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Hello all,
Here's a little drawing I did of the gang. It's done ink, but I used photoshop to give it some color.
Onix is Io's karaoke buddy. They can spend hours singing, or more like yelling, in Onix's case. Poor Winter doesn't look too pleased with their singing abilities! XD
Artist Name: Zuzana Spendelova
Challenge Name: CPM Challenge 1210 Kiiro
Category: Beginner/ Student
Email: florigera@yahoo.co.uk
Koh-I-Noor Progresso woodless coloured pencils on A4 Koh-I-Noor drawing pad
The book consists of six multiple poses/multiple views figure drawing templates and one plate with ten (10) different head views. They are printed on durable translucent polyester substrate and are easy to use on a light box. Figure Drawing Templates by Irina V. Ivanova, ISBN 978-1-61539-263-6
“Yourself and Your House Wonderful” by H. A. Guerber. The John C. Winston Co., 1932. Ink drawings by Eunice Stephenson.
original drawing by: Bill Rogers
In a dream where I passed from one world into another I came to a hole in a cave wall and in it found an alcove with this statue holding a lantern. This is my attempt to recall what it looked like. I was riding up from the lower world in a cart that resembled a theme park carriage. Then I saw him on my right and immediately after receiving his benediction the cart swerved hard to the left and came to a resting spot where I was ushered out into a room built all of redwood and cedar. Then I climbed a stairway through that room to a kind of lobby. Outside was a vast open area dotted with pine trees. It was sunny and cool.
A vista desse ponto era absurdamente mais ampla do que isso, mas a ânsia de tentar captar tudo no papel e a subsequente frustração acabam gerando outras maneiras de expresar imensidão. Na excursão, quando sobrava tempo, eu tinha no máximo 20 minutos para tentar desenhar. Não era pouco nem muito, mas vejo agora que era o tempo necessário para tentar representar o essencial [o que não foi o caso do desenho postado anteriormente].
HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing of the ATTENDANT KEEP from the 1967 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring ABBOTT and COSTELLO Character
Date 1967
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
This is an original drawing done by me of the sculpture "Bust of a Man" by Joseph Wilton. The drawing is done with Conte crayon, Terra Cotta and white Prismacolor pencil on heavy Strathmore brand artist paper.
Nikon FM3A, Nikkor 50mm f1.4 (most likely), shot on Ilford HP5+ pushed to EI 800. Developped in HC-110 1+31 @20°C for 7'30".
Sword in the Stone (1963)
Wart Pulling the Sword out of the Stone!!
Original Graphite Pencil Drawings Used to Make The 1963 Film
16 Field Animation Paper (paper has yellowed with age and has a fold down the center - you can see this on the photo)
Unmatted, Unframed
Production Drawings are the building blocks of animation; through these drawings, the animator carefully plans the look and movement of each character. Drawings are refined (often using different colored pencils) until the animator is satisfied with the look, detail, and degree of motion for each character; at this point, cels are created by tracing drawings onto clear acetate. Production Drawings provide perhaps the most intimate look in the animation process.
The Sword in the Stone is a 1963 animated fantasy comedy film, produced by Walt Disney originally released to theaters on December 25, 1963. The eighteenth animated feature in the Walt Disney Animated Classics, it was the last Disney animated feature released while Walt Disney was alive.
It is part of the 'English Cycle' of Disney animated films, which include Alice in Wonderland, Peter Pan, 101 Dalmatians, The Jungle Book, Robin Hood, The Many Adventures of Winnie the Pooh and The Rescuers.
The film is based on the novel of the same name, at first published in 1938 as a single novel. It was then later republished in 1958 as the first book of T. H. White’s tetralogy The Once and Future King. From Merlin’s statement that The Times will not come out for another 1200 years, it may be extrapolated that the film is set circa A.D. 558.
This animated feature is set in medieval times. After the English king dies leaving no heir, in the churchyard of a cathedral in London, a sword appears imbedded in a stone inscribed, "Who so pulleth out this sword of this stone and anvil is rightwise king born of England." Although many try, no one can budge the sword from the stone. Deep in the dark woods, kind, but absent-minded Merlin the Magician begins to teach 11-year-old Arthur, who is called Wart, and lives in the castle of Sir Ector where he's an apprentice squire to burly, oafish Sir Kay -- when he's not washing stacks of pots and pans in the scullery. By being changed by Merlin into various animals, Wart learns the basic truths of life, but he also runs into the evil Madam Mim, who tries to destroy him. Merlin and Mim have a Wizards' Duel, during which each changes into various creatures, with Merlin using his wits to win. On New Year's Day, a great tournament is held in London to pick a new king. Wart, attending as Kay's squire, forgets Kay's sword, and runs back to the inn to get it, but the inn is locked. Wart, seeing the sword in the stone, innocently, and easily, pulls it out. When the knights marvel at the wondrous sword and question where he got it, Wart has to prove himself all over again, and again he pulls the sword from the stone. Wart is proclaimed king by the marveling warriors. Wart as King Arthur is apprehensive of his ability to govern, but Merlin returns to reassure him. Written by Corinne Shetter.
Hi, I actually finished this drawing a couple months ago. but hadn't gotten the chance to upload it. Anyways, i did today, so I hope you like it :) please comment and favorite^^ thank you xox
(sorry about the image quality, its not very good, lol)
This is Paul. The octopus who forcasted all the soccer matches correctly (unfortunatly). We lost the final.
Henry David Thoreau, 1817-1862, author of Civil Disobedience (1849) and Walden (1854) -- Ipad 2 Air cam
Not quite sure why there are so many people in her drawing of us. Not sure who is who either. I'll have to ask her. I think a few of the people are grandma and grandpa. :)
I really love how kids at this age draw people. A head, super long stick legs, short stick arms, and no hands, fingers, feet or toes. :)
Drawn on 12/9/07.
And none of them got up half way through which is highly unusual.
I am struggling with photographing then successfully, they all seem to end a bit more grey than they where, any hints and tips (I have fiddled with the exposure, contrast, lights, blacks, vibrancy, also they look better on the camera screen than then do
Like the McDD F-4K Phantom Cutaway Drawing?
Buy reprints, posters and framed photos of the McDD F-4K Phantom Cutaway Drawing on the Flightglobal Image store ... www.flightglobalimages.com/mcdd-f-4k-phantom-cutaway-draw...
Sand drawings are elegant geometric patterns produced directly on the ground which serve to transmit a wealth of traditional knowledge about local history, indigenous rituals and cosmologies, kinship systems, natural phenomena or farming techniques.
In 2003, 'Vanuatu Sand Drawing' was proclaimed a "Masterpiece of the Oral and Intangible Heritage of Humanity" by UNESCO. In 2004, UNESCO/Japan Funds-In-Trust For the Preservation and Promotion of Intangible Cultural Heritage began funding of a program to safeguard sand drawings in Vanuatu
Drawing 1991 naar zelfportret van Giorgio de Chirico (1920)
Toelichting: Dit werk zelf was een onderzoek en experiment om de gebruikte schetstechnieken van Giorgio de Chirico te ontdekken en te reproduceren. Een vergelijking met het origineel (zie laatste commentaar hieronder) toont aan dat in vele facetten de meesterhand van De Chirico niet geëvenaard is, met name in het gedeelte rond de kaaklijn en mond. Ook het natuurlijk volume van het gezicht en het natuurlijk aanzien is niet geëvenaard. Dit werk is geen afgeleid werk, want er is niet getracht het werk te kopiëren maar om de tekentechnieken te reproduceren. Het resultaat is ook duidelijk geen gelijkend portret. Dit werk is getekend met diverse hardheden potlood op stevig papier, waarbij er bijna eindeloos is uitgegumd. Het resultaat is wel een redelijke gelijkenis, en tegelijk zogezegd een in vele opzichten juist niet gelijkende tekening van de oorspronkelijke tekening. Aan dit project en deze ene tekening is rond de jaarwisseling van 1991-'92 bij elkaar zo'n twee weken gewerkt. (Marcel Douwe Dekker, 19-08-2022)