View allAll Photos Tagged Drawing
sketch of my bicycle and my husbands parkometer ;-) at our house-wall.
I love this bike, hope I can climb some montains with it this year!
Original drawing done in the late 60's...Conversion to 3D done with SPM 013009. Red/Cyan 3D glasses required for viewing.
A series of short (5-10 minute) drawings, from the life drawing session this summer at UT taught by Melissa Grimes
Hello all,
Here's a little drawing I did of the gang. It's done ink, but I used photoshop to give it some color.
Onix is Io's karaoke buddy. They can spend hours singing, or more like yelling, in Onix's case. Poor Winter doesn't look too pleased with their singing abilities! XD
This video shows the development of a scratchboard drawing from an old mugshot.
The picture (which you can see here) is part of a series that I'm working on, some of which can be seen in my Artwork set.
---------------------------------------------------
Scratchboard was invented as a way of making something look like a woodcut without the effort of cutting the wood. It was meant to be used by advertising illustrators as it reproduced well in newspapers.
It's made by coating a sheet of card in fine clay and then painting a layer of black ink on top. You draw the picture by scraping the black away to show the white beneath. (You buy it ready-made, of course, because, if you made it yourself, you'd surely end up with a big soggy, inky splodge of clay-soaked card.)
You'll probably have done something similar with black crayons over coloured paper, maybe? Perhaps in the early years of school?
Artist Name: Zuzana Spendelova
Challenge Name: CPM Challenge 1210 Kiiro
Category: Beginner/ Student
Email: florigera@yahoo.co.uk
Koh-I-Noor Progresso woodless coloured pencils on A4 Koh-I-Noor drawing pad
Some proof that I'm drawing again! XD
That thing Mimi is holding is supposed to be Tanemon. I had forgotten what she looked like and I just wiki'd it and I realize some items are wrong. But I'll see what I can fix!
“Yourself and Your House Wonderful” by H. A. Guerber. The John C. Winston Co., 1932. Ink drawings by Eunice Stephenson.
I recently did a drawing commission to draw a woman's six kids, and this one is my favorite of the bunch, the baby of the family. I play with her as often as I can. :)
A vista desse ponto era absurdamente mais ampla do que isso, mas a ânsia de tentar captar tudo no papel e a subsequente frustração acabam gerando outras maneiras de expresar imensidão. Na excursão, quando sobrava tempo, eu tinha no máximo 20 minutos para tentar desenhar. Não era pouco nem muito, mas vejo agora que era o tempo necessário para tentar representar o essencial [o que não foi o caso do desenho postado anteriormente].
HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing of the ATTENDANT KEEP from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring ABBOTT and COSTELLO Character
Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
This is an original drawing done by me of the sculpture "Bust of a Man" by Joseph Wilton. The drawing is done with Conte crayon, Terra Cotta and white Prismacolor pencil on heavy Strathmore brand artist paper.
Here you can see the most important plan used during my work on Fulcrum. It's pretty detailed, so my job was just to "re-write" it with bricks. Of course there were other plans also in use, like top-view etc.
Nikon FM3A, Nikkor 50mm f1.4 (most likely), shot on Ilford HP5+ pushed to EI 800. Developped in HC-110 1+31 @20°C for 7'30".