View allAll Photos Tagged DramaticSky
The firmament above the ancient citadel is a roiling ocean of molten bronze and tarnished gold, where the clouds weave a tapestry of impending storm and divine judgment. The colossal cathedrals, carved from the very bones of the earth, rise like obsidian titans against the dying radiance of the sun. There is a sacred weight in the atmosphere, a silence only broken by the ghosts of history that tread upon the iron rails and the worn cobblestones. Here, the architecture does not merely stand; it reigns over the souls who wander like ephemeral embers through the deepening gloom.
The warm glow of the lanterns begins to pierce the shadows, casting long, spectral fingers across the bridge as the world prepares for its descent into the eternal night. Every archway and every jagged spire is a testament to an age of iron and faith, a fortress of memory resisting the relentless tide of time. As the light fades into a somber, ocher embrace, the city becomes a labyrinth of dreams and stone, where the past is more alive than the present, and every silhouette tells a tale of glory, sorrow, and unyielding majesty.
A dramatic view of Brisbane's Golden Triangle financial district, captured early in the evening. This vibrant display peaked a mere 5 minutes after the golden hour began, as horizontal light illuminated the underbelly of the clouds.
Tall building: Comalco Place or the 'Blue Tower'.
Bridge: Kangaroo Point Pedestrian Bridge.
Location: Brisbane, Queensland, Australia
Feedback and critique are always welcome!
A dramatic sunset over the North Sea coast, captured from a high vantage point overlooking a row of beach cabins.
Libre
Como el Sol cuando amanece
Yo soy libre como el mar
Libre
Como el ave que escapó de su prisión
Y puede, al fin, volar
Recently I was fortunate enough to visit the Philippine Islands. The small town of El Nido is surrounded by Mountains of Volcanic origin. The bay is full of boats which during the day take tourists to various beaches, secret lagoons, diving and various other locations and activities.
These are a couple of the abandoned warehouses in the rivernorth historic industrial district in Saint Louis, MO. USA. Thanks for taking this in.
Aufgenommen mit der Fujifilm GFX 100 II und dem Carl Zeiss Planar T* 85mm f/1.4 (Contax/Yashica, ca. 1978/79) abgeblendet.
Captured at Warnscale Beck, this image explores the pull of the landscape as a winding stony path leads the viewer deep into a dramatic mountain basin. Framed by dense bracken and rising fells, the composition creates a strong sense of journey, drawing the eye toward the rugged heights and the changing light beneath a heavy, brooding sky.
The artistic concept centres on movement, scale, and atmosphere. The path acts as both a physical route and a visual invitation, contrasting the intimacy of the foreground textures with the vastness of the surrounding valley. Subtle light across the slopes brings depth to the terrain, while the dark clouds above introduce tension and mood, transforming the scene into a study of wilderness, solitude, and quiet anticipation.
#WarnscaleBeck #LakeDistrict #Cumbria #MountainPath #WildValley #FellWalking #MoodyLandscape #DramaticSky #BritishLandscape #UplandScenery #LandscapePhotography #OutdoorAdventure #WildBritain #FineArtLandscape #HikingPhotography
Musikene, Donostia — shot for this week's 52 Frames "Distortion" challenge, Laowa 9mm pressed nearly against the black lacquer facade and tilted back until the whole building reads more like a shard than a structure.
Overcast skies gave me long streaking clouds instead of drama-by-sunset, which ended up working in the frame's favor — those diagonal lines running through the sky almost read as motion, like the building's mid-fall rather than just leaning.
Shot, culled, and edited same-day under a hard deadline. Sometimes the tightest turnaround produces the frame you're happiest with.
Laowa 9mm f/5.6 | Nikon Z body | B&W conversion in Lightroom Classic
Flickr®
Bonjour !
Félicitations ! La photo Sunrise at cove Valtoudi coastal Pelion panorama que vous avez ajoutée au groupe ! !^Into Your Heart Level 3 a été sélectionnée en tant que photo de couverture.
A small cove after Milina at coastal Pelion mount
My Board “Pelion coastal and mountainy” on gettyimages
My photos for sale on getty images
Ολοκληρωμένο Full album
Ορμίσκος Βαλτούδι Μηλίνα στο Πήλιο Cove Valtoudi at Milina coastal mount Pelion
on my blog ΛΟΓΕΙΚΩΝ Logicon
A small cove after Milina at coastal Pelion mount
My Board “Pelion coastal and mountainy” on gettyimages
My photos for sale on getty images
Album
Ορμίσκος Βαλτούδι Μηλίνα στο Πήλιο Cove Valtoudi at Milina coastal mount Pelion
on my Blog ΛΟΓΕΙΚΩΝ Logicon
So love dramatic, colorful, lit up skies especially as sunset approaches. They are my very favorite thing to try to capture in a photograph because each one is so totally unique and such a beautiful thing to behold and experience.
A small creek runs through a surreal scene of dead lodgepole pines near a hydrothermal area that looks as if they are wearing “bobby socks.” The dead trees soak up the mineral-laden water. When the water evaporates, the minerals are left behind, turning the lower portion of the trees white.
Yellowstone National Park.
PIraeus, Greece.
My artwork may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission.
My photographs do not belong to the public domain.
© All rights reserved
They say the Light Chaser was once a normal photographer—until they captured one sunset too many. Now cursed to roam the horizon, camera in hand, forever chasing the perfect glow that got away. Each evening, they rise with curls backlit and lens ready, silhouetted against skies that mock them with impossible beauty. The gods of golden hour laugh, tossing clouds like confetti, daring the Chaser to keep up.
This image is a glimpse into that eternal pursuit: a lone figure framed by fire and sky, locked in a mythic battle with time and exposure. Is it art? Is it obsession? Is it just someone trying to nail the shot before dinner? Either way, the legend lives on—one silhouette at a time.
My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.
Irre Lichtstimmung in den Bayrischen Alpen...
⭐ DANKE - für Euer Interesse, Favs & Kommentare
⭐ THANKS - for your interest, favs & comments
Martin 🐟
Η περιοχή του Καλπακίου βρίσκεται 35 χλμ. περίπου ΒΔ της πόλης των Ιωαννίνων στα δυτικά του Όρους Μιτσικέλι και σε υψόμετρο 430μ. Σε πολύ κοντινή απόσταση από το Μουσείο Πολέμου 1940-41 βρίσκεται η σπηλιά στην οποία το 1940 ήταν το τακτικό στρατηγείο του Διοικητή της 8ης Μεραρχίας Χαράλαμπου Κατσιμήτρου.
Παραμονές του 1940 ο υποστράτηγος Κατσιμήτρος επικεφαλής της η 8ης Μεραρχίας Ηπείρου οργάνωσε την άμυνα στα γύρω υψώματα της Γκραμπάλας, της Ασόνισσας, της Βελλάς και των Γρεμισιών παρά τις αντίθετες απόψεις του Γενικού Επιτελείου που προέβλεπε άμυνα στα Τζουμέρκα, και διέταξε να κρατηθεί η γραμμή άμυνας στο Καλπάκι μέχρις εσχάτων.
Στο ύψωμα Βελλάς διασώζονται μέχρι σήμερα τα ίχνη των χαρακωμάτων.
Πέτυχε,ν’αυτό τον τρόπο,να αναχαιτίσει την Ιταλική εισβολή και στις 10 Νοεμβρίου 1940 η 8η Μεραρχία πέρασε από την άμυνα στην επίθεση. Ιδιαίτερα στα υψώματα της Γκραμπάλας, ανατολικά του Καλπακίου, έγιναν οι πιο αιματηρές συγκρούσεις.
Πάνω από τον οικισμό του Καλπακίου και στον λόφο Σειλητούρια δεσπόζει το εικονιζόμενο γιγάντιο μπρούτζινο άγαλμα του πολεμιστή στρατιώτη του ’40, το μνημείο του «Έλληνος Μαχητή του 1940-41» που στέκει επιβλητικό κι αγέρωχο κοιτώντας προς το μέτωπο των εχθροπραξιών.
Φιλοτεχνήθηκε από τον καθηγητή Λάμερα Λάζαρο το 1966 με δαπάνες Αξιωματικών και Οπλιτών των Ελληνικών Ενόπλων Δυνάμεων.(απόν φυσικά το κράτος)
Η βάση του αγάλματος έχει σχήμα φέρετρου συμβολίζοντας τους χιλιάδες οι οποίοι έπεσαν “αμυνόμενοι του πατρίου εδάφους”
The area of Kalpaki lies 35 km northwest of the city of Ioannina to the west of Mount Mitsikeli and at an altitude of 430m. Very close to the 1940-41 War Museum is the cave in which in 1940 was the regular command of the 8th Division Commander, Charalambos Katsimetros.
On the eve of 1940, Major General Katsimitros, head of the 8th Epirus Division, organized the defense of the surrounding hills of Grambala, Assonissa, Vellas and Grimissias despite the opposing views of the General Staff, which provided for defense in Tzoumerka, and ordered the defense line to be kept in Alpine to the last.
On the Vellas hill, the traces of trenches are still preserved.
He succeeded in stopping the Italian invasion and on 10 November 1940 the 8th Division crossed the defense in the attack. Particularly at the hills of Grambala, east of Kalpaki, the most bloody conflicts were made.
Above the settlement of Kalpaki and on the hill of Selioutria dominates the giant bronze statue of the warrior soldier of the 1940s, the monument of the "Greek Fighter of 1940-41", standing imposing and reverend looking towards the front of hostilities.
It was created by Professor Lamer Lazaros in 1966 with the expenses of the Hellenic Armed Forces Officers and Army (except of course the State)
The base of the statue is coffin-shaped, symbolizing the thousands who fell "defending the ground of homeland"