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Bram Stoker's Dracula
None of that Twilight pussy shit here.
Art painted on an actual book, that came with a blank cover. Damn I love doing them.
Here are some samples of the work that I am creating as a fundraiser for my kitty, Oliver's cancer treatment. I am doing custom commissions to help pay for his treatment. Thank you so much for looking. You can find my bigcartel site here: lindsaynohl.bigcartel.com where you can order custom artwork.
If you are interested in donating, but are not interested in artwork, I'm grateful for any donation. Here is a link to my donation page: lindsaynohl.com/Treatment-for-Oliver
These are a combination of continuous, blind and point to point drawing. I find that not lifting my pen helps me keep my eyes focussed on the subject.
Thing is...I think I was so focussed that my imagination kicked in and I was seeing a whole dialogue happening with these humble 'characters' from my kitchen. Actually it wasn't a dialogue but an altercation of sorts. Not sure what it was about. Oh dear, do proper artists have distractions such as this?!
AUTOCAT and MOTORMOUSE
Hanna Barbera Studios 1969
Item Type: Original Animation ROUGH Production Concept/Model Drawing from the 1969/1970 Animated Television Series
Condition Excellent
Size: Approx 12 field 12.5 x 10.5
Circa 1969
NOTES:
Notes: (PLEASE READ)
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Motormouse and Autocat
The show was a package program similar to the Hanna-Barbera/NBC show The Banana Splits Adventure Hour, except that it contained no live-action segments. During the 1969–1970 season, Cattanooga Cats ran one hour and contained four segments. During the 1970–1971 season, the segments It's the Wolf! and Motormouse and Autocat were spun off into a half-hour show. Around the World in 79 Days remained a part of Cattanoga Cats, which was reduced to a half-hour. Motormouse and Autocat ran concurrently with Cattanooga Cats until the 1970–1971 season
Essentially a motor-racing version of Tom and Jerry, this segment involved the antics of a race car-driving cat and a motorcycle-driving mouse. Much of the segment's appeal lay in the bizarre cars that Autocat (voiced by Marty Ingels) devised in his attempts to catch Motormouse (voiced by Dick Curtis), and in the pleasing, and unusual character voices and dialect. For example, Motormouse would often over enunciate words, saying things like "Chi-co-ry", and greeting Autocat with a friendly "Hey there, Au-to-cat". Motormouse resembled Pixie & Dixie in character design.
Episodes
Wheelin' and Dealin'
Party Crasher
Water Sports
What's the Motor with You?
Mini Messenger
Wild Wheelin' Wheels
Soggy To Me
Crash Course
Fueling Around
Buzzin' Cousin
Snow-Go
Hard Days Day
Tally Ha Ha
Hocus Focus
Kitty Kitty Bang Bang
King Size Kaddy
Catch as Cat Can
Catnapping Mouse
Paint That Ain't
I've Been Framed
Match Making Mouse
Electronic Brainstorm
Brute Farce
Bouncing Buddies
Ramblin Wreck from Texas
Two Car Mirage
Alacazap'
Geni and the Meany
Choo Choo Cheetah
The Fastest Mouse in the West
Cat Skill School
The Cool Cat Contest
Lights! Action! Catastrophe!
Follow That Cat
One of my favourite activities as a child was to draw all over our patio in chalk. So when I found an old set of chalks in a cupboard, I had to draw again. It makes me happy. :)
I've never been to Cardiff! I was on a plane and sneakily tore out a page from the in-flight magazine to draw on.. the image was from the same.
Pen and ink drawing on paper, in red, drawing of plant and flowers, Hellebores or Christmas Rose, drawn by William Herbert Allen, of Farnham, Surrey, 28th December 1911
HMCMS:ACM1943.346.525.11
DPAALL74
This image was scanned from a plan in the BHP Coal Geology plan set. The set of plans was donated to the Geology Department at University of Newcastle by BHP Coal Geology, in the early 1960s. The plans were transferred to Cultural Collections and stored in archives at the Auchmuty Library, University of Newcastle (2012), together with other archival material from the Geology Dept.
The plans were scanned at 400dpi in GLAMx Lab, Cultural Collections, in August 2017. This set of plans was generated from the scans by Russell Rigby in October 2017 - the original scans were adjusted using Irfanview software and the following steps:
1/ the scans were "squared up" where necessary by fine rotation, and cropped to remove frayed edges, binding holes etc - all information was preserved.
2/ the scans were resized to 160dpi (40% of original)to get a set of plans at manageable size.
3/ the resized images were"auto adjusted" to improve colour rendition and contrast
4/ the adjusted images were saved as high quality jpg files (80%)
5/ the adjusted images were renamed for consistency.
The borehole and shaft numbers used on these plans are from sequential numbering of the data points generated within BHP Coal Geology. A reference listing of the BHPCG numbers used for the Newcastle Coalfield with the name and number of the data point is held in archives by Glencore, Mineral Resources, and may also be in the University collection (to be confirmed). Copies of the drillhole and shaft logs are contained in sets of typed sheets, with hand-coloured graphic logs.
The scanned plans are dye-line prints. They were printed from originals on transparent film which were updated from time to time in BHP Coal Geology. Later versions of these plans may be available from other sources, and the updated originals may still be in the archives now held by Glencore. The printed plans are hand coloured.
The plans are approximately 1050mm x 760mm, at a scale of 4 inches:1 mile (1:15840) unless otherwise shown. They are bound in a single hard-cover folio.
The borehole and shaft numbers used on these plans are from sequential numbering of the data points generated within BHP Coal Geology. A reference listing of the BHPCG numbers used for the Newcastle Coalfield with the name and number of the data point is held in archives by Glencore, Mineral Resources, and may also be in the University collection. Copies of the drillhole and shaft logs are contained in sets of typed sheets, with hand-coloured graphic logs.
You are welcome to use the images for study and personal research purposes. Please acknowledge as “BHP Coal Geology", (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.