton. LINK to the complete article - www.barrierestarjournal.com/life/the-old-man-by-dutch-lake/
Forest Ranger Arthur Harby acquired the now MacMillan property in 1934 with the idea of operating fishing camps along the Clearwater River, and he also built a cabin at White Horse Bluff.
His wife: Margaret (nee Laird) Harby
(b. 6 August 1879 in Scotland - d. 17 February 1978 at age 98 in Kelowna, B.C.) - LINK to her death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/a7...
Mrs. Margaret Harby, a pioneer of Clearwater, passed away in Kelowna at the age of 98. Born in Govan, Scotland, she had come to Clearwater with her family in 1920. The next year they established a mixed strawberry, raspberry and small fruits farm next to Dutch Lake.
His brother - William "Bill" George Harby
(b. 10 October 1881 in Cookstown, County Tyrone, Northern Ireland - d. 6 September 1970 at age 88 in Kamloops, B.C.) - his occupations - Ferryman and Postmaster at RAFT RIVER, serving as postmaster from - 19 June 1920 to 1924. He never married. LINK to his Personnel Records from the First World War - www.bac-lac.gc.ca/eng/discover/military-heritage/first-wo... LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/cf...
- sent from - / RAFT RIVER / FE 10 / 23 / B.C. / - split ring cancel - this split ring hammer (A1-1) was proofed - 16 April 1910 - (RF D).
Water Card was addressed to: Division Engineer / Dominion Water Power Branch / Box 429 / Kamloops, B.C.
Water card observation card signed on the back by the observer A. Harby. He did water height observations on the Clearwater River, British Columbia.
The-Light-Painter
Naturfotografie Naturphotographie
Delight
just what: observer and eye-catcher!
nur was für : Beobachter und Hingucker !
gelungene Dekoration durch Beleuchtung
gesteigert.
interesting pictures Bright-spots
Breathtaking and Color
[ENG] Santa María de Naranco is one of the most enigmatic and harmonious monuments of Western architecture. It is an old palace that was the Aula Regia of the palace complex that King Ramiro I (842-850) ordered to be built on the outskirts of the capital of the kingdom of Asturias. It was completed in the year 842. Its artistic style is the so-called Asturian or "ramirense" art, within the pre-Romanesque period. It functioned as a temple from the collapse of the chevet and part of the naves of San Miguel de Lillo (12th century) until its restoration in the years 1929-1934. It is located on the southern slope of Mount Naranco, about 4 km from Oviedo (Asturias, Spain). It was declared a World Heritage Site by UNESCO in 1985. More photos in the album Santa María de Naranco (9th century)
[ESP] Santa María de Naranco es uno de los monumentos más enigmáticos y armoniosos de la arquitectura occidental. Es un antiguo palacio que fue el Aula Regia del conjunto palacial que el rey Ramiro I (842-850) mandó construir en las afueras de la capital del reino de Asturias. Se terminó en el año 842. Su estilo artístico es el denominado arte asturiano o "ramirense", dentro del prerrománico. Funcionó como templo desde el derrumbamiento de la cabecera y de parte de las naves de San Miguel de Lillo (siglo XII) hasta su restauración en los años 1929-1934. Se ubica en la ladera meridional del Monte Naranco, a unos 4 km de Oviedo (Asturias, España). Fue declarado Patrimonio Mundial de la Humanidad por la Unesco en 1985. Más fotografías en el álbum Santa María de Naranco (siglo IX)
23P1486
The "new" lighthouse was built in 1806, the old Chalk Tower in 1669 (shown in a previous photo). The round brick tower with a double gallery is 89 feet tall and attached to a two story stone keeper's house. All painted white with turquoise trim. The light signal is 4 white flashes every 15 seconds.
Located on a rocky point jutting out into the North Sea about 6 miles northeast of Bridlington. A popular tourist attraction.
[ENG] The Generalife is a rural village inhabited by the Nasrid kings of Granada for their rest, surrounded by gardens and orchards. It is located in Granada (Spain), near the Alhambra. Construction began in the 13th century in the Arab-Nasrid style commissioned by Muhammed II, and has undergone reforms and additions promoted by his successors. The garden is organized in terraces to adapt to the land, and they have been cultivated without interruption to this day. The current gardens were designed in the 19th century and retain nothing of the medieval approach. It is declared a World Heritage Site by UNESCO. Other pictures in Generalife, Granada (Spain) album.
[ESP] El Pabellón norte es el mejor conservado. Se abre al Patio de la Acequia por una galería de cinco arcos de medio punto, el central de mayores dimensiones, que apoyan en capiteles decorados con una granada en cada lado, y se cubre con una bóveda de lazo de madera. La entrada al pabellón se realiza por una puerta de tres arcos de medio punto, el central de mayor anchura, que descansan en bellos capiteles de mocárabes, y se puede cerrar por una puerta de madera de dos hojas. Sobre estos arcos se abren cinco ventanas dotadas de una celosía. En el muro norte se abre un mirador construido en la época de Ismail I (1319).
El Generalife es una villa rural que habitaron los reyes nazaríes de Granada para su descanso, rodeada de jardines y huertos. Está situado en Granada (España), cercano a la Alhambra. La construcción se inició en el siglo XIII en estilo árabe-nazarí por encargo de Muhammed II, y ha sufrido reformas y añadidos impulsadas por sus sucesores. La huerta está organizada en bancales para adaptarse al terreno, y se han cultivado sin interrupción hasta nuestros días. Los jardines actuales fueron diseñados en el siglo XIX y no conservan nada del planteamiento medieval. Está declarado Patrimonio de la Humanidad por la Unesco. Más fotografías en el álbum Generalife, Granada (España)
198533
[ENG] "It was the time you spent with your rose that made it so important". Antoine de Saint-Exupery, Le Petit Prince
[ESP] "Fue el tiempo que pasaste con tu rosa lo que la hizo tan importante". Antoine de Saint-Exupery, Le Petit Prince
Rosaleda de Madrid (España). "La mortola". Obtenida por Hambory, Gran Bretaña, 1958 - Rosa brunonii (rosaceae)
160338
[ENG] The Church of Saint Andrew de Salardú, located in the Aran Valley (Lleida, Spain), was built between the 12th and 13th centuries in a transitional Romanesque to Gothic style. It has a basilica plan with three naves and four sections, and head-board of three semicircular apses. The most outstanding elements are a valuable polychrome wood carving (12th century) known as the Christ of Salardú, the bell tower of 25 m. high (15th century), the Romanesque portal of five archivolts adorned with plant motifs supported by columns, and the exceptional set of Renaissance wall paintings (17th century). More photos in the album Church of Saint Andrew of Salardu, Aran Valley.
[ESP] En la cabecera de la iglesia de Sant Andreu de Salardú luce un excepcional conjunto pictórico renacentista, el más extenso y mejor conservado del Valle de Arán. Permaneció oculto durante mucho tiempo y fue recuperado a finales del siglo XX. Las pinturas del presbiterio son las más antiguas (1540) y de mayor calidad, representan a Cristo entronizado vistiendo amplia capa púrpura y con el orbe terrestre en la mano, rodeado de los Evangelistas, en la bóveda, y el martirio de San Andrés y la decapitación de San Juan Bautista en los muros laterales. En las paredes del primer tramo podemos contemplar un extenso programa iconográfico pintado a partir de 1584 representando Santos, las Virtudes teologales y cardinales y escenas de las vidas de María y San Andrés.
La Iglesia de Sant Andreu de Salardú, situada en el Valle de Arán (Lleida, España), se construyó entre los siglos XII y XIII en estilo románico de transición al gótico. Es de planta basilical con tres naves y cuatro tramos, y cabecera con tres ábsides semicirculares. Los elementos más destacados son una valiosa talla en madera policromada (siglo XII) conocida como el Cristo de Salardú, la torre campanario de 25 m. de altura (siglo XV), la portada románica de cinco arquivoltas adornadas con motivos vegetales que apoyan en columnas, y el excepcional conjunto de pinturas murales renacentistas (siglo XVII). Más fotografías en el álbum Iglesia de San Andrés de Salardú, Valle de Aran.
195915
Manual eng.-http://ussrphoto.com/Wiki/default.asp?WikiCatID=36&ParentID=4&ContentID=679&Item=Zenit+11+Manual+%28English%29
Großer Ahornboden, Hinterriss-Eng - Tyrol / Austria
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FUJI GW670iii - FUJINON 90mm f/3.5 - Kodak Ektar 100
[ENG] The complex of Wetlands of Sastago-Bujaraloz constitutes a set of endorheic lagoons without drainage, temporary and saline, considered as the most extensive and important in Europe, being unique for its peculiarities. It is located between the towns of Bujaraloz (Huesca, Spain) and Sástago (Zaragoza, Spain) between the regions of Los Monegros and the Ribera Baja de Ebro. These lagoons are flooded after the rains, and some - located below the water table - They also receive underground water, the latter being the ones with the highest concentration of salts. The evaporation exposes the bottom of the lagoon with a characteristic white saline crust. The vegetation that lives in the salt flats is adapted to low rainfall and extreme temperatures, and is arranged in concentric rings depending on its tolerance to salinity, the macrophytes appearing inside the buckets. Among the inhabitants of the salt flats, the aquatic invertebrates that have adapted their cycle to the presence of water stand out. And in its vicinity you can see foxes, rabbits, garden dormouse and ocellated lizards, as well as the birds short-toed snake eagle, Eurasian stone-curlew, golden eagle, common sandpiper, lesser kestrel, Dupont's lark, black-bellied sandgrouse and pin-tailed sandgrouse.
The Salada de la Playa is the largest of the whole and with the greatest presence of water, in which there are ruins of constructions related to the exploitation of salt dating from the 17th and 18th centuries, between those that include evaporation terraces, wells, salt store and barracks of soldiers guarding the farms.
Other pictures in Saladas de Sástago-Bujaraloz album.
[ESP] El complejo de Humedales de Sástago-Bujaraloz constituye un conjunto de lagunas endorreicas (sin desagüe), temporales y salinas, considerado como el más extenso e importante de Europa, siendo único por sus particularidades. Está situado entre las localidades de Bujaraloz (Huesca, España) y Sástago (Zaragoza, España) entre las comarcas de Los Monegros y la Ribera Baja de Ebro. Estas lagunas se inundan tras las lluvias, y algunas –situadas por debajo del nivel freático- también reciben agua subterráneas, siendo estas últimas las que tienen mayor concentración de sales. La evaporación deja al descubierto el fondo de la laguna con una costra salina blanca característica. La vegetación que vive en las salinas está adaptada a las lluvias escasas y a las temperaturas extremas, y se dispone en anillos concéntricos en función de su tolerancia a la salinidad, apareciendo en el interior de las cubetas los macrófitos. Entre los moradores de las salinas destacan los invertebrados acuáticos que han adaptado su ciclo a la presencia de agua. Y en sus proximidades se pueden observar zorros, conejos, lirón careto y lagartos ocelados, así como las aves culebrera europea, avutarda, archibebe común, alcaraván, ágila real, andarríos chico, cernícalo primilla, rocín o alondra de Dupond, ganga ortega y ganga común.
La Salada de la Playa es la mayor de todo el conjunto y con mayor presencia de agua, en la que existen ruinas de construcciones relacionadas con la explotación de la sal que datan de los siglos XVII y XVIII, entre las que se incluyen eras de evaporación, pozos, almacén de sal y cuartel de soldados que custodiaban las explotaciones.
Más fotografías en el álbum Saladas de Sástago-Bujaraloz
197878
[ENG] The Granada Cathedral, or the Cathedral of the Incarnation, shows impressive fronts and a magnificent interior with a grand altarpiece, several chapels and a sepulchral chamber in that the tombs of the Catholic Monarchs are situated. His construction began in 1523 in the place where the former Major Mosque had been placed under the direction of the architect Enrique Egas who conceived the temple in Gothic style, though his work remained limited to the foundation. In 1529 Diego de Siloé took charge of the works following his project of Renaissance lines, with ambulatory and five naves (instead of the three habitual ones) and it remained concluded in 1563. The main facade was undertaken in 1664 by Alonso Cano, in which Baroque elements were introduced. In 1706 Francisco de Hurtado Izquierdo and later his collaborator José Bada they constructed the current tabernacle of the cathedral. Only there got up a tower of three bodies instead of the two of six bodies projected. The lateral naves are closed in numerous chapels of different epochs and styles.
[ESP] La Catedral de Granada, o Catedral de la Anunciación, muestra impresionantes fachadas y un magnifico interior con un grandioso retablo, varias capillas y una cámara sepulcral en la que se hallan las tumbas de los Reyes Católicos. Su construcción se inició en 1523 en el lugar donde había estado situada la antigua Mezquita Mayor bajo la dirección del arquitecto Enrique Egas que concibió el templo en estilo gótico florido, aunque su trabajo quedó circunscrito a la cimentación. En 1529 Diego de Siloé se encargó de las obras siguiendo su proyecto de líneas renacentistas, con girola y cinco naves (en lugar de las tres habituales) y quedó concluido en 1563. La fachada principal fue emprendida por Alonso Cano en 1664, en la que se introdujeron elementos barrocos. En 1706 Francisco de Hurtado Izquierdo y posteriormente su colaborador José Bada construyeron el actual sagrario de la catedral. Sólo se levantó una torre de tres cuerpos en lugar de las dos de seis cuerpos proyectadas. Las naves laterales se cierran en numerosas capillas de diferentes épocas y estilos.
083876
ENG: Yesterday, Sunday 22.05.2022 I participated in a six-hour Lost Places photo tour of go2know.de on the old and rundown airport site Rangsdorf and was once again heavily inspired. This time I provide a larger series here. ☻
In the 1930s, the Rangsdorf airfield was both a sports airport and an aircraft factory. While the manufacturer Bücker built sports aircraft in the huge production halls, there was always something going on outside on the airfield. Spectacular air shows were held regularly, with daredevil pilots performing daring pirouettes in the sky. Heinz Rühmann was a regular guest as a sports pilot. This is where the pioneers of aviation made history. The old airfield has been almost completely preserved with its many hangars, bunkers and outbuildings. However, the buildings are extremely dilapidated. Most recently, the Russians had used the site to repair their planes and helicopters. Russian writings and paintings can be seen everywhere. (...)
PROFILE:
- 1935: "Die Bücker-Werke-Rangsdorf" Bücker aircraft construction with production halls and factory airfield.
- 1936: Expansion of the site as a Reich sports airport with a water aerodrome and the first sports flying school
- 1939: Berlin commercial airport (temporary replacement for Tempelhof with German Lufthansa)
- 1940: Air base of the German Air Force
- 1945: Soviet Air Force base (maintenance, repair and overhaul of piston engines, jet engines and helicopters)
- 1994: Withdrawal of the Red Army and decommissioning
• • •
GER: Am gestrigen Sonntag den 22.05.2022 habe ich bei einer sechsstündigen Lost Places Fototour von go2know.de auf dem alten und heruntergekommenen Flughafengelände Rangsdorf teilgenommen und war mal wieder schwer begeistert. Diesmal stelle ich hier eine größere Serie bereit. ☻
Der Rangsdorfer Flugplatz war in den 1930er Jahren Sportflughafen und Flugzeugwerk zugleich. Während der Hersteller Bücker in den riesigen Produktionshallen Sportmaschinen baute, war draußen auf dem Flugfeld immer etwas los. Es gab regelmäßig spektakuläre Flugshows, bei denen sich tollkühne Piloten mit waghalsigen Pirouetten in den Himmel schraubten. Heinz Rühmann war als Sportpilot Stammgast. Hier haben die Pioniere der Luftfahrt Geschichte geschrieben. Der alte Flugplatz ist mit seinen vielen Hallen, Hangars, Bunkern und Nebengebäuden nahezu vollständig erhalten geblieben. Die Gebäude sind aber extrem verfallen. Zuletzt hatten die Russen das Gelände für die Instandsetzung ihrer Flugzeuge und Hubschrauber genutzt. Überall sieht man russische Schriften und Malereien. (…)
Steckbrief:
- 1935: „Die Bücker-Werke-Rangsdorf“ Bücker-Flugzeugbau mit Produktionshallen und Werkflugplatz
- 1936: Erweiterung des Geländes als Reichssportflughafen mit Wasserflughafen und der ersten Sportfliegerschule
- 1939: Verkehrsflughafen von Berlin (Temporärer Ersatz für Tempelhof mit Deutscher Lufthansa)
- 1940: Fliegerhorst der deutschen Luftwaffe
- 1945: Standort der sowjetischen Luftwaffe (Instandsetzung, Wartung und Reparatur von Kolbenmotoren, Strahltriebwerken und Hubschraubern)
- 1994: Abzug der Roten Armee und Stillegung
[ENG]
This week theme for the group MACROMONDAY is : The periodic table.
It was pretty hard to do this shot. My first problem was to calibrate light, and I was able to do only with a ND8 filter and a polarizer. Then I used a 430EXII flash at 1/2 power to light the glass and another 430EXII to light the background at full power. Balanced light for "fluorescent" to warm up the tungsten filament and get that bluish reflection on the glass.
But the worst thing was reflections over the bulb. I couldn't get rid of them in any way. At the end I managed to shape them to suggest the round shape of the bulb.
Canon EF-S 18-55mm f/3.5-5.6 is my lens, with a 21mm macro extension tube, trigger and receivers.
ISO 100, f11, 1/200
HMM!
If you like it, press F
looking for a better view? press L
[ITA]
Foto realizzata per il gruppo MacroMonday.
Il tema di questa settimana è La tavola periodica.
E' stato parecchio complicato riuscire ad ottenere questo scatto. Il primo problema è stato ovviamente la luce. Sono riuscito ad avere la meglio su quel filamento incandescente solo mettendo un filtro ND8 ed un polarizzatore davanti all'obiettivo.
Dopodichè ho usato un flash 430EXII laterale a 1/2 potenza per illuminare le parti in vetro e un'altro a piena potenza per illuminare lo sfondo. Ho usato il bilanciamento del bianco su "fluorescente" per riscaldare un pochino la luce del filamento ed ottenere quei riflessi blu sul vetro.
Ma il vero problema è stato gestire i riflessi! Dopo decine di modifiche e tentativi, non sono riuscito a fare altro che a modellarli leggermente, in modo da suggerire la forma rotonda della lampadina.
Come lente il Canon EF-S 18-55mm f/3.5-5.6 con un tubo estensore da 21mm, trigger radio e ricevitori.
ISO 100, f11, 1/200
HMM!
se vi piace, premete F
se volete vederla meglio, premete L
[ENG]
This is my contribution to the group Active Assignment Weekly for the theme Opposite Attract.
My opposites are up/down, left/right hand and blue/red :-)
WIT: two Canon 430EX II flashes, one from above with a blue gel, the other one onthe opposite side with a red gel. A tripod and my bare hands.
SOOC
Thank you for viewing.
If you like it, press F
wanna see it larger? press L
[ITA]
Ecco il mi contributo al gruppo Active Assignment Weekly per il tema Opposite attract.
Ho cercato di rendere contemporaneamente più concetti "opposti" come sopra/sotto, mano destra/mano sinistra ecc. ma credo che se ne possano attribuire molti altri.
Il setup è piuttosto semplice, due flash Canon 430EX II uno sopra con un gel blu e l'altro sotto con un gel rosso.
se vi piace, premete F
se volete vederla meglio, premete L
Großer Ahornboden - Hinterriss-Eng, Tyrol / Austria
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FUJI GA645Wi - FUJINON 45mm f/4 . Kodak Portra 160
Grosse Île (Quebec, Canada). The Physicians' Residence
[ENG] Built in 1912, this brick house includes two floors and habitable attics; its four-sided roof, truncated at the top, counts many dormer windows. This foursquare house, which faces the river, is monumental, symmetrical, and offers maximum space and comfort. The physicians' residence was built because of the huge number of immigrants that arrived in Quebec before 1915. At the time of its construction, the number of hospitalizations on Grosse Île had quadrupled since the beginning of the century; the hiring of more physicians became essential. (www.pc.gc.ca/eng/lhn-nhs/qc/grosseile/natcul.aspx)
[ESP] Esta casa de ladrillo, construida en 1912, cuenta dos pisos y buhardilla, y su tejado a cuatro aguas está dotado de tragaluces. Esta sólida casa, con la fachada orientada al río, es monumental y simétrica, y ofrece un máximo de espacio y de comodidad. Esta residencia se construyó en el contexto de las grandes oleadas de inmigración a Quebec anteriores a 1915. En el momento de su construcción, las hospitalizaciones en la Grosse Île se cuadruplicaron en comparación con las de principios del siglo y la contratación de médicos suplementarios se revelaó como fundamentsal. (traducido de www.pc.gc.ca/fra/lhn-nhs/qc/grosseile/natcul.aspx)
116915
[ENG] Santa María de Naranco is one of the most enigmatic and harmonious monuments of Western architecture. It is an old palace that was the Aula Regia of the palace complex that King Ramiro I (842-850) ordered to be built on the outskirts of the capital of the kingdom of Asturias. It was completed in the year 842. Its artistic style is the so-called Asturian or "ramirense" art, within the pre-Romanesque period. It functioned as a temple from the collapse of the chevet and part of the naves of San Miguel de Lillo (12th century) until its restoration in the years 1929-1934. It is located on the southern slope of Mount Naranco, about 4 km from Oviedo (Asturias, Spain). It was declared a World Heritage Site by UNESCO in 1985. More photos in the album Santa María de Naranco (9th century)
[ESP] Santa María de Naranco es uno de los monumentos más enigmáticos y armoniosos de la arquitectura occidental. Es un antiguo palacio que fue el Aula Regia del conjunto palacial que el rey Ramiro I (842-850) mandó construir en las afueras de la capital del reino de Asturias. Se terminó en el año 842. Su estilo artístico es el denominado arte asturiano o "ramirense", dentro del prerrománico. Funcionó como templo desde el derrumbamiento de la cabecera y de parte de las naves de San Miguel de Lillo (siglo XII) hasta su restauración en los años 1929-1934. Se ubica en la ladera meridional del Monte Naranco, a unos 4 km de Oviedo (Asturias, España). Fue declarado Patrimonio Mundial de la Humanidad por la Unesco en 1985. Más fotografías en el álbum Santa María de Naranco (siglo IX)
23P1494
[ENG] The church of Bossost , dedicated to the invocation of the Mother of God of Purification, is one of the best preserved in the entire Val d'Aran region, and a clear example of the prototype of a Romanesque church of the valley (very horizontal buildings, with three naves and three semicircular apses and a very marked gable in the presbytery). It was built in the first half of the 13th century, and includes many foreign decorative elements: strips of blind semicircular arches in the bell tower and apses, or the small vertical lesenes (pilaster strip) on the outside of the apse, both typical of Lombard Romanesque, checkered jaques on the front and eaves… Outside the temple, the highlights are the bell tower, the head and its two façades. More photos in the album Church of Bossost, Aran valley (Spain).
[ESP] Los tramos rectos del presbiterio y de los muros sur y norte comparten un motivo ornamental: los canecillos con rostros humanos en que descansa la cornisa del alero. Son múltiples, y cada rostro trata de transmitir una emoción diferente (burlones, otros expresan quietud, o quizás temor).
La iglesia de Bossost, dedicada a la advocación de la Mair de Diu dera Purificacion, es una de las mejor conservadas de toda la comarca del Val d'Aran, y un claro ejemplo del prototipo de iglesia románica aranesa (edificios muy horizontales, con tres naves y tres ábsides semicirculares y un hastial muy marcado en el presbiterio). Fue construida en la primera mitad del siglo XIII, e incluye muchos elementos decorativos foráneos: franjas de arquillos ciegos de medio punto en campanario y ábsides, o las pequeñas lesenas verticales en el exterior del ábside, ambos propios del románico lombardo, ajedrezado jaqués en portada y aleros… En el exterior del templo, lo más destacado son el campanario, la cabecera y sus dos portadas.
Más fotografías en el álbum Iglesia de Bossòst, Valle de Aran (España).
162243
[ENG] Attached to the north wall of the church, in what possibly it was going to constitute a lateral nave, there is situated a hall to which one accedes for the exterior door and that conects, on the one hand with a portico or rectangular lounge, for other one with the lateral apse and for the front with the church. The facade of the portico divides in four sections, in each of which a wide large window is opened surrounded by arches lightly pointed that roll over on thin columns with capitals of vegetable ornamentation.
[ESP] Adosado al muro norte de la iglesia, en lo que posiblemente iba a constituir una nave lateral, se halla un vestíbulo al que se accede por la puerta exterior y que comunica, por un lado con un pórtico o salón rectangular, por el otro con el ábside lateral y por el frente con la iglesia. La fachada del pórtico se divide en cuatro tramos, en cada uno de los cuales se abre un amplio ventanal rodeado por arcos ligeramente apuntados que voltean sobre finas columnillas con capiteles de ornamentación vegetal. El alero está sostenido por canecillos.
101166
There are 15 web pages listing Ottawa, Gatineau & area half marathoners. This web page lists the area half-marathoners who have first names starting with a C to Corey.
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For the names of the other half-marathon runners, go to the set called "Ottawa-area Half-marathoners" which has links to the full directory of names i.e., all 15 web pages.
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To access race statistics AND pictures (if available), first click on this Sportstats’ link and enter the runner's last and first names, and then click on Search.
===================================
The names are derived from the following half-marathon races:
i) 2010 Canada Army Run (link for photos only)
ii) 2010 Ottawa Fall Colours (link for photos only)
iii) 2010 Nine Run Run (link for photos only)
iv) 2011 Winterman (link for photos only)
v) 2011 Ottawa Race Weekend (link for photos only)
vi) 2011 Canada Army Run (link for photos only)
vii) 2011 Scotiabank Waterfront (link for photos only)
The pictures are available for sale from ASI Photos, Zoom Photo, etc.
---------------------------------
(list no. 3, in order by first name)
1….C Chung….Ottawa….M30-39
2….C Line Beaudoin….Ottawa….F50-59
3….C Line Houle….Ottawa….F50-59
4….Cait Hurcomb….Ottawa….F25-29
5….Caitlin Charman….Ottawa….F30-34
6….Caitlin Currie….Ottawa….F25-29
7….Caitlin O'Higgins….Ottawa….F20-24
8….Caitlin Viitamaki….Ottawa….F20-29
9….Cal Goodger….Carp….F40-49
10….Cal Mitchell….Ottawa….M40-49
11….Caleb Netting….Ottawa….M20-29
12….Caleb Walker….Ottawa….M20-29
13….Calvin Mak….Ottawa….M20-29
14….Calvin Reid….Ottawa….M20-29
15….Cam Miller….Ottawa….M40-44
16….Cam Wilson….Gloucester….M45-49
17….Camellia Asbreuk….Nepean….F20-29
18….Cameron Beare….Ottawa….M19 & under
19….Cameron Best….Richmond….M30-34
20….Cameron Doyle….Ottawa….M40-44
21….Cameron Fairlie….Ottawa….M20-29
22….Cameron Fraser….Ottawa….M50-59
23….Cameron Palmer….Nepean….M40-49
24….Cameron Passmore….Nepean….M40-49
25….Camil Giguere….Ottawa….M50-59
26….Camilien Lamadeleine….Embrun….M30-39
27….Camille Arkell….Ottawa….F25-29
28….Camille Bean….Ottawa….F19 & under
29….Camille Flipot….Cantley….F20-29
30….Camille Guertin….Ottawa….F20-24
31….Camille Matute….Ottawa….F20-24
32….Camille Poirier….Orleans….M40-49
33….Candice Bedard….Ottawa….F30-34
34….Candice Dandurand….Ottawa….F30-34
35….Candice Hilder….Ottawa….F30-39
36….Candida Cianci….Hull….F25-29
37….Cara Berends….Mountain….F25-29
38….Cara Doxsee….Stittsville….F40-44
39….Cara Thibault….Ottawa….F40-49
40….Cara Weiss….Kanata….F30-34
41….Carey Jones….Ottawa….M50-59
42….Cari Minogue….Ottawa….F20-29
43….Carie Horning….Ottawa….F30-39
44….Carie Lalonde….Gatineau….F30-34
45….Carin Goodman….Kanata….F65-69
46….Carl Boissy….Ottawa….M50-54
47….Carl Brida….Cornwall….M30-39
48….Carl Habel….Orleans….M45-49
49….Carl Hildebrand….Ottawa….M25-29
50….Carl Hume….Orleans….M35-39
51….Carl Lacroix….Rockland….M30-34
52….Carl Marcotte….Ottawa….M40-49
53….Carl Moniz….L'Ancienne-Lorette….M25-29
54….Carl Vaillancourt….Crysler….M40-49
55….Carla Clouthier….Ottawa….F20-24
56….Carla Harding….Ottawa….F30-39
57….Carla Harding….Ottawa….F20-29
58….Carla Richer….Osgoode….F30-39
59….Carla Samms….Ottawa….F25-29
60….Carleen Hicks….Kanata….F40-49
61….Carli Grady….Ottawa….F30-39
62….Carlos O'donell….Deep River….M30-34
63….Carlos Pinera….Gatineau….M50-54
64….Carlos Zabaneh….Kanata….M35-39
65….Carly Casey….Orleans….F19 & under
66….Carly Hasselman….Orleans….F35-39
67….Carly Lachance….Ottawa….F20-29
68….Carly Rogers….Ottawa….F20-29
69….Carly Teckles….Ottawa….F25-29
70….Carly Wolff….Ottawa….F25-29
71….Carmelle Sullivan….Ottawa….F20-29
72….Carmen Davidson….Kanata….F50-59
73….Carmen Saumure….Orleans….F50-54
74….Carmen Vierula….Ottawa….F50-59
75….Carol Bennett….Ottawa….F40-44
76….Carol Boucher….Greely….F40-49
77….Carol Cameron….Orleans….F50-59
78….Carol Campbell….Ottawa….F60-64
79….Carol Chenette….Ottawa….F55-59
80….Carol Diguer….Stittsville….F40-44
81….Carol Doiron….Ottawa….F40-44
82….Carol Evans….Ottawa….F35-39
83….Carol Joly….Ottawa….F70+
84….Carol Jr Groulx….Cantley….M30-34
85….Carol Leach….Ottawa….F55-59
86….Carol O'Malley….Carp….F40-44
87….Carol Theoret-Douglas….Ottawa….F50-54
88….Carol White….Ottawa….F50-59
89….Carol Wiebe….Wakefield….F40-49
90….Carole Barabe….Ottawa….F50-59
91….Carole Benoit….Gatineau….F35-39
92….Carole Buxcey….Cobden….F45-49
93….Carole Charlebois….Navan….F55-59
94….Carole Chenard….Ottawa….F40-49
95….Carole Gagnon….Orleans….F40-49
96….Carole Gaudes….Orleans….F40-49
97….Carole Groleau….Pembroke….F40-49
98….Carole Hargrave….Stittsville….F40-49
99….Carole Harrison….Ottawa….F50-59
100….Carole Lemieux….Orleans….F45-49
101….Carole Lepage….Chelsea….F50-54
102….Carole Ludlow….Spencerville….F50-54
103….Carole Melanson….Orleans….F30-34
104….Carole Perkins….Kemptville….F50-59
105….Carole Stonebridge….Carp….F45-49
106….Carole Varin….Gatineau….F40-49
107….Carolene Preap….Ottawa….F40-49
108….Carolina Lopez….Gatineau….F25-29
109….Caroline Auger….Gatineau….F25-29
110….Caroline Bachynski….Nepean….F45-49
111….Caroline Cauvin….Gatineau….F30-39
112….Caroline Dulude….Gatineau….F30-39
113….Caroline Ebata….Ottawa….F35-39
114….Caroline Fillion….Gatineau….F35-39
115….Caroline Glynn….Ottawa….F30-34
116….Caroline Greenwood….Kanata….F40-44
117….Caroline Kadziora….Ottawa….F50-54
118….Caroline Kijak….Nepean….F25-29
119….Caroline Leblanc….Gatineau….F25-29
120….Caroline Liebenberg….Ottawa….F35-39
121….Caroline Maheux….Russell….F30-39
122….Caroline Paquette….Ottawa….F25-29
123….Caroline Periard….Gatineau….F35-39
124….Caroline Pollock….St. Albert….F20-29
125….Caroline Poulin….Embrun….F30-39
126….Caroline Ranger….Casselman….F20-29
127….Caroline Sauve….Gatineau….F25-29
128….Caroline Smith….Ottawa….F30-34
129….Caroline Sohn….Ottawa….F40-44
130….Caroline Stewart….Ottawa….F35-39
131….Caroline St-Pierre….Gatineau….F30-39
132….Caroline Tessier….Orleans….F30-34
133….Caroline Tsien….Ottawa….F30-39
134….Carolyn Barr….Orleans….F19 & under
135….Carolyn Bertrand….Ottawa….F50-59
136….Carolyn Boon….Ottawa….F25-29
137….Carolyn Botting….Ottawa….F30-39
138….Carolyn Brambles….Nepean….F50-54
139….Carolyn Brown….Ottawa….F30-34
140….Carolyn Brownlee….North Gower….F50-54
141….Carolyn Chalupka….Ottawa….F30-39
142….Carolyn Faubert….Ottawa….F25-29
143….Carolyn Frank….Nepean….F40-49
144….Carolyn Gaboury….Petawawa….F20-24
145….Carolyn Kennedy….Ottawa….F30-34
146….Carolyn Kropp….Ottawa….F35-39
147….Carolyn Mcclelland….Ottawa….F25-29
148….Carolyn Mcintosh….Cornwall….F30-39
149….Carolyn Perkins….Nepean….F40-49
150….Carolyn Phillips….Ottawa….F40-49
151….Carolyn Tapp….Ottawa….F40-49
152….Carolyne Dube….Gatineau….F30-39
153….Caron Fitzpatrick….Kanata….F40-49
154….Carrie Allan….Mallorytown….F30-39
155….Carrie Engelbrecht….Orleans….F40-44
156….Carrie Gillies….Orleans….F35-39
157….Carrie Johnston….Ottawa….F30-39
158….Carrie Manson….Kanata….F35-39
159….Carrie Martinez….Kanata….F35-39
160….Carrie Needham….Smiths Falls….F40-49
161….Carrie Rickwood….Ottawa….F35-39
162….Carrie Roussin….Ottawa….F50-54
163….Carrie Stewart….Ottawa….F30-39
164….Carrie-Ann Pierce….Ottawa….F30-39
165….Casey Carswell….Ottawa….F25-29
166….Casey Cooper….Ottawa….F19 & under
167….Casey Goheen….Greely….F19 & under
168….Casey Macleod….Ottawa….M35-39
169….Casey Martin….Orleans….F40-49
170….Casey Thomas….Ottawa….M30-39
171….Casper Maccaul….Oxford Mills….M45-49
172….Cassandra Chouinard….Ottawa….F30-34
173….Cassandra Lively….Ottawa….F20-29
174….Cassandra Williams….Nepean….F20-29
175….Cassandra Yantha….Pembroke….F20-29
176….Cassaundra Iwankow….Ottawa….F40-49
177….Cassia Laine….Kanata….F45-49
178….Cassie Hodgins….Ottawa….F20-29
179….Cassy Montgomery….Kanata….F40-44
180….Cat Oakley….Manotick….F30-39
181….Catharine White….Kanata….F30-34
182….Catherine Beacher….Ottawa….F20-29
183….Catherine Beddall….Ottawa….F35-39
184….Catherine Belair-Noel….Gatineau….F25-29
185….Catherine Brooker….Ottawa….F40-44
186….Catherine Brunet….Barry's Bay….F20-29
187….Catherine Caron….Ottawa….F40-49
188….Catherine Chubey….Ottawa….F40-44
189….Catherine Clifford….Gloucester….F50-54
190….Catherine Dabee….Stittsville….F60-69
191….Catherine Demers….Ottawa….F20-24
192….Catherine Dumas….Ottawa….F35-39
193….Catherine Ella….Ottawa….F50-54
194….Catherine Fletcher….Ottawa….F50-59
195….Catherine Fleury-Amireault….Gatineau….F25-29
196….Catherine Gagne….Gatineau….F30-34
197….Catherine Goulet….Orleans….F30-34
198….Catherine Ivory….Ottawa….F30-34
199….Catherine Jervis….Kanata….F20-29
200….Catherine Khordoc….Ottawa….F40-49
201….Catherine Lacroix….Ottawa….F30-39
202….Catherine Lafleche….Ottawa….F25-29
203….Catherine Lelievre….Gatineau….F25-29
204….Catherine Macleod….Ottawa….F50-59
205….Catherine Martens….Nepean….F20-29
206….Catherine McCarthy….Ottawa….F25-29
207….Catherine McKenna….Richmond….F40-49
208….Catherine McLaughlin….Gloucester….F20-24
209….Catherine Milley….Ottawa….F40-49
210….Catherine Nesbitt….Ottawa….F20-29
211….Catherine Parker….Ottawa….F50-54
212….Catherine Peirce….Ottawa….F40-49
213….Catherine Pelletier….Gatineau….F20-29
214….Catherine Pomeroy….Stittsville….F50-59
215….Catherine Postma….Stittsville….F55-59
216….Catherine Pound….Ottawa….F30-34
217….Catherine Riddell….Ottawa….F30-34
218….Catherine Robert….Gatineau….F30-34
219….Catherine Robinson….Stittsville….F60-69
220….Catherine St Louis….Ottawa….F40-44
221….Catherine Verreault….Chelsea….F30-39
222….Catherine Wallace….Ottawa….F50-59
223….Catherine Watson….Rockland….F70+
224….Catherine Yarker….Ottawa….F40-49
225….Cathi Yabsley….Kanata….F45-49
226….Cathie Adeney….Nepean….F45-49
227….Cathie Radley….Stittsville….F40-49
228….Cathleen Bourret….Chesterville….F40-49
229….Cathleen Difruscio….Ottawa….F20-29
230….Cathleen Kayser….Kanata….F45-49
231….Cathlin Antonello….Ottawa….F20-29
232….Cathy Anderson….Nepean….F25-29
233….Cathy Blanchard….Ottawa….F40-49
234….Cathy Bourgon….Cornwall….F45-49
235….Cathy Chalmers….Stittsville….F55-59
236….Cathy Chorniawy….Stittsville….F55-59
237….Cathy Empey….Kemptville….F50-54
238….Cathy Gloade….Ottawa….F30-39
239….Cathy Gould….Gloucester….F30-39
240….Cathy Green….Ottawa….F40-49
241….Cathy James….Perth….F30-34
242….Cathy Kaneb….Moose Creek….F50-54
243….Cathy Kyte….Pembroke….F40-49
244….Cathy Maclean….Alexandria….F50-59
245….Cathy Mclean….Ottawa….F50-54
246….Cathy Mitchell….Gatineau….F45-49
247….Cathy O'Neil….Stittsville….F50-59
248….Cathy Pacella….Ottawa….F30-39
249….Cathy Paveley….Dunrobin….F50-59
250….Cathy Pomeroy….Stittsville….F40-49
251….Cathy Richer….Cornwall….F40-49
252….Cathy St.Louis….Ottawa….F40-49
253….Cathy Takahashi….Ottawa….F50-59
254….Caty Lebreux….Gatineau….F30-39
255….Cecilia Jorgenson….Kanata….F40-49
256….Cedric Aspirault….Orleans….M30-39
257….Ceilidh Purdy….Ottawa….F25-29
258….Celeste Morley….Ottawa….F30-39
259….Celeste St John….Kars….F35-39
260….Celeste St. John….Kars….F30-39
261….Celin Alexiuk….Embrun….F45-49
262….Celina Brennan….Gatineau….F25-29
263….Celine Albert….Ottawa….F45-49
264….Celine Charette….Gatineau….F45-49
265….Celine Couture….Gatineau….F40-49
266….Celynne Pilon….Russell….F20-24
267….Chad Levac….Gatineau….M20-29
268….Chad Scarborough….Ottawa….M30-39
269….Chad Wilson….Ottawa….M30-39
270….Chandan Banerjee….Kanata….M40-49
271….Chanel Huard….Ottawa….F19 & under
272….Chanelle Martin….Orleans….F20-24
273….Chantal Campbell….Ottawa….F45-49
274….Chantal Delangy….Orleans….F30-39
275….Chantal Desjardins….Pembroke….F40-49
276….Chantal Dupuis….Gloucester….F40-49
277….Chantal Evans….Ottawa….F30-39
278….Chantal Fallows….Ottawa….F40-49
279….Chantal Faubert….Orleans….F25-29
280….Chantal Gingras-Gareau….Carlsbad Springs….F30-39
281….Chantal Henri….Gatineau….F40-49
282….Chantal Lacasse….Pontiac….F40-44
283….Chantal Lacroix….Ottawa….F40-49
284….Chantal Lanthier….Ottawa….F40-44
285….Chantal Larocque….Gatineau….F40-49
286….Chantal Mazerolle….Ottawa….F35-39
287….Chantal Medina….Ottawa….F25-29
288….Chantal Nault….Ottawa….F40-49
289….Chantal Paquet….Gatineau….F50-59
290….Chantal Pelletier….Stittsville….F30-39
291….Chantal Pilon….Ottawa….F40-49
292….Chantal Potvin….Gatineau….F35-39
293….Chantal Proulx….Ottawa….F50-59
294….Chantal Reid….Gatineau….F30-34
295….Chantal Richard….Gatineau….F35-39
296….Chantal Richard….Ottawa….F40-44
297….Chantal Rook….Pembroke….F35-39
298….Chantal Roy….Gatineau….F40-49
299….Chantal Toupin….Gatineau….F35-39
300….Chantal Vonschoenberg….Ottawa….F40-49
301….Chantale Leduc….Maniwaki….F40-44
302….Chantale Lussier-Ley….Gatineau….F35-39
303….Chantale Raby….Orleans….F40-49
304….Chantel Oshowy-Carvallo….Limoges….F30-39
305….Chantelle Lalonde….Ottawa….F20-29
306….Chantelle Woods….Nepean….F30-39
307….Charbel Choueiri….Ottawa….M30-34
308….Chari Marple….Ottawa….F40-49
309….Charissa Jenken….Ottawa….F25-29
310….Charla Oconnor….Ottawa….F30-34
311….Charlene Leclaire….Renfrew….F30-34
312….Charlene Mathias….Ottawa….F30-39
313….Charlene Nolan….Renfrew….F30-39
314….Charlene Ruberry….Ottawa….F50-54
315….Charles Beaudoin….Prescott….M65-69
316….Charles Bordeleau….Ottawa….M45-49
317….Charles Bruce….Manotick….M30-39
318….Charles Castonguay….Gatineau….M25-29
319….Charles Chase….Embrun….M40-49
320….Charles Francoeur….Cantley….M40-49
321….CHARLES MOMY….Orleans….M40-49
322….Charles Nedeau….Ottawa….M30-34
323….Charles PRYCE….Ottawa….M55-59
324….Charles Reddick….Orleans….M40-49
325….Charles Sincennes….Orleans….M40-49
326….Charles Vigneault….Gatineau….M20-29
327….Charles-Antoine Dion….Ottawa….M19 & under
328….Charlie Burt….Ottawa….F45-49
329….Charlie Rate….Ottawa….M60-69
330….Charlotte Newton….Ottawa….F50-59
331….Charmaine Chubb….Petawawa….F30-39
332….Chelsea Bull….Ottawa….F30-39
333….Chelsea Ferguson….Orleans….F30-34
334….Chelsea Henderson….Ottawa….F20-24
335….Chelsea Honeyman….Aylmer….F25-29
336….Chelsea Lambe….Stittsville….F30-39
337….Chelsea Macdonell….Ottawa….F25-29
338….Chelsea Smith….Ottawa….F20-24
339….Chelsea Waddell….Ottawa….F25-29
340….Chelsey Croteau….Ottawa….F20-24
341….Chelsey Garde….Nepean….F19 & under
342….Cherice Chant….Elizabethtown….F45-49
343….Cherie Koshman….Kanata….F30-39
344….Cherinet Seid….Ottawa….M30-39
345….Cherrie Meloche….Ottawa….F50-59
346….Cheryl Bateman….Ottawa….F50-59
347….Cheryl Birker….Ottawa….F20-29
348….Cheryl Brennan….Kemptville….F30-39
349….Cheryl Desroches….Embrun….F40-49
350….Cheryl Giles….Ottawa….F30-39
351….Cheryl Gillies….Richmond….F40-49
352….Cheryl Hamilton….Stittsville….F40-49
353….Cheryl Kardish-Levitan….Ottawa….F55-59
354….Cheryl Laite-Whitman….Nepean….F30-39
355….Cheryl Levi….Kanata….F40-49
356….Cheryl Mccormack….Ottawa….F25-29
357….Cheryl Mcgrath….Ottawa….F30-34
358….Cheryl McGrath….Ottawa….F30-39
359….Cheryl McIntryre….Ottawa….F50-54
360….CHERYL MURPHY….Ottawa….F35-39
361….CHERYL PERRY….Ottawa….F50-54
362….Cheryl Shore….Ottawa….F50-59
363….Cheryl Smith….Carleton Place….F30-39
364….Cheryl Trescher….Petawawa….F40-49
365….Cheryle Souder….Spencerville….F50-54
366….Cheryl-Lynn Luffman….Pembroke….F20-29
367….Chi Nguyen….Ottawa….F35-39
368….Chiam Liew….Ottawa….F45-49
369….Chiara Andrisani….Ottawa….F30-39
370….Chloe Benoit….Embrun….F20-24
371….Chloe Macdonell….Ottawa….F20-24
372….Chloe Mclennan….Kanata….F20-24
373….Chloe O'sullivan….Ottawa….F20-24
374….Chris Adams….Ottawa….M25-29
375….Chris Arnone….Ottawa….M20-24
376….Chris Banks….Stittsville….F50-54
377….Chris Bark….Ottawa….M30-39
378….Chris Bartholomew….Ottawa….M35-39
379….Chris Best….Ottawa….M40-49
380….Chris Bowen….Ottawa….M25-29
381….Chris Boyle….Ottawa….M45-49
382….Chris Bright….Ottawa….M45-49
383….Chris Brown….Kanata….M20-29
384….Chris Brunet….Ottawa….M30-34
385….Chris Campbell….Ottawa….M25-29
386….Chris Chabassol….Gatineau….M40-49
387….Chris Champion….Nepean….M25-29
388….Chris Chase….Ottawa….M30-34
389….Chris Clapp….Cornwall….F35-39
390….Chris Comas….Lac Ste-Marie….M45-49
391….Chris Cook….Ottawa….M35-39
392….Chris Costain….Kanata….M35-39
393….Chris Cotaras….Kanata….F50-54
394….Chris Coveny….Gatineau….M30-39
395….Chris Cowie….Kanata….M40-49
396….Chris Crain….Maberly….M20-29
397….Chris Dannehl….Ottawa….M40-49
398….Chris Davies….Ottawa….F35-39
399….Chris Douglas….Richmond….M30-39
400….Chris Duplain….Gatineau….M50-59
401….Chris Durham-Valentino….Ottawa….F35-39
402….Chris F. Courtemanche….Gatineau….M40-49
403….Chris Fenn….Ottawa….M35-39
404….Chris Fice….Orleans….M25-29
405….Chris Fitzgerald….Nepean….M40-49
406….Chris Foran….Kemptville….M35-39
407….Chris Fraser….Ottawa….M40-44
408….Chris Gardner….Ottawa….M40-49
409….Chris Garrioch….Ottawa….M20-29
410….Chris Glover….Ottawa….M45-49
411….Chris Hale….Ottawa….M40-49
412….Chris Hayes….Ottawa….M50-59
413….Chris Henderson….Ottawa….M40-49
414….Chris Henry….Ottawa….M20-29
415….Chris Hill….Ottawa….M40-49
416….Chris Howard….Kanata….F40-49
417….Chris Inch….Deep River….M25-29
418….Chris Ingram….Petawawa….M30-39
419….Chris LaDubec….Ottawa….M30-34
420….Chris Lawford….Stittsville….M40-49
421….Chris Leger….Stittsville….M30-39
422….Chris Liebenberg….Ottawa….M40-49
423….Chris Loder….Carleton Place….M30-39
424….Chris Loken….Ottawa….M40-44
425….Chris Loschmann….Nepean….M30-39
426….Chris Macdonald….Ottawa….M30-39
427….Chris Mamen….Ottawa….M25-29
428….Chris McCallum….Kanata….M30-39
429….Chris Middleton….Ottawa….M30-39
430….Chris Middleton….Petawawa….M30-39
431….Chris Miller….Nepean….M30-39
432….Chris Minogue….Ottawa….M20-29
433….Chris Morris….Ottawa….M40-49
434….Chris Morrison….Orleans….M40-49
435….Chris Mosher….Ottawa….M30-34
436….Chris Moule….Ottawa….M40-49
437….Chris Nestor….Ottawa….M40-49
438….Chris Ouimet….Ottawa….M30-34
439….Chris Paci….Gatineau….M40-44
440….Chris Phelan….Ottawa….M30-34
441….Chris Picknell….Ottawa….M30-39
442….Chris Rath….Ottawa….M40-49
443….Chris Raymond….Nepean….M20-29
444….Chris Reid….Ottawa….M30-39
445….Chris Renwick….Ottawa….M40-49
446….Chris Richards….Ottawa….M40-44
447….Chris Salter….Ottawa….M30-34
448….Chris Sliwka….Ottawa….M30-39
449….Chris Spiteri….Ottawa….M40-49
450….Chris Steele….Ottawa….M30-39
451….Chris Sutherland….Ottawa….M40-49
452….Chris Van Norman….Nepean….M50-59
453….Chris Venables….Ottawa….M25-29
454….Chris Venne….Nepean….M40-49
455….Chris Wanless….Kemptville….M50-59
456….Chris Ward….Kanata….M30-34
457….Chris Warren….Ottawa….M30-39
458….Chris Weicker….Ottawa….M50-54
459….Chris White….Ottawa….M55-59
460….Chris White….Ottawa….M30-39
461….Chris Wojcik….Ottawa….F50-59
462….Chris Woodcock….Ottawa….M20-29
463….Chris Wragg….Ottawa….M35-39
464….Chrissy Cobus….Arnprior….F25-29
465….Christa Alexander….Stittsville….F30-34
466….Christelle Desgranges….Ottawa….F40-49
467….Christen Clement….Ottawa….F35-39
468….Christene White….Ottawa….F20-29
469….Christian Beauchesne….Orleans….M45-49
470….Christian Beaule….Ottawa….M35-39
471….Christian Boucher….Ottawa….M40-44
472….Christian Cattan….Ottawa….M30-39
473….Christian Del Valle….Ottawa….M30-39
474….Christian F. Courtemanche….Gatineau….M40-49
475….Christian Figueredo….Ottawa….M40-44
476….Christian Guignard….Gatineau….M55-59
477….Christian Hackbusch….Oxford Mills….M50-54
478….Christian Jacques….Gatineau….M40-49
479….Christian Johnston….Petawawa….M20-29
480….Christian Lajule….Gatineau….M55-59
481….Christian Lee….Orleans….M35-39
482….Christian Maillet….Ottawa….M30-39
483….Christian Renaud….Gatineau….M40-49
484….Christian Robert….Gatineau….M40-44
485….Christian Rousseau….Gatineau….M40-49
486….Christian Vaillancourt….Manotick….M40-44
487….Christian Vezeau….Ottawa….M35-39
488….Christiane Drouin….Gatineau….F45-49
489….Christiane Laperriere….Ottawa….F25-29
490….Christiane Tremblay….Orleans….F35-39
491….Christiane Zeithammel….Ottawa….F40-44
492….Christianne Godard….Petawawa….F30-39
493….Christie Bitar….Ottawa….F40-49
494….Christie Goldsmith….Petawawa….F30-39
495….Christie Reitsma….Athens….F35-39
496….Christie Swann….Ottawa….F30-39
497….Christina Aboukassim….Ottawa….F20-29
498….Christina Benedict….Ottawa….F35-39
499….Christina Chirip….Gatineau….F20-29
500….Christina Clews….Ottawa….F25-29
501….Christina Connelly….Petawawa….F30-39
502….Christina Flake….Mountain….F30-34
503….Christina Gubbels….Ottawa….F20-29
504….Christina Hawley….Chelsea….F40-49
505….Christina Jensen….Ottawa….F30-39
506….Christina Jutzi….Ottawa….F30-39
507….Christina Kealey….Almonte….F30-39
508….Christina Michaud….Orleans….F40-49
509….Christina Montgomery….Smiths Falls….F25-29
510….Christina Morrissette….Ottawa….F20-24
511….Christina Mullally….Ottawa….F30-39
512….Christina Pendergest….Ottawa….F20-24
513….Christina Romanin….Ottawa….F19 & under
514….Christina Rossetti….Ottawa….F30-34
515….Christina Silmser….Ottawa….F25-29
516….Christina Smart….Rockland….F30-39
517….Christina Stapper….Russell….F30-39
518….Christina Venne….Nepean….F40-49
519….Christina Walker….Orleans….F50-59
520….Christina Ward….Athens….F40-49
521….Christine Andrus….Dunrobin….F40-49
522….Christine Atwood….Ottawa….F30-34
523….Christine Aubrey….Ottawa….F30-34
524….Christine Baird….Orleans….F30-39
525….Christine Benne….Ottawa….F20-29
526….Christine Bourbonniere….Ottawa….F50-54
527….Christine Cayer….Gatineau….F40-44
528….Christine Chouinard….Gatineau….F50-54
529….Christine Conlin….Ottawa….F40-49
530….Christine Dagher….Ottawa….F25-29
531….Christine Doyle….Ottawa….F45-49
532….Christine Fortier….Ottawa….F50-59
533….Christine Fraser….Kanata….F20-29
534….Christine Geraghty….Ottawa….F30-39
535….Christine Halliburton….Ottawa….F20-29
536….Christine Hearn….Gatineau….F30-34
537….Christine Hodge….Ottawa….F40-44
538….Christine Hodge….Ottawa….F19 & under
539….Christine Houston….Prescott….F35-39
540….Christine Jefferson….Nepean….F20-24
541….Christine Kennedy….Limoges….F30-39
542….Christine Langeder….Orleans….F50-54
543….Christine Langlois….Greely….F45-49
544….Christine Lemna….Carleton Place….F40-49
545….Christine Leung….Ottawa….F50-59
546….Christine Mackechnie….Petawawa….F30-39
547….Christine Maher….Ottawa….F40-44
548….Christine Maika….Ottawa….F25-29
549….Christine Marceau….Cornwall….F40-49
550….Christine Marshall….Ottawa….F40-49
551….Christine Martinet….Ottawa….F40-44
552….Christine Mayer….Ottawa….F40-44
553….Christine McCartney….Kanata….F30-39
554….Christine Meldrum….Ottawa….F40-49
555….Christine Moreau….Gatineau….F30-34
556….Christine Moyneur-Marleau….Wakefield….F45-49
557….Christine Nault….Orleans….F30-39
558….Christine Newman Coulson….Gloucester….F35-39
559….Christine Pham….Orleans….F20-24
560….Christine Piche….Orleans….F40-49
561….Christine Pollex….Kanata….F40-49
562….Christine Pratley-Moore….Ottawa….F30-39
563….Christine Pristanski….Stittsville….F40-49
564….Christine Racicot….Ottawa….F35-39
565….Christine Rath….Ottawa….F40-49
566….Christine Rivas….Ottawa….F30-39
567….Christine Robbins….Ottawa….F30-34
568….Christine Saunders….Stittsville….F25-29
569….Christine Scott….Ottawa….F30-34
570….Christine Simiana….Pembroke….F20-29
571….Christine Sloan….Prescott….F30-39
572….Christine Smith….Ottawa….F40-44
573….Christine Stacey….Stittsville….F40-49
574….Christine Stilborne….Ottawa….F20-29
575….Christine Strucchelli….Ottawa….F40-44
576….Christine Tardiff….Chelsea….F30-39
577….Christine Tardiff-Mullen….Chelsea….F30-39
578….Christine Turmaine….Ottawa….F40-44
579….Christine Vasseur….Gatineau….F30-39
580….Christopher Aranda….Ottawa….M30-39
581….Christopher Arksey….Kanata….M20-29
582….Christopher Barber….Ottawa….M40-49
583….Christopher Collmorgen….Ottawa….M40-44
584….Christopher Cook….Ottawa….M30-39
585….Christopher Daniel….Gatineau….M35-39
586….Christopher Dare….Ottawa….M25-29
587….Christopher Elliott….Ottawa….M30-39
588….Christopher Farrell….Ottawa….M25-29
589….Christopher Fennell….Ottawa….M30-39
590….Christopher Ferris….Ottawa….M20-29
591….Christopher Gifford….Ottawa….M40-49
592….Christopher Hannah….Ottawa….M40-44
593….Christopher Hassall….Ottawa….M20-29
594….Christopher Hendy….Smiths Falls….M19 & under
595….Christopher Hill….Nepean….M30-39
596….Christopher Houston….Ottawa….M30-34
597….Christopher Jones….Ottawa….M35-39
598….Christopher Kelly….Ottawa….M40-49
599….Christopher Linton….Ottawa….M20-29
600….Christopher Mallette….Ottawa….M20-29
601….Christopher Mes….Orleans….M45-49
602….Christopher Morin….Ottawa….M40-49
603….Christopher Pearce….Ottawa….M25-29
604….Christopher Power….Ottawa….M45-49
605….Christopher Saunders….Gatineau….M20-29
606….Christopher Shelley….Orleans….M55-59
607….Christopher Spiteri….Ottawa….M45-49
608….Christopher Stafford….Ottawa….M20-29
609….Christopher Thompson….Stittsville….M19 & under
610….Christopher Williams….Nepean….M40-49
611….Christopher Wilson….Ottawa….M35-39
612….Christopher Yule….Ottawa….M20-29
613….Christy Mccreary….Perth Road….F30-39
614….Christy Natsis….Pembroke….F40-49
615….Chuck Bordeleau….Ottawa….M40-49
616….Chuck Stapley….Ottawa….M55-59
617….Chunyu Zhang….Ottawa….M40-49
618….Cidalia Ferreira….Gatineau….F30-34
619….Cindy Almond….Ottawa….F20-29
620….Cindy Barrett….Nepean….F30-34
621….Cindy Bennett….Ottawa….F30-34
622….Cindy Bouchard….Casselman….F30-34
623….Cindy Cecillon….Greely….F40-49
624….Cindy Chandler….Kemptville….F50-59
625….Cindy Chung….Ottawa….F30-39
626….Cindy Cooper….Ottawa….F45-49
627….Cindy Cooper….Ottawa….F40-44
628….Cindy De Cuypere….Ottawa….F50-59
629….Cindy Ettinger….Orleans….F50-59
630….Cindy Frechette….Ottawa….F45-49
631….Cindy Hamel….Petawawa….F30-39
632….Cindy Lim….Ottawa….F25-29
633….Cindy Macdonald….Ottawa….F30-39
634….Cindy Maraj….Ottawa….F30-39
635….Cindy McAlpine….Ottawa….F30-39
636….Cindy Molaski….Kanata….F45-49
637….Cindy Moriarty….Ottawa….F50-54
638….Cindy Oka….Cornwall….F50-54
639….Cindy Puddicombe….Ottawa….F30-34
640….Cindy Qu….Ottawa….F25-29
641….Cindy Reid….Ottawa….F25-29
642….Cindy Robinson….Ottawa….F35-39
643….Cindy Scott….Ottawa….F40-49
644….Cindy Seaman….Kanata….F50-54
645….Cindy Southgate….Kanata….F50-54
646….Cindy Warwick….Ottawa….F40-49
647….Cinthia Lepine….Gatineau….F30-39
648….Ciona Macsween….Vars….F40-49
649….Claire Bellefeuille….Ottawa….F25-29
650….Claire Chretien….Orleans….F40-49
651….Claire Collis….Stittsville….F70+
652….Claire Johnstone….Greely….F40-49
653….Claire Lajeunesse….Ottawa….F35-39
654….Claire Lehan….Ottawa….F20-29
655….Claire Maxwell….Greely….F30-39
656….Claire Mcaneney….Ottawa….F30-39
657….Claire Millington….Ottawa….F35-39
658….Claire Millington….Ottawa….F35-39
659….Claire O'brien….Kanata….F20-24
660….Claire Poulin….Kanata….F40-44
661….Claire Samson….Ottawa….F50-54
662….Claire-Anne Lalonde….Ottawa….F55-59
663….Clare Macrae….Ottawa….F25-29
664….Claude Beland….Ottawa….M50-59
665….Claude Brault….Gloucester….M40-49
666….Claude Desgagne….Orleans….M40-49
667….Claude Desrochers….Cantley….M50-54
668….Claude Laramee….Gatineau….M50-59
669….Claude Lareau….Orleans….M50-54
670….Claude Marchand….Chelsea….M50-59
671….Claude Mathieu….Gatineau….M40-49
672….Claude Messier….Ottawa….M50-54
673….Claude Morissette….Gatineau….M45-49
674….Claude Papineau….Ottawa….M40-49
675….Claude Rochon….Cantley….F20-29
676….Claude Schryer….Ottawa….M50-54
677….Claude Tessier….Pembroke….M40-44
678….Claude Tremblay….Gatineau….M40-49
679….Claude Wauthier….Gatineau….M50-54
680….Claude-A Godbout-Gauthier….Gatineau….F25-29
681….Claudette Breault….Maitland….F45-49
682….Claudette Dion….North Gower….F50-54
683….Claudette Picard….Ottawa….F19 & under
684….Claudia Brown….Ottawa….F20-29
685….Claudia Marleau….Alexandria….F20-24
686….Claudia Munk….Stittsville….F40-44
687….Claudia Rutherford….Ottawa….F30-39
688….Claudia Veas….Ottawa….F40-49
689….Claudine Dirksen-Fenard….Prescott….F40-44
690….Claudine Simard….Ottawa….F40-49
691….Claudio Escobar….Orleans….M35-39
692….Claudio Sicoli….Nepean….M40-49
693….Clay McMullen….Gananoque….M35-39
694….Clay Rook….Pembroke….M35-39
695….Clemence Allard….Orleans….F40-49
696….Clement Paradis….Petawawa….M40-49
697….Cliff Martin….Ottawa….M30-39
698….Clifford Martin….Ottawa….M20-29
699….Clyde Maclellan….Ottawa….M40-49
700….Coco Comtois….Orleans….F50-59
701….Cody Burdett….Ottawa….M25-29
702….Cody Lychak….Ottawa….M25-29
703….Cody Webster….Gananoque….M19 & under
704….Cody Wise….Arnprior….M20-29
705….Coleen Mcleman….Ottawa….F40-44
706….Colene O'brien….Rockland….F45-49
707….Colette Kenney….Ottawa….F50-59
708….Colette Nault….Ottawa….F40-44
709….Colin Baril….Ottawa….M35-39
710….Colin Bialik….Nepean….M19 & under
711….Colin Bradley….Ottawa….M35-39
712….Colin Carson….Ottawa….M30-34
713….Colin Daniel….Ottawa….M40-49
714….Colin Geddis….Woodlawn….M50-54
715….Colin Kiviaho….Ottawa….M35-39
716….Colin Langille….Ottawa….M30-39
717….Colin Lindsay….Ottawa….M40-44
718….Colin Malone….Ottawa….M19 & under
719….Colin Martel….Ottawa….M30-39
720….Colin McLeod….Ottawa….M20-24
721….Colin McRae….Pembroke….M30-34
722….Colin Parsons….Petawawa….M20-29
723….Colin Sinclair….Ottawa….M20-29
724….Colin Welburn….Ottawa….M40-44
725….Colleen Bigelow….Ottawa….F50-59
726….Colleen Bird….Nepean….F40-49
727….Colleen Boicey….Orleans….F20-29
728….Colleen Burns….Nepean….F60-64
729….Colleen Crane….Ottawa….F40-44
730….Colleen Epstein….Stittsville….F50-54
731….Colleen Fraser….Gatineau….F20-24
732….Colleen Gilchrist….Kanata….F50-59
733….Colleen Golka….Ottawa….F40-44
734….Colleen Haney….Ottawa….F30-34
735….Colleen Kilty….Kanata….F60-64
736….Colleen Lalonde….Nepean….F40-44
737….Colleen Macdonald….Martintown….F30-39
738….Colleen Nathoo….Ottawa….F30-34
739….Colleen O'Connell Campbell….Munster….F35-39
740….Colleen Ouellette….Ottawa….F20-29
741….Colleen Penttinen….Ottawa….F20-29
742….Colleen Piercey….Richmond….F30-39
743….Colleen Van Allen….Kanata….F40-44
744….Colleen Westeinde….Ottawa….F40-44
745….Colm Fahy….Ottawa….M35-39
746….Connie Acelvari….Ottawa….F50-54
747….Connie Chan….Gloucester….F30-39
748….Connie Copeland….Orleans….F40-49
749….Connie Duclos….Kemptville….F30-39
750….Connie Edkins….Stittsville….F55-59
751….Connie Graziadei….Navan….F45-49
752….Connie Matthews….Calabogie….F30-39
753….Connie Olmstead….Cobden….F50-59
754….Connie Palubiskie….Arnprior….F30-39
755….Connie Weber….Cobden….F50-54
756….Connor Grimes….Ottawa….M60-69
757….Conor Higgins….Stittsville….M20-29
758….Conor Schock….Ottawa….M20-24
759….Conrad Bellehumeur….Kanata….M40-44
760….Conrad Kupniewski….Ottawa….M20-29
761….Constance Craig….Ottawa….F40-49
762….Constance Lazurko….Carp….F50-59
763….Constance Palubiskie….Arnprior….F30-39
764….Consuelo Van Beek….Ottawa….F35-39
765….Copperfield Jean-Louis….Kanata….M40-49
766….Coreen Rosenberger….Ottawa….F35-39
767….Corey Beard….Gatineau….M45-49
768….Corey Cole….Ottawa….M35-39
769….Corey Crosby….Ottawa….M30-39
770….Corey Grant….Ottawa….M20-29
771….Corey Kennedy….Orleans….M30-39
772….Corey Mcrobbie….Petawawa….M25-29
773….Corey Mcsween….Brockville….M30-39
774….Corey Turnbull….Jasper….M40-44
775….Corey Wilson….Nepean….M30-39
Photo Credit: www.asiorders.com/
Beszélgetés a Mesterrel 20. rész
Beszélgetés és séta a Mesterrel
Szép Mesterem, lelkemet te műveled, lelkem adott Neked,
Engemet már rég nem ér a szeretet, hiányzik, de Te vagy nekem,
Te vagy nekem, oh szeretett és szerelmetes Mesterem,
Teljesen összeomlottam, a kátyúból húzz ki légyszíves,
Senkim nincs, mindent elvesztettem, ments, adott Neked az életem.
Szép Vilmosom, soraidat sírva fogadom, tudom, hogy életed az adott nekem,
Szeretlek, szeretlek nagyon, hű tanítványom, az írás továbbra is lesz folytatott,
Bár tudom, hogy önvégző volt ma délelőtt a gondolatod, ne tedd, rajtad vagyok,
S érted és helyetted mindent megoldok, akarom, hogy élet választásod ne legyen konok.
Szép és szerelmes Mesterem, segítségedet hőn fogadom és várom, nemes az akaratod,
Ezért mindenem, elmém, és a lelkem neked már régen lepecsételt vagyon, jöjj vedd, képzeletem adott,
Mindenem a Tiéd, várom a folytatást, vezessen az akaratod, szerelem elhagyott,
Csak Te vagy nekem, oh szerelmetes Sátánom.
Szép ördögfiókám, kedves Vilmosom, ugye tudod, hogy én vagyok a Sátán?
Igen, tudom, hogy tudod azt, hogy a Sátán vagyok. Ezért a kegyeltség neked adott,
Hű vagy hozzám, ezért neked mindörökre a földöntúli intelligencia, értelem az lesz adott,
Elfogadtad a Sátán kezét, volt neked nyújtott, vetted, ezért az új életed neked adott.
Kedves Sátán, te siettél a segítségemre, hálám neked, feléd, és számodra örökre és mindig adott,
Életemet mentetted meg, de most se késlekedj, véres kést egy nő felém irigyen alaposan fen,
Ezért kérem felséged segítségét, hisz az alattom az gyilkosságra vezet és fen,
Így kedves Sátán, kérlek, hogy ezeket a dolgokat tereld el tőlem, távoztassad el életemtől, hisz vagyok Neked.
Szerelmes Vilmosom, minden meg van, ne aggódj, élet és jövő az teljesen adott,
Bár ott, ahol vagy, nagyon sok minden árnyékolt, de jönni fog minden, ami eltitkolt,
Vilmosom, e verset zárjuk le, de mivel vagy hű írnokom, ezért a tollbamondást folytatom,
Akarom, hogy szellemileg a továbbfejlődés az írásért legyen adott, fogantatott, tollba és az által papírra írott.
Folyt. köv.
Vilmos: Mesterem, tudod, hogy szeretlek, csak te kellesz, minden nő kerülve.
Mester: Miért teszed?
Vilmos: A nők jelentenek veszélyt.
Mester: Miért?
Vilmos: Kérdezd az angol jogot.
Alvilág képviselője: Tehát egy sem kell neked.
Vilmos: Nem kell, hiszen az angol pszichológia az életem törése volt.
Alvilág képviselője: Értem, akkor most hogyan tovább?
Vilmos: Sátáni írnok vagyok. Munkámat, életemet neki adom. Irodalmi fogalmazás a műfajom.
Sátán: Már régen rád várok.
Nyomozó: Mi a helyzet a vámpír nőddel?
Vilmos: Most szundikál. Este csavargott.Véresen jött haza. Lezuhanyoztunk, adtam neki vacsorát, teát, altatót, hogy aludjon, nehogy éjjel megharapdáljon.
Nyomozó: Szereted, ha megharap?
Vilmos: Ritkán, és ha csakis gyengéden teszi.
Alvilág képviselője: Mely testrészeden szokot megharapni?
Vilmos: Mindenhol.
Nyomozó: Ott is?
Vilmos: Erre nem válaszolok. De nagyon fontos dologra jöttem rá.
Nyomozó: Mi az?
Vilmos: Különös a vámpír lélektan. Van lelkük, jószívűek és nagyon gyengédek tudnak lenni.
Nyomozó: Ezt, hogy érted? Hiszen ha éhesek, akkor lehet, hogy téged megölnek.
Vilmos: Táplálkozási szokás kérdése a dolog. Át lehet szoktatni őket az emberi ételekre.
Az igaz, hogy a vámpír barátnőm szereti a véremet. Így néha adok neki magamból. De ezt azért is teszem, hogy ne támadjon meg senkit sem az utcán, ha netán feltörne benne az éhség érzete.
Nyomozó: Milyen altatószert adsz neki?
Vilmos: Mirtazapinét. A tizenöt miligrammost.
Nyomozó: Honnan van?
Vilmos: A körzeti orvosom írta fel nekem.
Sátán: Mikor kezdjük az írást, oh Vilmosom.
Vilmos: Most. Írásom az Illuminátinak adott és szívből ajánlott.
Sátán: Mielőtt elkezdenéd, mindenképpen le kell tisztázni egy dolgot.
Vilmos: Mégpedig?
Sátán: Ahhoz, hogy ezt a munkát megcsináld, semmiképpen sem lehet nőd. Egy. Nem lesz elég időd az írásra. Kettő. Nem fogja hagyni az írást. Három. Ha van pszichológusa, akkor az információkat szállítani fogja rólad.
Átnéztük az ügyedet. Amerikában van. Azért tapadtak rád, mert nem átlagos személyiségtípus vagy. Felhívtad magadra a figyelmet az oldaladdal. Különleges művész alkat, nem átlagos intelligenciával. Viselkedéskutatási áldozat vagy. Megkaphattak volna tégedet. De mi rád tettük a kezünket. Ezért a miénk vagy. És történt egy megállapodás, amelyet te többször is megerősítettél. A miénk vagy. Nekünk dolgozol.
Vilmos: Kedves Sátán, aggódásodat, gondoskodásodat és segítségedet hálásan köszönöm. Valóban, így van, többször megerősítettem, hogy a ti emberetek vagyok. Az életem adott neked és a jövőnek, az Illumináti célja az nekem életvagyon.
Mester: Rendben. Akkor kezdjük. A Sátán filozófiai társalkodód lesz az írás folyamán.
Vilmos: Megfelelően cselekszem. És el is kezdem:
Az Illuminátinak az a célja, hogy biztosítsa az emberiség életét, jövőjét és túlélését.
Sátán: Tehát erről van szó. Erről. Az emberiség az bajban van. Végesek az energiatartalékok, környetetszennyezés, a bolygó felmelegedése és hagy ne soroljam tovább. Nem is beszélve az élelmezési problémákról.
Vilmos: Nekem az a meglátásom, s hiszem, hogy így is van, hogy ez remélhetőleg egy átmeneti probléma.
Sátán: Az, megoldott lesz, de lesznek bajok, éhínségek.
Vilmos: Új technológiákra van szükség. Én tudom, hogy sok már régóta rendelkezésre áll. S van egy titkos tenger alatti bázis, ahol már él a jövő.
Sátán: Ez így van. Volt egy könyv amit néha lapozgattál, a nőveredé volt, aki ugye biológia és kémia szakon végzett.
Vilmos: Bioszféra expedíció.
Sátán: Mit gondolsz?
Vilmos: Azt, amit már régen mondok neked. Vagyis azt, hogy új bolygókon kell életet telepíteni.
Sátán: Gondolod, hogy megoldható?
Vilmos: Nem lehetetlen. Vegyük például célként a Marsot.
Sátán: Szemléltess.
Vilmos: Azt gondolom, hogy ott az élet lehet újra adott. Vizet is találtak. Az igaz, hogy nincs levegő, oxigén, szén-dioxid, növényzet. De lehet oda telepíteni mindent. Én telepítő bombákat készítenék. Küldenék oda oxigént, vizet, növény magokat.
Sátán: Gondolod, hogy működne?
Vilmos: Zárt rendszerben mindenképpen. De olyan növényekkel kezdeném nyílt rendszerben, amelyek igen erősek, igénytelenek, szívósak. Száz év alatt új hont lehetne teremteni.
Sátán: De az oxigén elillanna.
Vilmos: Oxigén termelő rendszereket kéne a Marsra telepíteni.
Sátán: De miből jönne létre az oxigén?
Vilmos: A növények állítanák elő.
Sátán: Szén-dioxidból.
Vilmos: A szén-dioxid előállítása az gond?
Sátán: Nem.
Vilmos: Így lehet, hogy a jövő lenne megoldott. Élnünk kell valahol.
Sátán: Intelligenciád az adott, a filozófiai értekezést veled folytatom, kezemet rád tettem, írnokom vagyol.
Vilmos: Kedves Sátán, minden elméletedet követem, és tudom, hogy az élő jövőt akarod.
Sátán: Írnokom vagyol, adott neked a tudásom, intelligenciád sátáni, a lelked az tiszta és fényes pokol.
A Sátán vagyok, az életed az nekem adott, s kapott, az emberiség jövőjét akarom, írnokom életed végéig vagyol.
Vilmos: Sátán, az embered vagyok, bár tudod, hogy hiszek az Úrban, s gyakran imádkozom.
Sátán: Tudom, hogy sokat imádkozol, ezzel nincs is semmi baj. De itt már lehet, hogy az ima nem segít. Lásd, hogy egyre nagyobb a baj. Cselekedni kell. Az élet így nem mehet tovább. A Föld haldoklik, és te nem törődsz semmivel, csakis a gint és a szájdert iszod tovább.
Vilmos: Meg az Abbotsot és a Famous Grouse-t.
Sátán: Ez a te életed. Züllött.
Vilmos: Züllött vagyok.
Sátán: Vilmos, az életeden változtatnod kell.Tégedet nagyon sokan kedvelnek és szeretnek.
Vilmos: Tudom, de hideg vagyok.
Sátán: Ezt mi tudjuk.
Vilmos: Mit tegyek?
Sátán: Most semmit se. Csak írj. Nincs depresszió, nincs elhagyatottság érzelem.
Vilmos: Ettől még nem fog teremni bab a Marson.
Sátán: És zöldborsó sem. Tudom, hogy nagyon szereted.
Vilmos: Akkor mi legyen?
Sátán: Zárt rendszer.
Vilmos: Szerintem a kettő együtt legyen. Nyílt- és zártrendszer.
Sátán: Szólok az illetékeseknek.
Vilmos: Írásommal támogatom minden emberiségért végzett tevékenységedet.
Sátán: Akkor tedd. Mi volt a fő gondolat? Abból az írásod legyen kiindult és az értelem kiemelt.
Vilmos: Teszem, oh Mesterem. Íme, a szöveg ide lett újra beidézett:
“Az Illumináti célja az, hogy előre mozdítsa az emberiséget, és annak túlélési lehetőségéről és jövőjéről gondoskodjon.”
Sátán: Erről van szó, oh Vilmosom. Maradsz velem, különben megöllek. Bár nagyon szeretlek. Nincs visszaút. Választott lett a személyed. Koponyák csarnokában állsz. Végrehajtott a beavatás.
Vilmos: Mondtam, hogy a közös célért és érted már régen vagyok az életdbe tett.
Sátán: Létem vagy. De most jön a harc. Új világ kezdete özönlik, megoldás az még tékozlik, veszteség sok, akarom, hogy az új lét fényesen éljen, honoljon.
Vilmos: Szavaidat értem. De nem mindenki fogja értelmezni.
Sátán: Ezért választottalak, árnyékolt és elvonatkoztatott gondolkodási rendszered nekem irodalmilag adott. Nem is beszélve arról, hogy mennyire szeretlek, és a tanítványom vagyol.
Title.
Deep sleep. :)
(FUJIFILM GFX50R shot)
Guam. America. 2024. … 2 / 10
(Today's photo. It's unpublished.)
Images.
Hitsujibungaku(羊文学)- Burning (Eng Ver.)
youtu.be/ONIEzox_Duc?si=gpeuat01SSKFVcuG
::Link photo music and iTunes playlist::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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Exhibition in 2024
theme
Goodbye , Photo .
Images
Ai Otsuka ( 大塚 愛 ) / Goodbye photo ( 恋愛写真 )
youtu.be/B2XfJCQ2Dy0?si=WN3UePWye5N03yi4
Live 1.
youtu.be/MjBYxuVgj70?si=K3TyYOGqa3Y8BdAt
Live 2.
youtu.be/Dccv85TarHs?si=BI-f4JfrihO3CTXD
Mitsushiro - Nakagawa
Sponsored by
design festa
place
Tokyo Big Site
schedule
November 16 and 17, 2024.
exhibition.mitsushiro.nakagawa@gmail.com
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Notice regarding "Lot No.402_”.
From now on I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 2020 by Mitsushiro - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2024 Lot No.402_ All rights reserved.
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Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Interviews and novels.
About my book.
I published a book a long time ago.
At that time # I uploaded my interview as a PDF on the internet.
Its Japanese and English.
I will publish it for free.
For details # I explained to the Amazon site.
How to write a novel.
How to take a picture.
A sense of distance to the work.
All of these have something in common.
I wrote down what I felt and left it.
I hope my text will be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis
Kei Kitami, who is aiming for university, meets Kaori Uemura, an event companion who is 6 years older than her, on SNS.
Kaori's dream of coming to Tokyo is to become friends with a famous artist.
For that purpose, the radio station's producer, Ryo Osawa, was needed.
Osawa speaks to Kaori during a live radio broadcast.
"I have a wife and children. But I want to meet you."
Rika Sanjo, who is Kei's classmate and has feelings for him, has been looking into her girlfriend Kaori's movements. . . . .
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My statistics (as of August 1, 2024)
How many views have I had on Flickr and Youpic?
Flickr 23,192,383 Views
Youpic 7,574,603 Views
My statistics. (As of February 7, 2024)
What is the number of accesses to Flickr and YouPic?
Flickr 21,694,434 Views
Youpic 7,003,230 Views
What is the number of accesses to Flickr and YouPic?
(As of November 13, 2023)
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsu Nakagawa belong to Lot No. 204 _ . Copyright©︎2020 Lot No.402_ All rights reserved.
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Title.
寝落ち。:)
( FUJIFILM GFX50R shot )
グアム。 アメリカ. 2024。 … 2 / 10
(今日の写真。それは未発表です。）
Images.
Hitsujibungaku(羊文学)- Burning (Eng Ver.)
youtu.be/ONIEzox_Duc?si=gpeuat01SSKFVcuG
::写真の音楽とiTunesプレイリストをリンク::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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２０２４年の展示
テーマ
Goodbye , Photo
Images
大塚 愛 ( Ai Otsuka ) / 恋愛写真 ( Goodbye photo )
youtu.be/B2XfJCQ2Dy0?si=WN3UePWye5N03yi4
Live 1.
youtu.be/MjBYxuVgj70?si=K3TyYOGqa3Y8BdAt
Live 2.
youtu.be/Dccv85TarHs?si=BI-f4JfrihO3CTXD
Mitsushiro - Nakagawa
主催
デザインフェスタ
場所
東京ビッグサイト
日程
2024年11月16日。17日。
exhibition.mitsushiro.nakagawa@gmail.com
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
_________________________________
_________________________________
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
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現在のユーチューバーについて。僕も伝え、残したい。
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日本人の写真家について。日本のユーチューバーはピストルズ。
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写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
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良い構図とは？ 悪い構図とは？
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カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
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家族写真。他人では撮れない。被写体の内面。
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ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
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日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
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日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計。（2024年8月1日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 23,192,383 View
Youpic 7,574,603 View
僕の統計。（2024年2月7日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 21,694,434 View
Youpic 7,003,230 View
僕の統計。（2023年11月13日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2024 Lot No.402_ All rights reserved.
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[ENG] The Chestnut forest of El Tiemblo (Ávila, Spain) it is a small forest of municipal property placed to approximately 1.100 m. of altitude in the header of the Reservation of Iruelas's Valley, to approximately 100 km from Madrid. It is the most extensive chestnut forest of the Central System, and on the autumnal station -the most showy and colouring- its paths are crossed by numerous visitors. Along the route we will be able to observe different species of trees and shrubs that they accompany on the chestnut-tree or form a part of the undergrowth of the chestnut forest (white hawthorn, hazel, elm of mountain, cherry, willows, holly, alder-tree, birch, heathers, ferns...). A section of the path passes parallel to the creek of the throat of the Yedra (Ivy), with it waters down all the year round and with a row of alder-trees that forming a small forest of gallery they wind close to the creek. With luck we can contemplate some species of birds of forest character (mocking-bird, blue climber, blackbird, thrush...).
[ESP] El Castañar de El Tiemblo (Ávila) es un pequeño bosque de propiedad municipal situado a unos 1.100 m. de altitud en las laderas de la Reserva del Valle de Iruelas, en la cabecera de la garganta de la Yedra, a unos 100 km. de Madrid. Es el castañar más extenso del Sistema Central, y en la estación otoñal –la más llamativa y colorida- sus senderos son recorridos por numerosos visitantes. A lo largo de la ruta podremos observar diferentes especies de árboles y arbustos que acompañan al castaño o forman parte del sotobosque del castañar (majuelo, avellano, olmo de montaña, cerezo silvestre, sauces, acebo, arraclán, abedul, brezos, helechos, ...). Un tramo del sendero discurre paralelo al arroyo de la garganta de la Yedra, con agua todo el año y con una hilera de alisos que formando un pequeño bosque de galería serpentean junto al arroyo. Con suerte podemos contemplar algunas especies de aves de carácter forestal (arrendajo, trepador azul, mirlo, zorzal...).
146744
Reunidas há séculos as condições naturais e a vontade dos homens, e após vários projetos que não passaram do papel desde 1852, só os projetos apresentados em 1878 pelo Eng.º Afonso Joaquim Nogueira Soares e em 1881 por Sir John Coode levaram a que, em junho de 1883, o ministro das Obras Públicas, Hintze Ribeiro, tenha tomado a decisão política visando a construção de um porto de abrigo artificial em Leixões ao apresentar na Câmara dos Deputados uma Proposta de Lei autorizando o Governo a adjudicar a construção do porto artificial de abrigo de Leixões (Lei de 26/06/1883).
É que um conjunto de rochedos, a que os homens deram o nome de «Leixões (o «Espinheiro», a «Alagadiça», o «Leixão» grande e o «Leixão» pequeno, como grande e pequeno eram também os rochedos da «Lada», o «Tringalé», o «Galinheiro», o «Cavalo de Leixão», a «Quilha», a «Baixa do Moço», o «Fuzilhão», o «Baixo do Leixão Velho» e muitos outros), descreviam um semicírculo no mar, formando como que um porto de abrigo natural junto à foz do rio Leça
Julgando-se então convenientes algumas modificações, foi responsabilizado pela elaboração do projeto definitivo o Eng.º Afonso Joaquim Nogueira Soares que o deu por concluído a 24/08/1883 (justo será salientar o nome de Adolpho Loureiro que, durante este período, fez parte de uma série de comissões que acompanharam a elaboração desse projeto final):
por um Decreto de 23/10/1883, foi aberto um concurso internacional para a definitiva construção do porto artificial de Leixões, sendo de 4500 contos de reis a base de licitação da obra;
na sequência deste concurso, foi lavrado no Gabinete do Ministro das Obras publicas, Commercio e Industria, a 16/02/1884, o contrato de empreitada geral para a construção do porto artificial de Leixões com a empresa «Dauderni et Duparchy» que havia vencido o concurso (em boa verdade, tinham sido os únicos a concorrer) tendo sido de 4 489 000$00 (4 milhões e 489 mil reis ou 4500 contos de reis) o valor da adjudicação, na presença do empreiteiro francês mr. Jean-Baptiste Dauderni (Basècles, Hainaut, 11/01/1827 - Hotel Central de Panamá, Praça da Catedral, 15/04/1886), por si e como procurador que mostrou ser do empreiteiro e engenheiro francês Mr. Jean Alexis Dauphin Duparchy que tinha participado entre 1866 e 1869 na construção do Canal de Suez juntamente com os engenheiros franceses Jean-Baptiste Dauderni e Edmond Bartissol e que em 1870 participou na guerra como Chefe de Batalhão de franco-atiradores, tendo casado com Marie Elisa Roussel em Cérilly a 08/09/1875 e da qual não teve filhos (este contrato de empreitada tinha 45 artigos e uma mapa);
as obras de construção do Porto de Leixões (como porto de abrigo artificial de navios), uma das maiores obras de Engenharia Civil do séc. XIX, iniciaram-se a 13/07/1884 e os trabalhos foram dirigidos pelo Eng.º francês Wiriot (o diretor técnico das obras), sob a fiscalização do governo português que, para tal, nomeou o Eng.º Afonso Joaquim Nogueira Soares, autor do projeto.
Durante o período da construção, ocorreu a morte do viúvo Jean-Baptiste Dauderni a 15/04/1886 (a esposa dele, Amélie Passerieux com quem tinha casado a 01/09/1856 em Narbonne, tinha falecido com 49 anos a 04/02/1881), passando a empreitada para o nome de «Duparchy & Bartissol» (o Eng.º Edmond Bartissol substituiu assim o falecido Eng.º Jean-Baptiste Duaderni na empresa construtora), o que não colocou em causa os prazos previstos:
entrega provisória em 1892 e definitiva em fevereiro de 1895;
a sua construção foi concluída em 1895;
O Projecto do Eng.º Afonso Joaquim Nogueira Soares consistia na construção de 2 extensos paredões ou molhes (o do lado Norte com 1579 m e o do lado Sul com 1147 m) que, enraizados nas praias adjacentes à foz do Rio Leça, formavam uma enseada com cerca de 95 hectares e com fundos entre 7 e 16 metros de profundidade;
além dos paredões, foi construído também um quebra-mar que, elevando-se apenas um metro acima do zero hidrográfico, prolongava em mais algumas centenas de metros o Molhe Norte. Terminava este esporão numa plataforma onde emergia um farolim.
O título de 1.º Barão de Duparchy foi concedido por Carta de D. Luís I de Portugal de 23/12/1886 a Jean Alexis Dauphin Duparchy (Alièze, 12/03/1835 - Savigny sur Orge, 02/101907), tendo-lhe sido concedido o título de 1.º Conde de Duparchy por Carta de D. Carlos I de Portugal de 14/05/1891 (Duparchy vendeu à família Duarte Figueiredo em 1895 a sua casa que tinha construído a 1 Km das termas do Luso e junto à Mata Nacional do Buçaco, a Vila Duparchy que desde 1987 foi aberta pelos seus proprietários a turismo de habitação, para regressar a França e comprar o Castelo de Savigny sur Orge por ter tido lucros consideráveis na construção do porto de Leixões).
Sua Majestade El-Rei D. Luiz I e a família Real visitaram a Pedreira de S. Gens e o porto de Leixões em construção, a 27/09/1887, por convite da empresa construtora 'Duparchy & Bartissol':
o comboio que o trouxe da Pedreira de S. Gens na Senhora da Hora chegou à praia de Matosinhos perto do Monumento do Senhor do Padrão por volta das 14:40 e, após uma pequena paragem por causa de uma manobra que ele teve que executar e da entrada no comboio do Sr. conselheiro e ministro de Estado honorário Barjona de Freitas, seguiu pelo Molhe Sul percorrendo os seus cerca de 700 m então existentes;
a família real, saindo da carruagem, assistiu, bem como todos os convidados, à rápida e perfeita colocação, por meio de um pequeno guindaste, de uma pedra no muro de abrigo, pedra que em letras abertas e douradas tinha a inscrição «27 DE SEPTEMBRO DE 1887 – VISITA DE S.M. EL-REI D. LUIZ I» com as armas nacionais muito bem lavradas por cima dessa inscrição;
a Família real dirigiu-se para a extremidade do muro, onde o sr. Eng.º Edmond Bartissol (Portel-les-Corbières, Aude, 20/12/1841 - Paris, 16/08/1916, vítima de congestão pulmonar), para satisfazer o natural desejo de el-rei, o informou amiudamente dos trabalhos realizados e a realizar, dos processos usados na construção daquela monumental obra de arte, etc.;
em seguida, o Titã mostrou os seus prodígios levando uma vagonete com grandes calhaus do peso de 10 toneladas métricas, pouco mais ou menos, e arremessou-os ao fundo do mar, espadanando a água a grande altura (aqui foi apresentado a el-rei, pelo sr. Bartissol, o hábil engenheiro director técnico francês daquelas obras, o sr. Wiriot, com quem el-rei se demorou conversando durante algum tempo);
depois, o comboio inverteu a marcha e conduziu a família real ao Molhe Norte também em construção atravessando a Ponte do Comboio construída há 3 anos e chegando ao fim dos cerca de 700 m que então o Molhe Norte tinha por volta das 15:25;
a família real, saindo de novo do comboio, assistiu também à colocação neste muro de abrigo de outra pedra em tudo idêntica à que anteriormente fora colocada no Molhe Sul, isto é, com as mesmas armas e a mesma inscrição;
ao findar este trabalho, um dos empregados da empresa, que tinha no braço esquerdo um laço de fita azul e branca, levantou vivas a el-rei, à rainha, príncipes, incluindo o da Beira, e finalmente a toda a família real;
a banda do Regimento de Infantaria 10 executou o hino real, sendo queimados muitos foguetes;
na extremidade do muro, o Eng.º Afonso Joaquim Nogueira Soares esteve explicando a el-rei a forma como eram colocados os blocos, dando-lhe outras informações que S.M. ouvia com vivo interesse.
Uma zorra conduziu para junto do grande Titã deste molhe um bloco que tinha gravada a inscrição «BLOCO COLOCADO NA PRESENÇA DE EL-REI D. LUIZ E DE SUA AUGUSTA FAMÍLIA NO DIA 27 DE SEPTEMBRO DE 1887», e o prodigioso aparelho levantou-o da zorra por meio de correntes de ferro, ergueu-o ao ar e desceu-o até ao mar colocando-o em cima dos outros em 10 minutos, se tanto;
no Leixão grande, que ainda ficava a bastante distância dos muros de abrigo Norte e Sul, achava-se hasteada a bandeira nacional;
já passava das 16:00 quando a família real e seus convidados voltaram no comboio pelo Molhe Norte até à marginal de Leixões em Leça da Palmeira para usufruírem do 'lunch' servido num Pavilhão;
terminado o lanche, a família real voltou para o Porto no comboio que a tinha trazido, passando de novo pela Ponte do Comboio a acaminho de S. Gens na Senhora da Hora e, daqui, a caminho da Trindade..
Sua Majestade El-Rei D. Carlos I também o visitou, a 26/11/1891:
Em 1892, o Titã do Molhe Norte caiu ao mar devido a um temporal, tendo sido recuperado posteriormente.
Mais tarde, no inicio do séc. XX, foi discutida a necessidade de o transformar num porto comercial, um objetivo apenas conseguido em 1940 com a conclusão da doca n.º 1 que foi inaugurada a 04/07/1940.
Nas décadas seguintes, foram edificadas as docas n.º 2 e n.º 4, o cais do pescado e os terminais de contentores e petroleiros.
A Bacia, construída em 1984, sustentava em cada um dos seus Molhes os guindastes denominados Titãs, cada um pesando 400 toneladas:
um dos principais problemas que se colocava à construção dos molhes Norte e Sul era exatamente a forma como se procederia para erguer, e posteriormente depositar no local desejado, os pesadíssimos blocos graníticos;
para resolver esta questão a empresa «Dauderni et Duparchy» encomendou em 1886 às famosas oficinas da empresa francesa de Fives-Lille, em Lille, 2 gigantescos e poderosos guindastes movidos a vapor que se deslocavam, igualmente, sobre carris (guindastes ou gruas que, pelo seu aspeto colossal, tinham o nome de Titãs e tinham sido desenhados pelo catalão Bonnaventure Bassères);
há uns anos, estes gigantescos guindastes ainda permaneciam e resistiam sobre os molhes que construíram, quais 2 titânicas estátuas erigidas à memória dos tempos pioneiros da construção do porto de mar;
a importância crucial que possuíram no contexto da edificação desta estrutura portuária, a sua imponência e força, e o valor simbólico que, ao longo do século, criaram em torno de si, merecem uma atenção mais demorada;
montados em Leixões os Titãs em 1886 até 25 de outubro e dirigidos durante os primeiros anos exclusivamente por um técnico francês, de seu nome Lecrit, revelaram-se de facto como peças fundamentais na construção do porto;
paulatinamente, bloco após bloco e graças à sua ação, os 2 molhes foram avançando mar adentro (é que eles levantavam blocos de 50 toneladas e podiam lançá-los a mais de 29 m de distância, apesar de blocos com menos de 15 toneladas poderem ser lançados a mais de 44 m de distância do seu ponto de rotação);
movidos a vapor (ainda hoje é possível descortinar no seu topo a «Casa das Máquinas», com 2 caldeiras cada um), os titãs tinham uma potência de 25/30 HP e foram utilizados na construção dos molhes Norte e Sul do porto de Leixões, não se tratando, ao contrário do que muita gente pensa, de guindastes para carga e descarga, pese embora tenham posteriormente desempenhado também essas funções (pelo menos o do Molhe Sul, até aos anos 60 do séc. XX).
A little bit above the Big Maple Plain (1216 m) which is located in the middle of the Alpine Park Karwendel on the Eng Alp in Tyrol, Austria and can be reached only via Bavaria.
Panorama done of 9 photos in portrait mode with the excellent freeware autostitch.
ENG
The regional train Zaragoza - Valencia, served by a DMU series 594, arrives to the railway station of Teruel, the smallest county town in Spain. This city is well known thanks to its buildings built in Moorish style and the cured Iberian ham. In the backgorund the old seminary of the city
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ESP
Antes de que los 599 cubriesen las relaciones en el corredor Huesca - Zaragoza - Valencia, los T.R.D. de la serie 594 eran los únicos que iban para arriba y para abajo en la línea del "Central de Aragón". Éstos aún pueden verse en parte de este trayecto, por ejemplo, con los MD que unen la capital del Túria con la del río Guadalaviar...que es como se llama al Túria a su paso por Teruel, ciudad desde cuya estación pueden obtenerse fondos, a mi juicio, tan bonitos con el edificio del Seminario Conciliar.
Ng Eng Teng's sculpture "Mother and Child" at Tampines Park. I am very happy to find out that it will be relocated to National Gallery in 2019.
www.straitstimes.com/lifestyle/arts/ng-eng-tengs-iconic-m...