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Digitized Document from our Collection-----Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
One of my latest projects involves preserving old 8mm family movies. My father was an avid movie film buff back in the day when I was growing up - well, it started well before I was born, actually. Anyway, I have a decent collection of movies along with his Kodak Brownie movie camera, still working projector and even a movie screen. But I wanted to digitize the movies, and so I recently purchased this KODAK REELS film digitizer, and I've been making my way through the process of digitizing old family movies (time consuming, let me tell you). This device is honestly working really great - I'm wicked impressed with it so far. I thought it would be fun to upload a brief clip showing it in action. And yes, the movie image on the screen is me as a child. From here, I plan to upload a few random clips - likely just odd stuff that seems cool to me in a retro and artsy way. Don't expect much in the way of family clips, however. :)
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
Image captured in the mid-sixties of Halfdome when valley snow was more common than it is now. Image digitized from old color 35mm slide.
PictionID:46981946 - Catalog:14_023995 - Title:GD/Astronautics Details: Atlas 227D Flight Configuration; Trunnion Plate Date: 12/12/1963 - Filename:14_023995.TIF - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
A real favourite treescape: the colour and resolution of 5x4 Velvia has rendered the grass, the midtones, and the highlights in an extraordinary way.
Snowdonia, North Wales
10.35am 17th February 2018
Linhof Technikardan S45
Nikkor-M 300mm f/9
Fujichrome Velvia 50, 1" f/32
5mm front fall
Home-developed with Jobo CPE-3 and Tetenal E6 (FD 7mins 10secs)
Digitized with 4-frame stitch on lightbox with D800E/85PC-E
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
This Book of Hours, ca. 1460, was completed for use of Rome and illuminated under the influence, if not the direct participation, of Willem Vrelant. There remain twenty-two extant marginal calendar illustrations, thirteen extant full-page miniatures (many of which are paired with opening suffrages, perhaps suggesting a certain amount of significance to the owner), and one historiated initial. The contemporary binding, signed Livinus Stuaert, is dated 1477 and is most likely of Bruges or Ghent origin. It is thought that the first owner was French due to the French headings throughout and prominent fleur-de-lis figurations decorating the binding. Further, the first owner was likely female, suggested by the ways in which the book was structured to facilitate legibility. This is evinced by the large size of the script and the lack of abbreviations. While much of the text is standard, there remains evidence of personal significance and preference. This is seen in the chosen illuminations for those sections that are most significant to the owner. Most illuminations are paired with the opening page of staple Hours; however, many are accompanied by individual suffrages, constituting a large portion of the beginning of the manuscript. Personal preference is also shown in those sections of text that stray from the standard. The devotional sequence of this manuscript is notable for its sheer length and diversity of prayers as well as its inclusion of a French prayer not of official liturgy (fols. 215r-219v). The first collection of three prayers is headed and written in French. The prayer is attributed to St. Augustine and is described to guarantee a transformation of tribulation into joy through Christ's mercy, but only if the suppliant recites the prayer for thirty consecutive days. While it is not uncommon for evidence of an owner's predilections to surface in a Book of Hours, the particularly divergent features of this book allow readers to glean an intimate view of the patron.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
The MakerBot Digitizer 3D-scanned Laser Cat model was used in this test of different layer thicknesses. The cat was scaled down to 50 mm in height and then 3D printed at the following layer heights:
- 0.40 mm (400 microns)
- 0.30 mm (300 microns)
- 0.20 mm (200 microns)
- 0.10 mm (100 microns) - Average width of a strand of human hair
- 0.05 mm (50 microns)
- 0.02 mm (20 microns)
All six cats where 3D printed on a MakerBot Replicator 2 with TRUE BLUE PLA plastic at 230 degrees C.
All layers where 3D printed with MakerWare's standard values as follows:
(400 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(300 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(200 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(100 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(50 microns) - 15% infill - perimeters 2 - speed 60 mm/s
(20 microns) - 15% infill - perimeters 2 - speed 40 mm/s
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The 3D scanner: bit.ly/1a7y8hG
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:146265