View allAll Photos Tagged Dynamic
Canon 5D Mark II with 70-200mm f/4L IS
Nikon D700 with Tamron SP AF 24-135mm f/3.5-5.6
Miss them as they were.
Taken using Nokia E63.
Models: Crystal like as Chun Li
www.acparadise.com/acp/display.php?a=56806
And Kelly as Sakura
Cosplay: Street Fighter
A Slovakian Ultralight aircraft with retractable landing gear, demonstrated by the Czech pilots at the airshow in Arnbruck.
Finally, that's the result of task number two within the Tamron Extreme Test (18-270mm). This time, we had to do a portrait. Well, that's it.
I used the built-in flash (don't have any other ...) and a hair-dryer to create a strong contrast between the dynamic hair and her straight face.
Featured Photo for Feb 19, 05
Nick Ertl defeating BrianCobb by Armbar
Gladiator Challenge 32 - "King of the Hill", November 18th, 2004
Photo by Ryan at mmashots.com
New Orleans has always been a crossroads of people, ideas, and products. What was created out of this dynamic interplay of people and products at this global crossroads of New Orleans? At the heart of NOLA are the people, a very diverse population ranging from Native Americans, French, Spanish, Africans, and other subsequent waves of immigrants. Drawing from abundant natural marine resources, adding diverse foods from around the world through merchants and settlers, the NOLA population created one of the most unique and influential foodscapes in the world. The markets and new migrants continue to thrive and draw from the many unique cultural and natural resources of the area.
Panelists: Ashley Young, historian of food markets and street food culture in the 19th century; and David Guas, chef/owner of Bayou Bakery, Coffee Bar & Eatery in Arlington, VA [and coming Winter 2014 to Washington, DC] and host of "American Grilled" on Travel Channel.
In the Marketplace: Chesapeake Bay Roasting Company brews up coffee roasting demos, American History museum staff present Heirloom rice presented by American History Museum staff, Capital City Co. serves up DC staple Mumbo Sauce, Phillip Greene gives New Orleans cocktail history demos and signs his book "To Have and Have Another," and learn about what's blooming in the Garden from Smithsonian Gardens.
| XTi | 10-22 |
New Hangout Spot @ Dynamic Turbo
14261 SW 120th St - Miami, FL 33186
Tuesday Nights @ 9pm +
The all-new Jaguar F-PACE is a performance crossover designed and engineered to offer the agility, responsiveness and refinement that all Jaguars are renowned for, together with unrivalled dynamics and everyday versatility.
Even more dynamic, lighter, more powerful and stunning - the Lamborghini Gallardo LP570-4 Superleggera is the new top model in the Gallardo line-up. Its evocative "superlight" badge refers to a driving machine of true sporting character and describes a high-performance and lean automotive athlete. The Superleggera makes its entrance to continue the success of its predecessor, launched in 2007, of which Lamborghini produced and sold no less than 618 in just one year.
Compared with the already lean Gallardo LP560-4, the weight of the Lamborghini Gallardo LP570-4 Superleggera has been trimmed by 70 kilograms (154 lb). The super sportscar from Sant'Agata Bolognese boasts a dry weight of no more than 1340 kilograms (2954 lb) - the lightest road-going model in Lamborghini's range, and a new arrival in one of the most exclusive market niche segments.
One key factor is the exterior and interior components made from carbon-fiber. Carbon-fiber is ideal for the manufacture of sportscars as its use allows for weight reduction and improved mechanical features. The car's performance is thus enhanced thanks to a better weight-to-power ratio and reduced total mass, which means that CO2 emissions are also lower. Lamborghini has been at the forefront in this material's application for many years, and now the brand is extending its leadership even further.
The V10 power unit with 5.2 liters (317,6 cu in) of displacement generates 419 kW (570 CV) in the Lamborghini Gallardo LP570-4 Superleggera. This puts the weight-to-power ratio of the new top model at only 2.35 kilograms (5.18 lb) per CV and guarantees breathtaking performance. The Lamborghini Gallardo Superleggera handles the dash from zero to 100 km/h (0-62 mph) in 3.4 seconds and flies past the 200 km/h (124 mph) mark only 10.2 seconds later, ultimately reaching 325 km/h (202 mph). The engine with "Iniezione Diretta Stratificata" gasoline direct injection also boasts an impressive degree of efficiency. Its fuel consumption and CO2 emissions have been reduced by 20,5 percent compared to the previous model.
The Lamborghini Gallardo LP570-4 Superleggera is an uncompromising driving machine. Its running gear, with its mighty braking system, has a dedicated and exceptionally precise set-up, while its 19-inch wheels, Pirelli P Zero Corsa, clad in Pirelli sports rubber, are extremely light. The Lamborghini Gallardo LP570-4 Superleggera brings a whole new meaning to the term "super sportscar".
201020-O-NO901-0025 TOULON, France (Oct. 20, 2020) U.S. Navy Sailors assigned to Explosive Ordnance Disposal Mobile Unit (EOD MU) 8 based out of Rota, Spain, work alongside French Sailors from the Marine Nationale to conduct training on maritime EOD and Improvised Explosive Device Disposal (IEDD) during French-led Exercise Dynamic Mariner 2020 in Toulon, France, Mon. DD. Exercise Dynamic Mariner tests NATO's Response Force Maritime Component (NFR/M) and interoperability with NATO forces, enhancing flexibility and improving the ability to work together among Allied nations. (Photo courtesy of French Marine Nationale Benoit Emile/Released)
(YouTube)
Without friction the pull force on the red strip should be one half of the load weight.
Senza attrito la forza da applicare sulla striscia rossa sarebbe metà del peso del carico.
Visit California's campaign featured at London Waterloo, including a dynamic live feed of the touring vehicles on the 'Minifornia' model.
The Open Data Institute's second members networking event, held in conjunction with Telefonica, Dynamic Insights at Telefonica offices on Air street, London, November 2013.
The evening featured talks from Stuart Coleman (ODI), Roland Harwood, (100%Open), Mark Ainsworth (Telefonica Dynamic Insights), Maël Primet (Snips).
tried 22 times to find a combination of prompts, video lengths, and frame height and width that would make her stand up with full body in frame, because i like her thighs and legs, but i2v_wan2.2 just would not do it. oh well... sorta makes me think of the original Star Trek series episode 'Requiem for Methuselah' and i Flint.
A special tower landmark in the promenade with the design concept generated from piles of compressed recycled paper at the former site of the cargo handling area.
Kwun Tong Promenade.
Kowloon, Hong Kong
Artist Statement
These images are works in the process being refined for eventual showing..
The images in this Flickr set will be part of a NoMa photo group project I'm involved in. The NoMa (North Manhattan) Photo Group is a dynamic group of talented community minded artists who support each other and promote the work they are doing. For images of the NoMa Photo Group please check out this exciting Flickr group. See: www.flickr.com/groups/manhattanville/pool/
We are documenting the Manhattanville area (Broadway between 125th St. and 137th St. in Manhattan) that will be razed to make way for the octopus expansion of Columbia University. There are of course issues relating to the displacement of a poor and working class neighborhood that may be priced-out of the existing rental housing market through the use of QUESTIONABLE (unconstitutional) eminent domain maneuvers.
The legal concept of eminent domain allows the government and municipalities to take over and raze properties that are partially “blighted”, in order to transfer their sites to private institutions such as Columbia University. Community advocates and protesters argue that this approach to urban redevelopment favors wealthy redevelopers and private institutions at the expense of poor and working class residents, and encourages profligate municipal expenditures and tax variances in support of dubious or marginal benefit to the existing community.
“Terrain Vague” is a French term used by Spanish architect and critic Ignasi de Solà-Morales to describe ambiguous, unresolved, and marginalized spaces in the urban landscape. Terrain vague refers to sites that are often ignored in the mainstream discourse on architecture and design, such as industrial wastelands and monotonous suburban developments.
Solà-Morales notes that photographers and architects address terrain vague in differing ways. The photographer sees these spaces as places that are imbued with a storied past. Architects, however, approach these spaces as problems to be solved through design. Solà-Morales asks:
What is to be done with these enormous voids, with their imprecise limits and vague definition? Art's reaction . . . is to preserve these alternative, strange spaces. . . . Architecture's destiny [by contrast] has always been colonization, the imposing of limits, order, and form, the introduction into strange space of the elements of identity necessary to make it recognizable, identical, universal. The voids, imprecise limits and ambiguities typical of “vague terraine” conjure visions of a species of twilight zone. Rather than being submitted for entertainment and approval by Rod Serling, the haphazard spaces of discontinuous improbabilty of Manhattanville are being submitted for exploitative redevelopment.
True to Solà-Moraleshas' observation, as a group of photographers, we have chosen to address “terrain vague” by documenting aspects of a neighborhood community that will soon disappear into the mist of NYC history. The Manhattanville community has historically given sustenance and a sense of place to a succession of working-class poor but soon will give way to trendy gentrification. The proposed draconian development project is occurring in the context of an insular university institution that has continually expanded at the expense of its surrounding minority neighbors. Understandably, this has resulted in a significant amount of conflict dating back to at least the 1960's.
I found the proliferation of advertising signs in the ManhatanviIle community to be visually oppressive and amplified my own sensation of “terraine vague.” On some level I felt the huge advertising signs were selling “solutions” and “fixes” for manufactured needs that could not be openly discussed.
The intrusive messages seemed to overwhelm\ and diminish the legitimacy of signs calling for urgent action such as: “Halt Columbia University's abuses of eminent domain!”
Some billboards pictured self indulgent, self-satisfied role models enticing as they flaunt their wealth, fame, lifestyle and accomplishments. As if to say….I got mine,….and you? They insinuate to pedestrians what cannot legitimately be articulated or promised in words.
These corporate mercenaries of popular culture model poses and attitudes, that dangle an antidote to the toxic powerlessness and soul sickness of poverty.....quickly, effortlessly, magically….. Without the bother of self-awareness or struggle for social justice.
“Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need.” ~From the movie Fight Club, based on the novel by Chuck Palahniuk
It is no wonder to me that the mixed messaging of political advertising and policy makers, etc., keep voters confused and easily misdirected, by so-called "wedge issuues", that appeal on the basis of low self esteem driven uncertainty and fear. Induced mass low self esteem is an interesting phenomenon that drives passive consumption of ideas, values, decision-making......and, yes, let's not forget.....material consumption!
Check out “Happiness: Lessons From a New Science”, by Richard Layard who exposes a paradox at the heart of our lives. Most of us want more income so we can consume more.
Mind control, anyone?
For me, the ideas that drive this photographic essay are connected to the vagaries of urban space usage and how the meaning of community is distorted, misdirected and shaped to fit the purposes of the power elite.
This art project hopes to bring attention to these ideas and inequities. It is expected that this work will result in an exhibition at sometime at the begining of 2008.