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Harman Direct Positive at 6 iso pre flashed, dev in multigrade paper developer. Toned for about 3 min in selenium.

Alors que le soleil commence à décliner, silencieusement ils passèrent au dessus de moi. Juste le temps de déclencher et les voilà évaporés...

4x5 Harman Direct Positive Paper.

Rodenstock Apo Ronar 360mm

Linhof color

Developed 3 minutes in Fomadon P

Eyes are organs of the visual system. They provide organisms vision, the ability to process visual detail, as well as enabling several photo response functions that are independent of vision. Eyes detect light and convert it into electro-chemical impulses in neurons. - Some eye have the power to stop time.

© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.

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Camera equipment: Canon 5D Mark III, 16-35mm f2.8L II USM lens

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Here's a composite of Balanced Rock and the Milky Way.

 

If you've never been in Arches National Park or have been but aren't familiar with the best sites for great photography, you just may want to take a look at my ebook ... Arches National Park - A Photographer's Site Shooting Guide 1.

 

Do you shoot the Milky Way but need a little help in getting the Milky Way to jump out of your photos ? If so, take a look at my ebook A Photographer's Milky Way Processing Guide - A Photoshop HowTo

 

I will be updating the Milky Way processing ebook soon to include an advanced technique for bringing out the detail in the arches/rocks under dark sky / low light conditions.

 

In 2016 I have a spring and fall 3 day photo tour in the Tetons.

 

See my Flickr Profile if you are interested in joining my early September Glacier National Park or Colorado fall color photo tours with Milky Way night sky workshops.

 

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You may also find me at: .. Amazon || Smashwords || SmugMug || 500px || 72dpi || Google+ || facebook

 

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Time to chill out to St0rm Warning's song ... Calibre.

 

Thanks for stopping by.

 

We finally got to visit the windmill which is one of the biggest in Norfolk. It is quite difficult to get to as there is no road and unless you have a boat which we don't it is a six mile round trip walk although there is a tiny railway request stop fairly nearby. I was really impressed by the size of the mill so it was well worth the walk.

 

You do not have the right to copy, reproduce or download my images without my specific permission, doing so is a direct breach of my copyright

(Charadrius semipalmatus) - Semipalmated Plover, Breeding Adult

 

Prime Minister David Cameron has travelled to Brighton where he spoke to local residents about how the Government can reduce the deficit and cut spending in a way that is fair and responsible.

I thought it would be fun to show the direct comparison between two similar setups!

 

www.flickr.com/photos/willieluker/55367227052/in/datepost...

 

I took a shot of this striped lynx (Oxyopes salticus) mama the other day using my Vivitar (Komine) 90mm f2.8 1:1 Macro. Today, I found the same gorgeous girl still guarding her egg clutch, so I snapped a remarkably similar shot using my Phoenix (Cosina) 100mm f3.5 1:2 Macro paired with a 2x Macro Focusing Teleconverter.

 

Right away, you can see the difference in color reproduction. The word I keep finding is "flat". The depth of the greens, and the subtle undertones of the browns and darker shades are just missing! This Phoenix lens is a really stellar lens, but can't compare frame-for-frame with the Komine 90mm. It's also worth noting the overall level of clarity!

 

When you zoom in, you can start to see the difference in resolving power pretty clearly. The Phoenix does a darn good job for a stack of glass in a plastic shell, but the shot captured using my Komine a few days back is much sharper on individual details. Both shots are captured at 1:1, but magnification rate does not always mean the image is worth magnifying!

 

Of course, both of these lens setups are literally decades behind the times and rendered fully obsolete by modern mirrorless cameras, insane 15 frames per second burst modes, and focus peaking, but it's fun to show the budget side of the hobby! You can 100% capture worthwhile images without modern gear and guided trips, you just have to learn your equipment!

 

This comparison was brought to you at 1:1 by my plastic fantastic Phoenix (Cosina) 100mm f3.5 Macro, attached to a Vivitar 2x Macro Focusing Teleconverter. This photo is uncropped. This lovely little lady is around 6-7mm long!

Direct Rail Services Class 88 diesel-electro locomotive 88002 "Prometheus" leads 68016 "Fearless" past Elford loop working the diverted 4Z27 Mossend Down Yard to Daventry International Railfreight Terminal

Taken just in the nick of time before the heavens opened Direct Rail Services Class 68 diesel-electro locomotives 68008 "Avenger and 68017 "Hornet" approach Haselour Lane, Elford working diverted intermodal container service 4Z44 Daventry International Railfreight Terminal to Coatbridge Down Refuge Siding.

Lighting from a severe storm North West of Casper Wyoming 2019

20 minutes after sunrise and lighting was still impressive. Looking north to Narrowdale and its hill

One of my best friend's younger daughter. I think she's a natural.

Direct flash portraiture (of short) using Orbis ring flash by Ted Adnan.

 

© Ted Adnan Photography & Design 1998-2010

Direct Rail Services Class 68 68023 passes a dull Woodacre near Garstang on 6k05 Carlisle Yard - Crewe Basford Hall Yard,photographed on 03/02/2017

Direct Rail Services (DRS) 88002 'Prometheus' is seen at the Crewe Direct Rail Services (DRS) Open Day 2018.

When it comes to finding your path. Don't overthink. Do.

 

Contact: emilehussell1@gmail.com

 

Instagram: instagram.com/emilehussell/

 

Ilford Obscura Pinhole

Harman Direct Positive

Multigrade Dev and Selenium

Traversée de la Gironde, bac-ferry Royan - Le Verdon

Direct Rail Services Class 68 Nos. 68002 'Intrepid' & 68005 'Defiant' rear ('Short set 2') pass the Autumn colours of 'Witton Bridge' Brundall as 2J70 1005 Norwich - Lowestoft on the 16.11.2016.

Direction Sud-Ouest au coucher du soleil.

 

La chance : je les ai vues arriver de loin et ai attendu patiemment qu'elles contournent un immeuble de 20 étages près de chez moi.

Direction la Bretagne et la Loire

Bangkok downtown

 

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The hands-on-hips, straight-into-the-camera pose.

 

C-B_099_

On the other side of the fence, Mr. Zoom and I crossed the street to get a better look at the building from which we'd just escaped. I was happy to see that Mr. Z's eyes were clear again. He asked if I still had the paper I'd pulled out of the one-fingered hand. I patted the pockets of my pants. Yes! But only part of it.

We stood huddled together, trying to find a clue in the words. If we were to believe the Statue of Liberty, Demi only had to look for the signs to find her other half. Originally we were just humoring Demi, helping her with her quest. But now we felt that if we followed the signs we might find her.

Part of a headline remained. We read it together at the same time...out loud.

ines Contribute to City's Demi (and the paper was torn here)

 

Huh? City's Demise was a good guess as to the rest of the headline. But what about the beginning?

 

A bit of wind ruffled the paper in my hand and my eyes were struck by the words etched in the sidewalk.

 

IN DIRECT LINE WITH ANOTHER and THE NEXT.

 

Mr. Zoom and I looked at each other, puzzled, and in a way, more frightened than we were with the Bruce Lee look-alike bearing down on us. Could the partial headline and these odd words have a connection to each other....and to Demi?

 

(L)ines Contribute to City's Demi(se?)

In Direct Line With Another And The Next

 

Does anyone else's head hurt?

 

This is the continuing story of Demi Less and her quest to find her other half. The quest has led her...and us, from Virginia to New York City. If you are just joining us, you might want to read Part 1. Start at the last photo and move forward.

Part 1 of the Demi Story) www.flickr.com/photos/zoom-in-tight/sets/72157607664503789/

 

A kestrel pauses for a brief moment, turning to look directly into the camera before taking to the air again.

Heading south, a Direct Rail Services loco convoy makes its way along the loop adjacent to Platform 12 at Crewe station. Running in diesel mode, Class 88 loco 88001 'Revolution' leads Class 68 loco 'Evolution' and Class 66 loco 66426 near their destination on a run from Carlisle Kingmoor to Gresty Bridge Depot.

(2 partially superposed photos, virtual drawing)

Well, I think we have a bit of a winner here! Taking a few tips and tricks from other photographers, I have a roll that I'm honestly happy with from the start. I shot these at ASA-3 and developed them in a cold mix of 1+1 Classic MQ for six minutes. Yes, there's still a base fog, and the negatives were thin, but they scanned in beautifully!

 

The full review drops September 2026!

 

Nikon F5 - AF Nikkor 24mm 1:2.8 - Kodak Direct Positive Panchromatic 5246 @ ASA-3

Flic Film Classic MQ (1+1) 6:00 @ 20C

Scanner: Epson V700 + Silverfast 9 SE

Editor: Adobe Photoshop CC

Direct Rail Services Class 88 locomotive 88001 speedily approaches Rugeley Trent Valley station at the head of Mossend to Daventry Intermodal freightliner containers.

Direct Rail Services Class 57 diesel locomotive 57307 "Lady Penelope-Thunderbirds" drags Avanti West Coast Class 390 Pendolino 390016 "Railway 200" through Barton-under-Needwood working 5Z57 0855 Crewe to Derby Litchurch Lane

Direct Rail Services (DRS) 37038 passes Ballast Pit LC (north of Waterbeach) with the 5Z07 1200 Bounds Green T&R.S.M.D to Norwich C.Pt. T.&R.S.M.D light engine movement. Taken at 18:12.

today marks the 6th year since my father passed away. contrary to what some people say, time does not "help".

 

it still sucks as much today as it ever did. I appreciate the use of quotes in the graphic design. a type of sarcastic suggestion that knows full well it will not fulfill its promise.

It was taken with Canon 600d and Canon 50mm 1.8 in streets of İzmir.

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